A Simply Exquisite Original Bronze Age Short Sword Used From The Trojan Wars To The Greco-Persian Wars Era. The Trojan War Was Waged Against the City of Troy by the Achaeans (Greeks) After Paris of Troy Took Helen From Her Husband Menelaus, King of Sparta

From the late 2nd millennium BC. to early 1st Millenium BC.
A bronze sword with tapering long central ribbed graduating tapering blade, with solid cast hilt 'bulls horn' and domed pommel A sword that could have been traded with the Archean Greeks, the Mycenean Greeks the Trojan peoples and The Hitites.

The trade of Bronze Age weaponry followed trade routes that started in the the Assyrian Empire, East of Babylon, right through to the Mediterranean region, and all of empires and kingdoms in between. Also, all manner of Bronze Age utilitarian wares, personal adornments, and tools came from this famed bronze smithing region and their trading merchants.

In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.

The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both the war and the city were widely seen as non-historical. In 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hisarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars.

Whether there is any historical reality behind the Trojan War remains an open question. Many scholars believe that there is a historical core to the tale, though this may simply mean that the Homeric stories are a fusion of various tales of sieges and expeditions by Mycenaean Greeks during the Bronze Age. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th century BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly correspond to archaeological evidence of a catastrophic burning of Troy VII, and the Late Bronze Age collapse. Legend has it that the war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris of Troy, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus of Sparta, fall in love with Paris, who quit Sparta with her and returned to Troy. Menelaus's brother Agamemnon, king of Mycenae, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, Aphrodite's son and one of the Trojans, who was said to have led the surviving Trojans to modern-day Italy.

57 cm long

A most similar example was in the Axel Guttman collection, a collection that was sold in 2002 by Christies

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 25684

Superbly Bound, Leather & Tooled "Quattrocento" Style, In Gilt. A Richly Bound Special Parisien Reprint of 1971, of Dante Alighieri’s 14th Century 'La Divine Comédie',{ Divina Commedia } Purgatoire {Purgatory, Purgatorio}. Illustrations by Botticelli

Dante Alighieri’s 'Purgatory' from his masterpiece 'La Divine Comédie'. The perfect read while waiting to clear customs at Charles De Gaulle Airport. Hopefully, you may even get through the queue before the end

A bilingual French-Italian edition of Dante Alighieri’s La Divine Comédie, published by the Parisian publisher Jean de Bonnot in 1971. It features Sandro Botticelli's legendary illustrations and bound in "Quattrocento" style, richly gold decorated full leather.

Parallel Italian and French translations (by André Pératé, with the Italian text established by Marina Zorzi Kolasinski de Kojen) Contains reproductions of Sandro Botticelli's celebrated lead and silver-point drawings. Features publisher's full tawny or marbled leather (plein cuir), with gold tooling in the "Quattrocento" style on the spines and covers, gilt top edges, and an attached ribbon bookmark.

Dante Alighieri's Epic Poem written between 1308 and 1321, this narrative poem is considered the cornerstone of Italian literature and a masterpiece of Western civilization.

It follows Dante himself (guided by the Roman poet Virgil, and later his muse Beatrice) through the three realms of the afterlife:
Inferno (Hell),
Purgatorio (Purgatory),
and Paradiso (Paradise).

The poem features 100 cantos in total and is known for its intricate numerical and symbolic structures, deeply intertwined with medieval European philosophy, theology, and politics

It has heavily shaped modern perceptions of the Christian afterlife and inspired generations of artists, sculptors, and writers.

The Divine Comedy { Divina Commedia } is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed c. 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language.

The poem explores the condition of the soul following death and portrays a vision of divine justice, in which individuals receive appropriate punishment or reward based on their actions. It describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas.  read more

Code: 26109

The Lanes Armoury, World Renown As Britain’s Best Antique Museum-Shop and Gallery, Is Closed, As Usual, This Bank Holiday Monday 25th May. We Re-open Tuesday As Normal

Last Saturday, we had pass through our doors somewhere between 2,600 to 3,200 visitors, and, as usual, just about every one most kindly expressed we were probably the most interesting and incredible shop they had ever seen. And so many continually remarked we are not really a regular shop, we are far more like a museum and gallery, that happens to be a shop as well!. As literally, every single thing we show and offer for sale, is an incredible piece of history, and many pieces they have never before even seen, let alone offered for sale, anywhere else in the country.

