A Most Rare Japanese WW2 Torpedo Bomber Warning Plate

WW2 Imperial Japanese Airforce Japanese aeronautical archeological finds are simply as rare as hens teeth, due to the location of such planes being so few and far between, and in 1945 those that were found were quickly removed and scrapped, with very few souvenirs taken, and although small this is a fabulous piece of WW2 history.

Taken from a crashed Mitsubishi G4M Mitsubishi G4M Bomber in 1945, in Japanese it reads "Danger Do Not Turn, Engine May Fire Up"

The Mitsubishi G4M was a two engine bomber used by the Imperial Japanese Navy in World War II. Codenamed "Betty" by allies, there were 2,435 GM4's produced by Japan between the years of 1941 and 1945. The Mitsubishi G4M was used as a bomber and a torpedo bomber.

The Mitsubishi G4M was used in the sinking of The Prince of Wales and Repulse in 1941. It was also the aircraft that Admiral Yamamoto was in, when his Mitsubishi G4M was shot down by American P-38's.

The Mitsubishi G4M was the aircraft that the Japanese attached (to the bottom) the Yokosuka MXY-7 Ohka or "baka" rocket powered, kamikaze attack bomb/plane. The G4M would carry the bomb/plane with 2,000 lbs of explosives, underneath, until they were in range of a ship or target and then release it. The pilot would then glide the bomb/plane towards a target, then fire the solid fuel rockets, at the last, until it hit the vessel or target.

The Mitsubishi G4M was powered by two, Kasei, fourteen cylinder, radial engines and had a top speed of 265 mph. The G4M had a service ceiling of almost 28,000 feet. The Mitsubishi G4M had extreme long range of over 3,000 miles.

The Mitsubishi G4M was armed with one 20 mm auto cannon and four 7.7 mm machine guns. The Mitsubishi G4M could carry almost 2,000 lbs bombs or torpedoes. We do not know other than in the Pacific theatre of war whereabouts this plaque was recovered from the crashed plane.  read more

Code: 20979

A Large Original Recovered Piece of a WW2 German Crashed Bomber's Alloy Wing Top Panel

Taken from a crashed German bomber, with original wing-top paint. Numerous rivet holes and rivet heads present. Typical german wing-top paint for a bomber aircraft. There is a partial printed word on the underside and with dilligent research it should be traceable to a specific bomber type.

Over the years we have had some amazing aeronautical archeological finds, and most have been identified by their approved, and gov. registered recoverers, yet this fine piece was placed in storage, and it’s plane I’d was mislaid, so the research for it has to start again if it is needed, but the price reflects that, and it may well reveal wonderful results.
14.75 inches x 22.0 inches. Just over 3.5 pounds weight.  read more

Code: 21589

Imperial German Peaked Cap for Fire Protection Officer of Lubeck

Blue wool cloth with two red piping borders and single red and brass disc roundel. In super condition, worn areas to the lining and sweatband, as to be expected, but the peak and dark blue cloth are superb. Made in WW1 Imperial period, worn right through the later Weimar period and into the early Third Reich era. When used in the Third Reich era, by the Fire Protection Police, it was an organization that was an auxiliary to the Ordnungspolizei, and during the war was absorbed into the SS. Feuerschutzpolizei. By 1938, all of Germany's local fire brigades were part of the ORPO. Orpo Hauptamt had control of all civilian fire brigades. ORPO's chief was SS-Oberstgruppenf?hrer Kurt Daluege who was responsible to Himmler alone until 1943 when Daluege had a massive heart attack. From 1943, Daluege was replaced by Obergruppenf?hrer Alfred W?nnenberg until May 1945.

