A Superb, Silver, Ancient Romano-Celtic Serpent Armilla Bracelet, 1st Century Around 2000 Years Old. From the Celtic Iceni War With Rome

An ancient Roman serpent head armilla bracelet from Britain during the time of Boudicca, queen of the Iceni's, rebellion against Roman. Silver was a restricted metal of adornment for those only of suitably high rank in the Roman military and citizenry. For example, for centuries even the most superior Romans were only permitted to be buried with a total of less than one ounce of gold jewellery within their tomb.

Armillae were either gold, silver or bronze. The status of the recipient appears to have determined whether he would be granted a gold armilla or the lesser silver. Bronze armillae were given as awards for distinguished conduct to soldiers of lesser rank, but were valued no less highly for the prestige they conferred upon their owners. Armillae were usually awarded in pairs and a soldier could win more than one pair. They were not for everyday wear, but generally only worn at military parades or on dress uniform occasions like a general's Triumph, though they could also be worn at certain civic events like religious ceremonies and the games.

Military armillae were modelled on those worn by the Celts. The tradition of using Celtic-style torcs and armillae as Roman military decorations had its beginnings in 361 BC when Titus Manlius Torquatus (consul 347 BC) slew a Gallic chieftain of impressive size in single combat. He then stripped the bloodstained torc from the corpse's neck and placed it around his own as a trophy. The Romans were initially daunted by the fearsome appearance of the Gauls, whose elite warriors were "richly adorned with gold necklaces and armbands". The torc was the Celtic symbol of authority and prestige. By his action, Torquatus in effect took the vanquished chieftain's power for his own, and created a potent, visible token of Roman domination. As such, over time the torc and also the armilla were adopted as official awards for valour, taking on the role of symbolic war trophies Military armillae were modelled on those worn by the Celts. The tradition of using Celtic-style torcs and armillae as Roman military decorations had its beginnings in 361 BC when Titus Manlius Torquatus (consul 347 BC) slew a Gallic chieftain of impressive size in single combat. He then stripped the bloodstained torc from the corpse's neck and placed it around his own as a trophy. The Romans were initially daunted by the fearsome appearance of the Gauls, whose elite warriors were "richly adorned with gold necklaces and armbands". The torc was the Celtic symbol of authority and prestige. By his action, Torquatus in effect took the vanquished chieftain's power for his own, and created a potent, visible token of Roman domination. As such, over time the torc and also the armilla were adopted as official awards for valour, taking on the role of symbolic war trophies.

Armillae were made in a substantial masculine style and produced in a variety of designs: a solid, hinged cuff, sometimes inscribed with legionary emblems or decorated with incised patterns; an open-ended spiral; a chunky, rounded bracelet with open or overlapping ends; or a torc in miniature. Armillae which were open-ended or had overlapping ends often featured knobs or snake-heads as terminals

The Iceni or Eceni were an Iron Age Celtic tribe living in the British Isles prior to the Roman invasion of Britain. Their territory included present-day Norfolk and parts of Suffolk and Cambridgeshire. Julius Caesar does not mention the Iceni in his account of his invasions of Britain in 55 and 54 BC, though they may be the Cenimagni or Ceni Magni, whom Caesar noted as living north of the River Thames.

The Iceni tribe occupied all of Norfolk and north-west Suffolk. They were a monarchic society state, geographically separated from their western neighbours the Coritani by uninhabitable fenland. They were bordered to the south by the Atrebates.

While the meaning of the name Iceni is unknown, it is tempting to see it as derived from a Proto-Celtic adjective cognate with Latin picea ‘pine tree,’ the Italic tribal name Piceni, English picene, and with the English hydronym Itchen. Icenian coins dating from the 1st century AD use the spelling ECEN, which probably suggests a different etymology.

Tacitus records that the Iceni were not conquered in the Claudian invasion of AD 43, but had come to a voluntary alliance with the Romans. However, they rose against them in 47 after the governor, Publius Ostorius Scapula, threatened to disarm them. The Iceni were defeated by Ostorius in a fierce battle at a fortified place, but were allowed to retain their independence. The site of the battle may have been Stonea Camp in Cambridgeshire.

A second and more serious uprising took place in AD 61. Prasutagus, the wealthy, pro-Roman Icenian king, had died. It was common practice for a Roman client king to leave his kingdom to Rome on his death, but Prasutagus had attempted to preserve his line by bequeathing his kingdom jointly to the Emperor and his own daughters. The Romans ignored this, and the procurator Catus Decianus seized his entire estate. Prasutagus’s widow, Boudica, was flogged, and her daughters were raped. At the same time, Roman financiers called in their loans. While the governor, Gaius Suetonius Paulinus, was campaigning in Wales, Boudica led the Iceni and the neighbouring Trinovantes in a large-scale revolt, destroying and looting Camulodunum (Colchester), Londinium (London) and Verulamium (St Albans) before finally being defeated by Suetonius Paulinus and his legions. Although the Britons outnumbered the Romans greatly, they lacked the superior discipline and tactics that won the Romans a decisive victory. The battle took place at an unknown location, probably in the West Midlands somewhere along Watling Street. Today, a large statue of Boudica wielding a sword and charging upon a chariot can be seen in London on the north bank of the Thames by Westminster Bridge.

Archaeological evidence of the Iceni includes torcs — heavy rings, bracelets, armlets and torcs of gold, silver, electrum or bronze, worn around the neck and shoulders. The Iceni began producing coins circa 10 BC. Their coins were a distinctive adaptation of the Gallo-Belgic “face/horse” design, and in some early issues, most numerous near Norwich, the horse was replaced with a boar. Some coins are inscribed ECENI, making them the only coin-producing group to use their tribal name on coins. The earliest personal name to appear on coins is Antedios (ca. 10 BC), and other abbreviated names like AESU and SAEMU follow.

