A Beautiful & Superb Quality, Antique, Late Victorian, Finely Engraved Silver & Mother O'Pearl Handled Sword-Cane. A Most Elegant & Sophisticated Work of Art In Near Mint Condition.

Long silver and mother o'pearl handle. A long bamboo haft with superb patination and a quatrefoil four sided edged blade. Overall in stunning condition for age, as much a work of art as a former functional walking cane sword.

Lord Byron's was a most exponent of the use and carrying of the gentleman’s sword stick. His was exhibited in King's College London, bearing a mercurial gilt collar bearing his name, coronet and adopted surname Noel. Upon the death of Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, in 1822, her will required that he change his surname to "Noel" so as to inherit

An interesting 19th century conversation and collector's piece, and one can ponder over of the kind of gentleman who would have sought and required such a piece of personal defence paraphernalia. Although one likes to think that jolly old England had a London full of cheerful cockneys and laddish chimney sweeps, it was also plagued with political intrigue, nefarious characters and caddish swine prowling the endless foggy thoroughfares and dimly lit passageways. The swordstick was a popular fashion accessory for the wealthy during the 18th and 19th centuries. While the weapon's origins are unknown, it is apparent that the cane-sword's popularity peaked when decorative swords were steadily being replaced by canes as a result of the rising popularity of firearms, and the lessening influence of swords and other small arms.

The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

On Byron’s sword cane was the name NOEL BYRON, upon the ferrule of his one indicated that it was used after 1822, when Byron added the surname Noel after the death of his mother-in-law.

There are several references to sword sticks in the correspondence of Byron and his circle. Byron wrote to Hobhouse from Switzerland on 23 June 1816 asking him to Bring with you also for me some bottles of Calcined Magnesia a new Sword cane procured by Jackson he alone knows the sort (my last tumbled into this lake ) some of Waite's red tooth-powder & tooth-brushes a Taylor's Pawrsanias Pausanias and I forget the other things. Hobhouse responded on 9 July: Your commissions shall be punctually fulfilled whether as to muniments for the mind or body pistol brushes, cundums, potash Prafsanias Pausanias tooth powder and sword stick.

In the entry for 22 September 1816 in Byron's Alpine Journal he describes how, at the foot of the Jungfrau,
"Storm came on , thunder, lightning, hail, all in perfection and beautiful, I was on horseback the Guide wanted to carry my cane I was going to give it him when I recollected it was a Sword stick and I thought that the lightning might be attracted towards him kept it myself a good deal encumbered with it & my cloak as it was too heavy for a whip and the horse was stupid & stood still every other peal."

In a letter to Maria Gisborne of 6-10 April 1822, Mary Shelley described the "Pisan affray" of 24 March, in which Sergeant-Major Masi was pitch-forked by one of Byron's servants. She recounted how Byron rode to his own house, and got a sword stick from one of his servants.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War.

But it was Louis XIII who brought the cane to importance as a royal accessory. The king, as his portraits depict, supposedly always held one in his hands. He also gave them – along with valuable snuffboxes – as gifts of honour. Accordingly, gentlemen who wanted to be fashionable never went without this accessory from that time on. At the time, these were sort of ornate rods without a curved handle that were held in the hand or carried under the arm.

The 19th century and the beginning of the 20th century became the age of the cane. The tremendous popularity then created the desire to be seen with a cane. And so a wealth of unique
pieces with practical and strange handles and a mysterious inner life were created. The painter
Henri de Toulouse-Lautrec, for example, owned a cane containing a bottle that held a pint of absinthe.
In the mid-18th century Saxony's prime minister, Heinrich Graf von Brühl, possessed 300 sticks to go with 300 suits, together with just as many snuffboxes which he weared in turn. King Friedrich II, too, had a huge collection of luxurious walking sticks and snuffboxes. After the Seven-Years War one particular type of sticks with a handle formed like a rope, which was King Friedrich’s constant companion, became so popular, that it was dubbed the "Fritz crutch".

Overall 39 inches long, blade 25.75 inches long, silver & mother o'pearl handle, 12.5 inches long.  read more

Code: 25319

An Exceptionally Handsome 500 Year Old Samurai Katana, Signed Bizen Osafune ju Kanemitsu, A Museum Quality Piece of Early Samurai History

In a classic and highly sophisticated all black ensemble of koshirae, and a sword that has a breathtakingly impressive curvature. It has all its original Edo mounts, of patinated copper, decorated with takebori relief dragons, an early iron Koto o-sukashi tsuba, a stunning, original, Edo period uniformly narrow ribbed black urushi lacquer saya, in super bright and glossy original condition. Deeply curved blade showing an outstanding active and vibrant hamon in great polish. The tsukaito is over-lacquered silk, in black, over-wrapped on pure gold and shakudo menuki which in turn are on traditional samegawa giant rayskin.