ORPO was structurally reorganised by 1941. It had been divided into the numerous offices covering every aspect of German law enforcement in accordance with Himmler's desire for public control of all things.
A very attractive and interesting piece in super order and totally complete.  read more

Code: 21181

An Original 18th Century, Royal Naval, Board of Ordnance Issued Fire Bucket. Bearing BO Broad Arrow Stamp and Makers Stamp

Hardened leather with all stitched seams in excellent condition, and leather handle. Bears the remainder of an applied royal crest. Broad arrow & Board of Ordnance stamp to the base.
Fire aboard a wooden ship was a constant peril, from such as burning powder shot or cannon fire, or even from an enemy fire ship, and could be the destruction of a vessel and crew in a very short time, if not subdued as quickly as possible. Thus good and sturdy leather fire buckets were an essential piece of Royal Naval equipment aboard every vessel. We show a row of Royal Naval issue fire buckets reproductions aboard Nelson's flagship, HMS Victory, now in permanent dock at Portsmouth. It is still the flagship of the Royal Navy in honour of Nelsons famous victory at Trafalgar. Fire buckets have been popular with collectors and owners of period homes for a very long time. They represent a time long before most towns had established and well-equipped fire departments ready to respond at a moment’s notice to a house or shop fire, when people relied on their neighbours to come to their aid. The risk for catastrophe from fire was great. A single stand-alone house could be consumed in minutes. In towns, fire in densely populated neighbourhoods could quickly result in the destruction of dozens of buildings.

Between 1630 and 1700 Boston experienced at least six major fires that destroyed well over 200 buildings. Most fire buckets were likely purchased from merchant craftsmen who specialised in leather goods, or wholesalers who imported wares from England. The earliest reference for the sale of fire buckets in Boston comes from a 1743 newspaper where an advertisement from an unnamed merchant simply states, “A Parcel of Choice Fire Buckets to be sold.” it is very rare to find a mark or signature on a fire bucket that identifies its maker.

At Christies auction house on the 17th December 2015 a fire bucket from HMS Victory, Nelson's flagship, sold for £6875
Leather handle likely replaced  read more

Code: 24005

A Very Attractive 17th Century Indian Khanda Sword

33.5 inch blade, probably German, bearing crescent moon armourers mark. Open basket hilt with wide hand protection. The name firangi meaning foreigner was also apparently given to swords of this style these somewhat later in the 17th Century, as they were mounted with European blades, imported by the Portugese, which were highly valued. Some blades were locally made in the European style. The blades were mounted on the Khanda style hilt and with the long spike extending from the pommel which enabled them to be used as two handed swords. The firangi sword characteristically had a straight blade of backsword form (single edged). The blade often incorporated one, two, or three fullers (grooves) and had a spear-tip shaped point. The sword could be used to both cut and thrust. Examples with narrow rapier blades have survived, though in small numbers. The hilt was of the type sometimes called the "Indian basket-hilt" and was identical to that of another Indian straight-bladed sword the khanda. The hilt afforded a substantial amount of protection for the hand and had a prominent spike projecting from the pommel which could be grasped, resulting in a two-handed capability for the sword. Like other contemporary Indian swords the hilt of the firangi was usually of iron and the tang of the blade was attached to the hilt using a very strong resin, additionally, the hilt to blade connection was reinforced by projections from the hilt onto either face of the forte of the blade which were riveted together though a hole passing through the blade. Because of its length the firangi is usually regarded as primarily a cavalry weapon. Illustrations suggest a 16th-century date for the development of the sword, though early examples appear to have had simpler cross-guard hilts, similar to those of the talwar. The sword has been especially associated with the Marathas, who were famed for their cavalry. However, the firangi was widely used by the Mughals and those peoples who came under their rule, including Sikhs and Rajputs. Images of Mughal potentates holding firangis, or accompanied by retainers carrying their masters' firangis, suggest that the sword became a symbol of martial virtue and power. Photographs of Indian officers of Hodson's Horse (an irregular cavalry unit raised by the British) show that the firangi was still in active use at the time of the Indian Mutiny in 1857-58 The khanda can generally be a double-edge but can be a single edged straight sword. It is often featured in religious iconography, theatre and art depicting the ancient history of India. Some communities venerate the weapon as a symbol of Shiva. It is a common weapon in the martial arts in the Indian subcontinent. Khanda often appears in Hindu, Buddhist and Sikh scriptures and art The word khanda has its origins in the Sanskrit meaning "to break, divide, cut, destroy". Used from the time of Abu'l-Fath Jalal-ud-din Muhammad Akbar (15 October 1542, 27 October 1605 ), popularly known as Akbar I literally "the great" and later Akbar the Great, he was the third Mughal emperor, who reigned from 1556 to 1605. Please note the hilt is quite small, this is purely due to the fact people from that period, from all the continents around the world, were much smaller in stature and frame.  read more

