A Fine & Exceedingly Handsome US Civil War Moore 7 Shot Belt Revolver With Original New York Factory Engraving. Later Cased With Tools

A Daniel Moore Seven-shot .32 calibre rimfire revolver, serial number 1074, manufactured by Daniel Moore of Brooklyn, and patented by him on September 18th, 1860. In overall, superbly nice external condition with much original nickel plating and blue finish. The nickel plating shows of beautifully the original, fine, ‘New York’ factory engraving.

It is extremely keenly priced when it is considered next to it far better known Civil War revolver competitors, such as Smith and Wesson, Colt, Remington and Starr etc. plus it’s rarity, in that it’s production was barely 3% that of Colt alone, plus, it was a breech loading cartridge gun, that made its firing advantage far greater than that of its cap and ball percussion revolver rivals. No wonder Cole Younger continually used his until it was captured from him in 1876.

This gun is the very first revolver with swing-out cylinder ever produced. With the hammer in halfcock position, a pressure on the catch located right from the hammer on the recoil shield allows the barrel and cylinder to be swung out to the right for loading.

Engraved Moore’s Patent Firearms Co. Single Action Belt Revolver. These revolvers were made in Brooklyn, New York from 1861-1863 and number less than 7,000 in total, possibly as low as 5,000. The primary significance of this pistol is that many of these are known to have been purchased by Union officers and enlisted men for use during the American Civil War, Including, Cole Younger of Quantrill's Raiders.

Sturdy and very well made, this revolver was in its days a lot more advanced that all its competitors. Unfortunately for Mr Moore, its bored-through cylinder made it also an infringment on the Rollin White patent, that was then owned by Smith & Wesson. As they usually did, S&W filed a claim, which resulted in the surrender to S&W of 18,072 unsold revolvers by 4 companies in settlement of the damage claims. The mention "Manufd. for Smith & Wesson by Moore's Pat. Fire Arms Co" was stamped on the barrels of all turned over revolvers prior to sale, but ours was made prior to this change.

This one bears the early serial 1074 and does not have this mention, which indicates it was sold before the trial.

Excellent weapon, featuring a factory New York hand-engraved brass frame. This fine Moore would undoubtedly have seen military use during the Civil War.

One of the most famous owners of a Moore 7 shot belt revolver just like this example, was 'Cole' Younger, during the Northfield Bank Robbery. He was part of the James -Younger gang with Jesse And Frank James and Cole’s brothers Jim, John and Bob. He supposedly used his Moore as a Captain in the notorious Quantrill's Raiders of the Confederate States Army in the Civil War.
After the war, as part of the Younger-James Gang after the Great Northfield Bank Raid, Cole Younger had his pistol taken from him on 21 September 1876, and it was his Daniel Moore 1860 patent revolver, which bore a serial number within 150 of this revolver. Also recovered with it was his Civil War Officer’s belt and holster.

Photos in the gallery of an original ambrotype photo of Cole Younger, {now in a museum} and his $5,000 reward 'wanted' poster for train robbery, also a photo of him with his brother Bob and Frank and Jesse James, and you can see Cole's revolver in his holster at his waist, and lastly, we show his marble tombstone.

One photo in the gallery is the same type of Moore revolver, with ivory grip, without case, that was sold by the Moore family in 2009 in the US that sold for $ 4,888.
Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us.
Slightly sticky rotation action.  read more

Code: 24799

A Good Original US Civil War .44 Cal. Colt, 1860 Model Army Percussion Revolver. Manufactured in 1862

