A Fabulous & Rare US Civil War General's Sabre With Its Original Civil War General Officer's Pattern 'Acorn' Sword Knot, & Steel Combat Scabbard. Superb Deluxe Etched Blade

A near pair to three other Civil War General's swords, currently in American museums or in private ownership, of, General W.T.Sherman, Major General J.E.B. Stuart, and Lt General John Bell Hood. The sword knot is also a near pair to one {with its sword} of Civil War Brigadier General Champlin. We also show in the gallery General JEB Stuarts hat, that has a pair of interlinked Civil War General's pattern acorn sword knots around the brim. General Sherman's sword is currently offered at auction with a suggested price of $60,000

Our sword has superb quality elaborate hilt embellished decor for a general, and a stunning, deluxe etched blade with maker's name, and the original wirebound sharkskin grip. In its steel, blackened, combat scabbard. All in superb condition. the General’s knot is also in very good condition for age.

An American Civil War import, commissioned from either French or German swordsmiths, and interestingly, almost all the other General's swords within the various US museums were either commissioned in France or Germany, and not domestically produced.
One of the most famous Colonel’s of the Civil War was Robert Gould Shaw of the 54th Massachusetts Infantry Regiment. Robert Gould Shaw (1837-1863) carried his British import sword at the assault on Fort Wagner, Folly Island, S.C. on 18 July 1863. Where sadly he was KIA. The sword was a gift from his uncle George R. Russell, and in a letter to his father, dated 1 July 1863, Shaw acknowledges receiving “a box of Uncle George’s containing a beautiful English sword...” With sword in-hand, Colonel Shaw, of the 54th Massachusetts Infantry Regiment, was shot in the chest and killed while mounting the parapet of Ft. Wagner. The sword and other personal effects were taken from his body during the night and presumed lost. In June of 1865, the U.S. Colored Troops, under the command of Gen. Charles Jackson Paine, U.S.V., found the sword "in the possession of a rebel officer" near Goldsboro, N.C. The sword was returned to the Shaw family in 1865 by Capt. Solon A. Carter, U.S.V. but was misplaced after 1900 until it's recent discovery in 2017. That sword is now within the collections of the Massachuetts Historical Society, donated to them by the Shaw family.

James Ewell Brown "Jeb" Stuart (February 6, 1833 – May 12, 1864) was a Confederate States Army general during the American Civil War. He was known to his friends as "Jeb,” from the initials of his given names. Stuart was a cavalry commander known for his mastery of reconnaissance and the use of cavalry in support of offensive operations. While he cultivated a cavalier image (red-lined gray cape, the yellow waist sash of a regular cavalry officer, hat cocked to the side with an ostrich plume, red flower in his lapel, often sporting cologne), his serious work made him the trusted eyes and ears of Robert E. Lee's army and inspired Southern morale.3

Stuart graduated from West Point in 1854 and served in Texas and Kansas with the U.S. Army. Stuart was a veteran of the frontier conflicts with Native Americans and the violence of Bleeding Kansas, and he participated in the capture of John Brown at Harpers Ferry. He resigned his commission when his home state of Virginia seceded, to serve in the Confederate Army, first under Stonewall Jackson in the Shenandoah Valley, but then in increasingly important cavalry commands of the Army of Northern Virginia, playing a role in all of that army's campaigns until his death.

He established a reputation as an audacious cavalry commander and on two occasions (during the Peninsula Campaign and the Maryland Campaign) circumnavigated the Union Army of the Potomac, bringing fame to himself and embarrassment to the North. At the Battle of Chancellorsville, he distinguished himself as a temporary commander of the wounded Stonewall Jackson's infantry corps.

Stuart's most famous campaign, the Gettysburg Campaign, was flawed when his long separation from Lee's army left Lee unaware of Union troop movements so that Lee was surprised and almost trapped at the Battle of Gettysburg. Stuart received criticism from the Southern press as well as the proponents of the Lost Cause movement after the war. During the 1864 Overland Campaign, Union Maj. Gen. Philip Sheridan's cavalry launched an offensive to defeat Stuart, who was mortally wounded at the Battle of Yellow Tavern.

