A Simply Fabulous Samurai's Loyalty, Ritual-Exchange, Wine Bowl, A Sakazuki of Hiramaki-e Pure Gold Lacquer. Signed Yoyusai (1772-1845)

A Sakazuki cup, a footed Circular Wine Cup of pure gold lacquer signed Hira Yoyusai decorated with the symbols of the highest ranking samurai, an Imperial court cap, a pole arm and General's war fan. Sakazuki is a ritual of exchanging sake cups as a means of pledging loyalty. The word itself refers to ceremonial cups used on special occasions like weddings, tea ceremonies, etc. There are currently two known versions of the sakazuki ritual.
Worthy of any museum grade collection of the finest Japanese Ob'ject D'art. Edo period (19th century), signed Yoyusai (1772-1845). A footed, circular cup of pure gold lacquer in gold hiramaki-e on fundame ground. Decorated with an Imperial court cap, a war fan, a pole arm and a tied sack. Likely commissioned for a notable of the highest rank, such as a daimyo lord or member of the Japanese nobility. In the period Kwansei, 1789 to 1801 C.E., Koma Kwansai, Inouye Hakusai, and Hara Yoyusai were the most famous artists, the first of whom was foremost in the delicacy of his work, but was comparatively unknown. Nakayama Komin was a distinguished lacquerer who worked in Edo and learnt the art from Hara Yoyusai (1772-1845). Yoyusai and other 19th-century lacquer artists including Koma Kansai and Zeshin, Nakayama Komin turned to famous early masterpieces of Japanese lacquer for inspiration. A superbly executed piece of finest artwork, showing remarkable skill for the minutest detail. Hiramaki-e, in Japanese lacquerwork, gold decoration in low, or flat, relief, a basic form of maki-e. The pattern is first outlined on a sheet of paper with brush and ink. It is then traced on the reverse side of the paper with a mixture of heated wet lacquer and (usually red) pigment. The artist transfers the pattern directly to the desired surface by rubbing with the fingertips, a process called okime. In the next step (jigaki), the pattern that has been transferred is painted over with lacquer usually a reddish colour. A dusting tube is used to sprinkle gold powder on the painted design while the lacquer is still wet. When the lacquer is dry, superfluous gold powder is dusted off, and a layer of clear lacquer is applied over the gold-covered design. When dry, it is polished with powdered charcoal. A second layer of lacquer is added, allowed to dry, and given a fingertip polish with a mixture of linseed oil and finely powdered mudstone.

The hiramaki-e technique, which dates from the latter part of the Heian period (794-1185), was preceded by togidashi maki-e, a technique in which not only the design but the whole surface is covered with clear lacquer after the sprinkling of metal powder; the lacquer is then polished down to reveal the design. During the Kamakura (1192-1333) and Muromachi (1338-1573) periods, hiramaki-e tended to be overshadowed by takamaki-e (gold or silver decoration in bold relief). It came fully into its own only in comparatively modern times. During the Azuchi-Momoyama period (1574-1600), hiramaki-e artists often left the sprinkled gold powder unpolished in a technique called maki-hanashi (left as sprinkled). A very beautiful piece by the master or an homage to Yoyusai bearing his name.

5" diameter across 1.33 inches high

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 22989

A Very Attractive, Original, British, Regulation Royal Naval Officers Sword, Post 1953 Pattern, Used in The Falklands War The South Atlantic Campaign. Made By Gieves Of Saville Row, London

Made by Gieves of Saville Row London. Almost all the original gilt remains to the hilt, sharkskin grip multiwire bound. Brass mounted leather scabbard overall in very nice order. the blade is maker marked Gieves, with ERII cypher of the late wellbeloved Queen Elizabeth IInd.

A good and sound light grade Royal Naval officer's sword.

