A Rare & Beautiful, Early 19th Century, Scottish Rams Horn Butt, All Steel, Highlander's Flintlock Pistol Made by Macleod. In Super Condition, With All The Features As to Be Expected For a Fine, Original, Highland Officer's Regimental Pistol

A most fine and stunning, early 19th century, Scottish all steel highlander's flintlock belt pistol by MacLeod {a gunsmith works that was founded in the mid 18th century in Doune, Scotland} with flared octagonal muzzle and proved barrel, a signed lock of "highland" type and finely engraved with typical scrolls and a fern border, the entire stock finely and lightly etched overall with iconic thistles, scrolls and trophies. With fine highland ramshorn butt, with removable ball pricker between, and round ball trigger, side belt hook, and a fancy turned steel ramrod. A typical example of the "highland" type lock, but with a fine, automatic hook-cock, half-cock safety to stop accidental missfire. It ejects from the lock plate when cocking the hammer to safely and firmly hold it in place until full-cock is engaged. Beautifully tight and crisp action.

Highland regiment officer's and sergeants wore one steel pistol under the left arm, hung through the pistol's belt hook on a thin buff leather belt. See the original 18th century portrait painting of Captain Gorry of the Highland Volunteer Regiment, with his pistol belt-hook mounted under his left arm. {For illustrative purposes only}

Pistols were considered requisite items for the Highland soldier as early as the 1730s. By the 1740s the elegant pistol styles of Christie & Murdoch (armourers of Doune, Stirlingshire) had became the most sought after amongst Highland officers. The unique elements of the Doune pistols were the scroll or rams horn butt, fluted barrels at the breech and the octagonal flared muzzles. Soon pistol makers all across Scotland (and in England) began to copy the styles of Doune.

Another same form and age pistol by the same maker, signed MacLeod, with the highlanders scroll butt of an 18th century form, with flintlock and rainproof pan, stock, lock and barrel of decorated steel, silver butt escutcheons engraved with the crest of Scott of Abbotsford, sold for £18750 three years ago, in Edinburgh at auction.

A pair of pistols by the same maker which are still within the collection of Sir Walter Scott and on display at Abbotsford. The pistols on display are not only by the same maker but bear a similar armorial engraving as on the pistol sold in Edinburgh. More remarkably, the pistols are recorded in correspondence between Scott and the gunsmith, Mr.MacLeod, being commissioned by him for King George IV’s visit to Scotland in 1822.

Sir Walter Scott’s personal interest in Scottish history and life is well recorded and his collection of historical arms and armour is famous, much of which still decorates his remarkable Borders home, Abbotsford.

Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish novelist, poet and historian. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He had a major impact on European and American literature.

Barrel length 7½", 13" overall length,  read more

Code: 25228

A Stunning Quality Wakizashi Signed with Honorific Title Masatoshi, Lord of Etchu, Han Dachi Mounted, Gold Dragon Menuki, Mishina School Blade, Early 1600's, Wonderful Signed Tsuba and Matching Kozuka Depicting the Tiger in the Bamboo Grove

We now are delighted to show it with its fully rebound tsuka in gold silk. The tsuka has been rebound traditionally, in finest gold tsukaito by our medal winning Japanese koshirae artisan, and it looks amazing.

Mishina School, Etchu (no) Kami Masatoshi. The stunning blade shows a beautiful and complex hamon in super polish. All original Edo mounts, superb signed *tsuba and kozuka all decorated with the legendary ‘Tiger in the Bamboo Grove’ theme. The kozuka is signed, as is its kogatana blade

* Tsuba signed Taizan Mototaka of Mito/Hitachi. Mototaka, was the founder of the Sekijoken line, was a son of Taizan-Motonori, a pupil of the Yokoya school, who signed his work Sekijoken-Taizan-Mototaka. He worked during the last part of the eighteenth century and lived to a great age. He was most skillful in the style of the Nara artists, Joi, Shozui, Yasuchika, Toshinaga, etc., and a teacher of great ability, his most expert pupil was Takase-Yeiju (or Hisan- aga), who worked during the late eighteenth and early nineteenth centuries.

