Twenty Six Years Ago, After Over 80 Years Trading in Brighton, We Were Honoured by Being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001

Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.

It was a great honour for Mark and David, especially considering at the beginning of the new millennium, in the year 2000, there was over 7,000 established antique and collectors shops in the UK, according to the official Guide to the Antique Shops of Britain, 1999-2000, and we were nominated, and voted into in the top four in Britain.

Since first opening our doors early in the last century, for over 55 years as mine host, Mark, and for 45 years by David, they have personally greeted hundreds of thousands of visitors every year, and likely tens of millions in over half a century, to their family owned galleries. To every single one we have tried our utmost to provide our renown five star service of courtesy, respect, assistance, help, and advice.

We still have many more pieces from our collection, to add to our web store. Many are absolute beauties of museum quality.
Plus, many more original samurai swords, are to be added, including, many original WW2 Shingunto officers swords, some mounted with family ancestral samurai blades. Also, an amazing collection of original, antique samurai sword tsuba {sword guards} from the past 500 years, and, as well as all that, so much more!

A resume, below, of our family’s ‘old English merchants and traders’ 500 year old history, that stretches from our ancestors serving Queen Elizabeth 1st as her ‘Sea-Hawk’ captains, that were highly successful {though technically, unofficial} maritime raiders, and scourge of the Spanish fleet of King Philip of Spain, relieving them of his gold, looted from The Americas, then, over 400 years later, to HMS Hawkins, a ‘Hawkins’ class heavy-cruiser, {the ship and her class that were named after Sir John Hawkins, one of Queen Elizabeth’s Sea-Hawk captains} that took part in the Normandy landings in 1944, supporting American troops landing on Utah Beach, and then, to current times, and our shop here in The Lanes.

Our family have been involved as merchants and traders in the South of England {lately in Sussex, and formerly, in the ‘West-Country’ in Devon} since the early part of the 16th century. Our ‘Hawkins’ ancestors, were then based in Plymouth, in the county of Devon, and were sea-farers of world renown, and some of the very earliest traders regularly sailing their merchant ships across the Atlantic to the New World, during the reign of Queen Elizabeth 1st.

Our fleet were taking emigrating English pilgrims and settlers West to America, and returning with new and exotic cargo from the entire Americas, {such as tobacco and potatoes from the Andes}, Eastwards across the Atlantic, to the eager 16th century English markets.

By the 19th century part of our family had re-located Eastwards to Brighton, yet still connected to our maritime roots, into the local Brighton shellfish trade, supplying shellfish to the Prince Regent’s kitchens at the Palace in Brighton, and his accompanying aristocratic court that had built their family ‘town’ mansions across the length of Brighton’s seafront.
From there, part of the Hawkins family ‘migrated’ to more land based pursuits, of merchant traders, primarily as shop-keepers in and around Brighton, and other Hawkins’ though emigrated, and settled to trade in America and Canada.

David Hawkins senior {Mark and David’s father} however, lovingly maintained his desire to remain connected to our ancient family maritime roots. His desire was sated by acquiring a deep-sea-fishing and sailing ship, a 1930’s gaff rigged schooner. Moored at Newhaven port’s Cresta Marine, but it was only used strictly for pleasure, until the late 1970’s. Offering frequent complimentary recreational therapy fishing trips to blind former servicemen from St Dunstans Hospital in the 1960’s.
A photo in the gallery is of portraits of two sea faring ‘Plymouth’ Hawkins, John and Richard, John was cousin to Sir Francis Drake who became one of England’s foremost naval commanders, and, scourge of King Philip of Spain, and father of Richard. Another photo is of heavy cruiser HMS Hawkins named in John’s honour, it was the lead ship of five Hawkins-class heavy-cruisers, named after our esteemed forebears. In 1944 HMS Hawkins returned home from the East Indies fleet to participate in the Normandy landings. Initially assigned to the 1st Cruiser Squadron of the Home Fleet, she was detached to the Western Task Force Gunfire Support Bombardment Force U to support American troops landing at Utah Beach.

Scholars think it is likely Francis Drake was illegitimate, and that is probably why he was placed at an early age into the household of William Hawkins of Plymouth. Drake thus began his seagoing training as an apprentice for the Hawkins family, and the rest as they say, is history.

We are open 6 days a week from 10.30 till 4.30. Please note however, we never open our gallery on Sundays or Bank Holidays. A tradition of just a single day of rest every week we have tried our best to maintain for 100 years.

However, our web store, like all the stores online, operates 24/7, 365 days of the year.

Here’s wishing a healthy and happy well-being to us all.
Gloria Antika!

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 23577

A Really Rare Original Victorian Crimean War Other Ranks Guardsman's Bearkin Cap. with Hardened Leather Interior Frame & Original, Victorian, Crown VR , Maker's Label

It is fair to say less than one in ten thousand household Division Bearskin Caps to be seen today, on the collectors market, is an original, Victorian issue, 1850's, Crimean War service bearskin cap, the other 9,999 per ten thousand, will be the regular 20th century cane framed bearskin caps. With good condition, leather lined chinscales.

In overall very good condition, the interior bears its original mid 19th century Victorian makers label. It is heavy stitched leather, stitched to the skin, as would be usual for the Crimean bearskin, and it also has the regular other ranks leather headband intact, {the officer's version had a velvet headband} fully. It has no hackle mount externally, which is correct for the Scots Fusilier Guards bearskins, as they wore no hackle, unlike the Grenadiers, and Coldstream Guards. This is only the third 1850's example used in the Crimea we have seen outside of the Guards Museum
.
This is the bearskin headdress of an 1850's other ranks of the Scots Fusilier Guards, one of the most famous regiments of infantry in the British Army. This celebrated item, still worn by the Guards Division on ceremonial duties, has its origins in the Battle of Waterloo, where the 1st Foot Guards of Wellington's army fought against the French Imperial Guard, who wore bearskin caps. It was during the reign of King George IV that the Guard uniforms were changed, along with the Guard Regiments themselves. The scarlet coatee was introduced, with gray or white trousers and in 1832 the bearskin cap became the official headdress of all three guards regiments, thus creating the ceremonial uniform that essentially remains in use today.

