A Most Elegant Equestrian Walking Stick Cum Dandy Cane

Finely carved handle of a horses hoof and fetlock. The stick is a superb close grain hardwood. Overall in super condition. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. 36.5 inches long  read more

Code: 23211

Original 18th Century Scottish Fencible Regimental Basket Hilted Broadsword

With distinctive two part centrally welded basket, in sheet iron, with scrolls and thistles there over. Interesting original regimental swords of the 18th century, from Scottish regiments are very much sought after throughout the entire world. Scottish Fencible Regiment's swords are now jolly rare indeed, and they are highly distinctive in their most unique form. Fancy carved replacement grip. Some ironwork separation on the basket by the forte of the blade, but overall in good sound condition. Overall natural age surface pitting. Made for the war with Revolutionary France in the 1790's. The total number of British fencible infantry regiments raised during the Seven Years' War and the American War of Independence was nine, of which six were Scottish, two were English and one was Manx. The regiments were raised during a time of great turbulence in Europe when there was a real fear that the French would either invade Great Britain or Ireland, or that radicals within Britain and Ireland would rebel against the established order. There was little to do in Britain other than garrison duties and some police actions, but in Ireland there was a French supported insurrection in 1798 and British fencible regiments were engaged in some pitched battles. Some regiments served outside Great Britain and Ireland. Several regiments performed garrison duties on the Channel Islands and Gibraltar. A detachment of the Dumbarton Fencibles Regiment escorted prisoners to Prussia, and the Ancient Irish Fencibles were sent to Egypt where they took part in the operations against the French in 1801.

When it became clear that the rebellion in Ireland had been defeated and that there would be peace between France and Britain in 1802 (The preliminaries of peace were signed in London on 1 October 1801) the Fencible regiments were disbanded.
The British cavalry and light dragoon regiments were raised to serve in any part of Great Britain and consisted of a force of between 14,000 and 15,000 men. Along with the two Irish regiments, those British regiments that volunteered for service in Ireland served there. Each regiment consisted of eighteen commissioned officers and troops of eighty privates per troop. The regiments were always fully manned as their terms of service were considered favourable. At the beginning of 1800 all of the regiments were disbanded  read more

Code: 20632

A Spectacular & Beautiful 'Harvey' British Dragoon Basket Hilted Sword, Culloden Period, With Large King George's Crown & Cypher Engraved Blade Museum Grade Example

As used by the Scot's Dragoon's and the 7th Queens Dragoons, in fact all the British heavy dragoons in the 1740's up to 1790's. From the Battle of Culloden until the American Revolutionary War in the 1770's.

Likely made by the world famous English blade maker of his day, Samuel Harvey, and bearing the royal GR Cypher of King George. The Harvey surname was one of the marks of renown Birmingham maker, Samuel Harvey, 1718-1778, who supplied many basket hilted swords to the British Crown, mostly for use by Highland troops. This sword is marked with the surname alone, HARVEY below the Crown and Cypher [the overlapping monogram of GR] for King George. His more common mark was a running wolf, his other marks could be Harvey or S.Harvey. The fabulous basket hilt has the large oval ring insert, for the holding of the horses reins while gripping the sword when riding to battle, and part of the original buff hide basket liner. Wire bound fishskin grip, discoid pommel.

