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Roman 1st century, Large, Lead Sling Bullet, Acquired Near Camulodunum-Colchester-In the 1820's

Roman 1st century, Large, Lead Sling Bullet, Acquired Near Camulodunum-Colchester-In the 1820's

From part four of our original ancient arrow heads, spears, lead sling bullets, antiquities and rings from an 1820 Grand Tour Collection. The Battle of Camulodunum, also known as the Massacre of the Ninth Legion, was the major military victory of the Iceni and their allies over an organised Roman army during the revolt of Boudica against the Roman occupation of Britain. A large vexillation of the Legio IX Hispana were destroyed by the rebels. While attempting to relieve the besieged colonia of Camulodunum (Colchester, Essex), legionaries of the Legio IX Hispana led by Quintus Petillius Cerialis, were attacked by a horde of British tribes, led by the Iceni. Possibly 80% of the Roman foot-soldiers were killed in the battle. The event is recorded by the historian Tacitus in his Annals. The Iberian auxiliaries or legionaries were the most famous of the Roman 'slingers' in the roman armies.In AD 60 or 61, the southeastern area of the island rose in revolt under Boudica, while the Roman governor, Gaius Suetonius Paulinus, was campaigning in Wales. The Iceni were joined by the Trinovantes, and their first target was Camulodunum, formerly the Trinovantian capital, now a colonia or settlement of discharged Roman soldiers. Tacitus reports it was poorly defended, and archaeology confirms its former military fortifications had been levelled by this time. The colonists appealed for aid to the procurator, Catus Decianus, who sent only two hundred auxiliaries. Camulodunum was burned, and the temple, where the last of the defenders took refuge, fell after a two-day siege. The defenders were massacred.
The Ninth Legion, commanded by Quintus Petillius Cerialis, attempted to relieve the siege. It is unlikely that the entire legionary strength of some 5,000 men was involved in the battle. Detachments of the legion were spread out across a network of small forts; on short notice, Cerialis was likely able to call on only the first cohort, possibly two others, auxiliary infantry, and a unit of some 500 cavalry - a total of perhaps 2,500 men. Cerialis set out from his base in Lindum Colonia (Lincoln). From Lindum, it was a distance of at least 110 miles. They may have taken the Roman road to Camulodunum from Durovigtum (Godmanchester, Cambridgeshire), a march of some 75 miles which would have taken three days.

However, they arrived too late to relieve the colonia. The British tribes had gathered a considerable force by the time Cerialis and the Ninth approached Camulodunum. They overwhelmed the detachment in the field and defeated it, routing the Romans. Tacitus says their entire infantry strength was wiped out, with only Cerialis and his cavalry able to retreat to their fortified camp. According to George Patrick Welch, "In the initial contact and later rear-guard actions he lost about 2,000 men, or one-third of his infantry strength."
Slingers wore three slings. A large one tightened to the waist (to be used in distances of more than 60 metres.), a small, one tightened around his forehead (range 20-25 metres.) and a medium size one always on the hand (with a range up to 60 mts.). They carried the bullets in a goat fur bag hanging from the shoulder. With the large one they could launch 500 grams stones (like a tennis ball) that were able to destroy shields and wood defences. With the small and medium size slings the lead bullets could perforate at short distances (up to 60 metres.) thin armours and helmets. The sling as a weapon was widely used not only by Balearic warriors but by other Iberian warriors and also by Roman auxiliary troops like Greeks, Sicilians, North Africans, but after the Roman conquest of the Balearic Islands elite slingers were always the Balearic that fought in the legions of Julius Caesar. Bullets are usually found on the known battle fields of the Roman conquest.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

This bullet weighs 62.5grams, and is 48mm long.  read more

Code: 23804

235.00 GBP

A Fabulous Original Knights Templar Cross Antiquity, 12th Century, Hammered Gold Covered Bronze, Between 800 to 900 Years Old,

A Fabulous Original Knights Templar Cross Antiquity, 12th Century, Hammered Gold Covered Bronze, Between 800 to 900 Years Old,

This is an original gold and bronze Knights Templar cross patee within a circle. The original surface of thin hammered gold is very worn to expose the bronze and the engraving, but gold can still be seen in areas. It was obviously once an important piece of Templar symbolism, and may well have been a central mount for the lid of a Templar treasure casket, or a Knights Templar Holy Reliquary casket [see a similar casket, photo 8, in the gallery, of a 13th century reliquary casket now in Germany. Note the applied golden disc plaques, the same size as this one].

