Antique Arms & Militaria

Beautiful, Inscribed, Elizabethan Tudor & Renaissance Nobleman’s Rapier 16th Century, Circa 1570

A stunning Renaissance rapier with tapered blade of flattened hexagonal section, fullers on both sides of the forte inscribed with Fio Nio, [abbreviated Latin] opposite armourer’s marks of crescents plus circle with cross on the blade, nicely defined long ricasso; with an elaborate, swept hilt with thumb ring, and three, hand guard bars, the quillon finials with shaped knobs very nicely embossed. It has a restored leather grip surface and a beautifully pronounced ovoid egg form pommel.

Often used in duels in conjunction with a maine gauche off-hand parrying dagger.

Exactly the same form of sword rapiers as worn by all of the great admirals and knights in Queen Elizabeth the 1st's court. See the three original portraits of such as Sir Walter Raleigh, Sir Francis Drake, & Earl Dudley.

Sir Francis Drake while commanding the English fleet against the Spanish Armada, plus all his senior captains and command officers, carried and used the very same form of rapier, despite its length being somewhat impractical to hand to hand combat aboard ship. It wasn’t for some time that logic prevailed and swords for use aboard ships became much shorter, such as hunting swords, and thus far more practical when hampered by low slung rigging aboard the main deck of all ships.

It was also the very form of sword carried by the senior Spanish Conquistadors on their conquest of the South Americas in the 16th century.

From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand.

For further reference as to type;
C. Foulkes, Inventory and Survey of the Armouries of the Tower of London, published 1916; and A.R. Dufty, European Swords and Daggers in the Tower of London, published 1974, see letter D on plate 21
From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand. The maker's mark shows comparisons with a rapier in the Tower of London Armoury see Foulkes, no.107 p.274, 1916

41 1/3" overall length. Fine condition.  read more

Code: 24093

A Superb Quatre Bras and Waterloo 1796 Pattern Infantry Officers Sword Excellent Silver Bound and gold Hilt and Blue & Gilt Blade with Royal Cypher & Stands of Arms Engraving

Mercurial gilt hilt with double shell fold down guard and silver bound grip, and fully engraved blade with Royal cypher and crest, and scroll engraved with stands of arms. From the Napoleonic Wars, the Peninsular war, The War of 1812 in America, then in 1815 at Quatre Bras and Waterloo, and with around 90% of the gilt remaining on the hilt. A simply stunning sword in wonderful condition. British infantry officer's sword of the Napoleonic Wars. The Napoleonic Wars (1803–1815) were a series of major conflicts pitting the French Empire led by Emperor Napoleon I against an array of European powers formed into various coalitions. They revolutionised European armies and played out on an unprecedented scale, mainly owing to the application of modern mass conscription. The wars are traditionally seen as a continuation of the Revolutionary Wars, which broke out in 1792 during the French Revolution. Initially, French power rose quickly as the armies of Napoleon conquered much of Europe. In his military career, Napoleon fought about 60 battles and lost seven, mostly at the end. The great French dominion collapsed rapidly after the disastrous invasion of Russia in 1812. Napoleon was defeated in 1814, and then once more in 1815 at Waterloo after a brief return to power. The Allies then reversed all French gains since the Revolutionary Wars at the Congress of Vienna.

Before a final victory against Napoleon, five of seven coalitions saw defeat at the hands of France. France defeated the first and second coalitions during the French Revolutionary Wars, the third (notably at Austerlitz), the fourth (notably at Jena, Eylau, and Friedland) and the fifth coalition (notably at Wagram) under the leadership of Napoleon. These great victories gave the French Army a sense of invulnerability, especially when it approached Moscow. But after the retreat from Russia, in spite of incomplete victories, France was defeated by the sixth coalition at Leipzig, in the Peninsular War at Vitoria and at the hands of the seventh coalition at Waterloo.

The wars resulted in the dissolution of the Holy Roman Empire and sowed the seeds of nationalism that would lead to the consolidations of Germany and Italy later in the century. Meanwhile, the global Spanish Empire began to unravel as French occupation of Spain weakened Spain's hold over its colonies, providing an opening for nationalist revolutions in Spanish America. As a direct result of the Napoleonic wars, the British Empire became the foremost world power for the next century, thus beginning Pax Britannica.