44 Colt Model 1860 Army Percussion Revolver, serial numbered to 1862 manufacture, 8 ins round barrel indistinctly stamped with Colt New York address, German-silver blade front sight, creeping loading lever, 6 shot rebated cylinder plain frame, brass trigger guard and iron back strap with shoulder stock indentation, hardwood grips, all matching serial numbers.
This original 1860 model Colt Army 44 cal. revolver would be a most fine addition to, or start of, any collection of fine arms. A delightful revolver of American history, with a very strong spring action and average age wear.The largest percussion calibre of pistol made by Colt in the Civil War and Wild West era, and one of the most popular revolvers of the war, used by both combatant sides of the Union and the Confederacy. As the successor to the big Colt Dragoon, this sleek and handsome hogleg packed plenty of power but was easier to handle. Colt’s 1860 was used by the U.S. Cavalry, the Texas Rangers and General Ben McCulloch’s Texas Confederates, Wells Fargo detective James Hume, Mormon “Avenging Angel” Porter Rockwell, El Paso City Marshal Dallas Stoudenmire, the James brothers Jesse James and Frank James, Wes Hardin, Sam Bass and scores of good and bad men alike. Its serial numbers are mismatched but this is the good tell tale sign of a re-worked gun from the Springfield Armoury that serviced Colt Armys during the Civil War without any concern for rematching the numbers. It also bears a large S re-worked stamp on the trigger guard. A true icon of 19th century America and one of the most famous and best Colt revolvers of it's type ever made. It had the greatest stopping power, and was a very popular and highly effective pistol from the Civil War, and into the Wild West era. There were many, many world famous officers and cowboys who used this very form of revolver, and Jesse James was photographed wearing several of them which he captured in combat fighting for the Confederacy in 1864 with Quantrill's Raiders. It was favoured as a side arm by cavalry, infantry, and artillery troops.

Around 200,000 were manufactured from 1860 through 1873. Colt's biggest customer was the US Government with over 127,000 units being purchased and issued to the troops. The weapon was a single-action, six-shot weapon accurate up to 75 to 100 yards, where the fixed sights were typically set when manufactured. The rear sight was a notch in the hammer, clearly visible only when the revolver was cocked.

The Colt .44-calibre “Army" Model was one of the most widely used revolvers of the Civil War. It was the revolver of choice for officers, artillerymen, and cavalrymen. The Colt .44 had a six-shot, rotating cylinder. It fired a 0.454-inch diameter round lead ball, or a conical projectile, that was propelled by a 30 grain charge of black powder ignited by a brass percussion cap that was struck by the hammer. When fired, balls had a muzzle velocity of about 750 feet per second.

Action nice and crisp, good bore

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24798

Very Rare Company Of Watermen, River Thames, Tudor' Barge Fork Circa 1530 Ideal For A Tudor House or Museum Type Display. From The Era of Thomas Cromwell A Frequent User Of Thames Barges

Large 'Y' shaped head and old oak haft. It bears two large letters stamped in the iron ' T & M'. These are likely for a Barge Company of Waterman mark. We had another about 10 years ago bearing the same company mark and these historical artifacts are now really rare. Recovered from the Thames near London Bridge. In the 16th Century the Company of Watermen were the equivalent to today’s cabbies. Created by an Act of Parliament in 1556 and their trade was carefully licensed. They would ply for hire from designated locations along the Thames, with the cry of ‘Oars! Oars!’

When the watermen were not transporting people they would turn their hand to salvage and found a brisk trade in finding bodies, either suicides or those who?d accidentally drowned or been murdered. By a curious quirk of history, the origins of which are now lost, bodies were almost always landed on the south side of the river because the authorities would pay a shilling for a body landed in Southwark but only sixpence for one landed on the north bank. Clearly waterborne cabbies were not averse to ‘going south of the river’ in those days.

