An Original, Victorian, Regimental British Army Leopard Skin Apron & Guards Bandsman’s Tunic for The Ornately Uniformed Regimental Bass Drummer

Overall in very nice condition, full jaguar pelt including head, legs and tail. The apron is trimmed, exactly as it should for original examples, in traditional British Army Piccadills in red, and full inner red cloth lining.

Some drummers in the British Army wear leopard skins as part of their ceremonial uniforms. This tradition dates back to the 18th century, when certain regiments were granted the privilege of wearing leopard skin caps or aprons as a mark of distinction and honour.

The use of leopard skin in British Army uniforms is closely tied to the history of the Grenadier Guards regiment. In the early 1700s, King George II presented the Grenadier Guards with a pair of captured leopard skins, which the regiment then incorporated into their ceremonial dress. Over time, this became an established tradition for certain drumming and piping roles within the British Army.

The leopard skin is seen as a symbol of bravery and prowess in battle, as leopards were viewed as fierce and formidable animals. Wearing the leopard skin was meant to imbue the drummers with a sense of martial pride and warrior spirit when performing ceremonial duties.

Today, the practice continues, though the leopard skins used are now typically replicas made from synthetic materials rather than actual animal pelts. The distinctive leopard skin uniforms remain an iconic part of British Army ceremonial traditions.

Leopard skin first appeared in the C18th worn occasionally as decorative ‘turbans’ on leather helmets worn by light cavalry or light infantry, sometimes a painted emulation rather than the real thing. It was about this time that military bands with exotic elements became a fashionable accessory- black African personnel, ‘Turkish Crescent’ (or Chinese Hat) percussion devices, ornately uniformed Drum Majors etc.

The European military began using bass drums in the third quarter of the 18th century. These large barrel drums had been popular with Turkish armies for many years, and British, German and French soldiers who fought in the American Revolution were familiar with their sound. The musical taste of both enemies and allies influenced American musicians. As the war continued, Americans began adopting the use of the bass drums. By the early 19th-century, the bass drum was a standard part of America's military music.
The tunic is a great 20th century, completely original Household Division bandsman's issue, with bullion epaulettes {covered by the skin}, it is not the original one for the apron, but it does set it off superbly.

Cities approved made prior to 1947. A percentage of the proceeds from this skin will be for the benefit of ‘Help for Heroes’ charity.  read more

Code: 25403

A Most Fine Victorian Scottish Military Horsehair Sporran with Silver Cantle and Tassels

A Scottish Victorian military horsehair sporran, with ball finials, and the shaped arched silver cantle and conical tassel mounts are finely engraved with scrolls and dragon, 45cm long overall, maker's mark only, Forsyth Glasgow,19th century .
Since the traditional kilt does not have pockets, the sporran serves as a wallet and container for any other necessary personal items. It is essentially a survival of the common European medieval belt-pouch, superseded elsewhere as clothing came to have pockets, but continuing in the Scottish Highlands because of the lack of these accessories in traditional dress. The sporran hangs below the belt buckle; and much effort is made to match their style and design. The kilt belt buckle can be very ornate, and contain similar motifs to the sporran cantle and the Sgian Dubh. Early sporrans would have been worn suspended from the belt on one or other of the hips, rather than hung from a separate strap in front of the wearer.

When driving a carriage, dancing, playing drums, or engaging in any activity where a heavy pouch might encumber the wearer, the sporran can be turned around the waist to let it hang on the hip in a more casual position. One ball finial lacking  read more

Code: 21453

Fabulous Solid Silver & Enamel, Cigarette Case of Rudyard Kipling’s, Richard Caton Woodville’s and Sir Arthur Sullivan’s Boer War Soldier’s Relief Fund. ‘The Absent Minded Beggar, A Gentleman in Kharki. By Victorian Silversmiths Saunders & Shepherd

This is a unique, stunning and exceptional antique Victorian sterling silver and enamel cigarette case. Made for one of the principles, possibly one of the main instigators of the Boer War Relief Fund Charity, Kipling, Woodville or Sullivan, or Lord Northcliffe or his brother Lord Rothermere, the publishers of the Daily Mail, a fund raised by an appeal started by The Daily Mail.
It has a rectangular form with rounded corners. Just regular Victorian solid silver and fine enamel cigarette cases are very highly prized, and have been incredibly collectable over the past hundred years, and can achieve incredible prices, but this is one of the rarest and most historical examples, made for one of the most successful charitable causes of the Victorian age, that one can find. This fabulous Victorian case has a subtly curved form proffering a comfortable fit in the majority of pockets. The anterior cover of this Victorian case is embellished with an impressive painted enamel panel depicting a British soldier holding a rifle and standing on a rocky hillside, with a blooded bandage around his head and a helmet to his feet.
The enamel decoration is accented with the quote
A Gentleman in Kharki
Importantly, with the engraved word ‘copyright’ to the lower edge. This was a stipulation that only items made specifically for the relief fund could display, to ensure all receive monies went to the fund.
The posterior surface and rounded sides of this cigarette case are plain.
This silver Victorian cigarette case is fitted with a push fit catch, which when released reveals two hinged compartments.This impressive case retains the original gilded interior and two retaining straps.
It was crafted by the Birmingham silversmiths Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd.
This notable illustration in enamel on the case front, is a representation of Richard Caton Woodville's ‘A Gentleman in Kharki’. This design accompanied the song/poem The Absent-Minded Beggar by Rudyard Kipling, with music composed by Gilbert & Sullivan’s, Sir Arthur Sullivan, and was used in a press release to raise funds for the British soldier in the Boer