No consensus exists about when the French Revolutionary Wars ended and the Napoleonic Wars began. An early candidate is 9 November 1799, the date of Bonaparte's coup seizing power in France. However, the most common date is 18 May 1803, when renewed war broke out between Britain and France, ending the one-year-old Peace of Amiens, the only period of general peace in Europe between 1792 and 1814. Most actual fighting ceased following Napoleon's final defeat at Waterloo on 18 June 1815, although skirmishing continued as late as 3 July 1815 at the Battle of Issy. The Second Treaty of Paris officially ended the wars on 20 November 1815. Overall this battle cum dress sword is in fabulous condition, without scabbard, from a large former museum collection of original Napoleonic Battle of Waterloo swords

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .  read more

Code: 24741

An Original English Civil War Period Portrait of General George Monk & General Monk's Early Leather Bound Biography

A fine portrait After Samuel Cooper of George Monk, 1st Duke of Albemarle. Oil on canvas laid on board, inscribed Gen: Monk, Duke of Albermale upper centre. And a fine volume of The Life of General Monk, Duke of Albemarle 2nd Edit. 1724. George Monk, 1st Duke of Albemarle, KG (6 December 1608 - 3 January 1670) was an English soldier and politician and a key figure in the Restoration of Charles II. During the operations on the Scottish border in the Bishops' Wars (1639-1640) he showed his skill and coolness in the dispositions by which he saved the English artillery at the Battle of Newburn (1640).

At the outbreak of the Irish rebellion (1641) Monck became colonel of Robert Sidney, 2nd Earl of Leicester's regiment under the command of James Butler, 1st Duke of Ormonde. All the qualities for which he was noted through life his talent for making himself indispensable, his imperturbable temper and his impenetrable secrecy were fully displayed in this post. The governorship of Dublin stood vacant, and Leicester recommended Monck.

However, Charles I overruled the appointment in favour of Charles Lambart, 1st Earl of Cavan, and Monck surrendered the appointment without protest. James Butler, 1st Duke of Ormonde viewed him with suspicion as one of two officers who refused to take the oath to support the Royal cause in England and sent him under guard to Bristol.

Monck justified himself to Charles I in person, and his astute criticisms of the conduct of the Irish war impressed the king, who gave him a command in the army brought over from Ireland during the English Civil War. Taken prisoner by Parliament's Northern Association Army under Sir Thomas Fairfax, 3rd Lord Fairfax of Cameron at the Battle of Nantwich in January 1644, he spent the next two years in the Tower of London. He spent his imprisonment writing his Observations on Military and Political Affairs Monck's experience in Ireland led to his release. He was made major general in the army sent by Parliament against Irish rebels. Making a distinction (like other soldiers of the time) between fighting the Irish and taking arms against the king, he accepted the offer and swore loyalty to the Parliamentary cause. He made little headway against the Irish led by Owen Roe O'Neill and concluded an armistice (called then a "convention") with the rebel leaders upon terms which he knew the Parliament would not ratify. The convention was a military expedient to deal with a military necessity. When in February 1649 Scotland proclaimed Charles, Prince of Wales, as Charles II, King of Scotland, the Protestant Ulster Scots settlers did the same and following Charles's lead took the Solemn League and Covenant. Most of Monck's army went over to the Royalist cause, placing themselves under the command of Hugh Montgomery, 1st Earl of Mount Alexander. Monck himself remained faithful to Parliament and returned to England.

Although Parliament disavowed the terms of the truce, no blame was attached to Monck's recognition of military necessity. He next fought at Oliver Cromwell's side in Scotland at the 1650 Battle of Dunbar, a resounding Roundhead victory. Made commander-in-chief in Scotland by Cromwell, Monck completed the subjugation of the country.

In February 1652 Monck left Scotland to recover his broken health at Bath, and in November of the same year he became a General at Sea in the First Anglo-Dutch War, which ended in a decisive victory for the Commonwealth's fleet and marked the beginning of England's climb to supremacy over the Dutch at sea.

