An Absolutely Stunning Museum Piece & Fit For A Prince, An 18th-19th Century Wootz Steel & Gold Dagger. Likely Made for A Turkish, Ottoman Empire Pasha Or Noble Of the Highest Status. Napoleonic Wars Period. As Worn By A Grand Vizier of the Ottoman Empire

A wonderful antique khanjar dagger of all wootz steel, and the hilt is decorated with chiselled flower heads within an Islamic geometric cartouche form pattern, with scrolling acanthus leaves and flowers at the ricasso of the wootz Damascus blade, overlaid with fine gold koftgari.

Likely worn and used by such as, for example, a great ruler of the Ottoman's, Ali Pasha {he ruled from the 1788 till 1822}.
The great Ali Pasha was, during the Napoleonic Wars, at first, an admirer of Napoleon and formed a brief alliance with him during said Napoleonic wars, but, with changing winds he went against his previous ally in order to support the British. Napoleon thus sanctioned a planned rebellion against Ali, but the British arrived, as funds were being collected and rebels were being recruited. Ali's rival, Ibrahim Pasha of Berat, turned to the French and gathered a coalition of Ali's enemies, including Mustafa Pasha of Delvinë, Pronio Aga of Paramythia, Hasan Çapari of Margariti, the Beys of Himara, the Aga of Konispoli and the Souliotes. This coalition began attacking Ali's realm with support from French artillery, and Ali responded by bribing Ibrahim's supporters with British support. Ali besieged Ibrahim Pasha in Berat with an 8,000-man army commanded by the Albanian captain Omer Bey Vrioni, and with the aid of British rockets, Berat finally fell after a year of skirmishing. Ibrahim retired to Vlorë, and Ali told the Porte that he had taken Berat in response to the revolts in upper Albania that were the result of Ibrahim's inability to rule

The wootz of the blade is in the typical recurved form shape with an armour piercing tip. The type of dagger arm was particularly adept at piercing the armour of enemy combatants.

Developed originally in India, wootz steel technology features a system of isolating micro carbides within a matrix of tempered martensite. The ancient metalwork specialist Herbert Maryon of the British Museum in London described the metal technique as: the undulations of the steel resemble a net across running water the pattern waved like watered silk it was mottled like the grains of yellow sand. With roots in the Tamil Nudu region of the sub-continent, the technology was considered the most effective in the world for maximizing armor piercing potential. The indigenous Indian population presented the invading armies of Alexander the Great with tribute ingots of wootz around 300 B.C. From there, the process was refined over time throughout the world in Damascus, Syria; continental Europe; and later Great Britain, where the process underpinned the Industrial Revolution that began in the 18th century. The Rajahs of India submitted tulwars, shamshirs, khanjars, in addition to other ancient swords and daggers manufactured with wootz to the International Exhibition of 1851 and 1862, whereby the pieces become coveted for the quality of their steel.

We show in the gallery an 18th century portrait of Yirmisekizzade Mehmed Said Pasha, Grand Vizier of the Ottoman Empire in Paris. At his waist is his gold hilted khanjar almost identical to ours.

Originally this khanjar would have had a simple red velvet covered wooden scabbard, now lost.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 20674

A Truly Exceptional, Original, Highest Grade Napoleonic Wars Period Antique Museum Piece, Likely Made For Ali Pasha. An All Silver Mounted Miquelet Long Gun of , Early 19th Century Of Royal Status. Monogrammed & Dated 1814 Barrel & Signed Lock

A singularly spectacular ‘statement piece’ for any collection of rare and fine arms or antiques. From the Napoleonic Wars era, potentially made for Ali Pasha. **See reference and link below to another extremely similar example of Ali Pasha's in the Metropolitan

The great ruler of the Ottoman's, Ali Pasha was at first was an admirer of Napoleon and formed a brief alliance with him during the Napoleonic wars, but, with changing winds he went against his previous ally to support the British. Napoleon thus sanctioned a planned rebellion against Ali, but the British arrived, as funds were being collected and rebels were being recruited. Ali's rival, Ibrahim Pasha of Berat, turned to the French and gathered a coalition of Ali's enemies, including Mustafa Pasha of Delvinë, Pronio Aga of Paramythia, Hasan Çapari of Margariti, the Beys of Himara, the Aga of Konispoli and the Souliotes. This coalition began attacking Ali's realm with support from French artillery, and Ali responded by bribing Ibrahim's supporters with British support. Ali besieged Ibrahim Pasha in Berat with an 8,000-man army commanded by the Albanian captain Omer Bey Vrioni, and with the aid of British rockets, Berat finally fell after a year of skirmishing. Ibrahim retired to Vlorë, and Ali told the Porte that he had taken Berat in response to the revolts in upper Albania that were the result of Ibrahim's inability to rule

