A Very Fine, Original, Ancient, Punic War Period Early Roman Republic Era Short Sword, A Gladius Hispaniensis Double Leaf Shaped Blade Circa 2,400 Years Old

Gladius is a Latin word properly referring to the type of sword that was used by ancient Roman foot soldiers starting from the Republic period of the 3rd century BC, and until the mid Roman Empire period of 3rd century AD. From thence forward the more standard Roman sword was the spartha

Early ancient Roman swords were similar to those of the Greeks, called xiphe . From the 3rd century BC, however, the Romans adopted a weapon based on the sword of the Celtiberians of Hispania in service to Carthage during the Punic Wars, known in Latin as the gladius hispaniensis, meaning "Hispanic-type sword". Over time, the Romans improved their standard iron version weapon depending on how Roman battle units waged war and also created a number of variants. By 20 BC the Hispaniensis was replaced by the Mainz gladius (named after Roman swords found in Germany), in turn replaced by the Pompeii gladius. Finally, in the third century AD the heavy Roman infantry replaced the gladius with the spatha (already common among Roman cavalrymen), relegating the gladius as a weapon for light Roman infantry.

The Roman Republic had been aggressively expanding in the southern Italian mainland for a century before the First Punic War. It had conquered peninsular Italy south of the Arno River by 270 BC, when the Greek cities of southern Italy (Magna Graecia) submitted after the conclusion of the Pyrrhic War. During this period of Roman expansion Carthage, with its capital in what is now Tunisia, had come to dominate southern Iberia, much of the coastal regions of North Africa, the Balearic Islands, Corsica, Sardinia and the western half of Sicily in a thalassocracy.

Beginning in 480 BC Carthage fought a series of inconclusive wars against the Greek city-states of Sicily, led by Syracuse. By 264 BC Carthage was the dominant external power on the island, and Carthage and Rome were the preeminent powers in the western Mediterranean. Relationships were good and the two states had several times declared their mutual friendship via formal alliances: in 509 BC, 348 BC and around 279 BC. There were strong commercial links. During the Pyrrhic War of 280–275 BC, against a king of Epirus who alternately fought Rome in Italy and Carthage on Sicily, Carthage provided materiel to the Romans and on at least one occasion used its navy to ferry a Roman force. According to the classicist Richard Miles Rome had an expansionary attitude after southern Italy came under its control, while Carthage had a proprietary approach to Sicily. The interaction of these conflicting policies caused the two powers to stumble into war more by accident than design. The immediate cause of the war was the issue of control of the independent Sicilian city state of Messana (modern Messina). In 264 BC Carthage and Rome went to war, starting the First Punic War

A picture is shown in the gallery of a vase painting depicting a hoplite, 5th century BC. He is armed with a bronze cuirass, a leaf shaped hoplite sword and a hoplite shield of the Argive type, very similar to the gladius hispaniensis. (Paris, Louvre Museum). We show another sword carried in a period vase painting of the Death of Actaeon.

Bronze copper alloy, with superb natural age patination. And likely, the copper of the alloy was sourced from the ancient Cretan copper mines, with a percentage of added tin, in order to create the stronger bronze alloy. Small old age crack at the base of the blades tang. The Hilt would have been made from organic material, such as horn, bone or wood, a material that never survives once buried for the two millennia since it was last used in war. So all that remains is the bronze blade and its tang  read more

Code: 20468

WW2 Circa 1943 Knife Bayonet for M1 Garand Rifle & Model M1, in its Olive Green, US Flaming Grenade Stamped Scabbard

A good WW2 U.S M1 Garand (short version, 10” bladed) Bayonet, in its correct olive green 'flaming Grenade' scabbard. Blade maker marked UC {Utica Cutlery}, and US, and flaming grenade, pommel rear stamped with inspector mark, 'H'

After testing in early 1943, the U.S. Army decided to shorten the M1905 bayonet’s blade to 10 inches (25.4 cm). Production of this new bayonet, designated the M1, began at the five remaining manufacturers by April 1943. Bayonet is produced by UC (Utica Cutlery) Scabbard is the M7 with a metal throat, and was equipped with a wire hook hanger.

