A Superb Leather Bound Volume of Sir Arthur Conan Doyle's, - The Memoirs of Sherlock Holmes. Leather Bound Ist Longmans' Colonial Library Edition, Published In 1894

It has all the classic Sydney Paget illustrations, including this famous one of "The Death of Sherlock Holmes."

The Longmans, Green & Co. Colonial Library edition of The Memoirs of Sherlock Holmes, typically published in 1894, is a scarce and highly collectible variation of Sir Arthur Conan Doyle's classic second collection. It is highly sought after by collectors of antique literature and Arthur Conan Doyle editions

Longmans, Green & Co. released this as part of their Colonial Library series in 1894.
Unlike the larger 1893 Newnes quarto edition, the Longmans release is a standard crown octavo format.
These vintage printings typically include the original, iconic illustrations by Sidney Paget.

Original copies generally featured standard publisher's cloth or paper-wrapped boards (such as pale green decorated cloth) rather than bespoke leather. True leather-bound copies on the market today are almost always custom, post-publication bespoke bindings or rebound versions from private collectors.  read more

Code: 26259

Rare Ist Edition Of 'The Hunting of the Snark', Publication Date 29 March 1876, Subtitled An Agony, in Eight Fits By Lewis Carroll.

The Hunting of the Snark, subtitled An Agony, in Eight Fits, is a poem by the English writer Lewis Carroll. It is typically categorised as a nonsense poem. Written between 1874 and 1876, it borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking-Glass (1871).

Macmillan published The Hunting of the Snark in the United Kingdom at the end of March 1876, with nine illustrations by Henry Holiday. It had mixed reviews from reviewers, who found it strange. The first printing of the poem consisted of 10,000 copies. There were two reprints by the conclusion of the year; in total, the poem was reprinted 17 times between 1876 and 1908. The poem also has been adapted for musicals, movies, opera, plays, and music.

The narrative follows a crew of ten trying to hunt the Snark, a creature which may turn out to be a highly dangerous Boojum. The only crew member to find the Snark quietly vanishes, leading the narrator to explain that the Snark was a Boojum after all.

Carroll dedicated the poem to young Gertrude Chataway, whom he met in the English seaside town Sandown on the Isle of Wight in 1875. Included with many copies of the first edition of the poem was Carroll's religious tract, An Easter Greeting to Every Child Who Loves "Alice".

Various meanings in the poem have been proposed, among them existential angst, an allegory for tuberculosis, and a mockery of the Tichborne case.

While Carroll denied knowing the meaning behind the poem, he agreed in an 1897 reply to a reader's letter with an interpretation of the poem as an allegory for the pursuit of happiness.
Henry Holiday, the illustrator of the poem, considered the poem a "tragedy"

This Ist edition of Hunting of The Snark, valued at £200,000, became the central theme of an entire film episode of 'Lewis' from the cannon of works based around Inspector Morse the now world famous Oxford detective. His sergeant, Lewis, had his own Oxford based series after he was promoted to Inspector following the death of his dear friend, mentor and senior colleague of the Thames valley Police.

The Soul of Genius.
DI Lewis and DS Hathaway investigate the murder of Murray Hawes, an Oxford professor whose body was found in a shallow grave in the woods. Dawes lived in a spartan apartment but had recently made an expensive purchase: an edition of Lewis Carroll's The Hunting of the Snark, annotated by the author himself, for £200,000. In fact, their investigation shows that he was fanatical on the subject of the snark and was determined to solve Carroll's intricate riddle. Where he got the money is one line of inquiry but it's clear that he and his brother, the Rev. Connor Hawes, were in dangerous competition, something they had been doing since childhood. Making life more difficult for the police is Michelle Marber whose son was found dead several years ago. Although the coroner ruled death by misadventure, she is convinced that he was killed by Dr. Alex Falconer who had some type of connection with Hawes. Falconer, a medical research scientist, denies any knowledge of Hawes. Several suspect ts have lied to the police and the motivation of one of them leads the police the to killer.  read more

Code: 26256

A Magnificent and Large Horse Mounted Samurai's Battle Sword Katana, With A Simply Stunning Shinto Blade In Near Mint Condition for Age. The Mounts Are All Completely Original Edo Period.

A beautiful substantial and impressive Bizen tradition war katana, with a very fine classic koshi no hiraita midare hamon. High-ranking warriors sword that were the only samurai permitted to fight on horseback.

Plain tettsu Higo school fuchi kashira in a traditional russet finish. Original Edo tsuka ito wrapped over ancient form menuki of russet iron spear heads, in early yari and naganata form. Round tetsu Higo schookl kinuki tsuba with two udenuki-no-ana. The holes being for the passage of a cord, tying the tsuba to the scabbard.