In 1809, Lord Byron together with John Cam Hobhouse visited Ali's court in Tepelena and Ioannina in 1809. Byron recorded the encounter in his work Childe Harold. They travelled to Albania to see the country that was, until then, mostly unknown in Britain. Byron presented Albanians as a free people who lived in their state under their leader, Ali Pasha, described by Byron as a "man of first abilities who governs the whole of Albania"

A near identical long gun is in the Metropolitan museum, the Miquelet Rifle of Ali Pasha
His rule by Ali's definition, included central and southern Albania, and parts of mainland Greece; in particular, most of the district of Epirus and the western parts of Thessaly and Macedonia. He managed to stretch his control over the sanjaks of Yanina, Delvina, Vlora and Berat, Elbasan, Ohrid and Monastir, Görice, and Tirhala. Ali was granted the Sanjak of Tirhala in 1787, and he delegated its government in 1788 to his second-born Veli Pasha, who also became Pasha of the Morea Eyalet in 1807. Ali's eldest son, Muhtar Pasha, was granted the Sanjak of Karli-Eli and the Sanjak of Eğriboz in 1792, stretching for the first time Ali's control down to Livadia and the Gulf of Corinth, except Attica. Muhtar Pasha also became governor of the Sanjak of Ohrid in 1796–7 and of the Sanjak of Vlora and Berat in 1810.

Similar finest examples may be viewed in the Topkapi Museum in Istanbul and the Hermitage in Russia. A most similar gun was presented to President Thomas Jefferson by the Bey of Tunis. A simply superbly beautiful antique Long gun from the Early 19th century. A miquelet gun with a very high quality miquelet toe lock decorated with chiseled and fretted silver panels and inlaid foliate arabesques.
The gun is richly inlaid with silver throughout and fitted with a bone butt plate, with matching silver barrel bands, and the original silver mounted ramrod. Figured hardwood three-quarter stock profusely inlaid over its full length with numerous silver plaques.

A most similar gun was a gift of the Russian Romanov Tsar to Augustus II King of Poland and Elector of Saxony on his coronation in Krakow. That gun is published in the book Prunkwaffen: Waffen und Rustungen aus dem Historischen Museum Dresden by Johannes Schobel (Leipzig, 1973) p.249, pl. 178.

Guns of this style were popular throughout the whole of Central, Eastern Europe, Russia, the Caucasus and The Ottoman Empire. However this is a much higher quality example than is more often seen, and certainly sets it well apart from the usual musket of it's type.
The barrel has a monogrammed armourer's mark and date A.G. 1814. Signed lock, under the lock plate on the spring.

After the conquest of Istanbul by Mehmed the Conqueror at 1453, construction of the Topkapi Palace was started at the year 1460 and completed at 1478 .The Palace was built upon an Eastern Roman Acropolis located at the Istanbul Peninsula between Sea of Marmara, Bosphorus and the Golden Horn. Topkapi Palace, was the administrative, educational and art center of the Empire for nearly four hundred years since Mehmed the Conqueror until Sultan Abdulmecid who is the thirty-first Sultan. Although Palace was abandoned by the Ottoman Dynasty by moving to the Dolmabahce Palace at middle 19th century, the Topkapi Palace latterly became a world class museum containing some of the worlds finest antique arms and armour.
The year of Catherine II’s acquisition of the Gotzkowsky collection is the Hermitage museum’s birth date. In 1764 Empress Catherine II acquired the collection formed by Johann Gotzkowski for King Frederick II of Prussia. A rich Berlin merchant and founder of silk and porcelain factories in Berlin, Johann Gotzkowski was one of Frederick's agents, in charge of the purchase of works of art for the royal collection. Frederick II (the Great), owner of a wonderful collection of contemporary French paintings, ordered Gotzkowski to purchase paintings by old masters. The merchant was a zealous agent and it took him only a few years to put together a large collection, but by this time Frederick had lost large sums of money in the Seven Years War and he refused to make the purchase.