On his return to shore Monck married Anne Radford (n?e Clarges).In 1653 he was nominated one of the representatives for Devon in Barebone's Parliament. He returned to Scotland, methodically beating down a Royalist insurrection in the Highlands. At Cromwell's request, Monck remained in Scotland as governor During the confusion which followed Cromwell's death on 3 September 1658, Monck remained silent and watchful at Edinburgh, careful only to secure his hold on his troops. At first he contemplated armed support of Richard Cromwell, but on realising the young man's incapacity for government, he gave up this idea and renewed his waiting policy. In July 1659 direct and tempting proposals were again made to him by the future Charles II. Monck was elected Member of Parliament for both Devon and Cambridge University in the Convention Parliament of 1660. Though he protested his adherence to republican principles, it was a matter of common knowledge that the parliament would have a strong Royalist colour. Monck himself, in communication with Charles II, accepted the latter's Declaration of Breda of 4 April 1660, which was largely based on Monck's recommendations. On 1 May the newly convened Convention Parliament formally invited Charles, as King Charles II, to be the English monarch in what has become known as the Restoration. The painting size is 27cm x 23.5 cm., and in its frame it is 16.75 inches x 15.5 inches  read more

Code: 22723

An Imperial Roman 2nd Century Bronze Ring, Excellent Condition and Still Wearable Today

The same size, shape and form of unadorned ring worn by two of the Imperial Ceaser's, both Augustus and Tiberius. Part of a superb original museum grade collection we have acquired of Roman rings, also with some medieval and Norman rings as well. They are both clearly wearing their identical size and shaped rings on both of the surviving original Roman bronze statues of the emperors. Augustus Caeser and Tiberius Caeser both wore that ring type, engraved with the the symbol of a lituus, the mark of a Roman Augur a type of sorcerer. Augustus Caeser was indeed an auger himself, as was Pompey. The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognize them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. Classified as Guiraud type 4. Guiraud Ring Types A categorisation of 1st to 5th century ce Roman and provincial Gallo-Roman ring types devised by the 20th century French scholar Hélène Guiraud.

Like many of our selection of antiquities, many originally arrived in England as souvenirs of a Grand Tour, from around 200 years ago,


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.  read more

Code: 24363

A Beautiful, Original, Large Size Roman Empire Bronze Seal Ring With The Engraved Fulminata of Julius Caeser's XIIth Legion & Ancient Greek Script

Circa 1st Century. A good still wearable large size, in bronze copper ally, engraved with a traditional seal in Greco-Roman, and the symbol onf the 12th legion 'Fulminata' The Lighting Twelfth. It was another Roman legion established by Julius Caesar. Named after the unit’s symbol, the thunderbolt, the Twelfth could trace its origins to 58 BCE. The legion served in some of Caesar’s most famous battles in Gaul, including the Siege of Alesia. It also saw a fair share of fighting in the civil war against Pompey, participating in the decisive showdown at Pharsalus. Following victory in the war, Caesar changed the legion’s name to Victrix (“winner”). Another cognomen was later added by Mark Antony—Antiqua—meaning the “old one” (as in “reliable one”).

During Caesar's war against his fellow-triumvir and rival Pompey the Great, which broke out in January 49, the Twelfth participated in the invasion of Italy, and a year later, it was with Caesar during the battle of Pharsalus (9 August 48). After Caesar's victory, the men were pensioned off and received land in the neighborhood of Parma .

We know that it was called Victrix ("winner") after the civil war, which is a bit confusing because later, there was another legion called XII Victrix.

Mark Antony brought the Lighting Twelfth to the East to join his war against Parthia. While the campaign ended in defeat, the legion remained in the East during the imperial period, continuing the fight against the Parthian and the Sassanid Empires. The unit still guarded the Euphrates crossing next to its base—Melitene—at the beginning of the fifth century. This longevity makes Legio XII Fulminata another one of the longest-standing Roman legions on record.

