A Large & Superbly Impressive Circa 20 Million Year Old Megalodon Giant Shark Tooth

Miocene period and one of the largest we have seen in years.
Megalodon (Otodus megalodon), meaning "big tooth", is an extinct species of mackerel shark that lived approximately 23 to 3.6 million years ago (Mya), from the Early Miocene to the Pliocene epochs. It was formerly thought to be a member of the family Lamnidae and a close relative of the great white shark (Carcharodon carcharias). However, it is now classified into the extinct family Otodontidae, which diverged from the great white shark during the Early Cretaceous.

While regarded as one of the largest and most powerful predators to have ever lived, the megalodon is only known from fragmentary remains, and its appearance and maximum size are uncertain
Extrapolating from a vertebral column and reconstructing a 3D model with dimensions based on all extant lamnid sharks suggests that a 16-meter-long (52 ft) individual, but it may have been much larger than that compared to previous estimates, possibly reaching an excess 90 feet, and weighing 61.5 metric tons (67.8 short tons) or more, in body mass; and an individual megaladon of this size would have needed to consume at least 98,175 kcal per day.

Their teeth were thick and robust, built for grabbing prey and breaking bone, and their large jaws could exert a bite force of up to 108,500 to 182,200 newtons (24,400 to 41,000 lbf) with the ability to bite a whale in half with one bite.

The tooth is length top to bottom
As with all our items it comes complete with our certificate of authenticity  read more

Code: 24809

Most Rare, Original Pair of Napoleonic War Period Issued Medals, The Prussian & Bavarian Battle of Waterloo & Battle of Leipzig, One Made From Captured Cannon, Just as The British Victoria Cross Was Made From Captured Russian Cannon.

Really rare to find, but exceptionally good value when one considers the British equivalent for two original medals for the Napoleonic campaigns would be between five and ten times this price. The Prussian Campaign Medal for 1813, a cross within a circle, made from captured cannon, and the Bavarian Military Campaign Medal for the Napoleonic Wars in 1813, 1814, 1815, for Officers and Other Ranks, awarded in 1817-1818.
Prussian Medal; Circular bronze medal with loop for ribbon suspension; the face with a cross pattee with rays between the arms, the date 1813 centrally within a laurel wreath; the reverse with the crowned cypher of Friedrich Wilhelm III above the inscription Preusens tapfern kriegern (Prussia's brave warriors) circumscribed Gott war mit uns, Ihn sey die Ehre (God was with us To Him the Glory); the edge inscribed AUS EROBERTEM GESCHUTZ (from captured cannon); some surface wear; on an old correct ribbon. The medal was instituted by King Friedrich Wilhelm III at Frankfurt-am-Main on 24 December 1813 and amended on 3 October 1815 to be awarded to all warriors who without exception, whether in the field or before a fortress, truly fought and uncompromisingly did their duty throughout this current conflict? (jeden Krieger ohne Ausnahme, der im Felde oder vor einer Festung wirklich mitgefochten und der wehrend der Dauer des jetzigen Krieges seinen Pflichten treugeblieben ist). The medal exists with the dates 1813, 1814, 1813/1814 and 1815 and with square and rounded ends to the cross. Prussia was a key member of the coalition that fought Napoleonic France and its allies, culminating with victory at Waterloo on 18 June 1815. Bavarian medal; Bronze cross pattee alise with loop for ribbon suspension; the face with a circular central medallion bearing the cipher of King Maximilian I Joseph within an oak leaf border, the upper, left, right and lower arms inscribed FUR DIE JAHRE 1813 / UND / 1814 respectively; the reverse with a circular central medallion bearing the Bavarian lion on a lozenge ground within an oak leaf border, the upper, left, right and lower arms inscribed KONIG UND VATERLAND (King and Fatherland) respectively; on replaced correct ribbon. The Medal was instituted on 4 December 1814 and confirmed in statutes on 25 May 1817 to be awarded to Bavarian military who fought in the Napoleonic Wars. 16 June 1815
Wellington and Blucher meet at the windmill of Bussy at 1 pm, where they agree that Napoleon seems to be about to attack Ligny, not Quatre-bras. The Prussians take responsibility for this battle, but the 4th corps, headed by General von Bulow, doesn't arrive in time, and the 80,000-strong Prussian army loses the Battle of Ligny against Napoleon. Blucher is injured in the attack when his horse is shot from underneath him.

Later that same afternoon, the French Marshal Ney leads an attack at Quatre-Bras against the British, but the latter's superior numbers and French indecision allow them to avoid defeat.

17 - 18 June 1815
Though badly mauled on 16 June, Blucher retreats not east towards Prussia but re-establishes his position around Wavre (north and east from Ligny), thereby staying in contact with the allied force which had retreated from Quatre-Bras to Waterloo.