Gieves Ltd was one of Britain’s most prestigious naval and military outfitters, established in the late 18th century and closely associated with the Royal Navy. Operating from key naval centres including London, Portsmouth and Devonport, the firm supplied uniforms, swords and equipment to generations of naval officers. Like many high-end outfitters, Gieves commonly retailed swords manufactured by specialist blade makers, applying their own etched retailer panels to private-purchase officer swords ordered to individual specification. Pieces bearing the Gieves name are therefore strongly associated with officer-quality dress equipment and remain highly regarded today.

The Fleet: The British force assembled 44 warships, 22 Royal Fleet Auxiliary ships, and 45 merchant ships.Key Ships: Core air support relied on the aircraft carriers HMS Hermes and HMS Invincible.

Air and Sea Control: The primary strategy focused on securing total maritime and air dominance before attempting major troop landings.

Amphibious Landings: Troops went ashore at San Carlos Water on East Falkland on 21 May 1982, an operation heavily supported and enabled by naval escorts.

Logistical Hurdles: The task force operated 8,000 miles from home bases without local air supremacy, exposing ships to heavy air attacks in confined coastal waters.

Aircraft Carriers HMS Hermes (The conflict's flagship) HMS Invincible

Aircraft Carriers:

HMS Hermes (Flagship) & HMS Invincible.

Landing Platform Docks (LPD):

HMS Fearless & Intrepid.

Type 82 Destroyer:

HMS Bristol.

Type 42 Destroyers:

HMS Sheffield, Glasgow, Coventry, Cardiff, Exeter.

County Class Destroyers:

HMS Glamorgan & Antrim.

Type 22 Frigates:

HMS Brilliant & Broadsword.

Type 21 Frigates:

HMS Acive, Alacrity, Ambuscade, Antelope, Ardent, Arrow & Avenger.

Leander Class Frigates:

HMS Argonaut, Penelope, Minerva & Andromeda.

Rothesay Class Frigates:

HMS Yarmouth & Plymouth.

Landing Ship Logistics:

RFA Sir Bedivere, Sir Galahad, Sir Geraint, Sir Percivale, Sir Tristram & Sir Lancelot.

The blade however has areas of old pitting throughout its length, thus it is priced accordingly.  read more

Code: 26352

Grande Armee Issue, From the Consular To Ist Empire Period. French Napoleonic Year 13 Cuirassier Sword, Manufactured at Versailles in the Early Imperial Period, Circa 1804-1806. Inspected by Nicholas Cherrer, Chef De Battalion

Blade stamped with the mark of the Fasces for the 'Petit Garantie' 1798 to 1809, plus AP for L'Atelier Precision Paris, Paris Workshop and the hilt has the Versailles approval stamp.

Versailles was the premier hilt manufactury and assembly workshop for the Republic and Empire, and only the very finest would pass acceptance. All of the Elite Imperial Guard sword hilts were supplied from here. The Versailles Director was Boutet, probably the greatest & most respected Arms maker that ever lived, his pistols and guns, made for the King and Napoleon, are some of the most beautiful objects ever created by man.

