A Most Rare Original Anglo Saxon Bronze Crucifix Pendant Around 1000 to 1300 Years Old. One Side Engraved With Stylized Palm Tree Fronds. From Stamford Bridge Region Excavated in 1820

The Battle of Stamford Bridge (Old English: Gefeoht æt Stanfordbrycge) took place at the village of Stamford Bridge, East Riding of Yorkshire, in England, on 25 September 1066, between an English army under King Harold Godwinson and an invading Norwegian force led by King Harald Hardrada and the English king's brother Tostig Godwinson. After a bloody battle, both Hardrada and Tostig, along with most of the Norwegians, were killed. Although Harold Godwinson repelled the Norwegian invaders, his army was defeated by the Normans at Hastings less than three weeks later.

The battle has traditionally been presented as symbolising the end of the Viking Age, although major Scandinavian campaigns in Britain and Ireland occurred in the following decades, such as those of King Sweyn Estrithson of Denmark in 1069–1070 and King Magnus Barefoot of Norway in 1098 and 1102–1103.

The exact location of the battle site is not known for certain. Sources indicate that it took place along the Derwent River, where a wooden bridge crossed the water. There are indications of a meadow on the west side of the river and higher ground on the eastern side. The original bridge no longer exists, and no archaeological traces of it remain. The traditional locating of part of the battle at Battle Flats is based on no contemporary references. Statements that in the 18th century skeletons and weapons were found there have not been corroborated by modern finds

According to Snorri Sturluson's Heimskringla, before the battle a single man rode up alone to Harald Hardrada and Tostig. He gave no name, but spoke to Tostig, offering the return of his earldom if he would turn against Hardrada. Tostig asked what his brother Harold would be willing to give Hardrada for his trouble. The rider replied "Seven feet of English ground, as he is taller than other men" (implying that both Hardrada and his army would be killed and buried on English soil). Then he rode back to the Saxon host. Hardrada was impressed by the rider's boldness, and asked Tostig who he was. Tostig replied that the rider was Harold Godwinson himself. According to Henry of Huntingdon, Harold said "Six feet of ground or as much more as he needs, as he is taller than most men."


Anglo-Saxon pilgrims also travelled abroad. Within a century of the arrival of missionaries from Rome to convert the pagan Anglo-Saxons, Anglo-Saxon pilgrimage to Rome was already well established. Not only monks and nuns, but kings and other lay people travelled to Rome. Some, like King Ine of Wessex and King Coenred of Mercia, remained there to die close to the shrines of the apostles Peter and Paul; others, such as Benedict Biscop (d. 689) and St Wilfrid (d. 709), returned with relics, books and increased understanding of the history, teaching and liturgy of the Church. A hostel (schola) was established close to St Peter's for English pilgrims and other visitors to Rome. Women pilgrims also made the arduous and dangerous journey. In the mid-eighth century St Boniface (d. 751) wrote to the Archbishop of Canterbury asking him to forbid 'matrons and nuns' to travel to Rome because many of them perished and few kept their virtue. Some English pilgrims travelled even further afield. St Willibald left an account of a visit to the Holy Land and Constantinople, recorded by an English nun, Huneberc or Hugeberc.

A portrai painting in the gallery of an Anglo Saxon noble wearing a larger version of this crucifix pendant, this example is exactly the same, but around half that size.

Very strong and robust, perfectly suitable to wear today.
260mm across  read more

Code: 25939

1st Army WW2 Hampshire Regiment 5 Medal Group With Territorial Named Medal

1939-45 Star Afrika Star 1st Army Bar, Defence Medal War Medal and Territorial Efficient Service Medal named Hampshire regiment with post 1953 cap badge.

The British First Army was reformed during the Second World War. It was formed to command the American and British land forces which had landed as part of Operation Torch, the Allied invasion of French North Africa, in Morocco and Algeria on 8 November 1942. It was commanded by Lieutenant-General Sir Kenneth Anderson. The First Army headquarters was formally activated on 9 November 1942 when Anderson arrived in Algiers to assume command of the redesignated Eastern Task Force.[3]

The First Army initially consisted of American and British formations only. After the surrender of French forces following the German abrogation of their armistice agreement with Vichy France, French units were also added to the First Army's order of battle. It eventually consisted of four corps, the US II Corps, the British V Corps, British IX Corps and French XIX Corps.

After the landings, Anderson's forces rushed east in a bid to capture Tunis and Bizerte before German forces could reach the two cities in large numbers. They failed. Following that lack of success, a period of consolidation was forced upon them. The logistics support for the First Army was greatly improved and bases for its accompanying aircraft greatly multiplied. By the time General Sir Bernard Montgomery's British Eighth Army approached the Tunisian border from the east, following its long pursuit of Generalfeldmarschall Erwin Rommel's forces after El Alamein, the First Army was again ready to strike.

