A Very Fine & Beautiful Handachi Katana Dated 1539 signed Bizen Kuni Osafune ju Tsuguiye

Just under 500 years old, and a delight to observe the wonderful curvature to the blade. It possesses a very long signature by the smith on the nakago. It has all original Edo period mounts fittings and saya, with original saya intricately patterned urushi lacquer. Typical Edo handachi mounts with a beautiful iron tsuba with gold onlay of prunus and grasses. It has a very active hamon on the stunning blade and it’s all original Edo tsukaito binding to the hilt, now somewhat pleasingly colour faded in part and usual signs of combat use age appropriate wear as to be expected.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they may be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

it has been said that part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some samurai, it has been claimed, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce decorated samurai sword saya and also ceremonial and decorative objects for their homes and palaces.

27.25 inch blade tsuba to tip.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24332

A Beautiful Antique Edo Period Wakizashi Samurai Short Sword, With a Fabulous Quality Botanical Shakudo Gold and Silver Takebori Mounts & Tsuba

Circa 1680. A stunning antique shinto wakazashi samurai sword, its blade and fittings saya etc. have been almost completely untouched since its arrival in England around 150 years ago. All original Edo period fittings with one mekugi-ana, midare hamon, fully bound tsuka with shakudo fuchi-kashira decorated with flowers and tendrils in gold, shakudo and gold floral menuki, mokko-shaped iron tsuba decorated with silver and gold takebori foliage, in its beautiful black stippled lacquer saya complete with a super shakudo kodzukatana utility knife decorated with a takebori figure of a sage, possibly Tenaga from Japanese folklore, and a dog on a lead. Fabulous faultless blade showing a superb undulating hamon.

Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.

There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects

Blade length 15.5 inches long

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24184

Fabulous Museum Grade Sword 18th Century Damascus Wootz Steel, Mohammed's Ladder Pattern, & Stunning Solid Silver & Enamel Makara Hilt, The 'Palace of the Nawab of Lucknow’. Probably One of The Most Beautiful & Finest Indian Princely Royal Swords

This fabulous royal grade solid silver and enamel sword, with Lucknow distinctive enamel work of flowering plants interspersed with architectural vignettes, has just returned from a museum grade blade polish to reveal its obscured {through natural age} finest, crucible steel wootz Damascus blade, in the pattern of Mohammed's Ladder. Unsurprisingly, it now looks as fine and beautiful as it was when last used in the 18th & 19th century by such as the King of Oudh {Lucknow} Ghasi-ud-din, Haidar Shah

The ‘Mohammed’s Ladder’ Kirk Narduban Crucible ‘Wootz Damascus’ steel blade is truly breathtaking.
The Ladder of Mohammed is said to have enabled Mohammed to travel through the heavens, meeting various prophets and gaining access to the different levels of paradise. Muhammad's ladder thus symbolizes the connection between the terrestrial and spiritual worlds, representing spiritual elevation and proximity to God.
Which ultimately means, to many, this is the most desirable and likely rarest of all the early Indo-Persian crucible wootz Damascus steel blade designs, being of such a spiritual significance, as well as stunningly beautiful. Intriguingly it is still contentious, to specialist academics, as to how it was even made, as there is no clear agreed evidence or knowledge as to its extraordinary construction. There are two trains of thought but no undeniable agreement..

The museum grade conservation polish goes up to the gold cartouche, at the base of the hilt, and around the hilt langets. The small area of the gold cartouche has been left ‘as is’ intentionally. The potential very high risk of damage being created to the gold calligraphy by attempting to polish within the gold seal would be extremely dangerous to its integrity. It is only responsible to not take any even remote chance of damage to this fabulous and historical rare treasure.

A near identical pair to our sword, is another magnificent and rare example, Makara enamel hilted crucible steel bladed sword, is an exhibit in the world renown Getty Museum Collection in America {see a photo of the pair together side by side by comparison in the gallery}. Occasionally, surviving Lucknow swords of the silver and enamel Goat Head pattern can be found, used by lesser nobles of the Shah's court, but the mythical Makara silver and enamel hilted swords, apparently, were reserved for the Shah's sole and personal use, especially with the Mohommed's ladder blade.

A magnificent work of art, and the sword of a prince or king. It has a fabulous vibrant hues of brilliant blue and green through a painstaking champlevé and basse-taille enameling process. This process involves fusing coloured glass to metal at extraordinarily high temperatures to create a striking and durable outer layer that can withstand the test of time. This distinctive usage of blues and greens on the piece reinforces its origins in Lucknow, a renowned centre for the production of such sophisticated enamel artifacts. The fabulous wootz Mahommed's Ladder Kirk Narduban pattern Damascus blade, with a gold inscription and gold cartouches. In very good condition for age, the polychrome enamels are inlaid into the solid silver hilt, that is further decorated with three heads of the mythical beast, the Makara, including the pommel and both quillon ends, with just very minor enamel surface losses. One of the finest Lucknow Damascus swords you could find today, from the one time rulers of Lucknow, and most likely originated from the palace of the Nawab of Lucknow.
A Nawab was a Sovereign Prince and Governor of the Moghul Empire. An almost identical princely form of Lucknow Makara enamel silver hilted sword is in the Getty Research Institute, in LA, California. Centuries ago Lucknow emerged as one of the most important centres in the world for courtly crafts such as fine enamelling on silver.
It was the capital of the state of Oudh which was established in 1750. The flourishing arts scene was largely on account of the patronage of the local, supremely wealthy Nawabs of Oudh. By the mid-19th century, Lucknow was India's largest and wealthiest city. Lucknow Moghul daggers and swords, especially with Damascus blades, are considered to be some of the most valuable and desirable in the world of antique weaponry art. Representations of such are in the finest collections, such as the British Royal Collection, The British Museum and the Getty Museum.