One of Wellington's ADCs reaches Blucher at 11 pm on 17 June, informing the Prussian general that the British general would fight a defensive battle at Waterloo. Blucher, after consultation with Gneisenau, resolves to send Bulow's 4th corps to attack the enemy's right flank. This would be followed by the 2nd corps, with the 1st and 3rd held in reserve. The 4th, 2nd and 1st corps march in two columns from Wavre towards the battlefield at Waterloo. Whilst Blucher was to hold the French off at Wavre, Bulow and Pirch II were to lead the left column (that which would finally take Plancenoit, to the rear of Napoleon's right) and Zieten on the right column would finally emerge onto the battlefield alongside Wellington's left round about 7 pm.

Though the battle at Plancenoit was to be hard fought, the Prussians eventually overrun the French right, causing the French army to turn and flee. Blucher was famously to meet Wellington on the battlefield between 9 and 10 pm, close to the Belle-Alliance farm, where the Prussian general used the only French he knew: 'Quelle affaire !' are the words that history has recorded.

Given the battering the Allied army had received throughout the day, the relatively fresh Prussian troops were to take the lead in pursuing the fleeing French troops. The Prussians had nevertheless lost 7,000 men. Napoleon's carriage was to be seized by Prussian cavalry at Gemappes, and the routed French were to be given no quarter by the furious Prussian pursuit. Blucher's advance guard was finally to reach the outskirts of Paris on 29 June. With Napoleon's abdication on 22 June, the war would officially end upon the signature of the Convention of St-Cloud on 3 July 1815. The Bavarian story from 1813 up to 15. King Maximillan I Josef turned with a heavy heart away from the French and changed to the Allied camp shortly before the Battle of Leipzig. The attempt by Wrede to stop the victory of the Grande Armee in 1813 at the Battle of Hanau ended in a narrow defeat for his Austro-Bavarian corps. The campaign of 1814 began badly for the Allies, but Wrede made up for his earlier defeat with valuable victories over his former allies at the battles of Arcis-sur-Aube and Bar-sur-Aube.

In 1814, the Bavarian army consisted of a Grenadier Guard regiment, 16 regiments of Line Infantry, two battalions of Jager, seven regiments of light cavalry (of which one was territorial), one regiment of Uhlans, two Hussar regiments, one regiment of Garde du Corps (mounted royal bodyguard), two regiments of foot artillery and one of horse-artillery.

In 1815, the 7th (National) Light Cavalry regiment was formed into two Cuirassier regiments. A very early pair of Napoleonic Wars Germanic Kingdom medals from the Napoleonic Wars. By comparison these medals are extremely inexpensive for the equivalent, British Waterloo medal is now anything up 8,000 plus depending on regiment etc..

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo  read more

Code: 22369

Early War M1910 Feldgrau & Wine Red Wool Cloth Lancer’s Mutze Representing the Colours of a Prussian Uhlans Lancers Regiment. The Very Same Type And Rare Colour Scheme worn by Corporal Adolf Hitler While Serving In The Trenches in WW1.

The very same form of Imperial German army cap worn by Adolf Hitler in WW1 see photos A rare survivor of early WW1 German trench warfare head dress of 1914. In super condition with no mothing. The cockades used during WW1 to represent the National colours and Prussian state was black and white, and the upper cockade, red, white and black.
The type of cap worn by Adolf Hitler is shown in a photo in the gallery wearing his very same type of cap, while serving as a gefreiter in the trenches in WW1. The infantry Mutze was adorned with two roundels (Kokarden) sewn one over the other. The upper Kokarde was known as the Deutsche or Reichs Kokarde, and it was painted in the national colors of red-white-black. The lower Kokarde was painted in the State colours and was known as the Landeskokarde. 1897 Reich's Kokarde
In 1897 a new Reich's Kokarde in Red/White/Black was introduced for all ranks to commemorate the 100th anniversary of the birth of Kaiser Wilhelm 1st. The Reich's Kokarde was to be worn on the right side of the Pickelhaube, and worn centered between the band and the top row of piping on Kratzchen (Feldmutze)The lower Kokarde was painted in the State colors and was known as the Landeskokarde, and is based in Schlesien - a Prussian State Because the Krätzchen was a vital link in the rather complicated unit colour-coding system, it had a wide-range of colour combinations for the band and piping. A wide coloured band in combination with piping at the cap’s top, and sometimes on the band, indicated the wearer’s branch, or in the cavalry’s case, regiment. It sounds simple, yet the almost endless colour-coding made it so complicated it had little utility. For example, all infantrymen would have a poppy red band and piping. Various shades of red band and piping would also apply to certain regiments of Dragoons, Uhlans, Schwere Reiter and Chevaulegers. Some cavalry regiments, such as Hussars and Cuirassiers, would have their own unique unit colour combination. Certain branches of the army would wear the identical colour combination, such as the technical branches, including engineers, field artillery and transport troops (black band with red piping). This cap has wine red coloured band and piping which usually denotes an Uhlan Regt. The cotton lining is good and complete but the interior wear marks have worn away the interior black regimental ink stamps.