Supported by elements of XII Tactical Air Command and No. 242 Group RAF, the First Army carried the main weight of General Sir Harold Alexander's 18th Army Group's offensive to conclude the Tunisian Campaign and finish Axis forces in North Africa off. The victory was won in May 1943 in a surrender that, in numbers captured at least, equalled Stalingrad. Shortly after the surrender, the First Army was disbanded, having served its purpose  read more

Code: 24071

Group of 5 Medals for Soldier of the 1st Army Group; 1939-45 Star, Africa Star with 1st Army Bar. Italy Star, Defence Medal, War Medal

Very good group. 1939-45 Star, Africa Star with 1st Army Bar. Italy Star, Defence Medal, War Medal

The British First Army was reformed during the Second World War. It was formed to command the American and British land forces which had landed as part of Operation Torch, the Allied invasion of French North Africa, in Morocco and Algeria on 8 November 1942. It was commanded by Lieutenant-General Sir Kenneth Anderson. The First Army headquarters was formally activated on 9 November 1942 when Anderson arrived in Algiers to assume command of the redesignated Eastern Task Force.

The First Army initially consisted of American and British formations only. After the surrender of French forces following the German abrogation of their armistice agreement with Vichy France, French units were also added to the First Army's order of battle. It eventually consisted of four corps, the US II Corps, the British V Corps, British IX Corps and French XIX Corps.

After the landings, Anderson's forces rushed east in a bid to capture Tunis and Bizerte before German forces could reach the two cities in large numbers. They failed. Following that lack of success, a period of consolidation was forced upon them. The logistics support for the First Army was greatly improved and bases for its accompanying aircraft greatly multiplied. By the time General Sir Bernard Montgomery's British Eighth Army approached the Tunisian border from the east, following its long pursuit of Generalfeldmarschall Erwin Rommel's forces after El Alamein, the First Army was again ready to strike.

Supported by elements of XII Tactical Air Command and No. 242 Group RAF, the First Army carried the main weight of General Sir Harold Alexander's 18th Army Group's offensive to conclude the Tunisian Campaign and finish Axis forces in North Africa off. The victory was won in May 1943 in a surrender that, in numbers captured at least, equalled Stalingrad. Shortly after the surrender, the First Army was disbanded, having served its purpose.  read more

Code: 16032

A Fabulous Group Of 6 WW2 RAF Medals With Two Campaign Bars.The 1939-1945 Star, The Atlantic Star, The Italy Star, The Africa Star with the 1942-3 bar, the Burma Star With The Pacific Bar {most rare}, And The War Medal.

With the campaign medals of; The 1939-1945 Star, The Atlantic Star, The Italy Star, The Africa Star with the 1942-3 bar, the Burma Star with the Pacific bar {most rare}, and the War Medal.

Awarded to a WW2 RAF officer, 6 medals, and just one medal short of the maximum amount of campaign medals any man serving in the Army, Navy or RAF could have been awarded for the entire war.

This is an incredible symbol of an extraordinary service career in the war.  read more

Code: 17803

Every Original Purchase Comes With Our Unique Certificate of Authenticity Based On Over 100 Years Of Our Family's Trading In Brighton

It will certify every piece as genuine, and further detail its area and era of use in its history, any conflicts and campaigns within which it may have been used, and all and any of its personal provenance if known.

The Lanes Armoury and their partners are the oldest surviving antique business in Sussex, and we are the largest specialist antique Japanese samurai artifacts and sword dealers outside of Japan {and potentially, within it too!}  read more

Code: 18577

A Superb 15th Century, Ancient, Signed Samurai Sword, From the Famous Sukesada Line of Early Samurai Sword Smiths

This sword is an absolute ancient beauty, in fabulous condition for its age.

As with all fine samurai swords that have been owned, cared for correctly, and appreciated for centuries, it’s blade condition belies its great age.

John Keats once wrote that ‘a thing of beauty is a joy forever’, well this sword has certainly been a joy for almost 600 years.

Made and signed by one of the early Sukesada school of master swordsmiths, in around 1450, between 570 to 600 years ago. The blade has a spectacular curvature and a typical, early, Koto period narrow suguha hamon [super hardened edge temper line]. The saya is in superb condition, with pristine and perfect bright black urushi lacquer. It is a great historical ancient sword with its last all original Edo period mounts. Edo iron sukashi pierced mokko tsuba, sinchu fushi kashira, and the fuchi is decorated with takebori dragon. It has a pair of dragon menuki under the original Edo period lacquered cotton tsuka-ito binding.