The mythical Makara;
Dwelling in the Indian Ocean, the Makara is traditionally looked upon as a powerful deity, which was capable of harming or guarding seafarers, depending upon its whims. Many scholars naturally assume that the tales of the Makara are nothing more than myths based upon ancient eyewitness accounts of Indian elephants swimming off the coast of India, as they are sometimes known to do. Until 1719, the subah of Awadh was a province of the Mughal Empire administered by a Governor appointed by the Emperor. Persian adventurer Saadat Khan, also known as Burhan-ul-Mulk, was appointed Nizam of Awadh in 1722 and established his court in Faizabad, near Lucknow.

Many independent kingdoms, such as Awadh, were established as the Mughal Empire disintegrated. The third Nawab, Shuja-ud-Daula (r. 1753-1775), fell out with the British after aiding the fugitive Nawab of Bengal, Mir Qasim. Roundly defeated at the Battle of Buxar by the East India Company, he was forced to pay heavy penalties and surrender parts of his territory. Awadh's capital, Lucknow rose to prominence when Asaf-ud-Daula, the fourth Nawab, shifted his court to the city from Faizabad in 1775. The British East India Company appointed a resident (ambassador) in 1773 and by early 19th century gained control of more territory and authority in the state. They were, however, disinclined to capture Awadh outright and come face to face with the Maratha Empire and the remnants of the Mughal Empire. In 1798, the fifth Nawab Wazir Ali Khan alienated both his people and the British and was forced to abdicate. The British then helped Saadat Ali Khan take the throne. He became a puppet king, and in a treaty of 1801, yielded large part of Awadh to the East India Company while also agreeing to disband his own troops in favour of a hugely expensive, British-controlled army. This treaty effectively made the state of Awadh a vassal of the East India Company, although it continued to be part of the Mughal Empire in name until 1819. The treaty of 1801 proved a beneficial arrangement for the East India Company as they gained access to Awadh's vast treasuries, repeatedly digging into them for loans at reduced rates. In addition, the revenues from running Awadh's armed forces brought them useful returns while the territory acted as a buffer state. The Nawabs were ceremonial kings, busy with pomp and show. By the mid-nineteenth century, however, the British had grown impatient with the arrangement and demanded direct control over Awadh.

In 1856 the East India Company first moved its troops to the border, then annexed the state for alleged maladministration. Awadh was placed under a chief commissioner Sir Henry Lawrence. Wajid Ali Shah, the then Nawab, was imprisoned, then exiled by the East India Company to Calcutta. In the subsequent Indian Rebellion of 1857, his 14-year-old son Birjis Qadra, whose mother was Begum Hazrat Mahal, was crowned ruler. Following the rebellion's defeat, Begum Hazrat Mahal and other rebel leaders sought asylum in Nepal. Ghazi-ud-Din Haidar Shah became Nawab Wazir of Oudh on 11 July 1814 after the death of his father. In 1818, under the influence of Warren Hastings, the British Governor of the Presidency of Fort William (Bengal), he declared himself as the independent Padshah-i-Awadh (King of Oudh). This sword would likely have been part of his treasure.

The story of the the wonders of the creating of these blade goes back at least 2400 years. The possibly first indirect reference to crucible steel appears in the writing of Ctesias of Cnidu, a Greek physician at the court of the Persian King Artaxerxes II (404 BC - 398/397 BC) he wrote several (lost) books about Persia and India. St. Photios the Great (Ecumenical Patriarch of Constantinople from 858 to 867 and from 877 to 886) quoted from Ctesias books in the 9th century AD or about 1300 years later. From this we know of two wonderful if not magical swords of (maybe) Indian iron that Artaxerxes gave to Ctesias.
Going back 1700 years. Such as was written by Zosimos (a. 350 AD - ca. 420 AD) who was born in Panoplis (present-day Akhmim in the south of Egypt). He worked as an early alchemist in Alexandria and has written in fine detail. Some of his writings have survived. As far as crucible steel is concerned, he states:
"The tempering of Indian Iron: Take 4 pounds of soft iron, and the skins of myrobalans, called elileg, 15 parts; belileg, 4 parts; and two parts of glassmakers magnesia. Then place it into a crucible amd make it level. .... Put on the charcoal and blow the fire until the iron becomes molten and the ingredients become united with it. ... Such is the premier and royal operation, which is practiced today and by means of which they make marvellous swords. It was discovered by the Indians and exploited by the Persians".
Two paintings in the gallery {for historical information only};

1} Ghasi-ud-din, Haidar Shah Nawab of Oudh (in power from 1814 to 1818), and was subsequently made the first King of Oudh (1818-27). Its possible he may be holding this sword when he sat for this portrait in 1818

2} The Procession of Ghazi ud-Din Haider Shah through Lucknow
No scabbard.  read more