This is still very impressive and an absolute iconic example of the Knights Templar cross symbol, the same symbol as worn, for example, upon their tabards, shields and ship's sails, and chisseled on tombs or templar buildings. Photos in the gallery of two carved Templar Crosses, one Templar Cross, perhaps, is an indication of the church's connection with the Knights Templar in the 12th century. Photo of St Mary's Church, Temple Guiting, Gloucestershire. another an stone carving, at Borthwick Church, Midlothian, Scotland. Burial place of a Knight, and Lord Borthwick and his lady.
The Poor Fellow-Soldiers of Christ and of the Temple of Solomon also known as the Knights Templar, or simply the Templars, was a Catholic military order founded in 1118, and were headquartered on the Temple Mount in Jerusalem through 1128 when they went to meet with Pope Honorius II. They were recognised in 1139 by the papal bull Omne datum optimum of Pope Innocent II. The order was active until 1312, when it was perpetually suppressed by Pope Clement V by the bull Vox in excelso.

The Templars became a favoured charity throughout Christendom, and grew rapidly in membership and power. Templar knights, in their distinctive white mantles with a red cross, were amongst the most skilled fighting units of the Crusades. They were prominent in Christian finance, non-combatant members of the order, who made up as much as 90% of their members,managed a large economic infrastructure throughout Christendom.They developed innovative financial techniques that were an early form of banking, building its own network of nearly 1,000 commanderies and fortifications across Europe and the Holy Land,

The Templars were closely tied to the Crusades; With its clear mission and ample resources, the order grew rapidly. Templars were often the advance shock troops in key battles of the Crusades, as the heavily armoured knights on their warhorses would set out to charge at the enemy, ahead of the main army bodies, in an attempt to break opposition lines. One of their most famous victories was in 1177 during the Battle of Montgisard, where some 500 Templar knights helped several thousand infantry to defeat Saladin's army of more than 26,000 soldiers, When the Holy Land was lost, support for the order faded. Rumours about the Templars' secret initiation ceremony created distrust, and King Philip IV of France, while being deeply in debt to the order, took advantage of this distrust to destroy them to erase his debt. On Friday the 13th of October 1307, he had many of the order's members in France arrested, tortured into giving false confessions, and burned them at the stake.

Pope Clement V disbanded the order in 1312 under pressure from King Philip. The abrupt reduction in power of a significant group in European society gave rise to speculation, legend, myth, and legacy through the ages.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.  read more

Code: 23984

595.00 GBP

An Original Ancient Egyptian Shabti, An Afterlife Tomb Figure Servant of An Egyptian Mummy, Pale Blue-Glazed Faience 664 to 332 BC

An Original Ancient Egyptian Shabti, An Afterlife Tomb Figure Servant of An Egyptian Mummy, Pale Blue-Glazed Faience 664 to 332 BC

A stunning Grand Tour artefact.
Much of our Grand Tour historic artefacts were originally acquired by a noble Scottish family in the 1820's while on a Grand Tour of the Middle East and the Holy Land, plus Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine. And the great classical battle sites of Ancient Rome and Greece.

We also had {now sold} the swordstick of the Scottish 10th Duke of Hamilton, the world renown Grand Tour collector, especially of ancient Egyptian pieces. He was the Ambassador to Catherine the Great as well as being Lord High Steward to both King William IV and Queen Victoria. He was so enamoured with his devotion to his collection of antiquities, he was mummified after his death, and buried in an ancient Egyptian sarcophagus within his family tomb.

From the 25th dynasty to the Late Period. One of a group of fine small tomb pieces we acquired. A shabti (also known as shawabti or ushabti) is a generally mummiform small figurine found in many ancient Egyptian tombs. They are commonly made of blue or green glazed Egyptian faience, but can also consist of stone, wood, clay, metal, and glass. The meaning of the Egyptian term is still debated, however one possible translation is ‘answerer’, as they were believed to answer their master’s call to work in the afterlife. Since the Fourth Dynasty (2613–2494 BC), for instance, the deceased were buried with servant statuettes like bakers and butchers, providing their owners with eternal sustenance. after the death of Cleopatra in around 37 b.c. and the close of the Ptolomeic Dynasty, no shabti were produced for service in Egyptian mummy's tombs. A spell was oft written on the shabti so that it would awaken as planned, this is the 'shabti spell' from chapter six of the Book of the Dead and reads as follows:

