A German 'Wedding Gift' Presentation Grade Adolf Hitler's 'Mein Kampf' Published in 1939. Presentation & Personally Signed by Dr. Wiard Bronleewe Burgomeister & SA District Leader of Peine

Presented for the wedding of Kurt Wachholz to Margarete gebr. Vogt after some research apparently Kurt Wachholz was a German SS-Hauptscharführer who died in East Germany

Adolf Hitler Mein Kampf Wedding Edition, being an excellent condition example with cream hardboard covers having gilt tooled town emblem and the spine being blue leather covered with gilt tooled details. Inside page with printed page and inked details from the local official and dated 14th 1939, just six weeks after the start of WW2. Published by the official publisher of the NSDAP. The book also bears a facsimile signature of Adolf Hitler beneath his photograph, on the inside frontispiece, and the signed presentation certificate to the marrying couple from the Burgomeister. Originally when SS men were married the book may have been contained in a carved wooden SS box, some surviving boxes do exist but their definitive connection to the Wedding presentation Mein Kampf is unrecorded.

Leather bound with cream covers. Given just six weeks after the beginning of WW2 by the Burgermiester Dr. Wiard Bronleewe of Peine. Bearing the state crest of arms of Piene on the front cover. Condition very good to excellent. Mein Kampf ("My Struggle") is an autobiographical manifesto by Nazi leader Adolf Hitler, in which he outlines his political ideology and future plans for Germany. Volume 1 of Mein Kampf was published in 1925 and Volume 2 in 1926. The book was edited by the former Hieronymite friar Bernhard Stempfle, who was murdered during the Night of the Long Knives.

Hitler began dictating the book to his deputy Rudolf Hess while imprisoned for what he considered to be "political crimes" following his failed Putsch in Munich in November 1923. Although Hitler received many visitors initially, he soon devoted himself entirely to the book. As he continued, Hitler realized that it would have to be a two-volume work, with the first volume scheduled for release in early 1925. The governor of Landsberg noted at the time that "he Hitler hopes the book will run into many editions, thus enabling him to fulfill his financial obligations and to defray the expenses incurred at the time of his trial."

The lawyer Dr. Wiard Bronleewe joined the NSDAP in 1933 at the age of 36. Four years later he was appointed First Deputy Mayor of the city of Peine. After Mayor Erich Krüger was killed in an accident on a trip to the battlefields of the First World War, he took over his office. In addition, he was a member of the NSDAP district leadership in Peine as district office manager for local politics.

In his dual role as mayor, who was able to make all important decisions independently according to the "Führer principle", and member of the NSDAP district leadership, he was responsible for implementing the increasingly radical National Socialist policy during the war years. He played a particularly important role in the persecution of the Jewish community. In 1941 he planned to "level the Jewish cemetery and make it available to the public". His knowledge of the finality of the deportation of the Jewish population is shown by the fact that in early 1942 he coordinated the process of "distributing Jewish housing".

His behavior at the end of the war is controversial, when negotiations with the Americans succeeded in surrendering Peine without a fight and thus saving it from a feared bombing. Some reports describe him as a rather passive participant who had to be pressured to surrender the city, while others see him as the driving force of events, a view that he himself promoted.

Deposed by the Allies in 1945, he became active again in political parties and various associations in 1947, including the German Party. Bronleewe was a member of the Peine City Council again in 1952; after lengthy disputes, including legal ones, over his NSDAP past, he was able to become a city councillor and thus deputy city director in 1954. As a department head, he headed the legal department and social affairs. In 1957, he was promoted to senior city councillor. He retired in 1962 and lived in Peine until his death in 1976. Bronleewe's rapid rise to prominence in Peine politics and administration after 1945 is exemplary of the rapid integration of former NSDAP members, even when they had held leading positions of responsibility.

Photo in the gallery of Mayor Dr. Wiard Bronleewe giving a speech in front of the Peine town hall, 1940. in his full SA political leader uniform.

