A Superb 1875 pattern Japanese General's Dress Parade Sword of an Imperial Japanese Army General of the Matsuura Clan. Lt General Junrokurō Matsuura Commander of the 106th Infantry Division in China

The hilt has all its original gilt and the general's pattern fully relief decorated back strap surmounted by the silver clan mon of the Matsuura clan, its original multi wire bound generals pattern hawksbill turtle grip, is superbly intact, and the blade has an unusual crab-claw pattern, etched, full length hamon to the blade, in very good polish, with just slight overall service abrasive wear. The nickel plated scabbard in very nice condition for age, with a single very small dent and a few plate surface blemishes. It has a single mount ring

The 1875 pattern General's parade sword had one of the longest service lives of all the Japanese military swords. Worn from the late 1870's right into the end of WW2. Emperor Meiji carried the 1875 General's parade sword as did Emperor Hirohito, the Showa Emperor and last living god of Japan, carried his 1875 General's sabre when on horseback, which of course may well have been his ancestors sword Emperor Meiji {see in the gallery Emperor Hiro Hito with the sword carried on horseback with one scabbard ring, and Emperor Meiji wearing the sword while seated, using two scabbard rings.}

Due research revealed the most probably owner of the sword due to the only Matsuura Clan General in military service in this period.

Junrokurō Matsuura {also spelt Matsura}, was a lieutenant general in the Imperial Japanese Army in the Second Sino-Japanese War, and WW2. In Japanese terms the second world war started earlier than most, from the invasion of China. For America WW2 ran from 1941 to 1945, as did WW2 for Russia, and for Britain and Europe in started in two years earlier in 1939.

Matsuura was Head of the Personnel Bureau of the Ministry of War until 1935.
Then Commandant of Toyama Army Infantry School in 1935, and that same year became the commander of IJA 10th Division until 1937 when he went into the reserves and retired
However, in 1938, General Matsuura was recalled to active service, and appointed the commanding officer of the IJA 106th Division in China during the Second Sino-Japanese War, in command of an excess of 10,000 officers and men. His division was involved the Wuchang-Hankou Campaign especially the Battle of Wanjialing.

The report written by Lieutenant General Matsuura, the head of the 106th Division of the Japanese Army, to the Emperor of Japan. In the report, he wrote: "In the Wuhan battle , 3321 people died in battle, 12 people above the battalion commander, 4085 were hospitalized for war injuries, and 7969 were hospitalized for common diseases. Most of them died in Wanjialing."
He returned to Japan in early 1939, with his division reduced to just around 1,000 survivors of the battle and went into retirement once more.

The sword is in superb condition, with all its original gilt to the hilt, with the general's pattern back strap surmounted with the silver Matsuura clan mon. The hilt grip is the general's pattern hawksbill turtle shell, with original multi wire binding. The blade has a crabclaw pattern etched hamon, a single hi and in in full polish with just slight wear. Nickel plated steel scabbard with single ring.
1875 pat generals sword of the Matsura {also spelt Matsuura}

The Matsura family of Hirado, in present-day Nagasaki Prefecture, has a long and storied 800-year history. The clan’s origins are quite colourful—they were involved in trading with Korea and China, smuggling and even piracy. During the epic war between the Taira (Heike) and Minamoto (Genji) at the end of the Heian period, the Matsura sided with the Heike and provided men and boats for the climactic battle of Dannoura, which ended in a complete victory for the Minamoto and paved the way for their leader, Yoritomo, to establish the Kamakura Shogunate, beginning the era of warrior rule of Japan.

During the Kamakura period, the Matsura, through there trading and smuggling network along the vital Chinese ports and trade paths, helped keep the Shogunate informed of Kublai Khan’s invasion plans for Japan in 1274 and 1281 and once again supplied men and material to fight the Mongol invaders. Later on, in the 1500s, as Japan fell deeper into the chaos of civil war, the Matsura gradually increased their powerbase and became a hub of international trade with the Portuguese, Dutch and English, amassing an incredible amount of wealth in this little corner of Kyushu.