The activity in the hamon is, simply, spectacularly beautiful, and shows the wide Hi horimono groove on one side and a double Bo Hi on the other side of the blade face.

The Incredible Story of Japanese Lacquer on Samurai Swords Scabbards, called Saya

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.

Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labor-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household . Overall 37.75 inches long, blade tsuba to tip 27 inches  read more

Code: 24324

A Superb, Rare, Original, French Napoleonic Wars Deluxe Grade Sabre of a French General of Napoleon's General Staff, a Wonderful & Most Beautiful Sabre of Napoleon's Grand Armee. Consulate to Ist Empire Period

A general officer's 'blue and gilt' sword, with deluxe scabbard, that is very similar indeed to Napoleon's *Austerlitz Sword's scabbard, supposedly presented to Napoleon after Austerlitz, with the 'Cartouche médian au trophée avec tambours et piques' including classical figure panels of Victory standing and a portrait bust of the face of Minerva. the scabbard chape bears what the French called 'a la toile d'araignee sur les armes est anterieur a l'empire'. It is a spider's web, that was as a symbol used on superior arms in the Consular period. The spider symbolised the Biblical 'son' and the link that exists between the 'creator', and the 'creature', is the web that allows the second {the son} to reattach itself to the first {the creator} and, thus to get closer to it. In more simple terms the thread of the web constitutes the canvas which becomes a symbol of loyalty. The scabbard, amazingly has much of its remaining, original, mercurial gilt finish, that due to constant combat handling though, is no longer present on the hilt.

During the Revolutionary and Napoleonic Wars the French armies had approximately 2,000,000 plus serving soldiers, of those there were around 2000 generals commanding them in the armies of France, directly under their commander-in-chief, the Emperor Napoleon. However, for example, at the Battle of Borodino, Napoleon lost 1928 of his officer's including 49 Generals, in just one day!

This sword would have been used and carried in combat by one of those commanding generals of the general staff. Napoleon was, and remains, famous for his battlefield victories, and historians have spent enormous attention in analysing them.
In 2008, Donald Sutherland wrote:

The ideal Napoleonic battle was to manipulate the enemy into an unfavourable position through manoeuvre and deception, force him to commit his main forces and reserve to the main battle and then undertake an enveloping attack with uncommitted or reserve troops on the flank or rear. Such a surprise attack would either produce a devastating effect on morale, or force him to weaken his main battle line. Either way, the enemy's own impulsiveness began the process by which even a smaller French army could defeat the enemy's forces one by one.

After 1807, Napoleon's creation of a highly mobile, well-armed artillery force gave artillery usage increased tactical importance. Napoleon, rather than relying on infantry to wear away the enemy's defences, could now use massed artillery as a spearhead to pound a break in the enemy's line. Once that was achieved he sent in infantry and cavalry. The Napoleonic Wars brought radical changes to Europe, but the reactionary forces returned to power and tried to reverse some of them by restoring the Bourbon house on the French throne. Napoleon had succeeded in bringing most of Western Europe under one rule. In most European countries, subjugation in the French Empire brought with it many liberal features of the French Revolution including democracy, due process in courts, abolition of serfdom, reduction of the power of the Catholic Church, and a demand for constitutional limits on monarchs. The increasing voice of the middle classes with rising commerce and industry meant that restored European monarchs found it difficult to restore pre-revolutionary absolutism and had to retain many of the reforms enacted during Napoleon's rule. Institutional legacies remain to this day in the form of civil law, with clearly defined codes of law an enduring legacy of the Napoleonic Code.

While Napoleon is best known as a master strategist and charismatic presence on the battlefield, he was also a tactical innovator. He combined classic formations and tactics that had been used for thousands of years with more recent ones, such as Frederick the Great's "Oblique Order" (best illustrated at the Battle of Leuthen) and the "mob tactics" of the early Levée en masse armies of the Revolution. Napoleonic tactics and formations were highly fluid and flexible. In contrast, many of the Grande Armée's opponents were still wedded to a rigid system of "Linear" (or Line) tactics and formations, in which masses of infantry would simply line up and exchange vollies of fire, in an attempt to either blow the enemy from the field or outflank them. Due to the vulnerabilities of the line formations to flanking attacks, it was considered the highest form of military manoeuvre to outflank one's adversary. Armies would often retreat or even surrender if this was accomplished. Consequently, commanders who adhered to this system would place a great emphasis on flank security, often at the expense of a strong centre or reserve. Napoleon would frequently take full advantage of this linear mentality by feigning flank attacks or offering the enemy his own flank as "bait" (best illustrated at the Battle of Austerlitz and also later at Lützen), then throw his main effort against their centre, split their lines, and roll up their flanks. He always kept a strong reserve as well, mainly in the form of his Imperial Guard, which could deliver a "knockout blow" if the battle was going well or turn the tide if it was not.