Likely the ring of a serving centurion of the 12th, with a traditional motto somewhat similar to 'good soul'. It bears KAAH {in reverse, as it was the centurion's seal} which, depending on context can be mean to represent good, faithful or beautiful.  read more

Code: 24761

Very Early Production, Factory Engraved & Cased, Sharps 4 Shot Derringer Pistol with Tools in Its Superb Walnut Case, Serial Number 52

Early second model, superb presentation quality engraving to the copper-bronze frame, re-freshed blued barrels, ebony grips, forward sliding barrel action for loading. Sharps company maker marks to the frame, good tight action. .30 rimfire caiibre.

In the 1850s, the extreme popularity of antique derringer pistols swept the nation like wildfire. Henry Deringer, the man who made the first Philadelphia Deringer, created a small and concealable pistol for people to carry for protection. When searching for an antique derringer pistol for sale, one will notice that derringers are made by a number of different brands and manufacturers. Many people wanted to make their design number one and stick out among the rigorous competition. One man that took the idea into his own hands and became a favorite in the Old West for pocket sized guns was Christian Sharps

Sharp had been in the business of rifle making before he endeavored into pocket pistol designs. He started his career in Harpers Ferry, Virginia with John Halls Rifle Works. He patented his own Sharps rifle in 1848 and, interestingly enough, a year later in December 1849, he patented his first design for the antique derringer pistol he desired to create. Unfortunately, it was a poorly constructed and fragile design in need of some work before it could be sold commercially.

Sharps antique derringers became known as the

‘hideout pistol’ westerners. the prominence of these small multi shot pocket pistols as a gambler’s gun arose in the the Old Wild West . The gun was very commonly used by gamblers and tavern frequenters since they could slide it up their sleeve or in their pocket without the people around the being any the wiser. Western outlaws loved the conceal ability and carried the gun as an extra side arm. The gun is sometimes referred to as the perfect concealable pistol since it was about the same size as a pocket watch.

The first two Sharps Derringer models were made before 1862. In that year, William Hankins joined the firm and the company changed its name Sharps & Hankins. Sharps, forever with his money struggles, brought on Hankins for funding, and his new capital funded an additional factory to make both rifles and antique derringer pistols. The other remaining models also began manufacturing under this partnership.

No licence is required to own and collect this antique pistol  read more

Code: 24946

Simply Fabulous 'Battle of Austerlitz' & Napoleonic Wars Period, Early 19th Century Austrian Field Marshal Grade Officer's Sword, Remarkably Similar To The Lloyds Patriotic Fund Swords Awarded to Napoleonic Wars Heroes

This sword must be ranked in quality to equal the swords made for the Lloyds Patriotic Fund Sword heroic recipients, and the Napoleons Marshal's of France. One could even see it might have once been the sword of Lieutenant Field Marshal Franz von Weyrother. Of course this can be nothing more than conjecture. Formerly this magnificent sword was part of the world renown collection of WW2 French hero Dr Raymond Wagnier. It has a curved slender blade finely etched with scrolling foliage and the imperial crowned F cypher of the last Holy Roman Emperor, Francis of Austria. The sword's impressive and magnificent chiselled gilt hilt is incredibly finely decorated with scrolling serpents, forming the cross and knuckle guard emanating from the mouth of the Nemean lion's pommel, and and binding the lion's skin to the snakeskin pattern chiselled grip, contained in its finest gilt mounted leather wrapped wooden scabbard, the mounts decorated with acanthus, strapwork and flowerheads. The Nemean lion's head and skin and intertwined serpents were also the dominant design of the fabulous hilt's of all the Lloyds Patriotic Fund swords, that were awarded to heroes of the Napoleonic Wars, that today can fetch up to £220,000, This sword must be ranked of similar quality to those Lloyds swords. This sword was formerly in the private, world renown collection, of Dr Raymond Wagnier. He was a French hero of the occupation of France during WW2, and during raids by the RAF in 1943-44, on the Lille Railway, at extreme risk of reprisal, he rescued a wounded British airman, who would have been undoubtedly executed. After the Liberation of France he was offered an honour by the King and British government, but to his extraordinary credit, he refused, stating he was doing nothing more than his duty. His first collection was looted by the German's and Vichy, but after the war he was able to reassemble his eminent collection once more. After his death in 1989 his collection, including this incredible sword, was sold by his estate in 1990 in Monaco. It was one of the foremost collections of Belles Armes Anciennes and Objet Napoleonique in the world. The Battle of Austerlitz (2 December 1805/11 Frimaire An XIV FRC), also known as the Battle of the Three Emperors, was one of the most important and decisive engagements of the Napoleonic Wars. In what is widely regarded as the greatest victory achieved by Napoleon, the Grande Armée of France defeated a larger Russian and Austrian army led by Emperor Alexander I and Holy Roman Emperor Francis II. The battle occurred near the town of Austerlitz in the Austrian Empire (modern-day Slavkov u Brna in the Czech Republic). Austerlitz brought the War of the Third Coalition to a rapid end, with the Treaty of Pressburg signed by the Austrians later in the month. The battle is often cited as a tactical masterpiece, in the same league as other historic engagements like Cannae or Gaugamela. Lloyd's Patriotic Fund was founded on 28 July 1803 at Lloyd's Coffee House, and continues to the present day. Lloyd’s Patriotic Fund now works closely with armed forces charities to identify the individuals and their families who are in urgent need of support.