The artists of the Sekijoken school at first followed the style of Yokoya, but later they turned to the Nara school. Tigers were considered the strongest animals. They were often shown with bamboo to symbolize the hospitality of the weak for the strong. In Chinese art, the tiger was traditionally related to the four directions as the animal
of the West, and was often paired with the dragon, which represented the East. Kano artists frequently depicted tigers with holy men, abbots, or monks, reflecting their mystic presence and association with Zen Buddhism. A tiger is said to be the only animal capable of navigating through thick bamboo forests, and the pairing of the two symbols is said to represent a harmonious and peaceful society. The bamboo alone stands for resilience and integrity, admired virtues of noble men.

Incredible quality pure gold overlay dragon menuki, gold overlaid seppa. Fully matching suite of handachi iron fittings trimmed in gold with patterning silver overlay. The original Edo saya has superb antique *urushi lacquer with pure gold, under clear lacquer, called Byakudan nuri: Transparent lacquer of a golden yellow colour, beautifully decorated with amazingly intricate billowing flaming-feather like swirls

Kyo Go Kaji 京五鍜冶 is short for Kyoto Go Kaji 京都五鍜冶 which means five swordsmiths of Kyoto. The term was developed to describe a group of related smiths who worked prosperously in the Kyoto area during shinto times. They made good quality works with similar characteristics and each had many students for generations. They are Iga (no) Kami Kinmichi 伊賀守金道, Echigo (no) Kami Kinmichi 越後守金道, Tanba (no) Kami Yoshimichi 丹波守吉道, Etchu (no) Kami Masatoshi 越中守正俊 and Omi (no) Kami Hisamichi 近江守久道. These smiths all had Mishina 三品 as their last name. The first four were sons of Seki Kanemichi 兼道 and Hisamichi was a student of Kanemichi's grandson.

* Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.
The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!
Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.
Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labour-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household

In photos 3 & 5 in the gallery we show the stunning pair of pure gold layered dragon menuki before they were mounted on the samegawa and then bound under the gold tsuka-ito.

* Notes from the Special exhibition
( 1907-1908 ) of Japanese sword guards, tsuba,
has been prepared by Mr. Okabe-Kakuya.  read more

Code: 25337

Koto Period Samurai Katana, Circa 1550 From The Muramachi Era, A Most Fine Blade with Midare and Large Waves Hamon, & Nioi & Nie Deki, a Masame & Itame Hada, in Very Good Polish, Shibuishi Dragon Fly Fuchi Kashira

Fine Edo saya in superb condition decorated under clear urushi lacquer with pine needles and entwined silver wire. Very good Edo tsuba of iron {tettsu} with mokume wood grain body and a bamboo mimi {rim} with bamboo leaves. Wonderful quality shibuishi fuchi -kashira of takebori dragonflies with a gold seal. Just returned from a interior decorators display in Grosvenor Sq. London.

Nie (沸) literally means "seethe" or "boil." In Japanese sword connoisseurship, it is the name of larger martensite crystals that appear on the polished surface of some traditionally made Japanese swords, which sometimes look like bubbles of boiling water rising to the surface. Nie mostly forms along the temperline, but on some swords is also seen on the blade's surfaces. Nie & nioi
When the crystals are so small that the naked eye cannot make them out individually, and they appear like a whitish mist, it is called nioi (匂), literally "fragrance". Nioi is present to some extent on all blades, but when no or very little nie is present, we speak of nioi-deki (匂出来). When the work shows nie throughout, we call it nie deki (沸出来) where deki means workmanship or interpretation.

Japan was once known as the “Land of the Dragonfly”, as the Emperor Jimmu is said to have once climbed a mountain in Nara, and looking out over the land, claimed that his country was shaped like two Akitsu, the ancient name for the winged insects, mating.

Dragonflies appeared in great numbers in 1274 and again in 1281, when Kublai Khan sent his Mongol forces to conquer Japan. Both times the samurai repelled the attackers, with the aid of huge typhoons, later titled Kamikaze (the Divine Winds), that welled up, destroying the Mongol ships, saving Japan from invasion. For that reason, dragonflies were seen as bringers of divine victory.