Code: 23220

A Most Scarce Piece of Early 20th Century Movie Equipment. A Mitchell Camera Corporation Movie Camera Tripod. Known As The Camera That Filmed Hollywood

1920 patent. Three adjustable legs, bears the Mitchell movie corporation maker label with serial number, company address, model name, and patent number. Photos in the gallery of Buster Keaton with his camera and same Mitchell tripod, plus Rudolph Valentino, the most famous silent movie heartthrob in the world, with his, plus a movie director and cameraman with theirs. Original Mitchell tripods, complete with their mounted cameras can now command six figure values. Overall in very nice condition for age.

The Mitchell Camera Corporation was founded in 1919 by Americans Henry Boeger and George Alfred Mitchell as the National Motion Picture Repair Co. Their first camera was designed and patented by John E. Leonard in 1917, and from 1920 on, was known as the Mitchell Standard Studio Camera. Features included a planetary gear-driven variable shutter (US Patent No 1,297,703) and a unique rack-over design (US Pat No 1,297,704). George Mitchell perfected and upgraded Leonard's original design, and went on to produce the most beloved and most universally used motion picture cameras of the Golden Age of Hollywood under the name of The Mitchell Camera Company. The company was first headquartered on Sunset Blvd in Los Angeles, then building a new factory in West Hollywood and moving there in 1930, and finally moving operations to their final factory location in Glendale, California in the 1940s.

Mitchell Camera Corporation was privately and quietly purchased in mid 1929 by William Fox of Fox Film Studios, just before the Great Depression began, though George Mitchell continued working with the company until he retired in the 1950s. Although William Fox had lost control and possession of his own Fox Film Studios and theaters empire in March of 1930, he apparently quietly retained possession of the Mitchell Camera Company, as William Fox's two daughters still owned the Mitchell Camera Company when the company closed operations and ceased in the late 1970s. The famous Mitchell Tripod - a wood base tripod was introduced about 1920, this tripod was manufactured and sold by Mitchell with very little change, other than the addition of a "Baby" shorter version introduced in 1928. 75cm high with legs extended.  read more

Code: 24261

The Lanes Armoury Gift Voucher Can Be The Perfect Solution

A Gift Voucher is often the ideal solution to leave the decision of the item to choose to the person you wish to gift. They can select any form of item whatsoever, such as samurai arms and armour, militaryantiques and militaria or books, and most importantly, they do not expire. They are valid forever. They are available from us for all values, from only £15 up to £15,000, and as required, and are entirely bespoke to the recipient. All are unique and customised for each and every occasion. We have priced this example in the gallery at £200 and the image shows our example £200.00 voucher, but you can specify any alternative amount at all in the 'comment' section in the Webstore Order page, or call us direct.

A pdf voucher can be sent to you within the hour during opening times from the shop.  read more

Code: 24553

Mightier Yet! A Superb and Original, Large, British WW2 Propaganda Poster For the Royal Navy

A rare and amazing artefact of WW2. Printed for H.M Stationary Office by Fosh & Cross Ltd. A propaganda information and recruitment poster. Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables. In 1940 in particular, Winston Churchill made many calls for the British to fight on, and for British units to fight until they died rather than submit. His calls for fight to victory inspired a hardening of public opinion. Determination raised the numbers of the Home Guard and inspired a willingness to fight to the last ditch, in a manner rather similar to Japanese determination, and the slogan "You can always take one with you" was used in the grimmest times of the war. British victories were announced to the public for morale purposes, and broadcast to Germany for purposes of undermining morale.

Even during Dunkirk, an optimistic spin was put on how the soldiers were eager to return.

When the U-boat commander Gunther Prien vanished with his submarine U-47, Churchill personally informed the House of Commons, and radio broadcasts to Germany asked, "Where is Prien?" until Germany was forced to acknowledge his loss.

The turn of the war made BBC's war commentaries much more stirring.