"O shawabti, if name of deceased is called upon,
If he is appointed to do any work which is done on the necropolis,
Even as the man is bounden, namely to cultivate the fields,
To flood the river-banks or to carry the sand of the East to the West,
And back again, then 'Here am I!' you shall say"

The “Shabti Spell” from Chapter 6 of the Book of the Dead. This spell gives the ushabti the power to complete tasks (farming, manual labour, etc) for the deceased in the Field of Reeds . People of rank could be buried with at least 365 ushabti figures – one for each day of the year

Piye established the Twenty-fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa. The reunited Nile valley empire of the 25th Dynasty was as large as it had been since the New Kingdom. Pharaohs of the dynasty, among them Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. The 25th Dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there (at El-Kurru and Nuri) that all 25th Dynasty pharaohs were buried under the first pyramids to be constructed in the Nile valley in hundreds of years

The Late Dynasty Period era;

The Twenty-Eighth Dynasty consisted of a single king, Amyrtaeus, prince of Sais, who successfully rebelled against the Persians, inaugurating Egypt's last significant phase of independence under native sovereigns. He left no monuments with his name. This dynasty reigned for six years, from 404 BC–398 BC.

The Twenty-Ninth Dynasty ruled from Mendes, for the period from 398 to 380 BC. King Hakor of this dynasty was able to defeat a Persian invasion during his reign.

The Thirtieth Dynasty took their art style from the Twenty-Sixth Dynasty. A series of three pharaohs ruled from 380 to 343 BC. The first king of the dynasty, Nectanebo I, defeated a Persian invasion in 373 BC. His successor Teos subsequently led an expedition against the Achaemenid Empire in the Near East. The expedition was beginning to meet with some success. unfortunately for Teos, his brother Tjahapimu was plotting against him. Tjahapimu convinced his son Nectanebo II to rebel against Teos and to make himself pharaoh. The plan was successful and the betrayed Teos had no alternative but to flee and the expedition disintegrated. The final ruler of this dynasty, and the final native ruler of Egypt, was Nectanebo II who was defeated in battle leading to the re-annexation by the Achaemenid Empire.

31st Dynasty
Main article: Thirty-first Dynasty of Egypt
The Second Achaemenid Period saw the re-inclusion of Egypt as a satrapy of the Persian Empire under the rule of the Thirty-First Dynasty, (343–332 BC) which consisted of three Persian emperors who ruled as Pharaoh - Artaxerxes III (343–338 BC), Artaxerxes IV (338–336 BC), and Darius III (336–332 BC) - interrupted by the revolt of the non-Achaemenid Khababash (338–335 BC). Persian rule in Egypt ended with the defeat of the Achaemenid Empire by Alexander the Great, who accepted the surrender of the Persian satrap of Egypt Mazaces in 332BC, and marking the beginning of Hellenistic rule in Egypt, which stabilized after Alexander's death into the Ptolemaic Kingdom.

Photo in the gallery of an ushabti of Khabekhnet and its box in the Metropolitan Museum of Art in America  read more

Code: 25104

285.00 GBP

A Good 1897 Pattern British Officer's Sword King Edward VIIth Period. Used in Both WW1 and WW2. The Pattern Still Used In Current Service Today

A Good 1897 Pattern British Officer's Sword King Edward VIIth Period. Used in Both WW1 and WW2. The Pattern Still Used In Current Service Today

The blade is straight and symmetrical in shape about both its longitudinal axes. The thick blade has a deep central fuller on each side and is rounded on both its edge and back towards the hilt, giving a “dumbbell” or “girder” cross section. Through a gradual transition, the blade becomes double edged towards the tip, and the last 17 inches were sharpened when on active service. The blade ends in a sharp spear point.
The guard is a three-quarter basket of pressed, plated steel. It is decorated with a pierced scroll-work pattern and had the royal cypher of the reigning monarch set over the lower knuckle bow.

