A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Tsubaki-ne, With A Haft of Yadake Bamboo & With Sea Eagle Flights. With A Beautifully Rare Stunningly Polished Tamahagane Steel Head

It is most rare to find original, antique samurai war arrows {ya} that still have beautifully polished tamagahane steel blades, that they would all have had originally, that often show the traditional hamon, the same as a sword would have. Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle. The armour piercing arrow tip, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn. It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or Tsubaki-ne, were pointed arrowheads look like a miniature version of a long Yari (spear) and were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an Edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet. Another photo shows an unmounted arrow head with the considerable length of the tang that is concealed by the haft.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25590

A Simply Stunning Ancient & Historical Era Greek Leaf Shaped Bronze Sword With a Distinctive Blood Channel. From the Most Iconic Period Of Ancient Greek Classical History. Around 3200 Years Old

A wonderful original artefact of classical history, made and used by a Greek warrior from circa 1200 b.c. A Superb ancient Greek bronze age sword blade with fabulous areas of crystallised malachite blue/green patina. From the era of the legendary Mycenaean Greek Trojan Wars.

The story of the Trojan War the Bronze Age conflict between the kingdoms of Troy and Mycenaean Greece straddles the history and mythology of ancient Greece and inspired the greatest writers of antiquity, from Homer, Herodotus and Sophocles to Virgil. Since the 19th-century rediscovery of the site of Troy in what is now western Turkey, archaeologists have uncovered increasing evidence of a kingdom that peaked and may have been destroyed around 1,180 B.C. perhaps forming the basis for the tales recounted by Homer some 400 years later in the Iliad and the Odyssey. According to classical sources, the war began after the abduction (or elopement) of Queen Helen of Sparta by the Trojan prince Paris. Helen’s jilted husband Menelaus convinced his brother Agamemnon, king of Mycenae, to lead an expedition to retrieve her. Agamemnon was joined by the Greek heroes Achilles, Odysseus, Nestor and Ajax, and accompanied by a fleet of more than a thousand ships from throughout the Hellenic world. They crossed the Aegean Sea to Asia Minor to lay siege to Troy and demand Helen’s return by Priam, the Trojan king. The siege, punctuated by battles and skirmishes including the storied deaths of the Trojan prince Hector and the nearly-invincible Achilles, lasted more than 10 years until the morning the Greek armies retreated from their camp, leaving a large wooden horse outside the gates of Troy. After much debate (and unheeded warnings by Priam’s daughter Cassandra), the Trojans pulled the mysterious gift into the city. When night fell, the horse opened up and a group of Greek warriors, led by Odysseus, climbed out and sacked the Troy from within. After the Trojan defeat, the Greeks heroes slowly made their way home. Odysseus took 10 years to make the arduous and often-interrupted journey home to Ithaca recounted in the Odyssey. Helen, whose two successive Trojan husbands were killed during the war, returned to Sparta to reign with Menelaus. After his death, some sources say she was exiled to the island of Rhodes, where a vengeful war widow had her hanged.
Photo in the gallery of an Attic black figure vase that shows Theseus killing the Minotaur of the Cretan labyrinth with an identical pattern of Greek sword. A feminine figure looks on from the right, possibly Ariadne. Late 6th, early 5th century BCE. (Archaeological Museum, Milan). See discussion in Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, p.8-21. 15.5 inches long overall

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 22069

A Superb Original Imperial Roman Legionary's "Whistling" Sling Bullet Circa 1st to 2nd century AD.

Identical to the few found at an archaeological dig at a Roman Fort site in southwestern Scotland a few years ago, and one of a very small collection of fine original sling bullets of antiquity we acquired.
Over 1,800 years ago, Roman troops used "whistling" sling bullets as a "terror weapon" against their barbarian foes, such as were in Scotland and the Celts in England, according to archaeologists who found the cast lead bullets at a site in Scotland.

Weighing about 1 ounce (30 grams), each of the bullets had been drilled with a 0.2-inch (5 millimeters) hole that the researchers think was designed to give the soaring bullets a sharp buzzing or whistling noise in flight.

The bullets were found recently at Burnswark Hill in southwestern Scotland, where a massive Roman attack against native defenders in a hilltop fort took place in the second century A.D. These holes converted the bullets into a "terror weapon," said archaeologist John Reid of the Trimontium Trust, a Scottish historical society directing the first major archaeological investigation in 50 years of the Burnswark Hill site.

"You don't just have these silent but deadly bullets flying over; you've got a sound effect coming off them that would keep the defenders' heads down," Reid told Live Science. "Every army likes an edge over its opponents, so this was an ingenious edge on the permutation of sling bullets."

The whistling bullets were also smaller than typical sling bullets, and the researchers think the soldiers may have used several of them in their slings — made from two long cords held in the throwing hand, attached to a pouch that holds the ammunition — so they could hurl multiple bullets at a target with one throw.