Another photo in the gallery of Kurt Wachholz in the uniform of SS-Hauptscharführer  read more

Code: 25521

A Singularly Magnificent Original Antique Presentation Samurai Daisho. A Signed Original Edo Period Daito By Muneyoshi Presented to Yoshifuji, In the Fortuitous Time of The Midwinter, In The Year of the Rabbit, in The Reign of Emperor Keio

The shoto [short sword] is Sukesada school koto to shinto period, the daito [long sword] is a shinshinto sword signed Muneyoshi.
A Beautiful original antique Edo period (1596-1871) Daisho mounted with beautifully patinated copper koshirae based on hand carved botanical designs of incredible miniscule detail, gold tsukaito, with their very fine, original Edo period, decoratively embossed two tone black lacquer saya. The kodzuka is gold to match the ito and decorated with cranes. The daito has a superb midare hamon. Only the daito blade is shown in detail here at present. The daito is, signed Muneyoshi, the shoto is mumei [unsigned].The shoto has a good suguha hamon .

The tsuka bore an inscription, signed on a parchment [see photo] under the tsukaito, to date the occasion when and to whom they were presented, during the Keio Emperor's reign in 1867.

The presentation inscription reads;
“Keio san nen usagi Yoshi Chuto Kichi no tatsu Izumi ryu Koi, Koi Kawa Yoshifuji.’

Effectively, it translates to;

Presented to Yoshifuji, In the fortuitous time of the midwinter, in the year of the rabbit, [the third year] in the reign of Emperor Keio. Emperor Keio died in 1868, succeeded by the Meiji Emperor..

This form of parchment inscription, concealed under the tsuka-ito, is very rare indeed and we have never seen a complete inscription such as this to survive before.

The daisho has a pair of very fine kikubana sukashi daisho tsuba with a tetsumigakiji, possibly Sunagawa Masayoshi school, Edo period.

The Sunagawa tsuba school derived from the artists trained by teachers from within the Yokoya school founded by Yokoya Somin. The Ishiguro (by way of the Sunagawa school) and Iwamoto schools had the same antecedents. The botan (peony) was a common theme in this school.

The daisho is a Japanese term referring to the traditional weapons of the samurai. The daisho is composed of a katana daito and wakizashi shoto. The daito, meaning big sword, and shoto, meaning small sword, The katana, the longer of the two swords, was typically employed in man-to-man combat. The wakizashi made an effective main-gauche or close-combat weapon. A daisho allows for defense while fighting or the fighting of two enemies. Also, the daisho allows the fighter to have a longer or more widespread fighting range. The concept of the daisho originated with the pairing of a short sword with whatever long sword was being worn during a particular time period. It has been noted that the tachi would be paired with a tantō, and later the uchigatana would be paired with another shorter uchigatana. With the advent of the katana, the wakizashi eventually was chosen by samurai as the short sword over the tantō. The ancient custom of leaving the katana at the door of a castle or palace when entering facilitated the continuing to wear the wakizashi within the host's castle.

The wearing of daishō was strictly limited to the samurai class, and became a symbol or badge of their rank. Daishō may have became popular around the end of the Muromachi period (1336 to 1573) as several early examples date from the late sixteenth century. An edict in 1629 defining the duties of a samurai required the wearing of a daishō when on official duty. During the Meiji period an edict was passed in 1871 abolishing the requirement of the wearing of daishō by samurai, and in 1876 the wearing of swords in public by most of Japan's population was banned; this ended the use of the daishō as the symbol of the samurai, and the samurai class was abolished soon after the sword ban. Picture of Last Fight of the Soga Brothers, 1858 by Kuniyoshi (1797 - 1861). Both saya have small areas of natural wear and use. The stand shown is for illustration only and not included. however it will come with another complimentary daisho stand. The shoto blade is being carefully cleaned so can be photographed later.

Special offer item, part one of a personal private collection, sourced from a former Far Eastern specialist fine samurai sword collector  read more

Code: 24245

A Superb Koto Period Wakizashi Signed By Master Smith Sukesada

Fabulous blade in superb condition showing an amazingly complex and beautifully active hamon. One of the Sukesada, Bizen smiths. Very fine two part blade collar habaki in gold and silver. A pair of Shishi lion dog menuki under the gold silk tsukaito over traditional samegawa. A super kashira in shakudo silver copper and gold, with a takebori shishi. The fuchi is very nice quality in shakudo with deep scroll engraving and applied pure gold chrysanthemum flowers.
An Omori School shibuichi tsuba. The shibuichi tsuba of marugata shape, with a kozuka and kogai hitsu-ana, the nakago-ana with some suaka sekigane, finely worked takabori and takazogan to depict breaking waves carved in the typical manner of the Omori school with inlaid gilt-metal spray drops. Plain black urushi lacquer saya, its original Edo period saya, with vacant kozuka and kogai pockets