The saya is very fine, with a sayjiri bottom iron mount, with light ‘cinnabar pink’ urushi lacquer finish, also known as coromandel pink {named from the pink petaled flower} urushi lacquer to the saya, often made with the addition of perilla oil. The condition of both saya is very good just a couple of aged surface nicks
The colour created from urushi lacquer mixed with cinnabar was rewarded to them as the most famous warriors of all the samurai clans of Japan, the Li, and the Takeda.

Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality. The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday.

In Japan the term samurai evolved over several centuries

In Japanese, they are usually referred to as bushi (武士,) or buke (武家). According to translator William Scott Wilson: "In Chinese, the character 侍 was originally a verb meaning 'to wait upon', 'accompany persons' in the upper ranks of society, and this is also true of the original term in Japanese, saburau. In both countries the terms were nominalized to mean 'those who serve in close attendance to the nobility', the Japanese term saburai being the nominal form of the verb." According to Wilson, an early reference to the word samurai appears in the Kokin Wakashū (905–914), the first imperial anthology of poems, completed in the first part of the 10th century.

Originally, the word samurai referred to anyone who served the emperor, the imperial family, or the imperial court nobility, even in a non-military capacity.It was not until the 17th century that the term gradually became a title for military servants of warrior families, so that, according to Michael Wert, "a warrior of elite stature in pre-seventeenth-century Japan would have been insulted to be called a 'samurai'".
This is a katana was likely made for a senior, high ranking samurai, a seieibushi. based upon horseback in combat, certainly not a light and deeply cursive katana, but a battle sword, made to complete an uncomprimising task of close combat and aggressive close quarter hand to hand swordmanship. Designed as much for cleaving through samurai armour and kabuto helmets in two, as much as defeating another samurai while on horseback. Although samurai would not, one would say, be a cavalry based warrior, all senior samurai would be mounted and thus travel on horseback, and some cavalry type samurai could be deployed in battle, but with differing combat styles depending on what part of Japan they came from. The cavalry troops, being Samurai, had personal retainers that stayed closer to them in the Sonae, carried their weaponry and worked as support units, much like an European squire. They also joined the fight whenever possible (especially in the mounted infantry scenario) and were often responsible of taking heads for their lords.
These foot Samurai were also used as heavy infantry or archers to support the ashigaru lines.

Tactics
Given the fact that the Samurai could directly dismount and operate as infantry, there were some specific tactics for horsemen.
Cavalry in general was only used after the battle was already started, either to deliver a decisive victory or to trying to save the day.

Norikiri
This is a classic charge, where several small groups of five to ten horseman ride consequently (possibly with a wedge formation) into a small area against the enemy lines, to maximize the shock. It was mainly used by heavy cavalry in the East, but given the fact that the ideal target where "weavering" units with low morale or disorganized, even medium cavalry could perform this charge.
The main role of this charge was to create confusion; if it didn't succeed, the cavalry regroups and either retreat or deliver another charge.

Norikuzushi
This is a combined infantry and cavalry charge. The horseman charged first, and after creating mayhem, a second charge is delivered by infantries armed with polearms, which could keep on fighting. The main target for this tactics were ranged units detached by the army. After a Norikuzushi usually follows a Norikiri by the cavalry group


30 inch blade overall 43 inches long in saya.  read more

Code: 25539

Beautiful ‘Queen Anne’, London, Dragoon Officer's Long Barrel Horse Pistol, Lock Named James Barber A Most Beautiful Example.

