Antique Arms & Militaria

A Rare Form of Early 19th Century Drummer Boy's Sword. Only The Second We Have Had in 10 Years A Super George IIIrd British Army Drummer Boy's Sword

In excellent condition. With mythical beast pommel, curved quillons and short double edged blade. This sword was used in the early 19th century by a drummer boy in the British Army from the Napoleonic Wars.

Drummer boys were continually issued swords until, and up to, the Crimean War of 1854 in Russia.

20 inch blade. Superbly hand polished in the workshop, and that has returned it to it's original service near gold like finish. Blade polish to bright steel as well.

Drummer Boy of Waterloo.

By Woodland Mary.

When battle rous'd each warlike band,
And carnage loud her trumpet blew,
Young Edwin left his native land,
A Drummer Boy for Waterloo.
His mother, when his lips she pressed,
And bade her noble boy adieu,
With wringing hands and aching breast,
Beheld him march for Waterloo.
With wringing hands,

But he that knew no infant tears,
His Knapsack o'er his shoulder threw,
And cried, "Dear mother, dry those tears,
Till I return from Waterloo."
He went and e'er the set of sun
Beheld our arms the foe subdue,
The flash of death the murderous gun,
Had laid him low at Waterloo.
The flash of death, O comrades ! Comrades !' Edwin cried,
And proudly beam'd his eye of blue,
' Go tell my mother, Edwin died
A soldier's death at Waterloo.'
They plac'd his head upon his drum,
And 'neath the moonlight's mournful hue,
When night had stilled the battle's hum,
They dug his grave at Waterloo.
When night had still'd.


In the painting of a Waterloo Drummer Boy, if one looks behind his left leg one can see the bottom of the drummer boy's same sword blade.

No scabbard.  read more

Code: 18883

A Super Balinese Carved Wooden 'Demon Kris Stand Probably Representing One of the Vanaras, Forest Dweller Human-Ape Like Demi-God Warriors That Helped Rama Defeat Ravana

Possibly representing Hanuman, or Anoman, one of the Vanara human-apes of Ramayana epic. In Hindu mythology, Vanara forest-dwellers, either refers to the monkeys or a race of forest dwelling people. In the epic the Ramayana and its various versions, the Vanaras help Rama defeat Ravana. They are generally depicted as humanoid apes or monkeys. Vanaras are created by Brahma to help Rama in battle against Ravana. They are powerful and have many godly traits. Taking Brahma's orders, the gods began to parent sons in the zion of Kishkindha (identified with parts of present-day Karnataka, Andhra Pradesh & Maharashtra). Rama first met them in Dandaka Forest, during his search for Sita. An army of Vanaras helped Rama in his search for Sita, and also in battle against Ravana, Sita's abductor. Nala and Nila built a bridge over the ocean so that Rama and the army could cross to Lanka. As described in the epic, the characteristics of the Vanara include being amusing, childish, mildly irritating, badgering, hyperactive, adventurous, bluntly honest, loyal, courageous, and kind

Carved in one piece of wood vividly decorated in polychrome colours, approx 18 inches high, 9 inches deep.
The respect with which krises were always treated extended to the careful attention given to them even when they were not being worn. The weapons were stored in fitted bags, custom-made boxes and chests, and on wall-mounted display boards, as well as in kris stands. The use of three-dimensional sculptures as kris stands, however, was limited to the islands of Bali and Lombok. Not including the kris as shown. The kris or kêrìs "to slice"; is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (pamor). While most strongly associated with the culture of Indonesia the kris is also indigenous to Malaysia, Thailand, Brunei, Singapore and the Philippines where it is known as kalis with variants existing as a sword rather than a dagger. The kris is famous for its distinctive wavy blade, although many have straight blades as well. Kris have been produced in many regions of Indonesia for centuries, but nowhere—although the island of Bali comes close—is the kris so embedded in a mutually-connected whole of ritual prescriptions and acts, ceremonies, mythical backgrounds and epic poetry as in Central Java. As a result, in Indonesia the kris is commonly associated with Javanese culture, although other ethnicities are familiar with the weapon as part of their culture, such as the Balinese, Malays, Sundanese, Madurese, Banjar, Thais, Bugis, Makassar, and Filipinos. Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dongson bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[7] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850).
However, Raffles' (1817) study of the Candi Sukuh states that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java, dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in the Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture. The best material for creating kris pamor, was acquired in a quite unusual way, as it is made from rare meteorite iron. Traditionally the pamor material for the kris smiths connected with the courts of Yogyakarta and Surakarta originates from an iron meteorite that fell to earth at the end of 18th century in the neighborhood of the Prambanan temple complex. The meteorite was excavated and transported to the keraton of Surakarta; from that time on the smiths of Vorstenlanden (the Royal territories) used small pieces of meteoric iron to produce pamor patterns in their kris, pikes, and other status weapons. After etching the blade with acidic substances, it is the small percentage of nickel present in meteoric iron that creates the distinctive silvery patterns that faintly light up against the dark background of iron or steel that become darkened by the effect of the acids  read more