The highly regarded Sukesada line of swordsmiths descended in the Osafune school and are recorded as far back as the end of the Nambokucho period (around 1394). This blade here is likely placed in the Sue-Koto Period (1469-1596).Being descendant of the Ichimonji Line they were also known to have made some of the finest swords. This is where they really shine, swordsmiths such as Yozosaemon Sukesada were known to make masterpiece blades that outshone the vast majority of the time period. In fact Yozosaemon is considered one of the representative swordsmiths of the Era, going hand in hand with names like Muramasa of the Soshu/Sengo Tradition and Kanemoto of the Mino Tradition. Sukesada swords were also popular with those in high ranks and we see many tachi and longer katana being made, these were often of exceptional quality and were quite deserving of their Jchimonji lineage. Sukesada swords would spread throughout Japan, with their home forges being in Bizen province. This however ; would not last. The great flood of the Yoshii River around 1590 signalled a death toll to the Sukesada line. This flood hit Bizen province hard and wiped out nearly all of the Sukesada forges, leaving only several offshoots of the Sukesada family swordsmiths to carry out the tradition, such the Shinto period Yokoyama Sukesada family swords. The Sukesada tradition struggled to survive and eventually died out partway through the Shinto Era as it never really came close to reaching the Majesty and quality of its predecessor and mainline schools. The great flood essentially marked the end for one of the Koto Era's greatest sword making traditions.

As part of their military training, it has been said, but possibly as part of the myth of samurai training, that samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. It is further said that Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual, in certain circumstances, apparently didn't become a full-fledged samurai until, some say, he wandered around the countryside as begging pilgrim for a couple of years to learn humility. Again this may be part of the myth. However, when all his training was completed a samurai trainee that achieved samurai status and received a salary from his daimyo, paid from taxes (usually rice) raised from the local populace, he truly became the very best at his art in the world of sword combat

Swords in Japan have long been symbols of power and honour and seen as works of art, which is exactly what they are.

In Japan the term samurai evolved over several centuries

In Japanese, they are usually referred to as bushi (武士,) or buke (武家). According to translator William Scott Wilson: "In Chinese, the character 侍 was originally a verb meaning 'to wait upon', 'accompany persons' in the upper ranks of society, and this is also true of the original term in Japanese, saburau. In both countries the terms were nominalized to mean 'those who serve in close attendance to the nobility', the Japanese term saburai being the nominal form of the verb." According to Wilson, an early reference to the word samurai appears in the Kokin Wakashū (905–914), the first imperial anthology of poems, completed in the first part of the 10th century.

Originally, the word samurai referred to anyone who served the emperor, the imperial family, or the imperial court nobility, even in a non-military capacity.It was not until the 17th century that the term gradually became a title for military servants of warrior families, so that, according to Michael Wert, "a warrior of elite stature in pre-seventeenth-century Japan would have been insulted to be called a 'samurai'".

In modern usage, bushi is often used as a synonym for samurai

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the very best and highly esteemed specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading behind us. The current two partners alone, combined together, have over 96 years of professional experience within the trade.  read more

Code: 25522

A Beautifully Detailed Early Christian, Ancient Roman Crucifix, Byzantine Empire, 8th to 9th century, Circa 1300 to 1200 Years Old, Cross Pattee. The Type Much Favoured By The Pre- Crusades Period Pilgrims to The Holy Land.