The enterprising merchant was forced to look around for alternative buyers and he offered the collection to Russia. Catherine II was pleased to take the opportunity of hurting Frederick's self-esteem and of proving that the Russian State Treasury, despite losses which were no less than those of Prussia, could still afford to make such an expensive acquisition. From this purchase onwards the Hermitage has become one of the foremost museums in the world, alongside the British Museum, The Metropolitan, The Louvre and The Prado.

55.5 inches long overall.

As with all our antique guns no license is required as they are all unrestricted antique collectables.

For reference, the rifle of Ali Pasha
https://www.metmuseum.org/art/collection/search/28998

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 20889

A Very Fine 17th Century Spontoon. Central Double Edge Blade With Side Wings. Used For Over 140 Years in Military Service Including From the English Stuart to Early Hanoverian Reigns, The French-Indian War & Revolutionary War In The Americas

With original long, studded full haft, around 8 foot long, with steel foot. Spontoons (also spelled “espontoons”) appeared later than halberds, coming into use in the late 17th century. The word seems to come from the Italian spuntone, meaning “pointed.” A spontoon’s iron point, sometimes decorated with tassels, was fitted to a sturdy hardwood shaft measuring from six to nine feet in length. The weapon’s distinguishing feature were sidewings sometimes plain and sometimes elaborately ornamental, perpendicular to the main blade.

Spontoons may have evolved from earlier spear-like weapons called pertuisanes or partisans. The partisan had a large blade, sharp on both sides. The blade was wider at the bottom, where twin symmetrical blades of various shapes sprouted from the sides. Rather blurry lines separate the spontoon and a number of other spear-like staff weapons. There were hybrids known as “partisan spontoons,” and some 18th-century European accounts refer to officers’ weapons as partisans rather than spontoons. Other sources refer to spontoons as “half-pikes,” and some simply call them spears.

Although the British serving both in America and Europe, used them in the French Indian War {aka the 7 Years War} quite liberally, we put aside a lot of their use as pole weapons during the Revolutionary War, yet spontoons formed a large part of the equipment of the US Continental Army. Captain Daniel Morgan led a portion of the Continental attack on Quebec on December 30, 1775. His men carried spontoons in addition to rifles and scaling ladders. Attacking a two-gun battery, they drove the defenders into a nearby house. Morgan ordered his men to “fire into the house and follow up with their pikes (for in addition to our rifles, we were also armed with long espontoons), which they did, and drove the guard into the street.”

In several surviving written orders, General George Washington insisted that Continental officers carry spontoons. At Valley Forge on December 22, 1777, Washington directed that each officer “provide himself with a half-pike or spear, as soon as possible.” Washington did not want his officers to carry muskets, which he believed had a way of “drawing their attention too much from the men.” He needed the officers focused on commanding their men, not distracted with loading and firing a musket. Additionally, Washington believed that an officer with neither firearm nor spontoon had “a very awkward and unofficerlike appearance.”

In America, spontoons held on into the early Federal period. A North Carolina militia law of 1787 required infantry officers to carry “side arms or a spontoon.” Because militia officers might well wear civilian clothing, a spontoon or sword served as an indication of superior rank.

The U.S. War Department ordered 120 spontoons for its officers in 1800. Captains Meriwether Lewis and William Clark each carried one during their transcontinental expedition of 1804-1806. Both officers would have reason to be glad they were burdened with these heavy staff weapons. In what is now Montana, on the night of May 26, 1805, Lewis nearly stepped on a rattlesnake. Guided by the sound of the rattles, Lewis stabbed about in the dark with his spontoon until he killed the snake. Three days later, Clark killed a wolf with his spontoon. Lewis’s spontoon would twice more save his life, once in driving away a bear and another time when the captain saved himself from falling 90 feet from a precipice by bracing himself with his weapon’s long staff.

Lewis and Clark may have been the last American military officers to get any real use out of the spontoon. Watchmen and policemen in some cities carried smaller versions of spontoons until about 1860, but by the time of the War of 1812, they had essentially disappeared from military life. However, William T. Sherman, in an 1890 article in the North American Review, pointed out that U.S. militia laws still on the books stated that “each commissioned officer shall be armed with a sword or hanger and spontoon.” So, strictly speaking, all militia officers without spontoons were in violation of Federal statutes until the militia laws were revised in 1903.