J.E.B Stuart’s sword was made in Paris. U.S. Army officers were responsible for providing their own side arms, so Stuart either ordered it himself or was given it as a gift. It now resides with his hat, in the American Civil War Museum

John Bell Hood (June 12 or June 29,3 1831 – August 30, 1879) was a Confederate general during the American Civil War. Hood's impetuosity led to high losses among his troops as he moved up in rank. Bruce Catton wrote that "the decision to replace Johnston with Hood was probably the single largest mistake that either government made during the war." Hood's education at the United States Military Academy led to a career as a junior officer in the infantry and cavalry of the antebellum U.S. Army in California and Texas. At the start of the Civil War, he offered his services to his adopted state of Texas. He achieved his reputation for aggressive leadership as a brigade commander in the army of Robert E. Lee during the Seven Days Battles in 1862, after which he was promoted to division command. He led a division under James Longstreet in the campaigns of 1862–63. At the Battle of Gettysburg, he was severely wounded, rendering his left arm mostly useless for the rest of his life.4 Transferred with many of Longstreet's troops to the Western Theater, Hood led a massive assault into a gap in the U.S. line at the Battle of Chickamauga but was wounded again, requiring the amputation of his right leg.

Hood returned to field service during the Atlanta Campaign of 1864 and, at the age of 33, was promoted to temporary full general and command of the Army of Tennessee at the outskirts of Atlanta, making him the youngest soldier on either side of the war to be given command of an army. There, he dissipated his army in a series of unsuccessful assaults and was forced to evacuate the besieged city. Leading his men through Alabama and into Tennessee, his army was severely damaged in a massive frontal assault at the Battle of Franklin. The Battle of Franklin was fought on November 30, 1864 in Franklin, Tennessee; in Williamson County. John Bell Hood's Army of Tennessee (around 33,000 men) faced off with John M. Schofield's Army of the Ohio and the Cumberland (around 30,000 men). Often cited as "the bloodiest five hours" during the American Civil War, the Confederates lost between 6,500 - 7,500 men, with 1,750 dead. The Federals lost around 2,000 - 2,500 men, with just 250 or less killed. Hood lost 30,000 men in just six months (from July 1864 until December 15). The Battle of Franklin was fought mostly at night. Several Confederate Generals were killed, including Patrick Cleburne, and the Rebels also lost 50% of their field commanders. Hood would limp into Nashville two weeks later before suffering his final defeat before retreating to Pulaski in mid December. Hundreds of wounded Confederate soldiers were taken to the John and Carrie McGavock home - Carnton - after the battle. She became known as the Widow of the South. The McGavock's eventually donated two acres to inter the Confederate dead. Almost 1,500 Rebel soldiers are buried in McGavock Confederate Cemetery, just in view of the Carnton house.

Hood’s sword was purchased from Coulaux & Cie, Klingenthal, France. Lt. Gen. John Bell Hood used his cavalry saber during his service in the Confederate Army. It now resides in the Museum of the Confederacy in Richmond Va. Hood also had another sword an infantry Militia pattern dress sword, imported from Germany made by P.D.Lunschloss & Companie, that now resides in the American Civil War Museum.

Sadly, we do not know the name of the general officer to whom our sabre once originally belonged.  read more

Code: 25224

A Despatch From Commodore James Poo Beresford HMS Theseus 2 Feb 1809

Shortly before the Battle of the Basque Roads. Written and signed by Commodore [Later Admiral] Beresford aboard and in command of HMS Theseus. Some few years earlier Theseus was the flagship of Rear Admiral Horatio Nelson's fleet for the 1797 Battle of Santa Cruz de Tenerife. Day to day command at that time was vested in her flag captain Ralph Willett Miller. Unfortunately on this occasion the navy was defeated and Nelson was wounded by a musket ball while aboard the Theseus, precipitating the amputation of his right arm. In 1798, Theseus took part in the decisive and hugely successful Battle of the Nile, under the command of Captain Ralph Willett Miller. The Royal Navy fleet was outnumbered, at least in firepower, by the French fleet, which boasted the 118-gun ship-of-the-line L'Orient, three 80-gun warships and nine of the popular 74-gun ships. The Royal Navy fleet in comparison had just thirteen 74-gun ships and one 50-gun fourth-rate.