The contributors created the fund to give grants to those wounded in service to the Crown and to set up annuities to the dependents of those killed in action. The Fund also awarded prizes to those British combatants who went beyond the call of duty. The rewards could be a sum of money, a sword or a piece of plate. The awards were highly publicized to help raise morale during wartime. In 1807 the fund also donated £61,000 to the Royal Naval Asylum, giving Lloyd's Patriotic Fund the enduring right to nominate children to the school.

On 24 August 1809 the Fund held a general meeting of its subscribers. The subscribers decided at that time to discontinue awards for merit. The Peninsular War was putting such demands on the Fund that it was felt that priority would have to go to support for the wounded and the dependents of those killed. Still, when the Fund awarded officers money for wounds received, some officers asked that the Fund give them an inscribed sword instead.The Fund issued 15 swords worth £30 each, to midshipmen, masters' mates and Royal Marine lieutenants. Also, 91 swords worth 50 pounds each went to naval lieutenants and Royal Marine captains. It issued 35 swords worth £100 each to commanders and naval captains. In addition, it issued 23 swords, worth £100 each, to naval captains who fought at Trafalgar. Some 60 officers requested a piece of plate of equal value instead of a sword. Lastly, a number of officers opted for cash instead, either for themselves or to distribute to their crew.

One engagement might result in multiple awards. When a cutting-out party from HMS Franchise captured Raposa in 1806, naval lieutenants John Fleming and Peter Douglas, and Lieutenant of Marines Mend, each received a sword worth £50, while Midshipman Lamb received one worth £30.

Not all the officers who received swords or other merit awards were naval officers or Royal Marines. Some were captains of privateers or East Indiamen. The Fund awarded Mr. Thomas Musgrave, captain of the private man of war Kitty an honour-sabre worth £30 for the action in which Kitty captured the Spanish ship Felicity (or Felicidad). After the Battle of Pulo Aura, Lloyd's Patriotic Fund gave each captain a sword worth £50, and one to Lieutenant Robert Merrick Fowler (RN), who had distinguished himself in a variety of capacities during the engagement, and one worth £100 to Captain Nathaniel Dance, who had been the commodore of the fleet. We actually have Captain Dance’s regular high rank combat sword, fully named to him, that he used as commodore of the fleet, plus, his from life portrait.  read more

Code: 23374

A Superb & Very Rare Original Grouping, 5th to 7th Century Roman & Goth Period 'Ceremonially Folded' Sword, From a Pagan Ritual, A Warrior or Legionary's Spartha Sword, and War Shield Mounts

A very similar find of a Roman sword and shield boss was excavated in Greece last May, and caused a sensation and world news. The 'astonishing' findings have been shared by Errikos Maniotis, an archaeologist at Aristotle University of Thessaloniki in Greece, who believes the man likely served in the Roman imperial army.

'Usually, these types of swords were used by the auxiliary cavalry forces of the Roman army,' Maniotis told Live Science.

'Thus, we may say that the deceased, taking also into consideration the importance of the burial location, was a high-ranking officer of the Roman army.