In the Crimean war the bearskin was reduced in height and the cap's pelt could be attached to a hardened leather cap, as is this one, and not mounted on a frame of willow or rattan as they are today, one such leather lined bearskin is in the Guards Museum in London

In the Crimean war they were still a combat helmet, classified as a bearskin cap. Sometime after the Crimea, the bearskin was only in use by the guards, and fusiliers regiments as a dress cap, just as it still is today.

The guards combat details follow below {in a brief resume} at the Battle of Alma, during the retreat and second attack.

By now, the 1st Division had finally crossed the river and the Russians in the greater redoubt saw approaching them the Guards' Brigade, with the Grenadier Guards on the right, the Scots Fusilier Guards in the centre, and the Coldstream Guards on the left. Out of sight on the far left was the Highland Brigade, commanded by Sir Colin Campbell. Campbell was irritated by the Guards' delay and ordered an immediate advance. A firm believer in the charge with bayonets, Campbell told his men not to fire their rifles until they were "within a yard of the Russians".

The Scots Fusiliers, by then ahead of the rest of the division, started to move uphill immediately, repeating the Light Division's mistake, which at that moment was running down from the redoubt, pursued by Russian infantry. The Light Division crashed into the advancing Scots Fusiliers with such force that the line was broken in many places. The Scots faltered, but emerged on the other side with only half their numbers and continued towards the great redoubt in a chaotic state. When they were 37 m (40 yd) from the redoubt, the Russians mounted a massive volley. The Scots Fusiliers were forced to retreat, stopping only when they reached the river.

The two other guards regiments filled the gap left by the Scots Fusiliers, but refused orders to charge with bayonets up the hill. Instead, the Grenadiers and the Coldstream formed into lines and started firing Minie volleys into the Russian advance parties. This stopped the Russians, and the Grenadiers and the Coldstream were soon able to close the gap between them; the Russians were again forced back into the redoubt. Vintage, replaced chinscales

Photos in the gallery of hand-coloured photograph of three soldiers of the Scots Fusiliers Guards who served in the Crimean War. From right to left are Corporal Judd, Edward Temple and William Reynolds. They are all seated with Judd resting his bearskin on his lap and Temple holding one of the three rifles joint together pointing upwards.

Alongside this Crimean piece we also acquired a fabulous Crimean War pistol and an 1853 relic sword blade from the Charge of the Light Brigade.

Throughout the war Queen Victoria had taken an active interest in the welfare of the troops and on their return from the Crimea she met a number of the veterans at Buckingham Palace, Chatham Military Hospital and Aldershot Garrison. Following these meetings she commissioned a series of photographs of the veterans from the photographers Joseph Cundall and Robert Howlett.

The other coloured photograph is of Colour Sergeant William McGregor of the Scots Fusilier Guards.

The maker of this bearskin cap was established in 1776, as Sword Cutlers, Military Outfitters, and Hatters, W. Cater & Co. They were at 56 Pall Mall, and they moved from 56 Pall Mall, to 62 Pall Mall in around 1918.  read more

Code: 25401

A Most Rare & Stunningly Beautiful Imperial Russian Superior Cavalry Officer's Sword, Romanov Era, From the First Quarter to Mid 19th Century. A War Trophy of the Crimean War

Curved, bright polished single edge blade, cut with 2 fullers (one broad, one narrow), very fine brass hilt decorated throughout with laurel and acanthus leaves and foliage in relief, a knuckle bow with two bar guards, and a superb original wire bound polished horn grip, with a typically Russian form of forward slanted pommel, with pommel ball.

Original Imperial Russian Romanov period officer's swords of the 19th century appear very rarely indeed, as so few survived the revolution, and when they do, if they are the very fine quality examples, they can achieve extraordinarily high prices. It is certainly possible this sword is a trophy of the Crimean War.

This superb sabre would likely have seen its most combative service in the Crimea, such as at The Battle of Balaclava that is remembered in Britain for the actions of two British units. At the start of the battle, a large body of Russian cavalry charged the 93rd Highlanders, who were posted north of the village of Kadikoi. Commanding them was Sir Colin Campbell. Rather than "form square", the traditional method of repelling cavalry, Campbell took the risky decision to have his Highlanders form a single line two men deep. Campbell had seen the effectiveness of the new Minié rifles with which his troops were armed at the Battle of Alma, a month earlier, and he was confident that his men could beat back the Russians. His tactics succeeded. From up on the ridge to the west, Times correspondent William Howard Russell saw the Highlanders as a "thin red streak topped with steel", a phrase which soon became the "Thin Red Line".

Soon afterward, a Russian cavalry movement was countered by the Heavy Brigade, which charged and fought hand to hand until the Russians retreated. That caused a more widespread Russian retreat, including a number of their artillery units. After the local commanders had failed to take advantage of the retreat, Lord Raglan sent out orders to move up and to prevent the withdrawal of naval guns from the recently captured redoubts on the heights. Raglan could see those guns because of his position on the hill. In the valley, that view was obstructed, and the wrong guns were in sight to the left. The local commanders ignored the demands, which led to the British aide-de-camp, Captain Louis Nolan, personally delivering the quickly-written and confusing order to attack the artillery. When Lord Lucan questioned to which guns the order referred, the aide-de-camp pointed to the first Russian battery that he could see and allegedly said "There is your enemy, there are your guns", because of his obstructed view, which were wrong. Lucan then passed the order to the Earl of Cardigan, which resulted in the Charge of the Light Brigade.

The House of Romanov was the reigning imperial house of Russia from 1613 to 1917. They achieved prominence after Anastasia Romanovna married Ivan the Terrible, the first crowned tsar of all Russia. Nicholas II, the last Emperor of Russia, and his immediate family were executed in 1918, but there are still living descendants of other members of the imperial house.

Romanov 19th century history;
Paul I was murdered in his palace in Saint Petersburg in 1801. Alexander I, succeeded him on the throne and later died without leaving a son. His brother, crowned Nicholas I, succeeded him on the throne in 1825. The succession was far from smooth, however, as hundreds of troops took the oath of allegiance to Nicholas's elder brother, Constantine Pavlovich who, unbeknownst to them, had renounced his claim to the throne in 1822, following his marriage. The confusion, combined with opposition to Nicholas' accession, led to the Decembrist revolt. Nicholas I fathered four sons, educating them for the prospect of ruling Russia and for military careers, from whom the last branches of the dynasty descended.