During the battle Theseus, along with Goliath, assisted Alexander and Majestic, who were being attacked by a number of French warships. The French frigate Artemise surrendered to the British, with the crew setting fire to their ship to prevent it falling into the hands of the British. Two other French ships Heureux and Mercure ran aground and soon surrendered after a brief encounter with three British warships, one of which was Theseus. L'Orient was destroyed in the battle by what was said to be the greatest man made explosion ever to have been witnessed. It was heard and felt over 15 miles distant.

The battle was a success for the Royal Navy, as well as for the career of Admiral Nelson. It cut supply lines to the French army in Egypt, whose wider objective was to threaten British India. The casualties were heavy; the French suffered over 1,700 killed, over 600 wounded and 3,000 captured. The British suffered 218 dead and 677 wounded. Nine French warships were captured and two destroyed. Two other French warships managed to escape. Theseus had five sailors killed and thirty wounded, included one officer and five Royal Marines. A painting in the gallery of Commodore Beresford leading his squadron of ships from 'The Naval Chronology of Great Britain', by J. Ralfe, leading a British squadron of 4 sail of the line near the Isle of Grouais in the face of the French Brest fleet of 8 of the line obliging the French to haul their wind and preventing them from joining the L'Orient squadron. The three ships alongside Beresford were HMS Revenge, Valiant and Triumph, and the Triumph was commanded by none other than Capt. Sir Thomas Masterman Hardy. Beresford was a natural son of Lord de la Poer the Marquess of Waterford. He joined the Royal Navy and he served in HMS Alexander in 1782. He was appointed as a Lieutenant RN serving on H.M.S. Lapwing 1790. He served in H.M.S. Resolution 1794. He served in H.M.S. Lynx (In command) in 1794. He was appointed as Acting Captain RN in 1794 serving in H.M.S. Hussar (In command). He was appointed as a Captain RN (With seniority dated 25/06/1795). He served in H.M.S. Raison (In command) 1795. He served in H.M.S. Unite (In command) 1798. He served in H.M.S. Diana (In command). He served in H.M.S. Virginie (In command) 1803. He served in H.M.S. Cambrian (In command) 1803. He was appointed as a Commodore RN 1806. He was appointed as the Commander-in-Chief in the River St. Lawrence, along the Coast of Nova Scotia, the islands of St. John and Cape Breton and in the Bay of Fundy and the Islands of Bermuda. He served in H.M.S. Theseus (In command) 1808. He served in H.M.S. Poitiers (In command) 1810. He served on to the staff of Lord Wellington at Lisbon Portugal 1810. During the War of 1812, he served as captain of HMS Poictiers, during which time he ineffectually bombarded the town of Lewes in Delaware. More importantly, Poictiers participated in an action where, four hours after USS Wasp, commanded by Jacob Jones, captured HMS Frolic, Capt Beresford captured Wasp and recaptured Frolic, and brought both to Bermuda. He was appointed as a Commodore RN in 1813. He served in HMS Royal Sovereign (In command) 1814. He was appointed as a Rear Admiral of the Blue (With seniority dated 04/06/1814). He was appointed as Commander-in-Chief at Leith 1820-23. He was appointed as the Commander-in-Chief at The Nore 1830-33. He was appointed as a Vice Admiral RN (With seniority dated 27/05/1825). He was appointed as a Junior Lord of the Admiralty in 1835. He was finally appointed as a Admiral RN (With seniority dated 28/06/1838). The typed transcript shown in the gallery states 'mediant servant' of course it should be 'obedient servant'  read more