Overall the condition is very good for age and considering its service. The scabbard has inner side surface contact denting, and the throat mount rim is lacking. In the 20th century generals plotted campaigns and were not often in the thick of combat. In the Napoleonic wars era generals fought, more often than not alongside their men in hand to hand combat, hence, Napoleon lost so many of his generals.

* The Sword given to Napoleon after his victory at Austerlitz appeared after 80 years in private hands in 2010, but hasn't been seen since  read more

Code: 25287

A Fabulous, Original,13th century Knightly Sword of the Henry IIIrd and Simon de Montfort Period, the Battle of Lewes of the 1200's

What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege. A wonderful example piece, from the ancient knightly age, of the IInd Baron’s War era between Simon de Montfort, Earl of Leicester, and King Henry IIIrd.

The battle site is still not completely agreed upon, but part of the conflict was recorded at Offham hill, and this is was just 4 miles south of our farm, Thousands of the protagonists soldiers were supposedly camped within our grounds, but at present it is not certain for which side they fought. Our farm was originally part of Earl Godwin’s estate, later more famously known as King Harold, who also supposedly camped here on our land immediately before his disastrous Battle of Hastings in 1066 {actually fought inland in the town, that is now called Battle, and not at Hastings at all}. A Canadian funded documentary was filmed here recently.

Effectively, from this time of around eight hundred years ago, from a collectors point of view, nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary. Medieval 'Oakeshott type XII' Single-Handed Sword
13th century. Oakeshott is the standard that describes and by which defines Medieval swords, their types, and periods of use. A superb original knightly double-edged iron sword with broad, flat, evenly tapering blade, the blade tending to widen perceptibly below the hilt, and the fullers are well defined, extending from below the guard for more than half of the blade's length, the blade's cross-section is of of straight lenticular design, the style of guard one of the most common of the category, i.e. a not exaggeratedly long and straight, with flattened cross-section, the pommel is a handsome thick rhomboid piece, fitted with fastening central rivet. The blade has been broken in combat and lost around quarter of its original length.
See Oakeshott, E., The Sword in the Age of the Chivalry, London,1964 (1994).

A fine example piece, from the ancient knightly age, from almost 800 years past. Although this sword is now in an obvious ancient, and historical, russetted condition, with some elements lacking, every item made of iron from this era, such as the rarest of swords and daggers, even in the Royal Collection, are in this very same state of preservation.

Henry III (1 October 1207 - 16 November 1272), also known as Henry of Winchester, was King of England, Lord of Ireland, and Duke of Aquitaine from 1216 until his death. He was the fourth king of the House of Plantagenet. The son of King John and Isabella of Angouleme, Henry assumed the throne when he was only nine in the middle of the First Barons' War. Cardinal Guala declared the war against the rebel barons to be a religious crusade and Henry's forces, led by William Marshal, defeated the rebels at the battles of Lincoln and Sandwich in 1217. Henry promised to abide by the Great Charter of 1225, which limited royal power and protected the rights of the major barons. His early rule was dominated first by Hubert de Burgh and then Peter des Roches, who re-established royal authority after the war. In 1230, the King attempted to reconquer the provinces of France that had once belonged to his father, but the invasion was a debacle. A revolt led by William Marshal's son, Richard Marshal, broke out in 1232, ending in a peace settlement negotiated by the Church.
Later on the Henry's reign came The Second Barons' War (1264-1267) it was a civil war in England between the forces of a number of barons led by Simon de Montfort against the royalist forces of King Henry III, led initially by the king himself and later by his son, the future King Edward I. The war featured a series of massacres of Jews by Montfort's supporters including his sons Henry and Simon, in attacks aimed at seizing and destroying evidence of Baronial debts.