"The Absent-Minded Beggar" is an 1899 poem by Rudyard Kipling, set to music by Sir Arthur Sullivan and often accompanied by an illustration of a wounded but defiant British soldier, "A Gentleman in Kharki", by Richard Caton Woodville. The song was written as part of an appeal by the Daily Mail to raise money for soldiers fighting in the Second Boer War and their families. The fund was the first ever such charitable effort for a war.

The chorus of the song exhorted its audience to "pass the hat for your credit's sake, and pay– pay– pay!" The patriotic poem and song caused a sensation and were constantly performed throughout the war and beyond. Kipling was offered a knighthood shortly after publication of the poem but declined the honour. Vast numbers of copies of the poem and sheet music were published, and large quantities of related merchandise were sold to aid the charity. The "Absent-Minded Beggar Fund" was an unprecedented success and raised a total of more than £250,000.

The Daily Chronicle wrote that "It has not been often that the greatest of English writers and the greatest of English musicians have joined inspiring words and stirring melody in a song which expresses the heart feelings of the entire nation". Sullivan's manuscript was later auctioned for £500 towards the fund.

The popularity of the poem was such that allusions to it were common. Mark Twain wrote that "The clarion-peal of its lines thrilled the world". By 18 November, less than a month after publication of the poem, "a new patriotic play" was advertised to open the next week, titled The Absent Minded Beggar, or, For Queen and Country. The same month, the Charity Organisation Society called "The Absent-Minded Beggar" the "most prominent figure on the charitable horizon at present." Even a critical book on the conduct of the war, published in 1900, was titled An Absent-Minded War. Kipling was offered a knighthood within a few weeks of publication of the song but declined, as he declined all offers of State honours. Historian Stephen M. Miller wrote in 2007, "Kipling almost single-handedly restored the strong ties between civilians and soldiers and put Britain and its army back together again."

A performance of "The Absent-Minded Beggar March" on 21 July 1900 at The Crystal Palace was Sullivan's last public appearance, and the composer died four months later. "The Absent-Minded Beggar" remained popular throughout the three-year war and for years after the war ended. It became a part of popular culture of the time, with its title becoming a popular phrase and cartoons, postcards and other humorous representations of the character of the absent-minded beggar becoming popular. The song is performed in John Osborne's 1957 play The Entertainer. T. S. Eliot included the poem in his 1941 collection A Choice of Kipling's Verse.

The picture in the gallery is of Rudyard Kipling in his study. Recognised my millions of people around the world as the English composer of the greatest poem ever written, certainly one of the most popular of all poems. ‘If’

Copy and paste below Sir Micheal Caine reading his favourite poem. ‘If’

https://www.youtube.com/watch?v=sqOgyNfHl1U

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
⁠And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
⁠Except the Will which says to them: 'Hold on!'

If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
⁠And—which is more—you'll be a Man, my son!

Made by Cornelius Saunders & Francis Shepherd
Hallmarked 1899 made in Birmingham, England. 83mm long, 99.5 grams  read more

Code: 21734

A Wonderful, Original, Antique Victorian Helmet of the 6th Dragoons the Inniskillins. One of the Great Irish Cavalry Regiments in the British Army & One of The Most Desirable of All The Victorian Regimental Helmets

One of the best surviving examples one can see in or out of a museum

They served in the Crimea in 1854, losing all its horses en route in a fire on board its troop ship, but still managing to take part in the charge of the Heavy Brigade at Balaklava.

The regiment was deployed to the Crimea in April 1854 but during the voyage the regiment's transport ship Europa sank with the loss of the commanding officer, Lieutenant Colonel Willoughby Moore, and 17 of his men. Lieutenant-Colonel Henry Dalrymple White took over command of the regiment and led it in action at the Battle of Balaclava in October 1854.