Dragonflies never retreat, they will stop, but will always advance, which was seen as an ideal of the samurai. Further, although the modern Japanese word for dragonfly is Tombo, the old (Pre Meiji era) word for dragonfly was Katchimushi. “Katchi” means “To win”, hence dragonflies were seen as auspicious by the samurai.

Insects in general have been celebrated in Japanese culture for centuries. The Lady Who Loved Insects is a classic story of a caterpillar-collecting lady of the 12th century court; the Tamamushi, or Jewel Beetle Shrine, is a seventh century miniature temple, once shingled with 9,000 iridescent beetle forewings. In old Japanese literature, poems upon insects are to be found by thousands, Daisaburo Okumoto is director of the Fabre Insect Museum. An avid insect collector and a scholar of French literature, he has translated many of Fabre's works. He ascribes the popularity of insects in Japan to national character. It seems like Japanese eyes are like macro lenses and Western eyes are wide-angle, he says. A garden in Versailles, it's very wide and symmetrical. But Japanese gardens are continuous from the room and also very small. We feel calm when we look at small things. The medieval Japanese monk Yoshida Kenko put it this way: “If man were never to fade away like the dews of Adashino, never to vanish like the smoke over Toribeyama, how things would lose their power to move us!

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.
The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!
Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.
Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labour-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household  read more

Code: 25334

A Most Rare & Original, Nazi Deutsche Zeppelin-Reederei Silver Serving Platter From the Nazi Graf Zeppelin. The Most Famous Zeppelin Ever Made, And The Inspiration For Airship in Indiana Jones & The Last Crusade

This stunning aeronautical collectors item, a main serving platter, has the German Zeppelin Co. logo, of the Third Reich Zeppelin, flying across the globe, the Deutsche Zeppelin-Reederei. Manufactured by GEBRUDER HEPP PFORZHEIM, in 90 grade.

In March 1935, the South Atlantic flights became the responsibility of the Nazi controlled Deutsche Zeppelin-Reederei, after this company had been set up jointly by Luftschiffbau Zeppelin, the German Air Ministry and Deutsche Lufthansa. The DZR was created at the instigation of Air Minister Hermann Goring as a way to increase Nazi control over zeppelin operations, and can be see as part of the larger policy of Gleichschaltung, or coordination, which affected all aspects of German life in the years following Hitler’s assumption of power.

Consistent with Nazi ideology, the airship was expected to be more than just a private commercial venture; it was to be a public symbol of the new German nation.

In a speech marking the founding of the DZR, Goring commented:

“I hope that the new ship will also fulfil its duty in furthering the cause of Germany
The airship does not have the exclusive purpose of flying across the Atlantic, but also has a responsibility to act as the nation’s representative.”

The even larger airship, the LZ 129 'Hindenburg' joined the 'Graf Zeppelin' in 1936, and, in addition to South Atlantic flights with its partner, inaugurated a service over the North Atlantic, between Frankfurt and Lakehurst in New Jersey, in the summer. Also in 1936 the South American route was extended to Rio de Janeiro. Deutsche Zeppelin-Reederei ceased operations as the commercial use of airships came to an abrupt end on 6 May 1937, when the 'Hindenburg' exploded at Lakehurst.
This large silver tray is made of finest grade German silver plate, 90 grade, and was the product of the same silver company that made the Third Reich military cutlery and other silver objects for the Third Reich hierarchy - Gbr. Hepp.

His company, alongside his rival, Wellner, was a maker of much of the Fuhrer's formal dinnerware, and the Reich chancellery dinnerware pieces. Many items by were used in several of Hitler's residences, the Hotel Der Deutscher Hof personally used by Hitler, and numerous state offices. The Zeppelin Corps became one of the shortest-lived German service branches of World War II. After the German invasion of Poland in 1939, the Luftwaffe ordered the last two Zeppelin airships moved to a large Zeppelin hangar in Frankfurt. In March of 1940, Goring ordered their destruction and the aluminium fed into the Nazi war industry. In May, a fire broke out in the Zeppelin facility which destroyed most of the remaining parts. The rest of the parts and materials were soon scrapped with almost no trace of the German "Giants of the Air" remaining by the end of the year. 49cm x 32.5cm  read more

Code: 22618

A Superb, Original, Napoleonic French 'Prisoner-of-War' Travelling Dressing Case. A Unique Object D’art Created By A French Napoleonic War Combatant P.O.W Held in British Captivity. Sold To British Visitors To The Prisoner’s Markets

In wood covered in straw-work parquetry. A near identical example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. The interior bears many small drawers and compartments and a fold away mirror in vauxhall plate, and a fine hand painted watercolour of Beaufort Castle in Invernesshire. All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.
Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon?s forces were finally defeated at Waterloo.