Code: 22605

The Lanes Armoury, Britain’s Favourite & Best Arms and Armour Gallery and Website. Its Been Over A Hundred Years In The Making. Whether You View Us Online Or Join The Hundreds & Thousands of People That Personally Visit Us Every Day {Except Sunday}

Over 3193 visitors came through our door last Saturday before Easter. That is more, apparently, than the daily visitors to the LAPADA Art and Antiques Fair in Grosvenor Square London, and that has over 100 of the UK’s finest and best art and antique dealer's exhibiting (and we are free!). Of course a £27 a head entry ticket to the Antiques Fair might have something to do with it.🤔

Another part of our original Japanese katana acquisitions will arrive to our site next week, and as usual many are stunning beauties

A fabulous Grande Armee sword of Napoleon’s cuirassiers just arrived. A truly out standing example, despite being used for around 10 years in combat service, including surviving the Russian campaign in 1812 to Moscow, that saw the decimation of Napoleon’s entire Grande Armee, it is in superb condition and truly a museum grade example, as good as any sword in Les Invalides Musee de L’Armee in Paris. Plus, Scottish Regt. Issue 'Tower Of London' GR Crown 'Brown Bess' Musket of the Napoleonic Wars, Peninsular War & Waterloo With Bayonet. Scottish Regimental Markings for Renfrewshire Regt. Then Transferred To The 42nd Foot the 'Black Watch' and An Incredibly Rare, 1000 Year Old, Original Viking-Norsemen Warrior’s, Four Plate Iron Helmet From the Late Viking Raids Era and The King Harold & William the Conquerer Battle of Hastings, & The Same Helmet Used By Knights Throughout The Early Crusades. Plus a collection of rare WW2 trophies, service combat badges, from one of the top secret 30 commando veterans, acquired while intelligence gathering for the Admiralty and James Bond author, Ian Fleming.

An Original Antique Edo Period Suit of Samurai Gesoku Armour With gilt Tomoe Mon, of the Kobayakawa Clan. With Dragon Cuirass & Momonari Kabuto With Hanbo, was just sold by us, and that was a stunning beauty, and another piece has now been added to a collection of wonderful pieces acquired from us by a most highly esteemed collector over the past decade.

A most rare late 17th early 18th century Japanese-Dutch ‘Black Ship’ captain’s sword we offer for sale was made by Japanese emigre sword koshirae makers from Nagasaki. A sawasa technique of gilded copper alloy with black shakudo detailing, a European style naval captain’s sword, made by Japanese samurai sword artisans, from Nagasaki, a sword of incredible beauty and rarity. Plus, a hanger sword, the same type as used by the notorious pirate, Blackbeard, and a most historical SA district leader signed presentation copy of Mein Kampf, a wedding gift to an SS nco, later, {and deservedly} executed by the DDR apparently, in East Germany.

Another collection has just arrived the other day and other pieces are arriving every day. Just two days ago an Indian Royal Princes museum grade sword just returned from curator polishing of the crucible steel Damascus blade of Mohammed’s Ladder pattern, one of the most beautiful we have ever seen. It’s near identical pair is in the Getty Collection Museum in LA.

Some seriously interesting and historical pieces, as usual are added every single day. Last week, Mark, one of the partners, helped last year to narrate a new documentary for the History Channel. Filming had been taking place for about three months, with Mark and all the various presenters, but once it is edited and ready for viewing, hopefully next year, we will let you know! The difficulty has been the logistics of filming, while simultaneously running our business here in The Lanes of Brighton. We have had the great pleasure to be involved directly, and indirectly, with dozens, if not hundreds of film and tv projects based here in Brighton. In fact since the 1930’s, although only for a brief period, we owned the Brighton film studios, that once it closed down production, became an auction house, Meads. We were involved in both productions of Graham Greene’s Brighton Rock movie, the first in 1947, with a very juvenile looking Dickie Attenborough, and the second re-make just 15 years ago, starring Sam Riley and Helen Mirren, involved us letting our shop be completely taken over for a week as a location film set. Ironically, almost all the Brighton location filming was cut from the movie as Brighton didn’t appear ‘Brighton’ enough, as it lacked the ‘1950’s seedy vibe’, so almost all the scenes in the film were re-created in Eastbourne around 15 miles east of Brighton.

Some other pieces that arrived were beautiful, and rare, superb Napoleonic period British French and American swords, wonderful antique pistols, stunning ancient rings, Roman and Crusaders, an ancient original Saxon Thegn’s war axe from the time of Alfred the Great and the Viking invasions of the Kingdom of Wessex, a wonderful Viking axe-hammer, ancient Roman silver and bronze armlets {bracelets} and, as usual, you can be confident everything is original, and they are all superb examples.

