A Fabulous & Most Rare British Griffiths ‘Jacob’s Type’ Double Barrel Rifle Carbine, From The Honourable East India Company Era, Into The Dawn of The British Raj. Bespoke Commissioned From Griffiths Circa 1848

The gun is the very inspiration for the famous Military Jacob's Rifle, used by the Scinde Irregular Force, Jacob’s Rifles, in the early 1850's, and this was commissioned for an officer of the regiment.

Apparently experimental versions of the rifle were manufactured for Jacob by George H. Daw, and we are told, Griffiths, who (among others) later advertised these sporting models of the piece. A writer of the period described shooting a gun made on this pattern:
“The recoil is by no means pleasant. Jacob recommended a powder charge of some 2 drams 68 grains of gunpowder! This rifle does not seem to have any advantages at sporting ranges; but for military purposes it has been strongly recommended. Especially in reference to the explosive shells which are used with it.the shells require a short stout barrel, and cannot be used with a long thin one, like the Enfield still, Enfield-style rifles were actually manufactured with Jacob rifling, and seemed relatively popular. For killing large animals, like the elephant or rhinoceros, they are particularly qualified; and I should strongly recommend elephant hunters to examine the merits of this rifle. This rifle was made to accompany the howdah pistol as the big game hunting rifle to be equally at home on foot, on horseback or while standing in a howdah on one's elephant. But also for perfect use in Indian irregular cavalry by gentlemen officers. The brass mounts are superbly engraved throughout, including a Bengal tiger and lion below mount Kilimanjaro, and profuse, highly accomplished decorative scrolling.

This is a finest gentleman's hand made double rifle, circa 1848, made by Griffiths of England, it is also bearing Queen Victoria's crown mark to both locks, which would further indicate government military service. By comparing the Jacob's Rifle by photograph, to this fine rifle alongside each other, one can easily see where the inspiration came from. This gun also bears influences from the design of the earlier British military Baker and contemporary Brunswick rifles, with a near identical patchbox arrangement to Jacobs rifles but rectangular.

The Jacob's rifle was designed by General Jacobs of the Honourable East India Co. who was so admired and respected by all who knew him, for his intelligence and skill of command, he had a city named after him, in modern day Pakistan, called Jacobabad. He had spent 25 years improving rifled firearms, carrying on experiments unrivalled even by public bodies. A range of 200 yards sufficed in cantonments, but at Jacobabad he had to go into the desert to set up butts at a range of 2000 yards. He went for a four grooved rifle and had numerous experimental guns manufactured in London by the leading gunsmith George Daw and completely at his expense. Jacob, like Joseph Whitworth, was renowned not only as a soldier but as a mathematician, and his rifle was as unconventional as its designer. Rather than using a small .45 caliber bore Jacob stayed with more conventional .57-58 caliber (Bill Adams theorizes that this would allow use of standard service ammo in a pinch). In any case his rifle used four deep grooves and a conical bullet with corresponding lugs. Though unusual the Jacob?s rifle, precision made in London by master gunsmiths like George Daw, quickly gained a reputation for accuracy at extended ranges. They appealed in in particular to wealthy aristocratic scientists like Lord Kelvin, who swore by his. Jacob wanted to build a cannon on the same pattern, but died early at age 45.
A few Jacob’s were used during the American Civil War, and those were privately owned, usually by men able to afford the best. There is one account of one of Berdan’s men using one (the chaplain, Lorenzo Barber), who kept one barrel of his double rifle loaded with buckshot and the other with ball.

Jacob's Rifles was a regiment founded by Brigadier John Jacob CB in 1858. Better known as the commandant of the Sind Horse and Jacob's Horse, and the founder of Jacobabad, the regiment of rifles he founded soon gained an excellent reputation. It became after partition part of the Pakistani Army, whereas Jacob's Horse was assigned to the Indian Army. A number of his relatives and descendants served in the Regiment, notably Field Marshal Sir Claud Jacob, Lieutenant-Colonel John Jacob and Brigadier Arthur Legrand Jacob, Claud's brother. As commander of the Scinde Irregular Horse, Jacob had become increasingly frustrated with the inferior weapons issued to his Indian cavalrymen. Being a wealthy man, he spent many years and much money on developing the perfect weapon for his 'sowars'. He eventually produced the rifle that bears his name. It could be sighted to 2000 yards (1 830m), and fire explosive bullets designed to destroy artillery limbers. It also sported a 30 inch (76,2cm) bayonet based on the Scottish claymore.