The form and shape that was also popular and used up to the Crusades period, for example if crusaders used an antique family crucifix. Bronze crucifix of Christ in the relief relief orans pose of arms outstretched. From a superb, small collection of original, historical, Imperial Roman, Viking and Crusades period artefacts has been acquired by us acquired in the 1820's. This fine bronze pendant pectoral cross was hand bronze forged during the Middle Ages in the cradle of Christianity, the Byzantine Empire. In AD 324, the first Christian Roman Emperor Constantine the Great transferred the Eastern Roman Empire capital to Byzantium, which became Constantinople, known as ''New Rome''. The Byzantine Empire became centred on the capital of Constantinople and was ruled by Emperors in direct succession to the ancient Roman Emperors. With the eventual decline of Rome, the Church of Constantinople became the richest and most influential center of the Christian world. The reign of Justinian the Great in 527-565 marked a blossoming of Byzantine culture with a building program that yielded such masterpieces as the Cathedral Church of the Holy Wisdom of God, Hagia Sophia. Justinian, who is considered a Saint in the Eastern Orthodox Church, created the authority of this Church, which firmly established Christianity throughout the Empire. This Byzantine Empire would exist for more than a thousand years until 1453 and was one of the most powerful economic, cultural, and military forces in Europe and Asia Minor. This superb cross was most certainly worn by a Byzantine citizen as a statement of faith during this amazing age of early Christendom. Picture in the gallery of an 8th century painting 'Christ is the Crucified, and a King'. The details of the painting are, they say; 'He is robed in majesty; He is fastened to the Cross. He wears the royal purple robes with which His scorners intended to mock Him, but He, Alpha and Omega, the first and last Word, the Primogenitor of those who are being saved, confers His own divine dignity onto the very idea of kingship. He wears the glory that inspired the good thief to plead for his salvation, with the confidence of the One whose Sonship makes that salvation possible'.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

Still perfectly wearable, and a good medium size, overall in excellent naturally patinated condition.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25519

A Most Rare 18th-19th Century Nepalese Battle Kora With Highly Unusual Distinctive Flared Gold Inlaid Blade and Inside Cutting Edge and Skull Crusher Pommel

An exceptional example intended for both warfare and sacrifice, the hilt with guard and pommel in the form of flattened spheres, retaining all their original polish. The robust blade of characteristic form, with brass ferrule intact, expanding toward the cusped and obliquely-angled tip and sharpened on the convex edge. Grip retains original velvet fabric covering with silver wire binding applied.

The blade is beautifully engraved, including a sunburst and an armoured arm holding a kora in the hand.
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The Kora is possibly the oldest form of sword of the Gurkhas and it may well be that their phenomenal military success was largely due to their possession of such a terribly effective weapon." 'Kora,' has an inner cutting edge, with which those who use it skilfully are enabled to cut a foe in two at a single blow." Its appearance reminds of the European Sabre but instead of curving upwards (back) it has a wide tip, a forward curved blade, single edged on its concave side, the latter two characteristic sit shares with the Kukri knife. When used correctly the forward curved blade concentrates the power/energy of the strike to the curved area thus allowing more force to be utilised at the point of contact in each blow. It is designed with its practical application in mind, to chop/slash and not for Classical fencing, yet its usually light enough if the need arises.

Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepal” published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria!.

Photo 10 in the gallery is of the Bagbhairab Temple, Kirtipur, Kathmandu, Nepal. They are Koras used from the battle of Kirtipur during the 1760`s.  read more

Code: 25517

A Late 17th to Early 18th Century Hangar Used and Favoured By Naval Officers & Admirals, And Pirate 🏴‍☠️ Captains From the 17th Century 9 Years War, The Indian French War, The American Revolution & Up To the 1780's

Carved horn grip, single shell guard. Brass hilt with single knuckle bow. Straight fullered blade.
In the days of the early Royal Navy, admirals and captains carried short swords in the pattern of hunting swords, with both straight or curved blades, fancy mounted single knucklebow hilts with principally stag horn, reeded ebony or walrus grips, or carved horn {as has this example}. The hilt could be repousse with a floral and figural design or plain, this one is engraved in the clamshell style. They were also the sword of choice for notorious pirates of the day such as Blackbeard.

There are numerous portraits in the National Portrait Gallery and The National Maritime Musuem that show British Admirals such as Benbow and Clowdesly Shovel holding exactly such swords. John Benbow (10 March 1653 – 4 November 1702) was an English officer in the Royal Navy. He joined the navy aged 25 years, seeing action against Algerian pirates before leaving and joining the merchant navy where he traded until the Glorious Revolution of 1688, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against France during the Nine Years War (1688–97), serving on and later commanding several English vessels and taking part in the battles of Beachy Head, Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during campaigns against Salé and Moor pirates; laying siege to Saint-Malo; and fighting in the West Indies against France during the War of the Spanish Succession (1701–1714).