12 inch Barrel, bearing early barrel proof stampings of A.R., the crossed sceptre gunsmith proof markings of Queen Anne, 1702-1714, stamped in the early period position, at the top of the breech of the barrel. Later on, and henceforth, proof marks were stamped on the left hand side of the breech. The pistols military furniture is all brass, with a typical officer's type short eared style skull crusher butt cap terminating with a grotesque mask the early type, from the time of King William IIIrd, before the long spurred style became fashionable in the 1740's. The lock is the early banana form, typical of the earliest 18th century long pistols, with a the good and clear name of Mr. Barbar inscribed. It has a good and responsive action. The stock is fine walnut. It has a single ramrod pipe, also typical of the early Queen Anne style. This would not be a trooper's pistol, but a officer's private purchase example, from one of the great makers and suppliers to the dragoon regiments and officers of his day, during the time of King George IInd. This pistol would have seen service during the War known as King George's War of 1744-48, in America, and the 7 Years War, principally against the French but involving the whole of Europe, and once again, also fought in America. Recognized experts like the late Keith Neal, D.H.L Back and Norman Dixon consider James Barbar to be the best gun maker of his day. Dixon states, "Almost without exception, unrestored and original antique firearms made by James Barbar of London are of the highest quality". In Windsor Castle there are a superb pair of pistols by James Barbar and a Queen Anne Barbar pistol also appeared in the Clay P. Bedford exhibition at the Metropolitan Museum of Art. Barbar supplied complete dragoon pistols for Churchill's Dragoons in 1745, also guns for the Duke of Cumberland's Dragoons during 1746 to 48, and all of the carbines for Lord Loudoun's regiment of light infantry in 1745.
James was apprenticed to his father Louis Barbar in October of 1714. Louis Barbar was a well known gun maker who had immigrated to England from France in 1688. He was among many Huguenots (French Protestants) who sought refuge in England after the revocation of the Edict of Nantes by Louis XIV in 1685. Louis was appointed Gentleman Armourer to King George I in 1717, and to George II in 1727. He died in 1741 .

James Barbar completed his apprenticeship in 1722 and was admitted as a freeman to the Company of Gunmakers. By 1726 James had established a successful shop on Portugal Street in Piccadilly. After his father's death in 1741, James succeeded him as Gentleman Armourer to George II, and furbisher at Hampton Court. He was elected Master of the Gunmakers` Company in 1742. James Barbar died in 1773.

The book "Great British Gunmakers 1740-1790" contains a detailed chapter on James Barbar and many fine photographs of his weapons. This lovely pistol is 19 inches long overall. It has had some past overall service restoration within the past 100 years. The mainspring, stock were replaced, as was the ramrod. But, it is often the case as this pistol may likely have seen somewhat rigorous combat service during its working life for upwards of 80 years. It is a beautiful looking pistol, and a fine looking example of the early British military pattern gunsmiths. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 21363

A Beautiful 19th Century Damascus Twist Barrelled Sporting Gun By Manton of London. One Of The Greatest Names In the Realm of English Gunsmiths

Back action lock bearing Manton's name and decorative pattern engraving. It has a hook breech with double platinum lining and very attractive fine Damascus browning, walnut half stocked with steel furniture bearing further overall engraving.

Joseph Manton (6 June 1766 - 29 June 1835) was a British gunsmith who innovated in sport shooting, improved the quality of weapons and paved the way to the modern artillery shell. Joseph was also a sports shooter in his own right and a friend of Colonel Peter Hawker. There were two Manton brothers, John was the elder and Joseph the younger. John Manton was born in 1752 and after his apprenticeship, set up in London in Piccadilly.

Manton began producing percussion guns in 1825 and Manton himself died in 1834, leaving the business in the hands of his son. Some of Manton's weapons are considered the finest of the flintlock and percussion age. They can fetch more at auction than Holland & Holland's shotguns. His workforce included James Purdey (who went on to found Purdey's), Thomas Boss, William Greener and Charles Lancaster. These four all went on to establish major firms of gun makers, which continue to this day. The true English Damascus barrel is prepared from three rods, twisted as described and put together as shown in the twisted riband, and is known technically as three-iron Damascus ; the silver-steel Damascus is similarly made, but of different metal piled in a different order. The rods having been twisted, and the required number welded together, they are sent to the iron-mill and rolled at a red heat into ribands, which have both edges bevelled the same way. There are usually two ribands required for each barrel, one riband or strip to form the breech-end, and another, slightly thinner, to form the fore, or muzzle, part of the barrel. Upon receiving the ribands of twisted iron, the welder first proceeds to twist them into a spiral form. This is done upon a machine of simple construction, consisting simply of two iron bars, one fixed and the other loose ; in the latter there is a notch or slot to receive one end of the riband. When inserted, the bar is turned round by a winch-handle. The fixed bar prevents the riband from going round, so that it is bent and twisted over the movable rod like the pieces of leather round a whip-stock. The loose bar is removed, the spiral taken from it, and the same process repeated with another riband. The ribands are usually twisted cold, but the breech-ends, if heavy, have to be brought to a red heat before it is possible to twist them, no cogs being used. When very heavy barrels are required, three ribands are used; one for the breech-end, one for the centre, and one for the muzzle-piece. The ends of the ribands, after being twisted into spirals, are drawn out taper and coiled round with the spiral until the extremity is lost, as shown in the representation of a coiled breech-piece of Damascus iron. The coiled riband is next heated, a steel mandrel inserted in the muzzle end, and the coil is welded by hammering. Three men are required one to hold and turn the coil upon the grooved anvil, and two to strike. The foreman, or the one who holds the coil, has also a small hammer with which he strikes the coil, to show the others in which place to strike. When taken from the fire the coil is first beaten upon an iron plate fixed in the floor, and the end opened upon a swage, or the pene of the anvil, to admit of the mandrel being inserted. When the muzzle or fore-coil has been heated, jumped up, and hammered until thoroughly welded, the breech-end or coil, usually about six inches long, is joined to it. The breech-coil is first welded in the same manner, and a piece is cut out of each coil; the two ribands are welded together and the two coils are joined into one, and form a barrel. The two coils being joined, and all the welds made perfect, the barrels are heated, and the surplus metal removed with a float; the barrels are then hammered until they are black or nearly cold, which finishes the process. This hammering greatly increases the density and tenacity of the metal, and the wear of the barrel depends in a great measure upon its being properly performed. A very nice and tight action and overall in nice condition for age. A very small piece of wood lacking from the breech tang area. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20766