The Matsura allied themselves with Toyotomi Hideyoshi when he invaded Kyushu as part of his campaign to unify Japan. In return for their loyalty, Hideyoshi confirmed Matsura Shigenobu as daimyo (feudal lord) over Hirado, a holding valued at an annual income of 63,200 koku (1 koku = amount of rice needed to feed one person for a year). This income was handsomely complimented the amount of money the Matsura were hauling in from legitimate foreign trade as well as the old smuggling and piracy connections (direct involvement in piracy seems to have faded by the early 1600s). As a loyal vassal to Hideyoshi, Shigenobu led a large contingent of his samurai into Korea as a part of Japan’s failed invasion of Korea from 1591-1598. Upon the end of the war, the Matsura built Hinotake Castle as the clan’s main residence. However, the extensiveness of the Castle’s defences, combined with the clan’s neutrality during the clash between the pro-Toyotomi and Tokugawa forces at the battle of Sekigahara brought the clan under the suspicion of the Tokugawa as they consolidated power under their new shogunate. Knowing the clan had much to lose in terms of trade grants as well as its fief, Shigenobu took the dramatic step of setting Hinotake Castle on fire to show the Tokugawa that he was defenceless and at their mercy as a loyal retainer.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24983

A Scarce Infanterie Seitengewehr Model 1871 Mauser Rifle Bayonet With Full Regimental Markings to Sword and Scabbard

The Mauser Model 1871 adopted as the Gewehr 71 or Infanterie-Gewehr 71, or "Infantry Rifle 71" ("I.G.Mod.71" was stamped on the rifles themselves) was the first rifle model in a distinguished line designed and manufactured by Paul Mauser and Wilhelm Mauser of the Mauser company and later mass-produced at Spandau arsenal.

Irish Republicans imported some 1,500 single-shot 1871 Mausers in the Howth gun-running for the nationalist militia called the Irish Volunteers in 1914. They were used in action by the Volunteers in the Easter Rising of 1916, the rebellion aimed at ending British rule in Ireland which began the Irish War of Independence. The 1871 Mauser became known in Ireland as the "Howth Mauser"  read more

Code: 24977

Just Arrived, Here At The Lanes Armoury, Britain's Premier Arms Armour & Collectables Shop. A Super, Large Collection of Swords & Bayonets, Samurai Armours, Samurai Kabuto Samurai Swords And WW2 Japanese Officers Parade Swords, Including Generals Sword

Thanks to us being so long established here in Brighton we are contacted or visited every day by private families interested in selling their long past collected antiques and antiquities. Artefacts of all kinds, from all eras and all nations. Some collected by their ancestors hundreds of years ago.
And thus, arriving early this week to be posted online, it has been particularly fascinating for the diversity and beauty of our finds. We will have two suits of samurai armour, four very fine samurai swords, a full suit of Queen Elizabeth IInd’s mounted body guard, the Life Guards, the full cuirass armour, helmet, uniform etc. plus a really early and fine and very rare King Charles IInd Royal Naval blunderbuss, some very fine 18th century flintlock pistols, an exceptional Battle of Waterloo use 1810 Cuirassier sword, a Waterloo recovered French grenadier’s sword, plus, some original souvenirs officially recovered from the Waterloo battle site almost 50 years ago, including the remarkable cast iron fire-grate-back from the farm building, le Haye Sainte, the site of the amazing battle of Waterloo, plus lots, lots more.

