Stunning Victorian, Silver Hound's Head Walking Stick Of William Page Wood, 1st Baron Hatherley, PC, British Statesman, Lord High Chancellor of Great Britain, Presented by John Bright, Chancellor of the Duchy of Lancaster & Sherlock Holmes Connection

With lacquered hawthorn wood cane.

Was this 'Hound's Head' appearance on the walking stick, the inspiration for Sir Arthur Conan Doyle's, most famed Sherlock Holmes story, of the fiercesome and diabolical beast, 'The Hound of the Baskervilles' serialized in the Strand Magazine?. According to family legend, the notorious 17th century Squire Richard Cabell inspired the character of Squire Hugo Baskerville, but it was the childhood memory of this very hounds head that was the inspiration of the diabolical beast. The likeness to the illustrations of the hound in Doyle’s original novel is unmistakable.

A most beautiful piece with great political history, of the Victorian Liberal Party, of Prime Minister Lord William Gladstone.

The recipient of the stick, from John Bright, was William Page Wood, 1st Baron Hatherley, PC (29 November 1801 – 10 July 1881). He was a British lawyer and statesman who served as a Liberal Lord High Chancellor of Great Britain between 1868 and 1872 in William Ewart Gladstone's first ministry.

John Bright, the sticks original owner (16 November 1811 – 27 March 1889) was a British Radical and Liberal statesman, one of the greatest orators of his generation and a promoter of free trade policies. In 1849 he was appointed Vice-Chancellor of the County Palatine of Lancaster, and in 1851 was made Solicitor General for England and Wales and knighted. He was the Chancellor of the Duchy of Lancaster, a ministerial office in the Government of the United Kingdom. Excluding the prime minister, the chancellor is the highest ranking minister in the Cabinet Office, immediately after the Prime Minister, and senior to the Minister for the Cabinet Office. It was he who first used the phrase ‘England, mother of Parliaments, and another ‘flogging a dead horse’ ‘

A Quaker, Bright is most famous for battling the Corn Laws. In partnership with Richard Cobden, he founded the Anti-Corn Law League, aimed at abolishing the Corn Laws, which raised food prices and protected landowners' interests by levying taxes on imported wheat. The Corn Laws were repealed in 1846. Bright also worked with Cobden in another free trade initiative, the Cobden–Chevalier Treaty of 1860, promoting closer interdependence between Great Britain and the Second French Empire. This campaign was conducted in collaboration with French economist Michel Chevalier, and succeeded despite Parliament's endemic mistrust of the French.

Bright sat in the House of Commons from 1843 to 1889, promoting free trade, electoral reform and religious freedom. He was almost a lone voice in opposing the Crimean War; he also opposed William Ewart Gladstone's proposed Home Rule for Ireland. He saw himself as a spokesman for the middle class and strongly opposed the privileges of the landed aristocracy. In terms of Ireland, he sought to end the political privileges of Anglicans, disestablished the Church of Ireland, and began land reform that would turn land over to the Catholic peasants. He coined the phrase "The mother of parliaments."

The hounds head top of the walking stick, is engraved on one reverse panel J.B {John Bright}, and W.B {William Bright, was John's son, also a Liberal politician} and on the other side of the hound's head is engraved, W. Wood { the Lord High Chancellor of Great Britain} in a panel on the obverse beneath the hound's head.

The head was, 'supposedly', the inspiration for Sir Arthur Conan Doyle's 'Hound of the Baskervilles'

Doyle was educated at the Jesuit preparatory school Hodder Place, Stonyhurst in Lancashire, which may be the initial connection to John Bright. One might conjecture that Doyle, as a young impressionable boy, saw Bright's hound's head cane {before he gave it to William Wood} maybe, on his {Bright's} visit to Hodder Place School in Lancashire.

This story was imparted to us as part of the family legend of the hound’s head stick's past illustrious history. Of course, there is absolutely no written evidence of this being the case, but it does seem, a most intriguing possibility.