One very polite young man said to us earlier, one afternoon;
“ where else in the world can you buy an arrowhead, fired by Alexander the Great’s army, for £65, sitting next to a gold fob chain, in the shape of a Zeppelin, given by the former captain and survivor, of doomed Luftschiffer airship, The Hindenburg, to a colleague in the RAF.”

Several decades ago back in the 1970s Mark used to have conversations on a fairly regular basis with President Ronald Reagan when he was still governor of California.

In one conversation President Reagan remarked “it’s a shame the whole world doesn’t know you exist. I know you’re really famous in the antique world, but most people in America will simply have not have heard of you, which is a great shame. I hope one day this will change.”

Well it did change, thanks to Tim Berners-Lee and the Internet, and various articles, from such as the New York Times, declaring we were the one of the most interesting places to visit in the whole of Europe, we have now expanded our presence, to literally, the entire world, with visitors every day from every possible continent and country you can imagine.

Once Mr. Reagan was elected president he mentioned in one call that he was going to visit Her Late Majesty at Windsor Castle, and he hoped very much to be able to visit again.

Sadly, after a visit from the Secret Service to Brighton, they decided that any visit to the town would be impossible due to the narrowness of the streets, and the size of the cortège that President Reagan had to be accompanied by, including up to three of the bespoke armoured limousines the president used, nicknamed by the Secret Service, ‘the beast’. In the 1970s and 80s these vehicles were simply huge , and they would never be able to negotiate the lanes of Brighton, or most of the streets of Brighton to be fair, in any way whatsoever.

However, we were graced and honoured to a passing visit by Her Majesty and Prince Philip, in March 2007, but of most of her entourage were in Range Rovers!

However, although closed Monday, we will re-open for our thousands of personal visitors and customers, this Tuesday as usual, but we are always contactable by email, or on 07721 010085 during our closing hours this Bank Holiday..

All website activity carries on 24-7 as usual .

Why not choose an ancient or antique original collectable for your loved one, or even you! Every day we try our utmost to supply all our customers with that something really special and unique, and as usual we believe have some simply amazing offerings, thousands of them from all over the world, from ancient to vintage, and every one a little part of history.
All our items supplied with our unique lifetime guarantee of authenticity, detailing its full history as known. The Lanes Armoury is proud to be known, as declared by many of our thousands of daily visitors, as their most favourite shop in all Great Britain!

Enjoy The Lanes Armoury Website, it Has Been Over 105 Years in the Making.

Probably the only shop in Europe where you can view, and buy, original collectables from over 300,000 years of human history, from almost every major civilisation

"Gloria Antika" { translated, from the Latin, ‘Glory of the Ancient’} our old family motto, and it has been for generations, are words we live buy every, single, day.  read more

Code: 24909

A Very Good Original 1934 Early Pattern, Designed Without Insignia, WW2 Third Reich, German, Combat Fire Protection Police Service Helmet, With Comb and Detachable Leather Neck Shield. Feuerwehr/Feuerschutzpolizei

The Fire Protection Police ServiceFeuerwehr/Feuerschutzpolizei, earliest pattern of combat helmet, overall in superb condition, dent free, with its original liner intact, and neck defence, complete and original, that was attached by ingenious floating leather supports, that made it easily detachable by hand without tools. The nickel top crown comb is perfect, and damage free too. If one was seeking a very fine example of the earliest pattern combat grade helmet, used by the Third Reich, complete, untouched and original, you could not do better. In 1936 they added a swastika decal to the surface paint, { for a hand painted version see photo 9 in the gallery} but in 1934, the earliest type, {this one} was made without any swastika decal, either printed or hand painted.

Political control of the Feuerwehr (fire departments) and Feuerschutzpolizei (Fire Protection Police) in Germany was centralized under the National Ministry of the Interior and the SS during the Nazi regime.
The structural hierarchy of this control included:
National Control (The Third Reich): Professional career fire departments were militarized and absorbed into the Ordnungspolizei (Order Police). The overall commander was Kurt Daluege, who answered directly to Heinrich Himmler as the Chief of the German Police.