In 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.
To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

12.75 inches wide, x 9.25 inches x 3 inches.  read more

Code: 20852

A Stunning & Superb Condition, Original Indian Mutiny Period Elite 2nd Dragoon Guards Officer's Silver Pouch

Hallmarked silver and dated to 1855. This was acquired from a museum grade collector of Waterloo artefacts and also 2nd Dragoon Guards artefacts, from the 19th century. We also acquired the regimentally marked 2nd QDG 1796 Napoleonic Wars pistol code number 22648 {now sold}. A dress officer’s finest grade silver pouch, in absolute pristine condition. Quite simply a wonderful artefact of British elite cavalry uniform regalia, that is also an 'object d'art' from one of the most beautiful and finest quality military uniforms ever worn.
Hallmarked London silver, dated 1855. Picture 10 in the gallery shows the pre 1885 2nd QDG full dress badge, when worn on their helmet the garter belt motto would change to the words Queen's Dragoon Guards, on the 1855 pouch it has "Honi Soit Qui Mal y Pense" as with the full dress badge but surmounted by a crown.

Rectangular curved box with silver lid, with cast silver supports and rings and lined with silver wire bullion bands. Box covered in tooled black leather lining with morocco red leather trim. The silver cover bears an engraved acanthus leaf border, bearing at its centre the elite royal cavalry badge, of a gold, crowned garter star, emblazoned with royal motto "Honi Soit Qui Mal Y Pense", and the central relief VR cypher of Queen Victoria.
In 1857 the 2nd the Queen's Bays, were sent to India for the Indian Mutiny, and this pouch would have been worn in this conflict by its officer owner.
After the recapture of Delhi the focus of the conflict was on Lucknow, 150 miles northeast of Allahabad. Sir Colin Campbell had already rescued the beleaguered garrison there but had not prevented the rebels from capturing the city and holding it with 130,000 men. Campbell now had a force of 20,000 to march on Lucknow. The rebels made several sorties out of the town to engage with them. On 6 March two squadrons of the Bays made a charge under the command of Major Percy Smith. This got out of control over broken ground and three men were killed, including Major Smith. They were unable to retrieve his body. One corporal was unhorsed and unable to remount, so was cut to pieces. Six other men were wounded and many of the horses suffered terrible wounds from the mutineers' swords and bayonets. Lucknow was recaptured by 16 Mar 1858, but 20,000 rebels escaped. The cavalry units were already scattered around the countryside chasing small parties of rebels so were not in position to block the mass exodus on 16 Mar. "We came on bodies of Cavalry and Infantry of the enemy. Bays where ordered to the front to charge and pursue! Away we went as hard as possible, Major Smith and I leading. We did not stop for three miles, cutting down and pursuing the mutineers right up to Lucknow, and across the river. We are told the most gallant. Smartest, though somewhat rash thing that was done before Lucknow".

In a battle at Nawabganj, east of Lucknow, 2 squadrons under Major Seymour were part of the cavalry element of Hope Grant's 3,500-strong column that attacked a force of 15,000 mutineers entrenched at a river crossing. They made a 12 mile night march to surprise the rebels. There was a three hour battle during which the British were surrounded but they turned the tables and drove the enemy off, having killed 600 and captured 9 guns. The British lost 67 killed or wounded in action, but 33 died of sunstroke and 250 ended up in hospital. All members of the regiment had suffered from fever or sunstroke, both proving fatal in many cases. The CO, William Campbell died on 6 July 1858, after being promoted to brigadier. The second lieutenant-colonel, Hylton Brisco had suffered with fever and retired in September. Because of the fatalities and sickness, officers were gaining promotion without purchase. Captain William Henry Seymour, whose letters home provide valuable information on the Bays in India, attained his majority and lieutenant-colonelcy so that within 8 months he had gone from captain to CO of the regiment.
7.5 inches x 3.5 inches x 1.75 inches deep at the curve. 8.75 ounces weight total.  read more