One of the rings that recently arrived is a fabulous knight’s ring, from Agincourt to the Wars of the Roses period, a 15th century ring with an intaglio naïve engraving of a knight on horseback holding aloft his knightly sword, a fabulous and beautiful piece. Another is a wonderful and superb status Roman seal ring, of senator to equites quality, from the time of the Emperors Augustus, Tiberius, Caligula, Cladius to Nero, it is a beautiful carved gemstone intaglio ring of an ancient portrait bust of Roman goddess {Now Sold}. Plus, one of the very rare ancient Roman talismanic rings, around 1900 years old, that were sought out by Heinrich Himmler’s team of archeological hunters to prove the ancient Roman source of the Germanic Aryan ancestry {also Sold}. As was interestingly featured as the basis of the movie Raiders of the Lost Ark, with the Third Reich artefact hunters seeking by any means the Ark of The Covenant, The ring displaid upon the ring a carved, engraved fylfot, the ancient and most important symbol of the Aryans {according to Himmler’s obedient historians} that was adopted by the national socialists in the early 30’s, and every proved ancient art treasure or jewel that featured this symbol was eagerly hunted down at any cost.

If you are a first time visitor, or one of our 40,000 online viewing regular customers, welcome {or welcome back} to our online shop. We hope you enjoy it as much as the many millions of past visitors have already, since we first went online in 1996. It was designed to accompany, and operate hand-in-hand, with our gallery-shop, that has been located in the Brighton Lanes since the reign of King George Vth. According to our statisticians our website has been {conservatively} viewed over 54 million 750 thousand times, since it launched in the 90’s. And in the same period, our shop has likely been personally visited {also conservatively} by over 5 1/2 million people since 1996. Of course, in the case of our shop, another 77 years of visitors could be added to that figure..

Every single day, due to our most fortunate status as one of Europe’s, and certainly Britain’s, oldest and favourite original specialist collector’s galleries, amazing historical, pieces, from all the major {and minor} civilisations, from the past 4000 years, arrive at our doorstep. Just two weeks ago another huge collection of 320 cloth bound hardback vintage books arrived, many based around historical artefact collecting themes, and 19th Century ornithological tomes. Recently we acquired an incredible six ‘pair’ sets of ‘The Descent Of Man’ by Charles Darwin London all the 1871 printing, English Volumes 1 & 2- They were all delivered here at our store, and our regular ‘collector book hunters’ eagerly devoured them. Some were very scarce limited print run examples from the Early Victorian to 1920’s period. The Charles Darwin books were a joy to own, even for just one day, in Mark’s 54 years here he can never remember having six twin volume Darwin sets from one years publication before, and even at almost a £1,000 a pair they were gone in less than an hour.

Such as, in this month alone, new arrivals included, a collection of museum grade original swords and French Napoleonic arms, and a Royal Navy ship’s cannon, Brown Bess muskets, and a sword of an Indian Maharajah Prince, plus several samurai swords, antique and WW2 as usual. Always online is a unique selection of original ancient Greek, Chinese and Viking antiquities, including rings, helmets, swords, spears and battle axes, plus, various dozens of rare, superb and intriguing original Roman antiquities. Most of our antiquities were acquired around 200 years ago by members of the British nobility that were once buying pieces from locals while on their 'Grand Tour' of Europe.
This site also contains up to 17,000 photographs of our currently available offerings to view. Enjoy!

Our History;
The Lanes Armoury, are Brighton Family Traders since 1919. Thousand’s of worldwide visitors to the UK come to visit us practically every day, and their most consistent and much appreciated comment includes that they believe that we were the most amazing and interesting shop they had ever visited in Britain, or even the whole of Europe. We are like a museum, as they consistently say, but, everything is for sale! One must say that if we were a museum, we would likely be the smallest in the UK, but, we contain thousands upon thousands of collectables, militaria and books, prehistoric, ancient, antique and vintage pieces, from an incredibly rare Zulu War artefact, the Zulu King's, carved horn sceptre knopkerrie, to a 66 million year old shark's tooth, to a samurai sword made around 800 years ago, with many hundreds of other fabulous swords, also from ancient Japan, to a section of a Roman Legionary’s armour, a Roman Tribune’s ring of victory, to a sporting gun made for a prince, or a 14 million year old impactite fragment from a meteor strike in Germany, a signal cannon from Admiral Nelson's navy, to a copy {now sold} of 'The Great Gatsby', an incredibly rare Ist Edition novel.

We offer magical and wondrous artefacts, each with a history beyond compare. We were honoured to be described by Victor Harris, England’s foremost & respected Japanese Sword expert, based at the British Museum, as the most unique and remarkable shop he has ever visited.

In the previous 100 plus years our past and present clients include; Hollywood movie star legends such as Edward G.Robinson, Elizabeth Taylor, Richard Burton and Bette Davis, the British aristocracy from the late Queen Mary onwards, famous academics in all known fields, curators of many British museums, and politicians of all colours from numerous countries around the world, and last, yet most importantly, private collectors from all walks of life and nations.
Mark was once personally thanked, by one of our more universally recognisable clients, in the 1980’s, by President Ronald Reagan, for his pair of Roman glass vases bought from our gallery, and he then, most generously, gave Mark an autographed photo of himself in the Oval Office.

We have had the greatest of privileges to have had pass through our hands some quite remarkable pieces, such as one incredible 'Royal Family' piece that springs to mind. Around 35 years ago, we acquired a fabulous ‘royal’ gentleman’s desk set, in magnificent cloisonné enamel, gifted by one British 20th century King, to another, King George VIth and King Edward VIIIth. Each piece was signed, within the intricate enamels design, personally, for the king, in King George VIth’s ‘family name’, ‘Bertie’, with a personal engraved dedication.
‘There, but for the grace of God’. We presumed it was given away by a member of the family during the period of enmity between the former royal princes. King George VIth, and certainly his well beloved wife, Queen Elizabeth, {the parents of our adored, late Queen Elizabeth} well deservedly, never truly forgave his weak and manipulated brother, for the betrayal to his duty, to his family and his nation. One might say ‘plus ça change, plus c'est la même chose.’. What a piece of history, and ironically, somewhat pertinent to today's unfolding events. We wish we had it now!