It was also meant to be an accurate likeness of a a beloved hound that belonged to John Bright. John Bright took his hound to Doyle’s prep school when he visited.  read more

Code: 25176

A Dyak Of Borneo, Tribesman's Mandau. A Tribal Head Hunter's Sword, From Kalimantan Island

A Dyak sword mandau, swollen Single edged blade flat on one side and slightly tapered on the other with inlaid dots. A scarce Mandau of the Dayak people, of Borneo, Indonesia. With carved hilt, complete with some tufts hair. Traditional blade with convex obverse and concave reverse. The handle and sheath of this Dayak sword is made of wood and are both decorated with waxed and braided rattan, which afterwards was richly decorated with many decorations such as: Goath hair, beads, rattan wickerwork, teeth from monkeys and wild boars.
The whole is also richly decorated with painted signs, such as beringjan, circles, leeches, dashes and zigzag lines.The blade was apparently designed convex in such a way as the head could be decapitated more easily by a swinging arc while running. The last photo in the gallery is a period photo of an indigenous Head Hunter, holding his 'prize', achieved with his Mandau.

According to the Dayaks themselves, the most sacred and powerful mandaus are those which were made by Panglima Sempung and Panglima Bungai, who are considered to be the two highest skilled masters.
The mandau is one of the most romanticised, albeit macabre, weapons of Borneo. The way of life of the Dayak aborigines, maintaining their ancient customs, habits and religious beliefs, has always involved the taking of heads. They became feared as head-hunters and only in recent years has the practice been “largely” abandoned. (Officially, headhunting doesn’t exist in Borneo despite the occasional report of an isolated jungle beheading). The swords are also “working” swords, capable of separating a branch from a jungle tree as much as a head from man.
Literature:
Art of Island Southeast Asia, The Fred and Rita Richmann Collection in The Metropolitan Museum of Art (New-York). FLORINA H. CAPISTRANO. Ed Baker, 155p, 1994.
Forgotten Islands of Indonesia, The Art & Culture of the Southeast Moluccas. NICO DE JONGE & TOOS VAN DIJK. 160p, 1995.
Age: Est. from early-mid 20th century

The Engraving of the Dyak Method Of Drying Heads is from the Illustrated London News {Public Domain}  read more

Code: 25186

Original. Most Rare, A1929 Zeppelin Orientfahrt Over Egypt. The Zeppelin's Oriental Flight Over The Pyramids & Sphinx'. An Awarded Table Medal In Solid, Fine Silver. Len Deighton, World Renown Thriller & Spy Novelist Wrote a Book on The Very Flight

Only the second we have had or seen in 25 years. the only other we have seen is in the Landesmuseum in Wurttemberg.

Of all the medals issued in Europe for the very significant aeronautical occasions involving balloons and airships, this is one of the most artistically beautiful, capturing the flight over the great pyramids spectacularly in the typical Art Deco style. Just regard the amazing font, simple elegant but unique to that brief period. It was just a few short years since Carter had discovered the finest and fabulous golden treasures ever excavated in the history of the world, from the tomb of the boy king, the Pharoah Tutankhamen, and just three years before the great Boris Karloff starred in the iconic Hollywood movie, The Mummy.
Egypt and the art it inspired was all the rage around the world, in the news, art, film and decor, and this is just a fabulous representation of that amazing period.

This is a very rare and valuable medal, in super condition, made in fine silver, awarded and issued in 1929, for Dr. Hugo Eckener, depicting the Orientfahrt Orient flight of the airship Graf Zeppelin in 1929 Another rare surviving example of this fine medal is in the Landesmuseum in Wurttemberg.

In Britain it is regarded that a medal is only a wearable decoration, worn using either a chest ribbon, neck ribbon, or sash, or with a rear mounted uniform dress mounting pin, but in Europe, a medal is more often than not a display piece, issued for the same reasons as a wearable medal, for individuals as a reward, for commemoration or celebration, but not for personal adornment. Either displayed in a table mounted glass case or free standing cabinet.

On 24/03/1929 - the LZ127 Graf Zeppelin Orient Flight was launched for the reintroduction of air flight post-office mail.
Len Deighton, world renown thriller and spy novelist, under his psuedonym Cyril Deighton, wrote a rare and desirable book on this very flight, due to his love of airships and philately.