Code: 22333

A Rare African Bushman’s Tribal Poison Arrows and Tree Branch Leather Capped Quiver & Poison Stick

Acquired with, and displayed with, in the gallery, the poison stick, {picture 4 in the gallery} but the deadly poison stick we cannot sell with the bushman’s arrows and quiver. 5 arrows with iron heads with long hafts, two fire sticks and one poison stick***

Like the notorious and more well known South American Curare paralytic poison, { extracted from the plant Strychnos toxifera} the African poisons are similarly extremely effective in their task.

Along the Acokanthera sp. the most popular three types for the extraction of arrow poison were, A. oblongiflora, B. oppositifolia, and C. schimperi in general known as Bushman's poison, poison bush, poison tree or winter-sweet.

All parts of the plant can be used. Stems, roots, or even leaves, but wood chips are preferred, they are put in a large container, filled with water and boiled for up to 12 hours. Additional water is added in case the water evaporates before this time period is attained. Once all the water has evaporated, a thick sticky black substance is left in the container.

The plant parts are discarded. This substance is then cut into pieces, put into containers or wrapped and stored away from people where it can later be mixed with water or tree gum to form a thick paste which can be applied to the arrows. The poison paste type gum can them be applied to a poison stick and carried in the quiver and added to the arrow head when required. This poison stick has two such gum like deposits. One black the other paler brown. This would be for the bushman to know which poison was which, for different purposes and strengths for example. This poisons are extremely poisonous and can kill a 50 kg animal with ease in less than 20 minutes.

Although the Strophantus kombe (Zambezi tail flower or Poison Rope) was the most used of the species, Strophantus amboensis (Omuhundure), Strophanthus hispidus and Strophantus speciosus (Common Poison rope) was also used. The poison derived from S. hispidus was known as inee or onaye and was used mostly at the west coast of Africa (Senegal, Gambia, Guinea and Gabon), S. gratus in equatorial Africa, S. kombe was used mostly in central and east Africa as far south as the Zambezi, S. amboensis southern Angola and northern Namibia and S. speciosus in South Africa.

The seeds are collected, crushed and mix with saliva or other additives to form a paste, the paste was then left in strong sunlight for several hours before use. This poison can literally kill an average man in 5 to 10 minutes, a big animal in 20 minutes.

The Bushman would despatch his arrows with a basic stick bow which would effectively be disposable and easy to replace if lost or broken. Unlike the arrows, that require forged iron heads, and thus black-smithing.

An article from the New York Times, published March 15th 1964, un-edited;
If the victims can tell about it at all, they say that for a split second they heard a high, faint whistling, then felt a sharp, searing blow, as though struck by a hot blade. This is how a deadly arrow sounds and feels, and if the arrowhead is poisoned, the last moments can bring excruciating pain and sometimes madness.

In the past few weeks, the poisoned arrow had claimed a number of victims, including an American woman missionary, in the terrorized Kwilu Province of the Congo. Guerrilla rebels there killed the Congolese Army Chief of Staff himself with a poisoned arrow that sped out of the undergrowth and felled him as he led a column of reinforcements along a jungle road.

The reason weapons so primitive as bows and arrows survive in an age of light, efficient, rapid‐fire small arms is that they are ideally suited to the stealth of guerrilla warfare. (Some special United States troops are being taught jungle archery.) Both the bow and arrow and a sister weapon, the dart‐hurling blowpipe, are nearly silent and thus not only can take their victims by surprise but do not reveal their firing positions, as with shots discharged by explosives. Aimed by experts, poisoned arrows and darts can be as deadly as bullets and, depending on the poison, considerably less merciful.

POISONED arrows have been used principally by African and South American tribes, and poisoned darts by tribes of the Malay Peninsula and Archipelago. Poisoned arrows were not unknown to the North American Indian, however. The Osage tribesmen of what is now Missouri and Arkansas made poison by enticing a rattlesnake to bite a piece of liver which was then diced and pressed into clamshells for preservation. In wartime the shells were entrusted to the squaws, who carried them to the battlefield and helped the braves dip their arrows.
Compare this businesslike approach with the traditional rituals of African tribes preparing poison for war. Death was presumed wingless until a medicine man had reeled off incantations over simmering pots, though it may be noted that the men were careful to let the women have a major share of the work right from the start. It was said that the casualties among the women were more numerous than among the warriors on the battlefield.