A Simply Superb. Antique, Wild West, Original .32 rimfire Remington Elliot 1860-61 patent, Cased Four-Barrelled Derringer Pistol. As Good, If Not Better, Than Any to Be Currently Seen In American Wild West Museums. Cased by T Underhill of Manchester

A .32 (Rimfire) Remington Elliot patent, Cased Four-Barrelled Derringer Pistol, serial no. ,
circa 1860’s to 70’s, with four 3 3/8in. barrels, the false rib on the left hand side signed 'MANUFACTURED BY E. REMINGTON & SONS ILION N.Y.', the right 'ELLIOT'S PATENTS MAY 29 1860 - OCT 1 1861', release latch below barrel group, open hinged frame with concealed striker, flared grip with smooth moulded hardwood inserts and ring trigger, good original finish remaining, with little or no areas of age pitting. Compared to regular multi shot pistols the production run of this pistol was very low, around 9,000, thus making fine quality and condition surging examples very rare indeed, and cased examples , far far rarer indeed. For example Remington sold over 150,000 of their commercial double barrelled Derringer pistol

Patented during the US Civil War and used in the great Wild West era of America’s Frontier history, this absolute beauty is simply a joy to see. If one was searching for a fine example of these iconic Derringer pistols look no further, this may well be the best you will ever see for sale in Great Britain. Not to mention it is stunningly originally cased in a superb Victorian pistol box, of fine quality, and wonderfully preserved and thus presented as good as any museum piece you may see.

Cased by T Underhill of Manchester {lock case maker marked} 2 Corporation St. He operated at that address for six years up to 1868. A bespoke case maker for instruments and pistols.

Evidence of the practicality of this Pepperbox derringer is found, in infamous sportsman, Grantley Berkeley’s own words, after being presented with one in the Civil War period, when he was in St. Louis, Missouri. He remembered the pistol as “…the most perfect little bijou of a revolver I ever saw in my life… In size it is so small that I carried it in my waistcoat-pocket, and in execution so effective that at eight yards I could shoot as correctly, if not more so, than I could with my favourite pair of John Manton duelling pistols....”

Grantley Berkeley (1800–1881) was a 19th-century British politician, writer, and infamous sportsman whose reputation for violence culminated in an infamous attack on a magazine publisher. Armed with a hunting whip and concealed pistols—often colloquially associated with period derringers —he brutally beat a magazine editor. This led to a widely publicized pistol duel, where he and his opponent fired three shots each with no injuries

"In 1859, the Western United States was still huge, wild, and open. Englishman Grantley Berkeley decided to have a hunt there and so embarked on an adventure very few of his countrymen would ever even contemplate. Enlisting the services of Americans, this plucky Old Countryman got to live out his fantasy of adventure on the high plains. Camping in the open, hunting enormous herds of buffalo, shooting other game and living the life. And he manages to tell the tale with great humor (humour) and keen observation of American social life, habits, and scenery."
Review of The English Sportsman in the Western Prairies
By Grantley Fitzhardinge Berkeley · 1861

1 gallery photo of Harper’s Weekly advertisement for the Elliot Remington Derringer in 1864

T. Underhill, 2 Corporation St, Manchester. Thomas Underhill, a qualified optician, that, according to Clifton’s Directory of British Scientific Instrument Makers, 1550–1851 (1995), worked at the following addresses in Manchester: 40 Water St (1834–1838), 70 Bridge St, Deansgate (1841), 4 Old Millgate (1848), 2 Corporation St (1858–1864), 4 Corporation St (1868), and 53 Princess St (1873–1881) Creating bespoke cases for all manner of instruments and pistols made by respected Victorian makers such E.Remington and Sons, Buron of Paris, McAllister & Brothers (1855) and Negretti and Zambra (1859

Overall in superb working order, nice tight action, and it is an obsolete, antique collectors item, that requires no restriction or licence to own and display as a collectors item.