The Orientfahrt is distinguished for being one of the most controversial - in purely philatelic terms - of the Graf Zeppelin's history, mostly because there are no detailed sources of the flight that are completely reliable. The book records in great detail the flight from Germany which was like a theatrical event, where dinner was served over the Dead Sea and breakfast would be over the Acropolis; the ship subsequently flew over Rome, Naples and Cyprus.
Dropping mail at Jaffa, Athens, Budapest, Vienna
And flew over Palestine and Egypt.

Dr Eckner Born in Flensburg in 1868. Hugo Eckener came into contact with Count Zeppelin as a correspondent for the Frankfurter Zeitung through one of his reports on the Zeppelin airship. This resulted in a long-term cooperation. At the end of the 1890s, Eckener moved from Flensburg to Friedrichhafen and became tour leader and authorized representative of the German Airship Company (DELAG), founded in 1909. After the death of Count Zeppelin, Eckener awoke the interest in airships through the Atlantic crossing of the Zeppelin 126 and the world tour of LZ 127 in the 1920s. Between 1931 and 1937 a regular transatlantic regular service between Frankfurt, the USA and Brazil with the two Zeppelinen 127 and 129 was furnished.

The front of the medal from 1929 shows the bust of Eckener to the left. The back shows an airship over the sphinx and pyramids, behind the rising sun. See in reference to this medal; Hans Kaiser, 1998: medals, plaques, badges of German aviation. The coined chronicle of the German aviation, Gutersloh, S. 137 No. 494.1 &
Kienast, Gunter W., 1967: The medals of Karl Goetz, Cleveland, Ohio, S. II, 284 S.: No. op.428  read more

Code: 22151

A Super Balinese Carved Wooden 'Demon Kris Stand Probably Representing One of the Vanaras, Forest Dweller Human-Ape Like Demi-God Warriors That Helped Rama Defeat Ravana

Possibly representing Hanuman, or Anoman, one of the Vanara human-apes of Ramayana epic. In Hindu mythology, Vanara forest-dwellers, either refers to the monkeys or a race of forest dwelling people. In the epic the Ramayana and its various versions, the Vanaras help Rama defeat Ravana. They are generally depicted as humanoid apes or monkeys. Vanaras are created by Brahma to help Rama in battle against Ravana. They are powerful and have many godly traits. Taking Brahma's orders, the gods began to parent sons in the zion of Kishkindha (identified with parts of present-day Karnataka, Andhra Pradesh & Maharashtra). Rama first met them in Dandaka Forest, during his search for Sita. An army of Vanaras helped Rama in his search for Sita, and also in battle against Ravana, Sita's abductor. Nala and Nila built a bridge over the ocean so that Rama and the army could cross to Lanka. As described in the epic, the characteristics of the Vanara include being amusing, childish, mildly irritating, badgering, hyperactive, adventurous, bluntly honest, loyal, courageous, and kind

Carved in one piece of wood vividly decorated in polychrome colours, approx 18 inches high, 9 inches deep.
The respect with which krises were always treated extended to the careful attention given to them even when they were not being worn. The weapons were stored in fitted bags, custom-made boxes and chests, and on wall-mounted display boards, as well as in kris stands. The use of three-dimensional sculptures as kris stands, however, was limited to the islands of Bali and Lombok. Not including the kris as shown. The kris or kêrìs "to slice"; is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (pamor). While most strongly associated with the culture of Indonesia the kris is also indigenous to Malaysia, Thailand, Brunei, Singapore and the Philippines where it is known as kalis with variants existing as a sword rather than a dagger. The kris is famous for its distinctive wavy blade, although many have straight blades as well. Kris have been produced in many regions of Indonesia for centuries, but nowhere—although the island of Bali comes close—is the kris so embedded in a mutually-connected whole of ritual prescriptions and acts, ceremonies, mythical backgrounds and epic poetry as in Central Java. As a result, in Indonesia the kris is commonly associated with Javanese culture, although other ethnicities are familiar with the weapon as part of their culture, such as the Balinese, Malays, Sundanese, Madurese, Banjar, Thais, Bugis, Makassar, and Filipinos. Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dongson bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[7] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850).
However, Raffles' (1817) study of the Candi Sukuh states that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java, dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in the Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture. The best material for creating kris pamor, was acquired in a quite unusual way, as it is made from rare meteorite iron. Traditionally the pamor material for the kris smiths connected with the courts of Yogyakarta and Surakarta originates from an iron meteorite that fell to earth at the end of 18th century in the neighborhood of the Prambanan temple complex. The meteorite was excavated and transported to the keraton of Surakarta; from that time on the smiths of Vorstenlanden (the Royal territories) used small pieces of meteoric iron to produce pamor patterns in their kris, pikes, and other status weapons. After etching the blade with acidic substances, it is the small percentage of nickel present in meteoric iron that creates the distinctive silvery patterns that faintly light up against the dark background of iron or steel that become darkened by the effect of the acids  read more