"You can easily shoot them in groups of three of four, so you get a scattergun effect," Reid said. "We think they're for close-quarter skirmishing, for getting quite close to the enemy." Onasandrius wrote the 1st C. BC, in his book "Strategy". "The Sling is the deadly weapon used by light infantry because lead is of the same colour as the air and therefore not visible, thus the impact is unexpected and not only smites hard, but the bullet penetrates deeply into the victims flesh". Used by Roman auxiliary troops like Greeks, Sicilians, North Africans, but after the Roman conquest of the Balearic Islands elite slingers were always the Balearic that fought in the legions of Julius Caesar.

Together with arrows and catapults, sling-shots formed a key part of the long-range fire of the Roman army.
Lead bullets were cast in the shape of lemons or 'acorns', which would weigh around 1.7 ounces (50g).
Weighing around 0.7 ounces (20g), the holes were around a fifth of an inch (5mm) wide and the same deep.
While the size of these bullets would have made them not terribly dangerous, experiments using replicas of these small bullets showed that they produced a whistling noise while in flight.
It is thought the sound is produced by the air moving over the small opening, much like when blowing over the top of a milk bottle.
This has led some theories that these smaller bullets were used to invoke terror in the enemy.
It is a tactic that has been used by military forces around the world.About 20 per cent of the lead sling bullets found at Burnswark Hill had been drilled with holes.
This was a significant amount of effort to prepare enough ammunition for an assault, Dr Reid said. 'It's a tremendous amount of work to do, to just chuck them away.'

'Even more intriguingly, the mysterious holes proved to confer an aerophonic quality,' Dr Reid said in Current Archaeology.

'In flight, these lead shot whistled, or more accurately gave off a mechanical buzzing sound eerily reminiscent of an agitated wasp.' In Livy’s History of Rome, which was completed in 9 A.D., he states,

A hundred slingers were recruited from Aegium and Patrae and Dymae. These peoples were trained from boyhood … Having been trained to shoot through rings of moderate circumference from long distances, they would wound not merely the heads of their enemies but any part of the face at which they might have aimed. Photos of one of the three we acquired from a collector, we only have one remaining sling bullet, all near identical, see photos 8 and 9 in the gallery

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24505

A Stunning Ancient Roman Ist Century AD, Galloping Cavalry Soldier on Horseback, Stylized Intaglio Engraved Bronze 'Status' Seal Ring.

In Roman Britain, at any given time, there were at least 9000 auxiliary cavalry in the province, divided between alae (military formations composed of conscripts from the socii, Rome's Italian military allies), elite cavalry units, and the slightly lower-status mixed cohorts, which contained both infantry and cavalry.

Classified by the seminal classification of ancient ring forms, by Dr. Martin Henig, as Ancient Roman, Henig type Xb. Roman ring around 1900 years old. In copper bronze with great, natural age patination. Beautifully carved intaglio seal detail of wide oval bezel affixed to flattened shoulders engraved copper alloy, with a fair amount of aged surface russetting. Almost identical to one found in the UK, near Hadrian's Wall. The ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus:

From a small collection of British recovered original Roman rings, all in excavated condition, found in the 19th century from the same location. Examples of this type can be found in Henig, M. (1974) A corpus of engraved gemstones from British Sites, British Archaeological Reports 8 (II): 90.

The engraved intaglio seal ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus: The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognise them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one, with identical stylized engraving.

Limestone architectural fragment; a door jamb, part of a doorway. From the temple of Set (which was built by Thutmosis III) at Ombos, Egypt. 18th Dynasty. The Petrie Museum

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25586

A Pair of Original & Extraordinarily Beautiful, First Nation, Antique American Wild West Frontier Riding Gauntlets. Made for Settlers and Trade Market of The American Frontiersmen, Such As Army Scouts, Pony Express Riders & Buffalo Hunters. Likely, 1840’s

A stunning pair of simply captivating gauntlets, of the 19th century, made by First Nation native Americans, of the Huron, Lakota Sioux or Metis tribes, from the early 'Wild West Frontier' period.

Likely traditional North American Indian brain tanned and smoked leather to enable the surface to be more waterproof. To ensure a long-lasting resilience of the leather, it was traditionally stored in a special tent over wood smoke, which gave the skin a darker brown tone and also made it waterproof, thus achieving better protection. Without this process, the leather turns out to be whitish and water-sensitive

All the embroidery is incredibly technical micro stitching of amazing beauty and intricacy. These stunning and fringed gauntlets are beautifully embroidered with flowers, florid patterns and a western monogram. They were possibly traded in the 1840's from the Cree, or the Lakota Sioux tribes of North and South Dakota, but theirs is often decorated with beadwork as opposed to this very fine stitched embroidery, which may better indicate Huron or Metis craftsmanship, according to a most kind lady from the region, who visited our gallery, and who fortunately knows this form of First Nation tribal art very well.