Jacob was an opinionated man who chose to ignore changing trends in firearm development, and he adopted a pattern of rifling that was both obsolete and troublesome. Nevertheless, his influence was such that during the Mutiny he was permitted to arm a new regiment with his design of carbine. It was named Jacob's Rifles.

Orders for the manufacture of the carbine and bayonet were placed in Britain, and all was set for its demonstration when Jacob died. In the hope the East India Company would honour the order, production continued for a little over a year. This gun is overall in super condition with excellent action. A most rare and highly desirable gun indeed, a super gentleman and officer's example.

We show in the gallery a photo of a most similar Jacob's military rifle in it's case with accessories to compare the two side by side, this is for comparison information only.
As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20842

A Most Scarce Early 17th century Jamdhar Katari Dagger From the Mountains of Nepal And the Hindu Kush,

An most early and rare Nepalese dagger classified as the Jamdhar Katari. 17th century, and developed as a fighting weapon in the 17th century. With a thin slightly swollen double edged blade 23.5cms long, painted with red devotional designs (sandlewood oil) on one side, iron hilt with swollen grip and slightly down-turned pommel and guard. Tip lacking. GC
For reference see Egerton Nos. 344 and 345 for similar.

Another very similar Jamdha Katari is in The Met Collection Fifth Ave. New York, [Accession Number:36.25.820] Donated to The Met by the legendary George Cameron Stone [Author of the seminal work A Glossary of the Construction, Decoration and Use of Arms and Armor: in All Countries and in All Times, known as 'Stone's Glossary'] in 1935.

It was regarding another most similar example we had, about which Mark Hawkins engaged in a most interesting conversation with the now late US President Ronald Reagan [in the 1970's]. President Reagan displayed a knowledge of this particular weapon, in his conversation with Mark, that was surprisingly extensive and certainly impressive.  read more

Code: 22528

A Stunning & Beautiful Edo Period Tachi-kake, Japanese Samurai Sword Stand Okuyama Family, Descendants of the Famous Genji Clan

Finest black urushi Japanese lacquerwork, over carved wood, bearing numerous hiramaki-e gold clan "four eyes" Hakkoryu kamon throughout. Constructed in two main pieces, that slot together for assembly, and apart, for storage and transportation in the samurai baggage train. Shown holding our 600 year old ‘golden dragon’ tachi [code number 22660] The Hakkoryu’s Yotsume-no-mon of the Okuyama clan who are descendants of the famous Genji clan (also called Minamoto). The clan was popularized in a famous Heian period romance Genji Monogatari, written by Murasaki Shikibu.

Most prominent of the Genji clan was Minamoto Yoritomo, a renowned general during the Kamakura period. During this era, the two most powerful clans were the Genji and their enemies, the Taira (also Heiko). The Taira were defeated in a fierce sea battle during the Genpei war and Minamoto Yoritomo and his descendants reigned supreme in Japan for some time.