Alexander II, son of Nicholas I, became the next Russian emperor in 1855, in the midst of the Crimean War. While Alexander considered it his charge to maintain peace in Europe and Russia, he believed only a strong Russian military could keep the peace. By developing the Imperial Russian Army, giving increased autonomy to Finland, and freeing the serfs in 1861 he gained much popular support for his reign.

The Crimean War was fought from October 1853 to February 1856 between the Russian Empire and an ultimately victorious alliance of the Ottoman Empire, France, the United Kingdom, and Sardinia-Piedmont.

Geopolitical causes of the war included the decline of the Ottoman Empire (the "Eastern Question"), the expansion of Russia in the preceding Russo-Turkish Wars, and the British and French preference to preserve the Ottoman Empire to maintain the balance of power in the Concert of Europe. The flashpoint was a disagreement over the rights of Christian minorities in Palestine, then part of the Ottoman Empire, with the French promoting the rights of Roman Catholics, and Russia promoting those of the Eastern Orthodox Church.

The Crimean War marked a turning point for the Russian Empire. The war weakened the Imperial Russian Army, drained the treasury and undermined Russia's influence in Europe. The empire would take decades to recover. Russia's humiliation forced its educated elites to identify its problems and recognise the need for fundamental reforms. They saw rapid modernisation as the sole way to recover the empire's status as a European power. The war thus became a catalyst for reforms of Russia's social institutions, including the abolition of serfdom and overhauls in the justice system, local self-government, education and military service.

In excellent condition overall considering this fabulous and incredibly rare sabre’s cavaly officer has obviously seen hand-to-hand combat, thus there is very light and minuscule overall surface wear to the steel blade, but it is still very fine indeed, very bright and wonderfully polished. On the hilt’s upper section of knuckle-bow, on the inner side, there is a very fine tiny combat-stress hairline {see photo 6}. Likely caused by a combat punch action impact of the hilt against a resistant object, possibly a helmet. Blade overall 38 .75 inches long, blade 31.75 inches long. No scabbard

Possibly by Schaaf & Söhne St. Petersburg.
We have seen Imperial Russian, of very similar quality and design, officer’s dragoon swords, such as a later pattern St Anne’s dragoon sword for bravery, sell for up to £30,000, so relatively, this sword is most inexpensive by comparison..  read more

Code: 25399

An Extremely Rare Example of an Incredibly Impressive Vijayanagara Hooded Katar From South India,16th To Early 17th century. Engraved at the Grip With Two Facing Yali or Leogryph (a Part Lion and Part Griffin), With Some Bird-Like Features.

Graduating triangular blade, engraved at the grip with two facing yali or leogryph (a part lion and part griffin), with some bird-like features. This mythological creature could be added to fine hooded katars by engraving to the hooded Katars as a means of spiritual protection in the battlefield. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse. The Vijayanagara Empire originated in the South of India through small Hindu Kingdoms as a resistance to the Muslim invasions from the North. These types of Hooded Katars are seen in the statues at Seshagiri Rayar Mandapam and were the staple of the Empire. As the Vijayanagara Empire slowly declined in the 17th century, this style of Katar declined and Katars without the hood became prominent.
This most rare Vijaynagara Katar exhibits the classical and traditional design, staying true to its roots. The blade is long, strongly tapering, with multiple grooves and fullers. The blade is also very sturdy and tight. Also if you notice the examples provided by Elgood, some of the katars do feature this type of blade. The grooves are deep and precisely cut and hold a consistent spacing and design, which adds to its aesthetic appeal. The blade is longer than the usual hooded Katars, which points towards this being an original blade, rather than a cut down european blade that is found on most other hooded katars on the market. The shield (hood) is a thick solid steel with a clean finish, engraved with floral designs and a yali. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse, and in similar shapes. Also, it has been sometimes described as a leogryph (part lion and part griffin), with some bird-like features. This mythological creature was added to the hooded Katars as a means of spiritual protection in the battlefield.

The handle bars are wide and larger than the typical Katar to match the aesthetic and size of the Vijaynagara Katar. The width of the handle bars provide an excellent protective layer for the user, but also creates an imposing presence when held due to the sheer size of the Katar. The grips features balls which give the user a good grip.

The world of antique sword and dagger collecting is a fascinating journey into the past, offering a unique lens through which to view history and culture. More than mere weapons, these artifacts serve as tangible connections to the societies and ancient times where they originated. Each blade tells a story, not just of the battles it may have seen but of the craftsmanship, artistic trends, and technological advancement of its time.

The hilt and guard can be equally telling. Engravings and decorative elements may enhance the sword’s beauty and hint at its historical context.

Collecting antique swords, arms and armour is not merely an acquisition of objects; it’s an engagement with the historical and cultural significance that these pieces embody. As collectors, we become custodians of history, preserving these heritage symbols for future generations to study and appreciate.

We are now, likely the oldest, and still thriving, arms armour and militaria stores in the UK, Europe and probably the rest of the world too. We know of no other store of our kind that is still operating under the control its fourth successive generation of family traders.

For more information and comparable examples of this type of Katar and other Arms and Amour, see Elgood, Hindu arms and Ritual, Eburon Publishers, Delft. There is a comparable Vijaynagara hooded katar in the Metropolitan Museum in New York, accession number 36.25.905  read more

Code: 25353

A Wonderful, Original, Antique Victorian Helmet of the 6th Dragoons the Inniskillins. One of the Great Irish Cavalry Regiments in the British Army & One of The Most Desirable of All The Victorian Regimental Helmets

One of the best surviving examples one can see in or out of a museum

They served in the Crimea in 1854, losing all its horses en route in a fire on board its troop ship, but still managing to take part in the charge of the Heavy Brigade at Balaklava.