This would have seen service in the Elite Cuirassiers of Napoleon's great heavy cavalry regiments of the Grande Armee such as in 1807 at Friedland. And in the French invasion of Russia ( Campagne de Russie) that began on 24 June 1812 when Napoleon's Grande Armee crossed the Neman River in an attempt to engage and defeat the Russian army. Napoleon hoped to compel Tsar Alexander I of Russia to cease trading with British merchants through proxies in an effort to pressure the United Kingdom to sue for peace. The official political aim of the campaign was to liberate Poland from the threat of Russia. Napoleon named the campaign the Second Polish War to curry favour with the Poles and provide a political pretence for his actions. The Grande Armee was a very large force, numbering nearly half a million men from several different nations. Through a series of long marches Napoleon pushed the army rapidly through Western Russia in an attempt to bring the Russian army to battle, winning a number of minor engagements and a major battle at Smolensk in August. Napoleon hoped the battle would mean an end of the march into Russia, but the Russian army slipped away from the engagement and continued to retreat into Russia, while leaving Smolensk to burn. Plans Napoleon had made to quarter at Smolensk were abandoned, and he pressed his army on after the Russians. The battles continued, but once the winter set in Napoleon's army was facing insurmountable odds that left it effectively shattered beyond repair. Napoleon fled, it is said, dressed as a woman, and the army left to it's sad and miserable fate. Only around 27,000 were able to return after a mere six months of the Russian campaign. The campaign was a turning point in the Napoleonic Wars. The reputation of Napoleon was severely shaken, and French hegemony in Europe was dramatically weakened.
The Grande Armee, made up of French and allied invasion forces, was reduced to a fraction of its initial strength. These events triggered a major shift in European politics. France's ally Prussia, soon followed by Austria, broke their alliance with France and switched camps. This triggered the War of the Sixth Coalition. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers swords in England very likely came from that field of conflict, after the battle, as trophies of war. However, this sword was one of the few that were allowed to remain in the elite cuirassier corps after Waterloo, serving King Loius XVIIIth both before Napoleon's 100 days, and after his crushing defeat by Wellington at Waterloo. In fact one can see it has been issued, re-issued and even re-inspected by Capt. Louis Balaran, at least twice times with numerous serial numbers and inspection stamps stamped and struck out in its working life from 1806.

Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly magnificent Napoleonic sword in superb condition for it's age.
The largest sword of its kind that was ever made or used by the world's greatest cavalry regiments. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into its ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. The brass basket guard on this sword is first class, the blade is double fullered and absolutely as crisp as one could hope for. Made in the early Napoleonic Wars period.
Just a basic few of the battles this would have been used at such as Friedland in 1807, in 1812 and beyond 1812: Borodino and Moscow, Ostrowno, and Winkowo 1813: Reichenbach and Dresden, Leipzig and Hanau
1814: La Rothiere, Rosnay, Champaubert, Vauchamps, Athies, La Fere-Champenoise and Paris
1815: Quatre-Bras and Waterloo. The blade has fabulous steel bright colour, and hilt has fabulous patina. Overall 45.75 inches long in its scabbard, the spear pointed blade is 37.5 inches long. Just old staining to the scabbard steel.

The French Elite Cuirassier Sword is surely one of the most impressive Heavy Cavalry swords ever made, being of incredible size quality and stature. Used in the great campaigns of Napoleon by the Elite Grande Armee Cavalry, from Austria through the Russian Campaign, into the Peninsular War and finally the The Battle of Waterloo. All the Cuirassier were front line regiments, none ever utilized as Militia. With steel combat scabbard, multi fullered blade, brass 4 bar hilt with wire bound leather grip. Circa 1806. The blade is exactly as it should be, and bearing the matching Atelier Paris and Versailles stamp of 1806. Leather grip re-covered some time long past. Excellent condition hilt, and blade, later scabbard  read more

Code: 26351

An Antique 19th Century, Victorian, Naval Ship's Cutlass Iron Bowl With Steel Blade and Cast Ribbed Brass Grip

Likely made by Henry Wilkinson and this particular pattern are recorded as part of Wilkinson's naval cutlass contract in the late 19th century.

Ratings of the Royal Navy have used cutlasses, short, wide bladed swords, since the early 18th century. These were originally of non-uniform design but the 1804 Pattern, the first Navy-issue standard cutlass, was introduced at the start of the 19th century. This was a bluntish weapon that was perhaps intended for cutting away canvas and ropes rather than as a thrusting combat weapon. The 1845 Pattern cutlass introduced a bowl-style hand guard which provided greater protection, with a longer and more curved blade. Its sharper point made it more useful for thrusting attacks, which were now emphasised in the drill manual. The 1845 Pattern was modified several times including shortening and straightening the blades, which weakened them. The 1889 Pattern had a straight, spear-pointed blade with a hilt that curved outwards to catch and redirect an opponent's sword point. The 1900 Pattern, the last navy-issue cutlass, was similar to its predecessor with the introduction of a fuller and a hilt insert that cushioned the user's little finger. It was used in combat in 1900 during the Boxer Rebellion. The cutlass was withdrawn from service in 1936 but remains in use for ceremonial purposes. However, we show a photograph in the gallery of British seamen assesing and polishing the ships cutlasses before combat in WW2. Plus, one of our late artisan's was a formar navy man, and he used them in the South China Seas in boarding parties against pirates in the 1950's.

