The Lanes Armoury..Everything You Can Imagine, and a Lot, Lot More!

Original pieces from the great ancient civilisations, Ancient Egyptian, Greek, Scythian, Persian, Roman, Celtic, Anglo-Saxon, Viking, Norman, Japanese, Chinese, Indian, British, and beyond, in fact more antiquities, armoury antiques, militaria, that you can imagine, plus leaves from illuminated manuscripts, rare and historical books, incunabula and Ist editions

We may not quite have everything that everyone might be seeking, but you can trust that we have spent over 100 years trying, and every day we do our utmost to scour the collecting world to find yet more, unique ancient or antique pieces. We put in all the hard work, effort and expertise, so that you don't have to!, and remember, every purchase is accompanied with our Certificate of Authenticity, as our unique, lifetime guarantee, backed up by over 100 years of long established experience.

We are asked almost every day by many of our amazed and curious visitors about famous celebrities that have been customers past and present, so here goes, but just a snippet of a few mixed up names including those that Mark has personally assisted since 1970, and David since 1980, but of course there are many here below that our younger viewers will very likely have never even heard of!;

Elizabeth Taylor and Richard Burton, actors
Charlton 'Chuck' Heston, actor
Edward G. Robinson, actor,
HRH Princess Margaret, late sister of Her Late Majesty Queen Elizabeth
'Fat Boy' Slim, aka Norman Cook, songwriter +
Ronald Reagan, Potus
John Osborne, author
Lord Olivier, a most well beloved Brighton resident, and actor director..
Barry Humphries, genius writer actor of limitless talent
Max Millar, comedian
Harold, Viscount Watkinson, Winston Churchill's Minister of Defence 1959/62
Garfield [Garry] Weston, proprietor of Fortnum and Mason, chairman Associated British Foods and of the Garfield Weston Foundation
John Montgomery, author
Johnny Rotten, singer and armed forces supporter
The Lord St John of Fawsley
The Tower Armouries, museum
The Higgins Museum, USA
Octav Botnar Chairman, &. Late Owner Nissan UK, formerly Datsun UK
The Metropolitan, New York
The Smithsonian, Washington D.C.
Lord Hailsham
Katy Melua, singer songwriter
Will Young, singer
Douglas Bader, RAF
Mark Williams, character actor par excellence
Sir Ralph Richardson, actor
Jim Davidson major armed services charities benefactor and comedian
Warner Bros. UK,
Sir Henry Cecil One of the world's greatest horse trainers
Macy’s, New York Department Store
St Albans Museum + Gallery, providing their new centrepiece exhibit for their new ‘War of the Roses’ Battle of St. Albans gallery.
Rebekkah Brooks & Ross Kemp in their past to-gether days, journalist and actor
The Horniman Museum, UK.
Major General Lord Fitzalen Howard Life Guards GCVO, CB, CBE, MC.
Howard Blackmore Deputy Master of The Tower of London Armouries, Founder and President The Arms and Armour Society
Steven Berkoff, actor, playwright, theatre director
Kaufhof GmbH German department store chain
Galeria D'Arte Adriana Papiri-Brignoni foremost gallery proprietor of Lugano Switzerland [with her husband Gigi] & Her friends, residents of Lugano;
Gina Lollobrigida, actress
Valentino, fashion designer
Eugene Faberge, in the 1950’s, the eldest son Carl Faberge of Moscow.
Dzigar Kongtrul Rinpoche (Jigme Namgyel), renown Buddhist and author.....
Plus, many thousands more...  read more

Code: 23976

A Superb 1200b.c. Bronze Age Long Dagger From the So-Called Greek 'Heroic Era' Of The Seige of Troy, and The Trojan War, Historically Famed with the Legendary Achilles and Hector

Around 3200 years old
A bronze flanged dagger with integrally preserved bifurcated hilt, triangular blade, the open handle intended to accept organic grip plates of wood or horn bifurcated pommel. Approx 12" long. Fine condition
This is a most handsome ancient bronze long bladed dagger, with a tapering hilt and crescent pommel form, from one of the most fascinating eras in ancient world history, the era of the so called Trojan Wars. The recessed grip panels within the hilt would likely be for slabs of ivory or horn. The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and believed that Troy was located in modern day Turkey near the Dardanelles. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy.