Some are requiring small to medium elements of conservation and cleaning. Only this month al manner of wonders arrived, some have been added already, others are to be added this week, including, a late 17th century Spanish Rapier, 1796 Light Dragoon sabres, 1796 Flank Officer's sabre, 1796 Heavy Cavalry undress sword, a Peninsular & Waterloo period British general's sword, finest 18th century Silver Small Swords, 18th Century naval officers sword, Crimean War swords, rare German bayonets, WW1 and ersatz, a rare Robbins & Dudley fighting knife, Japanese swords, US Civil War Cavalry Sabre, many 19th century German & French short sword sidearms. Plus, a near mint cased pair of Napoleonic period British duellers, all with near mint blue and original finish, with original tools etc. by a one of the great great makers, gunmaker to Prince Edward and to the King, an Air Crew Europe medal group for Sgt. Frank H Westbrook {an observer of 13th Squadron, in Operation Jubilee of the Dieppe Raids}, and an Afghanistan 1919 campaign WW1 group. Also a James Bond 1st Edition 'On Her Majesty's Secret Service' publ'd 1963.A Rare form of Geometrically Wired Zulu War Knopkerrie. A Napoleonic Wars, 1805 Nelson Period, Royal Naval Sailors Fid.

It is fair to say, you may see here, in the gallery and shop, wondrous and magical historical pieces you may have never seen the like of before, and may never see again, outside of a first division museum. Such as The Tower of London, The British Museum, The National Army Museum or maybe even Les Invalides in Paris, except, unlike viewing them in fine and exclusive museum,… ours are all for sale!  read more

Code: 24935

An Original US Civil War Remington New Model Army Revolver With Later Bespoke Antique Fitted Case, Flask & Tools

In very nice condition for age, with a really tight and crisp action. One of the most sought after and iconic American revolvers of the Civil War and Wild West era. A scarce 8 inch sighted octagonal barrel stamped with the manufacturer's details, plain cylinder and frame, the serial number, brass trigger guard, two-piece wooden grips, Sub inspector letters stamped 'U and B. The Remington Model 1858 was a cap & ball (also called "percussion") 44-calibre revolver used during the American Civil War from 1862 onwards. It was used primarily by Union soldiers, and widely favoured over the standard issue Colt Army Model 1860 by those who could afford it, due primarily to its durability and ability to quickly reload. Of course if a gun such as this was captured in a Confederate victory it would be eagerly used by it's new southern states owner as a highly prized trophy of war. It also saw considerable use in the American West, both in its original cap & ball configuration and as a metallic cartridge conversion.
A prized possession of the Remington Arms Company is similar, original, New Model Army with ivory grips once carried by William F. "Buffalo Bill" Cody see photo in our gallery. The historic revolver is on display with Cody's simple handwritten note, "It never failed me". Cody carried the revolver in original percussion form well into the cartridge era, and never converted it to cartridge use. The Remington “Army” .44 percussion revolver was the primary competition to the Colt M1860 .44 percussion revolver during the American Civil War era. Although Sam Colt was the better salesman and marketer, Remington eventually beat Colt out of their military contracts by delivering a comparable (some felt superior) product for less money. In 1864, after the US government had finally beat Colt’s price down to $14.00 per revolver, they had been paying $20.00 or more per gun in the early days of the war, Remington agreed to furnish their “Army” revolver for only $12.00 per gun. That ended the reign of the Colt Army as the first choice for the Ordnance Department procurement officers.
In the field, even though the Colt revolver had the name and the mystique, many cavalry troopers preferred the much sturdier solid frame design of the Remington revolver. According to the research published in Remington Army & Navy Revolvers 1861-1868 by Donald L. Ware, Remington revolvers through serial 149,000 were accepted prior to the end of the Civil War. No license required to own or collect. The flask and mould in the case are non original replacements, but could easily be replaced in the future themselves with original types. The barrel is lightly surface pitted, as is some of the frame, but the cylinder is near pitting free  read more

Code: 24976

A Superb 'Top Secret' 'Ball Race', A Spare Part of the World Famous 'Little Boy' Bomb , The Very First Atom Bomb Ever Made, and Used in WW2

This amazing piece of history has just returned from use in a documentary on the Manhattan Project and Professor Oppenheimer, as can be seen in the current worldwide movie hit, 'Oppenheimer'

It is the second, 'back-up' spare part that we owned, the first spare part we sold previously, for the infamous 'Little Boy' bomb, the 1st ever Uranium Bomb, that ultimately led to the end of WW2 in Japan, and although devastating to Japan, saved many, many millions of lives, including the hundreds of thousands of allied WW2 POWs in Japanese slave and torture camps, who were to be instantly executed, under Imperial decree, the moment an allied soldier stepped foot on Japanese soil. And, not forgetting the imperial general staff order that every man woman and child in Japan were instructed to kill an allied invading soldier, by whatever means, and every Japanese citizen was ordered to fight to the death, and never surrender. Another most interesting and historical fact, not often known by most today, was that the emperor realised once the atom bombs were dropped, and their god like devastating power revealed, Japan was utterly lost, and what remained of his empire and his people must be saved.