Code: 24195

A Wonderful Antique Meteorite Steel Indonesian Kris with Engraved Royal Crown With a 'Diamond' Hilt Collar

The whole sword is beautiful, the hardwood scabbard has a fabulous age patina as has the carved hardwood hilt which also has a 'diamond' collar. They are all somewhat crude 'old cuts' that are poor at refracting light, therefore they might be Indian Moghul diamonds, or even 'old cut' rock crystal stones, it is near impossible to tell, they have not a great deal of intrinsic value either way, due to their cut, but most intriguing none the less.
the traditional steel of the best indonesian kris often contain meteorite steel that fell from the heavens, and the Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. The Kris Panjang is worn generally by the Malayan aristocracy. I have seen some beautiful specimens of this weapon in Rumbowe, worn by the chiefs of that state.
Thomas John Newbold, in 1839 wrote lamination patterns that are created in their forging can be simply stunning, as this this beautiful piece. The yellow-white metal scabbard cover is beautifully engraved, on the outer side, and mostly plain on the inner side, but both sides bear an elaborate engraved royal crown.
Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. Kris blades are forged by a technique known as pattern welding, one in which layers of different metals are pounded and fused together while red hot, folded or twisted, adding more different metals, pounded more and folded more until the desired number of layers are obtained. The rough blade is then shaped, filed and sometimes polished smooth before finally acid etched to bring out the contrasting colours of the low and high carbon metals. The traditional Indonesian weapon allegedly endowed with religious and mystical powers. With probably a traditional Meteorite laminated iron blade with hammered nickel for the contrasting pattern. 15 inch blade  read more

Code: 23974

A Scarce Lancaster Oval Bore Rifle Sword Bayonet, Sappers and Miners 1855, Shortened Quill Back Blade

Brass mounted hilt, three rivet wooden grips and screw mounted spring would have originally permanently fixed with a rivet, but an improvement replacement of a screw meant an armourer of the regiments could repair it in the field, a fixed rivet meant the bayonet would have to return to the regiment for repair if required.

Two-Band Rifle-Musket by Charles Lancaster, manufactured in London, England circa 1850's. Charles William Lancaster (1820-1878) was devoted to his craft and was among the best England had to offer in the field of firearms making and invention. It was around the year 1850, when he conceived the idea of the oval bore. Indeed, it is very slightly oval, almost imperceptibly and the rifling is very subtle and this rifle could easily be mistaken for a smooth bore. The rifling is also “gain twist”, meaning that the twist gets faster as the projectile approaches the muzzle. He believed that the oval bore was the future form all rifles and cannons should take due to the design’s inherent ability to mitigate the fowling that came from using black powder, as well as their accuracy.

He would put his idea to the test when he entered the government trials for what would become the Pattern 1853. He would spend much of 1852 and 1853 in doing so. His oval bore proved more accurate and less prone to foul than the competition, though the very subtle rifling was prone to wear out sooner with much use than conventional rifling. His system was not ultimately adopted for the Pattern 1853 infantry rifle-musket, but it was adopted in smaller numbers for sapper muskets.