The regiment was deployed to the Crimea in April 1854 but during the voyage the regiment's transport ship Europa sank with the loss of the commanding officer, Lieutenant Colonel Willoughby Moore, and 17 of his men. Lieutenant-Colonel Henry Dalrymple White took over command of the regiment and led it in action at the Battle of Balaclava in October 1854.

The first assault line consisted of the Scots Greys and one squadron of the Inniskillings, a total of less than 250 sabres. Only when the RSMs declared themselves happy with the alignment did Scarlett order his bugler to sound the 'Charge'. The idea of a charge conjures up images of the Light Brigade dashing forward at speed but Dragoons were larger men with much heavier equipment so their charge was more of a trot. Floundering at obstacles such as ditches or coppices they headed towards the massed ranks of Russian cavalry, pressing on inexorably at a mere 8 miles an hour. Slow they may have been but the effect of these heavy cavalrymen slamming into the much lighter Russian cavalry stunned their enemy. A letter from a Captain of the Inniskillings illustrates the mellee which followed:

"Forward - dash - bang - clank, and there we were in the midst of such smoke, cheer, and clatter, as never before stunned a mortal's ear. it was glorious! Down, one by one, aye, two by two fell the thick skulled and over-numerous Cossacks.....Down too alas! fell many a hero with a warm Celtic heart, and more than one fell screaming loud for victory. I could not pause. It was all push, wheel, frenzy, strike and down, down, down they went. Twice I was unhorsed, and more than once I had to grip my sword tighter, the blood of foes streaming down over the hilt, and running up my very sleeve....now we were lost in their ranks - now in little bands battling - now in good order together, now in and out."
In the words of Colonel Paget of the Light Brigade "It was a mighty affair, and considering the difficulties under which the Heavy Brigade laboured, and the disparity of numbers, a feat of arms which, if it ever had its equal, was certainly never surpassed in the annals of cavalry warfare, and the importance of which in its results can never be known.
It then took on peacekeeping roles in India in 1857 after the Mutiny and in South Africa in 1880 after the Zulu War.

It fought as mounted infantry in the Boer War. After the outbreak of the Second Boer War in October 1899, the regiment was sent to South Africa. It formed part of General French′s force in the operations around Colesberg, and afterwards one squadron took part in the relief of Kimberley in February 1900.22 The squadrons of the regiment then rejoined, and formed part of the cavalry brigade which served in all the engagements in the general advance on Pretoria, one of the Boer capitals, which was captured on 5 June 1900. They took part in the battles of Diamond Hill (June 1900) and Belfast (August 1900), and in the following cavalry advance on Barberton in the Eastern Transvaal. The regiment subsequently joined a column under the command of Colonel Michael Rimington in the Orange River Colony, taking part in miscellaneous raids and drives there throughout the last year of the war, which ended with the Peace of Vereeniging on 31 May 1902. Following the end of the war, 257 officers and men of the regiment left Cape Town on the SS Orissa, which arrived at Southampton in late October 1902,23 and another 138 men arrived at Queenstown the following month on the SS Orient.After their return, the regiment was stationed at Curragh. One of its lieutenants, Lawrence Oates, was recommended for the Victoria Cross and is best known for his last words - 'I am going out, I may be some time' - shortly before his death on Scott’s expedition to the South Pole in 1912.

The unit served mainly as infantry on the Western Front during the First World War, suffering heavy casualties on the rare occasions it charged as cavalry.  read more

Code: 25325

A Very Fine, 17th Century, King 'William & Queen Mary' Period Hangar Sword Cutlass of Senior Naval Officer's Admirals and Captains of the Royal Navy. & Notorious Pirates 🏴‍☠️ Gold Inlaid Flower Head Stamped Blade

From a superb family collection we just acquired, that was accumulated over decades, of fine early swords, pistols and cutlasses.

The sword of choice for senior officer's {Admirals and Captain's} serving in the Royal Navy during the 17th and early 18th century. We show three portraits in the gallery of admirals of the age each bearing their same swords, plus notorious pirates Blackbeard using the same sword.

Short flat sided blade. Antler handle made of antler of a male deer, called “hartshorn,” brass single knuckle bow bar hilt with cap pommel.
Blade bears two armourer's marks, of an 8 petealed flower stem and leaf with gold inlay. Overall in superb condition for its age.

Another very similar 'William and Mary period cutlass hangar was recovered {in a very poor state} from the wreck of notorious pirate, Captain Blackbeard's ship, the Queen Anne's Revenge, that was found at Beaufort inlet in 1996, the remains of the vessel have become the property of the people of North Carolina. And another 'William and Mary' period sword-cutlass is in a museum collection in Colonial Williamsburg in America.

William and Mary were the co-regnants over the Kingdoms of England, Scotland, and Ireland, namely the Dutch Prince of Orange King William III (& II) and his spouse (and first cousin) Queen Mary II. Their joint reign began in February 1689 after they were offered the throne by the Convention Parliament irregularly summoned by William after his victorious invasion of England in November 1688, the so-called Glorious Revolution. They replaced James II (& VII), Mary's father, who fled the country. Parliament offered William and Mary a co-regency, at the couple's behest. After Mary died in 1694, William ruled alone until his death in 1702. William and Mary were childless and were ultimately succeeded by Mary's younger sister, Anne.
This was the most popular form of sword used by the early British Naval Commanders when at sea. There are numerous great portraits in the National Gallery, and at the National Maritime Museum, of 17th and 18th century Admirals adorned with identical swords. Such as Admirals Benbow, Shovel et al. we show three such portraits in our gallery, of Hopsonn, Shovel and Benbow.

Vice-Admiral John Benbow (10 March 1653 – 4 November 1702) was an English Royal Navy officer. He joined the Navy in 1678, seeing action against Barbary pirates before leaving to join the Merchant Navy in which Benbow served until the 1688 Glorious Revolution, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against the French Navy during the Nine Years' War, serving on and later commanding several English warships and taking part in the battles of Beachy Head and Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during his military accomplishments, which included fighting against Barbary pirates such as the Salé Rovers, besieging Saint-Malo and seeing action in the West Indies against the French during the War of the Spanish Succession.