This dagger comes from that that great historical period, from the time of the birth of known recorded history, and the formation of great empires, the cradle of civilization, known as The Mycenaean Age, of 1600 BC to 1100 BC. Known as the Bronze Age, it started even centuries before the time of Herodotus, who was known throughout the world as the father of history. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. The Mycenae site is located in the Peloponnese of Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process. In the greatest collections of the bronze age there are swords and daggers exactly as this beautiful example. In the Metropolitan Museum of Art is the bronze sword of King Adad-nirari I, a unique example from the palace of one of the early kings of the period (14th-13th century BC) during which Assyria first began to play a prominent part in Mesopotamian history. Swords daggers and weapons from this era were made within the Persian bronze industry, which was also influenced by Mesopotamia. Luristan, near the western border of Persia, it is the source of many bronzes, such as this piece, that have been dated from 1500 to 500 BC and include chariot or harness fittings, rein rings, elaborate horse bits, and various decorative rings, as well as weapons, personal ornaments, different types of cult objects, and a number of household vessels.

A sword, found in the palace of Mallia and dated to the Middle Minoan period (2000-1600 BC), is an example of the extraordinary skill of the Cretan metalworker in casting bronze. The hilt of the sword is of gold-plated ivory and crystal. A dagger blade found in the Lasithi plain, dating about 1800 BC (Metropolitan Museum of Art), is the earliest known predecessor of ornamented dagger blades from Mycenae. It is engraved with two spirited scenes: a fight between two bulls and a man spearing a boar. Somewhat later (c. 1400 BC) are a series of splendid blades from mainland Greece, which must be attributed to Cretan craftsmen, with ornament in relief, incised, or inlaid with varicoloured metals, gold, silver, and niello. The most elaborate inlays--pictures of men hunting lions and of cats hunting birds--are on daggers from the shaft graves of Mycenae, Nilotic scenes showing Egyptian influence. The bronze was oxidized to a blackish-brown tint; the gold inlays were hammered in and polished and the details then engraved on them. The gold was in two colours, a deeper red being obtained by an admixture of copper; and there was a sparing use of neillo. The copper and gold most likely came from the early mine centres, in and around Mesopotamia, and the copper ingots exported to the Cretans for their master weapon makers. This dagger sword is in very nice condition with typical ancient patina encrustations . 36 cm long. Picture in the gallery of Achilles and Penthesella on the Plain of Troy, with Athena, Aphrodite and Eros. See a similar dagger in Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.286-287, with the gold pommel still preserved; see also parallels in Calmeyer, P., 'Datierbare bronzen aus Luristan und Kirmanshah' in Untersuchungen sur Assyriologie und vorderasiatischen Archaeologie, Berlin, 1969.

These flanged type of daggers with bifurcated hilts find parallels in ancient Persia, and are usually dated to the 11th century BC (Calmeyer, 1969, p.61, figs.60-61). Related examples from Hasanlu have a more pronounced splayed pommel and a square guard.
Formerly of the Abelita family collection, 1980-2015.  read more

Code: 24103

A 19th Century, Highly Attractive, Antique Stilletto Bladed So-Called Courtesan's Protective Dagger

Spiral carved bone hilt, powerful quatrefoil 'armour piercing' blade, steel teardrop quillon crossguard, nickle scabbard. A so called coutesan's dagger, also often regarded as the gambler's boot dagger when found in North America
A coutesan's dagger was so called due to their attractiveness and useful size for concealment by unaccompanied ladies travelling abroad after dark.
Of course they would never have been sold as such by retailers, and the term has entered the vernacular of collectors probably even after the time they were actually made, however, like the term 'mortuary hilted swords' that bore the engraved visage of the king in the hilt from the English Civil War, they were never actually called that until almost 200 years later.