Our oldest regular collector was over 100 years old, and another client, our most regular customer, has been coming to us for over 77 years! Every month over 40,000 of our regular followers around the world request our weekly stock updates by email, and it is so easy to join them, on our home page, just enter your regular email address, and click go!

The photos we show in this gallery are of just a hint of the type of items we have bought and then sold online within the recent past, on just one day, and every item was accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper, however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us,  read more

Code: 23219

19th Century, 1858 Lefrauchaux 7mm Pinfire Pocket Revolver, With Foldaway Trigger. A Pair To The Vincent van Gogh Pistol That Sold for $182,000 in June 2019. A Very Interesting And Inexpensive Original Antique Arms And Armour Collectible

A Lefrauchaux pinfire revolver, 7mm. Calibre. Good strong spring, action non functioning. Wooden grips, foldaway trigger. A pair to the exact same 7mm pinfire revolver, from the same maker, owned by Vincent van Gogh, that he used to despatch himself on the 27th July 1890, he died two days later. However, the Van Gogh Lefreachaux revolver, that sold for $182,000 in June 2019, was in dreadful relic recovered condition. However when Van Gogh used it it would have looked exactly as this pistol.

We show in the gallery a historically significant identical 7mm pinfire revolver that sold in Paris, by Rémy Le Fur & Associates, for $182,000. It was the 7mm Lefrauchaux pinfire that Van Gogh used to shoot himself. We were one of the dozen or so unsuccessful bidders for it, but unfortunately it exceeded our top price that we bid for our American client was willing to pay.

The gun offered at the sale was found in the field in question by a farmer around 1960, and was handed to the current consignor’s mother. The auction house claims there are several factors that point to it being the gun in question: it was discovered in the location where Van Gogh was shot; the 7mm caliber matches that of the bullet retrieved from Van Gogh’s body, and scientific studies suggest that the gun had been on the ground since the 1890s. It is also a fairly small calibre gun, which might explain why the artist didn’t die immediately.

Vincent Willem van Gogh (Dutch:30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Interestingly he lived for a time in England as an art salesman, then later as a supply teacher in Ramsgate

These hand made pistols were very popular indeed during the Civil War but very expensive as they took the all new pinfire cartridge, which revolutionised the way revolvers operated, as compared to the old fashioned percussion action. In fact, while the percussion cap & ball guns were still in production such as made by Remington, Colt and Starr and being used in the American Civil War, the much more efficient and faster pinfire guns that were only made from 1861 were the fourth most popular gun chosen, by those that could afford them, during the war. General Stonewall Jackson was presented with two deluxe pinfire pistols with ivory grips, and many other famous personalities of the war similarly used them. The American makers could not possibly fulfill all the arms contracts that were needed to supply the war machine, especially by the non industrialised Confederate Southern States. So, London made guns were purchased, by contract, by the London Armoury Company in great quantities, as the procurement for the war in America was very profitable indeed. They were despatched out in the holds of hundreds of British merchant ships. First of all, the gun and sword laden vessels would attempt to break the blockades, surrounding the Confederate ports, as the South were paying four times or more the going rate for arms, but, if the blockade proved to be too efficient, the ships would then proceed on to the Union ports, such as in New York where the price paid was still excellent, but only around double the going rate. This pistol is the pocket or overcoat size, and is the very size that was so popular, as a fast and efficient personal protector, by many of the senior rank officers of both the US and the CSA armies. They were just as popular well into the Wild West period when this one was made. Rammer removed. Photo in the gallery of a Civil War Union cavalry sergeant with an imported 9mm Pinfire revolver within his belt.

We show in the gallery a historically significant identical 7mm pinfire revolver that sold in Paris, by Rémy Le Fur & Associates, for $182,000. It was the 7mm Lefrauchaux pinfire that Van Gogh used to shoot himself. We were one of the dozen or so unsuccessful bidders for it, but unfortunately it exceeded our top price that our American client was willing to pay.

The gun offered at the sale was found in the field in question by a farmer around 1960, and was handed to the current consignor’s mother. The auction house claims there are several factors that point to it being the gun in question: it was discovered in the location where Van Gogh was shot; the 7mm caliber matches that of the bullet retrieved from Van Gogh’s body, and scientific studies suggest that the gun had been on the ground since the 1890s. It is also a fairly small calibre gun, which might explain why the artist didn’t die immediately.

Vincent Willem van Gogh (Dutch:30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Interestingly he lived for a time in England as an art salesman, then later as a supply teacher in Ramsgate. Not suitable for export.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 25729

Magnificent Large Pair of Antique,19th Century French Napoleonic Bronzes of 'Old Guard' Soldiers, a Drummer & Grenadier.'Avant le Combat' & 'Apres le Combat' Henri Dumaige. French Soldiers Often Referred to Napoleon's Old Guard as "the Immortals"

A Fine Pair of Large Bronze Figures, Entitled 'Avant le Combat' and 'Apres le Combat', Cast from the models by Etienne-Henri Dumaige (1830 - 1888) (1830 - 1888) Signed H. Dumaige, with title plaquettes.