Sailors received little training in sword technique and indeed these weapons were often snatched up at the last minute from chests kept on deck, either to repel boarders or to take on a boarding made against another ship.
Scabbards were not needed because a sailor would need his cutlass for immediate use in battle. However one in ten were made with scabbards for shore parties.
Boarding over the side of another ship in the days of sail was often a difficult affair. Sometimes the enemy's vessel could be much bigger than your own, or indeed much smaller, necessitating either a climb up the gunports and through the anti-boarding nettings of the other ship or a plunge down, probably on a rope's end, onto the deck of the smaller vessel.
At the encounter between the 14-gun Speedy and the 32-gun Gamo in 1801 a British boarding party led by Captain Thomas Cochrane took the Spanish frigate by boarding in a fierce action. The small British ship was manoeuvred to come close alongside the enemy and eventually under the Spanish guns' maximum depression. Then Cochrane led the entire 40 crew - except for eight casualties and the surgeon who was left at the wheel.

Armed with cutlasses, axes and pikes the British sailors fought ferociously in hand-to-hand combat with Cochrane calling loudly for another 50 fictitious reinforcements to follow. The Spanish flung down their weapons and surrendered.

The RN retained cutlasses in service aboard vessals officially until 1936, although there are reports of personnel carrying such weapons in WWII. And it is still used in Courts Marshal. The cutlass was last officially used in the Altmark incident where the British Naval Ship, HMS Cossack, liberated the prisoners captured by the Battleship Graf Spee that were being transported illegally through Norwegian waters by the German ship Altmark.  read more

Code: 26347

A Magnificent 95th Rifles, 1803 British Light Infantry Officer's Sabre of the Napoleonic Wars, The Peninsular War Campaign, The War of the Hundred Days Culminating in Quatre Bras, and Waterloo. with Engraved 'Britannia' Blade. Bespoke Made by Osborne

Used in the Peninsular War, Waterloo & The War of 1812 by a British Officer of a light infantry such as the famous 95th Rifles, or the flank light company of a Guards regiment. Such as that fought at Hougemont in The Battle of Waterloo. and the 95th Rifles that held "The Sandpit" near La Haie Sainte, Waterloo

A singularly beautiful sword, with near mint mercurial gilt hilt, that was designed for battle but was stunningly serviceable for full dress.

It has a carved slotted hilt with the 95th Rifles bugle, the pierced cypher of King George IIIrd, as the inner design within the knuckle bow, and adorned with a wonderfully detailed lion's head pommel, with fine triple wire binding around the spiral sharkskin grip.
This is the pattern of British Light Infantry and Rifles Officer's sword carried by gentlemen officers who relished the idea of combat, but found the standard 1796 Infantry pattern sword too light for extreme combat.

The light infantry regiments were made up of officers exactly of that mettle. The purpose of the rifles light infantry regiments was to work as skirmishers. The riflemen and officers were trained to work in open order and be able to think for themselves. They were to operate in pairs and make best use of natural cover from which to harass the enemy with accurately aimed shots as opposed to releasing a mass volley, which was the orthodoxy of the day.
The riflemen of the 95th were dressed in distinctive dark green uniforms, as opposed to the bright red coats of the British Line Infantry regiments. However the Light Infantry Companies of the Guards Regiments wore red. This tradition of green uniforms lives on today in the regiment’s modern equivalent, 'The Rifles'.

This sabre has a few hand to hand combat cuts in its edge likely from Quatre Bras or Waterloo, and as it still remains sharp. These impacts are highly respected as indicative of the sword's combat pedigree against Napoleons forces.