The Sukesada line of swordsmiths descended in the Osafune school and are recorded as far back as the end of the Nambokucho period (around 1394). This blade here is from around 1450, placing it in the pre Sue-Koto Period (1469-1596).

It is known that some Sue-Koto Sukesada swordsmith’s produced many swords (Kazu-uchi mono) in order to keep up with the demand of battlefield swords. Mainly for the samurai foot soldier where were the combat factor was far more important than the artistic beauty.

The early Sukesada smiths however produced swords of outstanding quality. This is from one of the early pre Sue-Koto period Sukesada smiths. The Sukesada line of swordsmiths extend into the Bizen tradition with its roots coming from the Ichimonji line. (For those unaware, The Ichimonji swords of the Kamakura period are perhaps some of the finest swords to have ever been made, many would say these far exceed even Masamune in terms of quality and artistic beauty). The Bizen sword making tradition has long been considered the largest of sword making traditions, this has much to do with the Sukesada swordsmiths. Bizen Province was a province of Japan on the Inland Sea side of Honshu, in what is today the southeastern part of Okayama Prefecture. It would become home to what would be the biggest of the 5 mainline sword making traditions ( Yamato, Yamashiro, Bizen, Soshu, Mino). The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behavior on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means “one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they could be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. They were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, it has been said, but possibly as part of the myth of samurai training, that samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. It is further said that Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual, in certain circumstances, apparently didn't become a full-fledged samurai until, some say, he wandered around the countryside as begging pilgrim for a couple of years to learn humility. Again this may be part of the myth. However, when all his training was completed a samurai trainee that achieved samurai status and received a salary from his daimyo, paid from taxes (usually rice) raised from the local populace, he truly became the very best at his art in the world of sword combat

Swords in Japan have long been symbols of power and honour and seen as works of art.

Note on the photograph of the tang, around the signature can be seen five mekugi ana peg mounting holes, it appears to be four but on close examination one ana is actually two that overlap. This is one the desirable traditional indicators of a sword’s great antiquity, as each one represents a bespoke mounting and adaption, over the many centuries, of the blade for its various samurai owner's needs. It has remarkably already been a thing of great beauty, and universally admired for around 600 years, and we would like to think there is no reason it shouldn’t continue to do so for another 600 years.

25.70 inch blade tsuba to tip  read more

Code: 24472

A Beautiful Samurai Wakizashi Signed Kunimune, Han Dachi Mounted, All Original Edo Koshirae and Deep Brown Urushi Lacquer Saya With Nishiji Gold With Very Rare Gold Foiled Throat

A Fine blade, in beautiful old polish, hon-zukuri form with a delightful notare hamon, plain copper habaki, signed tang, Hojoji Kunimune, Fabulous gold striped and shakudo takebori relief tiger menuki. Osukashi tsuba of triple leaves with scalloped edge

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."
The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Onin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China.

Cherished for its infinite versatility, urushi lacquer is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Overall in excellent condition, just a tiny defensive edge nick at the kissaki curvature. See photo four in the gallery  read more

Code: 25303

A Koto to Early Shinto Sengoku Period Samurai Wakizashi Circa 1520's to 1590'

With a stunningly attractive blade with fine suguha hamon.
All original edo period fittings and black urushi lacquer saya. Beautiful Higo style fuchi kashira decorated with takebori ponies. O sukashi square section tsuba

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."
The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Onin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China.

Cherished for its infinite versatility, urushi lacquer is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!  read more

Code: 24218

A Superb Antique, Shinto Era, Unokubi (鵜首) Zukuri Blade Tantō, 17th Century

Completely fitted with original Edo period koshirae. Made from probably from after the era of the Battle of Sekigahara, Shinjitai: 関ヶ原の戦い; Kyūjitai: 關ヶ原の戰い
Unokubi (鵜首): An uncommon tantō style akin to the kanmuri-otoshi, with a back that grows abruptly thinner around the middle of the blade; however, the unokubi zukuri regains its thickness just before the point. There is normally a short, wide groove {hi} extending to the midway point on the blade, this is a most unusual form of unokubi zukuri blade tanto without a hi. It has a copper, counter-striped copper habaki, with original Edo period iron Higo school fuchi-kashira, iron mokko form tsuba with some inlaid copper gilt leaf decoration, black tsuka-ito binding. In its original edo period black ishime {stone finish} lacquered saya with iron kojiri and shakudo-nanako, shirimono kodzuka decorated with leaves, fitted in the saya pocket. The hamon is gunome-midare with some togari (pointed elements