Code: 24195

A Beautifully Detailed Early Christian, Ancient Roman Crucifix, Byzantine Empire, 8th to 9th century, Circa 1300 to 1200 Years Old, Cross Pattee

The form and shape that was also popular and used up to the Crusades period, for example if crusaders used an antique family crucifix. Bronze crucifix of Christ in the relief relief orans pose of arms outstretched. From a superb, small collection of original, historical, Imperial Roman, Viking and Crusades period artefacts has been acquired by us acquired in the 1820's. This fine bronze pendant pectoral cross was hand bronze forged during the Middle Ages in the cradle of Christianity, the Byzantine Empire. In AD 324, the first Christian Roman Emperor Constantine the Great transferred the Eastern Roman Empire capital to Byzantium, which became Constantinople, known as ''New Rome''. The Byzantine Empire became centred on the capital of Constantinople and was ruled by Emperors in direct succession to the ancient Roman Emperors. With the eventual decline of Rome, the Church of Constantinople became the richest and most influential center of the Christian world. The reign of Justinian the Great in 527-565 marked a blossoming of Byzantine culture with a building program that yielded such masterpieces as the Cathedral Church of the Holy Wisdom of God, Hagia Sophia. Justinian, who is considered a Saint in the Eastern Orthodox Church, created the authority of this Church, which firmly established Christianity throughout the Empire. This Byzantine Empire would exist for more than a thousand years until 1453 and was one of the most powerful economic, cultural, and military forces in Europe and Asia Minor. This superb cross was most certainly worn by a Byzantine citizen as a statement of faith during this amazing age of early Christendom. Picture in the gallery of an 8th century painting 'Christ is the Crucified, and a King'. The details of the painting are, they say; 'He is robed in majesty; He is fastened to the Cross. He wears the royal purple robes with which His scorners intended to mock Him, but He, Alpha and Omega, the first and last Word, the Primogenitor of those who are being saved, confers His own divine dignity onto the very idea of kingship. He wears the glory that inspired the good thief to plead for his salvation, with the confidence of the One whose Sonship makes that salvation possible'.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

42mm x 22mm Still perfectly wearable.  read more

Code: 24226

One Of The Most Impressive, Fiersome, & Effective, Combat Weapons Ever Created. A 1600's to Early 1700's Mughul Period Battle Mace Shishpar With 8 Flanged Head and Khanda Sword Hilt. A Most Formidable Usually Hindu Piece Yet As Popular in Ancient Persia

One of two fabulous early examples we acquired. In ancient Persian texts this has been the decisive weapon of choice by great warriors, used to kill the dragon Kasfud by Gev, in ancient Persian texts, and known as the ‘Thunderbolt of Indra’ in ancient Indian texts, and also the Sky Borne Splitter.

A style of battle mace that goes back to the earliest days of medieval knightly warfare. As popular in Europe as it was in the Indian Sub Continent. Being a fantastic Moghul period example it has the highly distinctive khanda sword hilt, which has a protective half basket guard for the hand, and the projecting pommel spike to enable both two handed combat and a counter point for reverse striking and blows.
It has its traditional iconic feature of a shaped flange head, common with all steel flanged head maces, with ring turned finial, ring turned haft with characteristic hilt with upturned guard and broad knuckle bow, dished disc pommel with elongated spike finial.

Rare 17th - 18th C. Indian shishpar battle mace with khanda sword Hilt. Rare early example of the Indian battle-mace weapon "Shishpar" used by skilled warrior for fighting through armoured troops, armed with a 8-flang steel head topped with an armour exhibiting heavy but smooth patina with occasional fine pitting, the edges of several flanges with dents indicating on period usage against armour. Mounted on the well balanced steel shaft with a large Khanda sword hilt of early type, some light chiselled art work around the broad guard and at the base of the large pommel spike designed to be used for two handed grip at the battle. Grip with original old ox chords still present and intact. Powerful and very battle-efficient weapon of early Hindu and Muslim warriors.