We never normally comment on the investment potential of any collectable, but the potential for all underpriced WW1 and WW2 posters must be incredible, for example the more famed poster, 'Keep Calm and Carry On' can now sell for over £20,000.
Good condition with central folding creases. 20 inches x 30 inches.  read more

Code: 20768

A Very Fine Pair of Cased WW1 Great War Imperial German Epaulettes

For the Imperial German 40th Infantry officer. Used by the German regimental officers that fought in the trenches with Adolf Hitler's infantry, and apparently the 40th relieved Hitler's company within the List Regiment, the Bavarian Reserve Infantry Regiment 16 (1st Company of the List Regiment). In their original storage case in mint condition overall. Mid blue cloth background with gilt crescent and Infantry number 40. Red back cloth. During the war, Hitler served in France and Belgium in the Bavarian Reserve Infantry Regiment 16 (1st Company of the List Regiment). He was an infantryman in the 1st Company during the First Battle of Ypres (October 1914), which Germans remember as the Kindermord bei Ypern (Ypres Massacre of the Innocents) because approximately 40,000 men (between a third and a half) of nine newly-enlisted infantry divisions became casualties in 20 days. Hitler's regiment entered the battle with 3,600 men and at its end mustered 611. By December Hitler's own company of 250 was reduced to 42. Biographer John Keegan claims that this experience drove Hitler to become aloof and withdrawn for the remaining years of war. After the battle, Hitler was promoted from Sch?tze (Private) to Gefreiter (Lance Corporal). He was assigned to be a regimental message-runner The List Regiment fought in many battles, including the First Battle of Ypres (1914), the Battle of the Somme (1916), the Battle of Arras (1917), and the Battle of Passchendaele (1917). During the Battle of Fromelles on 19?20 July 1916 the Australians, mounting their first attack in France, assaulted the Bavarian positions. The Bavarians repulsed the attackers, suffering the second-highest losses they had on any day on the Western Front, about 7,000 men  read more

Code: 22240

A Very Rare Original,1930's Aeronautical Collection of Wide, Wool Felt, Sleeve Patches for Early Airships & Aeroplanes

Shoulder sleeve insignia. For the Farman Biplane USA, Astra Monoplane, Curtis Biplane USA, Delagrange Biplane, Ferber Biplane, Bleriot Monoplane, French Military Dirigible, Wright Biplane, Reid-Curtis Flying Boat USA, and the Mengin Monoplane.

In the early 20th century US military the 81st Infantry Division "Wildcat" is generally agreed to have been first U.S. Army unit authorised shoulder sleeve insignia or SSI. In 1918, during World War I, the 81st Division sailed for France after training at Fort Jackson, South Carolina. On their left shoulder the men of the division wore an olive drab felt patch with the silhouette of a wildcat - after Wildcat Creek, a stream that flows through Fort Jackson. When men of the other fighting divisions challenged the right of 81st soldiers to wear the patch, General John J. Pershing ruled that the 81st could keep this distinctive insignia. He also suggested that other divisions adopt shoulder patches of their own. This patch was officially adopted by the U.S. Army on October 19, 1918. The first patches were often primitive but by World War II, the manufacture was regulated.

By World War II, all army groups, field armies, corps, and divisions, as well as all major Army commands, had unique SSI. These SSI would often be created with symbolism alluding to the unit's formation. Examples include the 82nd Airborne Division, which included an "AA" on its patch alluding to the "All-American" soldiers from every state that made it up, and the 29th Infantry Division, which included blue and grey to allude to soldiers that made it up being from states on both sides of the American Civil War.

Most US formations had unique patches which varied greatly in size and makeup, with the exception of U.S. armoured divisions (as well as 1st Armoured Corps and the U.S. Army Armour Center & School), all of which adopted the same patch (a yellow, red and blue triangle with a symbol for armour in the middle). Each division and I Armoured Corps then included its number in the upper yellow portion of the patch to distinguish it. The SSIs of those armoured units which survived into the Cold War became irregular pentagons (some units later than others) with the addition of rectangular section at the bottom, bearing the division's nickname or "U.S. Army Armour Centre". In the past we have individual examples sell for a few hundred pounds, but we have never seen a complete, or near complete, set of 10 before. They would look stunning bespoke framed. Wide sleeve type patches, approx 6 x 3 inches.

 read more

Code: 23859