The British Monarch's Royal Bodyguard, the Yeoman of the Guard, wearing their scarlet and gold full dress Tudor style uniforms, still carry the traditional spontoon polearms {see photo in the gallery at the Tower of London}. In the gallery is a photograph of spontoons in a Swiss castle museum gallery. This one is polearm type number four on the right.

It has its original studded haft but since it has been in armoury display for likely two centuries all its surface velvet is now gone and overall surface worn.

what is incredibly interesting is the iron foot of the spontoon, it is a 17th century Civil War pike head, that has likely lost its point so the haft has been turned around the spontoon head fitted, and the pike head left in place to be used as its foot.

See photo 10 in the gallery to show exactly how the pike {now an iron foot} would have looked with its point intact, the pike is on display in the Metropolitan Museum in the USA.

Delivery completely assembled with its haft is within the UK mainland only due to length.

Two links to a similar spontoon and a pike in the Metropolitan Museum below, for reference

https://www.metmuseum.org/art/collection/search/25095

https://www.metmuseum.org/art/collection/search/25847

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25649

A Superb 16th Century Tudor Era Gothic Renaissance Halberd, Queen Elizabeth Ist Period. Traditional Iron Head With Tall Central Spike With A Twin Bird's-Head Axe Blade & Sharp Flat Hook Counter Blade. With Original 7ft Studded Haft

The iron head is in superb condition for its age, with fixed and shortened haft straps. It’s original haft is now very worn.
Halberds appeared by the late Middle Ages. The halberd’s origin, or its evolution from earlier battle axes, is obscure. Some Georgian-era antiquarians traced the weapon all the way back to the ancient Amazons of classical mythology. Other sources called it “the Danish axe” and credited its invention to the Vikings. In documented history, Swiss soldiers fighting for the independence of their cantons or as international mercenaries made the halberd famous in the 14th century.

Halberds were mounted on sturdy poles about six to eight feet long, which were crafted from ash or similar hardwoods. The iron head had a pointed long spear tip with two additional blades set at right angles to the central axis. One of these side blades resembled a hatchet head, and the other was a sharp, downturned fluke or hook. The hatchet blades often were small and crescent-shaped and could have elaborate contours and pierced decoration as does this halberd. On the other hand, some halberds had a monstrously large axe added to one side. Those designed for combat were usually sturdy and simple, while those with the more elaborate patterns were carried by honour guards and palace sentries.

The halberd’s pointed tip fended off opponents, as would a simple pike. The sharp point could puncture chain mail or slip between plates of armor. The curved fluke could catch a horse’s reins or pull riders down from their mounts. By swinging the six to eight-foot-long wooden handle, the axe blade landed with considerable power on the armour of a dismounted knight. Halberdiers were vulnerable when swinging their weapons back to deal a blow. They were also at a disadvantage against soldiers carrying much longer weapons, such as lances or full pikes. In practice, armies mixed halberdiers with soldiers bearing pikes, bows, and other weapons.

The introduction of the harquebus in the early 16th century heralded the slow demise of the halberd as a battlefield weapon.
Halberds also helped soldiers climb up steep slopes or defensive obstacles. The sharp axe-like blades were also perfect for hacking and tearing down field fortifications such as fascines or gabions.

It has its original studded haft but since it has been in armoury display for likely two to three centuries, all its surface velvet is now gone and overall surface worn. Delivery fully intact and full length, upon its haft, can be within the UK mainland only. Photo two in the gallery are three halberd in an Italian castle armoury, the third on the far right is very similar to this one. Note the red velvet covered hafts within the castle armoury photo of three halberds, that is how this one would have looked originally, but the red velvet is now completely lost through age, and it now looks as it does on the third halberd in the photo.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25650

Original Ancient Roman ‘Cross-bow” Fibula Bronze Toga Pin Military Issue, Fine Piece For Higher Ranking Figures in the Legion, Such As a Centurion or Tribune. Bow Fibula with a Folded Spring Hinge, Early Imperial - Beginning of Anno Domini 2nd Century.