The most famous members of the Lakota Sioux were Sitting Bull and Crazy Horse. In yellow hide likely deer buckskin with typical long fringing. Excellent condition, with a small split in base of one finger. The style of Gauntlets worn by 'Kit Carson' and his contemporaries. Superbly beautiful, charming and highly collectable pieces from the old, American, Wild West Frontier.

Gauntlets are protective gloves that distinctively have a flared protective cuff. For centuries, these cuffs protected European and Asian bow hunters and military archers from being snapped on the wrist by their bowstrings. Medieval soldiers and knights began wearing chain-mail gauntlets during the 1300s, and armoured gauntlets appeared in Europe during the 1400s. Four hundred years later and halfway around the world, leather gauntlets appeared in the American West as military uniform accessories. They were soon appropriated by Indian artists, embellished with diverse ornaments, and incorporated into the civilian wardrobe. Here they became intrinsically linked with Western people, history, and landscape, and a symbol of the frontier. The original European form was reworked with a wild American veneer. Former mountain men -- Jim Bridger and Kit Carson among them -- occasionally worked guiding emigrant trains and military units through little-known country. They also helped track renegades of diverse stripes. These scouts were colourful characters, highly skilled, and not required to maintain a military dress code. Their attire was subsequently functional, comfortable, and drawn from a variety of media and cultural sources. By the 1870s, long and abundant fringe was in style and pinked edges provided decorative flair to leather clothing that was by nature quite showy. A similar pair of gauntlets though later of the Lakota Sioux can be seen in the Eugene and Clare Thaw Collection of American Indian Art in the Fenimore Art Museum NY.

The inner lining of our gauntlets is some kind of fine quilted cloth.

These stunning gauntlets would superbly compliment any Wild West collection of original American revolvers, and would look amazing case framed. We offer a highly recommended bespoke case framing service accomplished by one of our local expert artisans.

Such original and rare items of Native American art and artefacts are new very rare in Europe, and thus most valuable to collectors, as they are almost always not permitted to be exported from North America any longer. However, strangely it is also not possible to import First Nation artefacts back into the USA either

The last photo in the gallery is of the Teton Sioux Lakota gauntlets in the Fenimore Museum, however, the embroidery on our gauntlets is very much like earlier Huron work.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 20890

Beautiful Shinto Samurai Folklore Tanto, 1600, With A Wonderful Suite Of Copper Koshirae Engraved With Japanese Legendary Noh Tales. Figures of Folklore Including, Sanbaso, Samurai, Kappa & Yokai The Turtle & Human Face Octopus, Lamp, Fans & Cricket

Made for a samurai devoted to the Japanese historical traditions of storytelling through Noh and Kabuki. Such as the great Miyamoto Musashi, the revered "sword saint" himself, who was not a performer, but he adored kabuki and its culture. And Shogun Tokugawa Ieyasu revered Noh theatre and often performed it himself as shigegaku, an official military performance.

A stunning tanto with delightful patinated suite of original Edo period copper mounts, all finely engraved with an entirely cosmopolitan selection of subjects from bushido, the way of the warrior, and ancient Japanese folklore, based on tales from Noh and Kabuki theatre including legendary figures, trickster deities, shapeshifters and spirits. Although they appear disconnected, they are all together combining the great legends of Noh and Kabuki with Bushido. A most clever convergence of the mystical, with the practical life of the samurai.

Accompanied fine finely engraved patinated copper kozuka utility knife with signed blade, and fine, original Edo striped urushi black lacquer saya, bound with original Edo silk sageo. The menuki are the tiger with a Ōtsuchi, a six foot war hammer, and a dog with a kaiku war drum. Tigers appear heavily in Japanese folklore, often as symbols of courage and ferocity. They are intrinsically tied to Kabuki through legendary plays. And, the Kai Ken is an incredibly rare, indigenous breed of Japanese dog often nicknamed the "Japanese tiger dog.

On the habaki is the fine engraving of a samurai on one side and of a cricket on a war fan on the other. Placing a cricket on a war fan was a visual reminder of Bushido (the way of the warrior), which demanded that a samurai cultivate a deep appreciation for art, poetry, and nature, alongside martial discipline. The Duality of Life, Together, they represent the philosophical balance of the warrior's life: the need for both brute strength on the battlefield and a refined, gentle spirit in times of peace. Of course the war fan resembles the Peony Fan, Oni Ōgi of Noh theatre, yet another subtle convergence.

The kashira is engraved with the two distinct elements in Japanese folklore, the Peony Lantern (Botan Dōrō), which is one of Japan's most famous ghost stories, and the Peony Fan (Oni Ōgi), a traditional prop used in Noh theatre

Created for a samurai who had a desire for the sword’s decor to be the embodiment of ancient Japanese folklore tales from Kabuki theatre and Noh, of mystical creatures and oni, each piece, engraved, from the fuchigashira, the tsuba, and the habaki, all of this delightful work was beautifully executed with immense skill.