They are attractively designed elegant daggers, just such as this one, with a powerful and most efficient blade. 'Ladies of the night' became a major concern and a focal point for social reformers in the 19th century. Concerns were seen everywhere including the literature of notables such as Charles Dickens. He created characters (some of which may have had real life versions) like Nancy in Oliver Twist, and Martha Endell in David Copperfield.

No one knows for certain, but there were somewhere between 8,000 and 80,000 ladies of the trade in London during the Victorian Age. It is generally accepted that most of these women found themselves in prostitution due to economic necessity and desperate want.

There were three attitudes towards those in the profession – condemnation, regulation, and reformation. Dickens adopted the last and was intimately involved in a house of reform called Urania Cottage.

The carved handle has some feint natural line age markings  read more

Code: 24160

A Very Good, Antique, Edo Period 1700's, Wakazashi Maru Gata Heianjo Tsuba

Antique Japanese Edo period tsuba for wakizashi sword or large o-tanto
Fine engraved with gold and high quality brass inlay Heianjo-style that was established in Yamashiro (Kyoto Pref. today). It was inspired by the Ounin-style.
Heianjo tsuba are elaborate and most decorative. It is mainly iron tsuba, of circular shape with brass inlay. Its designs were simply family crests, or arabesque patterns in the beginning. However, as time past they made different shapes of tsuba and started using gold, silver, or copper for inlaying.

The tsuba, is a fundamental element in the mounting of the Japanese sword, it is the guard, the most important element of the fittings, and has two main functions: the first to protect the hand against the slashes and lunges of an opposing sword; the second is to prevent that the hand ends up directly on the cutting edge of the blade. Over the course of more than ten centuries of history, the tsuba has undergone a number of important changes, as regards the materials used for its manufacture and its appearance.

During the centuries of wars that characterised Japan until the advent of the Tokugawa Shogunate during the first half of the 17th century, the tsuba was essentially made of iron or steel. From the mid-17th century onwards the tsuba became a real work of art, with the use of soft metals used in various ways, with engravings, incrustations; well made tsuba were the pride of hundreds of craftsmen’s schools whose value sometimes exceeded that of the same blades of the mounting where tsuba was part of.
66mm across.  read more

Code: 24166

A Most Fine Circa 1700 year Old Imperial Roman Vassal Warrior's Dagger Blade, Used Up To and Into The 5th Century AD Including By The Personal Guard of Emperor Gratian.

in superbly preserved condition, just lacking its wooden hilt as usual, due to wood and organic materials never surviving buried for longer that a few hundred years. The same dagger as used by the personal guard units of Roman Emperor Gratian, who was so impressed by the skills of the Alans in combat, he invited them to be part of his personal guard, and he even went so far in his respect of their prowess in combat as to wear the very same form of armour as they wore.

Used by the warriors known as the 'Alans', they were predecessors of the medieval European knights, and from whence the Christian name Alan, that is still used today, descended from.

The Alans laid the foundation of medieval military tradition in Europe and inspired British mythology.

This is an incredible, original, Alans dagger, known as the a Samartian, blade, in very fine condition, professionally cleaned and superbly conserved.

The Alan guards combat dagger is highly distinctive, bearing two opposing side cuts at the ricasso before the tang. From the time when the Alan's Samartian warriors fought with the Roman Legions against Attila the Hun, and the Hunic invasion, and the battles of the Catalaunian Fields, that led to the death of Attila.

The Alans pursuit of war, a decent opponent and heroic death was legendary in the ancient times. But how did these tribes end up with such a military role and political impact in the West while so far from their homeland, and most often amongst enemies. Clearly, their number or strength was not the answer.

They conquered the West with their military culture and outstanding discipline. Their cavalry, clad in steel armour and arranged in tight rows, had the best skills of the time. German kings eagerly invited the Alans to serve in their armies, while their own subjects, mostly marching troops, learned horse riding and horse battle from them. The Alans impressed the arrogant Roman nobility so much that Emperor Gratian (359-383) invited them to his guard unit, reformed his cavalry based on their model and wore Alan clothes and armour himself.