Thus he decided to announce Japan's unconditional surrender. However, considerable elements of the general staff had other ideas, and passionately opposed this decision, so much so, despite him being regarded as a god, an assasination squad under command of Major Hatanaki a fiery eyed zealot, was despatched to the imperial palace to kill him. Fortunately for the world his most faithful and devoted aide hid him in a special protected room, and thus the emperor was able to escape and make his momentous surrender broadcast, and the rest, as they say, is history. In the days that followed the emperor’s radio address, at least eight generals killed themselves. On one afternoon, Vice Admiral Matome Ugaki, commander of the Fifth Air Fleet on the island of Kyushu, drank a farewell cup of sake with his staff and drove to an airfield where 11 D4Y Suisei dive-bombers were lined up, engines roaring. Before him stood 22 young men, each wearing a white headband emblazoned with a red rising sun.

Ugaki climbed onto a platform and, gazing down on them, asked, “Will all of you go with me?”

“Yes, sir!” they all shouted, raising their right hands in the air.

“Many thanks to all of you,” he said. He climbed down from the stand, got into his plane, and took off. The other planes followed him into the sky.

Aloft, he sent back a message: “I am going to proceed to Okinawa, where our men lost their lives like cherry blossoms, and ram into the arrogant American ships, displaying the real spirit of a Japanese warrior.”

Ugaki’s kamikazes flew off toward the expected location of the American fleet. Fortunately they were never heard from again.
Although barely 76 years old, it is probably one of the rarest items we are ever likely to offer. A unique survivor of the most expensive and intense top secret project of WW2. A superb, micro engineered gyro ball race. We had both spare part Gyro Ball Races, and the other one previously, that we had, we sold to an American private museum collector. This is the secondary spare part, that we acquired from the late collection of Professor Samuel Eilenberg, Emeritus Professor of Mathematics at Columbia University in WW2, that we are delighted to offer for sale. The first, 'principle' part, was used during the construction of 'Little Boy' Uranium Bomb, part of the ultra top secret 'Manhattan Project' and evaporated in the detonation. However, there were two spare parts made at Los Alamos, and we were delighted and most privileged to have acquired both of them. The 1st 'spare' part, we sold earlier, was engraved, this second back-up spare part, was not with it's Los Alamos part code; GYRO PT MK3 A. Code L.B.BOMB. That first spare part we sold recently to a private museum in Florida, USA, this, our second example another MK3 A, is plain and un-engraved, and the 'back-up' spare part. Apparently most component parts of both bombs made at Los Alamos code names; 'Little Boy' and 'Fat Man' had spare parts, and 'back-up' spare parts, constructed. Importantly, if a main part was damaged in assembly they could not wait the many months it would take for a spare to be made, potentially at a cost of hundreds of thousands of dollars, thus prudently, emergency spares, and secondary spares, were required. Souvenirs of the Manhattan Project were later officially gifted or presented to many of the consultants and scientists working on, or associated with, the greatest secret project of the 20th century, once the project was officially closed down by the lead physicist Dr. Oppenheimer. For information purposes the diameter of the ball race is 160mm which is within a small tolerance of the diameter of the gun barrel 165mm that barrel was central to the construction of 'Little Boy'. This measurement may indeed be a clue to the relevance to the ball races actual function or use within the project. Unfortunately due to the top secret nature of the whole event Prof Eilenberg did not reveal the ball races specific function, or, even his, no doubt significant, personal contribution, within the project, before his death in January 1998, only that he acquired them at Los Alamos in August 1945, apparently personally given by Oppenheimer. Much of the full schematics are still officially 'Top Secret'. The first spare that we sold was accompanied by top secret Royal Naval photos, and the id plate of the projector used to show the professors, physicists and scientists working on the project, the film of the dropping of 'Little Boy' by the Enola Gay. We show for information only those photos and id plate, but they are not included with this back-up spare part. We also show the engraving, as was on the original spare part we sold, but it is not on this 'back-up' spare. The Manhattan Project was the project to develop the first nuclear weapon (atomic bomb) during World War II by the United States, the United Kingdom, and Canada. Formally designated as the Manhattan Engineer District (MED), it refers specifically to the period of the project from 1941–1946 under the control of the U.S. Army Corps of Engineers, under the administration of General Leslie R. Groves. The scientific research was directed by American physicist J. Robert Oppenheimer.