The first assault line consisted of the Scots Greys and one squadron of the Inniskillings, a total of less than 250 sabres. Only when the RSMs declared themselves happy with the alignment did Scarlett order his bugler to sound the 'Charge'. The idea of a charge conjures up images of the Light Brigade dashing forward at speed but Dragoons were larger men with much heavier equipment so their charge was more of a trot. Floundering at obstacles such as ditches or coppices they headed towards the massed ranks of Russian cavalry, pressing on inexorably at a mere 8 miles an hour. Slow they may have been but the effect of these heavy cavalrymen slamming into the much lighter Russian cavalry stunned their enemy. A letter from a Captain of the Inniskillings illustrates the mellee which followed:

"Forward - dash - bang - clank, and there we were in the midst of such smoke, cheer, and clatter, as never before stunned a mortal's ear. it was glorious! Down, one by one, aye, two by two fell the thick skulled and over-numerous Cossacks.....Down too alas! fell many a hero with a warm Celtic heart, and more than one fell screaming loud for victory. I could not pause. It was all push, wheel, frenzy, strike and down, down, down they went. Twice I was unhorsed, and more than once I had to grip my sword tighter, the blood of foes streaming down over the hilt, and running up my very sleeve....now we were lost in their ranks - now in little bands battling - now in good order together, now in and out."
In the words of Colonel Paget of the Light Brigade "It was a mighty affair, and considering the difficulties under which the Heavy Brigade laboured, and the disparity of numbers, a feat of arms which, if it ever had its equal, was certainly never surpassed in the annals of cavalry warfare, and the importance of which in its results can never be known.
It then took on peacekeeping roles in India in 1857 after the Mutiny and in South Africa in 1880 after the Zulu War.

It fought as mounted infantry in the Boer War. After the outbreak of the Second Boer War in October 1899, the regiment was sent to South Africa. It formed part of General French′s force in the operations around Colesberg, and afterwards one squadron took part in the relief of Kimberley in February 1900.22 The squadrons of the regiment then rejoined, and formed part of the cavalry brigade which served in all the engagements in the general advance on Pretoria, one of the Boer capitals, which was captured on 5 June 1900. They took part in the battles of Diamond Hill (June 1900) and Belfast (August 1900), and in the following cavalry advance on Barberton in the Eastern Transvaal. The regiment subsequently joined a column under the command of Colonel Michael Rimington in the Orange River Colony, taking part in miscellaneous raids and drives there throughout the last year of the war, which ended with the Peace of Vereeniging on 31 May 1902. Following the end of the war, 257 officers and men of the regiment left Cape Town on the SS Orissa, which arrived at Southampton in late October 1902,23 and another 138 men arrived at Queenstown the following month on the SS Orient.After their return, the regiment was stationed at Curragh. One of its lieutenants, Lawrence Oates, was recommended for the Victoria Cross and is best known for his last words - 'I am going out, I may be some time' - shortly before his death on Scott’s expedition to the South Pole in 1912.

The unit served mainly as infantry on the Western Front during the First World War, suffering heavy casualties on the rare occasions it charged as cavalry.  read more

Code: 25325

An Original, French, Napoleonic Year 13 Modele, & Dated 1809 French Flintlock Line Cavalry Pistol, Mauberge Manufacture Imperial. Manufactured For Napoleon's Grande Armee.

One of the flintlocks from a fabulous & large original collection of finest Imperial French swords and pistols we recently acquired, this one is one of a near identical pair we purchased, but each is being sold separately, this one from the Grande Armee period, and the other from the period after the loss of the Grande Armee in Russia. Each part of this flintlock pistol bears the poincon stamps of Phillipe-Joseph Delmotte, inspector of Mauberge, plus B.Y. of Denis Brouilly premier controleur, and probably Antoine Chapelle Chef de Batallon, plus the date of 1809 on the stock, and 1809 repeated on the barrel. The gun lock shows it was made at the Maubeuge Manufacture Imperiale. It also has a most rare inspector's stamp on the gunlock plate of the B surmounted by an imperial eagle, of Daniel Bouyssavey of Maubeuge.

Excellent condition overall with a crisp spring action.

A true museum grade original souvenir from the Napoleonic Wars

This flintlock pistol was made at the French Imperial Arsenal at Maubeuge in 1809, during the time of Napoleon's Grande Armee during the Peninsular Campaign, before the Grande Armee's invasion of Russia, and five years before Napoleon's defeat in 1814 and exile to Elba, and later, after his return in 1815. Thus this pistol was made, and issued to the cuirassiers, that then years later transferred their loyalty to the King, then back once more back to their old emperor, Napoleon, upon his return from exile in Elba. It was used by the cuirassiers in the 100 Days War, culminating in Napoleon's final defeat at Quatre Bras and Waterloo by the Duke of Wellington, and this pistol being taken as war booty.