As with all our items it comes complete with our certificate of authenticity. 2.25 inches wide just under 19 gms silver weight.  read more

Code: 24780

A Most Fine, Original, 1796 British Heavy Cavalry Trooper's Sword with Ordnance Inspectors Mark, & Maker's Name. As Used in The Charges of the Union and Household Brigades at Waterloo, Wellington's Victory Over Napoleon in 1815

Overall in superb plus condition. Original black leather grip, typical disc guard without langets. Steel disc hilt, with part of the inner guard removed as recommended at the time. The inner edge of the guard has been trimmed to avoid damaging the uniform, equipment, or digging into the wearer’s side, a modification recorded as early as the late 1790s in some units, spear point blade, maker marked by Thomas Bate of Birmingham. 4 Crown ordnance inspector stamped blade.

A few years ago we were delighted to provide for the Tower of London Royal Armouries Collection an identical, original, 1796 H/C troopers sword to be used in Sean Bean’s {he of Sharpe's Rifles fame etc.} documentary on the effective cutting power of both the versions of the 1796 trooper's swords {heavy and light dragoon} at Waterloo.

This is the same form of sword used in the Charge of the Union Brigade, such as by the Scots Greys. Also the Household Brigade, the Ist Life Guards the 2nd Life Guards and the Horse Guards
Both the 1st and 2nd Life Guards were part of Lord Somerset's Household Brigade during the Waterloo campaign and took part in the famous charge of the British Heavy Cavalry against Marshal D'Erlon's infantry corps before being subjected to a severe mauling by French lancers and cuirassiers.

A well-known description of the brutal power of the weapon was made by Sgt. Charles Ewart, 2nd Dragoons (Scots Greys) concerning how he captured an Imperial Eagle at Waterloo:

"It was in the charge I took the eagle off the enemy; he and I had a hard contest for it; he made a thrust at my groin I parried it off and cut him down through the head. After this a lancer came at me; I threw the lance off my right side, and cut him through the chin upwards through the teeth. Next, a foot soldier fired at me, then charged me with his bayonet, which I also had the good luck to parry, and I cut him down through the head; thus ended the contest.

Over 10 years ago we were thrilled to acquire a near identical sword, also lacking scabbard, regimentally marked of an NCO of F Troop who rode right alongside Sgt Ewart of the 2nd Dragoon's, 'the Scots Greys' at Waterloo, when he captured the French Standard. That sword we sold to a private museum collection in Canada

A few years after the dawn of the 19th century, came the culminating battle of the long series of hard fought struggles with the once dominant power of France. In common with the rest of the troops, the Scots Grays suffered all the discomforts of mud, rain, soaked clothing and sodden provisions, before the battle of Waterloo. They took up their position on that eventful day behind the left centre of the line, and they were obliged to wait for a long time in chafing inactivity. A multitude of glittering bayonets and streaming colours came sweeping along in cold phalanxes, preceded by clouds of skirmishers. A division of French infantry outstripping their fellows, charged up into the centre of Wellington's position, and forced the summit of the hill upon which was the Duke. The Greys were moved up to support the infantry who were opposing the French advance. Some of the troops composing the attacking force were Napoleon's Foot Guards, great, big, strapping fellows, hardy old campaigners most of them, who had been with their hitherto invincible leader in numberless battles. The troops that prepared to bar the way were also war-scarred veterans who had fought under the Iron Duke in Spain and Portugal, but who were weaker in numbers than the Frenchmen. To the left of the English regiments was a brigade of German cavalry and light horsemen. When the French Guards came up, they charged these, and made frightful havoc of them, men and horses alike. So shaken were the Prussians that they were broken up and forced to retire. The French then turned their attention to the sturdy English regiments who had formed from square into line in order to receive them.

On came the victorious Guards, flushed with the easy triumph of our allies. This was only one of the many critical moments of the day. Uttering fierce cries of " A bas les Anglais!" they swept along. Our brave fellows were not behind hand in their reply, and a fierce bayonet to bayonet, knee to knee struggle commenced. Sheer weight began to tell - the infantry were shaken- the fight broke up into a series of more or less isolated combats. Suddenly the bugles rang out. Orders were shouted. Some semblance of a line was evolved out of the struggling mass. The psychological moment had arrived. The foot soldiers opened ranks, the squadrons passing through the intervals.

Then their turn came. The gallant Uxbridge gave his orders, which were instantaneously given through the throats of the cavalry trumpets - "Tort! Gallop! Charge!"

Down they charged straight at the face of the opposing columns. The foremost ranks of the enemy were absolutely broken up. Away plunged the Greys into the thickest of the fight. Like a huge grey wave topped with crimson and white, the regiment pierced there way through rank after rank of the French. Load above the roar and din of the battle rose the cry "Scotland for ever!" Along they dashed, encountering masses of the enemy that wellnigh overlapped them. The French infantry broke. The firing ceased; and as the smoke slowly curled away on the damp air, the huge white plumes on the towering bearskins were seen like flashes of foam on a troubled sea of struggling, fighting, ensanguined mobs of men. Numberless deeds of daring and valour during that wonderful ride went unnoticed and unrecorded. A man on foot armed with a rifle and bayonet, is generally accounted a match for any cavalry soldier. But at Waterloo when the big heavy men, knee to knee, on the big heavy grey horses, came tearing down upon the French infantry, they carried all before them. Their opponents, stalwart seasoned old soldiers, scattered and were cut down, ridden over, decimated.

During the fight, Sergeant Charles Ewart performed a glorious feat. As the Greys attacked the 45th regiment of French infantry, Ewart singled out the officer who was carrying the Eagle and rode for him. The Frenchman fought hard. He thrust at Ewart's groin; but the Scotsman parried and cut his opponent through the head. Then a French lancer rode up and attacked him by throwing his lance at him. This too, Ewart parried, and then getting furious, he charged the man, and with a strong sweep of his arm and a dexterous turn of the wrist, cut the lancer from his chin upwards right through his teeth. Another Frenchman then came up, this time a foot soldier, and engaged him with his bayonet. But Ewart soon disposed of him by nearly shearing off his head. After this, the gallant fellow went on, Eagle and all, to follow his comrades, but General Ponsonby stopped him.