This UC manufactured Bayonet is complete with its scabbard and belt hook. Scabberd has green paint a nice WW2 example! General condition is good+.Pommel form: prominently beaked with well-rounded and stepped end housing a shallow T-shaped attachment slot. The locking catch, the end of the internal extension bar, projects through the base of attachment slot. Pommel meets grips in semi-circular curve. (Pommel form identical to that for the Model 1905 sword bayonet, see WEA 113). Grips form: two-piece black plastic, retained by single screw and recessed circular nut. Grips are adorned with fine vertical ribbing, underside rounded and shaped to hand, back flat and straight. Crossguard form: short straight crosspiece retained by two flush-ground rivets. Upper section formed into high full muzzle ring. The crossguard is slotted above and below the hilt, the narrow elongated oval apertures so formed designed to mate with the two hooks located on the upper edge of the scabbard's mouthpiece. On the underside of the tang, immediately behind the guard is a press stud with catch extension projecting through the lower crossguard slot. The catch mates with the scabbard mouthpiece hooks securing the weapon when not in use. The press stud also works the locking catch in attachment slot via internal extension bar. Blade form: single-edged with double-edged spear point, fullered. Fuller stops round. Back, except for false edge, squared off. Finish (all metal parts): blackened.  read more

Code: 25109

1st Edition, Japanese Spears Polearms and Their Use in Old Japan Roald Knutsen,

Hardcover. Condition: Good. Dust Jacket Condition: Good.
By our local, world renowned sensei, and martial art expert and exponant, Roald Knutsen, who was the sensei of our 30 year late colleague, senpei, Christopher Fox, who was both a nihonto and Iaido expert of 40 years, and a remarkable exponent of all his martial arts in his own right.

This book charts the evolution of Japanese pole-arms from the bronze spears of the Yayoi period right up to to the Meiji Restoration; deals with the history and development of each category of spear; besides the blades, the shafts & mounts are described in detail; outlines the schools of spear and sword fencing from the early 14th century; a very necessary addition to the library of anyone interested in arms and armour; fully illustrated. Japanese spear-weapons mainly comprise the naginata (similar to the European glaive) and types of yari (pike / halberd). Hoko are a hook weapon.

This is the first book in English to provide a fully illustrated guide to the use of polearms - ranging from the earliest halberds and spears reaching Japan from the Asian mainland to the sophisticated naginata, nagamaki and various forms of yari used by the Japanese samurai through the medieval period. While the sword remains the best known of Japanese weapons, it was the halberd (naginata) and then the yari that dominated the battlefields up to the early seventeenth century, and thereafter the yari became an important status symbol to many warrior families. Additionally, the authors focus on the actual method of use of these weapons, hitherto an almost unknown aspect in the West.  read more

Code: 25110

A Very Good Shinto Period, Circa Later 1600's, Samurai Spear, A Ryo-Shinogi Yari Pole Arm. Signed Hisatoshi, & Magari-Yari Saya

The magari-yari saya would indicate it would be used on a triple bladed magari-yari pole arm.

An Edo Period Samurai Horseman Ryo-Shinogi Yari Polearm on original haft, circa 1670. For use on or off horseback.
Beautiful bright polish with suguha straight hamon to both edges.

With original pole and iron foot mount ishizuki. Four sided double edged head. The mochi-yari, or "held spear", is a rather generic term for the shorter Japanese spear. It was especially useful to mounted Samurai. In mounted use, the spear was generally held with the right hand and the spear was pointed across the saddle to the soldiers left front corner.
The warrior's saddle was often specially designed with a hinged spear rest (yari-hasami) to help steady and control the spear's motion.

The mochi-yari could also easily be used on foot and is known to have been used in castle defense. The martial art of wielding the yari is called sojutsu. A yari on it's pole can range in length from one metre to upwards of six metres (3.3 to 20 feet). The longer hafted versions were called omi no yari while shorter ones were known as mochi yari or tae yari. The longest hafted versions were carried by foot troops (ashigaru), while samurai usually carried a shorter hafted yari.

Ryō-shinogi yari, a blade with a diamond shaped cross section

Honda Tadakatsu was famous as a master of one of The Three Great Spears of Japan, the Tonbokiri (蜻蛉切). One of The Three Great Spears of Japan, the Nihongō (ja:日本号) was treasured as a gift, and its ownership changed to Emperor Ogimachi, Shogun Ashikaga Yoshiaki, Oda Nobunaga, Toyotomi Hideyoshi, Fukushima Masanori, and so on, and has been handed down to the present day.