Used as a regimental issue sidearm, by and the very best French Napoleonic frontline cavalry, the carabineers, cuirassiers, chasseurs, dragoons and lancers, serving in Napoleon Bonaparte's army during the Napoleonic Wars. This is the pattern called the AN 13 {year 13} which represents the 13th year of French Ist Republic of 1792. The French Republican Calendar or French Revolutionary Calendar was a calendar proposed during the French Revolution, and used by the French government for about 12 years from late 1793. This is the pattern of pistol that would have first seen service in the Elite Imperial Guard, cavalry and dragoons, plus the Cuirassiers of Napoleon's great heavy cavalry regiments. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers pistols now in England very likely came from that field of conflict, after the battle, as trophies of war. This pistol may well have been taken from a vanquished Cuirassier pistol that was drawn for combat on the field of battle. One can imagine this pistol lying freely, or, maybe, even still clasped in his cold desperate hand, or even under his fallen steed, at the field of conflict at Waterloo. Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly super Napoleonic pistol. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. Made in the period that Napoleon was Emperor and ruling most of Europe, it was used through the Napoleonic period from 1813, later in the the Royal restoration period, when Napoleon was imprisoned at Elba, and then during the War of the 100 days, culminating at Waterloo .
All Napoleon's heavy Cavalry Regiments fought at Waterloo, there were no reserve regiments, and all the Cuirassiers, without exception fought with their extraordinary resolve, bravery and determination. The Hundred Days started after Napoleon, separated from his wife and son, who had come under Austrian control, was cut off from the allowance guaranteed to him by the Treaty of Fontainebleau, and aware of rumours he was about to be banished to a remote island in the Atlantic Ocean, Napoleon escaped from Elba on 26 February 1815. He landed at Golfe-Juan on the French mainland, two days later. The French 5th Regiment was sent to intercept him and made contact just south of Grenoble on 7 March 1815. Napoleon approached the regiment alone, dismounted his horse and, when he was within gunshot range, shouted, "Here I am. Kill your
Emperor, if you wish." The soldiers responded with, "Vive L'Empereur!" and marched with Napoleon to Paris; Louis XVIII fled. On 13 March, the powers at the Congress of Vienna declared Napoleon an outlaw and four days later Great Britain, the Netherlands, Russia, Austria and Prussia bound themselves to put 150,000 men into the field to end his rule. Napoleon arrived in Paris on 20 March and governed for a period now called the Hundred Days. By the start of
June the armed forces available to him had reached 200,000 and he decided to go on the offensive to attempt to drive a wedge between the oncoming British and Prussian armies. The French Army of the North crossed the frontier into the United Kingdom of the Netherlands, in modern-day Belgium. Napoleon's forces fought the allies, led by Wellington and Gebhard Leberecht von Blücher, at the Battle of Waterloo on 18 June 1815. Wellington's army withstood repeated attacks by the French and drove them from the field while the Prussians arrived in force and broke through Napoleon's right flank. The French army left the battlefield in disorder, which allowed Coalition forces to enter France and restore Louis XVIII to the French throne. Off the port of Rochefort, Charente-Maritime, after consideration of an escape to the United States, Napoleon formally demanded political asylum from the British Captain Frederick Maitland on HMS Bellerophon on 15 July 1815. The pistol is in very nice condition overall.  read more

Code: 25402

A Really Rare Original Victorian Crimean War Other Ranks Guardsman's Bearkin Cap. with Hardened Leather Interior Frame & Original, Victorian, Crown VR , Maker's Label

It is fair to say less than one in ten thousand household Division Bearskin Caps to be seen today, on the collectors market, is an original, Victorian issue, 1850's, Crimean War service bearskin cap, the other 9,999 per ten thousand, will be the regular 20th century cane framed bearskin caps. With good condition, leather lined chinscales.

In overall very good condition, the interior bears its original mid 19th century Victorian makers label. It is heavy stitched leather, stitched to the skin, as would be usual for the Crimean bearskin, and it also has the regular other ranks leather headband intact, {the officer's version had a velvet headband} fully. It has no hackle mount externally, which is correct for the Scots Fusilier Guards bearskins, as they wore no hackle, unlike the Grenadiers, and Coldstream Guards. This is only the third 1850's example used in the Crimea we have seen outside of the Guards Museum
.
This is the bearskin headdress of an 1850's other ranks of the Scots Fusilier Guards, one of the most famous regiments of infantry in the British Army. This celebrated item, still worn by the Guards Division on ceremonial duties, has its origins in the Battle of Waterloo, where the 1st Foot Guards of Wellington’s army fought against the French Imperial Guard, who wore bearskin caps. It was during the reign of King George IV that the Guard uniforms were changed, along with the Guard Regiments themselves. The scarlet coatee was introduced, with gray or white trousers and in 1832 the bearskin cap became the official headdress of all three guards regiments, thus creating the ceremonial uniform that essentially remains in use today.

In the Crimean war the bearskin was reduced in height and the cap's pelt could be attached to a hardened leather cap, as is this one, and not mounted on a frame of willow or rattan as they are today, one such leather lined bearskin is in the Guards Museum in London

In the Crimean war they were still a combat helmet, classified as a bearskin cap. Sometime after the Crimea, the bearskin was only in use by the guards, and fusiliers regiments as a dress cap, just as it still is today.

The guards combat details follow below {in a brief resume} at the Battle of Alma, during the retreat and second attack.

By now, the 1st Division had finally crossed the river and the Russians in the greater redoubt saw approaching them the Guards' Brigade, with the Grenadier Guards on the right, the Scots Fusilier Guards in the centre, and the Coldstream Guards on the left. Out of sight on the far left was the Highland Brigade, commanded by Sir Colin Campbell. Campbell was irritated by the Guards' delay and ordered an immediate advance. A firm believer in the charge with bayonets, Campbell told his men not to fire their rifles until they were "within a yard of the Russians".