"You brave fellow!" said the General. "Take that to the rear. You have done enough until you get quit of it." Ewart obeyed orders, but with the greatest reluctance.

Following up their unprecedented success, the Greys went on, charging everything they came across: Lancers, Cuirassiers, Artillery - little they cared -until they actually penetrated to the rear of the French position. Their glorious valour cost them dear, and it was only by hard, desperate fighting that they regained the British lines and resumed their post only just in time to give their mighty support to their gallant comrades of the 92nd Highlanders. This reckless handful - for there were barely 200 of the 92nd left - charged a column of French about 2,000 strong. With the odds of ten to one against them, these brave fellows never hesitated for a moment. They pierced right into the centre of the French, and when the Greys charged up, the Highlanders broke ranks, and clinging to the horsemen's stirrup leathers, went surging into the mass to the wild skirling of the pipes and the yells of "Scotland for ever!" Infantry and cavalry together destroyed or captured nearly every single man of the opposing force.

Small wonder is it that Napoleon, who was greatly impressed by the excellent maneuvering and swordsmanship of the Greys, exclaimed: "Ces terribles chevaux gris! Comme il travaillent!"Unfortunately, during the big charge, the Union Brigade - the Scots Greys, the Royals and the Inniskillings - encouraged and excited by their success which had attended their gallant efforts, followed up their advantage rather too far. They swept across the plain, making light of the ravine that crossed their path, and captured, but failed to bring off, several batteries. But when they had reached the rear of the enemy's position they were naturally much broken and disorganised. The French, smarting under the havoc caused by the serried ranks of the Heavy Dragoons, regained confidence and fell upon the regiments with a large force of Lancers and Cuirassiers. It was a case of fresh troops against spent ones. Yet our men, breathless and panting from their mighty exertions, with their horses covered with mud, fetlock-deep, proved equal to the occasion. They rallied, like the heroes they were, and though sadly cut up, they fought their way through, literally their path back towards their own lines, but not without heavy losses.

The gallant commander of the brigade, Major-General Sir William Ponsonby, was one of those who rode through the victorious charge, but who never returned. His horse was blown, and on the return hopelessly floundered about in the miry depths in a piece of ploughed land. Despite all the efforts of his men, he was set upon and killed by the French Lancers.

When what remained of the regiment came back in two's and three's in scattered groups, the men resumed their former position, exposed to a heavy fire from the French artillery. Great as the British losses had been, those of Napoleon's splendid army were greater, and the French leader sought to force the issue. Well might Wellington sigh for "Night or Blucher"; for in very truth victory was hanging in the balance. Desperate attempts were continually being made by the enemy's infantry as well as by his cavalry to force the stubborn English foot regiments, stretching across the field in isolated squares, to yield their ground. But with bull-dog tenacity they held on with iron grip. The Greys, in common with the Household Cavalry and the other Heavy Dragoons, were condemned to a time of motionless inactivity, until at length the Duke assumed the offensive. The whole army made a simultaneous advance. The Life Guards and the Blues charged, and then the whole line was ordered to move. The Greys, all that was left of them, with men and horses alike refreshed by the enforced bodily rest, joined in the pursuit. For Napoleon's army gave way; his troops were utterly and entirely broken up and pursued with dreadful effect by the English cavalry, were eventually driven from the field, and the glorious field of Waterloo was won!

For their conspicuous gallantry at Waterloo the Greys were allowed to display the Eagle on their guidons, and "Waterloo" on the plume socket of their bearskin caps. Every officer and man who was present at Waterloo received a silver medal, and was entitled to reckon the action as representing two years toward his pension. Please see two lots of regimental markings. Corporal John Dickson's 1796 HC sword is in the National War Museum and is numbered regimentally the same, but No 57 only six numbers away from the sword we sold numbered 51. There were 51 NCO's and other ranks that served in F troop at Waterloo. This sword has no scabbard.  read more

Code: 25408

An Opportunity to Acquire An Original Almost 700 Year Old, Ancient & Beautiful Samurai Dagger, A Signed, 14th Century Nambokochu Period Ancient Samurai Tanto

Now showing a beautiful blade polish, with all its original, Edo period, fine quality fittings. Including a pair of shakudo and gold fuchi kashira, a gold onlaid tetsu tsuba, a signed blade kozuka utility knife, and a menuki, under the original edo period tsuka ito, of a samurai's pony with its samurai saddle and abumi [stirrup], being attacked by a tiger. The saya is elaborately decorated with inlaid shell and horn type pieces on the black lacquer background. with polished buffalo horn carved fittings and a silver and soft metal saya mount of two seated figures. The scabbard surface has had a few contemporary Edo period surface repairs.

The blade is of typical ancient Nambokochu form and shape with a signed nakago, and shows stunning grain, and a solid silver overlaid two part habaki decorated with an embossed geometric patterning.

It is an ancient samurai tanto, in incredible condition for its great age, it obviously shows signs of use fro the past 600 odd years, but what an amazing piece.

The tanto was invented partway through the Heian period, when it was mainly used as a weapon. With the beginning of the Kamakura period, tanto were forged to be more aesthetically pleasing, and hira and uchi-sori tanto were the most popular styles for wars in the kamakura period. Near the middle of the Kamakura period, more tanto artisans were seen, increasing the abundance of the weapon, and the kanmuri-otoshi style became prevalent in the cities of Kyoto and Yamato. Because of the style introduced by the tachi in the late Kamakura period, tanto began to be forged longer and wider. The introduction of the Hachiman faith became visible in the carvings in the tanto hilts around this time. The hamon (line of temper) is similar to that of the tachi, except for the absence of choji-midare, which is nioi and utsuri. Gunomi-midare and suguha are found to have taken its place. In Nambokucho, the tanto were forged to be up to forty centimetres as opposed to the normal one shaku (about thirty centimetres) length. The tanto blades became thinner between the uri and the omote, and wider between the ha and mune. At this point in time, two styles of hamon were prevalent: the older style, which was subtle and artistic, and the newer, more popular style. Blades could be of exceptional quality. As the end of the period neared, the average blade narrowed and the sori became shallow

Overall 20.5 inches long, with a 10.5 inch long blade from tsuba to tip.