Although Prussia had incorporated its fire-fighting organisations into the Police system in 1933, it was not made universal throughout Germany until 1938 when the authorities increasingly believed that a future conflict might involve air-raids on a national scale. As a precaution, some 90 German cities were ordered to transfer their fire fighting personnel into the newly created Feuerschutzpolizei (Fire Protection Police), commanded directly by a highest police authority, Heinrich Himmler.

Where necessary, auxiliaries (Freiwillige Feuerwehren) were recruited to supplement the numbers of the Feuerschutzpolizei, while other smaller towns and rural areas maintained both volunteer auxiliaries and the Feuerwehr.

The M34 helmet was initially adopted for service in 1934, but it was only from 28 July 1936 that the police style insignia began to be worn. The detachable leather neckflap gave obvious protection to the wearer but was later deleted, as was the comb, possibly as a cost saving, with metal plugs fitted to fill the holes.

The other protection service were members of the Luftschutzwarndienst (Luftschutz) were typically volunteers assembled into area units within cities and towns that held the highest risk of being bombed. Many population centres were divided into area “blocks” with unit leaders assigned to each individual section of a city. Volunteer teams were expected to rotate shifts and sleep in large concrete bunkers that held all the provisions and amenities of a regular fortification. These also included the immense “flak towers” built around German cities upon which anti-aircraft batteries were stationed.

On 2 April 1943 Hermann Göring mandated compulsory service in the Luftschutz for all German civilians. For the first time this order included women. Members of the Luftschutz were expected to supply their own helmets as part of the contribution to the German war effort. A variety of helmets were available for 5 Reich Marks each, but many volunteers chose to scavenge captured helmets of Czech, Polish, Dutch, French, and Russian origin.

The more usual types of Third Reich helmets, the M1935, M1940 and M1942 were examples of what regular combat helmets were manufactured, and during the National Socialist era, customers for these regular helmets were all the armed forces including the Waffen-SS, generally showing very high craftsmanship.
This 1934 pattern was a separate type of Third Reich era combat helmet, issued a year before the M35, but it is fairly clear, the M35, the first ‘regular’ Third Reich period, original, armed forces combat helmet, may well have been inspired by the steel skull form of this helmet. The M35 Stahlhelm was designed by Dr. Friedrich Schwerd of the Technical Institute of Hanover. First introduced in 1935, his design refined the iconic World War I Stahlhelm. It featured a lighter steel alloy, a rolled-in edge, and improved ventilation rivets. Dr Schwerd may well have designed both this, and the regular M35 at the same time of course, but it may have taken a year longer to perfect and issue the M35.

This fine German pre war and WW2 Fire Protection Police Combat Helmet is complete with its original chin strap clip bearing US patent for the chin strap clip buckle (Patent : TUCK TITE USA PAT 1590400 Made in Germany) and with its with its original neck cape shield later removed

It’s strap buckle was a patent exported from America into Germany in 1926 into German industry  read more

Code: 26200

'The Beasts of Tarzan', First Edition, By Edgar Rice Burroughs -A.L.Burt & Co, New York, 1916. With Illustrations by J. Allen St. John, Bound In Full Green Morocco Leather, With Gold Tooling by Sangorski & Sutcliffe for Asprey of Bond St.London

Edgar Rice Burroughs - The Beasts of Tarzan, w/ Illustrations by J. Allen St. John, first edition, A.L.Burt & Co, New York, 1916, rebound in full green morocco by Sangorski & Sutcliffe. Overall in excellent condition.

Only the second one we have seen of this fine example in 10 years.

The Beasts of Tarzan by Edgar Rice Burroughs is a must-read for all literature and fiction enthusiasts. This original 1916 first edition hardcover book is a collector's item with special attributes that make it unique. It takes readers on a thrilling adventure with the iconic character Tarzan in North America, filled with action and suspense. The publisher A L Burt has done a fantastic job printing this book in English, and it's a great addition to any collection.

The story begins a year after the conclusion of the previous book, Tarzan (Lord Greystoke) and Jane have had a son, whom they have named Jack. Tarzan has spent much time building an estate home on the Waziri lands in Uziri, Africa, but has returned to his ancestral estate in London for the rainy season.

Tarzan's adversaries from the previous novel, Nikolas Rokoff and Alexis Paulvitch, escape prison and kidnap the Greystoke heir. Their trap is elaborate and insidious, leading both Tarzan and Jane to be kidnapped as well. Rokoff exiles Tarzan on a jungle island, informing him that Jack will be left with a cannibal tribe to be raised as one of their own, while Jane's fate is to be left to his imagination.