The standard British infantry and light infantry regiments fought in all campaigns during the Napoleonic Wars, seeing sea-service at the Battle of Copenhagen, engaging in most major battles during the Peninsular War in Spain, forming the rearguard for the British armies retreat to Corunna, serving as an expeditionary force to America in the War of 1812, With the return of Napoleon from exile, all of the companies in England crossed the channel and landed in Belgium in May 1815, joining with those already present, so that the entire regiment, bar the five companies still in America, became part of Wellington's Anglo-Dutch army. The first battalion went on to fight at the Battle of Quatre Bras on 16 June 1815, while all three battalions would fight at the Battle of Waterloo on 18 June 1815

During the battle of Waterloo the 95th Rifles held "The Sandpit" near La Haie Sainte, near the centre of the fighting. From this covered position they could target the French columns marching to both sides & the attackers on the chateau.

In 'Burke at Waterloo', by Tom Williams, Burke’s sergeant, William Brown, is fighting alongside the riflemen, and the account accords well with real accounts of the battle for the farm.

"At last the drummers started to beat amongst the ranks of blue-uniformed warriors and the columns began to bear down on La Haye Sainte. They advanced at a quick step with loud cries of ‘Vive l’Empereur!’ From the heights behind William came a murderous artillery fire that struck down dozens of the advancing soldiers, but they came on regardless.

Now they had reached the beginning of the slope. As they approached La Haye Sainte, skirmishers broke out from the head of each of the columns. Finally, the 95th had something to shoot at. The sound of their rifles was almost lost in the din of artillery as French and British guns duelled across the battlefield.

The farm ahead of them was now the scene of desperate fighting. The French had the place surrounded on three sides, pouring fire into the farmyard. A French brigade moved towards the north of the farm to complete its encirclement. As they did so, they came within range of the sandpit and the Rifles opened up on them. William fired, reloaded and fired again. There was no careful wrapping of the balls now. He rammed home his ammunition as fast as he could. With the enemy so close, it was speed, not accuracy, that was needed. There were so many that it seemed almost impossible not to hit them. The French dropped by the score, but as fast as the men of the 95th killed them, more blue-coated figures moved to replace the dead. Outnumbered as they were, it could only be a matter of time before the Rifles were overrun.

Then, to William’s amazement, the brigade swung away, as if unwilling to face the men in the sandpit. If they were trying to escape the Green Jackets, though, this manoeuvre went horribly wrong, for their change in direction took them straight towards the company that were hidden in the hedge. Once again, their ranks were decimated by British rifle fire.

For a moment, William thought that their three companies of Rifles might achieve the impossible and beat back the French brigade, but, even as the French hesitated, an outburst of firing and cheers drew everyone’s attention to the east. There, through the chaos of smoke, he could see men in the dark blue of the Belgian infantry breaking back towards the main Allied lines while the lighter blue of the French pursued them.

Their captain saw it too, cursed, briefly but fluently, and then turned to his sergeant. ‘The Belgians have broken. We’re too exposed. We have to withdraw.’

William already had his rifle at his shoulder, so he pulled the trigger and took down one more Frenchman. Then, with the rest of the men of the 95th, he started heading back to their own lines.
and holding their positions against tremendous odds at the Battle of Waterloo."

The 1803 Sabre has frequently described as one of the most beautiful swords ever carried, and it was used, in combat, in some of the greatest and most formidable battles ever fought by the British Army during the Napoleonic Wars in Europe the Peninsular Campaign and Waterloo. This is a very attractive sword indeed and highly desirable, especially for devotees of the earliest era of the British Rifle Regiments, such as the 95th and the 60th. As a footnote, in Bernard Cornwall's books of 'Sharpe of the 95th', this is the Sabre Major Sharpe would and should have carried if he hadn't used the heavy cavalry pattern troopers sword, given to him in the story in the first Bernard Cornwall novel.