The Scots Fusiliers, by then ahead of the rest of the division, started to move uphill immediately, repeating the Light Division's mistake, which at that moment was running down from the redoubt, pursued by Russian infantry. The Light Division crashed into the advancing Scots Fusiliers with such force that the line was broken in many places. The Scots faltered, but emerged on the other side with only half their numbers and continued towards the great redoubt in a chaotic state. When they were 37 m (40 yd) from the redoubt, the Russians mounted a massive volley. The Scots Fusiliers were forced to retreat, stopping only when they reached the river.

The two other guards regiments filled the gap left by the Scots Fusiliers, but refused orders to charge with bayonets up the hill. Instead, the Grenadiers and the Coldstream formed into lines and started firing Minié volleys into the Russian advance parties. This stopped the Russians, and the Grenadiers and the Coldstream were soon able to close the gap between them; the Russians were again forced back into the redoubt. Vintage, replaced chinscales

Photos in the gallery of Hand-coloured photograph of three soldiers of the Scots Fusiliers Guards who served in the Crimean War. From right to left are Corporal Judd, Edward Temple and William Reynolds. They are all seated with Judd resting his bearskin on his lap and Temple holding one of the three rifles joint together pointing upwards.

Alongside this Crimean piece we also acquired a fabulous Crimean War pistol and an 1853 relic sword blade from the Charge of the Light Brigade.

Throughout the war Queen Victoria had taken an active interest in the welfare of the troops and on their return from the Crimea she met a number of the veterans at Buckingham Palace, Chatham Military Hospital and Aldershot Garrison. Following these meetings she commissioned a series of photographs of the veterans from the photographers Joseph Cundall and Robert Howlett.

The other coloured photograph is of Colour Sergeant William McGregor of the Scots Fusilier Guards.

The maker of this bearskin cap was established in 1776, as Sword Cutlers, Military Outfitters, and Hatters, W. Cater & Co. They were at 56 Pall Mall, and they moved from 56 Pall Mall, to 62 Pall Mall in around 1918.  read more

Code: 25401

A Most Rare & Stunningly Beautiful Imperial Russian Superior Cavalry Officer's Sword, Romanov Era, From the First Quarter to Mid 19th Century. Possibly A War Trophy of the Crimean War

Curved, bright polished single edge blade, cut with 2 fullers (one broad, one narrow), very fine brass hilt decorated throughout with laurel and acanthus leaves and foliage in relief, a knuckle bow with two bar guards, and a superb original wire bound polished horn grip, with a typically Russian form of forward slanted pommel, with pommel ball.

Original Imperial Russian Romanov period officer's swords of the 19th century appear very rarely indeed, as so few survived the revolution, and when they do, if they are the very fine quality examples, they can achieve extraordinarily high prices. It is certainly possible this sword is a trophy of the Crimean War.

This superb sabre would likely have seen its most combative service in the Crimea, such as at The Battle of Balaclava that is remembered in Britain for the actions of two British units. At the start of the battle, a large body of Russian cavalry charged the 93rd Highlanders, who were posted north of the village of Kadikoi. Commanding them was Sir Colin Campbell. Rather than "form square", the traditional method of repelling cavalry, Campbell took the risky decision to have his Highlanders form a single line two men deep. Campbell had seen the effectiveness of the new Minié rifles with which his troops were armed at the Battle of Alma, a month earlier, and he was confident that his men could beat back the Russians. His tactics succeeded. From up on the ridge to the west, Times correspondent William Howard Russell saw the Highlanders as a "thin red streak topped with steel", a phrase which soon became the "Thin Red Line".

Soon afterward, a Russian cavalry movement was countered by the Heavy Brigade, which charged and fought hand to hand until the Russians retreated. That caused a more widespread Russian retreat, including a number of their artillery units. After the local commanders had failed to take advantage of the retreat, Lord Raglan sent out orders to move up and to prevent the withdrawal of naval guns from the recently captured redoubts on the heights. Raglan could see those guns because of his position on the hill. In the valley, that view was obstructed, and the wrong guns were in sight to the left. The local commanders ignored the demands, which led to the British aide-de-camp, Captain Louis Nolan, personally delivering the quickly-written and confusing order to attack the artillery. When Lord Lucan questioned to which guns the order referred, the aide-de-camp pointed to the first Russian battery that he could see and allegedly said "There is your enemy, there are your guns", because of his obstructed view, which were wrong. Lucan then passed the order to the Earl of Cardigan, which resulted in the Charge of the Light Brigade.

The House of Romanov was the reigning imperial house of Russia from 1613 to 1917. They achieved prominence after Anastasia Romanovna married Ivan the Terrible, the first crowned tsar of all Russia. Nicholas II, the last Emperor of Russia, and his immediate family were executed in 1918, but there are still living descendants of other members of the imperial house.