Admiral of the Fleet Sir Cloudesley Shovell (c. November 1650 – 22 or 23 October 1707) was an English naval officer. As a junior officer he saw action at the Battle of Solebay and then at the Battle of Texel during the Third Anglo-Dutch War. As a captain he fought at the Battle of Bantry Bay during the Williamite War in Ireland.

As a flag officer Shovell commanded a division at the Battle of Barfleur during the Nine Years' War, and during the battle distinguished himself by being the first to break through the enemy's line. Along with Admiral Henry Killigrew and Admiral Ralph Delaval, Shovell was put in joint command of the fleet shortly afterwards.

During the War of the Spanish Succession, Shovell commanded a squadron which served under Admiral George Rooke at the capture of Gibraltar and the Battle of Málaga. Working in conjunction with a landing force under the Earl of Peterborough, his forces undertook the siege and capture of Barcelona. He was appointed commander-in-chief of the Navy while at Lisbon the following year. He also commanded the naval element of a combined attack on Toulon, base of the main French fleet, in coordination with the Austrian army under Prince Eugene of Savoy in the summer of 1707. Later that year, on the return voyage to England, Shovell and more than 1,400 others perished in a disastrous shipwreck off the Isles of Scilly.

Thomas Hopsonn enjoyed a naval command on 18 May 1688, when James II appointed him to the Bonaventure. This ship was part of the fleet sent to The Nore under Strickland to prevent the Dutch invasion. However, Hopsonn was one of the conspirators within the fleet who supported William of Orange in the Glorious Revolution.

Following the revolution, Hopsonn retained command of the Bonaventure and was part of the squadron that relieved the siege of Derry in June 1689. On 28 October 1689, he was posted to the York, and commanded that vessel during the battle of Beachy Head the following year. Hopsonn's immediate commander in the battle was Sir George Rooke, who formed a high opinion of his gallantry and was afterwards much associated with him. He commanded Royal Katherine for two months starting in August 1690, before moving to command the St Michael. It was aboard the latter that he followed Rooke in the battle of Barfleur on 19 May 1692. In the same year, he was promoted to become a captain in the foot guards on the recommendation of admiral Edward Russell.

Blackbeard or Edward Teach (c.1680-1718) is one of the most infamous pirates to have ever lived.
Known for his fearsome image and daring acts on land and sea throughout the West Indies and along the North American East coast, his legacy has been the inspiration for many depictions of pirates throughout history. In possibly his most brazen act, Teach used his flotilla to blockade the port of Charlestown in the province of South Carolina. Over the course of a week, nine vessels were stopped and plundered as they attempted to sail out of the harbour, where Teach's fleet was moored.
Teach informed some of his prisoners that his fleet required medical supplies from the colonial government of South Carolina and that if none were provided, all would be beheaded and their ships burned.
Two pirates and a prisoner were sent to the town but when they did not return he moved eight ships into the harbour, causing panic and looting within the town. Shortly after his supplies were delivered and the prisoners released, after reportedly being robbed of all worthy possessions.
This siege represents the height of Teach’s notoriety, not just as a skilled captain but a fierce leader who was not confined to the sea and would maraud where he pleased. Exploits such as these made Teach was one of the most commonly reported pirates in the news and in the print of his age.

22.75 inches long overall, 17.5 inch long blade  read more

Code: 25381

A Fantastic and Phenomenally Powerful Two Handed Viking War Hammer Axe. Weighing Just Under Four Pounds. Wheeler Classification As A, Type I Circa 840 AD, Around 1200 Years Old. As used By The Huscarls, Danish Vikings, The Bodyguards Of Kings

This is a monstrously powerful axe of incredible heft. Used with the long haft somewhat akin to the axe of a Huscarl, the Danish Viking mercenaries that were famously the personal guard of King Harold at the battle of Hastings. Incredibly well preserved for its age, and remarkably still bears the remains of the wooden haft in the affixing aperture. Axes like this are categorized by the 1927 Wheeler classification system of Viking armaments, which groups pieces based off their shape, size, and intended use.

Danish Huscarls (Old Norse for "house-men") were elite, professional Viking warriors and bodyguards for Scandinavian and Anglo-Danish kings, renowned as fearsome shock troops in the 10th-11th centuries, serving as personal guards, heavy infantry, and the core of armies, famous for their heavy armour, Dane axes, and loyalty, notably forming King Harold Godwinson's elite at the Battle of Hastings.
Unlike militia (fyrd), Huscarls were full-time, well-trained, paid warriors. They served directly in the king's household, guarding his person and wealth.
Accordingly they held high status, ate at the king's table, and were bound by strict honour codes.
Provided personal protection for kings, notably Cnut the Great and Harold Godwinson, Earl Godwinson, later, King Harold of England
They formed the backbone of armies, equipped for brutal close-quarters combat.
The Dane Axe was famous for wielding large, two-handed axes, of incredible heft weighing near 2 kilos, or even more, that were devastating to enemy formations.
They wore chainmail, helmets, and carried shields (round or kite-shaped).
Central to military power during Danish rule under Cnut the Great (1015-1035).
Battle of Hastings (1066): King Harold's Huscarls formed his elite core, fighting ferociously but ultimately overwhelmed by Norman forces.
In essence, Danish Huscarls were the medieval equivalent of special forces, representing the pinnacle of warrior skill and loyalty in their era

Introduced by King Cnute, The Huscarls were the Royal Bodyguard and the elite fighters in the English field armies of the time. Highly trained, highly paid and highly motivated, they were the best and most highly feared troops in Europe, armed with long two handed axes, often in the later Viking age, they had an axe with a broader cutting edge, but the earlier Viking age around the 800's to 900's they had narrower cutting edges, as has this one, and it is said they were especially good for smashing helmets and piercing or crushing chain mail armour.
In the early Viking Age, the cutting edge of big axes measured from 7cms, {as is this one}, to 15 centimetres, while later Viking and Danish axes became wider. The later Danish Huscarl axe had a crescent-shaped cutting surface that measured 22 to 45 cms. The earlier 800's a.d. double handed axes were far more dedicated as single purpose weapons, with such a limited cutting edge they had no servicable use for cutting wood at all, crushing smashing and killing was there sole purpose. The later 11th century examples, could, if absolutely neccessary be used to cut down a tree.