Code: 19654

A Beautiful And Rare American Revolutionary War Period Large Boxlock Action Double Cannon Barrelled Flintlock Volley Gun Pistol, Silver Scroll Inlaid Butt

A renown ‘Queen Anne’ style volley gun. A fascinating and most rare breech loading piece, with twin over and under turn-off cannon barrels, that is able to fire as a volley gun, with both barrels simultaneously, or, one after the other, using a unique sliding trigger guard that opens or covers one of the ignition pans as is required. 50 bore, double barrelled large over and under flintlock boxlock pistol, c1770,” the muzzles starred for a barrel key, with two separate pans beneath a single frizzen, the sliding cover of one pan operated by the sliding trigger guard, the frame retaining traces of etching, the rounded flat sided walnut butt inlaid with silver scrolls and wavy lines. World famous English gunsmith from London Durs Egg was renown for making incredibly similar rare twin cannon barrelled pistols, also with unusual covered pan actions. No proofs. Discussing with Howard Blackmore of the Tower Armouries some decades ago, the non-proved 18th century guns were often for the American export market where proofing was not required. Queen Anne pistols are characterized by the fact that the breech and the trigger plate are forged in one piece with the lock plate, foreshadowing by over 100 years the so-called "action" of a modern weapon. With the typical 'Queen Anne' pistol the barrel unscrews with a barrel key or wrench just ahead of the chamber where the powder and ball are placed when the pistol is loaded. The chamber is long and narrow with a cup at the top shaped to fit the bullet (a round lead ball). The user can quickly fill the chamber with black powder and put a bullet on top; the barrel is then replaced, sealing the bullet between its cup and the breech end of the barrel.

The bullet is larger than the barrel, so the breech is tapered to compress the ball as it moves forward at the moment of firing to tightly fit the bore. High gas pressure is developed behind the bullet before it is forced into the barrel, thus achieving considerably higher muzzle velocity and power than with a muzzle loader. The barrel was often rifled, which improves accuracy. The system also avoids the need for wadding or a ramrod during loading. It was not hugely successful as a military weapon at the time because in the heat of battle the separate barrel could be dropped during loading. The greatest popularity of the Queen Anne was as an effective self-defense weapon. They could be highly decorated with silver to suit the tastes of the very wealthy. But in the case of a double barrel they were especially popular, but most expensive, in fact considerably more than a pair of single barrelled versions.
The firing action functions on a single cock, wear overall to stock and steel as usual due to age. Pistol 10.5" long overall,  read more

Code: 23317

A Simply Stunningly Mounted Handachi Katana Shinto Period Circa 1650

Shakudo and gold fittings with a pair of top quality gold and shakudo tiger menuki under the orginal Edo period silk wrap tsukaito, over black giant rayskin, samegawa. Bulls blood ishime stone finish lacquer, sukashi mokko tsuba in the form of clan mon [crests]. The sword is mounted in a beautiful matching suite of original Edo period gold and shakudo handachi fittings, with kabutogane, shibabiki, and ishizuki. Han-dachi originally appeared during the Muromachi period when there was a transition taking place from Tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu [to stop the spear] exanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality. The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they were trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art. Often times swordsmiths were more famous than the people who used them. The blade shows a dramatic sophisticated suguha hamon [straight] with a few natural age pit marks. As with all our items it comes complete with our certificate of authenticity.

Overall 39.75 inches long, blade tsuba to tip 25.65 inches long  read more

Code: 23354

A Most Scarce, Original, Early 17th Century English Civil War Infantry Musketeer's or Pikeman's Comb Morion Helmet

Used from the 30 years war and into the English Civil War, as the pattern used by both musketeers and pikemen. The musket soon became the dominant infantry weapon during the Civil War. Musketeers could move and react faster than the Pikeman in their heavy armour. They were easier to train and the musket could kill and maim the enemy up to 200 paces away. If you could keep your enemy at this distance you didn't have to close to hand to hand combat.
The role of musketeer is more technical than that of the pikeman. As a musketeer within the regiment, you will be using a replica period matchlock musket, and when appropriate, carrying a set of bandoliers, holding the required amount of gunpowder to fire it.