The carving on the tsuba is Sanbaso (三番叟), a sacred, celebratory character from traditional Japanese performing arts like Kabuki and Noh.
The combination of the tall court cap, prominent lolling tongue, pole, and carp corresponds to specific props and rituals performed in the traditional Okina and Sanbaso dances
The Tall Cap (eboshi): Sanbaso wears a rigid black court cap called an eboshi (烏帽子) to signify his high ritual status as a deity who prays for a bountiful harvest and peace: In certain energetic interpretations of the dance, Sanbaso’s face contorts, often displaying a lolling tongue to channel the vibrant, earthly spirit of the gods.The Pole & Carp: He is universally depicted as a jovial, smiling man carrying a traditional fishing rod in one hand, and a large red sea bream (tai) or a giant carp (koi) in the other.
He wears a traditional court cap called a kazaori eboshi (a folded, pointed black cap worn by nobles in ancient Japan)..

The kashira depicts the a lantern is of a romantic but tragic ghost story, it is likely the classic Japanese folktale Botan Dōrō (The Peony Lantern).
A handsome samurai named Hagiwara falls in love with a beautiful woman named Otsuyu. She visits him every night carrying a distinctive paper lantern that glows with a pale, ghostly light.
It is eventually revealed that Otsuyu is a ghost and her companion is an equally dead spirit. The samurai is warned to stop seeing them, but he succumbs to his love and is eventually found cold and dead in his room, his servant blowing out the weird, yellow flame of the peony lantern.

The fuchi is In Japanese folklore, the specific combination of a human-faced octopus and a turtle usually points to the infamous Tako Nyūdō, a human-faced octopus yōkai, and a Kappa, the legendary turtle-like water monster. Together, they represent the eerie and highly revered shapeshifters of the deep water.The Turtle: The KappaThe Kappa is one of Japan's most celebrated yōkai. Known as "river-children," they live in the lakes and streams of Japan. They resemble a mix of a human child and a turtle, with scaly or slimy skin, webbed hands and feet, and a hard turtle-like shell (carapace) on their back. On their head, they have a shallow depression or "dish" (sara) filled with water. This water is their source of power and life; if it spills or dries out, the Kappa becomes severely weakened.
Kappas are known as mischievous trickster water deities who enjoy sumo wrestling and eating cucumbers. However, they can also be deadly, occasionally dragging unsuspecting humans or animals into the water to drown them.

Countless samurai revered the performing arts, and several even left the warrior class to become professional kabuki actors, or established theatres of their own. Famous warriors with direct ties to kabuki include, Sakata Tōjūrō I a former samurai who founded the sophisticated wagoto (soft style) romantic acting in 17th-century Kyoto.
Ichikawa Danjūrō, an actor and son of a low-ranking samurai who created the dynamic, bombastic aragoto acting style.

The great Miyamoto Musashi, the revered "sword saint" himself was not a performer, but he loved kabuki and its culture. He became a popular subject for plays during his own lifetime.Many other historical figures became the very subjects of kabuki, which often served as a subversive way for the public and actors to praise legendary samurai. Notable legends adapted for the kabuki stage include:
Minamoto no Yoshitsune, a tragic, iconic general and the subject of several classic plays.The 47 Ronin, a legendary tale of masterless samurai avenging their fallen lord.Sakura Sōgorō: A historical farmer-hero whose rebellion inspired Japan's first modern political kabuki play

Three legendary figures of the Sengoku and Azuchi-Momoyama periods—Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu—are the most famous samurai who revered and patronized Noh theatre. These warlords studied the art, performed it themselves, and established Noh as the official ceremonial performance of the military government.The profound connection between these samurai commanders and Noh is detailed below:Oda Nobunaga (1534–1582), he frequently recited and danced the famous excerpt "Atsumori," which centers on the tragedy of a young fallen warrior from the Gempei War. Nobunaga viewed his own military ambitions in the dramatic and fatalistic light of these Noh epics.Toyotomi Hideyoshi (1537–1598): He took his passion a step further by studying under the Konparu School and performing on stage. He even commissioned new plays that cast himself as the victorious protagonist.
Tokugawa Ieyasu (1543–1616), made Noh the official ceremonial performance (shikigaku) for all state events, which solidified its status among the samurai elite

Overall in very good condition, small saya split under the sageo at the base of the kozuka slot.  read more

Code: 26247

A Fabulous Circa 1808, A Year XII Silex Pistol for General Staff Officers, Octagonal Rifled Barrel in 17 mm calibre, Napoleonic Period Pistol By Napoleon’s Personal Gunsmith,The Great Jean Le Page of Paris

A Napoleonic pistol made by one of the greatest and collectable makers of France. Chequered grip, octagonal butt cap, octagonal barrel heavy scroll engraved with Le Page of Paris, flared muzzle octagonal barrel with multi groove rifling. Converse silex action, to enable ignition in foul weather.