Photographed with our small boot sized gamblers Bowie knife {not included}

No key for the lock  read more

Code: 26245

Absolutely Beautiful & Captivating Pair Of American Revolution Period 18th Century 'Queen Anne' Cannon Barrel Pistols with Silver Inlays & Solid Silver Grotesque Mask Butt Caps. Near Identical To Another Recovered From a Shipwreck off The Florida Coast

A wondrous pair of breech loading pistols of exquisite quality and extravagance, around 250 years old. In fabulous condition for age.

A single pistol, near identical, also with likely Charles Freeth silver mounts and inlays, is in the Metropolitan Museum in New York, Object Number: 37.189.4.

Superb silver grotesque mask butt caps and elaborate fine line silver inlays, possibly by Charles Freeth, {his signature grotesque face form butt-caps are featured stunningly depicting scrolls and shells. With steel cannon barrels, boxlock actions, sides, finely engraved with elaborate rococco scrolls, with a safety mechanisms enabled by sliding the trigger guards forward once the pistol is cocked. Excellent tight and crisp actions.

Maker marked by master gunsmith Mr Thomas Archer of Birmingham, circa 1776. Known as a 'Queen Anne' flintlocks these are both stunning examples in wonderful condition. Very unusual form of demon face grotesque butt masks in silver. Examples of his pistols are in the British Museum.

The ‘Queen Anne’ style pistol is distinctive in that it doesn't require a ramrod, as they are the earliest form of breech loading pistols. The barrel of the pistol unscrews and allows it to be loaded from the rear, and near the touch hole, at the breech of the barrel. These pistols were originally made in flintlock.

The Queen Annestyle pistols were very popular for the elite and highest status of society, and were made in a variety of calibres, usually about 38 to 50 bore. Boot pistols, Holster pistols, pocket pistols and Sea Service pistols may be made in the 'Queen Anne' style. This type is known as a Queen Anne pistol because it was during her reign that it became popular {although produced for some decades after the reign of Queen Anne}.

The finest examples were made with silver fittings and or inlays such as this.
These pistols are extremely similar, if not identical to a single pistol found in 2010, within a shipwreck off St Augustine USA.
Our pistols must have been made at the same time as the flintlock found in the Revolutionary War ship wreck. A ship that was lost in a storm on New Year's Eve 1782 off the coast of St Augustine, Florida. That extremely similar pistol was by T.Ketland, and now resides on display in the St Augustine Lighthouse and Maritime Museum.

The story of an American Revolutionary War shipwreck, excavated by Museum archaeologists and students from 2009-2014, and the recovered artefacts from the 1782 British Loyalist wreck found just off St. Augustine’s coast. It was determined that the wreck carried loyalists or Tories evacuating Charles Town, South Carolina and fleeing to British, East Florida which was still loyal to the crown. As many as 16 ships from Charleston (the name of Charles Town today) wrecked on the St. Augustine sandbar on New Year's Eve, December 1782.

As British loyalists ran in fear of the victorious Americans, many lost everything they had to the sea.
Among the rare artefacts discovered, covered in concretions, was an identical to our silver scroll inlaid gentleman's pistol, made by Thomas Ketland in London, England.
In addition, an archaeologist found the ship's bell, which was devoid of any markings. The lack of the Royal Navy motifs, such as the broad arrow, provides a clue that this ship may have been privately owned. Also, archaeologists recovered a very early carronade ( small, deck-mounted cannon) made in 1780 in the Carron Ironworks in Scotland.
We include in the gallery photos of the recovered identical pistol, covered in concretions, and another picture of an X Ray, clearly showing that the recovered pistol is so much the same as ours, even down to the silver scroll engraving that was revealed in the x ray on the pistols

Each pistol is approx 8.5 inches long

The commander in chief of British forces General Gage's Impact on the War efforts to clamp down on the colonists' ability to arm themselves were a primary catalyst for the conflict. The effort to confiscate weapons caches at Concord escalated into the famous Battles of Lexington and Concord in April 1775, formally igniting the American Revolution.