The 1897 pattern Infantry officer's sword has remained unchanged to the present day.
By the time of its introduction, the sword was of limited use on the battlefield against rapid-firing rifles, machine guns and long-range artillery. However, the new sword was regarded, when needed, as a very effective fighting weapon. Reports from the Sudan, where it was used in close-quarters fighting during the Reconquest of the Sudan 1896-99, were positive.
Field Marshal Montgomery advanced with his 1897 Pattern drawn during a counter offensive in the First World War. The actual sword he carried is exhibited in the Imperial War Museum, London.

One of the famous British officer's of WW2, who was a devoted exponent of hand to hand sword combat, using his sword in battle, was infantry officer 'Mad' Jack Churchill. After fighting at Dunkirk, he volunteered for the Commandos. On one occasion, a general who had commented on his weaponry, Churchill is said to have replied "Any officer who goes into action without his sword is improperly dressed."
Traces of old polished out light pitting throughout, the original leather bound field service scabbard is good but lacking the bottom chape.  read more

Code: 25869

395.00 GBP

Antique 17th-18th century Sinhalese Nobleman's Dagger Piha Kaetta, With Fabulous Carved Black Coral Grip, and Very Unually With its Original Scabbard.

Antique 17th-18th century Sinhalese Nobleman's Dagger Piha Kaetta, With Fabulous Carved Black Coral Grip, and Very Unually With its Original Scabbard.

A single edged robust steel blade with fuller along the back edge. The forte and spine of the blade are heavily encrusted in silver with scrolling foliage, encased on each side with chased silver alloy bolster panels, over the base, decorated with finely chased floral and vine scrolling foliage, with finely carved black coral grip.The hilt is finely carved and detailed with aliya-pata pattern hilt. The end is encased in a broad rounding of metal that has been chased in high relief with particularly fine Ceylonese scrolling foliage and flower motifs. From this is emitted a rounded tang button. In its wood scabbard with fluted finish and small wood part lacking.

These elaborately decorated knives are usually the product of the Pattal-hatara (four workshops), the blades being supplied by smiths. This was a mainly hereditary corporation of the best craftsmen who worked exclusively for the king in Kandy. Originally there was only one pattala but this was subsequently divided into sections which included a Randaku pattala (golden sword armoury or workshop). As well as being worn by courtiers, these knives were given by the king to nobles and to the temples. "The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu Golden Arms, the Abarana Regalia, the Sinhasana Lion Throne, and the Otunu Crown these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months.
A related but less ornate example but without a scabbard currently is on display in London’s Victoria & Albert Museum. Another example is in the Clive Collection (see Archer, 1987, p. 45 for an illustration.). The Clive example was first mentioned in inventories in 1775.
References
Caravana, J. et al, Rites of Power: Oriental Weapons: Collection of Jorge Caravana, Caleidoscopio, 2010.
Hales, R.,
Islamic and Oriental Arms and Armour: A Lifetime’s Passion, Robert Hale CI Ltd, 2013.

De Silva, P.H.D.H & S. Wickramasinghe,
Ancient Swords, Daggers & Knives in Sri Lankan Museums, Sri Lanka National Museums, 2006.

Weereratne, N.,
Visions of an Island: Rare works from Sri Lanka in the Christopher Ondaatje Collection, Harper Collins, 1999.  read more

Code: 20007

1395.00 GBP

A Most Fine 18th-19th Century Indo Persian Khula Khud Helmet. One Of The Most Iconic Forms of Armoured Warrior Combat Dress in The World. A Form of Helmet Represented In Historical Texts & Illustrations Of The Holy Land  Around 1000 Years Ago

A Most Fine 18th-19th Century Indo Persian Khula Khud Helmet. One Of The Most Iconic Forms of Armoured Warrior Combat Dress in The World. A Form of Helmet Represented In Historical Texts & Illustrations Of The Holy Land Around 1000 Years Ago

The helmet has a hemi-spherical skull engraved throughout, the skull fitted at its apex with a high spike, a pair of plume-holders at the front and with a staple for a sliding nasal guard, decorated over the greater part of its surface with traces of gold koftgari of scenes of a hunt, and a band of koranic Islamic text, and mail neck-defence of butted links. Khula Khud helmets of this design originated in Central Asia, and this form were worn by Persian Empire soldiers in the 18th and 19th Centuries.