One on the best trips for the Watermen was from the City to as far up river as Hampton Court.The trade was not without its dangers; if you wanted to travel downstream below London Bridge you risked life and limb. A major feature of London Bridge was the effect it had on the Thames. The location of the bridge?s 19 timber pier supports (called starlings) was determined by riverbed conditions and this meant that they were varied in spacing across the river. Consequently, the arch spans varied in size too and boats navigating the arches encountered different currents and river conditions at each one. Some were more dangerous than others. Over the years, boatmen christened the arches with various names, such as Gut, Lock and Long Entry. Navigating through these arches in a boat could be very dangerous because the closeness and number of starlings backed up the river water, creating rapids. In some places the drop in water height from one side of the bridge to the other was more than the height of a man. Many people lost their lives ‘shooting’ the bridge and ‘Drowned at the bridge’ became a common entry in the registers at nearby graveyards, but most Londoners took Cardinal Wolsey's example. On his frequent visits to Greenwich to see Henry VIII, he would have his barge stopped above the bridge and get out and travel to Billingsgate by mule, where he would rejoin his barge, providing it had successfully negotiated the rapids. The barge fork was used to push a barge away from an obstruction, or for pushing off from the river bank or jetty. The last picture is of a statue of the Martyr John Roche a Thames Waterman, Martyred at Tyburn in 1588, who is mounted St Etheldreda’s Church in Ely Place, London, along the North and South walls, alongside his fellow 7 Martyrs. Fork head 13.1 inches long by 6.25 inches across. Total length around 5+ foot.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 21232

C15th Illuminated Medieval French Book of Hours Manuscript Leaf. From Around The Time of The Battle of Agincourt or Later

A vellum manuscript leaf from a French Book of Hours, illuminated in gold leaf, blue and red ink; recto and verso each with 16 lines of Latin text in blackletter script.
A simply beautiful 15th century vellum leaf from a 'Book of Hours' written in Paris, with a block of text lines to each side in batarde script with use of gold leaf; coloured filler blocks with white detailing, gold leaf . Fine condition.

Books of hours were the most popular books for laypeople in the late Middle Ages and Renaissance. They contained sets of prayers to be performed throughout the hours of the day and night. These books were often designed to be visually appealing, and wealthy patrons commissioned leading artists to work on them. The manuscript also contained illustrations of hell which acted as reminders that behaviour on Earth would determine the destination of their soul. Scenes within some manuscripts of this type may show people being captured, tortured and eaten by monsters and demons. Many were illuminated with miniatures, decorated initials and floral borders. Paper was rare and most Books of Hours were composed of sheets of parchment made from skins of animals, usually sheep or goats the finest were called vellum. By the 14th century, the cloisters of monks writing in the scriptorium had almost fully given way to urban scriptoria, especially in Paris, Rome and the Netherlands. While the process of creating an illuminated manuscript did not change, the move from monasteries to alternative settings was a radical step. Demand for manuscripts grew to an extent that Monastic libraries began to employ secular scribes and illuminators. These individuals often lived close to the monastery and, in instances, dressed as monks whenever they entered the monastery, but were allowed to leave at the end of the day. In reality, illuminators were often well known and acclaimed and many of their identities have survived.

First, the manuscript was "sent to the rubricator, who added (in red or other colours) the titles, headlines, the initials of chapters and sections, the notes and so on; and then – if the book was to be illustrated – it was sent to the illuminator". In the case of some manuscripts the writing would "undoubtedly have been discussed initially between the patron and the scribe but by the time that the written gathering were sent off to the illuminator there was no longer any scope for innovation"
FOOTNOTES:
c.1460 A.D. by a French scribe.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24524

A Fabulous Victorian Set of 24 of Charles Dickens Works, Superbly Bound In 17 Volumes By Chapman And Hall

If you wanted a stunning set to enjoy or as an heirloom for future generations you would likely never see a better set of this type. Very good condition indeed, 17 beautiful volumes octavo, finest calf leather with marbled boards, five raised bands across each spine, with titles, in gilt on red leather with green leather title labels, and gilt decoratio. Marbled edges, with marbled end papers original illustrations, all contents clean and bright and bindings firm.
Charles Dickens
TWENTY-FOUR Works in Seventeen Volumes
COMPLETE
Sketches by Boz.