The Battle of Lewes was one of two main battles of the conflict known as the Second Barons' War. It took place at Lewes in Sussex, on 14 May 1264, just around fourteen miles from our Brighton shop, and four miles south of our farm North of Lewes. It marked the high point of the career of Simon de Montfort, 6th Earl of Leicester, and made him the "uncrowned King of England". Henry III left the safety of Lewes Castle and St. Pancras Priory to engage the Barons in battle and was initially successful, his son Prince Edward routing part of the baronial army with a cavalry charge. However Edward pursued his quarry off the battlefield and left Henry's men exposed. Henry was forced to launch an infantry attack up Offham Hill where he was defeated by the barons' men defending the hilltop. The royalists fled back to the castle and priory and the King was forced to sign the Mise of Lewes, ceding many of his powers to Montfort. After a rule of just over a year, Montfort was killed by forces loyal to the King in the Battle of Evesham.

The swords of this era have the following characteristics. The fuller is well-marked and occupies two-thirds to three-quarters of the blade-length. It often starts on the tang within the hilt, and may be double or treble. The grip is a little longer than in the preceding types XI, X etc, averaging about 11.5cm. The tang is generally flat with almost parallel sides, or swelling a little in the middle. The cross can be of almost any style, though a short, straight one is most common, like in this case. The pommel, too, can be of any type though the thick disc with strongly bevelled edges (Type I) predominates. Here however the specimen shows similarity with a sword represented in a sculpture from the cathedral of Bamberg, dated at 1250 AD Douce Apocalypse, c. 1265-70. The dragon, who is Satan, comes forth again (Rev. 20:7). One contemporary painting in the gallery is of the rebel Earl of Gloucester, depicted with his alleged ally, Satan. Among the flags of the host of Satan is that of Gilbert de Clare, Earl of Gloucester, who had opposed Henry III. Usually the type XII presents a broad, flat, evenly tapering blade, generally with a good sharp point and tending to widen perceptibly below the hilt.(Oakeshott, 1964 (1994), p.42). Weight 1.2 kg, 73cm (28 3/4" inches long overall). As with all our items they are accompanied with a Certificate of Authenticity and thus a lifetime guarantee. As usual the wood grip perished centuries past.Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition. We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel.  read more

Code: 22937

Circa 600 ad Middle Ages Sword Blade, Re-Hilted Around 1000 Years Ago At The Time of the Norman Invasion in 1066

It is very rare indeed to fine an original sword from the pre Norman period, but this one is exceptional, in that it is very likely mounted with an inlaid blade of the 5th to 8th century, possibly a Norse or Frankish ancestor of its Norman conquest period owner, therefore its blade was already between 300 to 500 years old, when it was hilted around 900 to 1000 years ago during the Norman Conquest. Thus the blade could be between 1300 to 1500 years old.

It was the earliest Norman knights that went on the earliest crusades to liberate Jerusalem and the Holy Land. Such as Richard the Lionheart King Richard the 1st.

The blade is shorter than when first used, with the end probably damaged and lost in combat. It is inlaid with inserts of copper, bronze and silver, in a circular bullet shaped patterns, one with 3 metal concentric circles. The pommel appears to be once further inlaid with silver. All the indications are that this amazing sword could very likely have been used by a very high ranking nobleman in the Norman Invasion 1066 period, and it most likely it had already been used by a highborn warrior or noble for almost 5 centuries prior to its re-hitting during the time of the invasion of Britain.

This piece simply a remarkable artefact from the previous two millennia.