The type of mon (crest) used in Hakkoryu was used by a retainer of the Minamoto clan and is commonly known as Meyui, after the concept of tie-dying. The particular style of the Hakkoryu mon is commonly known as Yotsume (“four eyes”). The significance of the crest is related primarily to the ancestors of the Okuyama family. However, the geometric design of eight squares related directly to the number eight of Hakkoryu* and the four eyes denotes preparedness for attack from all directions. There is also a superstition attached to Yotsume, as the “four eyes” guard against evil. This idea has been extended to include personal protection as in the case of Hakkoryu. The tachikake sword stand displayed the sword in a standing upright position, as opposed to the katanakake horizontal position. The vertical meant only one sword could be held, the horizontal two or several. The vertical tachikake makes a more impressive centrepiece display today, but when originally made if stood on the floor immediately next to the samurai's bed roll, the sword could be grabbed in an instant by a recumbant sleeping samurai if alerted to imminent danger. The Edo period (1603–1868) saw an increase in the focused cultivation of lacquer trees for urushi, and the development of the techniques used. In the 18th century coloured lacquers came into wider use. With the development of economy and culture, and the artistic quality of lacquered furniture improved. Hon'ami Kōetsu and Ogata Kōrin brought the designs of the Rinpa school of painting into lacquerware. After the middle of the Edo period, Inro [box containers worn from the samuria's obi hung by cords] became popular as men's accessories, and wealthy merchants of the chōnin class and samurai class collected inro of the highest aesthetic value, most precisely designed with urushi lacquer. Marie Antoinette and Maria Theresa were known collectors of fine Japanese lacquerware and their collections are exhibited in the Louvre and the Palace of Versailles. During this period, due to the development of the economy, shishiai-togidashi maki-e, an advanced technique, became popular. Small areas of natural age wear markings.  read more

Code: 23511

A Beautiful & Stunning Edo Period Tetsu Round Tsuba Of a Bat Flying in Rain Over Turbulant Seas.

The reverse is a willow carved in sunken relief, all upon a russet ground. somewhat reminiscent of the work my master Kenzui,

In Japanese folklore, bats are often associated with good luck and prosperity. One popular folktale is the story of "Bakeneko," a mythical creature resembling a cat with bat-like features. Bakeneko is believed to bring blessings and protection to households, particularly during times of hardship.

In the context of kimono designs, the depiction of bats holds specific symbolism. Bats are often featured alongside other auspicious motifs such as the pine, bamboo, and plum—traditional symbols of longevity, resilience, and prosperity. When bats are included in these designs, they reinforce the notion of good fortune and longevity, making them popular motifs for celebratory occasions such as weddings and New Year's festivities.

During the Meiji period (1868-1912), Japan underwent significant cultural and societal transformations. Bats continued to be prominent symbols during this era, often depicted in art and textiles as representations of prosperity and modernisation. As Japan embraced Western influences and embarked on industrialisation, the symbolism of bats evolved to reflect aspirations for economic growth and social advancement. Bats were frequently incorporated into decorative arts, such as ceramics and textiles, to convey wishes for prosperity and success in the changing landscape of Meiji Japan.

72mm  read more

Code: 25480

Superb Tsuba Signed Choshu Koku Hagi ju Kawaji Go {no} Ju Tomochika. A Retainer of The Mori Daimyo

The westerly province of Chōshū (Nagato) was the home of eight or more important families engaged in making sword-furniture, of whom the parent was the Nakai group, originally established in the neighbouring province of Suō. The indication “of Hagi” (Hagi no jū), so frequently added to the signatures on Chōshū work, may not perhaps in all cases imply the artist’s actual residence at the Nagato capital.

The early work was influenced by Umetada Miōju (Group XI), who spent some time at the Suō capital, Yamaguchi, as well as by members of the Shōami group (XII); thus, examples by the Nakai often show incrustation of the softer metals on the iron ground. Chōshū guards are usually in iron of a rich black patina, with sharp, powerful and carefully modelled relief, either solid or perforated. There may be a sparing enrichment of gold, but this is unusual.

After the Tokugawa family had reconstituted Japan’s central government in 1603, the head of the Mōri family became the daimyo, or feudal lord, of Chōshū, the han (fief) that encompassed most of the western Honshu region. Although the Tokugawa tolerated the existence of the Mōri in Chōshū, the two clans remained hostile toward each other. Chōshū warriors played the leading role in the overthrow of the Tokugawa government in 1867, after which Chōshū men dominated the new government until the end of World War II. Nevertheless, throughout the Tokugawa period (1603–1867) the Mōri family indoctrinated their warriors with hatred of the Tokugawa family and respect for the emperor, whose power the Tokugawa usurped. When Chōshū warriors led the fight to overthrow the Tokugawa in 1867, they did so under the banner of restoring power to the emperor.