Overall this battle cum dress sword is in very good order and quite stunning. Near mint mercurial gilt hilt, and fine sharkskin and original triple wire binding to the grip,the scabbard leather is good with two effective contemporary field service leather repairs and very good scabbard mounts, with twin hanging rings, and a top fitting frog mount. The blade is finely engraved, with gilt within the engraving, of Britannia with her Union Flag shield, the Kings Royal Cypher, scrolls, maker mark of Osborne, and in combat service condition, with all its deluxe engraving, mostly clear, but with numerous areas of old russetting and pitting.  read more

Code: 26335

A Fine Regimental Victorian 60th Rifles Officer's Sword of the Rifle Brigade Signed Blade by Kemp, Leddell & Co. Armourers, 41 London Wall, London, Used In The Zulu War and in The Boer War As The Later Regiments Name The Kings Royal Rifle Corps

Etched with foliate scrolls, crowned VR cypher, regimental title device of the strung bugle blade in superb bright polish. Regulation grey steel gothic hilt, also incorporating a slung bugle horn, wire bound fish skin covered grip, in its good steel combat weight scabbard with two suspension rings. Sword bespoke commisioned from Kemp, Leddell & Co in London, circa 1870

3rd Battalion, 60th or The King’s Royal Rifle Corps (1755-1958)

The 60th Rifles in 1879 were part of No. 1 Column (the Main Force) under Colonel Glyn and Lord Chelmsford.
Fought in key engagements, including the decisive Battle of Ulundi on July 4, 1879, which effectively broke Zulu military power. After the Zulu war the regiments name was changed to the KRRC, the Kings Royal Rifle Corps.

The 60th Rifles (The King's Royal Rifle Corps) served actively during the Anglo-Zulu War of 1879, (with individual officers like Major Charles Walter Robinson served on staff).

The 3rd Battalion arrived in South Africa as part of the vital wave of British reinforcements sent after the initial disaster at Isandlwana. Before reaching Ulundi, they took heavy part in relieving the siege of Eshowe and fought at the Battle of Gingindlovu on April 2, 1879.
The British fought in their traditional square formation at the battle of Gingindlovu, with the 60th Rifles taking position on the northern face of the square. According to Castle and Knight, “the main Zulu body split into columns, then crossed the Nyezane (River) at two drifts a mile apart; and, as it advanced up the slopes towards the laager, it fanned out into the traditional chest and horns attack formation. The order to hold fire until the enemy were within 300 yards condemned the troops at the front of the square to the nerve wracking spectacle of the Zulus deploying to attack without a shot being fired to stop them. It was a sight that was to strain the nerves of the untried men of the 60th. The British fought in their traditional square formation at the battle of Gingindlovu, with the 60th Rifles taking position on the northern face of the square. According to Castle and Knight, “the main Zulu body split into columns, then crossed the Nyezane (River) at two drifts a mile apart; and, as it advanced up the slopes towards the laager, it fanned out into the traditional chest and horns attack formation. The order to hold fire until the enemy were within 300 yards condemned the troops at the front of the square to the nerve wracking spectacle of the Zulus deploying to attack without a shot being fired to stop them. It was a sight that was to strain the nerves of the untried men of the 60th.

At Ulundi: The battalion marched into the heart of Zululand with Chelmsford's advancing field force. At the decisive Battle of Ulundi, the British formed a massive, mobile hollow square (or rectangle) out on the Mahlabatini plain to repel an estimated 20,000 Zulu warriors.

During the Second Anglo-Boer War (1899–1902), the King's Royal Rifle Corps (KRRC)—originally the 60th Regiment of Foot—served with distinction in South Africa. Their actions inspired several notable historical paintings, commemorative prints, and portrait commissions.

The Battle of Talana Hill (20 October 1899): The 1st Battalion KRRC played a pivotal role in this early clash, successfully storming the heights alongside the Royal Dublin Fusiliers. Famous period illustrations and paintings capture the intense infantry assault up the boulder-strewn slopes where the KRRC's commanding officer, Lieutenant Colonel Gunning, was killed.