Probably from Rajasthan. Despite successive waves of Muslim conquest, Rajasthan remained predominately Hindu. It was divided into a number of small states centred around fortified cities such as Jaipur, Jodhpur and Udaipur, all of which had their own armouries that a few of these survive within today. The Gorz is a weapon often mentioned and variously described in Iranian myths and epic. In classical Persian texts, particularly in Ferdowsi’s Šha-nama , it is characterised as the decisive weapon of choice in fateful battles, and to kill the dragon of Kasafrud; by Gev, in the expedition to Mazandaran. In Indian mythology, Indra owns a club/mace (vajra-) called the Thunderbolt of Indra and made of the bones of Risi Dadici, a sacred figure in the Vedic literature. It has been also referred to by many other names and descriptions, including sky-borne, splitter, destructive.

Overall length 80cm, a heavy grade piece of superb quality  read more

Code: 24186

A Wonderful Antique Meteorite Steel Indonesian Kris with Engraved Royal Crown With a 'Diamond' Hilt Collar

The whole sword is beautiful, the hardwood scabbard has a fabulous age patina as has the carved hardwood hilt which also has a 'diamond' collar. They are all somewhat crude 'old cuts' that are poor at refracting light, therefore they might be Indian Moghul diamonds, or even 'old cut' rock crystal stones, it is near impossible to tell, they have not a great deal of intrinsic value either way, due to their cut, but most intriguing none the less.
the traditional steel of the best indonesian kris often contain meteorite steel that fell from the heavens, and the Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. The Kris Panjang is worn generally by the Malayan aristocracy. I have seen some beautiful specimens of this weapon in Rumbowe, worn by the chiefs of that state.
Thomas John Newbold, in 1839 wrote lamination patterns that are created in their forging can be simply stunning, as this this beautiful piece. The yellow-white metal scabbard cover is beautifully engraved, on the outer side, and mostly plain on the inner side, but both sides bear an elaborate engraved royal crown.
Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. Kris blades are forged by a technique known as pattern welding, one in which layers of different metals are pounded and fused together while red hot, folded or twisted, adding more different metals, pounded more and folded more until the desired number of layers are obtained. The rough blade is then shaped, filed and sometimes polished smooth before finally acid etched to bring out the contrasting colours of the low and high carbon metals. The traditional Indonesian weapon allegedly endowed with religious and mystical powers. With probably a traditional Meteorite laminated iron blade with hammered nickel for the contrasting pattern. 15 inch blade  read more

Code: 23974

A Stunning Moghul Indo Persian Jade Handled Tiger Tooth Blade Khanjar

With wootz blade. A 19th century dagger khanjar, curved double edged watered wootz blade 24cms long, cut with a pair of deep fullers with medial ridge, mounted with a fine one piece jade hilt engraved and incised overall with foliage and inlaid with cabochon turquoise at the corners and on the pommel. he Mughal (or Moghul) Empire was an early-modern empire in South Asia. For some two centuries, the empire stretched from the outer fringes of the Indus basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan plateau in South India.

The Mughal empire is conventionally said to have been founded in 1526 by Babur, a warrior chieftain from what today is Uzbekistan, who employed aid from the neighboring Safavid and Ottoman empires to defeat the Sultan of Delhi, Ibrahim Lodhi, in the First Battle of Panipat, and to sweep down the plains of Upper India. The Mughal imperial structure, however, is sometimes dated to 1600, to the rule of Babur's grandson, Akbar. This imperial structure lasted until 1720, until shortly after the death of the last major emperor, Aurengzeb, during whose reign the empire also achieved its maximum geographical extent. Reduced subsequently, especially during the East India Company rule in India, to the region in and around Old Delhi, the empire was formally dissolved by the British Raj after the Indian Rebellion of 1857.

Although the Mughal empire was created and sustained by military warfare,it did not vigorously suppress the cultures and peoples it came to rule, but rather equalized and placated them through new administrative practices, and diverse ruling elites, leading to more efficient, centralised, and standarized rule.The base of the empire's collective wealth was agricultural taxes, instituted by the third Mughal emperor, Akbar. These taxes, which amounted to well over half the output of a peasant cultivator, were paid in the well-regulated silver currency, and caused peasants and artisans to enter larger markets.