No scabbard overall 20.5 inches long, blade 15.5 inches hilt from ricasso base 5 inches.  read more

Code: 25179

A 1st Army Intelligence Corps HQ General Staff Officer Medal Group of the British Army 'Desert Rats', With His Slip On Eppaulettes and Cap Badge

Part of a very desirable collection of service items, of one veteran officer, from the 'Afrika Korps Vs Desert Rat' Campaign 1942-43, between Rommel and Montgomery

Acquired with a rare original Afrika Korps combatant's souvenir, of a tunic breast eagle, rare 1st pattern, in blue bevo weave cotton over tan, but sold separately.
From a former Desert Rat veteran Intelligence Corps of the 1st Army HQ. He was part of the General Staff at Montgomery's HQ tasked with defeating General Erwin Rommel's Afrika Korps.

The so called British 'Desert Rats', under Montgomery's command, kicked the DAK's bottoms at El Alamein, and then, with the 8th Army, were transferred to Italy in order to fight from the south right through to Rome.

When Rommel was promoted to the newly formed Panzerarmee Afrika, his command included a number of Italian units, including four infantry divisions. Two Italian armoured divisions, Ariete and Trieste initially remained under Italian control as the Italian XX Motorized Corps under the command of General Gastone Gambara.

The Afrika Korps was restructured and renamed in August 1941. "Afrikakorps" was the official name of the force for less than six months but the officers and men used it for the duration. The Afrika Korpswas the major German component of Panzerarmee Afrika, which was later renamed the Deutsch-Italienische Panzerarmee and finally renamed Heeresgruppe Afrika (Army Group Africa) during the 27 months of the Desert campaign.

On 26 November the Commander-in-Chief Middle East Command, General Sir Claude Auchinleck, replaced Cunningham with Major-General Neil Ritchie, following disagreements between Auchinleck and Cunningham. Despite achieving a number of tactical successes, Rommel was forced to concede Tobruk and was pushed back to El Agheila by the end of 1941. In February 1942 Rommel had regrouped his forces sufficiently to push the over-extended Eighth Army back to the Gazala line, just west of Tobruk. Both sides commenced a period of building their strength to launch new offensives but it was Rommel who took the initiative first, forcing the Eighth Army from the Gazala position.

Ritchie proved unable to halt Rommel and was replaced when Auchinleck himself took direct command of the army. The Panzer Army Afrika were eventually stopped by Auchinleck at the First Battle of El Alamein. Auchinleck, wishing to pause and regroup the Eighth Army, which had expended a lot of its strength in halting Rommel, came under intense political pressure from British Prime Minister Winston Churchill to strike back immediately. However, he proved unable to build on his success at Alamein and was replaced as Commander-in-Chief Middle-East in August 1942 by General Harold Alexander and as Eighth Army commander by Lieutenant-General William Gott. Gott was killed in an air crash on his way to take up his command and so Lieutenant-General Bernard Montgomery was appointed in his place. Alexander and Montgomery were able to resist the pressure from Churchill, building the Army's strength and adding a pursuit formation, X Corps, to the Army's XIII and XXX Corps.

Very good group. Italy Star, Africa Star 1935-45 Medal Defence Medal 1939-45 Star. 1st Army Bar. The British First Army was reformed during the Second World War. It was formed to command the American and British land forces which had landed as part of Operation Torch, the Allied invasion of French North Africa, in Morocco and Algeria on 8 November 1942. It was commanded by Lieutenant-General Sir Kenneth Anderson. The First Army headquarters was formally activated on 9 November 1942 when Anderson arrived in Algiers to assume command of the redesignated Eastern Task Force.

The First Army initially consisted of American and British formations only. After the surrender of French forces following the German abrogation of their armistice agreement with Vichy France, French units were also added to the First Army's order of battle. It eventually consisted of four corps, the US II Corps, the British V Corps, British IX Corps and French XIX Corps.