The Battle of Colenso (15 December 1899): The 3rd Battalion KRRC was deployed just 700 yards behind Colonel Long's exposed artillery batteries to prevent the Boers from capturing the guns. This chaotic scene is immortalised in multiple famous paintings depicting the desperate struggle to rescue the artillery pieces under heavy fire.  read more

Code: 26344

A Cased Very Fine English Transitional Percussion Rifled Revolver. This Fine Cased Revolver Set is An Absolute Beauty To Behold.

Decorative engraving to the side plate, bar hammer and butt-cap. Finely chequered grips. Complete in it's original wooden carrying case containing a copper powder flask, steel bullet mold. Cap box and brass tipped wooden clearing rod. Overall length of the pistol inches. The blue baize lined case measures inches with a brass plaque to the lid. The action in very good working order and in excellent condition retaining some of it's original blued finish. A development from the pepper-box was the transitional revolver. This weapon uses the same action but with one barrel attached to the front of a pepper-box cylinder. James Ewell Brown “Jeb” Stuart (1833-1864) was a U.S. Army officer and later a Major General and cavalry commander for the Confederate States of America during the Civil War (1861-65). In 1857 he was shot in the chest at point blank range with a pepper-box by a Cheyenne warrior, Stuart survived probably due rumour has it, to a very weak powder charge. Guns of this type also saw use in the Mexican War as an alternative to the Colt revolver, most notably by General Winfield Scott. During the Mexican-American War (April 25, 1846 – February 3, 1848) U.S. forces under General Winfield Scott entered Mexico City and raise the American flag over the Hall of Montezuma, concluding a devastating advance that began with an amphibious landing at Vera Cruz six months earlier.

A most fine example of an English percussion transitional revolver in its original case retaining much of its original finish.

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.  read more

Code: 25205

A Very Good 5 Shot Revolver of The United States Civil War, By E.Whitney of New Haven Connecticut

A scarce American Civil War era 5 shot Percussion revolver made by E. Whitney. Circa 1860. The 6 inch barrel marked on top E. WHITNEY N. HAVEN. Two piece walnut grips and brass trigger guard. With nice overall aged patination, serial numbered under the grip 26941. Good tight spring action and rotation of the cylinder.

Eli Whitney Sr. established his Whitneyville Armory in 1798 and produced firearms (among other things) by contract for the United states government. Just prior to this in 1793, Whitney invented the mechanical cotton gin, which dramatically changed the economic landscape in the United States, namely in the South. His labour saving device made the processing of harvested cotton extremely efficient and requiring fewer labourer's. This machine caused the market for cotton to explode and more labourer's were needed to plant, grow and harvest the crop. This resulted in a corresponding boom in the Southern slave trade. Great fortunes were created, and the population of the South became such that one in three Southerners were slaves. All this provided the fuel that would become the American Civil War. Eli Whitney died in 1825, and his son, Eli Whitney Jr began running the family business in 1841. In 1847 Whitney Jr. began to manufacture 1,000 of Samuel Colt’s latest revolver the Colt Walker revolver. Production of this revolver helped both parties immensely as it kept Colt in business and it allowed Whitney Jr. to gain experience making revolvers. With the expiration of Colt’s patents in 1857, Whitney began production of percussion revolvers based on Colt’s patents, some of them very closely copied. The Whitney Revolver were produced at the Whitneyville Armory manufacturing centre in the Whitneyville section of New Haven, Connecticut from the late 1850's through to the early 1860's. Many of these were purchased by individual soldiers for use when they were going off to the American Civil War.

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.