Photos 7,8,& 9 in the gallery are of Corporal Hitler wearing his same cap.  read more

Code: 23679

A Fine & Original Chapka Plate for the 9th Royal Lancers WW1 Issue

With all battle honours up to the Boer War. The last Lancer regiment to engage in Lance on Lance combat in WW1. The chapka was a type of helmet worn by 19th century Polish light cavalry and later adopted by another nations, including Britain.
During the Second Boer War, 1899-1902, the Lancers took part in the following actions: Belmont, Battle of Modder River, Magerfonstien, Relief of Kimberley, and the following Battle of Paardeberg which resulted in Cronje?s surrender. They provided Lord Roberts? escort for his state entry into Bloemfontein. After the war, the 9th returned to Sialkot in the Punjab Although engaged in combat for the whole of the war the Lancers only operated as a cavalry unit during 1914. This was due to the widespread use of machine guns and shelling and also the advent of the tank. For the remainder of the war they operated as infantry in the trenches.

Notable events included a Victoria Cross for Captain Francis Octavius Grenfell for his actions in saving the guns of 119th Battery, Royal Field Artillery on 24 August 1914 (he was later killed in action on 24 May 1915, as was his twin brother, Riversdale, a yeomanry officer who attached to 9th Lancers), and the regiment's participation in the final "lance on lance" action of the First World War on 7 September 1914 at Moncel in which Lieutenant Colonel David Campbell led a charge of two troops of B Squadron and overthrew a squadron of the 1st Guard Dragoons. After Campbell left on promotion he was replaced as commanding officer by Desmond Beale-Browne.

.
By the end of the war 274 Lancers had died.

In August 1914 Hume's regiment was in Belgium with the British Expeditionary Force (BEF). On 24 August during the Battle of Mons, they charged a large body of German infantry who were advancing to encircle the 5th Division at Audregnies. This famous action saw Captain Francis Grenfell win the Victoria Cross. The 9th Queen's Royal Lancers, or the Delhi Spearmen, were a cavalry regiment of the British Army. They are best known for their roles in the Indian mutiny of 1857, the WW1 Charge at Mons, and for their part in the North African campaign of World War II including the retreat to and the battle of El Alamein in 1942.The 9th Queen's Royal Lancers were originally formed during the Jacobite Risings in 1715. They were formed by Major-General Owen Wynne and were the second cavalry regiment in the British Army. They were initially known as the "9th Dragoons" or "Wynne's Dragoons". In 1717, the regiment embarked for Ballinrobe, in Ireland, and was placed on the Irish establishment.

In 1783 they converted into Light Dragoons, becoming the 9th Light Dragoons, and served in the Irish Rebellion of 1798, Sir Samuel Auchmuty's expedition to the River Plate in 1803, the occupation of Montevideo and Wellington's Peninsula War between 1811 and 1813.

In 1816 they were constituted Lancers and in 1830 were given the distinguished title of "Queen's Royal", in honour of Queen Adelaide, consort of William IV, hence becoming the 9th Queen's Royal Lancers.
The Lancers were first posted to India during the Gwalior Campaign of 1843. They subsequently took part in the First Anglo-Sikh War of 1845-46 and the Second Anglo-Sikh War of 1848-49 where they were often led by Sir Hope Grant and were the first recipients of the Bronze Star Medal.

During the Indian mutiny of 1857, the 9th Lancers earned the name the Delhi Spearmen, a name which is believed to have been given to them by the mutineers themselves. 9th Lancers was present in all three of the most notable events associated with the Indian mutiny, namely, the seizure of Delhi, the seizure of Lucknow and the relief of Lucknow. For their actions the Lancers were awarded twelve Victoria Crosses, more than any other cavalry regiment. They were described by an ally as:-


"The beau ideal of all that British Cavalry ought to be in Oriental countries".  read more

Code: 18936

A Good Victorian Fifth Royal Irish Lancers Tchapka Helmet Plate

In superb condition, fabulous bronze patina and two helmet screw posts.Queen Victoria's crown. The regiment was originally formed in 1689 as James Wynne's Regiment of Dragoons. They fought in the Battle of the Boyne and at the Battle of Aughrim under William of Orange. Renamed the Royal Dragoons of Ireland, they went on to serve with the Duke of Marlborough during the Spanish War of Succession and earned three battle honours there.In 1751, they were retitled 5th Regiment of Dragoons and in 1756 the 5th (or Royal Irish) Regiment of Dragoons. As such, they served in Ireland and were active during the Irish Rebellion of 1798. However, they were accused of treachery; their accusers claimed their ranks had been infiltrated by rebels. (According to Continental Magazine, April 1863, the unit refused to attack a group of rebels.) This accusation appears to have been false, but nevertheless they were disbanded at Chatham in 1799. The regiment was reformed in 1858, keeping its old number and title, but losing precedence, being ranked after the 17th Lancers. It was immediately converted into a lancer regiment and titled 5th (or Royal Irish) Regiment of Dragoons (Lancers). In 1861, it was renamed the 5th (or Royal Irish) Lancers and then the 5th (Royal Irish) Lancers. The regiment served in India and a section served in Egypt in 1885, taking part in the battles at Suakin. It served with distinction in the Second Boer War from 1899 to 1902, gaining battle honours at Battle of Elandslaagte and The Defence of Ladysmith.