Since the Alan society was mostly war-oriented, boys were taught horseback riding from early childhood. According to Marcellinus, Alan warriors considered it offensive for a man to walk. Isidore of Seville noted in the 6th century that they even looked somewhat clumsy without their horses.

The warriors and tribes known as Alans were part of the tribes derived from the word and term of the earlier people known as Aryans, from the old Indo-European-Iranian word Arya. Tall and good-looking with fair hair and menacing looks, the Alans were more warlike than other ethnic groups related to them. Later, their source name, Aryan, was used and abused by notorious effect by Hitler's 3rd Reich in the 20th century, as the basis of the true ancient Germanic peoples. This blade shape is highly distinctive and may well itself inspired the very similar blade shape of the German WW2 SS dagger, as much as the Tudor English Holbein dagger worn by Henry the 8th is said to have inspired the entire SS dagger pattern.
This dagger blade is from the 5th-6th century AD. A two-edged leaf-shaped iron blade, lentoid in section with tapering tang, notch above each shoulder. During the first period, the Alans appear as a nomadic, warlike, pastoral people who were professional warriors and took service, at various times, with the Romans, Parthians, and Sasanians.

Their cavalry was particularly renowned. They participated in Mithridates wars with Rome (chronicled by Lucan), as well as in Roman campaigns in Armenia, Media, and Parthia in the 1st and 2nd centuries A.D. (see Josephus, Jewish Wars 7.244-51, Antiquities 18.97; cf. accounts in Moses of Khoren, History of the Armenians Langlois, Historiens II, pp. 105-06, 125 and the Georgian Chronicle Kartlis tskhovreba, in M. F. Brosset and D. I. Chubinov, Histoire de la Georgie I, St. Petersburg, 1849). Ammianus Marcellinus (31.2) describes the Alans? nomadic economy and warlike customs.

The invasion of the Huns split the Alans into two parts, the European and the Caucasian. Some of the European Alans were drawn into the migration of peoples from eastern into western Europe. With the Germanic tribes of Visigoths and Vandals they passed into Gaul and Spain, some even reaching North Africa. The Alans fought on the side of the Romans in the battle of the Catalaunian Fields (A.D. 451), when Aetius defeated Attila, chief of the Huns. In 461 and 464 they made incursions into Italy. After Attila's death they struggled, together with the Germanic tribes, to free themselves from Hun domination. Large Alan hordes settled along the middle course of the Loire in Gaul under King Sangiban and on the lower Danube with King Candac (the historian Jordanes sprang from the latter group). Another settlement is indicated by the name of the Spanish province Catalonia, which is but a slight deformation of Goth-Alania, provine of the Goths and Alans. The French proper name Alain and English Alan are an inheritance from the tribe. The Alans also left an imprint on Celtic folk-poetry, e.g., the cycle of legends concerning King Arthur and his knights of the Round Table (see M. Hesse, Iranisches Sagengut im Christlichen Epos, Atlantis 1937, pp. 621-28; J. H. Grisward, The motif of the sword thrown into the lake : The death of Arthur and the death of Batradz, Romania 90, 1969, pp. 289-340). Part of the European Alans remained in the lands bordering the Black Sea, including the Crimea. Gratian, Emperor Flavius Gratianus; 18 April 359 – 25 August 383) was emperor of the western part of the Roman Empire from 367 to 383. The eldest son of Valentinian I, Gratian accompanied his father on several campaigns along the Rhine and Danube frontiers and was raised to the rank of Augustus in 367. Upon the death of Valentinian in 375, Gratian took over government of the west while his half-brother Valentinian II was also acclaimed emperor in Pannonia. Gratian governed the western provinces of the empire, while his uncle Valens was already the emperor over the east.