The project succeeded in developing and detonating three nuclear weapons in 1945: a test detonation of a plutonium implosion bomb on July 16 (the Trinity test) near Alamogordo, New Mexico; an enriched uranium bomb code-named "Little Boy" on August 6 over Hiroshima, Japan; and a second plutonium bomb, code-named "Fat Man" on August 9 over Nagasaki, Japan.

The project's roots lay in scientists' fears since the 1930s that Nazi Germany was also investigating nuclear weapons of its own. Born out of a small research program in 1939, the Manhattan Project eventually employed more than 130,000 people and cost nearly $2 billion USD ($23 billion in 2007 dollars based on CPI). It resulted in the creation of multiple production and research sites that operated in secret.

The three primary research and production sites of the project were the plutonium-production facility at what is now the Hanford Site, the uranium-enrichment facilities at Oak Ridge, Tennessee, and the weapons research and design laboratory, now known as Los Alamos National Laboratory. Project research took place at over thirty different sites across the United States, Canada, and the United Kingdom. The MED maintained control over U.S. weapons production until the formation of the Atomic Energy Commission in January 1947. We also have an original photo print taken from HMS Colossus, part of 11th Aircraft Carrier Squadron, that was based in the Pacific, commanded by Rear Admiral Harcourt. It was taken on 7th August 1945 the day after Little Boy was detonated. It is a picture of two I/d profiles of two Japanese T/E fighters that were originally observed in July 1945. These photographs were sent to the Manhattan Project HQ, but why, to us, this remains a mystery. Also, another souvenir, the serial tag from the Army Air Corps Bell and Howell sound projector, that apparently showed the original film of the detonation of 'Little Boy' to Professor Eilenberg and others from the project after the Enola Gay mission. Those souvenirs we had accompanied the sale of the first and engraved spare ball race, and not this one. We show in the gallery, for information only, a Paul R. Halmos's photograph of Samuel Eilenberg (1913-1998, shielding his face left, and Gordon T. Whyburn (1904-1969) in 1958 at the International Congress of Mathematicians in Edinburgh. For example, in relation to the desirability of original items connected to this monumentally historical mission, two other souvenirs were sold some 16 years ago in the US. The Little Boy was armed on the mission by removing the green safety plugs, and arming it with red arming plugs. This was undertaken by 23 year old Lt. Morris Richard Jeppson, who armed the bomb during the flight. For this perilous task he was awarded the Silver Star for his unique contribution to the mission. Jeppson, however, kept a few of the green plugs that signified his role in the bombing as souvenirs. He sold two of them in San Francisco for $167,500, at auction, in 2002, however, the US federal government claimed they were classified material and tried, but failed dismally, to block the sale in the courts, however the presiding Judge ruled that all of the Little Boy artefacts, details etc., are effectively, now, in the public domain and free to be sold at will. We were very fortunate to acquire these fascinating pieces, from Prof Eilenberg's collection, from a doctor and lecturer of oriental studies in London, who acquired them himself some years ago from a dear colleague of Prof Eilenberg. This rare piece, the back-up gyro ball race spare part, does not bear engraving, and does not come with the camera plate or official photos, but we can supply copy photo images of the originals. Plus, an all important Certificate of Authenticity.  read more