It's rare to find a 'folded' sword in an urban landscape, let alone in this part of Europe, Maniotis pointed out. The term 'folded' sword describes that it has been believed to have been ceremonially killed and bent, in a pagan rite, to sacrifice the sword from current use, to represent a warrior passing into the afterlife, for it to be used in the afterlife by the warrior, and thus buried with his shield and offerings to the gods. Our sword group is around 1400 to 1600 years old. It was likely recovered more up to two centuries ago, probably a ‘Grand Tour’ find, from the area historically known as Merovingian Roman-Frankish Germany or France. The shield boss and handle have survived remarkably well, naturally the leather covered wooden shield body and sword hilt have rotted away over its 1200 plus years underground. The organic parts of shields and swords simply never survive this great period of time being buried. For example, we know not of a single complete Viking wooden shield in existence today, the only way we know today of their appearance is from ancient texts and poems that have survived. The spatha is a type of straight and long sword, measuring between 0.75 and 1 m , with a handle length between 18 and 20 cm , in use in the territory of the Roman Empire during the 1st to 6th centuries AD. Later swords, from the 6th to 10th centuries, like the Viking swords, are recognisable derivatives and sometimes subsumed under the term spatha.

The Roman spatha was used in war and in gladiatorial fights. The spatha of literature appears in the Roman Empire in the 1st century AD as a weapon used by presumably Germanic auxiliaries and gradually became a standard heavy infantry weapon, relegating the gladius to use as a light infantry weapon. The spatha apparently replaced the gladius in the front ranks, giving the infantry more reach when thrusting. While the infantry version had a long point, versions carried by the cavalry had a rounded tip that prevented accidental stabbing of the cavalryman's own foot or horse.

Archaeologically many instances of the spatha have been found in Britain and Germany. It was used extensively by Germanic warriors. It is unclear whether it came from the Pompeii gladius or the longer Celtic swords, or whether it served as a model for the various arming swords and Viking swords of Europe. The spatha remained popular throughout the Migration Period. It evolved into the knightly sword of the High Middle Ages by the 12th century. Picture of combating Frankish warrior knights using spartha and shields of the same type, from the Stuttgart Psalter.

The Merovingians were a Salian Frankish dynasty that ruled the Franks for nearly 300 years in a region known as Francia in Latin, beginning in the middle of the 5th century. Their territory largely corresponded to ancient Gaul as well as the Roman provinces of Raetia, Germania Superior and the southern part of Germania. The semi legendary Merovech was supposed to have founded the Merovingian dynasty, but it was his famous grandson Clovis I (ruled c.481-511) who united all of Gaul under Merovingian rule. Charles de Gaulle is on record as stating his opinion that "For me, the history of France begins with Clovis, elected as king of France by the tribe of the Franks, who gave their name to France. Before Clovis, we have Gallo-Roman and Gaulish prehistory. The decisive element, for me, is that Clovis was the first king to have been baptized a Christian. My country is a Christian country and I reckon the history of France beginning with the accession of a Christian king who bore the name of the Franks. The Merovingians are featured in the book The Holy Blood and the Holy Grail (1982) where they are depicted as descendants of Jesus, inspired by the "Priory of Sion" story developed by Pierre Plantard in the 1960s. Plantard playfully sold the story as non-fiction, giving rise to a number of works of pseudohistory among which The Holy Blood and the Holy Grail was the most successful. The "Priory of Sion" material has given rise to later works in popular fiction, notably The Da Vinci Code (2003), which mentions the Merovingians in chapter 60 . The ritual 'killing' of swords, such as bending or breaking have been found in thousands of examples of this practice across Europe, indicating that it was a ritual common to all the pan-Celtic tribes. However, although many theories have been postulated, for now the exact significance of this mysterious custom remains unclear. Some suggest it may be for all to know that the blade is not to recovered by grave robbers, or, possibly, the warrior or knight owner has been killed in battle, and thus his sword, as part of him, is also now dead. Or, maybe an offering to the gods of the afterlife. A Merovingian Frankish sword in 'un-killed' condition, is such a rare piece to survive to today, would likely be valued comfortably into five figures £12,000 plus. In May 2021 An iron sword deliberately bent as part of a pagan ritual has been discovered in a Roman soldier's grave in Greece, an archaeologist has revealed.