Despite the similarity in their design, the Khula Khud helmets were decorated with a wide degree of variations depending on the cultures from which they were created. Decorations often appeared in the skull and the nasal bar, which were often heavily decorated with patterned motifs of inlaid brass, silver or gold; or decorated with figurative images.
Some Mughal helmets feature calligraphic inscriptions from the Quran, supposedly to gain "Help from Allah and a speedy victory." Made of steel, these bowl-shaped helmets were designed as either low and flat, or high and pointed. They sometimes contained a spike socket such as this one, at the top of the helmet, which resembles a spearhead with a cross-like section.
Two or three plume holders were attached on either side of the skull, used to mount feathers from birds such as the egret or peacock.

As one can see their design was not only perfectly functional and effective for combat, but aesthetically, extraordinarily beautiful, and once fully armoured the Mughal warrior of the time would look incredibly impressive and remarkably intimidating.

The last picture in the gallery is a later interpretation of the legendary ruler Saladin, Sultan Salahuddin Ayyubi, wearing his version of the khula khud dome topped, chain mailed helmet.

“From his earliest days, Saladin exhibited qualities that would later define him as a leader. His upbringing introduced a strong sense of discipline, duty, and honor. The principles of martial ethics, integral to the Ayyubid household, became the pillars upon which his future actions would rest.
As he navigated the labyrinthine corridors of his youth in Tikrit, Saladin could not have known the extraordinary path that lay before him. It was a path carved by the hands of destiny; a journey that would see him rise from these modest beginnings to become a figure of global significance.
Saladin’s early life in Tikrit, steeped in the traditions of his Kurdish heritage and shaped by the legacy of his Ayyubid lineage, sowed the seeds of greatness. Little did he know that he would one day ascend to heights of power and leadership, leaving a permanent mark on the records of history. His journey was beginning, and the world would soon witness the remarkable destiny of Salah ad-Din Yusuf ibn Ayyub.”


Ref;
Mustafa Jamal Nasser.  read more

Code: 22516

1950.00 GBP

A Rare, Archaic Chinese Warrior's Bronze Jian Sword, Engraved with Seal Script, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

A Rare, Archaic Chinese Warrior's Bronze Jian Sword, Engraved with Seal Script, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

The blade bears the maker's name in ancient script, and potentially for whom it was made. This is hopefully being translated for us by a scholar from a Chinese museum, who arrived again to film it here in our shop this week for his chief museum curator and researcher in China.

Chinese Bronze 'Two Ring' Jian sword, of tin rich over bronze alloy construction, engraved with two rows of archaic lesser or greater seal script, used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC). It is incredibly rare to find a sword from this period of ancient history, from any country, that has provenance script of any kind engraved upon it, it may well detail the name of the King for whom the sword was made, and other details, the swordmaker who made it, and even the name of the man by whom it was used. The surface is covered in superb patination and age encrustations with traces of tinning.

From a collection of antiquities, swords daggers, and rings, many pieces sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

This sword is the near pair, but slightly longer than another we acquired from the same British collection two years ago, and previously sold. Also that sword and this sword bears engraved script, in the same ancient Chinese character form, but with slight differences on the right row. This would likely indicate they came from the same original ancient Chinese location, tomb etc, a hundred plus years ago.

Tinning was used in China from the Eastern Zhou period (770–221 BC), and various methods were employed. A special technique was amalgam tinning, documented since the seventh century BC

Dazhuan (大篆), or Greater Seal script. This stage of Chinese writing flourished from the Late Shang to the Western Chou dynasties (1100 BCE to 700 BCE). Unlike Jiaguwen, which was carved on bones, Dazhuan mainly appeared on cast bronze vessels. In fact, Jiaguwen and Dazhuan overlapped in time, and they might have been the same script but as they were inscribed on different materials their visual styles differ due to the quality of the surfaces.

Xiaozhuan, (小篆), or Lesser Seal script. This elegant script is the direct parent of the modern, unsimplified Chinese script. Not only are Xiaozhuan characters are more stylized and less "pictographic" like Jiaguwen and Dazhuan, but also exhibits systematic and extensive use of radicals much like modern Chinese. This script has survived the passage of time and continues to be used in the present age in calligraphy and seals.

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges with seal script engraving on both sides of the bottom section of the blade near the hilt. See the photo in the gallery that shows a close up of the section of blade with the seal script.

A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.

Although the manufacturing techniques used may have varied from region to region, it is generally believed that such tin-rich decoration was achieved by a deliberate tinning process,including cold-tinning hot-tinning (dipping or wiping) the use of a mercury-tin amalgam ,or the application of a tin-rich paste.