Benbow's fame and success earned him both public notoriety and a promotion to admiral. He was then involved in an incident during the Action of August 1702, where a number of his captains refused to support him while commanding a squadron of ships. Benbow instigated the trial and later imprisonment or execution of a number of the captains involved, though he did not live to see these results. These events contributed to his notoriety, and led to several references to him in subsequent popular culture.

Blackbeard or Edward Teach (c.1680-1718) is one of the most infamous pirates to have ever lived.
Known for his fearsome image and daring acts on land and sea throughout the West Indies and along the North American East coast, his legacy has been the inspiration for many depictions of pirates throughout history. In possibly his most brazen act, Teach used his flotilla to blockade the port of Charlestown in the province of South Carolina. Over the course of a week, nine vessels were stopped and plundered as they attempted to sail out of the harbour, where Teach's fleet was moored.
Teach informed some of his prisoners that his fleet required medical supplies from the colonial government of South Carolina and that if none were provided, all would be beheaded and their ships burned.
Two pirates and a prisoner were sent to the town but when they did not return he moved eight ships into the harbour, causing panic and looting within the town. Shortly after his supplies were delivered and the prisoners released, after reportedly being robbed of all worthy possessions.
This siege represents the height of Teach’s notoriety, not just as a skilled captain but a fierce leader who was not confined to the sea and would maraud where he pleased. Exploits such as these made Teach was one of the most commonly reported pirates in the news and in the print of his age.

Hilt in very nice condition overall, small field repair at the quillon, overall russetted blade . Blade length 18 inches  read more

Code: 25516

A Superb 18th Century Royal Naval Midshipman's & Officer's Short Sword Hanger, Carved Spiral Hilt Grip With Rare Silver Close Plate Quillon and Pommel used From The Battle of the Glorious Ist of June, the Battle Of the Nile and the Battle of Trafalgar

Long bright blade in excellent condition. Spiral hilt of walrus tooth with silver close plate quillon crossguard with dome top silver close plate rubb over pommel.

Silver was a popular sword and pistol mounting material, if the officer could afford it, but for swords, silver could be a little soft, however a superb but expensive alternative was silver close plate {patented in 1789} a process of sheets of silver fused onto a hardened iron mounts using sal ammoniac and tin. which created a hilt as strong as steel but, stunningly beautiful as it was overlayered in pure silver.

Made in the 1790's, and used by a Royal Naval midshipman and officer right through to the end of the Napoleonic Wars era. A most beautiful Royal Naval officer's sword/long dirk of very nice quality indeed. Spiral hilted swords usually plain but sometimes stained green, became ultra high fashion in the mid to third quarter of the 18th century, in fact General George Washington carried a green stained spiral hilted sword in his role as commander-in-chief of the American Continental Army during the Revolutionary War. His spiral hilted sword, bear identical to ours, but his was stained green. See the last photo in the gallery.

In the National Maritime Museum there are most similar carved hilted short sword dirk

We show original paintings of naval officers wearing this very type of edged weapon. One is of Captain William Rogers capturing the 'Jeune Richard', on the 1st October 1807, the sword at his waist belt appears to be a near identical dirk/sword. There are several other near identical examples, in the National Maritime Collection, and practically every officer from Nelson down to his midshipmen carried one similar at some time or another during their naval career, in combat service, in the late 18th to early 19th century. It would be an amazingly effective close combat weapon, both offensive or defensive, and would certainly do any eminently suitable job as was demanded of it. Although traditionally known as midshipman's dirks or swords these useful edged weapons were also worn at the time by officer's of all ages and rank while serving and in combat see picture in the gallery. The rank of midshipman originated during the Tudor and Stuart eras, and originally referred to a post for an experienced seaman promoted from the ordinary deck hands, who worked in between the main and mizzen masts and had more responsibility than an ordinary seaman, but was not a military officer or an officer in training. The first published use of the term midshipman was in 1662. The word derives from an area aboard a ship, amidships, but it refers either to the location where midshipmen worked on the ship, or the location where midshipmen were berthed.