74mm  read more

Code: 25489

Superb Original US Civil War Cavalry Sabre By Roby, Chelmsford Mass. Dated 1864 Identical to General George Armstrong Custer's Cavalry Sabre, An 1864 Roby Contract Sword, Inspected by AGM For Custer's Wolverines. Possibly Made For The Michigan Brigade

Roby, of Chelmsford Massachusetts is a Civil war sword maker for which we have been seeking examples of his swords for decades, especially ones inspected by Alfred Munnings. He was a very fine and well recorded maker, and a contractor for some of the most historically interesting cavalry used by the Union in the Civil War. Especially so, the most famed of all, Custer's Wolverines. As we have dedicated our business's 'modus operandi' to seek and find the most interesting and significant pieces, this maker of sabres fits beautifully into that criteria, of our dedication to continually seek and discover new pieces to add to our unique selection of intriguing and historical artefacts. This is our latest stunning addition to that pedigree of Custer's swords from the Civil war.

The Model 1860 Light Cavalry Sabre. Traditional three bar brass hilt, cushion pommel and ribbed wooden grip. Made by the same maker in the same year and even inspected by the very same man A.G.Manning as Custer's and his Wolverine's sabres. Made by C.Roby of Chelmsford Mass. Civil War Union Government inspectors initials stamped at blade forte 'A.G.M'. One of the US Army sword inspectors, Alfred G. Munnings. This is the very same sword pattern, year, and maker, as was used by Col.George Armstrong Custer, that was also inspected by Alfred Munnings.

Custer's sword was late of the Charles A.Custer's family collection, and it's maker, date and inspector's initial stamp AGM are well documented. Custer is shown wearing his sabre in a photo in the gallery for information only not included with sword. This sabre was obviously made, and part of, the same Union cavalry contract as the swords supplied to Col. Custer, and 'Custer's Wolverines, the Michigan Brigade'. This sword is a Union contract purchased sword, with the sword's blade maker marked by C.Roby of Chelmsford, Mass. American government contract inspector stamped, AGM Alfred G. Manning, and dated 1864. The Michigan Brigade, sometimes called the Wolverines, the Michigan Cavalry Brigade or Custer's Brigade, was a brigade of cavalry in the volunteer Union Army during the latter half of the American Civil War. Composed primarily of the 1st Michigan Cavalry, 5th Michigan Cavalry, 6th Michigan Cavalry and 7th Michigan Cavalry, the Michigan Brigade fought in every major campaign of the Army of the Potomac from the Battle of Gettysburg in July 1863 to the Confederate surrender at Appomattox Court House in April 1865.

The brigade first gained fame during the Gettysburg Campaign under the command of youthful Brigadier General George Armstrong Custer. After the war, several men associated with the brigade joined the 7th U.S. Cavalry Regiment and later fought again under Custer in the Old West frontier.

In the first half of the war, the Confederates enjoyed the advantage in cavalry, as southern men were more accustomed to the riding and shooting life, and most of the experienced cavalry officers from the regular army had chosen to side with the Confederacy . A notable example was Bedford Forrest, who effectively dominated Tennessee & northern Mississippi until the end of the war.

By the second half, from 1863 onward, the Union Army had gained an equal cavalry capability, through Benjamin Grierson’s brilliant deception tactics in the Mississippi valley, and Philip Sheridan’s aggressive movements, while in command of the Army of the Shenandoah at the end of the war in Virginia.

Cavalry units proved highly expensive to maintain, and unscrupulous agents would often exploit shortages by supplying defective animals at exorbitant prices. Offensive actions were certainly not unknown, however, but they were more frequently employed against enemy cavalry than against infantry. Examples of offensive actions include the Battle of Brandy Station and the Battle of Yellow Tavern; cavalry versus cavalry examples include the First Battle of Bull Run and Elon J. Farnsworth's ill-fated charge on the third day of the Battle of Gettysburg.