The regiment then returned to England where it stayed until the outbreak of World War I, when it became part of the British Expeditionary Force and saw action continually from 1914 to 1918 in some of the war's bloodiest battles. During the battle of Bourlon Wood George William Burdett Clare received the Victoria Cross posthumously. The 5th (Royal Irish) Lancers won a total of 20 battle honours during the Great War.

The 5th (Royal Irish) Lancers also has the grim honour of being the regiment of the last British soldier to die in the Great War. This was Private George Edwin Ellison from Leeds, who was killed by a sniper as the regiment advanced into Mons a short time before the armistice came into effect.

The regiment was renamed 5th Royal Irish Lancers and disbanded in 1921, but a squadron was reconstituted in 1922 and immediately amalgamated with the 16th The Queen's Lancers to become the 16th/5th Lancers The Royal Irish Lancers were in Mons at the time of retreat in 1914 but escaped and returned on Armistice Day. The last cavalry regiment out and the first back!. The memorial panel we show in the gallery records the return welcomed by the Maire and the Cur?. The scene is taken from a painting, ?5th Lancers, Re-entry into Mons?, last heard of in the private collection of a Belgian citizen. This in turn is almost a mirror image of a painting ?5th Lancers, Retreat from Mons? (whereabouts unknown). In the former, the troopers are heading in the opposite direction to the ?Retreat?, and a middle-aged priest and a pregnant woman watching the departure of the regiment among a worried-looking crowd of Belgian citizens have subtly changed: the priest is now white-haired and the mother holds up her four-year-old child, having lived through the occupation of the German forces in Mons for four years. The Great War 1914

The 5 Lancers, as part of the 3rd Cavalry Brigade, were heavily involved and played a major role in the initial mobile actions fought by the BEF. They gained the distinction of being the last cavalry regiment to withdraw from Mons during the retreat; they also had the privilege to be the first British regiment to re-enter Mons after the pursuit in November 1918. Generally the First World War is described as a war of trench deadlock primarily fought by the infantry, gunners and engineers, this assessment is correct. It must however be remembered that cavalry regiments were expected to take their place in the line from time to time and did share the privations of trench warfare suffered by the infantry. On a number of occasions 5 L particularly distinguished themselves: in the defence of Guillemont Farm, June 1917, 3 MCs, and 4 MMs were won and during the defence of Bourlon Wood in 1918 Private George Clare won a posthumous VC. While the main focus of the First World War remained with the armies fighting on the western front it was by no means the only theatre of war. In 1918 Allenby, a 5th Lancer and later a Field Marshal, reorganised British forces in the Middle East pushing his lines forward into northern Palestine. Allenby's Army broke through at Megiddo resulting in the collapse of Turkish resistance. 8.25 inches x 5 inches approx.  read more

Code: 19688

A Fine and Long, Saudi Arabian, Silver & Copper Alloy Dharia Jambiya 19th Century

A scarce jambiya to find as the smaller Omani and Yemeni types were made in far greater numbers over the past century.

A long bladed Dharia jambiya, with shbeyl hilt type, more within the short-sword size, with a flat beyd blade as opposed to the more frequently seen Omani dagger sized pieces. Late 19th century also called in the west a Wahhabi jambiya covered in geometrically patterned silver. A "Wahhabi jambiya" is a occidental collector's term. "Weapons of the Islamic World" by The King Faisal Centre, the Centre for Research & Islamic Studies categorises these by type, tribal or regional origin, not by religious sect.
Obviously jambiyas of this type were carried by Wahhabis and certain of the tribes they are associated with would be predominately Wahhabi.
These are from the Asir, Hejaz, Nejd (generally the South, West and Central Saudi Arabia) and were the origins and backbone of the "Ikwhan" which was of course Wahhabi. Dharia is the term used to describe the long dagger which originates from the west of modern day Saudi Arabia, around the Azir/Hijaz area, and down as far as Yemen.

The word Dharia appears to come from the Arabic Dhura'eyah which translates as Arm Long Dagger. These daggers are also called Sabiki, Sabak, Sabik etc depending on the spelling. The term Wahabite is also commonly used to describe these, but any direct connection with the Wahhabi Movement except perhaps the actual geographical area is likely very co-incidental, and perhaps that this style was one used by them.