Yari are believed to have been derived from Chinese spears, and while they were present in early Japan's history they did not become popular until the thirteenth century.The original warfare of the bushi was not a thing for "commoners"; it was a ritualized combat usually between two warriors who may challenge each other via horseback archery and sword duels. However, the attempted Mongol invasions of Japan in 1274 and 1281 changed Japanese weaponry and warfare. The Mongol-employed Chinese and Korean footmen wielded long pikes, fought in tight formation, and moved in large units to stave off cavalry. Polearms (including naginata and yari) were of much greater military use than swords, due to their much greater range, their lesser weight per unit length (though overall a polearm would be fairly hefty), and their great piercing ability. Swords in a full battle situation were therefore relegated to emergency sidearm status from the Heian through the Muromachi periods.

The shaft (nagaye or ebu) came in many different lengths, widths, and shapes; made of hardwood and covered in lacquered bamboo strips, these came in oval, round, or polygonal cross section. These in turn were often wrapped in metal rings or wire (dogane), and affixed with a metal pommel (ishizuki; 石突) on the butt end. Yari shafts were often decorated with inlays of metal or semiprecious materials such as brass pins, lacquer, or flakes of pearl. A sheath (saya; 鞘) was also part of a complete yari.

The Three Great Spears of Japan are three individual spears (yari) that were made and crafted by the greatest historical blacksmiths of Japan:1

Tonbokiri (蜻蛉切): This spear once wielded by Honda Tadakatsu, one of the great generals of Tokugawa Ieyasu. It was forged by Masazane, a disciple of Muramasa. It is now owned by a private individual and lent to the Sano Art Museum for its collection. The type of blade shape is sasaho yari.2
Nihongo, or Nippongo (日本号): A famous spear that was once used in the Imperial Palace. Nihongo later found its way into the possession of Fukushima Masanori, and then Tahei Mori. It is now at Fukuoka City Museum. The type of blade shape is omi yari.2
Otegine (御手杵): It was a spear that Yuki Harutomo, a daimyo, ordered Shimada Gisuke, a swordsmith, to make. It was lost in the Bombing of Tokyo in 1945. The type of blade shape was omi yari.

this yari's blade is 17.5 inches including tang, blade 5 inches long, overall in pole 78 inches {not including saya}  read more

Code: 24041

A Beautiful and Ancient Original Greek 'Leaf Shaped' Bronze Sword, 1200 BC, Around 3200 Years Old, From the Era Known In The Days of Homer as The 'Heroic Age'

A Superb ancient Greek bronze age sword blade, from the ancient pre-history period 'Heroic Age', with fabulous areas of crystallized malachite blue/green patina. From the era of the Mycenaean Greek Trojan Wars. in overall fabulous condition. The Hilt would have been made from organic material such as horn bone or wood, that never survives once buried for the three millennia since it was used in war. So all that remains is the bronze blade's tang. The bronze for this blade was likely made from the Cretan copper mines, as an alloy, with an element of added tin.

The story of the Trojan War the Bronze Age conflict between the kingdoms of Troy and Mycenaean Greece straddles the history and mythology of ancient Greece and inspired the greatest writers of antiquity, from Homer, Herodotus and Sophocles to Virgil. Since the 19th-century rediscovery of the site of Troy in what is now western Turkey, archaeologists have uncovered increasing evidence of a kingdom that peaked and may have been destroyed around 1,180 B.C. perhaps forming the basis for the tales recounted by Homer some 400 years later in the Iliad and the Odyssey. According to classical sources, the war began after the abduction (or elopement) of Queen Helen of Sparta by the Trojan prince Paris. Helen's jilted husband Menelaus convinced his brother Agamemnon, king of Mycenae, to lead an expedition to retrieve her. Agamemnon was joined by the Greek heroes Achilles, Odysseus, Nestor and Ajax, and accompanied by a fleet of more than a thousand ships from throughout the Hellenic world. They crossed the Aegean Sea to Asia Minor to lay siege to Troy and demand Helen’s return by Priam, the Trojan king. The siege, punctuated by battles and skirmishes including the storied deaths of the Trojan prince Hector and the nearly-invincible Achilles, lasted more than 10 years until the morning the Greek armies retreated from their camp, leaving a large wooden horse outside the gates of Troy. After much debate (and unheeded warnings by Priam?s daughter Cassandra), the Trojans pulled the mysterious gift into the city. When night fell, the horse opened up and a group of Greek warriors, led by Odysseus, climbed out and sacked the Troy from within. After the Trojan defeat, the Greeks heroes slowly made their way home. Odysseus took 10 years to make the arduous and often-interrupted journey home to Ithaca recounted in the Odyssey. Helen, whose two successive Trojan husbands were killed during the war, returned to Sparta to reign with Menelaus. After his death, some sources say she was exiled to the island of Rhodes, where a vengeful war widow had her hanged.