Code: 22797

A Unique Leaf From The Published Work of Nicolas Jenson Printed in 1472

A single original surviving leaf from one of the earliest and rarest books ever printed. A complete volume of this work, if were ever to be on the open market could be worth well over a million pounds. Nicolas Jensen, who is roundly considered one of history?s greatest printers and typographers, turned out beautiful volumes from his Venetian workshop in the 15th century. There is a similar leaf from Diogenes Laertius, Lives of the Philosophers by the Jensen Press, 1475. In resides in the Salisbury House Permanent Collection. A great and incredibly rare treasure from the very earliest days of printed text, with original handwritten annotations. This is a Folio. 6pp plus and original unique leaf from Ambrosius Aurelius Theodosius Macrobius's "In Somnium Scipionis Exposito". In Publisher's wrappers. 1 of only 73 ever published folio's that contained an original unique leaf from the master's great work of 1472. In very good condition. In The Manual Of Linotype Typography, the folio containing the rare single leaf was published in 1923, he clearly regarded him as one of the three greatest master printers of all time, alongside Gutenberg and Aldus. To own an original unique piece of Jenson's work, with annotations may be considered by some as one of the greatest privileges afforded to admirers of the printed word. An entire volume would be priceless, or at the least exceeding a million pounds or considerably more. Some hypothesize that Jenson studied under the tutelage of Gutenberg, the man who printed the rarest and most valuable book of all time, the Gutenberg or Mazarin Bible [one was apparently lost on the Titanic]. Jenson worked before the greatest English printer, the legendary William Caxton, and the very first book ever to be printed in English by Caxton was in 1473, "Recuyell of the Historyes of Troye" Jenson's story; In October 1458, while acting as Master of the French Royal Mint, Jenson was sent to Mainz, by King Charles VII, to study the art of metal movable type. Jenson then went to Mainz to study printing under Johannes Gutenberg. In 1470 he opened a printing shop in Venice, and, in the first work he produced, the printed roman lowercase letter took on the proportions, shapes, and arrangements that marked its transition from an imitation of handwriting to the style that has remained in use throughout subsequent centuries of printing. Jenson also designed Greek-style type and black-letter type. By 1472, Jenson had only been printing for two years. Even so, his roman type quickly became the model for what later came to be called Venetian oldstyle and was widely imitated. Though Jenson's type was soon superceded in popularity by those of Aldus and Garamond, it was revived again by William Morris in the late 19th century and became the model of choice for a number of private press printers.

Twentieth century commercial interpretations include Centaur and Cloister lightface, and most recently, ITC Legacy and Adobe Jenson. The books of Johann and Wendelin de Spira were printed with a new fount, a roman
type; this was a style of type that is familiar to the present day, but was at the time a radical innovation. A year later, in 1470, a new, slightly lighter and more elegant version appeared in books with a new imprint, that of Nicolas Jenson. In the colophons of books
printed from 1470 his name appears along with praise for his typographical skills. It is here that we see for the first time statements that leave no room for doubt. Jenson hasrightly become famous as the designer and cutter of the punches for the new roman typefaces as well as other founts that for a long time were the standard for legal and
theological works. Confirmation of his status as typographer is found in his last will and testament, written in 1480, where he made careful dispositions for what should be done
with his punches, the tangible results of a life?s experience and work that he wished to be protected. All these circumstances together lead to the notion that it was Jenson who improved the production of movable type by cutting excellent punches, a skill that he
had brought from the traditions of the Mint in Paris, and that he may first have applied inMainz to the long-lasting types used by Fust and Schoeffer.It is only in the last ten years of his life that Nicolas Jenson abandoned his anonymity,
and became prominent as a printer of magnificent books. Executed in sober, almost sculptural layouts they became models for centuries of printing. A famous example is the monumental edition of Pliny?s classical encyclopaedic work, his Historia naturalis, published by Jenson in 1472. An Italian translation, also published by Jenson, appeared in 1476 . The translation and printing were commissioned by the Florentine merchant Girolamo Strozzi, who also took care of the marketing.
Following in the tradition of Thomas Jefferson, whose library contained numerous works on European history, politics, and culture, the Library of Congress has many comprehensive European collections. The rarest of these works come to the Rare Book and Special Collections Division.
A special category of the division's European holdings is its collection of incunabula--books printed before 1501. Printed during the first decades of printing with movable type, these very rare and valuable books cover the whole spectrum of classical, medieval, and Renaissance knowledge and represent many of the highlights of the division's European materials. Over its nearly two-hundred-year history the Library of Congress has collected nearly 5,700 fifteenth-century books, the largest collection of incunabula in the western hemisphere. When Congress originally established its Library in 1800 and saw its collections destroyed by fire in 1814, it had no fifteenth-century books. Neither did the collection that Thomas Jefferson sold to Congress in 1815. This is not surprising because the books in the first Library served the need for general literature, and Jefferson primarily collected modern, scholarly editions in handy formats.