As with all our original items, it will be accompanied with a bespoke and unique Certificate of Authenticity.  read more

Code: 24407

A Beautiful Edo Period Batojingasa Samurai Horserider's War Hat

Black urushi lacquer with superb kiri mon, red lacquer interior with pad and cords but the cords outer silk has seperated. With five leaf pawlonia kiri mon. Paulownia is a deciduous tree that is widely cultivated in Japan. It belongs to the figwort family Paulowniaceae and it is also known as the “princess tree “ “emperor tree”. This tree was adopted as a crest motif because it symbolizes good fortune. In China, people consider it a lucky tree where phoenixes reside. It was also believed that these phoenixes sing “long live the king!” in the high, blooming branches of the tree. Because of this belief, the paulownia tree became a pattern used in the emperor’s clothes and then later became a crest during the end of the Kamakura period. This crest is awarded by the imperial court to retainers. The retainers also awarded the crest to vassals who had performed exemplary deeds. Apart from protection (the main function), a jingasa carried out the functions essential to caps: sunshade and rainshelter. It played too the role of a marker indicating the status of the wearer?s family in society. They were used as a container or weapon too. Jingasa developed both in shape and decoration during the Edo era (1603-1867) and were a symbol of samurai culture. The Jingasa was a conical helmet most commonly worn with Ashigaru Armour. It was typically made of hardened lacquered leather, but also sometimes with iron. The jingasa would also commonly be marked with the mon of the lord or clan to help identify the warrior's side on a battlefield.

Cherished for its infinite versatility, urushi lacquer is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Overall in very nice condition for age with small lacquer wear marks.  read more

Code: 21723

A Fabulous Shinto Katana Circa 1620 With Fine Edo Koshirae

The gently undulating yet exceptionaly deep hamon is very fine quality and this is a most beautiful an impressive katana. A very fine Shinto blade set in very fine quality shakudo, Edo period mounts, of multi coloured patination and pour gold onlaid d?cor. The saya has it's original Edo red lacquer, and the sword is mounted with it's koto period o-sukashi iron tsuba carved with profiles of flying geese. The production of swords in Japan is divided into specific time periods: jokoto (Ancient swords, until around 900 A.D.), koto (old swords from around 900?1596), shinto (new swords 1596?1780), shinshinto (new new swords 1781?1876), traditional gendaito (modern swords 1876?1945).

The first use of "katana" as a word to describe a long sword that was different from a tachi is found in the 12th century. These references to "uchigatana" and "tsubagatana" seem to indicate a different style of sword, possibly a less costly sword for lower ranking warriors. The evolution of the tachi into the katana seems to have started during the early Muromachi period (1337 to 1573). Starting around the year 1400, long swords signed with the "katana" signature were made. This was in response to samurai wearing their tachi in what is now called "katana style" (cutting edge up). Japanese swords are traditionally worn with the signature facing away from the wearer. When a tachi was worn in the style of a katana, with the cutting edge up, the tachi's signature would be facing the wrong way. The fact that swordsmiths started signing swords with a katana signature shows that some samurai of that time period had started wearing their swords in a different manner. However, it is thought by many, that as many as 70% of katana made were never signed at all.

The rise in popularity of katana by samurai is believed to have been due to the changing nature of close-combat warfare. The quicker draw of the sword was well suited to combat where victory depended heavily on fast response times. The katana further facilitated this by being worn thrust through a belt-like sash (obi) with the sharpened edge facing up. Ideally, samurai could draw the sword and strike the enemy in a single motion. Previously, the curved tachi had been worn with the edge of the blade facing down and suspended from a belt

The length of the katana blade varied considerably during the course of its history. In the late 14th and early 15th centuries, katana blades tended to be between 68 to 73 cm (26 to 28 in) in length. During the early 16th century, the average length was closer to 60 cm (23.5 in). By the late 16th century, the average length returned to greater lengths. However, with every new owner [and early blades may have had 20 owners] the blade could be reduced if required to fit, and the shorter samurai would need shorter swords however long the considered norm may have been. Overall 40 inches long in saya  read more

Code: 22659

A King George Vth, King George VIth & WW2 Regimental Painted 1st Battalion Grenadier Guards, Rope Tension Snare Drum With Battle Honours Up to The End of WW1, 1918

The regiment's early history saw it take part in numerous conflicts including the War of the Spanish Succession, the War of the Austrian Succession, the Seven Years' War, and the Napoleonic Wars; at the end of this period the regiment was granted the "Grenadier" designation by a Royal Proclamation. During the Victorian era, the regiment took part in the Crimean War, the Anglo-Egyptian War, the Mahdist War, and the Second Boer War.

During the First World War, the Grenadier Guards was expanded from three battalions to five, of which four served on the Western Front, while later during the Second World War, six battalions were raised, and several were converted to an armoured role as part of the Guards Armoured Division. These units fought in France, North-West Europe, North Africa and Italy.

After the Second World War the regiment was reduced first to three battalions, then to two, and finally to one battalion in the mid-1990s. Major deployments during this time have included operations in Palestine, Malaya, Cyprus, Northern Ireland, the Gulf War, Afghanistan and Iraq.