THE kind of poison varied from tribe to tribe and from region to region. In less inhibited southern Africa, tribes made a fanciful poison of scor pions and spiders ground with lethal plant juice and snake venom, whereas in the more cultivated regions of the north, a vegetal poison was considered amply fatal. In between were other concoctions. Pygmies endorsed poisons derived from powdered red ants. The bushmen of Bechuanaland still favor a poison made by crushing the pupae of beetles found among the roots of infested marula trees.

Reference *Special Conservation* Item, see info page.

*** Despite being brought to the UK quite unknowingly several generations ago, the poison stick cannot be sold by us, and thus included with the arrows, for obvious health and safety reasons, as it is restricted for sale by the 'Poisons Act of 1972'  read more

Code: 24674

A Superb WW1 Machine Gunner's Collection, A Fabulous Original WW1 Gordon Highlander Machine Gun Corps Medals, Badges, Sporran, Glengarry & Gaiters of Gordon Highlander

British WW1 Machine Gun Corps medals and uniform kit is now some of the most desirable and collectible original artefacts of WW1. All these pieces were belonging, awarded, and worn by WW1 veteran, Pvt L. Jackson, of the Gordon Highlanders Machine Gun Corps. Comprising of his Glengarry cap with badge and tartan patch, his pair of WW1 service medals named, his sporran with belt, his pair of gaiters in canvas, shoulder titles both Gordons and Machine Gun Corps, his Machine Gun Corps cap badge and sock tassles. Photos for illustration only including a Gordon Highlanders machine gun corps, photographed in June 1914. Captain Hume Gore, who was later to lead George Ramage's platoon, is seated third from right in the front row. National Library of Scotland reference: Acc.7660 (part). The Regiment raised a total of 21 battalions and was awarded 57 battle honours, 4 Victoria Crosses and lost 8,870 men during the course of the war. The Gordon Highlanders was an Infantry Battalion that would have had an MG Section as part of its Battalion Headquarters. These weapons would have been brigaded when the Machine Gun Corps was formed in 1915. The guns, and crews, would have been formed into a Machine Gun Company.
The 1st Battalion landed at Boulogne-sur-Mer as part of the 8th Brigade in the 3rd Division in August 1914 for service on the Western Front; they suffered heavy losses at the Battle of Le Cateau in August 1914. The 2nd Battalion landed at Zeebrugge as part of the 20th Brigade in the 7th Division in October 1914 for service on the Western Front and then moved to Italy in November 1917.

Territorial Force

The 1/4th (City of Aberdeen) Battalion landed at Le Havre as part of the 8th Brigade in the 3rd Division in February 1915 for service on the Western Front. The 1/5th (Buchan and Formartin) Battalion landed at Boulogne-sur-Mer as part of the 153rd Brigade in the 51st (Highland) Division in May 1915 for service on the Western Front. The 1/6th (Banff and Donside) Battalion landed at Le Havre as part of the 20th Brigade in the 7th Division for service on the Western Front. The 1/7th (Deeside Highland) Battalion landed at Boulogne-sur-Mer as part of the 153rd Brigade in the 51st (Highland) Division in May 1915 for service on the Western Front.

New Armies

The 8th (Service) Battalion landed at Boulogne-sur-Mer as part of the 26th Brigade in the 9th (Scottish) Division in May 1915 for service on the Western Front.10 The 9th (Service) Battalion and the 10th (Service) Battalion landed at Boulogne-sur-Mer as part of the 44th Brigade in the 15th (Scottish) Division in July 1915 for service on the Western Front.