The first modern use of a General Staff was in the French Revolutionary Wars, when General Louis-Alexandre Berthier (later Marshal) was assigned as Chief of Staff to the Army of Italy in 1795. Berthier was able to establish a well-organised staff support team. Napoleon took over the army the following year and quickly came to appreciate Berthier's system, adopting it for his own headquarters, although Napoleon's usage was limited to his own command group.

The Staff of the Grande Armée was known as the Imperial Headquarters and was divided into two major sections: Napoleon's Military Household and the Army General Headquarters. A third department dependent on the Imperial Headquarters was the office of the Intendant Général (Quartermaster General), providing the administrative staff of the army.

Made and used by a staff officer, from the period of Napoleon’s Grand Armee. The Grand Armee was the main military component of the French Imperial Army commanded by Emperor Napoleon Bonaparte during the Napoleonic Wars. From 1804 to 1808, it won a series of military victories that allowed the French Empire to exercise unprecedented control over most of Europe. Widely acknowledged to be one of the greatest fighting forces ever assembled, however, it suffered enormous losses during the disastrous invasion of Russia in 1812, after which it never recovered its strategic superiority.

The Grande Armée was formed in 1804 from the L'Armée des côtes de l'Océan (Army of the Ocean Coasts), a force of over 100,000 men that Napoleon had assembled for the proposed invasion of Britain. Napoleon later deployed the army in Central Europe to eliminate the combined threat of Austria and Russia, which were part of the Third Coalition formed against France. Thereafter, the Grande Armée was the principal military force deployed in the campaigns of 1806/7, the French invasion of Spain, and 1809, where it earned its prestige, and in the conflicts of 1812, 1813–14, and 1815. In practice, however, the term Grande Armée is used in English to refer to all the multinational forces gathered by Napoleon in his campaigns.

Upon its formation, the Grande Armée consisted of six corps under the command of Napoleon's marshals and senior generals. When the Austrian and Russian armies began preparations to invade France in late 1805, the Grande Armée was quickly ordered across the Rhine into southern Germany, leading to Napoleon's victories at Ulm and Austerlitz. The French Army grew as Napoleon seized power across Europe, recruiting troops from occupied and allied nations; it reached its peak of one million men at the start of the Russian campaign in 1812,3 with the Grande Armée reaching its height of 413,000 French soldiers and over 600,000 men overall when including foreign recruits.4

In summer of 1812, the Grande Armée marched slowly east, and the Russians fell back with its approach. After the capture of Smolensk and victory at Borodino, the French reached Moscow on 14 September 1812. However, the army was already drastically reduced by skirmishes with the Russians, disease (principally typhus), desertion, heat, exhaustion, and long communication lines. The army spent a month in Moscow but was ultimately forced to march back westward. Cold, starvation, and disease, as well as constant harassment by Cossacks and Russian partisans, resulted in the Grande Armée's utter destruction as a fighting force. Only 120,000 men survived to leave Russia (excluding early deserters); of these, 50,000 were Austrians, Prussians, and other Germans, 20,000 were Poles, and just 35,000 were French.5 As many as 380,000 died in the campaign.6

Napoleon led a new army during the campaign in Germany in 1813, the defence of France in 1814, and the Waterloo campaign in 1815, but the Grande Armée would never regain its height of June 1812. In total, from 1805 to 1813, over 2.1 million Frenchmen were conscripted into the French Imperial Army

Jean Le Page continued the success of his predecessors as gunsmith to the House of Orleans, King Louis XVI, of the First Consul Bonaparte and then Emperor Napoleon I and King Louis XVIII. The factory is famous for its pistols, guns, luxury white arms and page swords during the First French Empire. During this era, many technical innovations were made such as over oxygenated powder in 1810, a water resistant gun in 1817, and invented the fulminate percussion system for firearms which replaced the flintlock.

Jean Le Page cemented the company’s reputation and position in history. As a gunsmith he is mentioned in numerous pieces of literature, and the firearms produced during this period are those most sought after and displayed in museums and the like, particularly due to their often famous provenance.
As a purveyor of arms to kings he brought in an extremely prestigious clientele and this includes Armand Augustin Louis de Caulaincourt, Duke of Vincence, baron Gaspard Gourgaud, the Marshall Emmanuel de Grouchy, General Charles de Flahaut, the Marchioness Catherine-Dominique de Pérignon, the Marshall André Masséna, Duke of Rivoli, Baron Daru, General Carlo Andrea Pozzo di Borgo, and the perfumier Jean-François Houbigant, among others.

