A Very Good British 1912 Pattern WW1 Cavalry Officers Sword, Made by Fentons, Makers to the War Ofice

With FS scabbard, typical regulation large bowl guard fully scroll engraved and nickel plated. Average wear throughout the hilt. Fully etched blade with King George Vth cypher. The 1908 Pattern Cavalry Trooper's Sword was the last service sword issued to the cavalry of the British Army. It is widely considered the most effective cavalry sword ever designed, although ironically its introduction occurred as swords finally became obsolete as military weapons. The 1912 Pattern Cavalry Sword was introduced for officers, who had previously carried privately purchased non-regulation swords. The 1912 Pattern Sword was essentially the same look as the 1908 trooper’s Pattern but featured more hilt decoration. The trooper’s version also had a hardened rubber grip, the officer's wire bound sharkskin. It is mounted in its original field service leather covered combat scabbard.

For example, as used by an officer in such as the 9th lancers.

The 9th Lancers regiment landed in France as part of the 2nd Cavalry Brigade in the 1st Cavalry Division in August 1914 for service on the Western Front. Captain Francis Grenfell was awarded the Victoria Cross for his actions in saving the guns of 119th Battery, Royal Field Artillery on 24 August 1914 (he was later killed in action on 24 May 1915, as was his twin brother, Riversdale, a yeomanry officer who attached to 9th Lancers). The regiment then participated in the final "lance on lance" action involving British cavalry of the First World War; on 7 September 1914 at Montcel à Frétoy in which Lieutenant Colonel David Campbell led a charge of two troops of B Squadron and overthrew a squadron of the Prussian Dragoons of the Guard

Apparently owned commissioned and used in WW1 by Joseph McElhaw M.C. but we haven't had any time to do any follow up detailed research at all on his career. He was supposedly a dentist after the war. the research we have completed is as follows; Lieutenant McElhaw was born in Dumbarton and started off in the Inns of Court Officers Training Corp, he then joined the Queen's Own Royal Glasgow Yeomanry (Dragoons), from where he was seconded for duty with the Machine Gun Corps. It was here, whilst serving as a Second Lieutenant, that he won the Military Cross "For conspicuous gallantry and devotion to duty. He was in command of two machine guns when a shell scattered the whole party, inflicting severe losses. He reorganised his men and reached his appointed position. He repulsed several counter-attacks, and remained until his entire section had become casualties". He was also awarded the Croix de Guerre with Star, and served as a Special Constable during WW2. In later life he's listed as a retired Dental Surgeon living in Swindon. The details of his name etc. came direct from his family from whom we acquired the sword. The sword bears no name or monogram of the original owner.

It arrived yesterday in a very sorry state, but it has spent two full days in the workshop being fully hand cleaned and hand polished to return it back to almost how it looked when it was made. There is remaining some wear spotting to the original plating on the basket hilt. The blade however has polished back to almost as good as new. The interior of the bowl guard was left as is.

34 3/4 inch long blade  read more

Code: 24898

A Superb Case Hardened Steel Gun Lock Of a Greene Carbine 1856 For the Crimean War Then the American Civil War

Scarce British-Type Greene Carbine by Massachusetts Arms Company
Case-hardened swivel breech action with Maynard tape primer system. Lock marked: Queen's crown /VR/Mass.Arms Co./U.S.A./1856.

James Durell Greene was a prolific firearms inventor and determined to make his mark This carbine lock was manufactured by the Massachusetts Arms Company and exported to Great Britain after being inspected and stamped with the Queen's Crown by British inspectors in the USA. These were used by the British Cavalry in the Crimean War but re-exported to the USA after the Crimea War. These fine guns were deemed to be very accurate but the paper and linen cartridges of the time were criticised as being prone to swell in the damp and consequently the carbine did not find favour with the British Government. The carbine features an unusual "floating thimble" to obdurate the breech and an internal "pricker" that punctured the cartridge. It also featured Maynard Tape priming which was in the forefront of priming technology at the time and the mechanism for this is in perfect condition. The quality of workmanship is exceptional and it actions as crisply today as it did when it was made 158 years ago.
An exceptional item in outstanding condition. Only 2000 were manufactured and a complete carbine sold at Rock Island auction for $6,900 in 2021  read more

Code: 24920

Battle of the River Plate, HMS Ajax Miniature Wooden Barrel Made From Teak from the Ship

One of the most desirable of the miniature pieces made from salvaged parts from British warships, HMS Ajax is in the premier division of maritime collectables.

A wooden miniature barrel made from wooden, teak parts of HMS Ajax, With a name plate thereon. The Battle of the River Plate.

The battle in 1939 was how 3 battleships, 3 aircraft carriers and 14 cruisers in seven Hunting Groups searched for a German raider that was the the Admiral Graf Spee and how the weakest force of three cruisers found her and the action which led to her destruction.