After the landings, Anderson's forces rushed east in a bid to capture Tunis and Bizerte before German forces could reach the two cities in large numbers. They failed. Following that lack of success, a period of consolidation was forced upon them. The logistics support for the First Army was greatly improved and bases for its accompanying aircraft greatly multiplied. By the time General Sir Bernard Montgomery's British Eighth Army approached the Tunisian border from the east, following its long pursuit of Generalfeldmarschall Erwin Rommel's forces after El Alamein, the First Army was again ready to strike.

Supported by elements of XII Tactical Air Command and No. 242 Group RAF, the First Army carried the main weight of General Sir Harold Alexander's 18th Army Group's offensive to conclude the Tunisian Campaign and finish Axis forces in North Africa off. The victory was won in May 1943 in a surrender that, in numbers captured at least, equalled Stalingrad. Shortly after the surrender, the First Army was disbanded, having served its purpose.  read more

Code: 25173

A Very Good WW2 German NSKK Sleeve or Kepi Eagle

The NSKK were the motorized section of the Political SA Sturm Abeitlung, or Storm troopers they were all part of the political section of the uniformed Nazis under the control of Himmler's SS. They were instrumental in training dedicated men for service in armoured vehicles and even tanks and many NSKK members were subsequently transferred or volunteered to the Waffen SS Panzer Divisions at the outbreak of war. By 1943, almost all of the NSKK was on active service with either the Army or the Waffen SS.  read more

Code: 19801

A Scarce, Black Leather, Victorian Gloucestershire Yeomanry Cavalry Ammunition Cross-Belt Pouch.

A good example of these scarce and very desirable items of militaria from one of Queen Victoria's Yeomanry Cavalry regiments. Leather pouch, with tin box interior and gilt brass regimental device to flap.

New troops of yeomanry were raised in the 1830s in response to the Swing Riots. The first such troop established in Gloucestershire was the Marshfield and Dodington Troop, raised in 1830 by William Codrington, from which the Royal Gloucestershire Hussars dated its formation. The troop comprised three officers, a quartermaster, four non-commissioned officers, a trumpeter and fifty troopers, and was recruited from the tenants of Codrington's estate and those of his neighbours, including that of the Duke of Beaufort. In 1831, six more troops were raised by members of the Gloucestershire gentry in Fairford and Cirencester, Stroudwater, Tetbury, Gloucester, Winterbourne and Stapleton, and Alveston. That same year, the Dodington and Tetbury Troops were sent to Bristol in response to civil unrest following the defeat of the Second Reform Bill in the House of Lords.

In 1834, all of the Gloucestershire yeomanry captains met in the hamlet of Petty France in south Gloucestershire and agreed to combine their troops into a single regiment, to be named the Gloucestershire Yeomanry Cavalry. Its first commanding officer was the Marquis of Worcester, who became the 7th Duke of Beaufort in 1835, thus beginning the regiment's long association with the Beaufort family. The new regiment was ranked 24th in the yeomanry order of precedence and comprised seven troops with a total strength of 26 officers and 382 other ranks. Adopting the uniform of light dragoons, each man was armed with sword and pistol, and twelve skirmishers in each troop were armed with muzzle-loading carbines. The regiment's first deployment came in 1838, when the Dodington and Winterbourne Troops helped police a Chartist rally in Bristol.The 'Royal' prefix was granted in 1841, and in 1847 the regiment adopted a blue hussar uniform and the name Royal Gloucestershire Hussars. The authority of the Duke of Beaufort is evident in his order, in 1846, that all members should grow moustaches "in the form of a carving knife", an instruction that was derided in the pages of Punch magazine at the time, and his insistence the next year that the regiment wear the second jacket over the back, Hungarian style, instead of the usual English-style over the shoulder.