Gratian subsequently led a campaign across the Rhine, attacked the Lentienses, and forced the tribe to surrender. That same year, the eastern emperor Valens was killed fighting the Goths at the Battle of Adrianople, which led to Gratian elevating Theodosius to replace him in 379. Gratian favoured Nicene Christianity over traditional Roman religion, issuing the Edict of Thessalonica, refusing the office of pontifex maximus, and removing the Altar of Victory from the Roman Senate's Curia Julia. The city of Cularo on the Isère river in Roman Gaul was renamed Latin: Gratianopolis after him, which later evolved to Grenoble.

Hilts of Roman era swords and daggers effectively, are almost non existent, as they were made of organic materials, such as wood, horn etc. which rarely survives on edged weapons more than 400 to 500 years or so.  read more

Code: 22083

Front Page of the Evening News Sept 6th 1938. 'Hitler's First Message', From the Nuremberg Rally

A most intriguing original historical souvenir of Hitler's National Socialist pre-war Germany in 1938 during his rise to power, and the start of his imminent move to all out total war, and the destruction of freedom throughout all Europe.

5-12 September 1938. Nuremberg. The last X Party Rally called ‘Reichsparteitag Großdeutschland’ (The Congress of Great Germany) once again praised the triumphs of the Third Reich, including the Annexation of Austria six months before. The grand opening was accompanied by Wagner’s ‘Meistersinger von Nürnberg’ opera to inspire Hitler himself and Goebbels with enthusiasm. This Party Congress was the last of that kind as the XI Rally, pre-planned as the “The Party Conference of Peace” for September 1939 was denied on the threshold of the invasion of Poland.

Nürnberg Rally, the massive Nazi Party rallies held in 1923, 1927, and 1929 and annually from 1933 through 1938 in Nürnberg (Nuremberg) in Bavaria. The rallies were primarily propaganda events, carefully staged to reinforce party enthusiasm and to showcase the power of National Socialism to the rest of Germany and the world.

The emotional power generated by the rallies has been preserved in films, most notably in Leni Riefenstahl’s classic Triumph des Willens (1935; Triumph of the Will), which presents a carefully orchestrated version of the 1934 rally.

The paper has discoloured areas and the left hand side is hand torn, but its interest in a historical context more that makes up for it. It would be ideal for framing  read more

Code: 25128

A Stunning Solid Silver Napoleonic Cavalry Officer's Sabre 1796.-1803. It Is Exceptionally Rare To Ever See a Solid Silver Hilted Version of the Napoleonic Wars Period Light Dragoon Officer’s Sabre

It is possible there may not even be another similar example like it in the National Army Museum Collection, one of Englands finest military museums, located next to the world renown Chelsea Hospital, home to the most highly regarded military veterans in the world, the Chelsea Pensioners.

The sabre has a traditional version of the 1803 type Lion's head pommel, spiral turned ebony grip, with silver triple wire binding and two silver rivets. Slotted hilt, 1803 style, with fretted, open diamond form insert. Long, curved, traditional 1796 pattern light dragoon blade but with a rare clipped-back tip. In overall superb condition. A most rare example of a sword used by an officer serving under Wellington in the great light cavalry regiments, but as this sword bears a solid silver hilt this would suggest it was an officer of considerable status and rank, or, it was a presentation sword of highest quality. A deluxe bespoke sword, designed as a cross between the British 1796 Light Dragoon pattern sword and the British 1803 pattern sword with lion's head pommel and slotted hilt. Until just after the close of the war with Napoleon all British officers were allowed to wear a sword pattern of their choice, and this example is a most rare and beautiful example of such a hand made sword from the late 18th to earliest 19th century. Used by a British officer, as his finest top quality grade combat sword, during the Napoleonic Wars.