In 1965 a similar form sword from the same era was found in an ancient tomb in Hubei, it was also engraved with seal script, but of a different form. The Sword of Goujian (越王勾践剑) is a tin bronze sword, renowned for its unusual sharpness, intricate design and resistance to tarnish rarely seen in artifacts of similar age. The sword is generally attributed to Goujian, one of the last kings of Yue during the Spring and Autumn period.
On one side of the Hubei sword’s blade, two columns of text are visible. Eight characters are written in an ancient script, now known as Bird-worm seal script (literally "birds and worms characters", owing to the intricate decorations of the defining strokes), a variant of seal script. Initial analysis of the text deciphered six of the characters, "King of Yue" (越王) and "made this sword for his personal use" (自作用劍). The remaining two characters were assumed to be the name of the particular King of Yue.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.

This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. Just over 26 inches long overall.
From the Tony Dove F.S.A. Collection, formed circa 1970's, one of England’s most revered and highly respected collectors, and publisher on learned reports on the identification and electronic analysis of the construction of ancient Chinese swords. He was especially devoted to collecting early silver, & he was a past honorary President of London’s Silver Spoon Society.

Other bronze swords bearing inscriptions inlaid in gold include the example dated to the 5th century BC in the Freer Gallery of Art, illustrated by T. Lawton, Chinese Art of the Warring States Period, Change and Continuity, 480-222 BC , Washington, DC , 1982, p. 70-71, no. 28, and one in the Musée Guimet dated 5th-4th century BC, illustrated by C. Delacour, De bronze, d'or et d'argent, Sumptuary Arts of China , Paris, 2001, p. 131. Both the Freer sword and the Guimet sword bear the same twenty-character inscription, arranged in ten characters to each side, which Thomas Lawton translates as, "On the auspicious day jen-wu, this sword was made for righteous use . "  read more

Code: 24840

4750.00 GBP

A Good 1950's Early ERII Royal Naval Officer's Sword & Scabbard. Queen Elizabeth Cypher Blade & Traditional Queen's Crown Fouled Anchor Naval Pattern Hilt

A Good 1950's Early ERII Royal Naval Officer's Sword & Scabbard. Queen Elizabeth Cypher Blade & Traditional Queen's Crown Fouled Anchor Naval Pattern Hilt

Original gilt hilt with fine leather and brass mounted scabbard ERII cypher, Royal naval devices design of oak leaf with acorn and rope design, fouled anchor. Traditional triple wire bound sharksin grip, brass mounted leather scabbard. Royal naval pattern etched blade with royal cypher and fouled anchor.

Overall in nice condition. Ideal for a current or future serving Royal naval officer.

The two most frequently encountered designs within the hilt are the St Edward’s Crown and the Tudor Crown. In the former of these, the arches supporting the orb and Cross are depressed towards the centre. This design, often termed a Queen’s Crown by collector, has been used as the regal crown by Queen Elizabeth II, Queen Victoria and the monarchs preceding her. The arches of the Tudor Crown rise towards the centre to support the orb and crown. This design was used by Edward VII, George V, Edward VIII and George VI. Collectors often refer to this as a King’s Crown. The Sovereign chooses the regal crown pattern as it was chosen by Prince Charles on his accession to king.  read more

Code: 25872

575.00 GBP

Very Scarce Original Napoleonic AnXI Versailles Infantry Briquet Rare Example of a Napoleonic French Empire Period 1804-15. Regimentally Marked For The 2nd Line Regiment Bataillon d'Élite Grenadiers & Voltigiers. They Also Fought At Trafalgar as Marines

Very Scarce Original Napoleonic AnXI Versailles Infantry Briquet Rare Example of a Napoleonic French Empire Period 1804-15. Regimentally Marked For The 2nd Line Regiment Bataillon d'Élite Grenadiers & Voltigiers. They Also Fought At Trafalgar as Marines

Crossgaurd stamped 2E L BE. 86. Napoleonic infantry sword briquet are rare, as most one see today are the far more prolific post 1816 French model, but, you especially very rarely see them regimentally marked as well for any of the the Napoleonic, Imperial, elite line infantry regiments.