The influence of the social order on the composition of the regiment at this time can be observed from an incident in 1847. It involved a disagreement between Lord FitzHardinge, Lord-Lieutenant of Gloucestershire, and his brother, Grantley Berkeley, a member of parliament and captain of the Berkeley Troop, which had joined the regiment in 1840. In pursuing his grievance against his brother, FitzHardinge pressured his tenants into resigning from the troop and threatened some with the loss of their farms if they did not. Further insight into the regiment's strong ties to the farming community can be found in the records of the annual exercises. In 1865, the permanent duty was deferred until the autumn due to an early harvest, and participation in a major 14-day exercise in 1871 was cancelled due to a late harvest. Attendance at the annual assemblies dropped below 300 men in the late 1870s and early 1880s, compared to 445 in 1875, due to a succession of bad harvests. In 1890, the regiment boasted four Masters of Hounds and a large number of fox hunters in its membership, both officers and other ranks, and that year it adopted an old hunting song, D'ye ken John Peel, as its regimental march.
Picture in the gallery of Captain Surman, adjutant of the Royal Gloucestershire Hussars 1834 - 1858

The cross belt was predominantly used from the 1700s (American Revolutionary War) to the 1840s they were not part of a soldier's equipment in the American Civil War and Anglo-Zulu War/First Boer War.

For most line infantry, skirmishers, light infantry, grenadiers and guard regiments during much of Europe's Age of Gunpowder, either a cross belt or two shoulder belts were worn.citation needed One configuration for the belts would be the cartridge box on the right hip and sword scabbard on the left. Such equipment would be attached to the belt at its lowest point, where it rests on the hip. Officers almost never carried muskets or rifles, so they typically wore only one shoulder belt, such as for the pistol cartridge box or for a sabre scabbard. As officers were often aristocratic and used many independent symbols for their family, rank, and command, their uniforms and gear organisation could be highly variable.

For British infantry, the cross belt had a metal belt plate with the regiment of the soldier inscribed on it. We show in the gallery an old print of officers of another regiment but wearing the pouch.  read more

Code: 16622

An Original Ancient Briton, Pre-History, Bronze Age Axe Head, Loop and Socket Form, Formerly From the Sir Alfred McAlpine Collection. 3500 to 4,000 Years Old

A bronze age axe head with square, collared socket and rectangular cheeks with flared, D-section cutting edge, small loop to attach the axe head with sinew cord binding to an axe haft.
Likely recovered from a Bronze age barrow many decades past, formerly in the Sir Alfred McAlpine collection.

A Barrow is an ancient mound where treasure and artifacts were buried with warriors as offerings. There are many ancient Iron Age and Bronze age Barrows covering Britain's ancient lands, some are simple mounds other are long or shaped. However, artifacts and treasure from most of these sights are now long since gone, or, possibly, some remain but are too deep to disturb the precious site, so wonderful finds such as this are a rare joy to see and even rarer to own.

We show another similar, earlier bronze age axe head axe found with Otzi the Ice Man, and a recreation of him in the museum holding his similar axe. We show a photo of his original axe.
The Iceman was discovered in the Otztal Alps in the fall of 1991, the location giving him his now famous name: Otzi. His preserved body and equipment have given us a wealth of information about the time in which he lived.

He died and was buried within glacial ice 5,300 years ago, alone and in pain, yet the remains of his body and equipment are teaching us more than any previous discovery about that time in history when our ancestors were moving out of the stone age and into the age of metal.

He was prepared for his trek through the Tyrolean Alps as well as any modern climber, knowing the dangers of sudden snowstorms that can occur in the spring of the year. He did die, but it was not the weather or the mountains that killed him. It was an arrow shot into his left shoulder that shattered his scapula and tore through blood vessels and nerves. Although he escaped his attacker, the combination of blood loss and the immobility of his left arm had doomed his chances of surviving.

His pain must have been great as he kept climbing, finally stopping at an altitude of 10,400 ft. He slipped his quiver over his shoulder and dropped it to the ground. Staggering a few more yards, he removed his pack frame and laid it down against a stone outcropping. Using only his right arm, he carefully removed two birchbark containers from his pack, one he set on top of the rock, the other he kept close to him, a familiar smell momentarily comforting him. He then placed his copper axe and his bow stave with the pack. Clutching his birchbark cylinder, he struggled a few more steps before he stumbled, but even then, twisting to avoid landing on his left side and protecting the treasure in the container. He painfully pulled the birch bark close to his face, inhaled the last vestiges of the smoke from the failing ember inside and died.

The axe head weighs just under 200 grams, around 3 1/2". Fine condition.  read more

Code: 24099