General Gage, a great friend of George Washington from the previous Anglo-French-Indian War, was supposedly also a possessor of a pair of the same form of ‘Queen Anne’ pistols. His ancestral home and estate, Firle Place, is local neighbour of the Lanes Armoury’s partners farm near Lewes {several of our family’s dogs were bred and raised on the Gage estate}. He was a fine, brave and noble commander in the Anglo French War. Gage commanded the vanguard on Braddock’s expedition against the French in the Ohio Valley. On July 9, 1755, the force blindly marched into a forest ambush at Fort Duquesne, was nearly annihilated, and Braddock was killed. True to form, Gage conducted himself with courage in combat. Wounded himself, he improvised a rear guard that allowed the escape of George Washington,.

However he was not a general of great success in the build up to the Revolutionary War, and at Bunker Hill, in 1775, it was his ultimate pyrrhic victory. And, he was of even less success, due to political circumstances, as a governor of Massachusetts, it was noted at the time, even by his enemies, he was a good and wise man surrounded by his difficulties, thus he was ultimately replaced by General Howe. If he had stayed, and been rewarded by his pleading for adequate re enforcements and support for his more conciliatory ideas from England, things may have turned out very differently in the Americas, for he was known for his tact and reasonableness in negotiations, but he was replaced by men of a more military mindset.

Two other famous ‘Queen Anne’ pairs of pistols of the same form are currently in US Museums;

The incredibly famous ‘Ward & Steele’ Pistols: A historical pair of Queen Anne-style flintlocks carried during the American Revolution. Once looted from the Valley Forge Historical Society Museum.

‘William Lytle's’ Pistols: Stunning Queen Anne pistols carried in the American Revolution.

The near matching pistol in the Met {link}
https://www.metmuseum.org/art/collection/search/29609

The "Ward and Steele" pistols refer to a historic pair of 18th-century Queen Anne-style flintlock pistols. These rare firearms were part of a collection of artifacts stolen from the Valley Forge Historical Society in the early 1970s. After a decades-long cold case, the pistols were recovered by the FBI and repatriated to the Museum of the American Revolution in late 2021

As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 26248

A Remarkable, Beautiful Fine Condition and Rare Six Barrel Revolver Pistols, Circa 1835, by Fine English Maker Egg of London. One Of The Most Beautiful Examples We Have Seen In Many Years

An absolutely stunning 19th century circa 1830 to 1840 pepper box revolver with six revolving cylinders. Although a rarely seen earliest form of revolver, most all steel construction, and very few pepperbox were made with brass frames, which creates a stunning contrast.

Traditional hammer in the bar form, maker engraved by egg of London one of the great names of British gunmaking.

Excellent brass frame with superb scroll engraving fine action beautifully crisp and an absolute joy to behold a combination of walnut brass and steel to result in an iconic pistol of the pre-and early Victorian period

Jean Joseph Egg (1775-1837) was the brother of Durs Egg and worked for Henry Tatham from 1801. The two men later co-founded the company Tatham & Egg. In 1814 Joseph opened his own shop at Piccadilly Circus.

In 1800 he took out a patent for a “method of bending steel without the assistance of heat, which may be applied to the manufacturing of surgical instruments.” In 1814 he advertised a self-adjusting truss, invented by him, protected by a German patent, used in many hospitals, and made at his shop at the corner of Piccadilly and the Haymarket. While these were both financially advantageous endeavors, his true fortune and claim to fame came from his guns.

Joseph was probably the most creative of the entire Egg gunsmith dynasty. His specialty at first was a new type of miniature pistols (pocket pistols) of the highest quality, whose precision is reminiscent of the work of watchmakers. They have one or two barrels and fittings made of engraved silver, in some cases even gold. This was followed by a whole series of inventions and patents. Joseph Egg’s weapons can be found in Windsor Castle, the Leningrad Hermitage and the Metropolitan Museum of Art, New York.

The 'pepperbox' 6 shot revolver was an amazing progression from the single shot percussion pistol, that worked on the rotating multi barrelled principle before the concept of a revolving cylinder and a single barrel system was invented. the style of the pistol created its nickname of the pepperbox as it looked somewhat like a peppermill, but they most often were large belt or holster pistol sized, whereas the pocket Derringer sized type, being the scarcest of all, is most rarely seen to survive today.

The pepperbox revolver was still being used in the American Civil War, especially by Southern soldiers due to the lack of arms, a photo in the gallery shows a Confederate corporal holding his belt size pepperbox revolver, and he looks barely 13 years of age.

In the 1850s, the extreme popularity of antique derringer pistols swept the nation like wildfire. Henry Derringer, the man who made the first Philadelphia Derringer, created a small and concealable pistol for people to carry for protection. When searching for an antique derringer pistol for sale, one will notice that derringers are made by a number of different brands and manufacturers. Many people wanted to make their design number one and stick out among the rigorous competition. One man that took the idea into his own hands and became a favorite in the Old West for pocket sized guns was Christian Sharps

Sharp had been in the business of rifle making before he endeavored into pocket pistol designs. He started his career in Harpers Ferry, Virginia with John Halls Rifle Works. He patented his own Sharps rifle in 1848 and, interestingly enough, a year later in December 1849, he patented his first design for the antique derringer pistol he desired to create. Unfortunately, it was a poorly constructed and fragile design in need of some work before it could be sold commercially.