Reconnaissance was the key to effective cavalry, as it remains today in modern armies (although modern cavalrymen use light armored vehicles or helicopters instead of horses). The cavalry serves as the "eyes" of the army. Reconnaissance was a crucial component in the Gettysburg Campaign, where cavalry under Union General Alfred Pleasonton attempted to find the wide-ranging Army of Northern Virginia on its invasion of the North, and Confederate cavalry under J.E.B. Stuart effectively employed counter-reconnaissance to screen passes in the Blue Ridge Mountains and hide Robert E. Lee's movements.

Long-distance raids were the most desirable mission for cavalrymen, primarily because of the fame that successful raids would bring, but they were often of little practical strategic value. Jeb Stuart became famous for two audacious raids on the Union Army of the Potomac in 1862; in his third such attempt, during the Gettysburg Campaign, he squandered much of the cavalry forces of the Army of Northern Virginia and deprived Robert E. Lee of adequate reconnaissance at the beginning of the Battle of Gettysburg, one of the principal reasons for the Confederate defeat there. Union attempts at strategic raids had mixed success. George Stoneman's raid in the Battle of Chancellorsville was a failure; Benjamin Grierson's raid in the Vicksburg Campaign was a strategic masterpiece that diverted critical Confederate forces away from Ulysses S. Grant's army; James H. Wilson's massive 1865 raid in Alabama foreshadowed the armored warfare maneuvers of World War II. In general, strategic raids were used more effectively in the Western Theater of the war.

Defensive actions by the cavalry were critical in the retreat from Gettysburg. Pursuit and harassment of enemy forces were often neglected (particularly by the Union after Gettysburg and Antietam), but can be seen in their finest form in the pursuit of Robert E. Lee during the Appomattox Campaign. This sword has just returned from days of hand conservation and hand polishing in our workshop.  read more

Code: 25490

A Ist Gulf War Souvenir, A Russian Scud Missile Launcher 'Level' Site. On its Original Tripod And Instrument Transit Case.

In overall excellent condition, and it’s original metal transit case for the instrument. It’s optics are truly incredible, in fact as good as anything that can be made today for the purpose of a ‘level’ instrument {somewhat similar to a theodolite}

A war trophy of the first gulf war, a Russian Scud Missile Rocket Launcher Level Site on adjustable tripod stand. Originaly designed for use with the USSR Red Army 'Frog' nuclear rocket. The Scud missiles targeting Israel were relatively ineffective, as firing at extreme range resulted in a dramatic reduction in accuracy and payload. Extensive property damage was caused, and according to Israel Ministry of Foreign Affairs, "Damage to general property consisted of 1,302 houses, 6,142 apartments, 23 public buildings, 200 shops and 50 cars." It was feared that Iraq would fire missiles filled with nerve agents such as sarin. As a result, Israel's government issued gas masks to its citizens. When the first Iraqi missiles hit Israel, some people injected themselves with an antidote for nerve gas. It has been suggested that the sturdy construction techniques used in Israeli cities, coupled with the fact that Scuds were only launched at night, played an important role in limiting the number of casualties from Scud attacks.

Missiles were a vital part of the old Cold War. Intercontinental ballistic missiles (ICBMs) threatened to hurl nuclear payloads from one side of the globe to the other, obliterating humanity, a real war to end all wars.

Before a Scud level site it was made for the Russian USSR Frog rocket. Further down the scale of destructiveness, tactical missiles were an important part of the Soviet arsenal. Following Joseph Stalin’s death in 1952, Nikita Khrushchev came to power. A great believer in rocketry and nuclear weapons, he cut back on conventional forces while boosting the USSR?s missile systems.

It led to a proliferation of vehicle-mounted ballistic missiles for use in tactical rather than global engagements. The first tactical missiles added to the Soviet arsenal under Krushchev were the Free Rocket Over Ground (FROG) series.