Using his jungle skill and primal intelligence, Tarzan wins the help of Sheeta, the vicious panther, a tribe of great apes led by the intelligent Akut, and a native warrior, Mugambi. With their aid, Tarzan reaches the mainland and begins a lengthy pursuit to find Jane (who is actively engineering her own extrication) and Jack.

Sangorski & Sutcliffe is a firm of bookbinders established in London in 1901. It is considered to be one of the most important bookbinding companies of the 20th century, famous for its luxurious jeweled bindings that used real gold and precious stones in their book covers.

Sangorski & Sutcliffe was established by Francis Sangorski (1875–1912) and George Sutcliffe (1878–1943). They had met in 1896 at a bookbinding evening class taught by Douglas Cockerell at the London County Council's Central School of Arts and Crafts.

In 1898, Sangorski and Sutcliffe each won one of the ten annual craft scholarship awards, giving them £20 a year for three years to continue their training as apprentice bookbinders. They were employed at Cockerell's own bindery, and began to teach bookbinding at Camberwell College of Art. They were laid off in 1901 after a coal strike caused an economic slump, and they decided to set up on their own in a rented attic in Bloomsbury, starting on 1 October 1901. They soon moved to Vernon Place, and then, in 1905, to Southampton Row.

Sangorski's elder brother, Alberto Sangorski (1862–1932),1 worked for the firm. He became an accomplished calligrapher and illuminator, working for Rivière from 1910.

They quickly revived the art of jewelled bookbindings, decorating their sumptuous multi-colour leather book bindings with gold inlay and precious and semi-precious jewels. They were commissioned to create a most luxurious binding of the Rubaiyat of Omar Khayyam, the front cover of which was adorned with three golden peacocks with jewelled tails and surrounded by heavily tooled and gilded vines, that was sent on the ill-fated RMS Titanic in 1912. The book, known as the Great Omar, sank with the ship and has not been recovered. Shortly afterwards, Sangorski drowned.

Sutcliffe continued the firm, which became recognised as one of the leading bookbinders in London. The bindery moved to Poland Street, and managed to survive through the First World War, the Great Depression, the Second World War, and post-war austerity. It also created miniature books for Queen Mary's Dolls' House.  read more

Code: 25632

A Fantastic, Rare & Original 900 Year Old Templar Crusader Knights era ‘Sword of War’. A Broadsword With Brazil Nut Pommel. From the Period Immediately Following the Norman Conquest & As Used By the Templar Knights To Reclaim The Holy Land.

This wonderful antiquity would make a spectacular centrepiece to any new or long established fine collection, or indeed a magnificent solitary work of historical art, for any type of decor both traditional or contemporary and a fabulous original ‘statement piece’ for any home. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history.

A few years ago we acquired and sold another, of the rarest of the rare, a Templar knights sword, stamped and forged and with still visible triple stamped markings of a Templar armourer. This sword bears, as is more usual, no such extremely rare, surviving and still visible Templar markings. It is an extraordinary, historical, and rare artifact of the era, and an absolute iconic example of the arguably most famous era in all knightly history.

A fine example piece, from the ancient Templar knightly age, from almost a thousand years past. Although this sword is now in an obvious ancient, and historical, russetted condition, with some elements lacking, every item made of iron from this era, such as the rarest of swords and daggers, even in the Royal Collection, are in this very same state of preservation. In fact, the fact they survive at all is both extraordinary and remarkable. Furthermore, all the more remarkable that any survived the crusade in order to return, as by far the majority of Knights Templar, Knights Hospitaller etc., that journeyed to the Holy Land on pilgrimage, failed to return.