The British dragoon regiments were a decisive force in the Battle of Culloden for example; At the close of the battle the stand by the Royal Ecossais may have given Charles Edward Stuart the time to make his escape. At the time when the Macdonald regiments were crumbling and fleeing the field, Stuart seems to have been rallying Perth's and Glenbuchat's regiments when O'Sullivan rode up to Captain Shea who commanded Stuart's bodyguard: "Yu see all is going to pot. Yu can be of no great succor, so before a general deroute wch will soon be, Seize upon the Prince & take him off ". Shea then led Stuart from the field along with Perth's and Glenbuchat's regiments. From this point on the fleeing Jacobite forces were split into two groups: the Lowland regiments retired in order southwards, making their way to Ruthven Barracks; the Highland regiments however were cut off by the government cavalry, and forced to retreat down the road to Inverness. The result was that they were a perfect target for the government dragoons. Major-general Humphrey Bland led the charge against the fleeing Highlanders, giving "Quarter to None but about Fifty French Officers and Soldiers He picked up in his Pursuit". The basket hilted sword of this very form and character were used by British heavy dragoons for several decades, importantly in the American Revolutionary war. There is a near identical sword by Harvey, bearing the same form of maker mark and crown GR in a collection of American War of Independence weaponry featured in "Swords and Blades of the American Revolution" by George C. Neumann. Page 148 sword 261s
The shortage of cavalry in the Revolutionary War was a major drawback for the British. A strong cavalry presence at battles like Long Island and Brandywine could have enabled the British to encircle the Americans and prevent their retreat. It is possible that a strong cavalry force would have captured Washington's army entirely during the march south through New Jersey in 1776. This is the form of sword used by the Scot's Greys Dragoons in the 7 Years War against France, and by the 7th Queen's Dragoons. One of the earliest basket-hilted swords was recovered from the wreck of the Mary Rose, an English warship lost in 1545. Before the find, the earliest positive dating had been two swords from around the time of the English Civil War. At first the wire guard was a simple design but as time passed it became increasingly sculpted and ornate. During the 18th century, the fashion of duelling in Europe focused on the lighter smallsword, and fencing with the broadsword came to be seen as a speciality of Scotland. A number of fencing manuals teaching fencing with the Scottish broadsword were published throughout the 18th century. Portraits from the time show this very sword as worn. 35 3/4 inch blade length  read more

Code: 21608

An Exceptionally Beautiful & Fine, Koto Period, Armour and Helmet Piercing Samurai Yoroi-Doshi Tanto, With All Original Edo Koshirae Fittings Shakudo, Iron Tettsu, Silver, and Gold

Circa 1580. With two hi horimono on one side and a ken blade horimono suken (素剣) on the opposite side {omote} the side of the sword away from the body as it is worn. The opposite side is called the ura or back.

Beautiful notare hamon, strong and wide kasane thickness of the blade for the required strength to penetrate iron armour and helmet skull. Superb fuchi kashira higo school in low relief takebori of gold inlay on iron. Urushi black lacquer saya, with carved buffalo horn koiguchi, the lacquer is lightly carved with a decor of clouds throughout, with speckles of abilone shell to simulate stars behind the clouds. shakudo and silvered menuki of bean pods. Iron kogatana with iron kozuka inlaid with gold stars and seashells with stylized clouds, iron tettsu tsuba with inlay of gold tendrils and silver aoi leaf, and a pair of crenellated form seppa.Very fine shakudo habaki

The yoroi-doshi "armour piercer" or "mail piercer" were one of the traditionally made Japanese swords (nihonto) that were worn by the samurai class as a weapon in feudal Japan. The yoroi-doshi is an extra thick tanto, dagger , which appeared in the Sengoku period (late Muromachi). The yoroi-doshi was made for piercing armour and for stabbing while grappling in close quarters. The weapon ranged in size from 20 cm to 24 cm, but some examples could be under 15 cm, with a "tapering mihaba, iori-mune, thick kasane at the bottom, and thin kasane at the top and occasionally moroha-zukuri construction". The motogasane (blade thickness) at the hamachi (the notch at the beginning of the cutting edge) can be a third to up to a half-inch thick, which is characteristic of the yoroi-doshi. The extra thickness at the spine of the blade distinguishes the yoroi-doshi from a standard tanto blade.

Yoroi-doshi were worn inside the belt on the back or on the right side with the hilt toward the front and the edge upward. Due to being worn on the right, the blade would have been drawn using the left hand, giving rise to the alternate name of metezashi or "horse-hand (i.e. rein-hand, i.e. left-hand) blade".

23 cm blade tsuba to tip  read more

Code: 25302

Rare English Light Dragoon Officer's Sword 1773, of the American Revolutionary War, Used By Both American and British Dragoon Regiments.

One of the of the American Revolutionary War cavalry swords used by both protagonists. This superb sword was near identical {apart from the blade engraving} to one formerly in the world renown Tower of London collection, see it featured in photo plate 70, sword D, in "European Swords and Daggers in the Tower of London" by Arthur Richard Dufty, Master of the Armouries.