Romanov 19th century history;
Paul I was murdered in his palace in Saint Petersburg in 1801. Alexander I, succeeded him on the throne and later died without leaving a son. His brother, crowned Nicholas I, succeeded him on the throne in 1825. The succession was far from smooth, however, as hundreds of troops took the oath of allegiance to Nicholas's elder brother, Constantine Pavlovich who, unbeknownst to them, had renounced his claim to the throne in 1822, following his marriage. The confusion, combined with opposition to Nicholas' accession, led to the Decembrist revolt. Nicholas I fathered four sons, educating them for the prospect of ruling Russia and for military careers, from whom the last branches of the dynasty descended.

Alexander II, son of Nicholas I, became the next Russian emperor in 1855, in the midst of the Crimean War. While Alexander considered it his charge to maintain peace in Europe and Russia, he believed only a strong Russian military could keep the peace. By developing the Imperial Russian Army, giving increased autonomy to Finland, and freeing the serfs in 1861 he gained much popular support for his reign.

The Crimean War was fought from October 1853 to February 1856 between the Russian Empire and an ultimately victorious alliance of the Ottoman Empire, France, the United Kingdom, and Sardinia-Piedmont.

Geopolitical causes of the war included the decline of the Ottoman Empire (the "Eastern Question"), the expansion of Russia in the preceding Russo-Turkish Wars, and the British and French preference to preserve the Ottoman Empire to maintain the balance of power in the Concert of Europe. The flashpoint was a disagreement over the rights of Christian minorities in Palestine, then part of the Ottoman Empire, with the French promoting the rights of Roman Catholics, and Russia promoting those of the Eastern Orthodox Church.

The Crimean War marked a turning point for the Russian Empire. The war weakened the Imperial Russian Army, drained the treasury and undermined Russia's influence in Europe. The empire would take decades to recover. Russia's humiliation forced its educated elites to identify its problems and recognise the need for fundamental reforms. They saw rapid modernisation as the sole way to recover the empire's status as a European power. The war thus became a catalyst for reforms of Russia's social institutions, including the abolition of serfdom and overhauls in the justice system, local self-government, education and military service.

In excellent condition overall considering this fabulous and incredibly rare sabre’s cavaly officer has obviously seen hand-to-hand combat, thus there is very light and minuscule overall surface wear to the steel blade, but it is still very fine indeed, very bright and wonderfully polished. On the hilt’s upper section of knuckle-bow, on the inner side, there is a very fine tiny combat-stress hairline {see photo 6}. Likely caused by a combat punch action impact of the hilt against a resistant object, possibly a helmet. Blade overall 38 .75 inches long, blade 31.75 inches long. No scabbard

Possibly by Schaaf & Söhne St. Petersburg.
We have seen Imperial Russian, of very similar quality and design, officer’s dragoon swords, such as a later pattern St Anne’s dragoon sword for bravery, sell for up to £30,000, so relatively, this sword is most inexpensive by comparison..  read more

Code: 25399

A Beautiful Napoleonic Wars Swiss Mercenary Line Infantry Officer's Blue and Gilt Epee. Some Officers & Men Of the Swiss Regt. Were Sent to The French Mediterranean Squadron's Ships at the Battle of Trafalgar

Maker marked by Jakob Girtanner, Degenschmied in St. Gallen, recorded from 1789.

Boat shaped original copper gilt hilt with French form Roman helmet pommel, single knucklebow, chequered carved ebony grip. Superb, duluxe 'Blue & Gilt' and engraved blade, with makers name engraved at the ricasso. In its original scabbard, that bears a small split at the rear seam

From our recently acquired museum grade very rare collection of French Napoleonic swords.

The 1st Swiss Regiment (French: 1ère Régiment Suisse) was a Swiss mercenary line infantry regiment in the French Imperial Army during the Napoleonic Wars. During the expansion of the Imperial Army in 1803, Napoleon decreed the formation of four Swiss mercenary regiments, one of these later becoming the famed 1st Swiss. After a short time serving in Southern Italy, notably serving at the Battle of Maide, the 1st Swiss were sent to Poland for the impending Invasion of Russia. During the invasion, the regiment remained in the reserve, but served with honour, notably at the Battles of Polotsk and later the crossing of the Berezina. After retreating from Russia, elements of the regiment served during the minor campaigns until May 1814. The regiment was then reformed under the Bourbon restored monarchy, and continued into the Royal Guard until its final disbandment in 1830.

Interestingly, and historically, in 1805, according to regimental records, parts of the regiment was embarked on the Mediterranean Squadron's ships at the Battle of Trafalgar, where one officer was wounded.
By mid-1805, the regiment was consolidated within the new Kingdom of Italy with the Staff and 1st Battalion based at Bastia, the 2nd Battalion on Elba, the 3rd Battalion near Modena, and 4th Battalion in Genoa.