FROG-1 entered service in 1955. An IS-2 tank chassis was modified to become the basis of the launch vehicle. On it was mounted a ten-meter-long rocket powered by a solid fuel engine. It could carry a conventional 1,200-kilogram high explosive fragmentation warhead. In keeping with Khrushchev’s faith in nuclear solutions, it could also carry a tactical nuclear warhead.

The vehicle had a maximum road speed of 41 kilometers per hour, which went down to 30kph while carrying the 3,200-kilogram weight of the rocket.

The rocket had a range of nearly 26 kilometers. Half the rockets fired by FROG-1 landed within 700 meters of their target point.

One replaced bolt on the tripod.  read more

Code: 21696

An Original, Zulu War Period, Antique Zulu King's 'Prestige Sceptre', Apparently Zulu King Cetshwayo's Ubhejane Horn Sceptre Knopkerrie, Over 150 years Old, Circa 1860's to1870

A very special item indeed, showing amazing age patination, for those with serious interest in original and unique Zulu War artefacts.

The Anglo-Zulu War was fought in 1879 between the British Empire and the Zulu Kingdom. Following the passing of the British North America Act of 1867 forming a federation in Canada, Lord Carnarvon thought that a similar political effort, coupled with military campaigns, might succeed with the African Kingdoms, tribal areas and Boer republics in South Africa. In 1874, Sir Bartle Frere was sent to South Africa as High Commissioner for the British Empire to effect such plans. Among the obstacles were the armed independent states of the South African Republic and the Kingdom of Zululand.

Frere, on his own initiative, sent a provocative ultimatum on 11 December 1878 to the Zulu king Cetshwayo and upon its rejection sent Lord Chelmsford to invade Zululand.The war is notable for several particularly bloody battles see below, including an opening victory of the Zulu at the Battle of Isandlwana, followed by the defence of Rorke's Drift by a small British force from attack by a large Zulu force. The British eventually won the war, ending Zulu dominance of the region.

Battle of Isandlwana; the battle fought on 22nd January 1879, at which the Zulus wiped out a substantial British force, including the 1st Battalion, 24th Foot and rocked Victorian society.

Battle of Rorke’s Drift; the iconic defence of the mission station in Natal on 22nd January 1879, by a small force of British and colonial troops; winning a record number of Victoria Crosses and inspiring Victorian Britain.

Battle of Khambula; the defeat by Colonel Evelyn Wood of a Zulu army on 29th March 1879, in the opening stages of the Zulu War.

Battle of Gingindlovu; the battle fought on 2nd April 1879, where Lord Chelmsford defeated a Zulu army on his route to overwhelming the Zulu nation at Ulundi.

Battle of Ulundi: The final battle of the Zulu War, fought on 4th July 1879, where Lord Chelmsford’s troops destroyed the army of the Zulu King Cetshwayo.

This fabulous sceptre would have been made only for the use of the Zulu king during the 1860’s and 1870’s, and would have been both prestigious and also powerful; the strength of the animal from which it was taken gave it enormous potency and therefore only a King, a great medicine man, could own it.

Sceptres with heads of this size were outlawed in the Victorian era by the government who passed a law stating that the diameter of the head had to be of a size small enough to fit into the owner's mouth. This one won’t fit in most mouths

This Ubhejane horn prestige sceptre is believed to have come from a beast in the 1860’s from Kenya from a group of white ubejane, now extinct. Gifted to the previous current owner by a Zulu Prince in the 1960’s, probably the most significant piece from the Zulu War we have seen. Not suitable for export

Approx 23 inches long  read more

Code: 24574

A Beautiful Omori School Tsuba Turbulant Sea With Crashing Waves and A Crane Swooping Over Turtle Below.. Edo Period

The crane and the turtle have a significant position in Japanese folk lore and tradition, as both symbolically represent longevity in Japanese art.
The shibuichi tsuba of marugata shape, with a kozuka and kogai hitsu-ana, the nakago-ana with some suaka sekigane, finely worked takabori and takazogan to depict breaking waves carved in the typical manner of the Omori school with inlaid gold spray drops. Sekigane. Late 18th century, Edo period (1615-1868)

Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.