Many pieces bear testimony to this sumptuous period, Jean Le Page "is, without doubt, the imperial gunsmith most quoted both in literary texts and in arms notices exhibited in museums". A shooting gun for Louis Philippe II, Duke of Orléans (future Philippe Égalité) is presented to the Museum of the Porte de Hal in Brussels. First Consul Bonaparte's sword is exhibited at the Château de Malmaison. The Musée de la Chasse et de la Nature in Paris also has several beautiful Le Page pieces including two of Emperor Napoleon I's shooting guns belonging to a series made in 1775 for King Louis XVI and modified around 1806 ; a silex gun that had belonged to King Louis XVIII and a nécessaire box containing a pair of silex guns for children, a gift from King Charles X to the Duke of Bordeaux, future Count of Chambord

The pistol has had an old contemporary thin crack repair at the buttstock, replaced rammer  read more

Code: 20866

A Stunning Gold Onlaid Presidential Grade Large Calibre 1855 French Single Action Revolver of Royal Quality, Worthy of the French Emperor Napoleon IIIrd

A finest French 6 shot 12mm Lefaucheux pinfire Model 1855 single action pin-fire revolver, number 2XXXX round barrel 157mm (6¼) with etched panel beautifully inscribed in gothic script “E. Lefaucheux Bte. a Paris”, the fluted breech, frame, hammer and trigger guard chiselled and engraved with panels of flowers and foliage overlaid in gold, with ejector rod, spur trigger guard, plain ebony grips, and lanyard ring. Good Working Order and Condition, with dark brown patina (some wear to the gold overlay). This is an example of the highest grade quality revolver one could commission in the 19th century, presentation grade that one could easily identify as worthy of ownership by Emperor Napoleon IIIrd. Two of most similar quality pin fire pistols belonging to Emperor Napoleon the third were kept in the armoury Chateau de Prangin and sold auction in 1950.
Napoleon III
Franz Xaver Winterhalter Napoleon III.jpg Emperor of the French
Reign from 2 December 1852 – 4 September 1870
1st President of France
In office
20 December 1848 – 2 December 1852
Born 20 April 1808
Paris, French Empire period, Died 9 January 1873 (aged 64) in Chislehurst, Kent, England
Burial at St Michael's Abbey, Farnborough
Spouse Eugénie de Montijo ​(m. 1853)​
Issue Louis Napoléon, Prince Imperial
Full name
Charles-Louis Napoléon Bonaparte
House Bonaparte
Father Louis I of Holland
Mother Hortense de Beauharnais
Napoleon III (Charles-Louis Napoléon Bonaparte; 20 April 1808 – 9 January 1873), the nephew of Napoleon I, was the first president of France, from 1848 to 1852, and the last French monarch, from 1852 to 1870. First elected president of the French Second Republic in 1848, he seized power by force in 1851, when he could not constitutionally be re-elected, and became the emperor of the French. He founded the Second French Empire and was its only emperor until the defeat of the French Army and his capture by Prussia and its allies in the Franco-Prussian War in 1870. He worked to modernize the French economy, rebuilt the center of Paris, expanded the French overseas empire, and engaged in the Crimean War and the Second Italian War of Independence. The revolver has a good and tight, crisp, action.  read more

Code: 23327

A Magnificent Original Ancient Greek Wreath of Victory, A Crown of Hammered Gold. From the Era of Alexander The Great. Circa 300 BC. Assembled For Framed Display. Similar to the Gold Crown of Triumph In The Getty Museum.

An original fine sheet gold Wreath of Victory, Around 2300 years old, re-assembled in a flat frame display, in our workshop over two weeks.

It is now been thus re-assembled, and display framed flat under glass, it is a magnificent historic wonder to behold. Around 2300 years old in fabulous condition overall considering the passing two plus millennia. Likely 22ct gold.

The Ancient Greek Gold Wreath of Victory
was was derived from wreaths of real leaves worn in religious ceremonies and given as prizes in athletic and artistic contests, at the point of triumph. Gold wreaths were fragile ant not meant to be frequently worn, but were definitely meant for display. See the Getty Collection for their partial view of an example of a Gold Crown of Triumph.
In Ancient Rome, in later centuries it was similarly worn on the head as a symbol of triumph. There are numerous, surviving original Roman carved sculptures of Roman Caesars and Emperors adorned with their Wreath of Victory.
The symbol of the laurel wreath is from Greek mythology. The Romans adopted the symbol because they admired Greek culture. In Rome, they were symbols of military victory.
Military commanders or emperors often wore them after a battle. Laurel wreaths in ancient times are most often shown as a horseshoe shape.

Greek goldsmiths and artisans inherited their techniques from Egypt and Mesopotamia, however, they managed to create and develop a unique style. Gold became the primary decorative material, although silver, lead, bronze and electrum were also used. Skilled artisans worked the gold in thin leaves
In Classic and Hellenistic Greece it was the advent of the Golden Age of Greece, when Hellenic culture blossomed, that Greek jewellery reached its high water mark. The reign of Alexander the Great saw an enormous influx of gold and precious stones from the Orient, providing the core resources to produce items of incredible splendour. This era was brought to an end when the Roman Empire took control of Greece in the 2nd century BC, bringing many drastic and dramatic changes in jewellery style.