The jambia was given its name because it is worn on the side of a person – the word jambia is derived from the Arabic word janb (Arabic: جنب, lit. 'side'). A jambia is constituted of a handle, a blade, and a sheath in which the blade is held. It is made of a certain sort of wood, to hold the blade that is fixed to the waist from underneath with an upward curved sheath. The belt that holds the jambia is made of tanned leather, or some thick cloth. There are specialised markets and handicraft markets that decorate it with golden wires.

The jambia handle often tells of the social status of the man who wears it. Jambias can be made with ivory handles or hilts of other rare and exotic materials.
T. E. Lawrence was famous for using a jambiya knife historically.  read more

Code: 26264

Truly Exceptional, Original, Highest Grade Napoleonic Wars Period Museum Piece Silver Miquelet, A Magnificent Musket Dated 1776 Presented To Ali Pasha the Lion of Alexandria. An All Silver Mounted Miquelet Gun, Another Was Presented to President Jefferson

Just returned today from silver conservation.

Dated lock 1190 AH which translates to 1776 to 1777 AD. combined with Sultanate mark in script. The lock is stunningly inlaid with silver and gold. The walnut gunstock has around twenty intricate panels of rococo silver inlaid throughout, a very fine long barrel inlaid with an intricate silver design and held by five silver mounting capuchine bands. The ram rod has a long silver fore-end. The stock has a brass butt-stock end, superbly engraved throughout.

We were astounded when we were offered this fabulous presentation piece, also from the peak of the Ottoman Empire, that was almost certainly e near pair, presented to Ali Pasha, 'The Lion of Alexandria' the famous Great Pasha and ruler in the Ottoman Empire, to another, near identical Miquelet example, that we sold just a few months ago. It is also a near pair to one presented to President Thomas Jefferson {now in the Smithsonian}

Intriguingly, it is more than possible this fabulous silver mounted long gun was likely presented to Ali Pasha in order to counteract its previous presentation pair. When this Miquelet presented it may have been so gifted on behalf of either, The Duke of Wellington or Napoleon Bonaparte, as they were both currying favour with the Great Pasha, in order for him to change allegiances, which he did, from Napoleon to Wellington, and then assisted the Ottoman Army to eject napoleon from Egypt in 1802.

Muhammad 'Ali Pasha, also known as 'the Father of Egypt' and the 'Lion of Alexandria', held a significant role in shaping modern Egypt. After a long period of foreign occupation in Egypt, his ascendancy in 1806 marked a pivotal point as he established control over Egypt and Sudan, a domination that endured until the Egyptian revolution of 1952.

Born in Kavalla, Macedonia in the late 1760s, Muhammad 'Ali gained prominence as a commander in the Albanian military, collaborating with British and Ottoman forces to expel Napoleon Bonaparte's army from Egypt in 1802. After the allied forces withdrew, Muhammad 'Ali remained in power, eventually declaring himself Egypt's de facto ruler in 1806. He skillfully navigated the geo-political complexities of his time, securing recognition from the Ottomans as governor or pasha, and thereby successfully reinstating an autonomous and hereditary dynasty at a time when the Ottoman Empire was exerting growing control over other Arab regions.
Fabulous arms were the great pieces of choice in order to be presented from Kings, Emperors and Generals, to their foreign counterparts {other Kings, Emperors, and Generals} in order to sway their decisions of state, for alliances and influence, essential in times of great war.

This very type of magnificent silver inlaid long gun were renown as the presentation pieces of choice for Emperors, Kings, Pashas and Presidents. President Thomas Jefferson was presented another near identical example just like ours, in November 1805, by the Bey of Tunis, it is now part of the Smithsonian Collection of great arms, in America.

Photo 10 though is Ali Pasha’s other identical example, now in the Metropolitan Museum in New York. Clearly these magnificent silver long guns were the personal favourites of the great Pasha, likely one kept in each of his royal palaces, in his empire.

Ali Pasha of Tepelena had several residences and strongholds, with his primary palace located in Ioannina (modern-day Greece), where he ruled as the Ottoman governor. Additionally, he maintained significant fortresses/residences at Porto Palermo and in his hometown of Tepelenë (both in modern Albania).
Ioannina Palace: His main administrative centre and audience chamber were in Ioannina, which became a cosmopolitan hub under his rule.
Porto Palermo Castle: A well-known coastal fortress on a small peninsula near Himara, often associated with a romantic legend.
Tepelena Castle: A large, 4-hectare castle in Tepelenë served as a vital residence and stronghold.
Butrint Castle: He used a small, fortified, formerly Venetian, structure on an islet at the mouth of the Vivari Channel

Another singularly spectacular ‘statement piece’ for any collection of rare and fine arms or antiques. From the Napoleonic Wars era, made for the famous Ottoman ruler Ali Pasha.
**See photo 10 in the gallery for reference, and link below, to another almost identical example and another of Ali Pasha's miquelets now in the Metropolitan in New York