The main instrument featured in a Corps of Drums is the side drum. These were originally of a rope-tension design with wide wooden hoops, a wooden shell, and an animal-skin head. In the British Army, this model has been continuously upgraded, with the inclusion of snares, more modern metal rod-tension, nylon hoops, and plastic heads.

The side drum was increasingly decorated throughout the 19th century, until it bore the fully embellished regimental colours of the battalion, including its battle honours. As such, a regiment's drums are often afforded respect.

Historically, all members of a Corps of Drums would beat the various calls on the drum, but some would also play a fife in order to provide melody to accompany long route marches when not in combat. This has been replaced in the modern British Army by the five-key flute.

When the bugle replaced the drum mid-way through the 19th century as the most common means of battlefield communication, it was sounded on parade to give certain orders, to offer salutes, or to play the "Last Post" (or "Taps") at funerals.

As the musical role of a Corps of Drums became more ceremonial in the 19th and 20th centuries, more instruments were added for a more musically complete sound. A modern Corps of Drums may include a range of percussion instruments such as a bass drum, tenor drums, cymbals, and occasionally glockenspiels to fill out the sound.

In the gallery is Macpherson's painting of a young drummer and drum-major show how the Grenadier Guards restored colour and pageantry to post-Great War Britain after the khaki years in the mud of France and Flanders. They are both members of the Corps of Drums despite the similarity between the drum-major's tunic and that of the bandsmen. When performing in public it was easily noticable that the drummers had an abundance of white lace with blue fleur-de-lis patterns while the bandsmen had gold lace. The same difference applies in today's Guards bands but there is less gold on the musician's tunics. The drum-major was still sergeant-drummer at this stage; the down-grading lasted from 1881 to 1928, but they were always unofficially called drum-majors. He was the leader of the Corps of Drums but had gold lace across his chest and ten gold chevrons on his sleeve, including the one that edged his cuff. His cuff also has the gold-laced flap to show his senior NCO rank. The band sergeants shared this distinction. His blue collar is obscured, at the front, by gold lace and he has a silver embroidered grenade badge each side. His shoulder wings are richly laced and fringed with gold. The drum-major's embroidered sash is worn on the left shoulder and his sergeant's crimson sash is worn on the right. He has a sword, as worn by senior NCOs, hanging from his waist-belt, and he holds the gilded mace carried in stately fashion on parades. The drummer has two good-conduct stripes on his left forearm. He also wears the undress forage cap which at this stage is almost identical to the cap worn today except that the peak is not as vertical.  read more

Code: 25413

A Magnificent Quality Original Royal Naval Officer's Sword, Of An Officer Serving in Admiral Horatio Nelson's Navy, From the Battle of Trafalgar Period of 1805. Made in Charing Cross London

A combat cum dress sword, with around 85% original mercurial gilt remaining, diamond form double edged blade. Finest copper gilt stirrup hilt, with dove's head pommel, with a pair of cast fouled-anchor langets, wire bound sharkskin grip. Fabulous original scabbard with matching mounts of the highest quality, embellished with stunning decor upon the original mercurial gilt.

We show an original painting from the era of a young lieutenant carrying in his arm his identical sword type.

Superb sword of an officer serving in the Royal navy in the Nelson era. Its hilt and scabbard has been stunningly well preserved these past 190 years, considering its age and combat service.

There were numerous officer's, lieutenants, serving on Nelson's flagship, who carried extremely similar swords to this fine sword. One junior officer who wore the same sword was young Festing Horatio Grindall, who served in the navy before, during and subsequent to the battle, until he died one year after his brother in 1812. His father was Captain Grindall of HMS Prince at Trafalgar, later promoted after the battle to Rear Admiral of the Blue.
Thanks to his long and favourable service record, Grindall was made a Rear Admiral of the White on 28 April 1808, of the Red on 25 October 1809 and Knight Commander of the Order of the Bath on 2 January 1815, in the general promotion which followed the action on 9 November. However, this meant the effective end of his
career, as so many admirals were created that not enough posts could be found for them. Grindall was one of the promoted men who never commanded at sea again, taking a shore appointment in late 1805 and retiring with his family soon afterwards as a Vice Admiral of the Blue on 31 July 1810, of the White on 12 August 1812, and of the Red on 4 June 1814. His retirement was a difficult one however, as two of his sons who had joined the navy in their father's footsteps, Edmund and Festing, died in 1811 and 1812 from unconnected illness. When Richard Grindall died in Wickham in 1820 he was interred next to them at St Nicholas Church, Wickham, Hampshire, joined by his wife Katherine in 1831. Katherine before her death had passed on both her son's officer's swords to her last remaining senior family member.

Before the battle was won, and the French struck their colours, Nelson fell, mortally wounded, shot through the shoulder and spine by a french sniper.
The young junior officer's assisted the crew to carry Nelson below after his fatal wound, also present was great friend Capt. Hardy, and his surgeon William Beatty.

We were incredibly fortunate to acquire this sword the 1805 light pattern, combat-cum-dress sword.

The Battle of Trafalgar (21 October 1805) was a naval engagement fought by the Royal Navy against the combined fleets of the French and Spanish Navies, during the War of the Third Coalition (August?December 1805) of the Napoleonic Wars (1803-1815).

Twenty-seven British ships of the line led by Admiral Lord Nelson aboard HMS Victory defeated thirty-three French and Spanish ships of the line under the French Admiral Villeneuve in the Atlantic off the southwest coast of Spain, just west of Cape Trafalgar, in Canos de Meca. The Franco-Spanish fleet lost twenty-two ships, without a single British vessel being lost. It was the most decisive naval battle of the war, conclusively ending French plans to invade England.

The British victory spectacularly confirmed the naval supremacy that Britain had established during the eighteenth century and was achieved in part through Nelson's departure from the prevailing naval tactical orthodoxy. This involved engaging an enemy fleet in a single line of battle parallel to the enemy to facilitate signalling in battle and disengagement, and to maximise fields of fire and target areas. Nelson instead divided his smaller force into two columns directed perpendicularly against the enemy fleet, with decisive results.