Photos in the gallery show ours, as we have assembled it, framed flat, {see photos 1, 2, 3} and also, how ours would likely have appeared 2300 years ago, when it was worn at the triumph {see photo 7}, and in the gallery we show the Massachusetts collection gold crown, {see photo 6} fully assembled, and the Getty Collection crown of triumph is shown in photo 4.

In the gallery we show the other museum examples, in exactly how they would have looked when worn and complete. We also show one partial crown in the Getty Collection, our crown is designed with laurel leaves and some oak leaves. The Massachusetts collection, fully re-assembled example, sold in Christies in 2019 for $325,000 USD

The Somerset crown was incredibly rare gold crown believed to be more than 2,000 years old was discovered under a bed in a Somerset cottage. That was the last completely assembled example that we saw and had the opportunity to acquire. It was in 2016. The delicate Greek gold myrtle wreath, which was thought to date to 300BC, was found in a cardboard box in the modest Taunton property. When appraised by a local auction in 2016 it was estimated to be worth approaching 200,000 GBP.

We re-assembled our gold crown for our photographic display, but it could be assembled differently for whatever form of permanent display its new owner feels suits it best, or left as is. It comprises of up to 100 parts of hammered gold from up 4 inches to 1/8th inch long.

This beautiful and rare museum piece came to us from a late, esteemed, private collection of a famous British ‘Barrister at the Temple’ and antiquities collector, who acquired this ancient Greek pure gold 'Crown of Triumph' in the 1960’s

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24772

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale And New Fantastic Original Treasures From The Past Are Added, Every, Single, Day, Since 1921

Our magnificent Nagamaki Japanese great sword, almost seven feet long, has just arrived for display, after an 80 hour blade conservation by hand in the workshop. We will be adding photographs today. 500 years old it is likely the only full length surviving example available anywhere in the world outside of Japan, and those within Japan are mostly in museums, and certainly not for sale.
The weapon became synonymous with the bodyguards of elite warlords, most notably Uesugi Kenshin, who employed a dedicated vanguard of nagamaki-wielding retainers. Nagao Kagetora (長尾 景虎; February 18, 1530 – April 19, 1578, later known as Uesugi Kenshin (上杉 謙信), was a Japanese daimyō (magnate). He was born in Nagao clan, and after adoption into the Uesugi clan, ruled Echigo Province in the Sengoku period of Japan. He was one of the most powerful daimyō of the Sengoku period. Known as the "Dragon of Echigo", while chiefly remembered for his prowess on the battlefield as a military genius and war hero.
Our behemoth of a sword may well have been created for such a daimyō guard.

Our beautiful pieces from history are not always just for looking at, some {such as the B3 Pilots Jacket} can still be enjoyed, and even worn, for every one to see.

Based in Brighton for generations the Lanes Armoury stems from a family of antiques dealers that was one if the leading antiques exporting companies in the world. Including, being pioneers of antiques shipments worldwide at the very beginning of containerisation exports that began in the 1960’s, after its invention by Malcolm McLean, in America, in 1956. Mark was the export director of the family company, and personally supervised the sale and export an average of over 3,000 of the finest antiques, every week for over 15 years.

The Lanes Armoury is incredibly fortunate that we occupy a position within the worldwide collectors market that we can, and do, every day, locate and pass on great and fantastic historical pieces, of great beauty and quality for just a small percentage of the cost that other antique stores, at the top of their area of interest, have to make available. In almost all the other top level areas of the sphere of collecting antiques, their offerings must often be in the hundreds of thousands, and even millions of pounds range. Colleagues in the profession we have personally known, that are similar leaders in their field, such as Renaissance bronzes and sculptures, and they can be up to 20 millions, fine art paintings, that can be millions or tens of millions, the finest French furniture that will be hundreds of thousands and even millions as well. In fact, we know of no other sphere of antique collecting, where the best available can be found so inexpensively, by comparison, to all other forms of antiques and art. Please view over the next 130 plus pages, detailing thousands of pieces of world class historical interest, and every single piece has brought, and will continue to bring, great joy for their owners, the new custodians of great artefacts of history.
Our ratings on Google:
they classify us as
'Exceptional'

Recently acquired, added to our web store and also, due to be added;
A collection of arms, helmets and armour from one of the foremost authorities, and late author of two seminal works, on Japanese polearms and combat techniques in the world. Sadly, not a rich man, so he wasn’t able to amass a huge collection, but what he did acquire, over the past 60 plus years, was simply incredible and we were most privileged to acquire the ‘museum pieces’ that we did. Including the ‘Green Dragon’ polearm naganata, his polearm of legend, and, his ‘great sword’ nagamaki, full length and unaltered, and once mounted is almost seven feet long. Plus armour, helmets, sword blades and polearms. Including a very rare momoyama nanban cuirass body armour. Nanban gusoku (南蛮具足): an interesting case of cross cultural exchange in East Asia. Japanese Samurai of the 16th century adopted and modified European breastplate and helmets into their own armour system. A fine, complete, and original momoyama nanban suit of gosuko today can cost between £50,000 to £100,000