The Old Guard (French: Vieille garde) was a formation of the French Imperial Army's Imperial Guard. Consisting exclusively of revolutionary veteran troops, it was the most prestigious formation in Napoleon's Grande Armée. French regular soldiers often referred to Napoleon's Old Guard as "the Immortals".

Famously devoted to the Emperor, who even referred to them as "my children"; the members of his Old Guard were selected based on physical traits, most notably above-average height. Their imposing stature was likely impressive to foes and allies alike. Awards as well as veterancy were also taken into consideration when selecting troops for the Old Guard.

ON THE EVENING of April 11, 1814, Napoleon Bonaparte’s 20-year career as a conqueror was seemingly at an end.

The 44-year-old emperor had just surrendered France to a coalition of a dozen European powers. As part of the armistice, he also agreed to give up the throne and go into exile on the tiny Mediterranean island of Elba.

On the eve of his departure, a shattered Napoleon marched into the courtyard of his palace at Fontenbleu to deliver a heartfelt farewell to a very special group of soldiers – his Old Guard.

“For 20 years, I have accompanied you on the road to honour and glory,” he cried before departing. “I intend to write the history of the great achievements we have performed together. Adieu, my friends. If I could, I would press you all to my heart.”

According to legend, more than a few of the battle-hardened veterans broke down as the scene played out before them.

The Guard was made up of Napoleon’s finest. They were the most seasoned soldiers of the French army and the best of his elite Imperial Guard. All were hand-picked volunteers of above-average height, each one hardened by years of campaigning.

The emperor housed his fiercely loyal Old Guard in the best quarters, dressed them in the sharpest uniforms and lavished them with the finest rations. In return, he expected them to fight ferociously when called upon. And fight they did, with unflagging bravery in all of Napoleon’s most famous battles.

Disbanded in 1814, elements of the Old Guard would reform the following year as Bonaparte escaped from exile. Yet despite their final defeat at Waterloo 100 days later, the Old Guard would go down in history as one of the most famous fighting units to ever set foot on a battlefield.

The bronzes represent two separate moments in the French Revolution, the uprising against Louis XVI and the fall of the monarchy. Both the soldiers depicted here went on to become part of Napoleon's veteran Old Guard of the Grande Armee. The most fiercely loyal and the highest regarded French soldiers of the entire Napoleonic wars era.

One figure is entitled 'Avant le combat 1792' and depicted as a Drummer calling the the citizens to the barricades.

The second figure is entitled ‘Apres le Combat 1792’ and depicted as a Grenadier or infantryman; this figure is portrayed smoking a pipe and relaxing as he leans on his musket.

Dumaige studied sculpture under Féuchère and Dumont. He exhibited his sculptures depicting groups, statues, and busts at the Salon from 1863-1886
Henry Etienne Dumaige

Born in Paris in 1830, Henry Etienne Dumaige studied sculpture under Féuchère and Dumont. He exhibited his sculptures depicting groups, statues, and busts at the Salon from 1862-1877.

He sculpted a large number of busts, groups and statuettes in marble, plaster and bronze, including statuettes of Desmoulins and Rabelais. He died at St-Gilles-Croix-de-Vié in 1888

Dumaige was a French bronzier and sculptor born in Paris in 1830, where he worked during the mid-19th Century. Dumaige exhibited his sculptures at the Paris Salon and the Academie des Beaux-Arts from 1862-1877, where he was widely acclaimed for the variety of his oeuvre. He was adept in depicting groups, statues and busts in bronze, plaster and marble.
Reference;
Lami, Stanislas (1914), Dictionnaire des Sculpteurs de l'Ecole Francais.
Berman, Harold (1981), Bronzes- Sculptors and Founders 1800-1930, Abage, Chicago.
Forrest, Michael (1988), Art Bronzes, Schiffer Publications, Pennsylvania.
Kjellberg, Pierre (1987), Les bronzes du XIX siecle, dictionnaire des sculpteurs, L'Amateur, Paris.
Dimensions
Height : 64 cm 25.5 inches Width : 11 inches Depth : 11 inches  read more

Code: 25725

An, FN Model 1910, Fabrique Nationale D'Armes DeGuerre, .32 ACP, Semi Auto Pocket Pistol The Same Auto Pistol as Used to Assassinate Archduke Ferdinand That Caused WW1, & By Luftwaffe Officers in WW2. Famously Used By James Bond {Sean Connery} in Dr No

Here is a great FN rarity, in nice, war condition, we have a prime example of one of the 6,064 FN Model 1910 Pistols that was assembled under early Nazi Occupation, in 1940. It is in the known serial range, but not the replacement non flanged crude trigger, {as an FN employee dumped the trigger assemblies into the sewer shortly after the plant was occupied} and roughly made replacements were quickly manufactured under Nazi supervision. The early occupation assembled pistols were not Waffenamted because the Waffenamt inspector whose code was WaA613 had not yet arrived at the factory, but the later 1940 did have the waffenamt A stamps. Production was not continued beyond using up the supply of parts on hand. The primary reason would have been that the larger sized FN Model 1922 was a much more suitable pistol for military use. However, this, the 1940 M1910 was designated for the Polizei Division, Reich Polizei, Gestapo, and Sicherheitspolizei, as it was far more suitable for concealment.