Around 900 Years Old. A hand-forged iron knightly sword, the very same as used by the templar Knights of Jerusalem, comprising a narrow two-edged blade with shallow fuller to both faces, short ricasso, slender square-section cross guard tapering slightly, flat tang, brazil-nut pommel. 12th-early 13th century, used in the early Crusades Period by Knights, such as the Knights of Jerusalem the Knights Templar, Knights of St John, made from time of King Stephen, and used into the times of King Henry the IInd, and King Richard the Ist.
Although made for a Knight around the time of the reign of the Norman king, King Stephen, it was May likely also used by succeeding knights for the next few hundred years or so, as such swords were of immense value at the time and it was likely passed down from father to son or knight to knight, and thus used as a ‘sword of war’ right into the era of the battles of Crecy, Poitiers, and King Henry V’s age defining victory, at Agincourt. *See further reference to this below This assumption is realistically made due to swords at that time being incredibly valuable and most highly prized, and the style and form of swords during that period had only changed cosmetically, and thus ancestral swords, as this would have been in King Henry’s day, still functioned perfectly well, despite being used for the past centuries. There are records of swords recovered from Agincourt of being knightly ‘ancestral swords’, made and used originally in the Crusades, especially the swords from the hundreds of slain French knights of Agincourt that were descended from crusader knights from the nobility of France.

A Single-Handed, Knights sword, made in the 12th century {circa 1120's} and constantly used in the early Crusades period, by a Knight and hand forged by an armourer, during the time of England's King Henry Ist, and used into the reigns of King Henry the IInd, and King Richard Ist, the Lionheart, and potentially, for the following century or even longer. The tip section was likely lost in its last combat, and two small open separations in the blades fuller region, caused by its prolonged immersion in the earth, as the fuller is the thinnest part of the blade. Thus one may deduct and conclude this precious sword survived its earliest years in the arid deserts of the Holy Land, and thus it may have been used by a Templar that perished in combat in the era that the knights had returned to Europe only to be betrayed by their former Catholic masters in Rome, persecuted, and in greater part eradicated, in order to plunder the great suspected treasures the Templars returned with from the crusades, and to eliminate the great loans made by the knightly order to the King of France.

The eradication of the Knights Templar was a swift, politically-driven destruction orchestrated by King Philip IV of France and Pope Clement V in the early 14th century. While the order lost its military purpose after the Crusades, its massive wealth and independence made it a target for a debt-ridden monarch.

King Philip IV was deeply in debt to the Templars, who acted as his primary bankers; destroying them erased his financial obligations.

The King aimed to confiscate the order’s vast holdings, including estates and gold, to fund his wars against England and Flanders.
After the 1291 fall of Acre, the Templars lost their last foothold in the Holy Land, making them appear redundant to the public.
The Templars functioned as a "state within a state," exempt from taxes and answerable only to the Pope, which threatened Philip’s goal of centralising power in France.

The Knights Templar were an elite fighting force of their day, highly trained, well-equipped, and highly motivated; one of the tenets of their religious order was that they were forbidden from retreating in battle, unless outnumbered three to one, and even then only by order of their commander, or if the Templar flag went down. Not all Knights Templar were warriors. The mission of most of the members was one of support – to acquire resources which could be used to fund and equip the small percentage of members who were fighting on the front lines. There were actually three classes within the orders. The highest class was the knight. When a candidate was sworn into the order, they made the knight a monk. They wore white robes. The knights could hold no property and receive no private letters. They could not be married or betrothed and could not have any vow in any other Order. They could not have debt more than they could pay, and no infirmities. The Templar priest class was similar to the modern day military chaplain. Wearing green robes, they conducted religious services, led prayers, and were assigned record keeping and letter writing. They always wore gloves, unless they were giving Holy Communion. The mounted men-at-arms represented the most common class, and they were called "brothers". They were usually assigned two horses each and held many positions, including guard, steward, squire or other support vocations. As the main support staff, they wore black or brown robes and were partially garbed in chain mail or plate mail. The armour was not as complete as the knights. Because of this infrastructure, the warriors were well-trained and very well armed. Even their horses were trained to fight in combat, fully armoured. The combination of soldier and monk was also a powerful one, as to the Templar knights, martyrdom in battle was one of the most glorious ways to die.

The Templars were also shrewd tacticians, following the dream of Saint Bernard who had declared that a small force, under the right conditions, could defeat a much larger enemy. One of the key battles in which this was demonstrated was in 1177, at the Battle of Montgisard. The famous Muslim military leader Saladin was attempting to push toward Jerusalem from the south, with a force of 26,000 soldiers. He had pinned the forces of Jerusalem's King Baldwin IV, about 500 knights and their supporters, near the coast, at Ascalon. Eighty Templar knights and their own entourage attempted to reinforce. They met Saladin's troops at Gaza, but were considered too small a force to be worth fighting, so Saladin turned his back on them and headed with his army towards Jerusalem.