The Second World War against Nazi Germany had been waged for three months. At sea Britain had lost the passenger liner, Athenia, the armed merchant cruiser, HMS Rawalpindi, the battleship HMS Royal Oak and the aircraft carrier HMS Courageous. There was very little good news for Britain and France.

In the South Atlantic Captain Langsdorff in the German pocket battleship, Admiral Graf Spee had been sinking British merchant ships since September 1939. Commodore Harwood, commanding Royal Navy Hunting Group G, had studied the area and knew the attraction to a German raider of the rich pickings of British merchant ships leaving the River Plate estuary between Argentina and Uruguay in South America. The Germans claimed that their pocket battleships could out-gun any ships faster than them and outrun any ship with heavier armament.

In early December 1939 Harwood received enemy reports from the British freighters Doric Star and Tairoa as they were captured and sunk. He calculated that if the raider chose to head for South America she would probably arrive in the area off the River Plate on the morning of the 13th December. With this in mind, Harwood ordered the cruisers, HMS Ajax, Achilles and Exeter to concentrate there the previous day (12th December). They met at the pre-arranged time and exercised their action plan. On the morning of 13th December HMS Exeter was ordered to investigate smoke that was spotted on the horizon. She soon signaled, “I think it is a pocket battleship”. The three ships had finally met Admiral Graf Spee and at 0617 they went into action, following Harwood’s orders, “Attack at once, by day or night”. At first Graf Spee concentrated her fire on Exeter. Ajax and Achilles then closed on Graf Spee at speed, drawing her fire and causing significant upper deck damage and loss of morale. Graf Spee's Captain Langsdorff later said, “They came at me like destroyers”. At 0636 Graf Spee about-turned to the west, from where she started her retreat. With 66 of her crew killed, Exeter later retired from the battle badly damaged and made for the Falklands.

By 0725 Ajax and Achilles had closed to within 4 miles from Graf Spee. Harwood then decided to open the range and shadow her. However Graf Spee steadied and concentrated her fire again on Ajax and Achilles. Ajax fired a salvo of torpedoes to encourage Graf Spee to maintain her westward course, which she did, but shortly afterwards Graf Spee obtained a hit on Ajax which put her two after-turrets out of action. Achilles also suffered severe damage to her director control tower from a near-miss. This was Graf Spee's chance to turn on the pursuers and regain the initiative but it was not taken. Captain Langsdorff chose to break off the action and head for port in Montevideo, the capital of neutral Uruguay. Whether this was the result of a confused state because of wounds and concussion, a sense of defeat or to preserve the lives of his men we do not know.

On return home the men of HMS Ajax and HMS Exeter were feted in London by King George VI and Winston Churchill (First Lord of the Admiralty at the time). HMS Achilles' crew were similarly feted in their home town of Auckland, New Zealand.  read more

Code: 24923

A Jolly Nice 19th Century Victorian Spy Glass. Three Draws With Leather Bound Body

Used for all purposes as would be required by an officer both land based or sea based. No maker markings

The first spyglass was invented in 1608, the creator is not fully understood of whom it was, but the most mentioned person who gains credit is Jacob Metius from the Netherlands, who created the spyglass. A spyglass is a small hand held telescope that was used by Naval Officers and Captains of ships in the 16th, 17th, and 18th centuries. These were vital tools in these centuries, and were usually made out of brass. The spyglass was used for navigating the oceans and seas of the world, making it easier to see outward and also for identifying other ships, land and used to prepare for being attacked by pirates. The spyglass contributed to the creation of the telescope, as they are very similar. Thomas Harriot used one of these spyglass inventions of Metius to observe the moon, he then made a drawings at the time that depicted the specific details and features of the moon. Not long after this invention was made, and this picture was drawn, the famous Galileo began to explore the magnification of an image and created a telescope that was much more magnified then this original spyglass. There were many flaws in these telescopes and spyglasses regarding the factor of white light, type of glass, clarity and more. The spyglass was not fully understood until the 1700’s to use different types of glass, shapes, and differencing of the lenses to produce a much more focused larger image; even to the current time today we have enhanced our ability to see at far distances using lenses.

A spyglass seems like a simple optical device, but its really not. A spyglass is actually more complex than it sounds when you figure out exactly how it works. At the beginning of the spyglass, an eyepiece is placed towards at the end you look into. The purpose of the eyepiece is to bring the image from the focus, and magnify it to the size of your eye’s pupil. At the focus of the lens, light rays are bent from the eyepiece perpendicular to each other, to the point where the cross. Where the beams cross is the focus. as the light beams continue to travel perpendicular to each other, they hit the outside of the objective lens, which is located at the opposite side you look into. Finally, The objective lens gathers light from the object or place in which you are looking at, and bends it into focus. This magnifies to a certain amount, based on the length and width of each lens.