By the 18th century, four types of midshipman existed: midshipman (original rating), midshipman extraordinary, midshipman (apprentice officer), and midshipman ordinary. Some midshipmen were older men, and while most were officer candidates who failed to pass the lieutenant examination or were passed over for promotion, some members of the original rating served, as late as 1822, 23.

The Battle of the Glorious First of June in 1794 was the first naval conflict between the British and the French during the French Revolutionary Wars.

Background to the battle
During April and May 1794 the British fleet was searching the Atlantic Ocean for French grain ships bound for France from the USA. The grain was vitally needed to reduce the starving conditions brought about by the French Revolution. The French fleet left Brest in mid-May to escort this vital convoy to harbour.

The British had a line of 34 battleships under the command of Admiral Earl Howe and the French had a line of 26 battleships under Rear-Admiral Villaret-Joyeuse. The two forces clashed 400 nautical miles west of the island of the French island of Ushant. The battle began as a series of engagements, beginning with skirmishes and manoeuvring on 28 May 1794, and a more serious brush the following day. The rival fleets maintained distant contact during the two subsequent days of foggy weather.

British advantage
The morning of 1 June was fine and clear and the maneouvering of the preceding days had gained the British fleet the weather gage. This was a vital factor during the days of sailing ships as it meant the fleet was windward (nearest the direction the wind was blowing from) and had the choice of when and how to bring the enemy into action.

Howe’s plans were for his ships to run down onto the French fleet, break through all along their line and individually engage their opposite numbers. These intentions were difficult to transmit by signal and not all his captains fully understood or complied with the orders. In the end, only a few ships penetrated the French line – Howe’s flagship Queen Charlotte, alongside the Defence, Marlborough, Royal George, Queen and Brunswick.

The first ship to break through, Defence, was severely handled and totally dismasted. Elsewhere, the battle became a series of single combats between ships, none more fiercely fought than the duel between the Brunswick and the Vengeur. They pounded each other for nearly four hours before the Vengeur surrendered.

Aftermath
All along the line, the fighting was intense, and by the time the firing died away, 11 British and 12 French ships were more or less dismasted, 7000 were killed, wounded and captured on the French side, and 1000 killed or wounded from the British fleet.

Six French ships were captured and another, the Vengeur, sunk, while the damaged remainder of the French fleet made off in considerable confusion. After five days of strenuous chase and a hard-fought battle, the British were too exhausted to mount a pursuit.

Tactically, the British had won the day, and the news of victory was greeted with wild enthusiasm in Britain, but the grain convoy from America had escaped intact.

Overall 30 inches long 24.25 inch blade  read more

Code: 25515

A Fine Koto Period Wakizashi, Circa 1500 With Exceptional Mounts & Blade

The fuchigashira, are very special indeed hilt mounts and decorated with dragonfly and signed with an archaic style gold makers seal mark, and the menuki grip fittings, are of also stunning quality made in stunning quality shakudo. The menuki are based around the meditating Daruma. Daruma is a repesentation of a 5th century Buddhist monk,and has a design that is rich in symbolism and is regarded more as a talisman of good luck to the Japanese. He is completely wrapped in his robe, he holds a hossu-fly, the opposing menuki is showing, what is likely a view of Daruma wrapped in his cloak from behind, is inlaid with a pure gold seal mark of the maker, signed, Masayuki. The details in very high relief are accented with finely shakudo and gold inlaid in a Yanagawa style. This notable school takes rank with the Goto, the Nara, and the Yokoyoya in the extent of its influence, the numbers of its pupils, and the importance of the branch school founded by them. The founder, Yanagawa Naomasa (1692 ?1757 ) was a pupil of the early Yokoya and of the Yoshioka, and combined characteristics of both this school. Shakudo was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome. The fittings are set within their two bespoke wooden display cases. Antique Japanese koshirae Japanese samurai sword mounts and fittings are considered as fine object d'art in their own right, and have been collectable as individual items or sets, since the Edo period. The tsuka ito hilt binding is of leather. The tsuba is a fine sukashi tsuba in iron. The saya is decorated with intricately layered pine needles, placed in position to appear natural and random but are actually methodically put in position, in an incredible time consuming skillful manner to appear random, but are not. The surface is then over laid in clear lacquer. The whole process to make thgis saya could have taken an artisan a year or even longer. Overall 24 1/4 inches long, blade length tsuba to tip 17 5/8 inches long  read more