Once Saladin and his army had moved on, the Templars were able to join King Baldwin's forces, and together they proceeded north along the coast. Saladin had made a key mistake at that point – instead of keeping his forces together, he permitted his army to temporarily spread out and pillage various villages on their way to Jerusalem. The Templars took advantage of this low state of readiness to launch a surprise ambush directly against Saladin and his bodyguard, at Montgisard near Ramla. Saladin's army was spread too thin to adequately defend themselves, and he and his forces were forced to fight a losing battle as they retreated back to the south, ending up with only a tenth of their original number. The battle was not the final one with Saladin, but it bought a year of peace for the Kingdom of Jerusalem, and the victory became a heroic legend.

Another key tactic of the Templars was that of the "squadron charge". A small group of knights and their heavily armed warhorses would gather into a tight unit which would gallop full speed at the enemy lines, with a determination and force of will that made it clear that they would rather commit suicide than fall back. This terrifying onslaught would frequently have the desired result of breaking a hole in the enemy lines, thereby giving the other Crusader forces an advantage.

The Templars, though relatively small in number, routinely joined other armies in key battles. They would be the force that would ram through the enemy's front lines at the beginning of a battle, or the fighters that would protect the army from the rear. They fought alongside King Louis VII of France, and King Richard I of England.

In addition to battles in Palestine, members of the Order also fought in the Spanish and Portuguese Reconquista. It could also be enhanced by affixing to a rectangular bespoke display panel.We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel.  read more

Code: 23241

A Most Scarce and Superb US Civil War, Savage North, Navy .36cal Revolver With Hand Carved “Trophy Cuts’. Most Likely Created By the Original Combatant, Issued to Either the Wisconsin, Missouri or Kansas Cavalry Regiments

A rare revolver that we are lucky to find only one or two a year, and this one is a particularly nice example.

During the Civil War the savage revolvers were acquired by 'Witcher’s Nighthawks', & 'White’s Rebels', two Confederate cavalry regiments in Virginia, the 11th Texas Cavalry under Col. George Reeves, and the Union’s US Navy’s warships.

The Savage was probably The most unusual and distinctive revolver ever made, and certainly the most distinctive revolver used during the American Civil War in the 1860s. Nothing was ever made before quite like it frankly since it has very modern features which were revolutionary at the time and utilised by just a few revolvers many decades. With four distinctive down stroke cuts and two cross cuts to the butt stock. This by tradition is recognised as trophy marks. One cut for each successful gunfight outcome. Produced in the 1860's. Standard three line address and patent markings on top of the frame above the cylinder. Henry North patent action, with a ring trigger for revolving the cylinder and cocking the hammer, and a second conventional trigger for firing, and a shared heart-shaped trigger guard. Very good fully operational action. Two-section cylinder, with the front section unfluted and the rear section fitted to the frame with cut-outs along the sides. Smooth grips with a distinctive blackstrap profile.

One of the very scarce revolvers of the US Civil War. With good clear maker and patent markings. A very collectable pistol that were made in far fewer numbers than their sister guns, the Colt and the Remington. A very expensive gun in it's day, it had a complex twin trigger mechanism, and a revolving cylinder with a spring operated gas seal. One of our very favourite guns of the 19th century, that epitomises the extraordinary and revolutionary designs and forms of arms that were being invented at that time, and for it's sheer extravagance of complexity, combined with it's unique and highly distinctive profile.

The Savage Navy Model, a six shot .36 calibre revolver, was made only from 1861 until 1862 with a total production of only 20,000 guns. This unique military revolver was one of the few handguns that was produced only for Civil War use. Its design was based on the antebellum Savage-North "figure eight" revolver, the Savage Navy had a unique way of cocking the hammer. The shooter used his middle finger to draw back the "figure 8" lever and then pushed it forward to cock the hammer and rotate the cylinder. The Union purchased just under 12,000 of these initially at $19.00 apiece for use by its cavalry units. Savage Navy revolvers were issued to the 1st and 2nd Wisconsin U.S. Volunteer Cavalry regiments, and 5th Kansas Volunteer Cavalry while the State of Missouri issued 292 Savage revolvers to its Missouri Enrolled Militia units. The remaining revolvers were purchased by private means and shipped to the Confederacy for use with the 34th Battalion of Virginia Cavalry (Witcher's Nighthawks), the 35th Battalion of Virginia Cavalry (White's Rebels), 11th Texas Cavalry, 7th Virginia Cavalry (Ashby's Cavalry), and 7th Missouri Cavalry. The United States Navy also made a small purchase of 800 Savages during 1861 for use on its ships. One of our very favourite guns of the 19th century, that epitomises the extraordinary and revolutionary Heath Robinsonseque designs and forms of arms, that were being invented at that time, and for it's sheer extravagance of complexity, combined with it's unique and highly distinctive profile.