It is a joy to own it even just for a very brief and it is still a wonderful original knight’s sword from the days of the Norman invasion, and prior to that, from the period known to historians as the ‘dark ages‘
It is an iron two-edged sword with broad two-edged lentoid-section blade, slightly tapering square-section crossguard. flat tang, D-shaped pommel, likely with inlaid silver, vertical bar to each face; the blade has traces of copper inlay to one face, to the other two applied discs: the upper copper-alloy with punched rosette detailing, the lower abraded to its present state of three concentric rings (apparently copper, bronze and silver). 850 grams, 61cm (24"). Fair condition, typical for its great age; lower blade now absent; edges notched and partly absent, all potentially due to combat.
See Oakeshott, E., Records of the Medieval Sword, Woodbridge, 1991, items X.4, X.5, and see p.21, item 8, for the blade.
The blade does not bear a fuller and is a plain lentoid-section which it is why it could well indicate a date of manufacture in the 5th-8th century, the Dark Ages in northern Europe; the crossguard and the pommel are the re-hilted later additions, more typical of the later 10th century, i.e. Petersen's Type X (Oakeshott, p.25). The Normans were an ethnic group that arose from contact between Norse Viking settlers of a region in France, named Normandy after them, and indigenous Franks and Gallo-Romans. The settlements in France followed a series of raids on the French coast mainly from Denmark — although some came from Norway and Iceland as well — and gained political legitimacy when the Viking leader Rollo agreed to swear fealty to King Charles III of West Francia following the Siege of Chartres in 911 AD. The intermingling of Norse settlers and native Franks and Gallo-Romans in Normandy produced an ethnic and cultural "Norman" identity in the first half of the 10th century, an identity which continued to evolve over the centuries. The new Norman rulers were culturally and ethnically distinct from the old French aristocracy, most of whom traced their lineage to the Franks of the Carolingian dynasty from the days of Charlemagne in the 9th century. Most Norman knights remained poor and land-hungry, and by the time of the expedition and invasion of England in 1066, Normandy had been exporting fighting horsemen for more than a generation. Many Normans of Italy, France and England eventually served as avid Crusaders soldiers under the Italo-Norman prince Bohemund I of Antioch and the Anglo-Norman king Richard the Lion-Heart, one of the more famous and illustrious Kings of England.The Story of the Norman Conquest
The majority of the scenes which together tell the story of the Norman Conquest match in many instances with medieval written accounts even if there are, as one might expect with a purely visual narrative, some omissions such as the Anglo-Saxons’ battle with Norway’s Harald Hardrada at Stamford Bridge three weeks prior to Hastings. Again because it is a visual account, with only a few Latin words as pointers, many scenes are open to several interpretations. The tapestry starts with a scene set in 1064 CE where the English king Edward the Confessor (r. 1042-1066 CE) says farewell to Harold Godwinson, his brother-in-law and the Earl of Wessex, who is to travel to Normandy on an unknown mission. Norman writers would record the mission’s purpose as a pledge of Saxon loyalty to William, Duke of Normandy, while an English chronicle suggests it was merely a visit to secure the release of Saxon prisoners. On 14 October 1066, William’s forces clashed with an English army near Hastings. Within a century of these events taking place, over a dozen writers had described the battle and its aftermath. Some of these accounts are lengthy, but they contradict each other and do not allow us to reconstruct the battle with any certainty.

English perspectives on the Battle of Hastings are found in the Old English annals known as the Anglo-Saxon Chronicle. In one version, perhaps copied in the 1070s, it was claimed that William built a ‘castel’ at Hastings before Harold arrived. Harold then gathered a large army but William attacked before Harold could organise his troops. There were heavy casualties on both sides: among the dead were King Harold himself and his brothers, Leofwine and Gyrth.There are also differing accounts of one of the most iconic yet debated parts of the battle: the death of Harold. Was he killed by an arrow to the eye, as claimed by Amatus of Monte Cassino, writing in the 11th century? Was he hacked to bits, as recounted by Bishop Guy of Amiens (died 1075)? Or was he shot with arrows and then put to the sword, as described by the 12th-century chronicler, Henry of Huntingdon? Hastings is one of the most famous battles in English history. Modern historians continue to debate its impact. The Norman Conquest brought many social, economic, political and cultural changes, but some people living in 11th-century England did not even consider this battle to be the most important event of 1066.

A monk writing at Christ Church, Canterbury, recorded just two events for that year in a chronicle kept at the cathedral: ‘Here King Edward died. In this year, Christ Church burned.’ Another scribe then added the words, ‘Here came William’. This is a good reminder that that the Battle of Hastings did not affect everyone in the same way, even if it became part of English folklore. This fabulous most ancient sword could be simply framed under glass for display. Almost every weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition. We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel.  read more

Code: 23230

An Exceptional Third Pattern Napoleonic Wars Brown Bess, FrontlIne Issue Made At The Tower of London with Bayonet Circa 1808. The British ‘Brown Bess’ Was The Most Famed Musket In The World. No Army In The World Failed To Respect Them

Probably the most famous military flintlock musket in the world today, and certainly one of the most historically important and desirable long guns of its type from the Napoleonic wars.