The pikeman of the English Civil War. A pike was a wooden pole up to 18 feet long with a sharp metal spike. Its name comes from the French piquer, meaning ‘pierce’. Although the pike evolved in the Middle Ages, pike blocks more closely resembled Ancient Greek phalanxes.

It was considered to be a more noble and traditional weapon than the musket – a weapon for gentlemen that needed strength, skill, and training to master and nerves of steel to fight with. Pike blocks could consist of up to 200 men and would form up in the centre of the line of battle; they could either protect musketeers from cavalry attack or be used as huge offensive infantry formations that would edge towards each other, their pikes levelled at ‘the charge’ before engaging in ‘push of pike’, where they would try and break the enemy’s formation.

At the beginning of the English Civil Wars, armies would have roughly one pikeman for every two musketeers. By the 1650s, this was closer to one to four or five and, as muskets became more effective and use of the bayonette became widespread, the pike become obsolete and the regular use of pikes ended with the beginning of the 18th Century.  read more

Code: 24006

A Stunning Mid 18th Century Ship's Captain Brass Cannon Barrel Pistol with a Silver Escutchon of the Goddess Minerva Adorned With Her Dolphin Helmet & Fishscale Armour

Blunderbuss pistol all brass cannon barrel, and action, beautifully engraved. Made by Hadley circa 1750, with large silver escutcheon engraved with the profile head of Minerva.

Minerva, whose dolphin helmeted face is depicted is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic warfare.


The ‘Queen Anne’ style pistol is distinctive in that it does not have a ramrod. The barrel of the pistol unscrews and allows it to be loaded from the rear and near the touch hole at the breech of the barrel. These pistols were originally made in flintlock.

The Queen Anne pistols were very popular and were made in a variety of calibres, usually about 38 to 50 bore. Boot pistols, Holster pistols, pocket pistols and Sea Service pistols were all made in the 'Queen Anne' style. This type is known as a Queen Anne pistol because it was during her reign that it became popular (although it was actually introduced in the reign of King William III).

Here are some of the specific reasons why people enjoy collecting antique pistols:

Historical significance: Antique pistols are stunning relics of a bygone era, and they can provide insights into the history of warfare, technology, and culture. For example, a collector might be interested in owning a type of pistol that was used in a famous battle or that was carried by a famous historical figure.
Craftsmanship: Antique pistols are often works of art in their own right. Many early gunsmiths were highly skilled artisans, and their creations can be extraordinarily beautiful. Collectors might appreciate the intricate engraving, fine inlays, and other decorative elements that are found on many antique pistols.
Aesthetic beauty: Antique pistols can be simply stunning. Their elegant lines and graceful curves can be a thing of beauty. Collectors might enjoy admiring the form and function of these antique weapons.
Rarity and uniqueness: Some antique pistols are quite rare, and collectors might enjoy the challenge of finding and acquiring them. Others might be interested in owning a pistol that is unique in some way, such as a prototype or a custom-made piece.
Investment value: Antique pistols can also be valuable long term investments. The value of some antique pistols has appreciated significantly over the years. Collectors might enjoy the potential for profit, in addition to the other pleasures of collecting, but that should never be the ultimate goal, enjoyment must always be the leading factor of collecting.
No matter what their reasons, collectors of antique pistols find enjoyment in their hobby. They appreciate the history, craftsmanship, beauty, and rarity of these unique pieces.

In addition to the above, here is yet another reason why people enjoy collecting antique pistols:

Education: Learning about the history and technology of antique pistols can be a thoroughly rewarding experience. Collectors can learn about the different types of pistols that have been made over the centuries, how they worked, and how they were used.