Royal Huscarls are thought to have numbered three thousand - a great number of men to pay in those days. A special tax of one silver mark per ten hides was levied to pay the Huscarls. Further to their pay in coin (deemed to have been monthly) they were housed and fed initially from the king's coffers. Whether the king armed them as well is not known for certain. Gifts of weapons and equipment would have been made periodically to maintain their loyalty, in the manner of Scandinavian kings being 'ring-givers' in the early days of the Vikings. They would have had to have means of their own, as a king might easily dismiss them from his service for 'conduct unbecoming', to pay for their own armament and at least one horse to take him to fight (although in common with most other warriors of the northern world they fought on foot in time-honoured fashion). A huscarl's equipment amounted to mail-shirt (later mail-coat similar to the Normans' hauberk), one or more helmets, shields, spears and 'Dane-axe', the very effective long-shafted, two-handled fighting axe.

Knowledge about the arms and armour of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them all the time. These arms were indicative of a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, and sword. However, swords were rarely used in battle in the same quantity as axes, as few Vikings were of the status to own or carry a sword, A typical bondi (freeman) was more likely to fight with a spear, axe, with shield and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than a melee weapon.

The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death. In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria, or large amounts of alcohol. Perhaps the most common hand weapon among Vikings was the axe swords were more expensive to make and only wealthy warriors could afford them. The prevalence of axes in archaeological sites can likely be attributed to its role as not just a weapon, but also a common tool. This is supported by the large number of grave sites of female Scandinavians containing axes. Several types of larger axes specialized for use in battle evolved, with larger heads and longer shafts.

Vikings most commonly carried sturdy axes that could be thrown or swung with head-splitting force. The Mammen Axe is a famous example of such battle-axes, ideally suited for throwing and melee combat.
An axe head was mostly wrought iron, possibly with a steel cutting edge. This made the weapon less expensive than a sword, and was a standard item produced by blacksmiths, historically.

Like most other Scandinavian weaponry, axes were often given names. According to Snorri Sturluson's Prose Edda, axes were often named after she-trolls. A bearded 10th century Viking battle axe that could double as a throwing axe from the time of the last Viking, English King, Eric Bloodaxe, King of Northumbria. Probably the eldest son of King Harald Finehair The first King of all Norway. Eric's name probably derives from the legend that he murdered most of his 20 brothers, excepting Hakon. This was an unfortunate error as, upon Haralds death, Hakon returned to Norway from Britain to claim Harald's throne, and removed Eric from his Kingship. His elder brother Eric then fled Norway to Britain and to King Athelstan, an old friend of his father's, whereupon he took the Kingdom of Northumbria in around 947 a.d. While the sagas call him 'Bloodaxe', one of the Latin texts calls him fratris interfector (brother-killer), but, for whatever reason his name was derived, it was certainly a fine example of the descriptive titles the Viking warriors had, and that we are told of in the Viking sagas.

Weighing just under 4 pounds, 9 inches {23 cms} x 2.5 inches {7cms}  read more

Code: 25471

Most Rare & Desirable, Status Ring, An Original Ancient Roman Bronze Ring Engraved With A Roman Legion’s Eagle Standard. An Image Of An Ancient Roman Legion's Standard Possibly For The Legion's Aquilfer {Standard Bearer} Circa 1700 Years Old

A fabulous Ancient Roman bronze Legionary's ring, from the era of Emperor Constantine The Great. The ovoid bezel is intaglio engraved with a Legionary Eagle, with its head turned to the viewers left (Aquila) with what appears to be the lightning bolt within its left claw. In superb, original, natural age patina of a rich dark bronze colour. The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence. Unusually, it is a comfortably wearable sized ring {which is somewhat rare due to original ancient Roman rings and armilla being usually smaller sized} In copper bronze with stunning, natural age patination.. By far the greatest percentage of rings from the Roman era were engraved in the stylised form, but a very small percent, perhaps less that .01 percent, were engraved in the realism form. This is one of those rare types of more realistic engravings. The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, and legionaries. Some gladiators always aspired to but rarely achieved the ring likely due to their short life span within their violent craft. However, some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.

The decisive moment in the civil war of 312 ad came when Constantine I defeats his rival’s armies at the Battle of Turin – Constantine I also defeats forces loyal to Maxentius. At the Battle of Verona – Constantine I defeats more forces loyal to Maxentius. An on the 28 October – Battle of Milvian Bridge – Constantine I defeats Maxentius and takes control of Italy. Constantine was now in full control of the Roman West. But, more importantly, the victory over Maxentius marked a crucial threshold in the Roman Empire’s history. Apparently, prior to the battle, Constantine saw a cross in the sky and was told: “In this sign shall you conquer.” Encouraged by the vision, Constantine ordered his troops to paint their shield with the chi-rho emblem (initials symbolizing Christ). The Arch of Constantine, built to commemorate the victory over Maxentius, still stands in the centre of Rome.


The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence.

During a battle, the standard was carried by the aquilifer, or "eagle-bearer."

The standard was the mode of communication for generals and troops. A horn blast would instruct the soldiers to look to the emblem, then the aquilifer would wave, raise, or lower it to direct the troops on their next move.

The bearer was also tasked with guarding the standard. In terms of rank, aquilifers fell just underneath centurions. Within the legion, they received higher pay and better rations than the typical soldier.

The standard served as a symbol to place the legion as a collective above the individual. Losing a standard was emotionally devastating because of its intense symbolism. When one was lost in battle, the surviving legionaries were left in shame for failing their fallen brothers in arms. The group promptly disbanded and members devoted themselves to reacquiring the lost icon.
Standards often included an image of the reigning emperor or his name beneath the eagle, adding to the importance of the symbol. In many instances, the eagle on the standard was perched above an orb, signifying Rome's dominion over the entire world.

Subdivisions of legions each carried a smaller standard that identified their group number or name. These were used to quickly assemble the components of the legion when mobilizing for battle.
Some of the most famous standards in Roman history were the ones lost at the Battle of Teutoburg Forest in 9 AD. During a long campaign to conquer Germania, the tribes lured three legions into the forest and launched a guerilla warfare campaign, slaughtering the Roman soldiers.