For the first fifty years or so after the acquisition of Jefferson's collection, the Library acquired incunabula very sparingly. The 1839 Catalogue of the Library of Congress lists only 2 incunabula: the Chronecken der Sassen (Mainz: Peter Schoeffer, 6 March 1492) and Ranulphus Hidgen's Polychronicon (Westminster: Wynkyn de Worde, 13 April 1495). The earliest incunabulum with a recorded date of acquisition is a 1478 edition of Astesanus de Ast's Summa de casibus conscientiae (Venice: Johannes de Colonia and Johannes Manthen, 18 March 1478).
The date that marks the real beginning of the incunabula collection at the Library of Congress is April 6, 1867, when the last shipment of Peter Force's library was received at the Capitol. His personal library held approximately 22,500 volumes, including 161 incunabula. The collection had some important books. The earliest imprint was Clement V's Constitutiones (Mainz: Peter Schoeffer, 8 October 1467); also included were a copy of Hartmann Schedel's Liber chronicarum (Nuremberg: Anton Koberger, 12 July 1493) and Jenson's printing of Pliny's Historia naturalis (Venice: Nicolaus Jenson, 1472).
Gutenberg, Aldus and Jenson  read more

Code: 22403

An Iron Plate Katana Edo Tsuba Decorated With Small Figures In Rain Garb

Circa 1650. Small fishermen towing nets wearing rain hats and tied straw body coverings. With large fauna as a side decoration. With kozuka and kogaiana. The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament  read more

Code: 19525

A Most Intriguing, Early, Wide Bladed Mayan or Aztec Form Sacrificial Knife, Beautifully Carved Head of Possibly Vucub Caquix or Quetzalcoatl The Wind Spouting God, Upon the Stag-Horn Hilt

Acquired from an early, rare edged weapon collector, who sold us his other very similar example of this rare piece, around two months ago. now sold

An early antique wide hammer forged blade in an an almost Bowie style, with its clipped back tip form, and a single cutting edge. It is of a most unusual form of hilt with a large bladed knife, and may for tribal sacrificial purposes, or, a tribal ceremonial knife.

The carving is very reminiscent of the Mayan, Incan and Aztec culture, but some knives of this form can be little like those from Bali. The Aztec looking wind spouting snake head demon, is rather intriguing, and superbly executed, but as this is the first we have seen quite like this we can only suggest the comparisons we have seen in the past 50 years.

Vucub-Caquix is the name of a bird demon defeated by the Hero Twins of a Kʼicheʼ-Mayan myth preserved in an 18th-century document, entitled ʼPopol Vuhʼ. The episode of the demon's defeat was already known in the Late Preclassic Period, before the year 200 AD. He was also the father of Zipacna, an underworld demon deity, and Cabrakan, the Earthquake God.

To the Aztecs, Quetzalcoatl was, as his name indicates, a feathered serpent. He was a creator deity having contributed essentially to the creation of mankind. He also had anthropomorphic forms, for example in his aspects as Ehecatl the wind god. Among the Aztecs, the name Quetzalcoatl was also a priestly title, as the two most important priests of the Aztec Templo Mayor were called "Quetzalcoatl Tlamacazqui". In the Aztec ritual calendar, different deities were associated with the cycle-of-year names: Quetzalcoatl was tied to the year Ce Acatl (One Reed), which correlates to the year 1519.