The deformed or 'folded' sword was buried with an as yet unidentified soldier about 1,600 years ago in the Greek city of Thessaloniki.

His 'arch-shaped' grave was found in the underground remains of a basilica – a large public building and place of worship – dating from the fifth century AD. 'Folded swords are usually excavated in sites in Northern Europe,' he said.

'It seems that Romans didn't practise it, let alone when the new religion, Christianity, dominated, due to the fact that this ritual was considered to be pagan.'

Archaeologists are yet to assess the remains of the soldier, described as likely a 'Romanized Goth or from any other Germanic tribe who served as a mercenary'.

'We don't know anything about his profile – age of death, cause of death, possible wounds that he might have from the wars he fought,' Maniotis said.

The soldier's grave was one of seven found in the basilica, but not all of them were found containing artefacts. in the third century A.D., the Goths launched a series of raids into the Roman Empire. “The first known attack came in 238, when Goths sacked the city of Histria at the mouth of the river Danube. A series of much more substantial land incursions followed a decade later,” writes Peter Heather, a professor at King’s College London, in his book “The Goths” (Blackwell Publishers, 1996).

He notes that in A.D. 268, a massive expedition of Goths, along with other groups also called barbarians, broke into the Aegean Sea, wreaking havoc. They attacked a number of settlements, including Ephesus (a city in Anatolia inhabited by Greeks), where they destroyed a temple dedicated to the goddess Diana.

“The destruction wrought by this combined assault on land and sea were severe, and prompted a fierce Roman response. Not only were the individual groups defeated, but no major raid ever again broke through the Dardanelles,” writes Heather.

The Goths' tumultuous relationship with Rome would continue into the fourth century. While Goths served as Roman soldiers, and trade took place across the Danube River, there was plenty of conflict.

Heather notes that a Gothic group called the Tervingi intervened in Roman imperial politics, supporting two unsuccessful claimants to the emperorship. In A.D. 321, they supported Licinius against Constantine, and in A.D. 365, they supported Procopius against Valens. In both instances this backfired, with Constantine and Valens launching attacks against the Tervingi after becoming emperor.

As contact with Rome intensified, a form of Christianity known as Arianism spread among the Goths.

“In the 340s, the Arian Gothic bishop Ulfilas or Wulfila (d. 383) translated the Bible into the Gothic language in a script based chiefly upon the uncial Greek alphabet and said to have been invented by Ulfilas for the purpose,” writes Robin Sowerby, a lecturer at the University of Stirling, in an article in the book “A New Companion to the Gothic” (Wiley, 2012).
In time, the Goths would adopt the Catholic form of Christianity that came to be used in Rome. ; From a private collection of an English gentleman acquired in the 1940's. As with all our items it comes complete with our certificate of authenticity. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a relative good state and condition. We show in the gallery two photos of the excavated Roman's tomb in Thessaloniki, and the Roman's folded spartha sword. In the photo of the tomb interior one can plainly see the folded sword and shield boss, the shield boss has been crushed flat. Another photograph is of the exhibit in the museum of Nuremberg Germany showing another original spartha sword unfolded and a fully formed shield boss, both are extremely similar to ours.

A sword was still so valued in the much later Norse society that good blades were prized by successive generations of warriors. There is even some evidence from Viking burials for the deliberate and possibly ritual "killing" of swords, a ritual from ancient times, which still involved the blade being bent so that it was unusable. Because Vikings were often buried with their weapons, the "killing" of swords may have served two functions, namely a ritualistic function in retiring a weapon with a warrior, and a practical one in deterring any grave robbers from disturbing the burial in order to get one of these costly weapons. Indeed, archaeological finds of the bent and brittle pieces of metal sword remains testify to the regular burial of Vikings with weapons, as well as the habitual "killing" of sword  read more

Code: 21852

A 13th Century Iron Head, Crusader Knight's Battle Mace, 800 Years Old, Mounted Upon A Later Museum's Display Haft

Pineapple shaped lobes on circular head with large mounting hole through which the haft slots. it was fitted to a plain wood haft for a museum display, as its original rotted away centuries ago as usual, in order to show how it looked and was used 800 years ago.
This type of mace head were also used as a Flail Mace, by filling out the hollow iron head with lead and a chain mounted hook placed within it, a chain would then be added to the end of a similar but shorter wooden haft. This subsequent mace head weapon could thus then became a flail, often called a scorpion at the time.