The mounted swordsmanship training of the British emphasised the cut, at the face for maiming or killing, or at the arms to disable. This left masses of mutilated or disabled troops; the French, in contrast, favoured the thrust, which gave cleaner kills. A cut with the 1796 LC sabre was, however, perfectly capable of killing outright, as was recorded by George Farmer of the 11th Regiment of Light Dragoons, who was involved in a skirmish on the Guadiana River in 1811, during the Peninsular War:
"Just then a French officer stooping over the body of one of his countrymen, who dropped the instant on his horse's neck, delivered a thrust at poor Harry Wilson's body; and delivered it effectually. I firmly believe that Wilson died on the instant yet, though he felt the sword in its progress, he, with characteristic self-command, kept his eye on the enemy in his front; and, raising himself in his stirrups, let fall upon the Frenchman's head such a blow, that brass and skull parted before it, and the man's head was cloven asunder to the chin. It was the most tremendous blow I ever beheld struck; and both he who gave, and his opponent who received it, dropped dead together. The brass helmet was afterwards examined by order of a French officer, who, as well as myself, was astonished at the exploit; and the cut was found to be as clean as if the sword had gone through a turnip, not so much as a dint being left on either side of it" The blade is remembered today as one of the best of its time and has been described as the finest cutting sword ever manufactured in quantity  read more

Code: 21967

A Superb, Original, 1796 Heavy Cavalry Officer's Sword, Napoleonic Wars and Waterloo Period, with a Broadsword Blade, Steel Combat Scabbard with Close Combat Blade Impact

1796 regulation dress pattern copper gilt hilt, with boatshell guard, D-shaped knuckle bow, urn-shaped pommel, wire bound grip, double edged broadsword blade contained in its all steel combat scabbard, which bears a single blade cut from another sword see photo 10. Upper suspension ring mount lacking. A very good example of these most desirable and beautiful of Napoleonic wars era swords used by an officer in the British heavy cavalry.

It has the traditional 1796 'boat shaped hilt' in copper gilt, in very good order bearing much of its original mercurial gilding, it has its original wire bound grip, a good broadsword double edged blade, and all steel combat grade scabbard.

Used by a Napoleonic wars period officer of the British heavy cavalry, serving in either the Union Brigade, or the 1st Household Brigade.

The Heavy Cavalry regiments were separated into two brigades at Waterloo. The 1st Brigade, known as the Household Brigade, commanded by Major-General Edward Somerset (Lord Somerset), consisted of guards regiments: the 1st and 2nd Life Guards, the Royal Horse Guards (the Blues), and the 1st 'King's' Dragoon Guards The 2nd Brigade, also known as the Union Brigade, commanded by Major-General Sir William Ponsonby, was so called as it consisted of an English (1st, 'The Royals'), a Scottish (2nd, 'Scots Greys'), and an Irish (6th, 'Inniskilling') regiment of heavy dragoons. More than 20 years of warfare had eroded the numbers of suitable cavalry mounts available on the European continent; this resulted in the British heavy cavalry entering the 1815 campaign with the finest horses of any contemporary cavalry arm. They also received excellent mounted swordsmanship training. The two brigades had a combined field strength of about 2,000 (2,651 official strength), and they charged with the 47-year-old Uxbridge leading them and little reserve Scots Greys Regt. The Scots Greys, as part of the Union Brigade so called as it was made up of a regiment of Heavy Cavalry from each part of Britain were some of the finest heavy Cavalry in Europe and certainly one of the most feared. A quote of Napoleon of the charge at the Battle of Waterloo goes;
"Ces terribles chevaux gris! Comme il travaillent!" (Those terrible grey horses, how they strive!) At approximately 1:30 pm, the second phase of the Battle of Waterloo opened. Napoleon launched D'Erlon's corps against the allied centre left. After being stopped by Picton's Peninsular War veterans, D'Erlon's troops came under attack from the side by the heavy cavalry commanded by Earl of Uxbridge including Major General Sir William Ponsonby's Scots Greys. The shocked ranks of the French columns surrendered in their thousands. During the charge Sergeant Ewart, of the Greys, captured the eagle of the French 45th Ligne. The Greys charged too far and, having spiked some of the French cannon, came under counter-attack from enemy cavalry. Ponsonby, who had chosen to ride one of his less expensive mounts, was ridden down and killed by enemy lancers. The Scots Greys' casualties included: 102 killed; 97 wounded; and the loss of 228 of the 416 horses that started the charge. This engagement also gave the Scots Greys their cap badge, the eagle itself. The eagle is displayed in the Royal Scots Dragoon Guards museum in Edinburgh Castle. The British Heavy Cavalry, during the Peninsular War and at Waterloo it fought with incredible distinction and exemplary bravery, and saw some of the most incredible and courageous combat. Fighting the elite French Curassiers and Carabiniers of Napoleons Imperial Guard was no mean feat, for at the time the French Cavalry was some of the most formidable in the world, and at their very peak. Never again was the French Cavalry to be as respected and feared as it was during the great Napoleonic era. Some of the battles this may also have been used at were; during 1808-14 The Peninsular Campaign, including, Salamanca , Toulouse, Albuera Talavera, Pyrenees then from 1814: La Rothiere, Rosnay, Champaubert, Vauchamps, Athies, La Fere-Champenoise and Paris
1815: and Quatre-Bras. The last photo in the gallery is of Lady Butler's painting, the Charge of the Scots Greys at Waterloo. One of the heavy cavalry regiments whose officers would have used in his service this very form of sword.