The relative peace maintained by the empire during much of the 17th century was a factor in India's economic expansion.Burgeoning European presence in the Indian ocean, and its increasing demand for Indian raw- and finished products, created still greater wealth in the Mughal courts. There was more conspicuous consumption among the Mughal elite, resulting in greater patronage of painting, literary forms, textiles, and architecture, especially during the reign of Shah Jahan. The Taj Mahal, which is described as, "The jewel of Muslim art in India, and one of the universally admired masterpieces of the world's heritage.  read more

Code: 22507

A Scarce Lancaster Oval Bore Rifle Sword Bayonet, Sappers and Miners 1855, Shortened Quill Back Blade

Brass mounted hilt, three rivet wooden grips and screw mounted spring would have originally permanently fixed with a rivet, but an improvement replacement of a screw meant an armourer of the regiments could repair it in the field, a fixed rivet meant the bayonet would have to return to the regiment for repair if required.

Two-Band Rifle-Musket by Charles Lancaster, manufactured in London, England circa 1850's. Charles William Lancaster (1820-1878) was devoted to his craft and was among the best England had to offer in the field of firearms making and invention. It was around the year 1850, when he conceived the idea of the oval bore. Indeed, it is very slightly oval, almost imperceptibly and the rifling is very subtle and this rifle could easily be mistaken for a smooth bore. The rifling is also “gain twist”, meaning that the twist gets faster as the projectile approaches the muzzle. He believed that the oval bore was the future form all rifles and cannons should take due to the design’s inherent ability to mitigate the fowling that came from using black powder, as well as their accuracy.

He would put his idea to the test when he entered the government trials for what would become the Pattern 1853. He would spend much of 1852 and 1853 in doing so. His oval bore proved more accurate and less prone to foul than the competition, though the very subtle rifling was prone to wear out sooner with much use than conventional rifling. His system was not ultimately adopted for the Pattern 1853 infantry rifle-musket, but it was adopted in smaller numbers for sapper muskets.


No scabbard overall 20.5 inches long, blade 15.5 inches hilt from ricasso base 5 inches.  read more

Code: 25179

An Extraordinary Document, & Piece of Original & Highly Relevant History Today. A 'Particulars of Claim For Compensation' For The Freedom of 253 Slaves In Barbados For the President Of Barbados, John Rycroft Best & 556 Slaves Owned By John Higginson

An original stamped and dated claim form. For John Rycroft Best’s 253 slaves in St Andrew, plus,, the numerous claims of John Higginson of Barbados

John Rycroft Best was a 'plantocrat' and militia commander who played an important part in the suppression of the Barbados rebellion of 1816, though he was to withdraw from the Barbados Assembly committee which reported on the uprising.

John Rycroft Best
recorded in official record as
‘of Blackmans, in the Parish of St Joseph, Barbadoes sic, President of this Island.’

He played an important role in Barbados Council politics including, for example, rallying opposition to the impending threat of abolition. At a meeting of representatives of Barbados, Antigua, Demerara and Essequibo, Dominica, Grenada, Nevis, St Christopher, St Vincent, Tobago and the Virgin islands, chaired by Best, there were strong protests against the British Government’s treatment of the West Indies, the threat of abolition (unless there was adequate recompense) and praise for how the planters had improved the conditions of the slaves.

John Rycroft Best was last recorded as perishing aged around 73 in a fire and subsequent explosion aboard RMS Amazon. Quite a lot of detail is known of this event, and we detail it as follows;

RMS Amazon was a wooden three-masted barque, paddle steamer and Royal Mail Ship of the Royal Mail Steam Packet Company. She was one of a set of five sister ships built at the beginning of the 1850s for RMSP's routes between Southampton and the Caribbean.

On Friday, 2 January 1852, Amazon, commanded by Captain William Symons, loaded mail, embarked 50 passengers and late that day she sailed for the Caribbean. In the next 24 hours she twice hove to as her engine bearings overheated. She entered the Bay of Biscay and about 12:40 on Sunday, 4 January, smoke was sighted rising from a hatch ahead of her forward funnel. Captain Symons and his chief officer, Roberts, were quickly on deck and organised crewmen with buckets and a hose to fight the fire. Men started to move hay away from the fire, but after they had moved only two bales all the remainder caught alight.