The Posthumous Papers of the Pickwick Club.

The Adventures of Oliver Twist & A Tale of Two Cities.

The Life and Adventures of Nicholas Nickleby.

The Old Curiosity Shop.

Barnaby Rudge.

The Life and Adventures of Martin Chuzzlewit.

Christmas Books & Hard Times. Including A Christmas Carol

Dombey and Son.

The Personal History of David Copperfield.

Bleak House.

Little Dorrit.

Great Expectations & The Uncommercial Traveller.

Our Mutual Friend.

The Mystery of Edwin Drood & Reprinted Pieces.

American Notes for General Circulation & Pictures from Italy & A Child's History of England.

Christmas Stories & Master Humphrey's Clock.  read more

Code: 25195

THE LANES ARMOURY NEW YEAR GIFT VOUCHER CAN BE A GREAT IDEA, AND ARE PROVING VERY POPULAR INDEED, AND HAVE DONE SINCE THE 1980'S. THEY ARE BESPOKE FOR ANY AMOUNT {AND WITHOUT EXPIRY DATE}

A Gift Voucher is often the ideal solution to leave the decision of the item to choose to the person you wish to gift. They can select any form of item whatsoever, such as samurai arms and armour, militaryantiques and militaria or books. They are available from us for all values, from only £15 upwards, and as required, and are entirely bespoke to the recipient. All are unique and customised for each and every occasion. We have priced this example in the gallery at £50, and the image shows our £200.00 voucher, but you can specify any alternative amount at all in the 'comment' section in the Webstore Order page, or call us direct.  read more

Code: 19501

A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Tagari-Ya Of Yadake Bamboo, With Sea Eagle Flights and Traditional Tamagahane Steel Head In Incredibly Rare Stunningly Beautiful Polish

It is most rare to find original, antique samurai war arrows {ya} that still have beautifully polished tamagahane steel blades, that they would all have had originally, that often show the traditional hamon, the same as a traditional samurai sword would have had.
Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle. The armour piercing arrow tip, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn. It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or pointed arrowheads look like a small Yari (spear) were pointed arrowheads were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an Edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet. Another photo shows an unmounted arrow head with the considerable length of the tang that is concealed by the haft.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25591

A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Tsubaki-ne, With A Haft of Yadake Bamboo & With Sea Eagle Flights. With A Beautifully Rare Stunningly Polished Tamahagane Steel Head

It is most rare to find original, antique samurai war arrows {ya} that still have beautifully polished tamagahane steel blades, that they would all have had originally, that often show the traditional hamon, the same as a sword would have. Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle. The armour piercing arrow tip, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn. It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or Tsubaki-ne, were pointed arrowheads look like a miniature version of a long Yari (spear) and were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an Edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet. Another photo shows an unmounted arrow head with the considerable length of the tang that is concealed by the haft.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25590

Original Viking 9th Century Battle Axe Head, Worn & Used by Vikings from the Viking Lands of Grand Prince Oleg and Vladimir the Great Period,

From a fabulous small collection of original, Viking, 9th century early Christian artefacts. Only two items, including this one remains for sale, the other sold within 10 minutes of upload to the site.

A Viking realm founded by the Viking, Oleg, ruler of Novgorod Kievanrus from c. 879, who seized Smolensk and Kiev 882, which became his capital. Viking Prince Oleg can be seen depicted, and as a central character, in the well regarded and incredibly popular worldwide drama series ‘Viking’, in series 6 shown by the History channel.
Extending his rule, Oleg united local Slavic and Finnish tribes, defeated the Khazars, and, in 911, arranged trade agreements with Constantinople. His empire peaked in the 10th and 11th centuries under Vladimir I and Yaroslav, becoming eastern Europe’s chief political and cultural centre. At Yaroslav’s death in 1054, his sons divided the empire into warring factions. The 13th-century Mongol conquest decisively ended its power. Although Oleg was pagan it was the time that Christianity took hold in Viking realms. In the Viking Age most of Europe had converted to Christianity, but the Vikings were very satisfied with their own gods and held on to them. ... By the end of the Viking period, around 1050, most Vikings were Christians. They were baptised, went to church and were buried in a Christian manner. he Viking Age was a period of considerable religious change in Scandinavia. Part of the popular image of the Vikings is that they were all pagans, with a hatred of the Christian Church, but this view is very misleading. It is true that almost the entire population of Scandinavia was pagan at the beginning of the Viking Age, but the Vikings had many gods, and it was no problem for them to accept the Christian god alongside their own. Most scholars today believe that Viking attacks on Christian churches had nothing to do with religion, but more to do with the fact that monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

...monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

The Vikings came into contact with Christianity through their raids, and when they settled in lands with a Christian population, they adopted Christianity quite quickly. This was true in Normandy, Ireland, and throughout the British Isles. Although contemporary accounts say little about this, we can see it in the archaeological evidence. Pagans buried their dead with grave goods, but Christians normally didn't, and this makes it relatively easy to spot the change in religion.

As well as conversion abroad, the Viking Age also saw a gradual conversion in Scandinavia itself, as Anglo-Saxon and German missionaries arrived to convert the pagans. By the mid-11th century, Christianity was well established in Denmark and most of Norway. Although there was a temporary conversion in Sweden in the early 11th century, it wasn't until the mid-12th century that Christianity became established there. As part of the process of conversion the Christians took over traditional pagan sites. A good example of this can be seen at Gamle Uppsala in Sweden, where the remains of an early church stand alongside a series of huge pagan burial mounds. for those that follow the superb History Channel's series, Vikings, he is the main protagonist of series 6. Kievan Rus was largely pagan until the late 10th century, when Vladimir the Great took power and introduced Christianity. The conversion actually resulted from a deal between Vladimir and the Byzantine Emperor. Vladimir agreed to convert to Christianity and send the emperor 6,000 soldiers to defend his throne; in exchange, Vladimir would marry the emperor’s sister.The transition to Christianity in Denmark took place gradually and without major conflict. The Vikings regarded the new belief as supplementing the Nordic gods – it was not simply a choice between the old and the new religion. The Vikings’ belief in many gods meant that it was possible for the new Christian god, White Christ, to be worshipped alongside gods like Thor and Odin.

In this way both religious beliefs could exist alongside each other. One religion did not exclude the other. This is shown by the find of a mould, which the smith could use to make both Thor’s hammers and Christian crosses. It was a time of great change and perhaps the Vikings sought security in both religious creeds – just to be on the safe side.a smith’s mould from Trend in Jutland, which has spaces for two crosses and one hammer. The smith could use it to produce exactly which amulets his customers wanted. In addition, a medieval font from Gettrup, in Jutland, displays both crosses and Thor’s hammers. Several Thor’s hammers, which feature cross ornamentation, have also been found. The Viking belief in the Norse gods was thus reinterpreted and drawn into Christianity.The Jelling Stone displays what is probably the earliest image of Christ from Scandinavia. But there are also clear pre-Christian elements on the stone. Tendrils or interlacing branches, surround Christ, just as Odin could also be depicted surrounded by tendrils or branches.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24578

Original Viking Cross Pendant, Worn in the Viking Lands of Grand Prince Oleg and Vladimir the Great Period, A Christian Cross Pendant in Bronze