The Greek Heroic Age, in mythology, is the period between the coming of the Greeks to Thessaly and the Greek warriors' return from Troy after their return with Helen of Troy. The poet Hesiod (fl. c. 700 BCE) identified this mythological era as one of his five Ages of Man. The period spans roughly six generations; the heroes denoted by the term are superhuman, though not divine, and are celebrated in the literature of Homer and of others, such as Sophocles, Aeschylus and Euripides.

The Greek heroes can be grouped into an approximate mythic chronology, based on the stories of events such as the Argonautic expedition and the Trojan War. Over the course of time, many heroes, such as Heracles, Achilles, Hector and Perseus, came to figure prominently in Greek mythology.

Early heroes
Many of the early Greek heroes were descended from the gods and were part of the founding narratives of various city-states. They also became the ancestors of later heroes. The Phoenician prince Cadmus, a grandson of Poseidon, was the first Greek hero and the founder of Thebes.

Perseus, famous for his exploits well before the days of his great-grandson, Heracles, was the son of Zeus. Perseus beheaded the Medusa, saved Andromeda from the sea monster Cetus, and was the legendary founder of Mycenae.
Aeacus was also a son of Zeus. Bellerophon was descended from the nymph Orseis. Oenomaus, king of Pisa, in the Peloponnese, was the son of Ares.
Among these early heroes the three - Cadmus, Perseus and Bellerophon - were considered the greatest Greek heroes and slayers of monsters before the days of Heracles.

Of course, despite the Age of Heroes and the time of the Gods of Olympus, being based almost entirely on mythology, apart from the actual city of Troy, which is now proved to be not a myth, the real warriors that lived during that age and time, in ancient pre-history, actually existed, and this is their very form of sword, and one that they would have used.
Photo in the gallery of an Attic black figure vase that shows Theseus killing the Minotaur of the Cretan labyrinth with an identical pattern of Greek sword. A feminine figure looks on from the right, possibly Ariadne. Late 6th, early 5th century BCE. (Archaeological Museum, Milan). See discussion in Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, p.8-21. `15.5 inches long overall  read more

Code: 22103

Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

A complimentary display stand, will be included.
As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24304

Archaic Zhou Dynasty Bronze Halberd or ‘Ge’ of a Zhou Dynasty Charioteer, Circa 5th Century BC. Used By a Warrior In the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

This is the very type of original ancient ceremonial halbard, defined by the ancient Chinese as a dagger axe 'Ge' and exactly the type as used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.

In excavated condition, cast in one piece, slightly curved terminal blade of thin flattened-diamond section, pierced along a basal flange with three slots, with fabulous areas of crystallized malachite, blue/green patina.

We also show in the gallery a schematic of how this 'Ge' halbard would have been mounted 2500 odd years ago on its long haft, and used by a charioteer warrior, there is also one depicted being carried in a painting that we show in the gallery being used in a chariot charge in the Zhou dynasty.

This is a superb original ancient piece from one of the great eras of Chinese history. it is unsigned but near identical to another that was signed and inscribed with details that have now been fully translated, deciphered and a few years ago shown at Sothebys New York estimated to a sale value of $300,000. Its research details are fully listed below, and it is photographed within our gallery for the viewers comparison. Naturally, our un-inscribed, but still, very rare original version, from the same era and place, is a much more affordable fraction of this price

The signed and named Sotheby's of New York example that we show in the gallery, was formerly made for its original warrior owner, Qu Shutuo of Chu, it is from the same period and in similar condition as ours. We reference it's description below, and it is photographed within the gallery, it is finely cast with the elongated yuan divided by a raised ridge in the middle of each side and extending downward to form the hu, inscribed to one side with eight characters reading Chu Qu Shutuo, Qu X zhisun, all bordered by sharply finished edges, the end pierced with three vertically arranged chuan (apertures), the nei with a further rectangular chuan and decorated with hook motifs, inscribed to one side with seven characters reading Chuwang zhi yuanyou, wang zhong, and the other side with five characters reading yu fou zhi X sheng, the surface patinated to a dark silver tone with light malachite encrustation
An Exhibition of Ancient Chinese Ritual Bronzes. Loaned by C.T. Loo & Co., The Detroit Institute of Arts, Detroit, 1940, pl. XXXIII.
New Orleans Museum of Art, New Orleans, March - June 1948.