Nelson was shot by a French musketeer during the battle and died shortly after, becoming one of Britain's greatest war heroes. Villeneuve was captured along with his ship Bucentaure. Admiral Federico Gravina, the senior Spanish flag officer, escaped with the remnant of the fleet and succumbed months later to wounds sustained during the battle. Villeneuve attended Nelson's funeral while a captive on parole in Britain.
Smaill combat hairline at the rear-side quillon downturn midline {see photo 7}. Very small areas of shrinkage wear on the sharkskin grip at the lower end, fore and aft {see photos 5 and 6}  read more

Code: 25412

A Very Good 1796 Pattern Infantry Officer's Sword, Beautiful Gilt and Solid Silver Grip. Stunningly Hand Engraved with Royal Crest, Crowned Cyphers And A Standing Infantry Officer Holding His 1796 infantry Sword.

Superb gilt hilt with double shell fold down guard and sold silver bound grip, and fully engraved blade with Royal cypher and crest with engraving of an infantry officer, inlaid with gilt, and dark blue blade. From the Napoleonic Wars, the Peninsular war, The War of 1812 in America, then in 1815 at Quatre Bras and Waterloo. A simply stunning sword in wonderful condition. British infantry officer's sword of the Napoleonic Wars. The Napoleonic Wars (1803–1815) were a series of major conflicts pitting the French Empire led by Emperor Napoleon I against an array of European powers formed into various coalitions. They revolutionised European armies and played out on an unprecedented scale, mainly owing to the application of modern mass conscription. The wars are traditionally seen as a continuation of the Revolutionary Wars, which broke out in 1792 during the French Revolution. Initially, French power rose quickly as the armies of Napoleon conquered much of Europe. In his military career, Napoleon fought about 60 battles and lost seven, mostly at the end. The great French dominion collapsed rapidly after the disastrous invasion of Russia in 1812. Napoleon was defeated in 1814, and then once more in 1815 at Waterloo after a brief return to power. The Allies then reversed all French gains since the Revolutionary Wars at the Congress of Vienna.

Before a final victory against Napoleon, five of seven coalitions saw defeat at the hands of France. France defeated the first and second coalitions during the French Revolutionary Wars, the third (notably at Austerlitz), the fourth (notably at Jena, Eylau, and Friedland) and the fifth coalition (notably at Wagram) under the leadership of Napoleon. These great victories gave the French Army a sense of invulnerability, especially when it approached Moscow. But after the retreat from Russia, in spite of incomplete victories, France was defeated by the sixth coalition at Leipzig, in the Peninsular War at Vitoria and at the hands of the seventh coalition at Waterloo.

The wars resulted in the dissolution of the Holy Roman Empire and sowed the seeds of nationalism that would lead to the consolidations of Germany and Italy later in the century. Meanwhile, the global Spanish Empire began to unravel as French occupation of Spain weakened Spain's hold over its colonies, providing an opening for nationalist revolutions in Spanish America. As a direct result of the Napoleonic wars, the British Empire became the foremost world power for the next century, thus beginning Pax Britannica.

No consensus exists about when the French Revolutionary Wars ended and the Napoleonic Wars began. An early candidate is 9 November 1799, the date of Bonaparte's coup seizing power in France. However, the most common date is 18 May 1803, when renewed war broke out between Britain and France, ending the one-year-old Peace of Amiens, the only period of general peace in Europe between 1792 and 1814. Most actual fighting ceased following Napoleon's final defeat at Waterloo on 18 June 1815, although skirmishing continued as late as 3 July 1815 at the Battle of Issy. The Second Treaty of Paris officially ended the wars on 20 November 1815. Overall this battle cum dress sword is in fabulous condition, from a large former museum collection of original Napoleonic Battle of Waterloo swords

The last photo in the gallery shows a photograph of one section of the former collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .

No scabbard.  read more

Code: 25411

A Superb, Victorian, 12th 'Prince of Wales' Royal Lancers Czapka

This Victorian helmet, built of hard leather, features a large brass helmet plate showing the multiple Battle honours of the 12th Lancers. It features a horse hair plume and comes with brass interlocking ring chin scales backed by leather overall in really nice condition for age and use. Traditionally this Regiment of Lancers all had bright Red Horse Hair plumes


In 1816, the 12th Light Dragoons were armed with lances after the cavalry of Napoleon's Army had shown their effectiveness at Waterloo and were thus re-titled the 12th (The Prince of Wales's) Regiment of (Light) Dragoons (Lancers). In 1855, it reinforced the Light Cavalry Brigade in the Crimea after the Charge of the Light Brigade at the Battle of Balaclava. The Regiment was to take part in the Indian Mutiny Regiments where they formed part of the Saugur Field Force which helped to pacify Central India. For their services in the Mutiny the 12th received the Battle Honour ‘Central India’. In 1861, the regiment was renamed 12th (The Prince of Wales's) Royal Regiment of Lancers. It was stationed in India between 1857 and 1860 in response to the Indian Rebellion and in Ireland from 1865 to 1870, before fighting in the Second Anglo-Afghan War in the late 1870s.

Boer War

The 11th Earl of Airlie, who was killed while commanding the regiment at the Battle of Diamond Hill in the Second Boer War
The regiment was deployed to South Africa for service in the Second Boer War in October 1899, and took part in the relief of Kimberley and the ensuing Battle of Paardeberg in February 1900. The commanding officer of the regiment, the 11th Earl of Airlie, was killed at the Battle of Diamond Hill in June 1900. Following the end of the war in 1902 they went to India. Almost 530 officers and men left Cape Town aboard SS Lake Manitoba in September 1902, arriving at Bombay the following month and was then stationed at Ambala in Punjab.