In 16 AD, General Germanicus led his Roman troops into Germania to seize the lost standards, crossing borders established by Augustus.
Eagles played a central role in Roman life and culture, right from the society's inception.

The aquila, or eagle, is one the most enduring symbols of Roman civilization.

While different animals and mythological creatures served as meaningful signifiers throughout the Republic and Imperial eras, the eagle continuously symbolized power and authority.

In the city's founding myth, the brothers Romulus and Remus agreed to settle their dispute over where to build their kingdom by letting the gods decide. Remus spotted six eagles and Romulus later spotted twelve of the birds.
The eagle was considered majestic and transcendent, to the point that live birds were often caged on emperors' funeral pyres. Once they broke free and flew skyward, the Romans considered it a manifestation of the deceased emperor's transition to godhood.

Ancient Romans esteemed the eagle and adopted it as a symbol of victory. Pliny the Elder wrote extensively on eagles, noting that they possessed excellent eyesight and were skilled parents.

Symbolically, he claimed eagles were the only creature immune to lightning strikes, underscoring their divinity. Up to modernity, eagles are depicted with lightning bolts clutched in their talons.
The earliest standard used by the Roman army was a bundle of straw affixed to a tall staff. Over time, the Romans began using emblems of eagles, wolves, minotaurs, horses, and boars.

Following a crushing defeat in 105 BC at the Battle of Arausio during the Cimbrian War, the Romans completed a self-assessment. The consul Gaius Marius led a reorganization of the military structure. Marius' reforms transformed the Roman legions from a loose militia into a professional fighting force.

As part of the restructure, he declared the eagle as the military's standard and retired the other four creatures mentioned above. Putting the emphasis on the eagle was meant to place its central qualities, bravery and power, at the forefront of the army's identity.

From the mid-Republican era onwards, the standard was a bronze or silver Aquila with spread wings.

Emperor Constantine the Great
Emperor Constantius died in York, England. The system of succession at the time demanded that another Caesar should become emperor but the soldiers in York immediately proclaimed Constantine their leader. It proved to be a pivotal moment in history. He is known as Constantine the Great for very good reasons.

After nearly 80 years, and three generations of political fragmentation, Constantine united the whole of the Roman Empire under one ruler. By 324 he had extended his power and was sole emperor, restoring stability and security to the Roman world.

Constantine also abandoned Rome as the most important city in the empire, building a new capital modestly named Constantinople (now Istanbul). In the next two centuries, Rome and Italy became vulnerable to barbarian invasions. The much more easily defensible Constantinople lasted for another thousand years.

Finally, and perhaps most famously, Constantine’s strong support for Christianity had an incalculable impact on European history. He is said to have been converted to the faith in AD 312, although this has not been corroborated.

At the time only around ten per cent of the Roman empire’s population was Christian. The majority of the ruling elite worshipped the old gods of Rome. Constantine was the first emperor to allow Christians to worship freely, helping to unite and promote the faith. He went on to instigate the celebration of the birth of Christ we call Christmas.

One image in the gallery is of The Battle of the Milvian Bridge that took place between the Roman Emperors Constantine I and Maxentius on 28 October AD 312. It takes its name from the Milvian Bridge, an important route over the Tiber. Constantine won the battle and started on the path that led him to end the Tetrarchy and become the sole ruler of the Roman Empire. Maxentius drowned in the Tiber during the battle; his body was later taken from the river and decapitated, and his head was paraded through the streets of Rome on the day following the battle before being taken to Africa.
*Note behind the mounted figure of emperor Contantine is the emperor's legion's eagle standard, held aloft by his aquilfer.

Outside diameter: 22mm, UK size Q1/2, US 8.25 Signs of light wear consistent with age and use, yet still wearable.  read more

Code: 25475

A Rare Original Roman Gladiatrix, {A Female Gladiator} Size Bronze Ring, Early Imperial Roman Period. Featuring A Coliseum Barbary Lion in a Combat Pose Around 1900 Years Old

An amazing original historical ancient Roman artefact featuring a detailed intaglio hand engraving of a lion, in a gladiatorial standing pose, with its large mane and proud tail, from such as the gladiator and gladiatrix's arena in the Colosseum in Rome, from the time just before the Emperor's Marcus Aurelias and Commodus. The era superbly depicted in Sir Ridley Scott's blockbuster movie, Gladiator, starring Russell Crowe, and soon to be released Gladiator II.

The gladiatrix was a female gladiator of ancient Rome. Like their male counterparts, gladiatrices fought each other, or wild animals, to entertain audiences at games and festivals

Very little is known about female gladiators. They seem to have used much the same equipment as men, but were few in number and almost certainly considered an exotic rarity by their audiences. They are mentioned in literary sources from the end of the Roman Republic and early Roman Empire, and are attested in only a few inscriptions. Female gladiators were officially banned as unseemly from 200 AD onwards, but the word gladiatrix does not appear until late antiquity.
Tacitus writes of women of high status flaunting themselves in the arena during the time of Nero (Annals 15.32). Cassius Dio tells of the Emperor Titus putting on a combat where women were pitted against foes (Historia Romana, 67.8.4).

Petronius mentions a troupe of professional gladiators which included a woman fighting on a chariot (Satyricon 45). According to the gossipy Suetonius, the Emperor Domitian sponsored torch-lit combats at night between men and also between women (Domitian 4). Many Roman oil lamps feature gladiators, a handful of which show what seem to be female gladiators.

In copper bronze with stunning, natural age patination, in a regular female size of the time. By far the greatest percentage of rings from the Roman era were engraved in the stylised form, but a very small percent, perhaps less that .01 of a percent, were engraved in the realism form. This is one of those rare types of more realistic engravings.

The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.

Romans seem to have found the idea of a female gladiator novel and entertaining, or downright absurd; Juvenal titillates his readers with a woman named "Mevia", a beast-hunter, hunting boars in the arena "with spear in hand and breasts exposed", and Petronius mocks the pretensions of a rich, low-class citizen, whose munus includes a woman fighting from a cart or chariot.