This inscribed bronze halberd blade, although typical in form, is uniquely important as its inscription serves as a critical primary source that reveals the name of its original owner: Qu Shutuo of Chu. The only known close counterpart to this blade is a damaged bronze halberd blade, missing the yuan, and inscribed on the hu with seven characters, which can be generally translated to ‘for the auspicious use of Qu Shutuo of Chu’. That halberd is now in the collection of the Hunan Provincial Museum, Hunan, and published in Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng Compendium of inscriptions and images of bronzes from Shang and Zhou dynasties, vol. 32, Shanghai, 2012, no. 17048

The remaining thirteen inscriptions can be translated as: 'Qu Shutuo of Chu, Qu X's grandson, yuanyou of the King of Chu'. Based on the inscription, the owner of this blade can be identified as such.

See for reference; The Junkunc Collection: Arts of Ancient China / Sotheby's New York
Lot 111

We also show in the gallery a photo of another similar halberd from a museum exhibition, of a Chinese ancient king bodyguard’s halberd gilt pole mounts for his personal charioteer

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24306

Ist Edition of 'The Rommel Papers' Printed by Collins in 1953

The Rommel Papers is the collected writings by the German World War II field marshal Erwin Rommel published in 1953.

A good volume example of the career and tactics of one of the greatest and revered generals of the war. In fact even Winston Churchill announced his demise in parliament, as the death of a noble leader of men that was not tainted, unlike many others in Germany, by the NAZI disease and corrupt influences of the Third Reich.


The book included Rommel's writings of the war, edited by the British journalist and historian B. H. Liddell Hart, the former Wehrmacht officer Fritz Bayerlein, who served on Rommel's staff in North Africa, and Rommel's widow and son. The volume contained an introduction and commentary by Liddell Hart.

Liddell Hart had a personal interest in the work: by having coaxed Rommel's widow to include material favourable to himself, he could present Rommel as his "pupil" when it came to mobile armoured warfare.
Thus, Liddell Hart's "theory of indirect approach" became a precursor to the German blitzkrieg ("lightning war"). The controversy was described by the political scientist John Mearsheimer in his work The Weight of History, who concluded that, by "putting words in the mouths of German Generals and manipulating history", Liddell Hart was in a position to show that he had been at the root of the dramatic German successes in 1940.

The historian Mark Connelly argues that The Rommel Papers was one of the two foundational works that lead to a "Rommel renaissance" and "Anglophone rehabilitation", the other being Desmond Young's biography, Rommel: The Desert Fox. The book contributed to the perception of Rommel as a brilliant commander; in an introduction, Liddell Hart drew comparisons between Rommel and Lawrence of Arabia, "two masters of desert warfare"

In World War II, he commanded the 7th Panzer Division during the 1940 invasion of France. His leadership of German and Italian forces in the North African campaign established his reputation as one of the ablest tank commanders of the war, and earned him the nickname der Wüstenfuchs, "the Desert Fox". Among his British adversaries he had a reputation for chivalry, and his phrase "war without hate" has been uncritically used to describe the North African campaign. A number of historians have since rejected the phrase as a myth and uncovered numerous examples of German war crimes and abuses towards enemy soldiers and native populations in Africa during the conflict. Other historians note that there is no clear evidence Rommel personally was involved or aware of any of these crimes, with some pointing out that the war in the desert, as fought by Rommel and his opponents, still came as close to a clean fight as there was in World War II. He later commanded the German forces opposing the Allied cross-channel invasion of Normandy in June 1944.