The antique derringer plus sized pistols became known as the ‘hideout pistol’ to westerners. The prominence of these small multi shot pocket pistols as a gambler’s gun arose in the the Old Wild West. The gun was very commonly used by gamblers and tavern frequenters since they could slide it up their sleeve or in their pocket without the people around the being any the wiser. Western outlaws loved the conceal ability and carried the gun as an extra side arm. The gun is sometimes referred to as the perfect concealable pistol.

Tight and crisp spring, action rotates nicely

No licence is required to own and collect this antique pistol


Condition excellent plus  read more

Code: 26250

A Superb, Original, Antique 'Wild West' Period Winchester Cavalry Carbine. The Favourite Repeating Rifle of President Theodore 'Teddy' Roosevelt and Cowboy Movie Star John Wayne. Probably The Most Iconic Rifle In the World

This is an absolute beauty one of the best we have seen in a long time. A fabulous and iconic piece of original Wild West history.

Good walnut stock and fine still with good natural age patination. Round barrel 20 in., half stocked with short tube magazine, ladder back sight, & saddle ring,

The world famous Winchester Lever Action Repeating Rifle was The weapon of choice of US President Theodore 'Teddy' Roosevelt. Who was quoted as once saying,

"I don't know how to shoot well, but I know how to shoot often.”

Roosevelt’s deeds with his Winchesters are certainly the stuff of legend. You could hardly be expected to find a more colourful figure so strongly linked to something that is now, and in no small measure due to his patronage, considered a household word and so instantly recognizable. Once, while on a hunting trip, he led in the capture of three riverboat thieves with his Winchester at the ready. Another time while riding the perimeter of his ranch, he was set upon by a band of restless Sioux. One clear view of his Winchester across the saddle and they soon scattered. He would have been photographed holding a Winchester carbine atop San Juan Hill during the Spanish-American War had he not given it to another trooper in his unit who was without a rifle at the time.
He was a human dynamo. He was the 26th and youngest President of the United States. He was a Medal of Honour winner, an avid hunter, a Nobel Prize winner, a wildlife conservationist, a war hero, a Life member of the National Rifle Association, the author of 39 books, a father of six and the most gun-savvy man to ever occupy The White House. When it came to gun knowledge or shooting skill, no chief executive, now or then, was his peer.

He special ordered his first Winchesters in the late summer of 1881, possibly to celebrate the publication of his second book, The Naval War of 1812. He ordered a pair of consecutively numbered Model 1876s, and these guns would be similar in composition to nearly every one of the next 20 Winchesters that he ordered.

There was one specific rifle John Wayne chose to use again and again in his cowboy appearances: The Winchester 1892 Rifle.
John Wayne was as prolific as he was iconic. He appeared in more than 170 movies, starred in more than 140 and often had several movies in theaters simultaneously. He could make almost any movie he wanted, with anyone he wanted, for any salary he wanted. Yet with all that flexibility, there was one specific rifle John Wayne chose to use again and again in his cowboy appearances.

It was the same rifle that had help make him a star. Director John Ford took the then-struggling actor and featured him in Stagecoach as Henry “the Ringo Kid,” the rifle-slinging criminal bound for revenge and redemption at the end of a dusty wagon trail. Wayne’s character was given a signature firearm: a big-looped Winchester Model 92 Trapper with the barrel chopped short.

Ford had the gun shortened so Wayne could swing it under his arm in a sweeping, theatrical motion when reloading. The move and movie were hits with audiences and forever changed Wayne’s career. The world had fallen for Wayne’s performance, and Wayne had fallen for the Winchester’s light, lithe design.

The Winchester was the byproduct of John Browning’s Winchester. The 1886 was a popular lever action among sportsmen, but it was chambered in .45/70 and required a substantial—i.e. heavy—gun. At 9 1/2 pounds, the 1886 was just that. Shooters who didn’t need bear-stopping power wanted a lighter rifle that came chambered for the pistol/rifle cartridge .44-40 and similar rounds of the day. The slimmer and sleeker 1892 was the result.

The 92 came in both a rifle and carbine configuration, each lighter than the 1886. Consumers wanted an even lighter version. Winchester responded by chopping the carbine down again to produce the special-order Trapper, available with 12- to 18-inch barrels.