This very fine and rare iron mace head has flattened pyramidal protuberances, and is possibly English. Made for a mounted Knight to use as an armour and helmet crusher in hand to hand mortal combat upon his war horse, or then for use dismounted.

It would have been used for several hundred years, up to the 15th to 16th century.
Used as a flail it had the sobriquet of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.

King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. In fact so noble were his actions regarded, it is said his banner of three erect and standing feathers became the symbol of the then Prince of Wales, Edward, the Black Prince, and as such, is still used by the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.

Despite relatively plentiful primary sources, scholarship until recently has been limited, due at least in part to the lack of major military engagements. Although Gregory IX went further than any other pope to create an ideal of Christian unity in the process of organizing the crusade, in practice the crusade's divided leadership did not reveal a unified Christian action or identity in response to taking a cross. Approx. 2.5 inch wide lobed iron head.

Painting in the gallery by Julian Russel Story of the Black Prince at the battle of Crecy. At his feet lies the body of the dead King John of Bohemia painted in 1888.  read more

Code: 21534

A Superb 19th Century French Chassepot M1866 Sword Bayonet, Franco Prussian War Issue, Manufactured at the Armoury of StEtienne 1870

Stunning example, with very good steel and brass,
Its inventor was, Antoine Alphonse Chassepot, and it became the French service weapon in 1866. It was first used at the battlefield at Mentana, November 1867, where it inflicted severe losses on Garibaldi's troops. The event was reported at the French Parliament: "Les Chassepots ont fait merveille!", {The Chassepots did marvelous execution !} In the Franco-Prussian War (1870-1871) it proved greatly superior to the German Dreyse needle gun, outranging it by 2 to 1. Although it was a smaller caliber but the chassepot ammunition had more gunpowder and thus faster muzzle velocity. The Chassepots were responsible for most of the Prussian and other German casualties during the conflict. This is the most widely copied of all the sword bayonets. Many countries - including the United States, Egypt, Belgium, and Argentina - have manufactured or used very similar bayonets. The French model was designed to fit on the French Model 1866 Chassepot Rifled Infantry Musket (the musket was revolutionary in itself). It was manufactured from 1866 to about 1874 and was replaced by the French Model 1874 "Gras" Bayonet.
The bayonets are brass-hilted The crossguard is iron (steel) and has a screw-type tightening arrangement on the muzzle-ring. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." The blades marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion
Arsenals encountered may be such as Chatellerault, Mutzig, St. Etienne, Paris-Oudry, Tulle, and perhaps Steyr (not confirmed on the 1866). The French wars during the life-span of this bayonet were: French Intervention in Mexico (1861-1867);
Franco-Prussian War (July 19, 1870 - May 10, 1871)
French Indo-China (1873-1874, 1882-1883);
Sino-French War (1883-1885);
Madagascar Wars (1883-1885, 1895);
1st Mandingo-French War (1883-1886);
1st Dahomeyan-French War (1889-1990);
2nd Dahomeyan-French War (1892-1894);
Franco-Siamese War of (1893)
2nd Mandingo-French War (1894-1895);
Conquest of Chad (1897-1914);
3rd Mandingo-French War (1898);
Moroccan War (1907-1912);
The Wadai War (1909-1911);
World War I (early).

These bayonets were widely copied and used by many countries - including the United States, Belgium, and Germany. Many of the actual French-marked bayonets can be found with German manufactured blades. It is believed some of these were used during the American Civil War when many European arsenals were emptied of their surplus arms.
These bayonets are the French Model 1866 "Chassepot" Bayonet.
The crossguard are iron (steel) and with a "cock's comb" muzzle-ring finial. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." One blade is marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion.  read more

Code: 25133