The folk singer and Scottish Traveller Jimmy MacBeath served with the regiment during the war . Just some of the engagements he may have taken part in with his regimental comrades; During 1916
The Battle of Albert, The Battle of Bazentin and the attacks on High Wood, The Battle of Delville Wood, The Battle of Guillemont, Operations on the Ancre. The attacks on High Wood, The Battle of the Ancre.
During 1917
The German retreat to the Hindenburg Line, The Battle of Polygon Wood, The Battle of Broodseinde, The Battle of Poelcapelle, The Second Battle of Passchendaele. The First and Second Battles of the Scarpe, The Battle of Pilkem Ridge, The Battle of Menin Road Ridge, The capture of Bourlon Wood, part of the Cambrai Operations.
Nov 1917 Moved to Italy to strengthen the Italian resistance.
04.11.1918The Battle of St Quentin, The Battle of Bapaume, The Battle of Estaires, The Battle of Hazebrouck, The Battle of the Tardenois, The Battle of the Scarpe, The pursuit to the Selle, The Battle of the Selle, Final Advance in Picardy.  read more

Code: 20851

An Original and Superb WW2 RAF Air Ministry Issue 'Scramble Bell', Cast Bronze With Turned Hardwood Handle On A Brass Socket Mount With Brass Ball Top. Interior Bears The AM Crown Mark of the Air Ministry Contract

An iconic centre piece of any collection from the most renowned and famed era of the British RAF. This would would make an amazing addition to any collection, or display, or a unique historic gift for any collector of aeronautica.

A most scarce, original, 'Battle of Britain' piece of original, RAF Air Ministry issue aeronautica, an original brass bracket mounted then hand-held 'scramble' bell, complete with its wooden handle, stamped AM Crown, marked with crown and initials AM, Used at an RAF air base. Made in the period when the RAF knew very well that war was imminent and very likely, and it was used throughout the entire war, right from the 'Battle of Britain' period. It’s diameter of the bell is 200 mm, and height 300 mm approx, it weighs, 3.15 kilos.

A very fine example, in super condition, of an original RAF scramble bell from a RAF base, such as RAF North Weald, as it likely came from that location area, another that came from RAF Debden, an airfield 3 miles south east of Saffron Waldon in Essex, was sold over six years ago for 2,500 at auction in New York.

This hand bell would have been rung when instructions came through from HQ of an imminent attack by the feared and deadly Luftwaffe Bombing Squadrons, in order to scramble the bravest of the brave, the frighteningly young, RAF, RAAF or RCAF pilots into the air. During the Battle of Britain and beyond the average age of the pilots was just 20 years old, of the 2,937 British and Allied aircrew. Britain aircrew were flying multiple sorties a day to intercept the relentless Luftwaffe raids over the British skies, Aircrew from sixteen nationalities flew and fought together against the Luftwaffe, who outnumbered the RAF in both aircraft and pilots.

Against all odds, the RAF defeated the Luftwaffe. Hitler was forced to abandon his plans to invade Britain.
544 aircrew were killed during the Battle of Britain. A further 422 aircrew were wounded. Almost a third of all the men that flew.

British Prime Minister, Winston Churchill, famously expressed the incredible debt owed to the Battle of Britain aircrew:

“Never in the field of human conflict has so much been owed by so many to so few.”

During WW2 the world's premier gallantry medals were granted to air Force personnel, 22 Victoria Crosses were awarded, and 2,001 Air Force Crosses were Awarded, 26 were awarded to the same recipient twice, and just 1 was awarded to the same man three times.

Throughout the summer of 1940, across England, on hundreds of grass makeshift runways, with young eager pilots that awaited in huts for the bell to be rung, then rushing ‘hell for leather’ to their fighter planes, in order to attack the German bomber and fighter formations descending on vulnerable Southern England. Such as RAF Debden, in Essex, that was built in April 1937, with the tarmac airstrip laid in 1940. It was a sector station for 11 Group RAF. Many British Hurricane and Spitfire squadrons were based at Debden, including number 17 squadron throughout the Battle of Britain. In September 1942, it was handed over to the USAAF, as part of British support for the American bombing campaign in Europe. The Battle of Britain (German: Luftschlacht um England, literally "The Air Battle for England") was a military campaign of the Second World War, in which the Royal Air Force (RAF) defended the United Kingdom (UK) against large-scale attacks by Nazi Germany's air force, the Luftwaffe. It has been described as the first major military campaign fought entirely by air forces. The British officially recognise the battle's duration as being from 10 July until 31 October 1940, which overlaps the period of large-scale night attacks known as the Blitz, that lasted from 7 September 1940 to 11 May 1941. German historians do not accept this subdivision and regard the battle as a single campaign lasting from July 1940 to June 1941, including the Blitz.