Napoleonic Wars campaigns and battles of the Swiss Regiments;

Battle of Trafalgar { regimental contingent}
Invasion of Naples
Battle of Castelfranco Veneto
Battle of Maida
Russian Campaign
First Battle of Polotsk
Second Battle of Polotsk
Battle of Berezina
War of the Sixth Coalition
Siege of Bremen
Siege of Maastricht
Battle of Wavre

On 27 November 1803, authorised articles were signed in which a new Swiss infantry regiment was to be created. However, it was not until March 1805, just before the Ulm Campaign, that the new French emperor, Napoleon, ordered the reorganisation of the Swiss troops by imperial decree. The remaining three Swiss Demi-brigades, which were the result of the merger of the original six Swiss demi-brigades of the Helvetic Legion. The men of these remaining small units were merged to form the new 1st Swiss Regiment, formed by imperial decree on 15 March 1805. The 1st Swiss Demi-Brigade was based in La Rochelle, where it was dissolved on 11 May 1805 to provide the 3rd Battalion of the new regiment. The 2nd Swiss Demi-Brigade formed the 4th Battalion a month later when it was based in Livorno. The 3rd Swiss Demi-Brigade was split, sourcing the personnel for the 1st and 2nd Battalions on 5 July 1805 while in Bastia, Corsica.

Following the disaster of the battle at Maida, the populace of Calabria (a fiercely pro-Bourbon province of the newly created Kingdom of Naples) rebelled against King Joseph Bonaparte. On 5 July 1806, the regiment and the remainder of Reynier's army were still retreating when it came upon the village of Marcellinara, desperate for food and water. To the amazement of the French, they were welcomed enthusiastically by the populace shouting "Long live the British" and "Death to the French", once again because they were mistaken for British soldiers. However, this comical situation ended tragically, when the Swiss opened fire on the populace, and the village was sacked.

As Napoleon's new Grande Armée assembled in the eastern parts of the Duchy of Warsaw, the need for Swiss troops became apparent. Napoleon even said, "We must pay serious attention to the Swiss regiments". He went on to call for a major effort to recruit the regiments up to strength and bring about their organisation. As a result, over the next year's course, the regiments were gradually reassembled, and each received a new regimental artillery company. Each artillery company composed of two 3-pounder mountain field cannon.

On most levels, Napoleon's campaign against Russia was a hugely complex series of events. For the Swiss regiments, it was much simpler – it consisted of three major engagements separated by long stretches of inactivity. The First Battle of Polotsk and Second Battle of Polotsk are amongst the least known actions of the campaign because they took place far from the watchful eye of Napoleon. However, the Battle of Berezina is better known, but the role played by the Swiss in that engagement is not always clearly described. Still, in all three instances, the Swiss covered themselves with glory and provided some of the most heroic episodes in the story of Napoleon's foreign troops.

On 17 August, at the First Battle of Polotsk, General Wittgenstein attacked the French in force, inflicting a sharp reserve on the II and VI Corps where Oudinot was wounded, and command was given to Marshal St Cyr, commanding VI Corps. The latter earned his Marshal's baton on the 18th when he counter-attacked and drove off the Russian Corps. During the engagement, the 1st, 2nd, and 3rd Swiss Regiments were initially not engaged, but the 18th St Cyr placed them in reserve as a precaution in case the action went against the French.

St Cyr is said to have noted:

"I know the Swiss. I had a battalion of the 1st Swiss Regiment under my orders at Castlefranco in Italy. The French are more impetuous in an advance, but if it comes to a retreat, we can count on the calm and courage of the Swiss"

— General de Division Laurent de Gouvion, Marquis de Gouvion-Saint-Cyr

The second fight for Polotsk was one of the campaign's most savage battles, conducted at night in a town full of blazing wooden buildings. Once the outer perimeters were breached, the fighting became hand-to-hand in the streets and houses, but the Swiss maintained their discipline and organisation throughout.

General Merle told Napoleon that he thought that every Swiss soldier deserved to be decorated for the Battle of Berezina, and he persuaded the Emperor to award the Swiss sixty-two crosses of the Legion of Honour. Unfortunately, the order to that effect was lost, and so the deserving officer and men of the Swiss regiments never received any officer recompense for their valour. However, their performance was accorded proper recognition by their countrymen, who viewed them as heroes whose actions were a source of national pride.

In 1813 On 10 October, the 1st Swiss along with fifty recruits of the 4th Swiss Regiment joined the Bremen garrison. The town had 30,000 inhabitants, which were of dubious loyalty to the Emperor. The forces' arrival was quite timely for the French commandant, Colonel Thuillier, as on 13 October, the town was assaulted by a mixed force of 4–5,000 Russian Cossacks and Prussian Freikorps under General Tettenborn. The voltigeur company under Captain Segesser was assigned to dispute the possession of the town's eastern suburb, and a French official who observed the combat noted that the Swiss "shot with such marvellous accuracy that any enemy soldier who showed himself was soon dead or wounded".