A closely related shibuichi tsuba with waves {omitting the crane and turtle} by Omori Teruhide is in the Museum of Fine Arts, Boston, accession number 11.5454.

Koryūsai Isoda, woodblock print, of a crane flying over crashing waves.
64mm  read more

Code: 25456

A Most Rare Original WW2 SOE/OSS Issue, Clandestine Special Operations Executive Agent's Folding Espionage and Sabotage Clasp Knife With Tyre Slasher.

A slender steel unit with chequered black bakelite scales secured by five steel rivets and belt loop securing pin. Forward section of body is enclosed by short bright steel bolster. Forward section of underside is recessed for stowage of larger blade. Blade when stowed is enclosed by body. A blade release stud is located at back of tang Blade form: larger blade is very slightly recurved and single-edged with a, near Bowie-style, clipped and sharpened false edge. A small but very sharp tyre sabotage hook-like single-edged blade is fitted at "pommel" end of body, with nickel grip plate bolsters. In almost every case over the past 50 years we have sought and found a few of such incredibly intriguing ‘special services’ clasp knives, the long blade’s have all had numerous hand sharpenings and re-shaping due to their constant use in clandestine operations against the Third Reich occupation forces. In fact almost all examples that survive within clandestine forces museums, The IWM and the like, have the blades in such condition and the grip plates with obvious signs of combat use.

See pages 46 and 47 British and Commonwealth Military Knives by Ron Flook.

S.O.E. operatives had a wide range of equipment to help survive in enemy territory. Specialist jump-suits and personal escape and survival packs were developed by S.O.E.'s own factories.

Agents were carefully prepared for missions. Detailed briefings gave the latest information on the countries and specific locations where they were operating. Cover stories, contact addresses, personal codes and escape routes were provided. S.O.E. s paramilitary teams were given money, food and special military stores to meet individual needs
..
This was the knife issued to agents, initially in order to cut the shroud of the parachute, but from thenceforth as a universal espionage knife blade. The second blade is a sabotage tyre slasher.

The Special Operations Executive (SOE) was a secret British World War II organisation. It was officially formed on 22 July 1940 under Minister of Economic Warfare Hugh Dalton, from the amalgamation of three existing secret organisations. Its purpose was to conduct espionage, sabotage and reconnaissance in occupied Europe (and later, also in occupied Southeast Asia) against the Axis powers, and to aid local resistance movements.

Few people were aware of SOE's existence. Those who were part of it or liaised with it were sometimes referred to as the "Baker Street Irregulars", after the location of its London headquarters. It was also known as "Churchill's Secret Army" or the "Ministry of Ungentlemanly Warfare". Its various branches, and sometimes the organisation as a whole, were concealed for security purposes behind names such as the "Joint Technical Board" or the "Inter-Service Research Bureau", or fictitious branches of the Air Ministry, Admiralty or War Office.

SOE operated in all territories occupied or attacked by the Axis forces, except where demarcation lines were agreed upon with Britain's principal Allies (the United States and the Soviet Union). It also made use of neutral territory on occasion or made plans and preparations in case neutral countries were attacked by the Axis. The organisation directly employed or controlled more than 13,000 people, about 3,200 of whom were women.

After the war, the organisation was officially dissolved on 15 January 1946. The official memorial to all those who served in the SOE during the Second World War was unveiled on 13 February 1996 on the wall of the west cloister of Westminster Abbey by Queen Elizabeth The Queen Mother. A further memorial to SOE's agents was unveiled in October 2009 on the Albert Embankment in London.3 The Valençay SOE Memorial honours 104 SOE agents who lost their lives while working in France. The Tempsford Memorial was unveiled on 3 December 2013 by Charles, Prince of Wales, in Church End, Tempsford in Bedfordshire, close to the site of former RAF Tempsford.