The blade is absolutely stunning. The Hamon is the pattern we see on the edge of the blade of any Nihonto (日本刀) and it is not merely aesthetic, but is due to the differential tempering with clay applied to weapons in the forging process. Japanese katanas are unique in the way of the forging process, where apart from the materials the system is tremendously laborious. In short, before temper, the steel has different clays applied that when submerged in water causing the characteristic blade curvature and the pattern of the hamon. This also causes the katanas to be flexible and can be very sharp, since the hardening of the steels at different temperatures causes a part of the sword to be softer and more flexible called Mune or loin and the other harder and brittle, thus having a High quality cutting edge capable of making precise and lethal cuts.
There are various types and variants, some simple and others very complex. Depending on how the clay is applied, it can form numerous forms and types of hamon.

According to legend, Amakuni Yasutsuna developed the process of differential hardening of the blades around the 8th century. The emperor was returning from battle with his soldiers when Yasutsuna noticed that half of the swords were broken:
Amakuni and his son, Amakura, picked up the broken blades and examined them. They were determined to create a sword that will not break in combat and they were locked up in seclusion for 30 days. When they reappeared, they took the curved blade with them. The following spring there was another war. Again the soldiers returned, only this time all the swords were intact and the emperor smiled at Amakuni.
Although it is impossible to determine who invented the technique, surviving blades from Yasutsuna around AD 749–811 suggest that, at the very least, Yasutsuna helped establish the tradition of differentially hardening blades

The Battle of Sekigahara (Shinjitai: 関ヶ原の戦い; Kyūjitai: 關ヶ原の戰い,Sekigahara no Tatakai) was a decisive battle on October 21, 1600 (Keichō 5, 15th day of the 9th month) in what is now Gifu Prefecture, Japan, at the end of the Sengoku period. This battle was fought by the forces of Tokugawa Ieyasu against a coalition of Toyotomi loyalist clans under Ishida Mitsunari, several of which defected before or during the battle, leading to a Tokugawa victory. The Battle of Sekigahara was the largest battle of Japanese feudal history and is often regarded as the most important. Mitsunari's defeat led to the establishment of the Tokugawa shogunate.

Tokugawa Ieyasu took three more years to consolidate his position of power over the Toyotomi clan and the various daimyō, but the Battle of Sekigahara is widely considered to be the unofficial beginning of the Tokugawa shogunate, which ruled Japan for another two and a half centuries


A tanto would most often be worn by Samurai, and it was very uncommon to come across a non samurai with a tanto. It was not only men who carried these daggers, women would on occasions carry a small tanto called a kaiken in their obi which would be used for self-defence. In feudal Japan a tanto would occasionally be worn by Samurai in place of the wakizashi in a combination called the daisho, which roughly translates as big-little, in reference to the big Samurai Sword (Katana) and the small dagger (tanto). Before the rise of the katana it was more common for a Samurai to carry a tachi and tanto combination as opposed to a katana and wakizashi.  read more

Code: 25350

An Incredible and Historic Napoleonic Wars Battle Site Recovered Exploded Solid Shot 12 Pounder Cannon Ball

Battle field recovery. With less than 50% remaining, the ball has hit its target, and split asunder.
Within the ball is an air pocket which may explain its split in two on impact.

Thomas Blomefield, as Inspector-General of Artillery, introduced a new system of Ordnance from 1784 onwards. His system of gun tubes was based around two standard lengths: that of 17 calibres and that of 13. Seventeen calibre tubes were used for the 'heavy' or 'long' pieces with the 'light' and siege/garrison guns having tubes of 13 calibres. The calibre of all 12-pounders was 4.623 inches.

Blomefield designed three types of 12-pounder, each being specialised towards a particular function. The heavy 12-pounder was used in garrison and siege work; the medium was used in the field and the light for the horse artillery. As the Napoleonic wars progressed, however, the medium 12-pounder became the sole weapon of its class.

The medium 12-pounder had a gun-tube that was 6 feet 6.66 inches in length and it weighed 18.0 cwt; an example cast by John and Henry King in 1795 at the Royal Armouries Museum, Leeds, has a length of 6 feet 3 inches and a weight of 18 cwt 9lb. A medium 12-pounder also survives with its original block-trail carriage in Montreal. The Royal Artillery used 12-pounder field guns in almost all of their major operations and furthermore it was used by the Royal Horse Artillery. See; Wellington's Big Bang: the British 12-pounders By Anthony Leslie Dawson  read more

Code: 21295