With the Nazis gaining power in Germany, Rommel gradually accepted the new regime. Historians have given different accounts of the specific period and his motivations. He was a supporter of Adolf Hitler, at least until near the end of the war, if not necessarily sympathetic to the party and the paramilitary forces associated with it. In 1944, Rommel was implicated in the 20 July plot to assassinate Hitler. Because of Rommel's status as a national hero, Hitler wanted to eliminate him quietly instead of having him immediately executed, as many other plotters were. Rommel was given a choice between suicide, in return for assurances that his reputation would remain intact and that his family would not be persecuted following his death, or facing a trial that would result in his disgrace and execution; he chose the former and took a cyanide pill. Rommel was given a state funeral, and it was announced that he had succumbed to his injuries from the strafing of his staff car in Normandy.

Rommel became a larger-than-life figure in both Allied and Nazi propaganda, and in postwar popular culture. Numerous authors portray him as an apolitical, brilliant commander and a victim of Nazi Germany, although this assessment is contested by other authors as the Rommel myth. Rommel's reputation for conducting a clean war was used in the interest of the West German rearmament and reconciliation between the former enemies – the United Kingdom and the United States on one side and the new Federal Republic of Germany on the other. Several of Rommel's former subordinates, notably his chief of staff Hans Speidel, played key roles in German rearmament and integration into NATO in the postwar era. The German Army's largest military base, the Field Marshal Rommel Barracks, Augustdorf, and a third ship of Lütjens-class destroyer of the German Navy are both named in his honour. His son Manfred Rommel was the longtime mayor of Stuttgart, Germany and namesake of Stuttgart Airport.  read more

Code: 25106

A Very Rare Original Medeavil Book, Vitae Pontificum, Ist Edition, of 1479, By Bartolomaeus Platina, Vitae Pontificum (Lives of the Popes) and Personally Presented It To Pope Sixtus IV, From the Library of Abolishionist William Roscoe

Only the second example we have ever seen in almost 60 years.
Pope Sixtus IVth's Appointed Vatican Librarian. This remarkable tome an Incunabule is over 545 years old. When Bartolomeo Sacchi ('Platina', 1421-1481) wrote this Vitae pontificum (Lives of the Popes) and personally presented it to Pope Sixtus IV in 1475, he surely could not have imagined how influential it would become over the centuries. His was the first papal history, the lives of the popes from the time of Jesus Christ, to the reign of Sixtus IV, composed as a humanist Latin narrative and, as such, marked a distinct breakthrough in relation to the Liber pontificalis, the standard medieval chronicle of the papacy. Whatever Platina's intentions for the book that was published in 1479, it soon came to be regarded as the official history of the Roman pontiffs, an icon of the earliest printing. Formerly from the library of the renown Abolishionist William Roscoe, sold by him at auction in 1816 for £1.13/-, due to the financial difficulties of his banking house, and acquired by order of the Library Committee of the City of Bath Reference Library. This book was likely commissioned due to the influences of Pope Sixtus IV Francesco della Rovere upon his librarian, it's author, Bartolomaeus Platina. We show in the gallery a painting of Pope Sixtus appointing Platina as the official Vatican Librarian. An Incunable is a most rare book, pamphlet, or broadside (such as the Almanach cracoviense ad annum 1474) that was printed not handwritten before the year 1501 in Europe. They are the earliest form of printed books. Incunabula include the Gutenberg Bible of 1455, probably the most valuable book in the world. This is a First Edition of Bartholomaeus Platina's great history of the lives of the Popes, the first systematic papal history, not only to create the first detailed history of the Popes but also to villify his mortal enemy Pope Paul IInd Pietro Barbo. This book was created in the era of the great Rennaiscance, in the time of the notorious Borgias and in the year of the notorious Pazzi conspiracy, which was a plot by members of the Pazzi family and others to displace the de' Medici family as rulers of Renaissance Florence. It was printed at the time that Leonado De Vinci drew the hanging of a Pazzi conspiritor Bernardo di Bandino Baroncelli. On 26 April 1478 there was an attempt to assassinate Lorenzo de' Medici and his brother Giuliano de' Medici. Lorenzo was wounded but survived; Giuliano was killed. The failure of the plot served to strengthen the position of the de' Medici. The Pazzi were banished from Florence. During the time the Platina served as the first librarian at the Vatican under its modern founder, Sixtus IV. Platina started his career as a soldier employed by condottieri, before gaining long-term patronage from the Gonzagas, including the young cardinal Francesco, for whom he wrote a family history. He studied under the Byzantine humanist philosopher John Argyropulos in Florence, where he frequented other fellow humanists, as well as members of the ruling Medici family.