Overall length 11 inches. In good overall condition, showing commensurate signs of use and wear. A super Civil War era percussion revolver.  read more

Code: 25256

A Fabulous, Original, Museum Piece, A Medieval Knight's 13th to 15th Century Long Dagger From the Time of the Plantagenet & Lancastrian Kings, From Henry IIIrd, Edwards I/II/III, Richard IInd to King Henry IVth, & King Henry Vth's Battle of Agincourt

Worthy of a world class collection of fine and early arms and armour, or a single statement piece as a compliment to any form of home decor from traditional to ultra contemporary. A piece that would be the centre of conversation and attraction in any location. A most rarely seen, original, complete, & intact, long dagger or short sword of the medieval period, used from the reigns of King Henry IIIrd to King Henry Vth, from the era of the Crusades and the Templar Knights, right through to the Anglo French Battles, the Victories of England against France, at the Battle of Crecy, in 1346, by King Edward IInd and His son the Black Prince, and later at the Battle of Poitiers, in 1356, the victory of King Edward IInd's son, the Black Prince, and King Henry Vth's victory at Agincourt, in 1415.

Daggers surviving from this ancient era are most rare, substantially more rare in fact than the swords themselves. Items such as this were oft acquired in the 18th century by British noblemen touring Northern France and Italy on their Grand Tour. Originally placed on display in the family 'cabinet of curiosities', within his country house upon his return home. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, througout classical Europe, acquiring antiquities and antiques for their private collections. This dagger's history travels from the English Plantagenet Kings Henry IIIrd, Edward 1st, Edward IInd, Edward IIIrd, & Richard IInd, to the Lancastrian Kings Henry IVth & Henry Vth including use at The Battle of Agincourt, where King Henry carried a near identical dagger and his longer version matched sword that are part of his achievements, hanging above his tomb at Westminster Abbey.
A very fine and very rare museum grade medieval knight's long dagger, with large segmented circular pommel, used for a period of around three centuries from the 13th to 15th century.
An iron double edged dagger with lentoid section tapering blade, curved quillon crossguard and scrolled ends, with narrow tang and with an impressive large segmented wheel pommel.
The Battle of Agincourt was a major English victory in the Hundred Years' War. The battle took place on 25 October 1415 (Saint Crispin's Day) in the County of Saint-Pol, Artois, some 40 km south of Calais. Along with the battles of Crecy (1346) and Poitiers (1356), it was one of the most important English triumphs in the conflict. England's victory at Agincourt against a numerically superior French army crippled France, and started a new period in the war during which the English began enjoying great military successes.

After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centre-piece of the play Henry V by William Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopaedia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French. Overall 20.5 inches long in very sound and nice condition for age. There are very few such surviving long daggers from this era, and just a few are part of the Royal Collection. As with almost all surviving daggers and swords of this age, none have their wooden grips remaining, and as such the surviving crossguards are somewhat mobile.

A fine example piece, from the ancient knightly age, from almost a thousand years past. Although this dagger is now in an obvious ancient, and historical, russetted condition, every item made of iron from this era, such as the rarest of swords and daggers, even in the Royal Collection, are in this very same state of preservation.

This piece will come with a complimentary display stand, but could also look spectacular suitably framed. We are delighted to offer such a service if required.  read more

Code: 23016

A Most Rare Airship Parseval Tag 8 Postcard Booklet Set, Chemnitz, Dated 2nd October 1910. a Wonderful Piece of early Airship Aeronautica & Postal Service Ephemera

Parseval day 2nd October 1910, 8 postcard booklet erinnerung an den parseval-tag. Chemnitz

The Parsevals were 22 airships built between 1909 and 1919 by the Luft-Fahrzeug-Gesellschaft (LFG) following the design of August von Parseval. In the 1920s and 1930s, three more airships were built following the Parseval-Naatz (PN) design.

As with the rival Zeppelins, the airships were, in both English and German, referred to by the name of the inventor. (In German, the nouns were masculine, that is, "der Parseval", "der Zeppelin".)

In contrast to the Zeppelins, the Parsevals were non-rigid or semi-rigid airships, with little or no stiffening structure inside the fabric envelope. The Zeppelins had a rigid internal framework made of duralumin. Both types relied on hydrogen gas to provide lift.

Original early Parseval airship postcards are very collectable indeed, and can fetch from £30 to £40 each, but a near complete book of 8 unused cards is really rare to find and a great aeronautical gem, plus with early air post connections  read more

Code: 24519