The fire spread out of control. The starboard lifeboat rescued the five occupants of the dinghy and tried to approach the ship to rescue more people, but came in danger of being swamped and so abandoned the attempt. Amazon was still under way, rolling in the heavy sea while Symons and his crew still tried to keep her course steady.

By 04:00 the fire brought down the ship's foremast and mainmast. At 05:00 her magazine exploded and her mizzen mast was brought down. Her funnels glowed red-hot6 and about half an hour later she sank about 110 miles (180 km) west-south-west of the Isles of Scilly.

On the same documentation are the details of John Higginson of St Philip and his approved compensation claim of his numerous properties and slaves therein, also the details of his claims finalised by his executor for his son, a naval captain, as he died long before the compensation was actually paid.

Details of one claim in public record of John Higginson of St Philip; 288 slaves, compenstion paid £2,491 10s 2d to Robert Richard Deane as executor of John Higginson's Estate

Richard Deane appears as the attorney of William Barton, George Irlam and John Higginson in Essequebo in 1808.

Enslaved persons were registered in 1834 by Richard Deane, as the attorney to John Higginson.

Deane appears in the Slave Compensation records mainly as the executor of John Higginson, the last of the original partners in Barton, Irlam and Higginson, who died in 1834.

Public record shows amounts claimed were £2,491 10s 2d for his Sandy Lane slaves and £3,594 10s 9d for his Congo Road slaves

From public record; 'In 1833 ... Barton, Irlam & Higginson owned a number of Barbadian plantations with at least 1,232 slaves, making the firm one of the biggest slave owners on the island.' They were awarded the compensation for 12 claims in Barbados as executor of John Higginson (q.v.). Deane himself appears to have spent much of his life in Barbados and no trace of his death in Britain has yet been discovered.

Liverpool and Barbados merchant and slave-owner. The executor of John Higginson, Richard Deane (q.v.) was awarded the compensation under 12 awards in Barbados as executor.

Father of Jonathan Higginson (q.v.) and partner in Barton, Irlam and Higginson. Died 21/12/1834 at Liverpool. Buried St George Everton 26/12/1834 aged 58.

The will of John Higginson at present of St Michael Barbados made in 1833 was not proved until 14/12/1840 in London. Under the will he left an annuity of £600 p.a. to his wife Sarah Ann, to be reduced to £100 p.a. if she intermarried, together with his house on Everton Terrace. He instructed his trustees to provide £150 p.a. for the support of each of his children until 15, and then amounts at their discretion up to £250 p.a. for each child until 21, when each was to receive £5000. His son Jonathan inherited his estates at 'Over Peevor' in the County of Chester. He made his sons his co-residuary legatees, failing whom his sisters.

Interestingly John Higginson may well have been a descendant of a Reverend Higginson who was of Salem Mass. during the infamous Witch Trials, and his daughter was accused of witchcraft. The Reverend's son, Henry, later emigrated to Barbados. Henry Higginson became a merchant in Barbados and died of small pox in 1685.

Portrait of William Ansah Sessarakoo, circa 1749. In the 18th century, it was not uncommon for wealthy African leaders to send their sons, like William Ansah Sessarakoo, to Europe to be educated. In 1744, Sessarakoo boarded a ship to England when he was abruptly captured and sold into slavery when the ship stopped in Barbados. His father was able to secure his son’s freedom, and he continued his travel to England, where his portrait was taken.  read more

Code: 24393

A Royal Navy Bosun's Club, a 'Start' or 'Persuader', For Press Gang Duty, Or For the Discipline of Lazy Sailors, With Two Leaden Ends Covered in Naval Cord Knotting

It is a full length stick known as a Bosun's club, cosh or persuader, with two weighted ends, of differing weights, both lead, pear shaped knobs, fully covered in naval 'Turk's head' knotting, called needle hitching. The cane is flexible wood.