We show in the gallery three different original photos of Civil War soldiers, each one proudly carries his Savage revolver for information only, not included. In May 2018 a similar Savage Navy Revolver sold in auction in America for $48,875, naturally it was a very nice example.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 22325

A Stunning, Finest, And Historical Antique Ross Telescope, English, 3 Draw, Terrestrial Refractor, Boer War Period, Named For Major Robert Hope Fitzroy. Royal Artillery. Ross Is One Of The Great Names In The World Of British Optical Instruments.

In exemplary condition, a superb telescope of great Boer War and WW1, military, 'identifiable' provenance.

Major Robert Hope Fitzroy, Royal Artillery.

Major Robert Hope Fitzroy (1881–1952) was a British Army officer who served in the Royal Garrison Artillery. Born on September 10, 1881, he was the son of Lieutenant-Colonel William Fitzroy and Gertrude Mary Wentworth.

He had the following military and personal profile; He began his military career around the time of the Second Boer War (1899–1902). And became a major in WW1 in the RGA, the Royal Garrison Artillery.

The RGA operated the huge heavy artillery at the Western Front.

The RGA grew into a very large component of the British Army, being armed with heavy, large-calibre guns and howitzers that were positioned some way behind the front line and had immense destructive power. With the new long-range small arms available to the infantry in the era before World War I, artillery fighting in the infantry line was increasingly vulnerable to small-arms fire. The solution to this was the principle of standing off and engaging the enemy with indirect fire. Henceforth the artillery would be positioned well behind the infantry battle line, firing at unseen targets, controlled by a forward artillery observer. Later in the war, advances in the science of gunnery enabled guns to be aimed at co-ordinates on a map calculated with geometry and mathematics. As the war developed, the heavy artillery and the techniques of long-range artillery were massively developed. The RGA was often supported by the Royal Flying Corps (RFC) who had devised a system where pilots could use wireless telegraphy to give corrections of aim to the guns. The RFC aircraft carried a wireless set and a map and after identifying the position of an enemy target the pilot was able to transmit messages such as A5, B3, etc. in Morse code to an RFC land station attached to a heavy artillery unit, such as Royal Garrison Artillery Siege Batteries.

HM Gun Scene Shifter was a massive 13.5-inch British railway gun that saw active service across two world wars. Today, its incredible legacy lives on through the history of British heavy artillery.
A breakdown of its operational history:

World War I

The original 14-inch barrel was initially built to equip an Imperial Japanese Navy battleship, but the order was canceled.The "Shift": Requisitioned by the British Army, it was mounted onto a railway chassis and given its iconic name.Western Front: Operated by the Royal Garrison Artillery in France, it provided crucial long-range interdiction fire on strategic German infrastructure like railway junctions.

Two pictures in the gallery of HM Gun Scene Shifter and the Second Battle of the Somme. A Battery of 8-inch howitzers (Royal Garrison Artillery) in action on the roadside at St. Leger.  read more

Code: 26226

A French Hussar's Light Cavalry Officer's Heavy Grade Sabre, Sabre de Hussard, Late 18th/Early 19th Century Ist Empire Pattern

From the former P.T.Norheim Collection of Finest French Arms

A strong robust brass hilt (old bruising in places) with ovoidal langets, rear quillon with faceted button terminal, knuckle-guard with medial ridge, pommel and back-piece in one, and wire-bound leather-covered grip, With curved fullered blade double-edged towards the point and with Coulaux Freres Klingenthal manufactory details along the back at the forte, in original brass scabbard (with some old denting, predominantly up from the chape) lined in brown leather and open along each side at the top, steel shoe, and two rings for suspension
33.75 inch. blade.