On 5 May 1941 Georges Bégué (1911–1993), a radio operator, became the first SOE agent parachuted into German-occupied France. The American, Virginia Hall, who arrived by boat in August 1941, was the first woman to serve for a lengthy period in France. Andrée Borrel (1919–1944) and Lise de Baissac (1905–2004) became the first women parachuted into France on 24 September 1942. A typical team of a network consisted of an organiser (leader), a radio operator, and a courier. Agents performed a variety of functions including arms and sabotage instructors, couriers, liaison officers and radio operators. Between Bégué's first drop in May 1941 and August 1944, more than 400 F Section agents were sent into occupied France. RF sent about the same number of agents; AMF sent 600 (although not all of these belonged to SOE). EU/P and DF sent a few dozen agents each.

Some networks were compromised, with the loss of many agents. In particular agents continued to be sent to the "Prosper" network headed by Francis Suttill for months after it was controlled by the Germans and most of its agents had been captured. The head of F Section, Maurice Buckmaster was blamed by many as he failed to see signs that the network was compromised. Buckmasters highly significant no 2 was Vera Atkins, the basis for the character of Hilda Pierce in Foyle's War. { For those interested, Antony Horowitz’s ‘Foyle’s War’ {2002-2015} was one of Britain’s finest ever wartime tv drama series ever made {see Netflix}. It was of such incredibly fine dramatic quality, staring some of The UK’s finest acting talent, that it was cancelled, due to budget cuts, by its broadcaster, twice. For many, the failure of its recognition as to its quality and worth by the TV exec. mandarins, and to thus order its cancellation, is effectively, the highest praise indeed}

Atkins was recruited before the war by Canadian spymaster Sir William Stephenson of British Security Co-ordination. He sent her on fact-finding missions across Europe to supply Winston Churchill (then in the 'political wilderness') with intelligence on the rising threat of Nazi Germany.

After the war as well as tracing 117 of the 118 missing F Section agents, Atkins established the circumstances of the deaths of all 14 of the women, twelve of whom had perished in concentration camps: Andrée Borrel, Vera Leigh, Sonia Olschanezky (whom Atkins did not identify until 1947, but knew as the fourth woman to be killed) and Diana Rowden executed at Natzweiler-Struthof by lethal injection on 6 July 1944; Yolande Beekman, Madeleine Damerment, Noor Inayat Khan and Eliane Plewman executed at Dachau on 13 September 1944; Denise Bloch, Lilian Rolfe and Violette Szabo executed by shooting at Ravensbrück on 5 February 1945, and Cecily Lefort executed in the gas chamber at the Uckermark Youth Camp adjacent to Ravensbrück sometime in February 1945. Yvonne Rudellat died of typhus on 23 or 24 April 1945, eight or nine days after the liberation of Bergen-Belsen,30 and Muriel Byck had died of meningitis in hospital in Romorantin, France, on 25 May 1944. Atkins had also persuaded the War Office that the twelve women, technically regarded as civilians, who had been executed, were not treated as having died in prison, as had been originally intended, but were recorded as killed in action.

Atkins' efforts in looking for her missing "girls" meant not only did each now have a place of death, but by detailing their bravery before and after capture, she also helped to ensure that each (except Sonia Olschanezky, unknown to Atkins until 1947) received official recognition by the British Government, including the award of a posthumous George Cross to both Violette Szabo in 1946 and, especially due to Atkins's efforts, Noor Inayat Khan in 1949. (Odette Sansom, who survived Ravensbrück, also received the GC in 1946.) However, when Atkins did confirm that Sonia Olschanezky had died at Natzweiler-Struthof, she failed to pass the information to Sonia's family. Atkins was appointed CBE in the 1997 Birthday Honours. She was awarded the Croix de Guerre in 1948 and made a Knight of the Legion of Honour by the French government in 1987. She died in Hastings Sussex in June 2000 aged 92.

4 3/4 Inches fully folded, naturally in combat service used condition, entirely as to be expected, the grip plates are good with small end loss. Considering their service, almost every of the very few examples we have seen in the past 50 years, in or outside of museum collections, have had damage and losses in this area.  read more

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