We acquired a very small collection of different Roman toga pins, A super, small collection of original, historical, Imperial Roman, Viking, and Crusader's artefacts has just been acquired by us.
Shaped in the form of a roman military crossbow fibula, in bronze.
It became the most popular form of closure for Roman fibulae, and is characteristic of the bow brooches from the early imperial times to the beginning of the AD 2nd century. Original Ancient Roman ‘Cross-bow” Fibula Bronze Toga Pin Military Issue, Fine Piece For Higher Ranking Figures in the Legion, Such As a Centurion or Tribune, c. Early Imperial - Beginning of AD 2nd Century.Arguments abound over what shoulder was exposed, but it seems fairly clear that the garment was fastened loosely enough to move around, The paludamentum was a cloak that was specifically associated with warfare. A general donned one for the ceremonial procession leading an army out of the sacred precinct of the city of Rome and was required to remove it before returning to the city…a sign that he was no longer a general, but a common citizen. The paludamentum or sagum purpura (purple cloak) was the iconic red cloak worn by a Roman general (Legatus) and his staff officers. Originally, it’s distinctive red/purple color clearly delineated between these officers and the rest of the army, which sported the sagum gregale (cloak of the flock). Although the sagum gregale, worn by the rank and file, started out the color of the flock (i.e. undyed wool), it seems likely to have transitioned to a coarser version of the sagum purpura by the imperial period (27BC – AD 476). Outfitting the entire army in red garments would have been a mark of the great wealth of Rome – well, that and the fact that the Romans controlled the source of purple dye by then.The pin is now frozen through two millennia in a fixed position.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

Fibula 54mm long

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 23986

A Superb Excavated & Fragmented Bronze Age Sword 3200+ Years Old. Seige of Troy Period

A very inexpensive pre-history period antiquity of immense beauty and age. A short sword or long dagger traded between the Eastern Mediterranean Scythians, Persians and Greeks during the the Ist millennium B.C. around 2700 to 3200 years ago. Made in bronze in the Western Asiatic region.

Western Asiatic bronzes refer to items dating from roughly 1500-500 BC that have been excavated since the late 1920's in the Harsin, Khorramabad and Alishtar valleys of the Zagros Mountains especially at the site of Tepe Sialk. Scholars believe they were created by either the Cimmerians or by such related Indo-European peoples as the early Medes and Persians.
Weapons from this region were highly sought after by warriors of many cultures because of their quality, balance and durability. Graduating blade with integral hilt, with open panels for organic inserts of wood, bone, or ivory, fabulous areas of crystallized malachite naturally aged blue/green patination.

The acinaces, also spelled akinakes or akinaka is a type of short sword used mainly in the first millennium BC in the eastern Mediterranean region, especially by the Medes, Scythians and Persians, then by the Greeks.
The akinakes was worn at the hip in an elaborate scabbard. The chape, generally a rounded triangle, could be made of bronze, chased gold or carved ivory, and probably lots of other materials. Just above the chape, a cord was tied around the scabbard, passed around the thigh and then through a slipknot next to the chape. The throat had a large tab, which at its own upper corner was tied through a hole in the weapon belt.

We show another most similar Bronze Age short sword or long dagger, in a similar state, excavated near Stonehenge, in the U.K. now in a museum collection. This piece is 17 1/2 inches long overall.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 23012

A Rare Victorian Bengal Native Light Infantry Badge in Silver

They were a rifles infantry regiment of the Bengal Army, later of the united British Indian Army. They could trace their origins to 1803, when they were the 1st Battalion, 22nd Bengal Native Infantry. Over the years they were known by a number of different names the 43rd Bengal Native Infantry 1824?1842, the 43rd Bengal Native (Light) Infantry 1842?1861, the 6th Bengal Native (Light) Infantry 1861?1897 and finally after the Kitchener reforms of the Indian Army the 6th Jat Bengal (Light) Infantry. The regiment was involved in the First Anglo-Afghan War, the First Anglo-Sikh War, the Second Anglo-Afghan War, the Boxer Rebellion and World War I. After World War I the Indian Government reformed the army moving from single battalion regiments to multi battalion regiments. The 6th Jat Light Infantry became the new 1st Battalion, 9th Jat Regiment. After India gained independence they were one of the regiments allocated to the Indian Army.  read more

Code: 20971

A Large Half Bowl Brass Hilted Cutlass With Steel Single Edged Blade. Wide Single Blade Fuller, No Maker Markings.