The lighter lead weighted end was designed to injure the recipoient of the blow, but nothing too harmful, the heavier was to knock unconscious or worse

A most fascinating piece, and thus reveals the type of situations that it's owner would have had to face both while on press gang shore patrol, and in boarding party conflicts at sea. It could also be mighty handy in the darkened, sinister back streets of all the likely ports travelled by Royal Naval matelots in the Victorian era, such as Canton, Marseilles New York, San Francisco, Shanghai, Port au Prince, Montego Bay, Kingstown, and not least London and Liverpool etc.
Press Gang – words to the song

As I walked out on London Street
A press gang there I chanced to meet
They asked me if I’d join the fleet
On board of a man-o-war, boys

Come brother shipmates tell to me
What kind of treatment they give you
That I may know before I go
On board of a man-o-war, boys

When I got there to my surprise
All they had told me was shocking lies
There was a row and a bloody old row
On board of a man-o-war, boys

The first thing they done they took me in hand
They lashed me with a ‘tar of a strand’
They flogged me till I could not stand
On board of a man-o-war, boys

Now I was married and me wife’s name was Grace
‘Twas she that led me to shocking disgrace
It’s oft I’d curse her ugly face
On board of a man-o-war, boys

When next I get may foot on shore
To see them London girls once more
I’ll never go to sea no more
On board of a man-o-war, boys  read more

Code: 24412

A Chevasse & Co Confederate Contract Pattern 1856, 1856/8 Two Band Enfield Rifle Sword Bayonet with Yataghan Blade. American Civil War Import From Birmingham England, by Confederate Supply Contractor.

A British Victorian Export Enfield Pattern 56, bayonet pattern 1856-58, for the two band Enfield Rifle, a Yataghan blade sword bayonet, the regulation bar-on-barrel, model. The blade is 22 3/4", with Birmingham retailers name CHAVASSE(Horace Chavasse), at the ricasso/forte, with serial number and Confederate regimental stamps. And no British government inspector or ordnance marks, just as it shouldn’t.

You really don't see such rarities available in the UK market today, and precious few in the American market actually, especially one that came from the States 50 odd years ago.

We bought the entire small collection from the widow of a 'Best of British Empire and German' Rifles and Bayonets' collector, who acquired them over the past 40 years, and only ever kept the very best he could afford to keep. Act fast they are selling really fast. All are top quality and condition,19th and 20th century scarce British and German collectables are always the most desirable of all. This bayonet he bought in Louisiana in the USA, in 1970's

Horace Chavasse of Alma Street, Aston, Birmingham (1860-1868) is known for his export contract of these M1856/8 sword bayonets to the Confederate States during The US Civil War,

It has standard chequered leather grip plates, and is production four digit numbered 3103, {Confederate bayonets are often recognised as bearing four digit engraved or stamped serial numbers} and it also bears Confederate regimental stamp and number, 'H 247' on the pommel top, with a good working spring catch, and usual wear on the grips, the overall condition is very good,

In 1861 Chavasse & Co, produced the 1853 Enfield socket bayonet under contract, no British government markings or stampings to link with British government indicating that all the bayonets were made for export to America for the American civil war Confederate States.The company was used because of its manufacturing abilities and its connections and successes in sales in the foreign market, markings on bayonet rear edge of the socket, and blade ricasso of the sword bayonet. The mark of "CHAVASSE & Co" or 'Chavasse'. Total manufactured 11,173 of the socket bayonets.

It also details in the records that the 1853 and 1856 Enfield pattern rifle’s socket and sword-bayonet batches, sent to American Confederate States, did not have any British government stamps or markings.
All the above details are from their company records, and the company was based at the Crocodile Works Alma Street, Ashton Newton, Birmingham, England from 1860 to 1869

Chavasse supplied his sword-bayonets and socket bayonets from early on during the Civil War, and it was through this that he became acquainted with William Joshua Grazebrook. Their partnership was formalised in early 1862, and the pair brought a large amount of military weapons to sell to the Confederacy. Their attempt at blockade running was disastrous however, as well as financially ruinous, as the ship, the ill fated Modern Greece was wrecked off of Wilmington, North Carolina in June 1862.

Although some damaged cargo was salvaged by Confederate authorities and sold at auction, Chavasse would not receive any money from the cargo, and his partner, Grazebrook, would soon declare bankruptcy in June of 1863 after the capture of the Dolphin and Nicolai I in March of that year.

Chavasse would continue legal action against Grazebrook to no avail, as the courts determined that Grazebrook was insolvent in 1865. The financial ruin brought on by his support of the Confederacy would cause Chavasse himself to declare bankruptcy in 1868. He died virtually penniless in 1917 at the age of 87.

No scabbard, as is more usual than not for surviving sword-bayonets by Chevasse.  read more

Code: 25178