"The 12th Lancers at Moy, France, on 28 August 1914" by George Wright
The regiment, which had been based in Norwich at the start of the war, landed in France as part of the 5th Cavalry Brigade in the 2nd Cavalry Division in August 1914 for service on the Western Front. On 28 August 1914, 'C' Squadron of the 12th Lancers, led by Lieutenant-Colonel Frank Wormald, made a successful charge against a dismounted squadron of Prussian Dragoons at Moÿ-de-l'Aisne in the Great Retreat. The 9th/12th Royal Lancers celebrated Mons/Moy Day annually, which commemorated the last occasions on which each predecessor regiment charged with lances.

The regiment's battle honours up to the end of WW1 were as follows:

Early Wars: Egypt, Salamanca, Peninsula, Waterloo, South Africa 1851-2-3, Sevastopol, Central India, Relief of Kimberley, Paardeberg, South Africa 1899–1902
The Great War: Mons, Retreat from Mons, Marne 1914, Aisne 1914, Messines 1914, Ypres 1914 '15, Neuve Chapelle, St. Julien, Bellewaarde, Arras 1917, Scarpe 1917, Cambrai 1917 '18, Somme 1918, St. Quentin, Lys, Hazebrouck, Amiens, Albert 1918, Hindenburg Line, St. Quentin Canal, Beaurevoir, Sambre, France and Flanders 1914–18

This headdress developed initially as a square-topped variant of a shako. In its early, compact form from 1784 onwards the czapka was introduced by Austrian uhlans, during the time Galicia was under Habsburg rule. Its use was spread from eastern Europe by the Polish Legion, fighting for the French in the Napoleonic Wars, and became popular not only among Napoleon's French and allied forces, such as Westphalia, Bavaria, Saxony, and Naples, but also among the armies of his enemies. The Duchy of Warsaw used them for infantry and artillery units, but otherwise they were only ever used for uhlan units.

After the Polish lancers proved their effectiveness during the Napoleonic Wars, armies across Europe quickly adopted the concept of the lancer regiments, complete with the czapka as their headdresses.

Several versions of lancer caps were used by the British regiments of lancers from throughout the 1830s and 1840s. The 1846 dress British Army regulations included the following description: “Cap-cloth; colour of the facings, eight inches and three quarters deep in front, nine inches and a half at back, and the top nine inches and a half square; gold cord across the top and down the angles; on left side a gold bullion rosette, with embroidered V.R., on blue velvet; round the waist a band, two inches wide, of gold lace, with a blue stripe; in front a gilt ray plate, with silver Queen’s arms and regimental badges; peak and fall of black patent leather, braided with gold; gilt chain, fastening to lion’s heads at the sides.”This was the cap that was used by the lancer regiments in the famous Charge of the Light Brigade during the Crimean War, but it was not the most commonly encountered version. This was the 1856 pattern of lancer cap and subsequent versions. As with the German models, over time the height of the British lancer cap was reduced, until it was just six and half inches high in the front and eight and a half inches at the top. From 1856 onward, feathers were generally worn on officers’ helmets, while other ranks wore a horsehair plume; the colour of each was determined by the regiment. And while the British lancers took part in combat in many campaigns after the Crimean War, none of these were in Europe,



Lancer regiments in the British Army continued to wear czapkas (described as "lance caps") for full dress until 1939 and the modern Royal Lancers still retains this historic headdress for its Lancer Honour Guard. Along with the traditional double-breasted plastron-fronted lancer jacket, it is also still worn by the band of the Royal Yeomanry.  read more

Code: 25409

A Wonderful, Original, Antique Victorian Officer's Helmet of the Inniskilling Dragoon's. One of the Great Irish Cavalry Regiments in the British Army & One of The Most Desirable of All The Victorian Regimental Helmets. As Worn By Capt. "Titus" Oates

Hero of the 'Terra Nova' Antarctic Expedition of Captain Scott to find and plant the flag on the South Pole. A memorial was placed on the probable location of his demise in Antarctica “Hereabouts died a very gallant gentleman, Captain L. E. G. Oates, of the Inniskilling Dragoons. In March 1912, returning from the Pole, he walked willingly to his death in a blizzard, to try and save his comrades, beset by hardships."

One of the best surviving examples one can see, in or out of a museum. Silver plated skull, copper gilt trim mounts and plume spike, and officer's garter star badge, with oval garter bearing Inniskilling Dragoons, around a central VR cypher over a silver plate. Long white horsehair plume. In superb condition, but only considerable wear to the inner liner.

This is a very scarce totally original British cavalry officers deluxe quality helmet, complete with its original chin scales, which are often lost. The 6th (Inniskilling) Dragoons was a cavalry regiment in the British Army, first raised in 1689 as Sir Albert Cunningham's Regiment of Dragoons. During the Victorian era, it was known as the 6th (Inniskilling) Regiment of Dragoons until 1861, after which it was known as the 6th (Inniskilling) Dragoons.

Exactly the same form of helmet that was used by Victoria Cross nominee and world famous polar explorer, Captain Lawrence "Titus" Oates, a 6th Inniskilling Dragoons officer, from May 1900 as a Lt. It is even possible this might have been his helmet. However, if not, it was unequivocally worn by one of his brother officers. Although made numerous decades before Capt. Oates’ service, these helmets were handed down to future officers for service in the regiment until WW1

In 1898, Oates was commissioned into the 3rd (Militia) Battalion of the West Yorkshire Regiment. He saw active service during the Second Boer War as a junior officer in the 6th (Inniskilling) Dragoons, having been transferred to that cavalry regiment as a second lieutenant in May 1900. He took part in operations in the Transvaal, the Orange River Colony, and Cape Colony. In March 1901 a gunshot wound shattered his left thigh bone, leaving it an inch shorter than the right. Twice called upon to surrender in that engagement, he replied, "We came to fight, not to surrender." He was recommended for the Victoria Cross for his actions and was brought to public attention.