A typical regulation example but in exceptional and excellent condition, with a stunning colour and patina. A British Napoleonic Wars regulation, regiment of the line issue musket, Crown GR and Tower, ring neck cock lock with government GR Crown stamp, regulation brass mounts, iron ramrod, sling swivels and triangular socket bayonet. Walnut stock with signs of combat use but still exceptionally fine. A musket that it would be highly unlikely ever to improve upon to find a better example.
The Brown Bess musket began its life almost 300 years ago, and it helped in creating one of the greatest trading empires the world has ever seen and, among other achievements, made the 'British Square' the almost undefeated form of infantry defence throughout the world. Made in four distinct patterns it originally started life as a 46 inch barrel musket called the Long Land or Ist pattern Brown Bess. Then in around 1768 the gun evolved and the barrel was shortened to 42 inches as 46 was deemed unwieldy and renamed the Short Land or 2nd pattern. Although the Long Land was made continually for another 20 years. With the onset of the Napoleonic Wars in the 1790s, the British Board of Ordnance found itself woefully short of the 250,000 muskets it would need to equip its forces. It managed to produce around 20,000 short land pattern muskets but this was simply not sufficient. At that time the British East India Company maintained it own troops and had contracted with makers to produce a simplified version of the Brown Bess musket with a 39-inch barrel and less ornate furniture and stock work. It was generally felt that the standard of these "India pattern" muskets was not up to the standard of the earlier Besses, but necessity required action so the authorities convinced Company officials to turn over their stores to the Crown. By 1797 the urgencies of war ultimately created the demise of the Short Pattern, and all manufacture was turned to building the more simple 'India' pattern. For the most part, the gun underwent few changes from its introduction until Waterloo, with the exception of the cock, which was altered from the traditional swan-neck style to a sturdier, reinforced ringed version in around 1808. Barrel 39inch overall 54.75 inches long.

Action has a very good and strong mainspring. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 25271

A Super WW2 Luftwaffe Bomber Radio, Morse Tapper and Earphones. Deutche Telefonwerk und Kabelindustrie ag Berlin Likely From A Heinkel He 111

A most rare Luftwaffe bomber radio element prufgerat PG10, with earphones, throat-mike and morse tapper. All original Luftwaffe issue and possibly removed from a crashed bomber. Serial number plate shows it was manufactured by Deutche Telefonwerk und Kabelindustrie ag Berlin, WW2 German code number 'bxo'. According to its 24 page manual it was issued with a splash-proof case, one might assume in case the plane crashed at sea and the radio was salvageable.

As may be used in the Heinkel He 111, and it probably was removed from such an aircraft. It was a German aircraft designed by Siegfried and Walter G?nter at Heinkel Flugzeugwerke in 1934. Through development it was described as a "wolf in sheep's clothing". Due to restrictions placed on Germany after the First World War prohibiting bombers, it masqueraded as a civil airliner, although from conception the design was intended to provide the nascent Luftwaffe with a fast medium bomber.

Perhaps the best-recognised German bomber due to the distinctive, extensively glazed "greenhouse" nose of later versions, the Heinkel He 111 was the most numerous Luftwaffe bomber during the early stages of World War II. The bomber fared well until the Battle of Britain, when its weak defensive armament was exposed. Nevertheless, it proved capable of sustaining heavy damage and remaining airborne. As the war progressed, the He 111 was used in a variety of roles on every front in the European theatre. It was used as a strategic bomber during the Battle of Britain, a torpedo bomber in the Atlantic and Arctic, and a medium bomber and a transport aircraft on the Western, Eastern, Mediterranean, Middle Eastern, and North African Front theatres. Top right guage lacking.  read more

Code: 21642

Simply Superb Hand Painted Portrait Miniature of a Winston Churchill’s ‘Harpoon Force’ Irish Guards Officer, 2nd Lieut. Gipps Romer, 2nd Batt. Irish Guards. The Heroic Rescuers of The Royal Dutch Family May 1940, And The Rear Guard Battle of Boulogne

A 2nd Battalion Irish Guards officer of ‘Harpoon Force’, and the heroic Dunkirk evacuation rear guard action at Boulogne, which was a ‘special section’ personally created by Churchill, the day Winston Churchill became Prime Minister.
Their first task was to rescue of the Dutch Royal Family and Government from the Hook of Holland and the second resulted in the incredible rear guard Battle of Boulogne. Effectively, it was Winston’s very first military special executive version of his later brainchild, the Commandos. A form of the British commando force before the commandos even existed. We had the privilege to own for a brief while the actual autographed book by Robert Graves, personally given to Churchill by Graves, {that he read in his bath during the war}, about a British Officer’s combat against the American sniper riflemen in the American Revolution, that inspired his decision how to create the British Commandos. That book now resides in a museum in Florida.

An original, stunning, WW2 Irish Guards miniature portrait. Of an officer of one of the great and famous regiments of the British Army. It was while serving in the Irish Guards that John Kipling, son of one of England's greatest poets and novelists, Rudyard Kipling, was declared missing, presumed killed, at Loos 1915.

A miniature portrait of 2nd Lieut. Gipps Romer, 2nd Batallion Irish Guards painted just prior to WW2, who died during his service in the early part of the war, August 1940.