A beautifully engraved blade with King George's crest and family motto of the Hanovarian princes, 'Suscipere et Finire' trans. 'to support and finish', and another, on the other blade face, a loyalty motto 'for king and country', also in Latin, 'Pro Rege et Patria' This blade may well be an ancestral blade, as the regular blade would usually be flat sided without fuller. The Coat of Arms of HM King George III as King underwent a number of changes during his reign because the British Royal Arms are territorial and represent the main countries over which the Monarch rules rather than being personal. The Hanoverian Dynasty 'inherited' the Arms of the last Stuart Monarch, Queen Anne, and added a Quarter for their own territory, namely the then Electorate/Duchy of Brunswick and Lüneburg, commonly known as Hanover.

Although practised no longer by the Tower of London Executors, during the past two centuries, on just a very few occasions, the Tower of London has sold a few items by auction in order to facilitate an influx of funds for new acquisitions

A sword of particular fine elegance, yet this was designed to do a very specific task for an 18th century dragoon officer, and it did it well. Brass stirrup hilt now very finely and naturally heavily patinated, through age, and a very long clipped back blade. It has all its original ribbed carved horn grip. This English sword is most rarely seen, with very little known of it's design origins, the blade, and as very few remain in existence it rarely appears photographed in many reference books on British/American swords of the American Revolutionary War or War of Independence as it is also known.

Little or no documentation on its original ordnance order, made some 250 years ago, regarding its manufacture, exists. What is known however, is that it is estimated it was made from 1773, but possibly slightly earlier, and it was replaced by the more abundant 1788 pattern version. That replacement 1788 sword is far more well recorded, and fair number of that type survive. A very few examples of this sword are kept in just a few, select American museums, that contain the military collections of captured British weapons, and also those used by former American born British officers that moved over to serve in the new American Continental Army Light Dragoons under George Washington in the American Revolutionary War. We show two paintings of American Continental Dragoons using this pattern of sword. In our conversations in the 1980's with the eminent Howard Blackmore, Assistant Keeper of Weapons at the Tower of London, he believed these cavalry swords, when they surfaced, were possibly one of the most interesting of swords used in the Revolution in America, in that they were used by officers of both sides, but sadly so few survived the war itself that they are now considered to be one of the rarest swords of their type to exist. These swords were originally made for, and used by, the British Light Dragoon Regiments, including the infamous and well recorded through history 'Tarleton's Green Dragoons'. Banastre Tarleton was originally a young British officer of the 1st Dragoon Guards, who purchased his rank of cornet. He proved to be such a gifted horseman and leader of troops, due to his outstanding ability alone, he worked his way up through the ranks to Lieutenant Colonel without having to purchase any further commissions.

In December 1775, he sailed from Cork as a volunteer to North America where rebellion had recently broken out triggering the American War of Independence. Tarleton sailed with Lord Cornwallis as part of an expedition to capture the southern city of Charleston. After this failed, he joined the main British Army in New York under General Howe. His service during 1776 gained him the position of a brigade major of cavalry. After becoming the commander of the British Legion, a mixed force of cavalry and light infantry also called Tarleton's Raiders, he proceeded at the beginning of 1780 to South Carolina, rendering valuable services to Sir Henry Clinton in the operations which culminated in the capture of Charleston. This was part of the 'southern strategy' by which the British directed most of their efforts to that theater hoping to restore authority over the southern colonies where they believed there was more support for the crown. On 29 May 1780, Tarleton, with a force of 150 mounted soldiers, overtook a detachment of 350 to 380 Virginia Continentals led by Abraham Buford. Buford refused to surrender or even to stop his march. Only after sustaining heavy casualties did Buford order the surrender. What happened next is cause of heated debate. According to American accounts, Tarleton ignored the white flag and mercilessly massacred Buford's men. In the end, 113 Americans were killed and another 203 captured, 150 of whom were so badly wounded that they had to be left behind. Tarleton's casualties were 5 killed and 12 wounded.6 The British called the affair the Battle of Waxhaw Creek, while the Americans called it the "Buford Massacre" or the "Waxhaw Massacre." In recounting Tarleton's action at the scene, an American field surgeon named Robert Brownfield wrote that Col. Buford raised a white flag of surrender, "expecting the usual treatment sanctioned by civilized warfare". While Buford was calling for quarter, Tarleton's horse was struck by a musket ball and fell. This gave the loyalist cavalrymen the impression that the rebels had shot at their commander while asking for mercy. Enraged, the loyalist troops charged at the Virginians. According to Brownfield, the loyalists attacked, carrying out "indiscriminate carnage never surpassed by the most ruthless atrocities of the most barbarous savages." Tarleton's men stabbed the wounded where they lay. In Tarleton's own account, he virtually admits the massacre, stating that his horse had been shot from under him during the initial charge and his men, thinking him dead, engaged in "a vindictive asperity not easily restrained." However there are strange contraditions as to Tarleton's behaviour, for, contrary to his nature, as described by his conduct at Monticello, Thomas Jefferson himself later noted,