The word “hussar” identifies the light horsemen and comes from the Hungarian “huszar”. The most famous hussar units were the French regiments of the Napoleonic era. They were employed for scouting and communication purposes, and to screen the movement of the Emperor's corps, like during the advance that allowed the French to flank the Austrian general Mack at Ulm in 1805. The hussars, such as of the 1st Hussars employed at Jena in 1806, are characterized by the ornate Hungarian style uniform, sabretache, sabre and carbine.

The hussars also played a prominent role as cavalry in the Napoleonic Wars (1803–1815), serving in campaigns in Austria (1804 & 1809), Prussia (1805 -1806), Poland (1806), Spain (1809 - 1813), Germany (1812), France (1814 - 1815), and Belgium (1815) before being disbanded by the Bourbon Restoration.
As light cavalrymen mounted on fast horses, they would be used to fight skirmish battles and for scouting. Most of the great European powers raised hussar regiments. The armies of France, Austria, Prussia, and Russia had included hussar regiments since the mid-18th century. In the case of Britain, four light dragoon regiments were converted to hussars in 1806–1807.

Hussars gained notoriety in the Grande Armée after the invasion of Egypt. At the Battle of Salalieh in August 1798, brigade commander Antoine Charles Louis de Lasalle fought "like a demon" and solidified his reputation as a maverick rider upon returning to France and receiving Weapons of Honour. At the ceremony (in a remark often mistakenly attributed to Napoleon), Lasalle quipped "Any hussar who isn't dead at age 30 is a layabout." The hussars of Napoleon's army created the tradition of sabrage, the opening of a champagne bottle with a sabre. Moustaches were universally worn by Napoleonic period hussars, the British hussars were the only moustachioed troops in the British Army – leading to occasional taunts of "foreigner" from their brothers-in-arms. French hussars also wore cadenettes, braids of hair hanging to either side of the face, until the practice was officially proscribed when shorter hair became universal. This sabre is from a private collection of one of the foremost experts and authors of swords in Scandinavia, and chairman of the the Norwegian Weapons Historical Society
A famous military commander in Bonaparte's army who began his military career as a hussar was Marshal Ney, who after being employed as a clerk in an iron works joined the 5th Hussars in 1787. He rose through the ranks of the hussars in the wars of Belgium and the Rhineland (1794–1798) fighting against the forces of Austria and Prussia before receiving his marshal's baton in 1804 after the Emperor Napoleon's coronation.

On the French Revolution, it was numbered as the 5th Hussar Regiment during the army reorganisation of 1 January 1791, as the fifth oldest cavalry unit in the French army, before being promoted to 4th Hussar Regiment in 1793 after the previous holder of that title. In 1814, just before the fall of the First French Empire, it was renamed the régiment des hussards de Monsieur, though it resumed the title of 4th Hussar Regiment during the Hundred Days before being disbanded on the Bourbon Restoration which followed. After Napoleon returned from exile and invaded Belgium, the 4th Hussar Regiment would enter combat at the final battles of Ligny, and Waterloo, in which Napoleon would be defeated.  read more

Code: 25354

Victorian Jack the Ripper Period 'Derby' Pattern Best Warranted Wrought Hard Steel Handcuffs

Two metal cuffs attached together by a metal ring on each cuff, linked with a swivel in the centre to join both ends together. One cuff has a metal key inserted in lock. Key locks, unlocks and unscrews nicely.

Hiatt & Company began manufacturing handcuffs and slave-chains in the 1780s and was the largest supplier of handcuffs to the British police.

The Whitechapel murders were committed in or near the largely impoverished Whitechapel district in the East End of London between 3 April 1888 and 13 February 1891. At various points some or all of these eleven unsolved murders of women have been ascribed to the notorious unidentified serial killer known as Jack the Ripper.

The murderer or murderers were never identified and the cases remain unsolved. Sensational reportage and the mystery surrounding the identity of the killer or killers fed the development of the character "Jack the Ripper", who was blamed for all or most of the murders. Hundreds of books and articles discuss the Whitechapel murders, and they feature in novels, short stories, comic books, television shows, and films of multiple genres.

The poor of the East End had long been ignored by affluent society, but the nature of the Whitechapel murders and of the victims' impoverished lifestyles drew national attention to their living conditions. The murders galvanised public opinion against the overcrowded, unsanitary slums of the East End, and led to demands for reform. On 24 September 1888, George Bernard Shaw commented sarcastically on the media's sudden concern with social justice in a letter to The Star newspaper:  read more

Code: 24294