His combat service included the protection of the Netherlands Royal Family in their evacuation in Holland, and his combat service was also noted by Colonel Hayden, commander of Harpoon Force, as being commendable at the rear guard action at Boulogne, to defend the withdrawal of the BEF and French Army from Dunkirk.

It is a fine small miniature, painted with stunning detail and a wonderfully fresh and vibrant colour. In a square gilt frame, with dart edging and plush velvet rear cover. Domed glass front.
The Irish Guards were formed on 1st April 1900 by order of HRH Queen Victoria to commemorate the bravery of the Irish people who fought in the Boer war. The Irish Guards played a major part in both World Wars, winning a total of six Victoria Crosses including the last to be presented in the Second World War and have seen armed conflict in many parts of the world since 1945.

During the Second World War, the regiment fought in Norway, France, North Africa, Italy, Belgium, Netherlands and Germany. The regiment first saw combat during the Norwegian Campaign. Following a challenging sea voyage to Norway, the 1st Battalion arrived in May 1940 and fought for two days at the town of Pothus before they were forced to retreat. The Irish Guards conducted a fighting withdrawal and served as the Allied rearguard.

The Battalion was evacuated along with the rest of the expeditionary force in June. While the 1st Battalion was fighting in Norway, the 2nd Battalion was deployed to the Hook of Holland to cover the evacuation of the Dutch Royal Family and Government in May 1940. The 2nd Battalion was then deployed to France and ordered to defend the port of Boulogne. The guardsmen held out against overwhelming odds for three days, buying valuable time for the Dunkirk Evacuation, before they were evacuated themselves. The Irish Guards (IG), part of the Guards Division, is one of the Foot Guards regiments of the British Army and, together with the Royal Irish Regiment, it is one of the two Irish infantry regiments in the British Army. The regiment has participated in campaigns in the First World War, the Second World War, the Iraq War and the War in Afghanistan as well as numerous other operations throughout its history. The Irish Guards claim six Victoria Cross recipients, four from the First World War and two from the Second World War. 1940: George Gipps Romer, known as 'Gipps' was involved in the evacuation in 1940. According to the history of the Irish Guards in Celtopedia:

"In May 1940, the 2nd Irish Guards deployed to the Hook of Holland to cover the evacuation of the Dutch Royal Family. The battalion evacuated the day after the Government and Dutch Royal Family had been evacuated. They had only a short respite upon their returned to the UK for just a few days later they returned, along with the Welsh Guards, to the continent, to Boulogne, a port in northern France, reaching the town on 22 May.

Their orders were to defend part of Boulogne during the epic evacuation of the British Expeditionary Force (BEF) from the overwhelming and inexorable advance of the Germans. The Guards stoutly defended their area of responsibility from better equipped German forces, repulsing a number of German attacks on the 22nd, but on the morning of the 23rd, superior Germany forces attacked the battalion and the Guards suffered very heavily in the attack. Later that day the battalion was evacuated from Boulogne, they were the last to leave, and fought valiantly while waiting to be evacuated." He was a "First reinforcement for the Harpoon Force under the command of Colonel Haydon.

"Colonel Haydon now determined to reorganize the whole position. Captain McCausland collected all his remaining men and at nine o’clock withdrew No. 1 Company to the centre of Outreau village, where they defended the road down into Boulogne. At the same time, Captain Murphy withdrew his remaining platoons to cover the area between No.. 1 and No. 2 Companies. No. 3 Company, under Captain Finlay, remained where it was, as yet untouched. Thus the line now ran from the centre of Outreau through some fields, which gave a field of fire of some 150 yards, on to the northern exits of Outreau, and thence to the sea. Though shorter than the original line, it was still too long and too thinly held to withstand a concentrated attack on any one point. Colonel Haydon sent Major Ross, his second-in-command, back to find some inner line of defence that could be held with only three companies, leaving one in reserve. ‘At this stage,’ he said, ‘I did not yet realize that No. 1 and 4 Companies had already been reduced to almost microscopic numbers.’ Of the 107 men of No. 4 Company who landed in Boulogne, only nineteen returned and only forty of No. 1 Company. Most of these casualties they had lost already, so the Battalion now had only two and a half rifle companies left.