Excellent condition overall, good tight and crisp action, old small split in stock, overall 12.5 inches long  read more

Code: 25219

A Beautiful, Shinto Period, Handachi Mounted Samurai Katana. Fitted With All Original Edo Mounts. Showing Great Quality, Shibui {Quietly Reserved} And Without Undue Extravagance. An Impressive Sword With Incredible & Elegant Lines & Curvature

Worthy of any museum grade collection.

All original, fabulous, Edo period koshirae sword fittings and mounts, a fully matching suite of han dachi mounts semi tachi form inlaid in pure gold arabesques on iron, Higo style. The blade is in beautiful polish showing a spectacularly undulating regular gunome hamon. The tsuka is bound in blue silk and the saya has its original old Edo ishime lacquer, the tsuba is a mokko form iron plate inlaid with a stylized dragon in gold to match the fittings.

Han-dachi originally appeared during the Muromachi period when there was a transition taking place from tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.

Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means "one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear exanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality.
The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they may be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, apparently, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night may be cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed."
They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.

It can also be said an individual didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. How accurate this was is dependant on the urgencies of war.

When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Swords in Japan have long been symbols of power and honour and seen as works of art. Often times swordsmiths were more famous than the people who used them.

As with all our items it comes complete with our certificate of authenticity. Blade tsuba to tip 27.5 inches, overall in saya 38.5  read more

Code: 23038

A Very Good & Beautiful, Late Koto Samurai Katana, Mounted With A Full Suite of Higo Mounts

Circa 1590. All original Edo period koshirae and a leather bound tsuka over bird menuki on a giant rayskin covered hilt, ishime stone lacquer finish saya in bull's blood sang de boeuf lacquer. Very fine Higo mounts including a sayagaki. Fine blade with suguha hamon.

A great sword in very nice condition. Made and used in the time of the greatest battle in samurai history. The Battle of Sekigahara Sekigahara no Tatakai) was a decisive battle on October 21, 1600 that preceded the establishment of the Tokugawa shogunate. Initially, Tokugawa's eastern army had 75,000 men, while Ishida's western army numbered 120,000. Tokugawa had also sneaked in a supply of arquebuses. Knowing that Tokugawa was heading towards Osaka, Ishida decided to abandon his positions and marched to Sekigahara. Even though the Western forces had tremendous tactical advantages, Tokugawa had already been in contact with many daimyo in the Western Army for months, promising them land and leniency after the battle should they switch sides.

Tokugawa's forces started the battle when Fukushima Masanori, the leader of the advance guard, charged north from Tokugawa's left flank along the Fuji River against the Western Army's right centre. The ground was still muddy from the previous day's rain, so the conflict there devolved into something more primal. Tokugawa then ordered attacks from his right and his centre against the Western Army?s left in order to support Fukushima's attack.

This left the Western Army's centre unscathed, so Ishida ordered this unit under the command of Shimazu Yoshihiro to reinforce his right flank. Shimazu refused as daimyos of the day only listened to respected commanders, which Ishida was not.

Recent scholarship by Professor Yoshiji Yamasaki of Toho University has indicated that the Mori faction had reached a secret agreement with the Tokugawa two weeks earlier, pledging neutrality at the decisive battle in exchange for a guarantee of territorial preservation, and was a strategic decision on Mori Terumoto's part that later backfired.

Fukushima's attack was slowly gaining ground, but this came at the cost of exposing their flank to attack from across the Fuji River by Otani Yoshitsugu, who took advantage of this opportunity. Just past Otani's forces were those of Kobayakawa Hideaki on Mount Matsuo.