After Napoleon returned from Elba, during the 100 Days war, those that remained loyal to Napoleon, were formed into a regiment under the command of Colonel Christopher Stoeffel, who had been a captain in the 3rd Swiss in 1807 but had served exclusively in staff posts thereafter. A single battalion was formed in that regiment and served in General Vandamme's III Corps during the Waterloo Campaign, notably at the Battle of Wavre where it was wiped out. This regiment used the uniform and eagles of the 1st Swiss  read more

Code: 25400

A Stunning Shinto Period O-Tanto Signed Sukemune, Around 400 Years old. Now Fully Museum Grade Restored By Our World Class Artisans Shown For Sale Now As A Representation of the Skill of Our Artisans.

A super Japanese o-tanto with a most impressive blade and fine fittings of gold and shakudo on a nanako ground. Fine, deep horizontally ribbed lacquer saya with fabulous patina. It also has a beautiful pair of silver menuki of small animals that are wrapped under the new, traditional, Japanese gold silk Ito. The fittings are decorated in gold depicting a cat with two tails, called Nekomata , and a pair of leaping hares. One of the most famous accounts of nekomata is the 1708 Yamato Kaiiki (大和怪異記; Mysterious Stories from Japan) story The Nekomata Fire (猫股の火) which tells the tale of a samurai whose house is taken over by a poltergeist-like haunting that is only ended when the family cat is killed and revealed to have two tails. This story was later adapted by Mizuki Shigeru for his comic Nekomata.

This version of the nekomata has completely taken over the Kamakura period beliefs, and it is almost impossible to find a modern depiction of nekomata that does not show the split-tailed monster.

Signed, early Shinto Japanese tanto with a most impressive blade and fine fittings of gold and shakudo on a nanako ground.

Signed zenkoji ju ani sukemune ‘Kiku. Student of Tsuda Sukehiro (SUK130). AKA "Kojuro Sukemune".
It has a very beautiful blade now traditionally stone re-polished, that now looks as stunning as it once was. The blade had been left unattended without care for over a century and looked absolutely appalling, as you can see in the ‘before restoration’ photos. But now it looks as good as it did when it was new.

The blade is engraved with a carved horimono of a Buddhist ancient ken straight sword with the vajra, still bearing traces of the original blood red lacquer. A vajra is a ritual weapon symbolizing the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). The vajra is a type of club with a ribbed spherical head. ... According to the Indian mythology, vajra is considered as one of the most powerful weapons in the universe.
We show some photos of it as it was prior to restoration, so our online viewers can see just how skilled our professional museum grade artisans abilities are, to restore a fabulous, early samurai sword, back to how it once looked several hundred years ago. The original Edo period saya and ribbed lacquer is totally original and its fine condition needed no attention or restoration, it just has a very few light natural age marks.  read more

Code: 23681

An Exceptionally Beautiful, Almost 500 Year Old Ancient Samurai Aikuchi Tanto, Signed Bizen Osafune Ju Sukesada

Aikuchi tanto are intentionally designed to have an uninterrupted profile, for ease of access, for the securing and withdrawing from an obi, and bear no tsuba sword guard. This is an absolute beauty, in fabulous condition.

It is from a museum grade small collection of remarkable and exceptional samurai tanto. Acquired by a discerning collector over many years seeking an example of all the varrying forms and styles of tanto and their blades, from the zenith of the samurai period of the Koto era and beyond.
Each one is a veritable work of art demonstrating the skill of craftsmen at the apex of their careers, as the very finest swordsmiths and koshirae fitting makers, that has been combined to create wonders of rare beauty. Not only to represent the acme of samurai art, but also functional and usable swords [in the culture of samurai, even small tanto are classified as swords] for the samurai of the highest rank and status, including daimyo and lords, from the Koto to Edo period.

It has a very fine signed Koto ancient blade, in superb Edo polish with a sophisticated, deep, straight hamon. The saya is an absolutely stunning, original Edo period beauty, of finest two colour urushi lacquer of cinnabar flecks red over deep lustrous black. The fabulous menuki are contrasting pure gold and copper gambolling ponies, and the kozuka is decorated a pair of mythical hooved beasts [similar to shishi lion dogs] on a nanako ground, and a small saya mount is Alison in gold and copper of two shishi puppies.

All the mounts are carved buffallo horn. The tsuka is bound with a very fine quality micro herringbone pattern ito, and intricate finely chiselled round, flowerhead form, gold mukugi rims.

Made and signed by one of the early Sukesada, from the Sukesada school of master swordsmiths, in around 1500, between around 500 and 530 years ago.

The highly regarded Sukesada line of swordsmiths descended in the Osafune school and are recorded as far back as the end of the Nambokucho period (around 1394). This blade here is placed it in the Sue-Koto Period (1469-1596).

The whole tanto is in very good condition with just a few natural aging small urushi lacquer surface nicks.

The original Edo period urushi lacquer on the stand is in simply excellent condition for age and shows most elegant intricacy, it reveals within that intricacy the finest craftsmanship and beauty worthy of a master of the art of urushi decor. Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!  read more

Code: 24538