Code: 23140

A Very Fine Ancient Koto Period ‘Plum Blossom’ Tanto Of the 1400's, Signed Blade

Around 600 plus years old. Likely used by one of the great Japanese clans that used the Ume [plum blossom] symbol as their kamon [crest]. With simply fabulous original Edo mounts of a copper ground with silver and gold decor of takebori deep relief plum blossom and berries. A fine copper tsuba stamped with rows of plum blossom kamon. The original edo saya is stunning, and inlaid with almost microscopic inlays of white shell. The saya pocket holds a superb kozuka with a complimenting copper hilt decorated with a takebori gold and shakudo goose in flight, showing with half a pure gold full moon. It is signed on the reverse side. The blade is very good with typical early, koto narrow straight hamon. The tang is signed but due to its great age is very difficult to translate. There are a super pair of matching takebori plum blossom menuki under the gold silk binding. A tanto would most often be worn by Samurai, and it was very uncommon to come across a non samurai with a tanto. It was not only men who carried these daggers, women would on occasions carry a small tanto called a kaiken in their obi which would be used for self-defence. In feudal Japan a tanto would occasionally be worn by Samurai in place of the wakizashi in a combination called the daisho, which roughly translates as big-little, in reference to the big Samurai Sword (Katana) and the small dagger (tanto). Before the rise of the katana it was more common for a Samurai to carry a tachi and tanto combination as opposed to a katana and wakizashi. Before the 16th century it was common for a Samurai to carry a tachi and a tanto as opposed to a katana and a wakizashi. Plum blossoms, symbolic of the arrival of spring, were a favored subject among scholar-gentleman painters in China, but when Chinese ink paintings of plums arrived in Japan their imagery became widespread within Zen circles. This composition of a gnarled plum tree framed by a circle of ink wash may reflect the use of the circle in Zen painting and calligraphy as a visual representation of words from the text of the Heart Sutra, “form is void and void is form,” and as a symbol of enlightenment.

Motsurin, a Zen artist-monk, might also have chosen plum blossoms because they were beloved of his mentor Ikkyū Sōjun (1394–1481), an abbot of Daitokuji temple in Kyoto known for his poetry, calligraphy, and flagrantly unorthodox behavior. Motsurin’s inscribed text claims that even elegant peonies and sweet jasmine cannot match the plum as a representation of the spring season. Originally brought in from China during the early Heian period (794-1185), plum trees became popular as ornamental garden fixtures because of their delicate beauty. Over the years, many varieties have been cultivated and now you see ume blossoms in a myriad of colours.

Ume blossoms are the first flower of spring and the original inspiration for flower-viewing hanami parties that were so well-loved by the rich aristocrats from the past. 21.5 inches long overall, blade 11 inches long  read more

Code: 23658

10th to 11th Century Earliest Crusader Knights Period Bronze Encolpion Reliquary Cross. Large Size Cross To Adorn The Chest of A Crusader Pilgrim, Designed To Hold A Relic Of The True Cross of Christ’s Crucifiction

On the face of this work the engraved crucified Christ appears, he wears the colobium, an iconographic type established in the Early Christian centuries. On the reverse, the Virgin Mary (Mother of God) stands in an orans prayer pose. The hollow portion formed inside the box was intended for the sacred relic that the faithful would have worn around the neck. Remarkably it still remains sealed so the relic within may likely still be enclosed within.

Part of an amazing collection of Crusades period Crucifixes and reliquary crosses for the early Anglo Norman Crusader knights and Jerusalem pilgrims. As used in the early Crusades Period by Knights, such as the Knights of Malta Knights Hospitaller, the Knights of Jerusalem the Knights Templar, the Knights of St John.The new Norman rulers were culturally and ethnically distinct from the old French aristocracy, most of whom traced their lineage to the Franks of the Carolingian dynasty from the days of Charlemagne in the 9th century. Most Norman knights remained poor and land-hungry, and by the time of the expedition and invasion of England in 1066, Normandy had been exporting fighting horsemen for more than a generation. Many Normans of Italy, France and England eventually served as avid Crusaders soldiers under the Italo-Norman prince Bohemund I of Antioch and the Anglo-Norman king Richard the Lion-Heart, one of the more famous and illustrious Kings of England.