He was promoted to lieutenant in 1902, and left Cape Town for England after peace was signed in South Africa. He was mentioned in dispatches by Lord Kitchener in his final dispatch dated 23 June 1902. He was promoted to captain in 1906, and served in Ireland, Egypt, and India. He was often referred to by the nickname "Titus Oates", after the historical figure, famous for his statement to his friend and expedition leader Scott of the Antarctic,

According to Scott's diary entry of 16 or 17 March (Scott was unsure of the date but thought 17 March correct), Oates had walked out of the tent the previous day into a −40 °F (−40 °C) blizzard to his death. Scott wrote in his diary: "We knew that poor Oates was walking to his death, but though we tried to dissuade him, we knew it was the act of a brave man and an English gentleman." According to Scott's diary, as Oates left the tent he said,

"I am just going outside and may be some time."

Scott, Wilson and Bowers continued onwards for a further 20 miles (32 km) towards the One Ton food depot that could save them but were halted at latitude 79° 40' S by a fierce blizzard on 20 March. Trapped in their tent and too weak and cold to continue, they died nine days later, eleven miles (18 km) short of their objective. Their frozen bodies were discovered by a search party on 12 November; Oates's body was never found. Near where he was presumed to have died, the search party erected a cairn and cross bearing the inscription: "Hereabouts died a very gallant gentleman, Captain L. E. G. Oates, of the Inniskilling Dragoons. In March 1912, returning from the Pole, he walked willingly to his death in a blizzard, to try and save his comrades, beset by hardships."

The regiment also fought with distinction in the Charge of the Union Brigade at the Battle of Waterloo and again as part of the successful Charge of the Heavy Brigade against superior numbers at the Battle of Balaclava during the Crimean War. Unfortunately by WW1, cavalry was very much obsolete, and the many of the legendary cavalry Regiments of Britain were eventually reduced and amalgamated, eventually becoming a single regiment, the Royal Dragoon Guards.

This lovely silver finished helmet dates from the Victorian period, and has the VR royal cypher in the centre of the INNISKILLING DRAGOONS helmet plate on the front of the helmet. The lack of an "I" indicates that this helmet is from before 1876, when Victoria became Empress of India.

They served in the Crimea in 1854, losing all its horses en route in a fire on board its troop ship, but still managing to take part in the charge of the Heavy Brigade at Balaklava.

The regiment was deployed to the Crimea in April 1854 but during the voyage the regiment's transport ship Europa sank with the loss of the commanding officer, Lieutenant Colonel Willoughby Moore, and 17 of his men. Lieutenant-Colonel Henry Dalrymple White took over command of the regiment and led it in action at the Battle of Balaclava in October 1854.

The first assault line consisted of the Scots Greys and one squadron of the Inniskillings, a total of less than 250 sabres. Only when the RSMs declared themselves happy with the alignment did Scarlett order his bugler to sound the 'Charge'. The idea of a charge conjures up images of the Light Brigade dashing forward at speed but Dragoons were larger men with much heavier equipment so their charge was more of a trot. Floundering at obstacles such as ditches or coppices they headed towards the massed ranks of Russian cavalry, pressing on inexorably at a mere 8 miles an hour. Slow they may have been but the effect of these heavy cavalrymen slamming into the much lighter Russian cavalry stunned their enemy. A letter from a Captain of the Inniskillings illustrates the mellee which followed:

"Forward - dash - bang - clank, and there we were in the midst of such smoke, cheer, and clatter, as never before stunned a mortal's ear. it was glorious! Down, one by one, aye, two by two fell the thick skulled and over-numerous Cossacks.....Down too alas! fell many a hero with a warm Celtic heart, and more than one fell screaming loud for victory. I could not pause. It was all push, wheel, frenzy, strike and down, down, down they went. Twice I was unhorsed, and more than once I had to grip my sword tighter, the blood of foes streaming down over the hilt, and running up my very sleeve....now we were lost in their ranks - now in little bands battling - now in good order together, now in and out."
In the words of Colonel Paget of the Light Brigade "It was a mighty affair, and considering the difficulties under which the Heavy Brigade laboured, and the disparity of numbers, a feat of arms which, if it ever had its equal, was certainly never surpassed in the annals of cavalry warfare, and the importance of which in its results can never be known.
It then took on peacekeeping roles in India in 1857 after the Mutiny and in South Africa in 1880 after the Zulu War.

It fought as mounted infantry in the Boer War. After the outbreak of the Second Boer War in October 1899, the regiment was sent to South Africa. It formed part of General French′s force in the operations around Colesberg, and afterwards one squadron took part in the relief of Kimberley in February 1900. The squadrons of the regiment then rejoined, and formed part of the cavalry brigade which served in all the engagements in the general advance on Pretoria, one of the Boer capitals, which was captured on 5 June 1900. They took part in the battles of Diamond Hill (June 1900) and Belfast (August 1900), and in the following cavalry advance on Barberton in the Eastern Transvaal. The regiment subsequently joined a column under the command of Colonel Michael Rimington in the Orange River Colony, taking part in miscellaneous raids and drives there throughout the last year of the war, which ended with the Peace of Vereeniging on 31 May 1902. Following the end of the war, 257 officers and men of the regiment left Cape Town on the SS Orissa, which arrived at Southampton in late October 1902, and another 138 men arrived at Queenstown the following month on the SS Orient.After their return, the regiment was stationed at Curragh. One of its lieutenants, Lawrence Oates, was recommended for the Victoria Cross and is best known for his last words - 'I am going out, I may be some time' - shortly before his death on Scott’s expedition to the South Pole in 1912.

The unit served mainly as infantry on the Western Front during the First World War, suffering heavy casualties on the rare occasions it charged as cavalry.

Officer of the 6th Inniskilling Dragoons painted in 1918 by G. Gatehouse

The painting is now housed in the The Military Museum of the Royal Dragoon Guards  read more

Code: 25405