The regimental marking "2E L BE. 86" likely refers to the 2nd Line Regiment of the French Imperial Army, specifically the "Ligne" (Line Infantry) in 1812. The "2E" signifies "2nd," "L" stands for "Ligne" (Line Infantry), and "BE" likely represents "Bataillon d'Élite" (Elite Battalion), according to a Napoleonic military history reference. 86 signifies its sword number.

In Napoleonic French line infantry battalions, elite companies included Grenadiers and Voltigeurs. Grenadiers were the largest, strongest soldiers, often used for spearheading attacks. Voltigeurs were smaller, more agile soldiers, trained as skirmishers and scouts.

2e Regiment d'Infanterie de Ligne fought in the following campaigns in the Imperial period

1805: Cape Finistere and Trafalgar {they fought as marines aboard the French fleets against Nelson}
1806: Armee d'Italie
1807: Armee d'Italie
1808: Grande Armee
1809: Essling, Aspern and Wagram
1812: Polotsk and Berezina
1813: Dresden and Leipzig
1814: La Rothiere
1815: Fleurus and Waterloo

Grenadiers:These were the elite of the battalion, known for their strength and bravery, and often led the charge in battle.
Voltigeurs: These soldiers were chosen for their speed and agility, acting as skirmishers to harass the enemy and protect the main body of the battalion.

Versaille Arsenal AnXI Infantry Briquet Side Arm and Profusely stamped: Handle with 28 twisted strands. The knucklebow is stamped with poincon of Boutet plus two thers but indistinguishable. The Knucklebow is also stamped 'Versailles' but now near obscured and has the script B in an oval pioncon of Nicolas Boutet. Blade stamped with two poincons just about distinguishable as two Bs. We date the sword to the typical Napoleonic Empire period, All in all a marvelous piece of Napoleonic history.

Colonels of the regiment;
1805: Delga (Jacques) - Colonel
1809: De Wimppen (Felix-Victor-Emmanuel-Charles) - Colonel
1813: Veran-Andre (Jean) - Colonel
1813: Staglieno (Charles-Louis-Sebastien) - Colonel
1814: Corvinus (Jean) - Colonel
1814: Tripe (Jean) - Colonel.

Colonels of the regiment killed and wounded while commanding the 2e Regiment d'Infanterie during Napoleon's empire period
Colonel Delga: Died of wounds 6 July 1809
Colonel De Wimpffen: wounded 18 August 1812
Colonel Staglieno: wounded 18 October 1813
Officers killed and wounded while serving with the 2e Regiment d'Infanterie during the period 1804-1815
Officers killed: Forty
Officers died of wounds: Nineteen
Officers wounded: One hundred and forty nine
Other ranks, likely unknown but certainly in the thousands.

Bibliography;
Charavay J. and N. Les Generaux morts pour la Patrie 1792-1815 Paris; 1893 Vol one and 1908 Vol two.
Susane J. Histoire de l'Infanterie Francaise 5 Vols Paris ; 1876.  read more

Code: 25871

SOLD

Presented By The Queen of Spain in 1837 To US General John H Eaton, President Jackson’s Aide in the Creek War, & The War of 1812. Worn in The American Civil War By Col. Magruder The Hero of Fredericksburg, And By Him At The Funeral of President Lincoln

Presented By The Queen of Spain in 1837 To US General John H Eaton, President Jackson’s Aide in the Creek War, & The War of 1812. Worn in The American Civil War By Col. Magruder The Hero of Fredericksburg, And By Him At The Funeral of President Lincoln

After personal presentation from the Queen of Spain to General Eaton this sword became the property, by inheritance, and was worn, during the American Civil War, by of US Civil War hero of Fredericksburg, Colonel James A Magruder

Just at the time the war was threatening Colonel Magruder was with General Meigs in erecting fortification in Virginia around the city. When the war came on he was commissioned as Major of the 15th New York Engineers. His regiment was immediately ordered to the front. The pontoon bridge across the Rappahannock River, at Fredericksburg, Virginia, was built under his directions, he at the time remaining in the saddle for sixty straight hours, under a steady fire from the enemy. Soon after going to the front he was promoted to the rank of Lieutenant Colonel and he held that position until the close of the war. He was a personal friend of General Grant. From the repeated cannonading, Colonel Magruder became deaf,

This fabulous eagle hilted sword was worn, after its inheritance from General Eaton, by the friend of Ulysses S. Grant, Col. James A. Magruder, during the Cival War and at the funeral of President Lincoln.