A 1st Edition 1st Printing of The Great Gatsby, Publisher, Charles Scribners Sons, New York, Publication Date 1925, with the important words uncorrected, ‘chatter’ and ‘Northern’. Etc.
‘Now Under Offer and Sold’

Some superb French Napoleonic weaponry from the Grande Armee. A sword of the commander of the Grenadier Guards in the Crimean War, A fabulous quality and very good Napoleonic Wars Brown Bess, an incredible pair of Zulu War knopkerrie clubs, one a fabulous rare chiefs war club, the other a telegraph wire bound impi warriors war club, NOW BOTH SOLD, and one of the best and beautiful regimental pattern Napoleonic Wars swords, for one of the great Scottish regiments that saw incredible action in the Peninsular war and Waterloo. Also, a stunning Martini Henry 450-577 rifle {with both optional bayonet patterns} NOW SOLD one of the first 1400 ever made. And, one of the rarest Royal Marines pattern swords, 1796, we have ever seen. Trafalgar battle damaged. NOW SOLD
We also have two amazing Japanese swords both Museum pieces, by high ranked smiths, Dewa Daijo Fujiwara Kunimichi circa 1615, and Hamabe Toshizane, 1814. Plus, another super Brown Bess, (that now just sold ), but, another has arrived just the other day. Also a remarkable WW1 German snipers bullet proof armour shield. Some jolly nice Imperial and Third Reich German swords. And a super very rare Victorian tchapka lance cap of the 17th Lancers, of The Charge of the Light Brigade fame. Plus, lots, lots more!

“When can their glory fade?
O the wild charge they made!”

These words were made famous by Alfred Lord Tennyson in his poem, ‘The Charge of the Light Brigade’, and refer to that fateful day on 25th October 1854 when around six hundred men led by Lord Cardigan rode into the unknown.

The charge against Russian forces was part of the Battle of Balaclava, a conflict making up a much larger series of events known as the Crimean War. The order for the cavalry charge proved catastrophic for the British cavalrymen: a disastrous mistake riddled with misinformation and miscommunication. The calamitous charge was to be remembered for both its bravery and tragedy.

Recently we also have some superb, British, Victorian swords from the Crimean War, for a new young officer serving in The Zulu War, and one beauty, regimentally marked to the 1st Battalion The Welsh Regiment, for an officer that served in combat Mahdist War (1888): The 1st Battalion was dispatched to Egypt in 1886, playing a key role in the Mahdist War at the Battle of Gemaizah (Suakin) in December 1888, where they were highly praised for their efficiency by their commander, Col.Kitchener.

Colonel Herbert Kitchener, {later to become known as the great Field Marshal Lord Kitchener} who wrote in his dispatches:

‘The half-Battalion of The Welsh Regiment are seasoned soldiers and whatever I asked of them to do they did well. They’re marksmen at Gemaizah Fort and the remainder of the half-Battalion on the left fired section volleys driving the Dervishes from their right position and inflicting severe punishment upon them when in the open. Significantly the Battalion did not lose a man”

Later, the 1st Battalion was dispatched to South Africa in November 1899 for the Second Boer War: it was engaged in Battle of Paardeberg in February 1900, where they suffered heavy losses, and again at the Battle of Driefontein in March 1900

Also, cannon balls from the English Civil War seige. One ball was recovered {in living memory} almost five feet beneath the surface mud. And an incredibly very rare and historical.

Also, see our latest incredible 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Sri Lanka.

Occasionally, as we are Great Britain’s leading gallery of our kind, we have had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.

We have just also just added to the web store; a German colonels sword surrendered at the formal surrender of the German armed forces in May 1945 to Field Marshal Lord Montgomery, and a beautiful and magnificent samurai swords from the 1600's Tokugawa Shogunate period, one of the most fabulous samurai swords you might ever see. Plus, an Ancient Greek short sword or long dagger From The Greco-Persian Wars era, From the time of the Spartans at Thermopylae, to Alexander the Great's conquest of Persia & Egypt {now sold}

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}. In the world of antiques and collectables especially with online only companies, we are one of the oldest established family dealers in the world, and although we now have a premier online presence, we will always have premises where one-to-one contact is always available. We cannot over emphasise how important it is to conduct business with people who clearly declare, who they are, and an address from where they trade. Those that do not confirm to that essential principle, are not, in our opinion, respecting the safety and security of their customers, first and foremost. If you cannot clearly see who you are consulting, and where, ask yourself, why can’t I..

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many, many other Museum pieces, have been just been offered upon the site within the past couple of weeks.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix

And Tom pops in again to pick up a few trinkets the other day, and Liz and Richard pop down to visit us in October 1970  read more

Code: 24055