Part of a small Viking artefacts collection, the first cross sold within a day or so. A one piece cast bronze cross with chain ring neck mount, thus still eminently wearable today. From a fabulous small collection of original, Viking, 9th century early Christian artefacts. Only two items, including this one remains for sale, the other sold within 10 minutes of upload to the site.
A Viking realm founded by the Viking, Oleg, ruler of Novgorod Kievanrus from c. 879, who seized Smolensk and Kiev 882, which became his capital. Viking Prince Oleg can be seen depicted, and as a central character, in the well regarded and incredibly popular worldwide drama series ‘Viking’, in series 6 shown by the History channel.
Extending his rule, Oleg united local Slavic and Finnish tribes, defeated the Khazars, and, in 911, arranged trade agreements with Constantinople. His empire peaked in the 10th and 11th centuries under Vladimir I and Yaroslav, becoming eastern Europe’s chief political and cultural centre. At Yaroslav’s death in 1054, his sons divided the empire into warring factions. The 13th-century Mongol conquest decisively ended its power. Although Oleg was pagan it was the time that Christianity took hold in Viking realms. In the Viking Age most of Europe had converted to Christianity, but the Vikings were very satisfied with their own gods and held on to them. ... By the end of the Viking period, around 1050, most Vikings were Christians. They were baptised, went to church and were buried in a Christian manner. he Viking Age was a period of considerable religious change in Scandinavia. Part of the popular image of the Vikings is that they were all pagans, with a hatred of the Christian Church, but this view is very misleading. It is true that almost the entire population of Scandinavia was pagan at the beginning of the Viking Age, but the Vikings had many gods, and it was no problem for them to accept the Christian god alongside their own. Most scholars today believe that Viking attacks on Christian churches had nothing to do with religion, but more to do with the fact that monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

...monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

The Vikings came into contact with Christianity through their raids, and when they settled in lands with a Christian population, they adopted Christianity quite quickly. This was true in Normandy, Ireland, and throughout the British Isles. Although contemporary accounts say little about this, we can see it in the archaeological evidence. Pagans buried their dead with grave goods, but Christians normally didn't, and this makes it relatively easy to spot the change in religion.

As well as conversion abroad, the Viking Age also saw a gradual conversion in Scandinavia itself, as Anglo-Saxon and German missionaries arrived to convert the pagans. By the mid-11th century, Christianity was well established in Denmark and most of Norway. Although there was a temporary conversion in Sweden in the early 11th century, it wasn't until the mid-12th century that Christianity became established there. As part of the process of conversion the Christians took over traditional pagan sites. A good example of this can be seen at Gamle Uppsala in Sweden, where the remains of an early church stand alongside a series of huge pagan burial mounds. for those that follow the superb History Channel's series, Vikings, he is the main protagonist of series 6. Kievan Rus was largely pagan until the late 10th century, when Vladimir the Great took power and introduced Christianity. The conversion actually resulted from a deal between Vladimir and the Byzantine Emperor. Vladimir agreed to convert to Christianity and send the emperor 6,000 soldiers to defend his throne; in exchange, Vladimir would marry the emperor’s sister.The transition to Christianity in Denmark took place gradually and without major conflict. The Vikings regarded the new belief as supplementing the Nordic gods – it was not simply a choice between the old and the new religion. The Vikings’ belief in many gods meant that it was possible for the new Christian god, White Christ, to be worshipped alongside gods like Thor and Odin.

In this way both religious beliefs could exist alongside each other. One religion did not exclude the other. This is shown by the find of a mould, which the smith could use to make both Thor’s hammers and Christian crosses. It was a time of great change and perhaps the Vikings sought security in both religious creeds – just to be on the safe side.a smith’s mould from Trend in Jutland, which has spaces for two crosses and one hammer. The smith could use it to produce exactly which amulets his customers wanted. In addition, a medieval font from Gettrup, in Jutland, displays both crosses and Thor’s hammers. Several Thor’s hammers, which feature cross ornamentation, have also been found. The Viking belief in the Norse gods was thus reinterpreted and drawn into Christianity.The Jelling Stone displays what is probably the earliest image of Christ from Scandinavia. But there are also clear pre-Christian elements on the stone. Tendrils or interlacing branches, surround Christ, just as Odin could also be depicted surrounded by tendrils or branches. 42mm x 28mm

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24035