The great ruler of the Ottoman's, Ali Pasha was, at first, an admirer of Napoleon and formed a brief alliance with him during the Napoleonic wars, but, with changing winds he went against his previous ally to support the British. Napoleon thus sanctioned a planned rebellion against Ali, but the British arrived, as funds were being collected and rebels were being recruited.
Ali's rival, Ibrahim Pasha of Berat, turned to the French and gathered a coalition of Ali's enemies, including Mustafa Pasha of Delvinë, Pronio Aga of Paramythia, Hasan Çapari of Margariti, the Beys of Himara, the Aga of Konispoli and the Souliotes. This coalition began attacking Ali's realm with support from French artillery, and Ali responded by bribing Ibrahim's supporters with British support. Ali besieged Ibrahim Pasha in Berat with an 8,000-man army commanded by the Albanian captain Omer Bey Vrioni, and with the aid of British rockets, Berat finally fell after a year of skirmishing. Ibrahim retired to Vlorë, and Ali told the Porte that he had taken Berat in response to the revolts in upper Albania that were the result of Ibrahim's inability to rule

In 1809, Lord Byron together with John Cam Hobhouse visited Ali's court in Tepelena and Ioannina in 1809.
Byron recorded the encounter in his work Childe Harold. They traveled to Albania to see the country that was, until then, mostly unknown in Britain. Byron presented Albanians as a free people who lived in their state under their leader, Ali Pasha, described by Byron as a
"a man of first abilities, who governs the whole of Albania"

A near identical long gun of Ali Pasha, {the third of its kind} is in the Metropolitan museum, exhibited as the Miquelet Rifle of Ali Pasha. Being cognisant of the manipulations of great rulers of history, it is logical to assume the envoys of both King George for Wellington, and Napoleon were informed exactly how to impress the great Pasha, by presenting him with his favourite silver mounted miquelets, hand made by the rulers gunsmith in his empire. Thus with such magnificent pieces Ali Pasha would be swayed to agree to military alliances and mutual defensive pacts. It clearly worked, but likely both Wellington and Napoleon were unawhere just how ‘flexible’ he was in his allegiances.

His rule by Ali's definition, included central and southern Albania, and parts of mainland Greece; in particular, most of the district of Epirus and the western parts of Thessaly and Macedonia. He managed to stretch his control over the sanjaks of Yanina, Delvina, Vlora and Berat, Elbasan, Ohrid and Monastir, Görice, and Tirhala. Ali was granted the Sanjak of Tirhala in 1787, and he delegated its government in 1788 to his second-born Veli Pasha, who also became Pasha of the Morea Eyalet in 1807.
Ali's eldest son, Muhtar Pasha, was granted the Sanjak of Karli-Eli and the Sanjak of Eğriboz in 1792, stretching for the first time Ali's control down to Livadia and the Gulf of Corinth, except Attica. Muhtar Pasha also became governor of the Sanjak of Ohrid in 1796–7 and of the Sanjak of Vlora and Berat in 1810.

Similar finest examples may be viewed in the Topkapi Museum in Istanbul and the Hermitage in Russia. A most similar gun was presented to President Thomas Jefferson by the Bey of Tunis.

A simply superbly beautiful antique presentation long gun from the Early 19th century. A miquelet gun with a very high quality miquelet toe lock decorated with numerous chiseled and fretted silver panels and inlaid foliate arabesques.

The gun is richly inlaid with silver throughout and fitted with a chisseled bronze-brass butt plate, with matching silver barrel bands, and its original silver mounted ramrod. Figured hardwood three-quarter stock profusely inlaid over its full length with numerous silver plaques.

A most similar gun was a gift of the Russian Romanov Tsar to Augustus II King of Poland and Elector of Saxony on his coronation in Krakow.
That gun is published in the book Prunkwaffen: Waffen und Rustungen aus dem Historischen Museum Dresden by Johannes Schobel (Leipzig, 1973) p.249, pl. 178.

Guns of this style with miquelet actions, were popular throughout the whole of Central, Eastern Europe, Russia, the Caucasus and The Ottoman Empire. However this magnificent piece is a much, much higher quality example, made solely for presentation to potentates, rulers and the like, than is more often seen, and certainly sets it well apart from the usual plain miquelet musket of its type.

After the conquest of Istanbul by Mehmed the Conqueror at 1453, construction of the Topkapi Palace was started at the year 1460 and completed at 1478 .The Palace was built upon an Eastern Roman Acropolis located at the Istanbul Peninsula between Sea of Marmara, Bosphorus and the Golden Horn. Topkapi Palace, was the administrative, educational and art center of the Empire for nearly four hundred years since Mehmed the Conqueror until Sultan Abdulmecid who is the thirty-first Sultan. Although Palace was abandoned by the Ottoman Dynasty by moving to the Dolmabahce Palace at middle 19th century, the Topkapi Palace latterly became a world class museum containing some of the worlds finest antique arms and armour.