Some regarded female gladiators of any class as a symptom of corrupted Roman sensibilities, morals and womanhood. Before he became emperor, Septimius Severus may have attended the Antiochene Olympic Games, which had been revived by the emperor Commodus and included traditional Greek female athletics. Septimius' attempt to give Romans a similarly dignified display of female athletics was met by the crowd with ribald chants and cat-calls.26 Probably as a result, he banned the use of female gladiators, from 200 AD.27

There may have been more, and earlier female gladiators than the sparse evidence allows; *McCullough speculates the unremarked introduction of lower-class gladiatores mulieres at some time during the Augustan era, when the gift of luxurious, crowd-pleasing games and abundant novelty became an exclusive privilege of the state, provided by the emperor or his officials. On the whole, Rome's elite authorities exhibit indifference to the existence and activities of non-citizen arenari of either gender. The Larinum decree made no mention of lower-class mulieres, so their use as gladiators was permissible. Septimius Severus' later wholesale ban on female gladiators may have been selective in its practical application, targeting higher-status women with personal and family reputations to lose. Nevertheless, this does not imply low-class female gladiators were commonplace in Roman life. Male gladiators were wildly popular, and were celebrated in art, and in countless images across the Empire. Only one near-certain image of female gladiators survives; their appearance in Roman histories is extremely rare, and is invariably described by observers as unusual, exotic, aberrant or bizarre.
The following historical quote from Antiquity is from Cassio Dios book of Roman History and is translated by Earnest Cary and Herbert Baldwin Foster. The succeeding quote is from Juvenals book Satire; which is translated by Niall Rudd.

“There was another exhibition that was once most disgraceful and most shocking, when men and women not only of the equestrian but even of the senatorial order appeared as performers in the orchestra, in the Circus, and in the hunting-theatre Colosseum, like those who are held in lowest esteem. Some of them played the flute and danced in pantomimes or acted in tragedies and comedies or sang to the lyre; they drove horses, killed wild beasts and fought as gladiators, some willingly and some sore against their will.”

“What sense of shame can be found in a woman wearing a helmet, who shuns femininity and loves brute force… If an auction is held of your wife’s effects, how proud you will be of her belt and arm-pads and plumes, and her half-length left-leg shin guard! Or, if instead, she prefers a different form of combat, how pleased you’ll be when the girl of your heart sells off her greaves! Hear her grunt while she practices thrusts as shown by the trainer, wiling under the weight of the helmet.”

A gladiator was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalised, and segregated even in death. However, success in the arena could mean riches and fame beyond their wildest dream. For many this was the greatest escape from slavery there was.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.

The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.

The gladiator games lasted for nearly a thousand years, reaching their peak between the 1st century BC and the 2nd century AD the time of Emperor Commodus. Christians disapproved of the games because they involved idolatrous pagan rituals, and the popularity of gladiatorial contests declined in the fifth century, leading to their disappearance.

Commodus was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. During his solo reign, the Roman Empire enjoyed reduced military conflict compared with the reign of Marcus Aurelius. Intrigues and conspiracies abounded, leading Commodus to revert to an increasingly dictatorial style of leadership, culminating in his creating a deific personality cult, with his performing as a gladiator in the Colosseum. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Most gladiators paid subscriptions to "burial clubs" that ensured their proper burial on death, in segregated cemeteries reserved for their class and profession. A cremation burial unearthed in Southwark, London in 2001 was identified by some sources as that of a possible female gladiator (named the Great Dover Street woman). She was buried outside the main cemetery, along with pottery lamps of Anubis (who like Mercury, would lead her into the afterlife), a lamp with the image of a fallen gladiator, and the burnt remnants of Stone Pine cones, whose fragrant smoke was used to cleanse the arena. Her status as a true gladiatrix is a subject of debate. She may have simply been an enthusiast, or a gladiator's ludia (wife or lover).17 Human female remains found during an archaeological rescue dig at Credenhill in Herefordshire have also been speculated in the popular media as those of a female gladiator

As with all our items it comes complete with our certificate of authenticity

*McCullough, Anna, “Female Gladiators in the Roman Empire”, in: Budin & Turfa (eds), Women in Antiquity: Real Women across the Ancient World, Routledge (2016), p. 958, citing Scholia in Iuvenalem Vetustiora, on Juvenal, Satire 6, 250-251 nam vere vult esse gladiatrix quae meretrix "for she really wants to be a gladiator who is a harlot"

Detail from the Villa Borghese gladiator and gladiatrix mosaic, AD 320, and discovered in 1834 (Galleria Borghese, Rome, Italy).

UK {female} size I approx. Slightly ovoid through ancient wear  read more

Code: 25465

A Most Scarce Victorian Antique Honourable Artillery Company Officer's Sword. In Field Service Scabbard

Typical gilt metal hilt with the HAC grenade. Etched blade, with surface wear. Regulation field service steel mounted leather scabbard.

The South African War: 1899-1902
Around 200 members of the Company fought in the South African War with various units. The majority of these members served with the artillery, infantry or mounted infantry sub-units of the City Imperial Volunteers (CIV) between January and October 1900. The CIV was formed under the auspices of the Lord Mayor of London. The HAC’s Colonel and Commanding Officer, the Earl of Denbigh and Desmond, was instrumental in raising and equipping the CIV Battery, which was officered and, for the most part, manned by members of the HAC. This was the first occasion that the Company’s membership saw active service overseas and six members died whilst serving during this war.

The HAC can trace its history as far back as 1296, but it received a Royal Charter from Henry VIII on 25 August 1537, when Letters Patent were received by the Overseers of the Fraternity or Guild of St George authorising them to establish a perpetual corporation for the defence of the realm to be known as the Fraternity or Guild of Artillery of Longbows, Crossbows and Handgonnes. This body was known by a variety of names until 1656, when it was first referred to as the Artillery Company. It was first referred to as the Honourable Artillery Company in 1685 and officially received the name from Queen Victoria in 1860.

The regiment has the rare distinction of having fought on the side of both Parliament and the Royalists during the English Civil War 1642 to 1649.

Pictures in the gallery of the HAC HQ, the HAC Armoury, and the HAC parade and cricket ground, all in the heart of the City of London  read more

Code: 25484