Around 1462 he moved with Francesco Gonzaga to Rome, where he purchased a post as a papal writer under the humanist Pius II (Enea Silvio Piccolomini) and became a member of the pagan-influenced Roman Academy founded by Pomponio Leto. Close acquaintance with the renowned chef Maestro Martino in Rome seems to have provided inspiration for a theoretical treatise on Italian gastronomy entitled De honesta voluptate et valetudine ("On honourable pleasure and health"), which achieved considerable popularity and has the distinction of being considered the first printed cookbook.

Platina's papal employment was abruptly curtailed on the arrival of an anti-humanist pope, Paul II (Pietro Barbo), who had the rebellious Platina locked up in Castel Sant'Angelo during the winter of 1464-65 as a punishment for his remonstrations. In 1468 he was again confined in Castel Sant'Angelo for a further year, where he was interrogated under torture, following accusations of an alleged pagan conspiracy by members of Pomponio's Roman academy involving plans to assassinate the pope.

Platina's fortunes were revived by the return to power of the strongly pro-humanist pope, Sixtus IV (Francesco della Rovere), who in 1475 made him Vatican librarian an appointment which was depicted in a famous fresco by Melozzo da Forli. He was granted the post after writing an innovative and influential history of the lives of the popes that gives ample space to Roman history and pagan themes, and concludes by vilifying Platina's nemesis, Paul Iia paragraph from Platina's Vitae Pontificum first gave rise to the legend of the excommunication of Halley's comet by Pope Callixtus III,
Vitae Pontificum ("Lives of the Popes", 1479) "Incunable" is the anglicised singular form of "incunabula", Latin for "swaddling clothes" or "cradle", which can refer to "the earliest stages or first traces in the development of anything." A former term for "incunable" is "fifteener", referring to the 15th century. Vitae pontificum, FIRST EDITION, 239 leaves (of 240, lacking first leaf), 39 lines, roman (and a little Greek) letter, capital spaces with guide letters, a few early marginal ink annotations, tears repaired to 2 leaves, small worm trace in upper margin of approximately 30 leaves (touching letters on approximately 20), inner margins of final leaves strengthened at gutter margins and a few other small paper repairs, gnawing to some fore-corners, blindstamp on approximately 6 leaves, late seventeenth/early eighteenth century red morocco gilt, sides panelled with corner, side and central decorations, spine gilt-tooled (including title and publication date) in 7 compartments within raised bands, rebacked preserving most of original spine. Venice, Johannes de Colonia and Johannes Manthen, 11 June 1479. William Roscoe's copy of the first editon of Platina's history of the Popes.

Provenance: William Roscoe (1753-1832), historian and author of Lorenzo de Medici (1796) and The Life of Pope Leo X (1805), with a 10-line pencil note in his hand, above which an ink note reads "Notes by Wm. Roscoe vide infra. Coll. By him". One of this books former owners was the renown William Roscoe (8 March 1753 , 30 June 1831). He was an English historian, leading abolitionist, art collector, M.P. Lawyer, banker, botanist and miscellaneous writer, perhaps best known today as an early abolitionist. 11.25 inches x 7.5inches x 2.25 inches.  read more

Code: 20006

A Simply Magnificent, Huge, Ozutso Samurai Hand Cannon Teppo Matchlock Gun, of Negishi Sukenobu, Inlaid With Silver and Gold Dragon With Both the Amago Clan of Kamei Kenenori and Tokugawa Clan Mons.

Signed Japanese red oak stock. The huge uncompromising barrel is inlaid with twin, large silver Amago clan mon and and gold-copper triple leaf Aoi, clan mon of the Tokugawa at the breech, it has a pinhole block site, extravagant gold and silver scrolling dragon inlay, up through the length of the barrel, terminating in a multi sided and stunning tulip form muzzle. Within the channel of the stock is a beautiful hand scripted signature of the samurai owner, Negishi Sukenobu no Tutu. Translation; Negishi Sukenobu's gun tutu is an old Japanese name for a matchlock gun

It has a sinchu matchlock mechanism with a long engraved match arm, inlaid with speckles of silver, traditional spring release utilising the ball trigger. the stock has engraved, silver cherry blossom form inlaid, barrel retaining mekugi-ana apertures, for the long copper mekugi to retain the barrel..