Though lighter than the 1886, the 92 was still a solid machine that could handle strong cartridges. Winchester and Remington made special high-velocity, smokeless powder .44-40 offerings with the 92 in mind. Lesser guns that were accidentally fed the ammo buckled and caused the makers to take the loads off the shelf. The 92 had no problems.

Ranchers and riders like the ones Wayne would later portray fell in love with the 92 and gave it their cowboy seal of approval.
President Theodore Roosevelt, a former US Army 'Rough Rider', was a fan of the gun;
Rear Admiral Robert Peary took one on his successful North Pole expedition. Other movie icons used the gun as well:
Steve McQueen used a 92 in Wanted Dead or Alive, and
Chuck Connors carried one in The Rifleman.

In an era and industry that glamorized 1,000-yard revolver shots with guns that never needed reloading, Wayne was a firearms realist. Real cowboys would have used rifles whenever possible, and Wayne brought that level of authenticity to his films. He even used his own guns in his later career, preferring them to replicas that didn’t do the firearms world justice. The 92 was the kind of rifle cowboys used, so that’s the kind of rifle Wayne wanted.

Rooster Cogburn carried a 92 in one hand and a single-action revolver in the other, his horse’s reins in his teeth, in True Grit. The movie, in part thanks to that memorable scene, won Wayne the first Oscar of his long career in 1970. He later said that, if he had known the movie would have won him the award, “I’d have put that patch on 35 years earlier.” The Winchester would have been there too, ready to fire.

Fans clearly loved the man and the rifle. Numerous Wayne commemoratives and reproductions have been made over the years as a result. Winchester made several, including an appropriately chosen 92 on his centennial birthday in 2007, and, curiously, a Model 94 with his movie titles engraved on the decorated receiver.

Like Barbara Mandrell and country, Wayne had a big-loop lever action long before it was cool. Now function is following form: Shooters who wear gloves in cold weather or cowboy action shooting benefit from a larger loop like the Duke’s. Factory guns are being offered with the loop option and larger loops are being installed as an aftermarket feature on older guns.

Stagecoach (1939): Wayne's breakout role where he first debuted the famous lever-twirl.

El Dorado (1966): Used in the film's climax, famously employed one-handed because his character suffered from nerve damage.

True Grit (1969): Used heavily by his character Rooster Cogburn.

Rooster Cogburn (1975): The direct sequel to True Grit, in which he used the exact same rifle.

Original Hollywood prop rifles used by Wayne are highly sought-after collector's items; for example, a Model 1892 used in True Grit and Rooster Cogburn sold at auction for $88,500.

The US Army "Rough Riders" was the famous 1st United States Volunteer Cavalry Regiment that fought in the Spanish-American War. Formed in 1898, it was commanded by Colonel Leonard Wood and Lieutenant Colonel Theodore Roosevelt. The diverse, highly publicized unit gained legendary status for several key reasons: Diverse Ranks: The regiment was a colorful mix of cowboys, gold prospectors, miners, hunters, Native Americans, and Eastern Ivy League athletes.Action in Cuba: Deployed to Cuba, the regiment fought notably in the Battle of Las Guasimas and famously charged up Kettle and San Juan Hills near Santiago, securing a pivotal victory.Fought on Foot: Although organized as cavalry, the Rough Riders had to fight as foot soldiers because logistical issues left most of their horses behind in Florida.

"The Winchester stocked and sighted to suit myself is by all odds the best weapon I ever had, and I now use it almost exclusively ... .”

—Theodore Roosevelt, Hunting Trips of a Ranchman.

The British War Dept. purchased a few thousand of this Winchester pattern and we show in the gallery a super photograph of a RN gunboat crew displaying their Winchester rifles.

As it functioned with a calibre round still available today, like almost all Winchester rifles today, it had to be deactivated {with EU certificate} but the lever action still works just as it did, and all the work is achieved internally.

For sale within the UK mainland only  read more

Code: 26249

A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Tsubaki-ne, With A Haft of Yadake Bamboo & With Sea Eagle Flights. With A Beautifully Rare Stunningly Polished Tamahagane Steel Head

It is most rare to find original, antique samurai war arrows {ya} that still have beautifully polished tamagahane steel blades, that they would all have had originally, that often show the traditional hamon, the same as a sword would have. Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle. The armour piercing arrow tip, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn. It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or Tsubaki-ne, were pointed arrowheads look like a miniature version of a long Yari (spear) and were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an Edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet. Another photo shows an unmounted arrow head with the considerable length of the tang that is concealed by the haft.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25590