The year of Catherine II’s acquisition of the Gotzkowsky collection is the Hermitage museum’s birth date. In 1764 Empress Catherine II acquired the collection formed by Johann Gotzkowski for King Frederick II of Prussia. A rich Berlin merchant and founder of silk and porcelain factories in Berlin, Johann Gotzkowski was one of Frederick's agents, in charge of the purchase of works of art for the royal collection. Frederick II (the Great), owner of a wonderful collection of contemporary French paintings, ordered Gotzkowski to purchase paintings by old masters. The merchant was a zealous agent and it took him only a few years to put together a large collection, but by this time Frederick had lost large sums of money in the Seven Years War and he refused to make the purchase.

The enterprising merchant was forced to look around for alternative buyers and he offered the collection to Russia. Catherine II was pleased to take the opportunity of hurting Frederick's self-esteem and of proving that the Russian State Treasury, despite losses which were no less than those of Prussia, could still afford to make such an expensive acquisition. From this purchase onwards the Hermitage has become one of the foremost museums in the world, alongside the British Museum, The Metropolitan, The Louvre and The Prado.

This miquelet is 71 inches long, {our previous near pair example was 55.5 inches long overall}. This gun was likely made purposely longer in order to greately impress the Pasha that its presenter had greater respect for the Great Pasha. This of course, is, reasonable supposition, we have no way of knowing if it is correct.

As with all our antique guns no license is required as they are all unrestricted antique collectables.

For reference, the rifle of Ali Pasha
https://www.metmuseum.org/art/collection/search/28998

See photo 10 in the gallery of the Metropolitan Museums Miquelet Rifle of Ali Pasha
lock and stock, Algerian; barrel, European
lock and stock, dated A.H. 1224/1809–10 CE; barrel, 18th century

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery

Another magnificent and extremely similar Miquelet, undoubtedly by the same gunsmith of Ali Pasha, was the silver inlaid gun presented to President Thomas Jefferson presented by the Bey of Tunis in 1805 is a 7-foot-long, Miquelet-lock Jezail (musket). It was presented as a gift intended to strengthen diplomatic relations following the end of the Tripolitan War. It now resides by loan in the Smithsonian affiliated museum, the Buffalo Bill Museum of the West in Cody Wyoming

The musket was presented on November 30, 1805, at the Washington Navy Yard by Sidi Soliman Mellimelli, the ambassador of the Bey of Tunis.

Link;

https://americanhistory.si.edu/explore/stories/journeying-west-distinctive-firearms-travel-buffalo-bill-center-west

Lock locates with a single side nail instead of three. Small panel of inlay lacking at the cheek side butt.  read more

Code: 26221

M43 Luftwaffe Trapezoid Eagle 'Ski Cap' Insignia. Tunic Removed

From a small collection of breast eagles, cap badges, and uniform medals etc acquired from a British Army veteran's family, of WW2 1945 German POW surrendered combatants. Taken from German uniforms worn by the captured soldiers and officers.

Luftwaffe NCOs wore two main styles of ski caps, or Bergmütze. These caps featured fold-down ear and neck flaps secured by either one or two pebbled buttons.The primary variants they wore included, Luftwaffe Mountain Cap (1937 Pattern)
Originally introduced for skiing and mountain sports. It was later authorized for signals and Flak (anti-aircraft) troops stationed in mountainous regions. This cap was made of blue-grey wool or cotton twill and had a slightly shorter visor than standard caps.

Officially introduced in 1943, the M43 replaced earlier side caps and was based directly on the ski cap designs of the Gebirgsjäger (mountain troops). These were widely worn by Luftwaffe ground units and Flak crews.Insignia & Distinguishing Features:Both caps were adorned with the Luftwaffe national eagle emblem and a national tricolour cockade.
NCO (Unteroffizier) caps were unpiped (lacking the silver or gold twisted cords reserved for officers).  read more

Code: 26262

WWII German Kriegsmarine Coastal Artillery Breast Eagle Tunic Removed

From a small collection of breast eagles, cap badges, and uniform medals etc acquired from a veteran's family of WW2 1945 German POW surrendered combatants. Taken from German uniforms worn by the captured soldiers and officers.

The Kriegsmarine Coastal Artillery (Marine-Artillerie) was a dedicated naval branch responsible for protecting Germany's occupied and home coastlines from sea and air attacks. Manned by naval sailors and officers, they operated heavy shore batteries and anti-aircraft guns, eventually integrating into the Atlantic Wall.
Engaging enemy warships, protecting harbors, and defending against amphibious landings.Units: Organized into Naval Coastal Artillery Battalions (Marine-Artillerie-Abteilung or MAA), and Marine Anti-Aircraft Battalions (Marine-Flak).Command: Despite being land-based, these units were strictly under Navy command, led by a regional naval commander known as the Seekommandant.