The primary objective of the German forces was to compel Britain to agree to a negotiated peace settlement. In July 1940 the air and sea blockade began, with the Luftwaffe mainly targeting coastal-shipping convoys, ports and shipping centres, such as Portsmouth. On 1 August, the Luftwaffe was directed to achieve air superiority over the RAF with the aim of incapacitating RAF Fighter Command; 12 days later, it shifted the attacks to RAF airfields and infrastructure. As the battle progressed, the Luftwaffe also targeted factories involved in aircraft production and strategic infrastructure. Eventually it employed terror bombing on areas of political significance and on civilians.

The Germans had rapidly overwhelmed France and the Low Countries, leaving Britain to face the threat of invasion by sea. The German high command knew the difficulties of a seaborne attack and its impracticality while the Royal Navy controlled the English Channel and the North Sea. On 16 July, Adolf Hitler ordered the preparation of Operation Sea Lion as a potential amphibious and airborne assault on Britain, to follow once the Luftwaffe had air superiority over the UK. In September, RAF Bomber Command night raids disrupted the German preparation of converted barges, and the Luftwaffe's failure to overwhelm the RAF forced Hitler to postpone and eventually cancel Operation Sea Lion. Germany proved unable to sustain daylight raids, but their continued night-bombing operations on Britain became known as the Blitz.

Historian Stephen Bungay cited Germany's failure to destroy Britain's air defences to force an armistice (or even outright surrender) as the first major German defeat in World War II and a crucial turning point in the conflict. The Battle of Britain takes its name from a speech by Winston Churchill to the House of Commons on 18 June: "What General Weygand has called The Battle of France is over. The Battle of Britain is about to begin." The scramble bell came three different forms, the larger mounted bell, with the same AM Air Ministry marks, but much heavier, so they had to be wall mounted, or on a free standing bracket, hanging outside of say, a hut, and this type the medium sized bracket mounted for hanging outside of a hut, but as this one with an added handle, which was naturally much somewhat portable, and ideal for emergency RAF bases and landing strips, created with makeshift or tented non-permanent buildings. And the smaller regular contract hand-bell was also ideal in those bases.  read more

Code: 25232

A Superb, German, WW1 Mauser Gew 98 'Butcher' Bayonet

Manufactured by Alex Coppel Solingen With traditional 'butcher' blade.

Designed to fit the Mauser Gew 98 rifle. The Seitengewehr 98/05 was introduced into the the Prussian army in late 1905, as a replacement for the 98/02 for engineers and pioneer troops, as the 98/02 was deemed to long and heavy for it's intended purpose. Initial production was in two versions, the first plain backed, and the second with 29 double teeth. The scabbard was leather with steel throat and chape mounts, later changed to all steel that was better for trench warfare combat. The bayonet as typical of German blades did not have more than a vestigial muzzle ring, relying on the length of the hilt mounting to fix the blade to its rifle. The plain back version was identified as the S98/05 or S98/05 o.S. (ohne Soge - without saw) and the saw back as the S98/05 S or m.S. (mit Soge - with saw). The overall condition is good, with wooden grips.
The Gewehr 98 (abbreviated G98, Gew 98, or M98) is a German bolt-action rifle made by Mauser, firing cartridges from a five-round internal clip-loaded magazine. It was the German service rifle from 1898 to 1935, when it was replaced by the Karabiner 98k, a shorter weapon using the same basic design. The Gewehr 98 action, using a stripper clip loaded with the 7.92×57mm Mauser cartridge, successfully combined and improved several bolt-action engineering concepts which were soon adopted by many other countries, including the United Kingdom, United States, and Japan.2 The Gewehr 98 replaced the earlier Gewehr 1888 as the main German service rifle. It first saw combat in the Chinese Boxer Rebellion and was the main German infantry service rifle of World War I. The Gewehr 98 saw further military use by the Ottoman Empire and Nationalist Spain.

14.5 inch blade
No scabbard  read more

Code: 25902