The swords used by the Union Brigade and Ist household brigade at Waterloo, have examples of their swords in the Royal Collection, The Tower of London Collection, the British Army Museum, and most of the finest British sword collections in the world.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .
blade length 32 inches  read more

Code: 24189

Huge & Impressively Bladed 400 Year Old Samurai Tanto Signed Omi Kami Minamoto Kagehiro. Shinto Period From The Province of Settsu

A beautiful and large samurai dagger, with fine 'status' blade. Squared sukashi tsuba in iron, pure gold inlaid shakudo fushi, decorated with a constellation of stars and celestial bodies, that are inlaid with gold over a nanako ground, with a carved and polished buffalo horn kashira.
Pure gold and shakudo menuki of takabori crabs. Fine shakudo kozuka decorated in relief with mount Fuji, two piece habaki. Wide blade without ridge line flat sided with suguha hamon. A most impressive and sizeable tanto.
It has its original Edo period lacquered saya scabbard in rich dark brown urushi lacquer, with a kozuka {utility knife} of shakudo, decorated with a fishermen within a small boat, with Mount Fuiji in the distance. The kozuka blade is very nicely signed.

Shakudo is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark color is induced by applying and heating rokusho, a special patination formula.

Shakudo Was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome. The lacquer surface of the saya has some age bruising etc. due to its vintage.  read more

Code: 22206

A Simply Beautiful, Edo Era Chrysanthemum Silver Kiku Mon Crested, Samurai Abumi Stirrup. Used By Samurai on Horseback, For Standing Archery in Combat, And As A Close Combat Kick Motion Weapon Against Enemy Foot Samurai

This Japanese stirrup, 17th to 18th century, is made in the traditional 'dove's breast' (hato mune) shape with an open platform lined with abilone shell slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is fine decorated in engraved and inlaid silver with the Kiku Mon {chrysanthemum} the imperial flower of Japan pattern has 16 petals, however this is the most rare 18 petal type which means that they likely belonged to a Samurai of a branch of the Imperial family. During the Meiji period, no one was permitted to use the Imperial Seal except the Emperor of Japan, who used a 16-petalled chrysanthemum with sixteen tips of another row of petals showing behind the first row. Therefore, each member of the Imperial family used a slightly modified version of the seal. Shinto shrines either displayed the imperial seal or incorporated elements of the seal into their own tag.

Earlier in Japanese history, when Emperor Go-Daigo, who tried to break the power of the shogunate in 1333, was exiled, he adopted the seventeen-petalled chrysanthemum in order to differentiate himself from the Northern Court's Emperor Kōgon, who kept the imperial 16-petalled mon.

It is to be noted that these stirrups, due to their weight, were also used as weapons against the infantry adversaries. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan lords of Japan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun was the most prestigious rank possible for a samurai. Shoguns were the military leaders of the country, { the Emperors from around 1600 were purely ceremonial leaders } and thus the Shogun were regarded as the most powerful men of all Japan, and thus the samurai.  read more

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