The pattern design is based on a similar looking American civil war pattern cutlass, or, the very similar Prussian version, but this sword is neither of those. The US pattern versions, were said to have been in service use into the 20th century, had full length, steel flat riveted, leather scabbards { this one is stitched}, domed head riveted brass half bowl hilts, with a rounded pommel band, this has a flat pommel band.
It’s grip wire intact but exposed. Scabbard leather with overall surface age cracking, but nicely intact and firm, it has replaced frog button leather mount. Riveted half bowl with flat head flush rivets.

The cutlass is a short usually curved bladed sword used by both sailors or infantrymen, mostly frog button mounted upon a belt. Highly effective as a secondary, defensive, close quarter action weapon  read more

Code: 25652

A British 1885 Pattern Cavalry Troopers Sabre The Sword Used At the Battle of Omdurman.

1885 Pattern Cavalry Sword After a false start in 1882, the 1885 pattern was developed following committee input on improving the sword. The first opposite ringed scabbard came out of this process along with a slightly shorter blade. This sword saw extensive use in the campaigns in Egypt and the Sudan during the 1880s and 1890s. The shortening of the blade did allow some opponents along the Nile to lie on the ground, putting themselves out of the reach of the trooper's sword! This problem was rectified in the 1899 pattern. Still this sword represented an important step in the evolution of British Cavalry swords and was used by the 21st Lancers at the Battle of Omdurman in 1898; amongst the daring lancers was a young Winston Churchill.

The Battle of Omdurman was fought during the Anglo-Egyptian conquest of Sudan between a British–Egyptian expeditionary force commanded by British Commander-in-Chief (sirdar) major general Horatio Herbert Kitchener and a Sudanese army of the Mahdist State, led by Abdallahi ibn Muhammad, the successor to the self-proclaimed Mahdi, Muhammad Ahmad. The battle took place on 2 September 1898, at Kerreri, 11 kilometres (6.8 mi) north of Omdurman.

Following the establishment of the Mahdist State in Sudan, and the subsequent threat to the regional status quo and to British-occupied Egypt, the British government decided to send an expeditionary force with the task of overthrowing the Khalifa. The commander of the force, Sir Herbert Kitchener, was also seeking revenge for the death of General Gordon, who had been killed when a Mahdist army captured Khartoum thirteen years earlier.3 On the morning of 2 September, some 35,000–50,000 Sudanese tribesmen under Abdullah attacked the British lines in a disastrous series of charges; later that morning the 21st Lancers charged and defeated another force that appeared on the British right flank. Among those present was 23-year-old soldier and reporter Winston Churchill as well as a young Captain Douglas Haig.4

The victory of the British–Egyptian force was a demonstration of the superiority of a highly disciplined army equipped with modern rifles, machine guns, and artillery over a force twice its size armed with older weapons, and marked the success of British efforts to reconquer Sudan. Following the Battle of Umm Diwaykarat a year later, the remaining Mahdist forces were defeated and Anglo-Egyptian Sudan was established.

Pictures in the gallery of photographs of the regimental armourers sharpening their 1885 cavalry swords before combat.  read more

Code: 25013

An Original, Incredibly Rare 'Damascus' Presentation Sword, An Imperial German, Damascus Steel and Gold, Sword Presented by One of Germany’s Most Powerful and Influential Families in 1887

This is a magnificent example of one of the rarest most desirable and valuable German swords made in 200 years. Made by Numan of Berlin, personally, for Baron Von Hammerstein. One of two similar museum grade Imperial German swords we were delighted and privileged to acquire, and certainly one of the very best examples, with the highest of provenanced pedigrees ever to come onto the open market.

The highest grade possible of German military sword to be commissioned during the 19th and 20th centuries, encompassing the Imperial, Weimar and Third Reich eras of Germany.

This fabulous sword was presented by Baron von Hammerstein, one of the great military commanders, from one of the greatest of families of the Imperial German empire, whose influence and power continued through the demise of the empire in 1918, right through the post WW1 Weimar period and into the notorious Third Reich. This sword would have been used by the recipients family’s officers, right through all of those eras, and continually into the end of the WW2, despite the Von Hammerstein family being fervent anti-nazi. Which in of itself shows just how powerful the family once was, to survive, indeed thrive, being such vocal opponents of Hitler, at least, in private.