Naval artillery constituted the most formidable firepower of the Atlantic Wall, ranging from 6.5 cm to 40.6 cm guns.English Channel: Batteries like the Batterie Todt and Batterie Lindemann in the Pas-de-Calais region engaged in long-range duels across the Dover Strait.Notable Survivors: The Longues-sur-Mer Battery in Normandy is a famous example that engaged Allied naval forces on D-Day, and is one of the few in France still retaining its original guns.Scandinavia: Vast networks of heavy batteries were deployed throughout Norway to control shipping lanes.

Unlike Army units placed further inland, naval coastal batteries were stationed directly on the coastline and utilized direct fire control methods similar to those used on warships  read more

Code: 26261

A Magnificent and Large Horse Mounted Samurai's Battle Sword Katana, With A Simply Stunning Shinto Blade In Near Mint Condition for Age. The Mounts Are All Completely Original Edo Period.

A beautiful substantial and impressive Bizen tradition war katana, with a very fine classic koshi no hiraita midare hamon. High-ranking warriors sword that were the only samurai permitted to fight on horseback.

Plain tettsu Higo school fuchi kashira in a traditional russet finish. Original Edo tsuka ito wrapped over ancient form menuki of russet iron spear heads, in early yari and naganata form. Round tetsu Higo schookl kinuki tsuba with two udenuki-no-ana. The holes being for the passage of a cord, tying the tsuba to the scabbard.

The saya is very fine, with a sayjiri bottom iron mount, with light ‘cinnabar pink’ urushi lacquer finish, also known as coromandel pink {named from the pink petaled flower} urushi lacquer to the saya, often made with the addition of perilla oil. The condition of both saya is very good just a couple of aged surface nicks
The colour created from urushi lacquer mixed with cinnabar was rewarded to them as the most famous warriors of all the samurai clans of Japan, the Li, and the Takeda.

Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality. The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday.

In Japan the term samurai evolved over several centuries

In Japanese, they are usually referred to as bushi (武士,) or buke (武家). According to translator William Scott Wilson: "In Chinese, the character 侍 was originally a verb meaning 'to wait upon', 'accompany persons' in the upper ranks of society, and this is also true of the original term in Japanese, saburau. In both countries the terms were nominalized to mean 'those who serve in close attendance to the nobility', the Japanese term saburai being the nominal form of the verb." According to Wilson, an early reference to the word samurai appears in the Kokin Wakashū (905–914), the first imperial anthology of poems, completed in the first part of the 10th century.

Originally, the word samurai referred to anyone who served the emperor, the imperial family, or the imperial court nobility, even in a non-military capacity.It was not until the 17th century that the term gradually became a title for military servants of warrior families, so that, according to Michael Wert, "a warrior of elite stature in pre-seventeenth-century Japan would have been insulted to be called a 'samurai'".
This is a katana was likely made for a senior, high ranking samurai, a seieibushi. based upon horseback in combat, certainly not a light and deeply cursive katana, but a battle sword, made to complete an uncomprimising task of close combat and aggressive close quarter hand to hand swordmanship. Designed as much for cleaving through samurai armour and kabuto helmets in two, as much as defeating another samurai while on horseback. Although samurai would not, one would say, be a cavalry based warrior, all senior samurai would be mounted and thus travel on horseback, and some cavalry type samurai could be deployed in battle, but with differing combat styles depending on what part of Japan they came from. The cavalry troops, being Samurai, had personal retainers that stayed closer to them in the Sonae, carried their weaponry and worked as support units, much like an European squire. They also joined the fight whenever possible (especially in the mounted infantry scenario) and were often responsible of taking heads for their lords.
These foot Samurai were also used as heavy infantry or archers to support the ashigaru lines.

Tactics
Given the fact that the Samurai could directly dismount and operate as infantry, there were some specific tactics for horsemen.
Cavalry in general was only used after the battle was already started, either to deliver a decisive victory or to trying to save the day.

Norikiri
This is a classic charge, where several small groups of five to ten horseman ride consequently (possibly with a wedge formation) into a small area against the enemy lines, to maximize the shock. It was mainly used by heavy cavalry in the East, but given the fact that the ideal target where "weavering" units with low morale or disorganized, even medium cavalry could perform this charge.
The main role of this charge was to create confusion; if it didn't succeed, the cavalry regroups and either retreat or deliver another charge.

Norikuzushi
This is a combined infantry and cavalry charge. The horseman charged first, and after creating mayhem, a second charge is delivered by infantries armed with polearms, which could keep on fighting. The main target for this tactics were ranged units detached by the army. After a Norikuzushi usually follows a Norikiri by the cavalry group


30 inch blade overall 43 inches long in saya.  read more

Code: 25539