A very good, original, Browning FN semi auto, pocket or concealed holster pistol, with monogrammed black grip plates, good and clear maker stamps Fabrique Nationale D'Armes De Guerre Herstal-Belgique, Waffen amt A and UK deact proofs and fully cocking, firing, sliding action
The FN Model 1910, also known as the Browning model 1910, was a departure for Browning. Before, his designs were produced by both FN in Europe and Colt Firearms in the United States. Since Colt did not want to produce it, Browning chose to patent and produce this design in Europe only. Introduced in 1910, this pistol used a novel operating spring location surrounding the barrel. This location became the standard and copied in such future weapons as the Walther PPK and Russian Makarov.

It incorporated the standard Browning striker-firing mechanism and a grip safety along with a magazine safety and an external safety lever (known as the "triple safety") in a compact package. Offered in both .380 ACP (6-round magazine) and .32 ACP (7-round magazine) calibres, it remained in production until 1983. It is possible to switch calibres by changing only the barrel. However, FN never offered packages containing a single pistol with both calibre barrels.

An FN M1910, serial number , was the handgun used by Gavrilo Princip aka 'the Black Hand' to assassinate Archduke Franz Ferdinand of Austria and his wife Sophie in Sarajevo on 28 June 1914, the act that precipitated the First World War.

Paul Doumer, President of France, was assassinated by Russian emigre Paul Gorguloff on 6 May 1932 with a Model 1910 in .32 ACP. The pistol is now in the Musée des Collections Historiques de la Préfecture de Police.

A Model 1910 was also allegedly used to assassinate Huey Long, governor of Louisiana, on 5 September 1935. Physician Carl Weiss, the alleged assassin, bought the FN M1910 now on display Old State Capitol in Baton Rouge, in Europe for $25 in 1930.

Hannie Schaft ‘The Girl With The Red Hair” a famous Dutch heroine and assassin for the resistance, used a model M1910, with M1922 extended barrel, during her German and Dutch Nazi assassinations as part of the Dutch communist resistance against Nazi occupation of the Netherlands.

This type of semi auto was as much favoured by Luftwaffe Officers in WW2 as the Walther PPK, and the Polizei for concealment. Made in the Browning, Frabrique Nationale d'Armes de Guerre factory in occupied Belgium, one of the great prize assets of the Third Reich, thanks to Hitler's invasion of Belgium at the beginning of WW2.
,Admiral, Lord Jellicoe, 1st Sea Lord of His Majesty's Royal Navy, carried such a pistol, which is now an exhibit in the National Maritime Museum. A barrel extended version of the 1910 model Browning

James Bond (Sean Connery) uses an FN Model 1910 in Dr No, with a suppressor added, to kill Professor Dent (Anthony Dawson).

Hannie Schaft wanted to work with weapons when she joined the Dutch Resistance in early WW2. She was responsible for sabotaging and assassinating various targets. She carried out attacks on Germans, Dutch Nazis, collaborators and traitors. She learned to speak German fluently and became involved with German soldiers. Before facing her targets, Schaft put on makeup — including lipstick and mascara — and styled her hair. In one of the few direct quotations that have been attributed to Schaft, she explained to Truus Oversteegen: “I’ll die clean and beautiful.”

Schaft did not, however, accept every assignment. When asked to kidnap the children of a Nazi official she refused. If the plan had failed, the children would have to be killed, and Schaft felt that was too similar to the Nazis' acts of terror. When seen at the location of a particular assassination, Schaft was identified as "the girl with the red hair". Her involvement led "the girl with the red hair" to be placed on the Nazis' most-wanted list. She was eventually betrayed by accident and was executed before the wars end.
It came together with it's Third Reich pistol, but we are offering them both separately


Deactivated to UK old specification, stamped accordingly, cocking and firing actionable, fully operational, official UK deactivation. Thus, no licence required to own and collect, not suitable to export.  read more

Code: 25724

An Exemplary WW2 1942 Dated Berlin Issue Third Reich Polizei, Gestapo, and Sicherheitspolizei PPK Holster Berlin Maker Marked & Dated With Polizei Eagle Waffen Stamp

Overall in excellent plus condition

A most rare and highly desirable holster for the concealed PPK or model 1910 FN pistol, for belt or shoulder wear by the Berlin Polizei and The force was created by Hermann Göring in 1933 by combining the various political police agencies of Prussia into one organisation. On 20 April 1934, oversight of the Gestapo passed to the head of the Schutzstaffel (SS), Heinrich Himmler, who was also appointed Chief of German Police by Hitler in 1936. Instead of being exclusively a Prussian state agency, the Gestapo became a national one as a sub-office of the Sicherheitspolizei (SiPo; Security Police). From 27 September 1939, it was administered by the Reich Security Main Office (RSHA). It became known as Amt (Dept) 4 of the RSHA and was considered a sister organisation to the Sicherheitsdienst (SD; Security Service).
The Sicherheitspolizei (English: Security Police), often abbreviated as SiPo, was a term used in Germany for security police. In the Nazi era, it referred to the state political and criminal investigation security agencies. It was made up by the combined forces of the Gestapo (secret state police) and the Kriminalpolizei (criminal police; Kripo) between 1936 and 1939. As a formal agency, the SiPo was incorporated into the Reich Security Main Office (RSHA) in 1939, but the term continued to be used informally until the end of World War II in Europe.