"I did not suffer by him. On the contrary he behaved very genteely with me. … He gave strict orders to Capt. Mcleod to suffer nothing to be injured." Tarleton materially helped Cornwallis to win the Battle of Camden in August 1780. He was completely victorious in an engagement with Thomas Sumter at Fishing Creek, aka "Catawba Fords", but was less successful when he encountered the same general at Blackstock's Farm in November 1780. Then in January 1781, Tarleton's forces were virtually destroyed by American Brigadier General Daniel Morgan at the Battle of Cowpens. Tarleton however managed to flee the battlefield with perhaps 250 men. Although Tarleton had a deservedly dastardly reputation, many other Light Dragoon forces were commanded by far more respected and gentlemanly officers, and the troops under their command fought in the most formative conflicts of both American and British history. A war that shaped the whole world that followed it, arguably more than any other war before it. Although in terms of casualties, fewer men perished in the whole war of Independence, that covered several years, than in a single day during the Battle of Gettysberg, less than 100 years later in the Civil War.

The carved ribbed horn grip is expansion cracked North to South.  read more

Code: 24756

A Most Rare Item Taken From, Hitler’s No. 2, Field Marshal Keital’s Personal Library in Berlin 1946. ‘Briefe Napoleons’ From Field Marshal Keitel's Personal Collection, From His Late Son, an SS Sturmbanfuhrer, Who Was Killed in Combat

Briefe Napoleons des Ersten : in drei Banden ; Auswahl aus der gesamten Korrespondenz des Kaisers. Napoleon the First. Selection from all the correspondence of the emperor. Published in 1910; Napoleon's correspondence from 1809 until his death in 1821. Published in 3 volumes this is volume 3. Taken in 1946 from the family library of Field Marshal Keitel, and one of two books from the library we have acquired, the first one was sold. Bearing the Ex Libris Book Label of his family and eldest son, who he lost in the war, Karl-Heinz Keitel SS-Sturmbannfuhrer of 8th SS Cavalry Division Florian Geyer, awarded the German Cross in Gold, Iron Cross 1st Class for heroism, Iron Cross IInd class, Close Combat Clasp & Wound Badge in black. Wilhelm Bodewin Johann Gustav Keitel (22 September 1882 - 16 October 1946) was the most famous German field marshal of WW2 who served as chief of the Oberkommando der Wehrmacht (Supreme Command of the Armed Forces) for most of World War II, making him the Chief of Defence for Germany and Hitler's number two after Reichmarshall Goring. At the Allied court at Nuremberg, he was tried, sentenced to death, and hanged as a war criminal. He was the third highest-ranking German officer to be tried at Nuremberg. Karl-Heinz Keitel was born on 2 January 1914, in Wolfenbuttel, the eldest son of Wilhelm Keitel who would rise to become Chief of the OKW, the German Military High Command, during World War II. Karl-Heinz joined the Heer in 1934 and served in various cavalry units following the outbreak of war in 1939. In June 1943 he was assigned to the Kavallerie-Schule in Potsdam-Krampnitz, and served as a battalion commander, and later the regimental commander of the Kavallerie-Regiment Nord. On 5 August 1944, he transferred into the Waffen-SS and served with the 22. SS-Freiwilligen-Kavallerie-Division "Maria Theresia". On 20 October of that year, he was promoted to command SS-Freiwilligen-Kavallerie-Regiment 17 / 22.SS-Freiwilligen-Kavallerie-Division "Maria Theresia" in the area of Hungary. In November 1944, combined with the Florian Geyer division, the "Maria Theresia" was assigned to the garrison of Budapest. On 12 December he was wounded in action while defending against Red Army probing attacks into Budapest for which he was awarded the Wound Badge in Black.
In March he transferred to the 37. SS-Freiwilligen-Kavallerie-Division "Lutzow" as its commander, and led the 2000 strong remnants of the division in heavy fighting around Wiener-Neustadt as part of 6. SS-Panzer Armee. He was reportedly promoted Obersturmbannfuhrer (Lieutenant Colonel) in the closing months of the war. The book's label also bears the label of his wife Dorothee, the daughter of the Werner Eduard Fritz von Blomberg (2 September 1878 - 14 March 1946) was a German Generalfeldmarschall, Minister of War, and Commander-in-Chief of the German Armed Forces until January 1938. The marriage of Karl-Heinz and Dorothee was one of the reasons her father, Generalfeldmarschall von Blomberg, was forced to resign by Hitler in 1938 It was in order to avoid a damaging scandal caused by the Generalfeldmarschall's new wife's criminal history as a prostitute that was discovered by Himmler. It was an extraordinary discovery as both Hitler and Goring attended her wedding to Keitel. Another volume that we know of, also originally from Field Marshal Keitel's library, an 1827 first edition of Alexander Pushkin's 'The Robber Brothers' printed in Russian, was apparently given to Keitel in 1941/2, after it's liberation from another but unknown Russian Ex Libris collection during Operation Barbarossa. That volume was given, in its turn in 1945, to Marshal Zhukov, commander of the Army of the USSR, and bears his Red Star stamp, and also Keitel's military stamp. That volume may weel have bee liberated from the Keitel family home library as was this book alongside the other we are offering for sale. Napoleon Bonaparte was General of the French Revolution; the ruler of France as First Consul (Premier Consul) of the French Republic from 11 November 1799 to 18 May 1804; then Emperor of the French (Empereur des Francais) and King of Italy under the name Napoleon I from 18 May 1804 to 6 April 1814; and briefly restored as Emperor from March 20 to June 22 of 1815. This unique piece is exactly the kind of item we are seeking and finding every day, and thus duly offer for sale in our shop and website. Unique, original pieces for the discerning collector, and items that simply cannot be found any where else. We are now the only shop in Britain that offers such pieces, every day, and have done and hopefully will continue to do so  read more