Part of a huge collection that just arrived after a long and patient wait a sensational O-Zutsu hand cannon tanegashima, it is huge and incredibly heavy, of around 10 monme, 18mm bore

It is often the case were early samurai weaponry bear twin mon decoration, often demonstrating a co-joining or allegiance between two samurai clans.

Resembling the Portuguese arquebus, the first matchlock gun to be seen in Japan, this massive and handsome weapon expresses the Japanese desire for powerful, finely made firearms.

A 17th century Japanese tradition relates that after the accidental arrival of three Portuguese mariners on Tanegashima Island in 1543, the sword-smith Kiyosada gave his daughter to their captain in order to learn the secrets of musket manufacture.

The actual guns were snap matchlocks made in Malacca, a Portuguese colony, and by 1550 were in production on a large scale. Known as ‘Tanegashima’ or ‘Teppō’ they were used by the Samurai and their foot soldiers and changed the way war was fought in Japan forever.

Large carbines such as this example were known as ‘ozutsu’ or cannon and were mounted on castle walls, used on merchant ships to repel pirates, on horseback in war or as assault weapons to blast through door hinges.

They could also launch incendiary or explosive arrows known as ‘Hiya’ to set fires during sieges. When fired these powerful weapons had a large recoil, and bales of rice were used to support the gunners back from injury.

Ammunition consisted of heavy round lead balls with differing sizes described as ‘Monme’. Made to take between 10 to 30 ‘Monme’ shots, this carbine is one of the largest examples of Japanese Edo Period handheld firearm

One woodblock in the gallery of a samurai holding an ozutso, and another of the great Takeda Shingen contemplating a small teppo matchlock gun, and it’s dramatic effect on the future of samurai warfare. The shape and form of ours is the same as the one contemplated by Takeda Shingen in the print, but ours is around four times the size, not a long gun but of incredible mass, beauty and presence. Somewhat like a dragon, a beast to admire for its breathtaking beauty, but to fear and respect for its power and presence.
The Amago clan, descended from the Emperor Uda (868–897) by the Kyogoku clan, descending from the Sasaki clan (Uda Genji).

Kyogoku Takahisa in the 14th century, lived in Amako-go (Omi Province), and took the name 'Amago'. The family crest, is also the one of the Kyogoku clan.

They were Shugodai (vice-Governors) of Izumo and Oki provinces for generations, for the Kyogoku Shugo branch , and their seat was Gassan Toda castle.

In 1484, Amago Tsunehisa (1458–1541), was deprived of the position of Shugodai by Kyogoku Masatsune, who was the Shugo, because he did not obey the request of tax from the Muromachi bakufu, and was expelled from Gassan Toda castle. Although Enya Kamonnosuke was dispatched to Gassan Toda castle as the new Shugodai, Tsunehisa recaptured Gassan Toda castle by a surprise attack in 1486, took control of Izumo, and developed the Amago clan into a Sengoku Daimyo clan.

The Amago fought the Ouchi clan or the Mori clan (who had been among their vassals), during Japan's Sengoku period.

For much of the next hundred years, the clan battled with the Ouchi and Mori, who controlled neighbouring provinces, and fell into decline when Gassantoda Castle fell to the Mori in 1566.

Amago Katsuhisa tried to regain prestige for the clan by joining the forces of Oda Nobunaga, invaded Tajima and Inaba provinces, but was defeated and died in the siege of Kozuki by the Mori in 1578.
Kamei Korenori (亀井 茲矩, 1557 – February 27, 1612) was a Japanese daimyō who lived through the early Edo period. He was first a retainer under the Amago clan of Izumo Province, but eventually became a daimyō in his own right. Receiving Shikano castle in Inaba Province as a reward for his notable service in 1578, Korenori ascended to higher rank as he assisted in Hideyoshi's 1587 invasion of Kyūshū. Following Hideyoshi's death in 1598, entered the service of Tokugawa Ieyasu. Following the Sekigahara Campaign of 1600, his income was raised from 13,000 to 43,000 koku as a reward for his service to the Tokugawa clan. Korenori died of natural causes in 1612.

Korenori's descendants were eventually made daimyō (lords) of the Tsuwano Domain, which they ruled until the Meiji Resoration.

Weight an impressive and formidable 6.6 kilos, length overall, 42 inches, barrel 30.5 inches  read more

Code: 24307