A light railway runs through the middle of Boulogne, curving round behind the Battalion’s present position. At half-past ten the Companies began withdrawing to the line of this railway, from which they could defend the west of the town and the main road from the south. The remnants of No. 1 Company held the village till the rest of the Battalion was established in the houses and gardens along the railway. They and the Germans were within fifty yards of each other. For two hours the Company beat off every attempt to outflank or rush them. ‘The holding of this post by No. 1 Company,’ said Colonel Haydon, ‘in spite of the very heavy losses it had suffered, reflects the very highest credit on Captain C. R. McCausland, 2/Lieutenant G. G. Romer and the other ranks who held the post.’
80mm x 67mm in frame

link to;

THE RESCUE OF THE DUTCH ROYAL FAMILY
BY THE IRISH AND WELSH GUARDS
By Captain P.R.J.TILLEY
Former Welsh Guards
(Permission given to Krista Salter to publish article)

copy and paste

https://www.bbc.co.uk/history/ww2peopleswar/stories/21/a4678121.shtml  read more

Code: 23087

German Solid Silver Medal {900 fine} Commemorating The William Randolph Hearst Sponsored, American Flight, of the World’s First Round the World Passenger Flight, of the "Graf Zeppelin" Airship In August 1929.

Medal commemorating round the world flight of the "Graf Zeppelin" airship, with portraits of Zeppelin and Eckener, silver, diameter 36mm, depth 3mm, German, 1929. Rim legend: Preuss. Staatsmunze. Silber 900 Fein. Obverse: legend, Weltfahrt August 1929. L.Z.127; exergue scene, airship above ocean. Reverse: Graf Zeppelin. Dr Hugo Eckener. 1898-1928. exergue, double portrait bust profiles to left
The airship LZ 127 Graf Zeppelin is considered the most successful commercial airship of its time and marked the pinnacle of airship travel. On August 15, 1929, it started under the leadership of Dr. Hugo Eckener in Friedrichshafen on Lake Constance on the most spectacular demonstration flight in aviation history at the time:

Graf Zeppelin Round-the-World Flight (“Weltfahrt”)

In 1929, Graf Zeppelin made perhaps its most famous flight; a round-the-world voyage covering 21,2500 miles in five legs from Lakehurst to Friedrichshafen, Friedrichshafen to Tokyo, Tokyo to Los Angeles, Los Angeles to Lakehurst, and then Lakehurt to Friedrichshafen again.

It was the first passenger-carrying flight around the world and received massive coverage in the world’s press.

The flight was partly sponsored by American newspaper publisher William Randolph Hearst, who paid for about half the cost of the flight in return for exclusive media rights in the United States and Britain.
Hearst had insisted that the flight begin and end in America, while the Germans naturally thought the Round-the-World flight of a German ship should begin and end in Germany. As a compromise, there were two official flights; the “American” flight began and ended at Lakehurst, while the “German” flight began and ended at Friedrichshafen.

The Round-the-World flight carried 60 men and one woman, Hearst newspaper reporter Lady Grace Hay-Drummond-Hay, whose presence and reporting greatly increased the public’s interest in the journey. Other passengers included journalists from several countries, American naval officers Charles Rosendahl and Jack C. Richardson, polar explorer and pilot Sir Hubert Wilkins, young American millionaire Bill Leeds, and representatives of Japan and the Soviet Union. All of those that took part received one of these solid silver medals.

Graf Zeppelin left Friedrichshafen on July 27, 1929 and crossed the Atlantic to Lakehurst, New Jersey, and the “American” flight began on August 7, 1929 with an eastbound crossing back to Germany.

The successful journey took just under 5 weeks with stopovers in Tokyo, Los Angeles and Lakehurst (New York).  read more

Code: 24154

A Superb Pre WW2 Nazi SS Fire Protection Police Sidearm & Original Frog. Used From 1933 till 1945 By The SS. Feuerschutzpolizei.

Originally manufactured circa 1933. Used by the Fire Protection Police under the control of the SS. With original leather frog. Plated blade, plated hilt with checquered celluloid grip. Double 'S' quillon guard.

An organization that was an auxiliary to the Ordnungspolizei, and during the war was absorbed into the SS. Feuerschutzpolizei. By 1938, all of Germany's local fire brigades were part of the ORPO. Orpo Hauptamt had control of all civilian fire brigades. ORPO's chief was SS-Oberstgruppenfuhrer Kurt Daluege who was responsible to Himmler alone until 1943 when Daluege had a massive heart attack. From 1943, Daluege was replaced by Obergruppenfuhrer Alfred Wunnenberg until May 1945.

ORPO was structurally reorganised by 1941. It had been divided into the numerous offices covering every aspect of German law enforcement in accordance with Himmler's desire for public control of all things. Small lateral crack in both quillon.  read more

Code: 24018