One hand coloured page in the gallery is Quetzalcoatl as depicted in the Codex Telleriano-Remensis, there are also photos of original Mayan and Aztec stone carvings, depicting the god Quetzalcoatl. One can easily see the similarity to the carving depicted on the knife's hilt to these stone carvings

16 inches long overall.  read more

Code: 24978

Original & Rare 19th Century Saxon M.1880 Faschinenmesser Pioneer Artillery Short Sword - Regimentally Marked

Royal Saxon Field Artillery Regiment No.71

Very scarce Saxon sidearm that was only made for one year 1880/1881, in very good condition. Ideal for the collector of rare German swords. No scabbard.

Brass pommel, ribbed grips affixed with three brass rivet insets, steel collar and cross guard, steel single fuller blade, Elmo style blade marked on the ricasso stamped on spine of blade Imperial stamp and Crown A regimentaly stamped


Coloured photograph of the Royal Saxon Field Artillery Regiment 78 in the gallery  read more

Code: 24972

Full Suit Of Original Early Edo Period Samurai Gesoku Armour, Shown with a Kabuto Helmet {Kabuto Now Sold}

In our opinion there is no greater aesthetically attractive suit of antique original armour to compare to the Japanese samurai armour. One can see them displayed in some of the finest locations of interior decor in the world today.

For example, in the Hollywood movies such as the James Bond films many of the main protagonists in those films decorated their lush and extravagant billionaire properties with samurai armours. They can be so dramatic and beautiful and even the simplest example can look spectacular in any correct location with good lighting.

Original early Edo period.
Chain mail over silk Kote arm armour with plate Tekko hand armour. Fully laced and plate Sode shoulder armour Fully laced four panels of Haidate waist armour Fully laced Kasazuri thigh Armour, with Suneate. This armour is absolutely beautiful.

Japanese armour is thought to have evolved from the armour used in ancient China and Korea. Cuirasses and helmets were manufactured in Japan as early as the 4th century.Tanko, worn by foot soldiers and keiko, worn by horsemen were both pre-samurai types of early Japanese cuirass constructed from iron plates connected together by leather thongs.

During the Heian period 794 to 1185 the Japanese cuirass evolved into the more familiar style of armour worn by the samurai known as the dou or do. Japanese armour makers started to use leather (nerigawa) and lacquer was used to weather proof the armor parts. By the end of the Heian period the Japanese cuirass had arrived at the shape recognized as being distinctly samurai. Leather and or iron scales were used to construct samurai armours, with leather and eventually silk lace used to connect the individual scales (kozane) which these cuirasses were now being made from.

In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours).Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.

The era of warfare called the Sengoku period ended around 1600, Japan was united and entered the peaceful Edo period, samurai continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for battles. During the Edo period light weight, portable and secret hidden armours became popular as there was still a need for personal protection. Civil strife, duels, assassinations, peasant revolts required the use of armours such as the kusari katabira (chain armour jacket) and armoured sleeves as well as other types of armour which could be worn under ordinary clothing.Edo period samurai were in charge of internal security and would wear various types of kusari gusoku (chain armour) and shin and arm protection as well as forehead protectors (hachi-gane).

Armour continued to be worn and used in Japan until the end of the samurai era (Meiji period) in the 1860s, with the last use of samurai armour happening in 1877 during the Satsuma Rebellion. The armour has some affixing loops lacking. Stand for photo display only not included. This armour has areas of worn and distressed lacquer and areas of cloth/material that are perished due to it's great age as would be expected, but the condition simply adds to its beauty and aesthetic quality, displaying its position within its combat use in Japanese samurai warfare. We would always recommend, in our subjective opinion, that original antique samurai armour looks its very best left completely as is, with all it wear and age imperfections left intact.  read more

Code: 21624