Since 1967, for several decades, this wonderful and historic sword was on display at Dumbarton House in Washington DC, a federal historic house museum

A simply stunning historical Spanish presentation General’s sword, presented, by tradition, to United States General John H Eaton, Envoy Extraordinary & Minister Plenipotentiary for President Andrew Jackson's America, to the Kingdom of Spain, by Her Majesty Maria Christina de Borbon, Queen Consort, and Regent for her daughter Isabella II Queen of Spain, in 1837.

This magnificent sword has a fine tapering double-edged blade of flattened-hexagonal section, stamped 'Ano D 1837' and 'Fa Ntl Di Toledo' on the respective faces at the forte, finest mercurial gilt bronze hilt, cast with wonderful classical ornament in relief, including oval shell-guard decorated with the eagle perched astride the lightning bolts, flanked by classical figures, the quillon-block bears the letter 'F' for Ferdinand' enclosed within a laurel wreath, a pair of straight quillons, knuckle-guard and pommel, and integral grip all decorated en suite, in its blued iron scabbard with gilt-bronze suspensions mounts and drag 76.8 cm; 30 1/4 in blade
Provenance;
By tradition presented to General John H. Eaton US General J.H.Eaton, Envoy Extraordinary for President Andrew Jackson to Spain, who was married to the ward of President Andrew Jackson. It was presented by the Regent of Spain, Her Majesty Queen Maria Christina in 1837, when General Eaton was Envoy Extraordinary and Minister Plenipotentiary to Spain (1836-1840). Maria Christina of Spain (when Regent for her daughter, the future Isabella II) was Maria Cristina de Borbon, Princesa de las Dos Sicilias; 27 April 1806 - 22 August 1878) she was Queen Consort of Spain (1829 to 1833) and Regent of Spain (1833 to 1840). This sword was thence passed after his death to his friend and physician Dr William B. Magruder; thence to his brother Colonel James A. Magruder, a personal friend of General Grant, who wore the sword during the Civil War and on full dress occasions including the funeral of President Lincoln.

Thence by descent and inheritance this sword passed to Mrs. Millicent Magruder Nichols, of Massachusetts, who gifted the sword to Dumbarton House in 1967. Dumbarton House, is a Federal period historic house museum in Washington, DC. The house serves as the headquarters for The National Society of Colonial Dames of America, a group of women whose ancestors contributed to America’s founding. Eaton originally became active in the Tennessee militia, and attained the rank of major. He developed a close friendship with Andrew Jackson, and served as an aide to Jackson during the Creek War and the War of 1812. Eaton took part in all Jackson's major campaigns. He supported Jackson's controversial decision in November 1814 to attack Pensacola in Spanish Florida, claiming that Spain had put herself in a belligerent position by allowing its territory to be occupied by British soldiers. Eaton participated in the Battle of New Orleans, and became a major proponent of Jackson's presidential candidacy following the war. He was later appointed governor of Florida by President Jackson

The First Carlist War was a civil war in Spain from 1833 to 1840, the first of three Carlist Wars. It was fought between two factions over the succession to the throne and the nature of the Spanish monarchy: the conservative and devolutionist supporters of the late king's brother, Carlos de Borbón (or Carlos V), became known as Carlists (carlistas), while the progressive and centralist supporters of the regent, Maria Christina, acting for Isabella II of Spain, were called Liberals (liberales), cristinos or isabelinos. It is considered by some authors the largest and most deadly civil war of the period.

The Carlist forces were split in three geographically distinct armies: Norte ('North'), Maestrazgo and Cataluña ('Catalonia'), which by and large operated independently from each other.

Aside from being a war of succession about the question who the rightful successor to king Ferdinand VII of Spain was, the Carlists’ goal was the return to a traditional monarchy, while the Liberals sought to defend the constitutional monarchy. Portugal, France and the United Kingdom supported the regency, and sent volunteer and even regular forces to confront the Carlist army.

This sword was previously on display {donated by the Magruder family} at Dumbarton House Historic Museum, a Federal Period house in Washington D.C. operated by The National Society of the Colonial Dames of America

As with every item we sell it will be accompanied with a Certificate of Authenticity, our unique lifetime guarantee  read more

Code: 21497

5795.00 GBP