An encolpion "on the chest" is a medallion with an icon in the centre worn around the neck upon the chest. This stunning and large neck worn example is bronze three part with its hinged top. 10th to 12th century. The hollow portion formed inside the cross was intended for the sacred relic that the faithful would have worn around the neck. The custom of carrying a relic was largely widespread, and many early bronze examples were later worn by the Crusader knights on their crusades to liberate the Holy Land. Relics of the True Cross became very popular from the 9th century, and were carried in cross-shaped reliquaries like this, often decorated with enamels, niellos, and precious stones. The True Cross is the name for physical remnants from the cross upon which Jesus Christ was crucified. Many Catholic and Orthodox churches possess fragmentary remains that are by tradition believed to those of the True Cross. Saint John Chrysostom relates that fragments of the True Cross were kept in reliquaries "which men reverently wear upon their persons". A fragment of the True Cross was received by King Alfred from Pope Marinus I (Anglo-Saxon Chronicle, year 883). An inscription of 359, found at Tixter, in the neighbourhood of Sétif in Mauretania, was said to mention, in an enumeration of relics, a fragment of the True Cross, according to an entry in Roman Miscellanies, X, 441.

Fragments of the Cross were broken up, and the pieces were widely distributed; in 348, in one of his Catecheses, Cyril of Jerusalem remarked that the "whole earth is full of the relics of the Cross of Christ," and in another, "The holy wood of the Cross bears witness, seen among us to this day, and from this place now almost filling the whole world, by means of those who in faith take portions from it." Egeria's account testifies to how highly these relics of the crucifixion were prized. Saint John Chrysostom relates that fragments of the True Cross were kept in golden reliquaries, "which men reverently wear upon their persons." Even two Latin inscriptions around 350 from today's Algeria testify to the keeping and admiration of small particles of the cross. Around the year 455, Juvenal Patriarch of Jerusalem sent to Pope Leo I a fragment of the "precious wood", according to the Letters of Pope Leo. A portion of the cross was taken to Rome in the seventh century by Pope Sergius I, who was of Byzantine origin. "In the small part is power of the whole cross", says an inscription in the Felix Basilica of Nola, built by bishop Paulinus at the beginning of 5th century. The cross particle was inserted in the altar.

The Old English poem Dream of the Rood mentions the finding of the cross and the beginning of the tradition of the veneration of its relics. The Anglo-Saxon Chronicle also talks of King Alfred receiving a fragment of the cross from Pope Marinus (see: Annal Alfred the Great, year 883). Although it is possible, the poem need not be referring to this specific relic or have this incident as the reason for its composition. However, there is a later source that speaks of a bequest made to the 'Holy Cross' at Shaftesbury Abbey in Dorset; Shaftesbury abbey was founded by King Alfred, supported with a large portion of state funds and given to the charge of his own daughter when he was alive – it is conceivable that if Alfred really received this relic, that he may have given it to the care of the nuns at Shaftesbury

Most of the very small relics of the True Cross in Europe came from Constantinople. The city was captured and sacked by the Fourth Crusade in 1204: "After the conquest of the city Constantinople inestimable wealth was found: incomparably precious jewels and also a part of the cross of the Lord, which Helena transferred from Jerusalem and which was decorated with gold and precious jewels. There it attained the highest admiration. It was carved up by the present bishops and was divided with other very precious relics among the knights; later, after their return to the homeland, it was donated to churches and monasteries.To the category of engolpia belong also the ampullae, or vials or vessels of lead, clay or other materials in which were preserved such esteemed relics as oil from the lamps that burned before the Holy Sepulchre, and the golden keys with filings from St. Peter's chains, one of which was sent by St. Gregory the Great to the Frankish King Childebert.

Encolpion, a different anglicization of the same word, covers the early medieval tradition in both Eastern and Western Christianity. Superb condition, top swivel ring mount immobile, still sealed, so it may still contain part of the 'real cross'.
Surface in very good condition, with typical natural aged patina with encrustations. 7.5 cms x 3.9cms  read more

Code: 23287