A 'Grosse Degan', translates to the ‘great size sword’ is around 50% heavier, wider and substantial, and a far superior quality than the regular officer’s sword of the day. Presented in the late 19th century, these significant and important Damascus swords were effectively, the swords of Kings, worn by the highest ranking officers Generals, Field Marshals, Dukes and Kings right through WW1 and also WW2. For example we show in the gallery Field Marshal von Kleist with his identical family sword, that was also an antique Imperial sabre, but worn by him in WW2.

Also, a photograph of His Majesty King George Vth the Queen's grandfather and Kaiser Wilhelm of Prussia King George's cousin in their ceremonial Colonel-in-Chief uniforms. King George Vth is in his full dress ‘honorary’ Imperial German uniform with pickelhaub helmet and also wearing his identical grade of sword to ours. Before WW2 it was common for foreign kings to be made honorary colonels to other countries regiments. For example until WW1 Kaiser Willhelm was an honorary colonel of a British regiment, the Kaiser’s Own.

Superb condition for age, with its original steel scabbard. German Damascus swords, made with the traditional ‘Damascus steel’ method are incredibly scarce and valuable, and from Imperial Germany are the most desirable of all German swords. This superb example was presented by one of the members of the great German noble families, in Cassel, in 1887. It bears a presentation inscription, given by Ernst Baron von Hammerstein to his friend Rudolf Frank. On the obverse, For Service, Cassel 1887. Ernst von Hammerstein attended high school in Hildesheim, Hanover, the Royal Corps of Cadets, the University of Gottingen and the Forest Academy Mariabrunn in Austria. In 1857 he was a lieutenant in the 3rd Hanoverian Infanterie-Regiment Infantry Regiment and in 1858 First Lieutenant. In 1866 he took part in the Battle of Langensalza. He was, until 1871, in the personal service of King George V of Hanover. The Von Hammersteins had a most influencial part in German history from the 1600's. Ernst's later relative was Commander of the German Army until Hitler took power, and was also a fervent anti Nazi, taking part in several conspiricies, but never caught or imprisoned, until his natural death in 1943Born to a noble family in Hinrichshagen, Mecklenburg-Strelitz, Germany in 1878, Baron von Hammerstein-Equord joined the German Army on 15 March 1898. In 1907 Hammerstein married Maria von Luttwitz, the daughter of Walther von Luttwitz. He was attached to the General Staff during World War I and participated in the Battle of Turtucaia. Hammerstein-Equord was loyal to the Weimar Republic, opposing the Kapp-Luttwitz putsch in 1920. He served as Chief of Staff of the 3rd Division from 1924, as Chief of Staff of the I Group Command in 1929, and as Head of Troops in the Office Ministry of War from 1929. A close friend of Kurt von Schleicher, he was appointed Commander-in-Chief of the Reichswehr in 1930, replacing General Wilhelm Heye. Another was a U Boat Commander in WWII Adolf-Wilhelm von Hammerstein-Equord joined the Kriegsmmachinearine in 1937. He went through U-boat training from Oct 1940 to April 1941. He went through U-boat familiarization (Baubelehrung from April to May 1941 and then became First Watch officer (1WO) on the new U-402 (Kptlt. Siegfried von Forstner) from May to Oct 1941. He left the boat just prior to its first patrol at the end of Oct 1941 (Busch & R?ll, 1999).

He then became the First Watch officer (1WO) on the U-71 (Kptlt. Walter Flachsenberg) in Oct 1941 and served on the boat until April 1942 (Busch & R?ll, 1999). During this time he went out on 2 war patrols, 92 days at sea, and took part in sinking 5 ships for almost 39,000 tons.

Von Hammerstein-Equord then went through U-boat Commander training with the 24th Flotilla and U-boat Commander sea training on the "duck" U-149 from April to July 1942

Adolf-Wilhelm Baron von Hammerstein-Equord took command of his old boat U-149 on 1 Aug 1942, commanding the boat until 14 May 1944 (Busch & R ll, 1999). The boat was a school boat and von Hammerstein-Equord never went out on patrol with it.
Leaving his boat he joined the Staff of the U-boat Command in Norway and stayed in staff positions there until the end of the war in May 1945  read more

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