It came together with it's Third Reich pistol, but we are offering them both separately  read more

Code: 25726

An Excellent German WW1 Iron Cross, Near Mint Condition, Silver Mount rim and Iron Centre Issued in WW1 But Worn in both WW1 and WW2. WW2 Souvenir of a Former D.Day Combat Veteran

Souvenir from a WW2 veteran. Taken from a veteran German soldier, by a British soldier after landing on Juno Beach at the Normandy landings in 1944 in the early summer.

From a 1st Btn. Suffolk Regt. veteran fighting continually right through to the end of the war near Bremen. We acquired his WW2 campaign medals about 3 years ago. A very good medal with silver rim and iron centre. Next to the Victoria Cross, it is the most famous medal in the world. The Iron Cross was awarded for bravery in battle as well as other conspicuous military contributions in a battlefield environment. The Iron Cross 2nd Class was worn in one of two different methods: When in formal dress, the entire cross was worn mounted alone or as part of a medal bar. For everyday wear, only a ribbon was worn from the second hole in the tunic button.
The Iron Cross is a black four-pointed cross with white trim, with the arms widening toward the ends, similar to a cross pattée. It was designed by the neoclassical architect Karl Friedrich Schinkel and reflects the cross borne by the Teutonic Knights in the 14th century.

The ribbon for the 1813, 1870 and 1914 Iron Cross (2nd Class) was black with two thin white bands, the colours of Prussia. The non-combatant version of this award had the same medal, but the black and white colours on the ribbon were reversed.

Initially the Iron Cross was worn with the blank side out. This did not change until 1838 when the sprig facing could be presented.

Since the Iron Cross was issued over several different periods of German history, it was annotated with the year indicating the era in which it was issued. For example, an Iron Cross from the First World War bears the year "1914", while the same decoration from the Second World War is annotated "1939". The reverse of the 1870, 1914 and 1939 series of Iron Crosses have the year "1813" appearing on the lower arm, symbolizing the year the award was created. The 1813 decoration also has the initials "FW" for King Frederick William III, while the next two have a "W" for the respective kaisers, Wilhelm I and Wilhelm II. The final version shows a swastika.

It was also possible for a holder of the 1914 Iron Cross to be awarded a second or higher grade of the 1939 Iron Cross. In such cases, a "1939 Clasp" (Spange) would be worn on the original 1914 Iron Cross. (A similar award was made in 1914 but was quite rare, since there were few in service who held the 1870 Iron Cross.) For the First Class award the Spange appears as an eagle with the date "1939" that was pinned above the Cross. Although two separate awards, in some cases the holders soldered them together.

A cross was the symbol of the Teutonic Knights (a heraldic cross pattée), and the cross design (but not the specific decoration) has been the symbol of Germany's armed forces (now the Bundeswehr) since 1871. As with all our items, each one comes with our unique, lifetime guarantee, certificate of authenticity  read more

Code: 25728

A Beautiful Antique Royal Vienna Porcelain Cabinet Plate By Griener Hand Painted by One of the Finest Artists of Royal Vienna, and Signed Griener.

A portrait bust of Count Graf von Zeppelin. With gold reflief border. Pre WW1 early 20th Century. Royal Vienna mark in underglazed blue. Gilding of the finest quality 99% good or better condition. The great inventor of the amazing Zeppelin Airships that eventually spanned the globe. DELAG German: Deutsche Luftschiffahrts-Aktiengesellschaft was founded on 16 November 1909 as a subsidiary of the Luftschiffbau Zeppelin Corporation to commercialize airship travel. It became the world's first passenger airline in revenue service with the launch of LZ 7 Deutschland in 1910. While DELAG's initial flights were primarily sightseeing tours, by 1919 it was operating a regular schedule between Berlin and Friedrichshafen with a stop at Munich. Between 1910 and the outbreak of World War I DELAG transported over 34,028 passengers on 1,588 commercial flights.

The first DZR (1935?1940)
The creation of the DZR as successor to DELAG occurred for both political and business reasons. Luftschiffbau Zeppelin (LZ) chairman Hugo Eckener, who had intended to run against Hitler in the 1932 presidential election, was already disliked by the Nazis. When Eckener later resisted the new Nazi government's efforts to use zeppelins for propaganda purposes, Reich Minister of Aviation Hermann G?ring insisted that a new agency be created to extend Party control over LZ Group. A personal rivalry between G?ring and Propaganda Minister Joseph Goebbels also played a role. To complicate matters further, the Luftschiffbau was a loss-making concern and needed cash investment, in particular to complete construction of the Hindenburg.

Deutsche Zeppelin-Reederei was therefore incorporated on 22 March 1935 as a joint venture between Zeppelin Luftschiffbau, the Ministry of Aviation, and Deutsche Luft Hansa. The LZ Group's capital contribution came primarily from its two airships LZ 127 Graf Zeppelin and LZ 129 Hindenburg, the latter of which was not yet complete on the date of incorporation. Nearly all of the rest was an infusion of cash by the Air Ministry and DLH. In exchange for this, the DZR agreed to ownership apportioned as follows:  read more

Code: 22279