Kobayakawa was one of the daimyos that had been courted by Tokugawa. Even though he had agreed to defect to Tokugawa's side, in the actual battle he was hesitant and remained neutral. As the battle grew more intense, Tokugawa finally ordered arquebuses to fire at Kobayakawa's position on Mount Matsuo to force Kobayakawa to make his choice. At that point Kobayakawa joined the battle as a member of the Eastern Army. His forces charged ?tani's position, which did not end well for Kobayakawa. Otani's forces had dry gunpowder, so they opened fire on the turncoats, making the charge of 16,000 men mostly ineffective. However, he was already engaging forces under the command of Todo Takatora, Kyogoku Takatsugu, and Oda Yuraku when Kobayakawa charged. At this point, the buffer Otani established was outnumbered. Seeing this, Western Army generals Wakisaka Yasuharu, Ogawa Suketada, Akaza Naoyasu, and Kutsuki Mototsuna switched sides, turning the tide of battle  read more

Code: 21331

A Stunning Original Horseguards Officer's Pattern Helmet Plate. In Gold, Red Enamel Cross, Blue Enamel Garter, And Frosted Silver Cut Steel Order of the Garter Badge Star

Probably the worlds most beautiful helmet plate ever designed.
This fabulous quality officer’s helmet plate, in use since the Queen’s coronation in 1953, was used by an officer of the Queen’s mounted bodyguard, from either the Blues and Royals or the Life Guards regiments, that combined, make up the Royal Horseguards. The helmet plate is identical for both helmets, only the colour of the yak hair plume was different, white for Life Guards, red for Blues and Royals.

The Albert helmet is the current ceremonial headgear of the British Army's Household Cavalry, for both the Life guards regiment and the Blues and Royals regiment, known collectively as Horseguards.

This pattern will now be changed very soon for the design designated for His Majesty King Charles lII. The crown will be changed to the single domed crown of all the kings since Edward VIIth. The domed crown is called either The King’s Crown or the Imperial State Crown. The late Queen’s crown, is known as St Edwards Crown.

The Albert pattern helmet was introduced by Prince Albert in 1842 and adopted by the Household Cavalry the following year. In 1847 the helmet was introduced to all heavy cavalry regiments. It remains in use as the full dress headgear of the two remaining Household Cavalry regiments, the Blues and Royals and the Life Guards. The magnificent helmet remains in use with the two current Household Cavalry regiments, the Blues and Royals with red plume and the Life Guards with white plume. These regiments are amalgamations of the four earlier regiments. The Life Guards retain the white plume and the onion from the 2nd Regiment, the Blues and Royals retain the red plume of the Royal Horse Guards. Blues and Royals officers wear a yak hair plume. Farriers in both regiments wear different plumes, the Life Guards farrier wear black and Blues and Royals farrier red.

The regiments also differ in how they wear the helmet's chin strap. The Blues and Royals wear it under the chin while the Life Guards wear it under the lower lip. The helmet is now in white metal for all ranks and the same helmet plate is worn by both regiments (they were different historically).

The Albert helmet is only worn in full dress review order, guard order and front yard order by other ranks and in full dress, levee dress and ceremonial rehearsal dress by officers. Medical and veterinary officers do not wear the helmet, instead wearing a cocked hat.

The other ranks of the Mounted Band of the Household Cavalry wear the helmet in full dress (with the plumes of their parent regiments), except when parading in the presence of the royal family, when they wear state dress with jockey caps. Band officers wear Albert helmets on both occasions.

Its condition is considered by us as mint. A complete Horseguards officer’s helmet from the 1953 coronation period, in mint condition, will cost today somewhere between £6,500 to £10,000.  read more

Code: 24065

A Beautiful Late Edo Bakumatsu Copper Katana Tsuba With NBTHK Papers.

Bakumatsu copper tsuba, NBTHK Kicho Kodugu papers from 2020. With a translation, the "ninteisho" is introducing the document as recognition written in calligraphy. The tsuba is decorated with Aki kusa, Autumn grass [flowers], unsigned. The Nihon Bijutsu Tōken Hozon Kyōkai is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value. Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other. The tsuba has north and south kuchi-beni.
Literally "lipstick", but refers to the copper plugs of the nakago-ana. Their function is to secure the tsuba firmly when mounted on a blade. These plugs are sometimes called sekigane.  read more

Code: 23510