Code: 19643

A Fabulous & Impressive 18th Century Ship Captain’s Beautiful & Large, Brass Barrel Naval Blunderbuss Flintlock Pistol, With Box-Lock Action.

6.5inch barrel with ring turned muzzle, nice action, sliding safety, bag-shaped wooden butt. Nicely proved barrel on the underside. This is truly a most beautiful piece.

The combination of polished bronze, walnut, horn, and steel make a most attractive pistol of colour and material contrasts. Finest walnut stock. Bronze cannon form blunderbuss barrel. Bronze blunderbuss barrel pistols were the weapon of choice for naval officers and ship's captains for use at sea. This is a superb example of its kind. The muzzle (and often the bore) was flared with the intent not only to increase the spread of the shot, but also to funnel powder and shot into the weapon, making it easier to reload in haste. The overtly flared muzzle is the defining feature of the blunderbuss. Ship's Captains found such impressive guns so desireable as they had two prime functions to clear the decks with one shot, and the knowledge to an assailant that the pistol hads the capability to achieve such a result. In the 18th and 19th century mutiny was a common fear for all commanders, and not a rare as one might imagine. The Capt. Could keep about his person or locked in his gun cabinet in his quarters a gun just as this. The barrel could be loaded with single ball or swan shot, ball twice as large as normal shot, that when discharged at close quarter could be devastating, and terrifyingly effective. Potentially taken out four or five assailants at once. The muzzle was swamped like a cannon for two reasons, the first for ease of rapid loading, the second for intimidation. There is a very persuasive psychological point to the size of this gun's muzzle, as any person or persons facing it could not fail to fear the consequences of it's discharge, and the act of surrender or retreat in the face of an well armed blunderbuss could be a happy and desirable result for all parties concerned. Action in excellent working order, recently fully serviced. 11 inches long overall. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 23369

A Most Rare & Beautiful 16th-17th Century Italian Maine Gauche. A Renaissance Period Duellist's Parrying, Shell Guard Dagger

Long single edged blade with part false edge, and fine armourer's mark at the ricasso.
Triple section grip in horn and bone, bronze pommel cap. Beautifully pierced steel shell guard with scalloped edge. A most beautiful example of an early, Renaissance period 'main gauche' [left hand] duellist parrying dagger. When combined with a long swept or cup hilt rapier the pair make two formidable duo offensive and defensive duelling or combat weapons.

The parrying maine gauche dagger falls within the category of small hand-held weapons from the European late Middle Ages and early Renaissance. These weapons were used as off-hand weapons in conjunction with a single-handed sword. As the name implies they were designed to parry, or defend, more effectively than a simple dagger form, typically incorporating a wider guard, and often some other defensive features to better protect the hand, as well. The main-gauche is used mainly to assist in parrying incoming thrusts, while the dominant hand wields a rapier or similar longer weapon also intended for one-handed use.
It may also be used for attack if an opportunity arises. The general category includes two more specific kinds of weapon: sword breakers and trident daggers.

Its beautifully pierced shell guard was designed to be used as either, a hand protector, or, a sword blade catcher when reversed, depending of the swordsman's preference of his combat style.

The use of an off-hand weapon gradually fell out of favour as sword fighting evolved into the modern sport of fencing. The use of progressively lighter primary weapons such as the small sword, epee, and foil allowed for greater speed. Under these circumstances the use of just a primary weapon offered improvements in balance as well as a stance that offered a smaller target.  read more

Code: 22288

A Rare, American, US Civil War Pattern Manhattan Fire Arms Co Newark N.J .36 Cal. Revolver

An Original US Civil War Manhattan Colt 'Navy' Revolver .36 cal. This is a good, original, 6 ½” octagonal barrel version of the Manhattan Colt Navy .36" Calibre, 5 shot percussion revolver with drop down loading lever. It was a fine gun, utilizing 5 shot instead of Colts 6 shot system, so the gun had the size advantage over the standard Colt Navy, but more effective than the smaller calibre Colt pocket revolver. The metal work has nice patina throughout. It has a lightly engraved cylinder and the top of the frame is engraved Manhattan Fire Arms Co Newark N.J'. The pistol's steel frame, barrel block, brass butt strap & trigger guard assembly and stamped with serial number The cylinder is lightly decorated and engraved 'Patented Dec 27 1859'. It has an attractive Walnut grip. The Manhattan Fire Arms Manufacturing Co. was founded by a group of New Jersey businessmen in 1856. Their goal was to take advantage of Colt’s patent for revolving firearms that was due to expire in 1857. The founders hired Thomas Bacon to became the Superintendent of Manufacturing.
Manufacturing began in Norwich, Connecticut and in 1859 moved to Newark, New Jersey. Thomas Bacon remained in Norwich and started his own firearms company. During their existence, Manhattan Firearms produced approximately 175,000 pistols. Only Colt, Remington, and Winchester produced more guns during this era in which included the Civil War.

While waiting for Colt’s patent to expire, Manhattan first made copies of American firearms that no longer had patent protection. These included pepperboxes and various single-shot designs. Shortly thereafter, they turned their attention to making Colt-style revolvers in both the .31 calibre Pocket and .36 calibre Navy styles. Manhattan patented an extra set of cylinder safety notches on these models. Manhattans can be easily identified by the many notches on their cylinders. The spring is very good as its rotation, but it doesn't always locate on the notches so it sticks on occasion, It is a beautiful and original artefact of the American Civil War and would make a fabulous original antique display piece.  read more

Code: 25238

A Stunning Edo Period Tettsu {iron Plate} Krishitan {Christian.} Tsuba, Of The Holy Cross, Heavenly Eight Pointed Stars in Gold, & The River Of Life in Silver. In Superb Condition & From A Very Fine Collection of Tsuba.

A stunning Krishitam sukashi piercing of the cross with a silver river and gold eight pointed star inlays. With a kozuka hitsu-ana, and kogai hitsu ana
The Bible starts with an account of a river watering the Garden of Eden. It flowed from the garden separating out into four headwaters. The rivers are named, flowing into different areas of the world,

Eight pointed stars symbolise the number of regeneration and of Baptism. The Stars and The River as Christian Symbols, are images or symbolic representation with sacred significance. The meanings, origins and ancient traditions surrounding Christian symbols date back to early times when the majority of ordinary people were not able to read or write and printing was unknown. Many were 'borrowed' or drawn from early pre-Christian traditions.
The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Some wear to the gold and silver inlays on the reverse side.  read more

Code: 25311