When we acquired it one objective was missing, but fortunately we sought out, found and bought a perfect, original replacement, from the same type of spyglass. It now has been serviced and cleaned, and has a superb clear and clean view for its type, and easily focus-able. The first lens has an edge crack on the interior, but completely concealed by the aperture cover and it makes no intrusion on the view.

Photo in the gallery of the Duke of Wellington's telescope in the Royal Armouries Collection, plus a composition photograph of Sherlock Holmes accessories including a spy glass.

6.25 inches long including safety cap fitted, 15.25 fully extended,  read more

Code: 24922

The Lanes Armoury, Europe’s Leading Original Samurai Sword Specialists & Gallery. Plus 1000’s of Other Magical & Rare To Find Ancient and Vintage Wonders. Another Historic Collection Acquired This Week Including Amazing Medieval Swords & Antiquities

Including a small exclusive & original collection of Medieval small pendant crosses of the Christian Knights, a magnificent Knights Templar, Knights of Jerusalem sword, made by their armourer, and a very rare 4000 to 5000 year old Stone Age, Neolithic era War Hammer. The Neolithic period lasted from around 4300 BC down to 2000 BC, so some 6000 years before present. Neolithic means 'New Stone' and so this period is sometimes called the New Stone Age. Famous Neolithic sites in Britain include Avebury, Stonehenge, and Silbury Hill. Thanks to us being so long established here in Brighton we are contacted or visited every day by private families interested in selling their long past collected antiques and antiquities. Artefacts of all kinds, from all eras and all nations. Some collected by their ancestors hundreds of years ago. And this week has been particularly fascinating for the diversity and beauty of our finds, including a late 1500's Cuirassier's close helmet, possibly captured from the city of Genoa in 1602, and a small collection of original, Elizabethan to King Charles 1st period, working toy wheel-lock form pistols.

After more than 50 years personal experience by Mark, in our galleries, since 1971, and David’s 40 years since 1981, we are also regarded, by many, as Europe’s leading original samurai sword gallery, and probably the leading samurai sword specialists in the world, outside of Japan. With hundreds of original ancient and antique samurai swords to view and buy online, or, to journey to our world famous gallery in Brighton on a personal visit, 6 days a week.

By train we are just under an hour from Victoria Train Station in London.

We are also now offering a handmade bespoke frame or casing service. Created by a local specialist we have known for over 40 years, in fact it was founded by one of our former company directors. See the gallery for an example of a lidded box display casing just created for an item acquired from us for one of our esteemed regulars.

It has been said that the Hawkins family, have, in their sword dealing history, handled, bought and sold more original Japanese swords than any other sword dealers outside of Japan since World War I, trading over 100 years, numbering well into the tens of thousands of samurai weapons and artefacts. In one single acquisition alone, in the early 1960’s, David senior {the current partner’s father} purchased, in one collection, over 500 original antique and vintage Japanese swords, and Mark helped to disassemble each and every one of them, and was in charge of stringing together the tsuba sword guards into loops, 20 at a time. In those days tsuba were more collectable than swords. It was one of Mark’s very first introductions to the workings of the wonderful works of art that make up a complete samurai sword.
He can still remember listening to the very first hit of the Beatles ‘Love me do’ on the radiogram, in late 1963, while stringing together 25 loops of 20 tsuba, before he started school that early morning.

Our close family association with the legendary samurai sword continues unabated. In fact we still know of no better and varied original samurai sword selection, for sale under one roof, anywhere in the world today, outside of Japan, or possibly, even within it. Hundreds of antique pieces for sale to choose from, and some up to an incredible 800 years old.

Why is The Lanes Armoury probably the worlds most popular, original Japanese samurai gallery? well, we believe that not only are we the oldest still thriving store of our kind outside of Japan, but we have an entirely historical view of all our samurai artefacts, be they armour, helmets, swords, spears or accoutrements,

We place each piece within its historical context, a unique, holistic view if you like, never concentrating on such as simply the minutiae of blade detail alone {that has never been our forte} but of the entire sword as a work of art, and an example of the worlds highest craftsmanship, and thus it’s potential place within all of over 1000 years of samurai history.

Can they be expensive? Well, they certainly can appear so, however up to 70% of our completely fitted swords may still be half the price of just a newly made sword blade alone, commissioned from one of the few still remaining fine sword smiths in Japan, and ours could well be up to 500 years old, completely and stunningly fitted in fabulous quality original antique mounts, and potentially used in the past by up to 30 samurai within their own working life and history. And yet, they can still look as good as new.

A samurai sword for example, is in many respects, more the sum of its parts, although always dated by its blade’s vintage, each sword can have amazing koshirae mountings of equal beauty to the blade, displaying the skill of likely the most talented artisans in sword making history, and representing the most intriguing and certainly one of the most popular forms of ancient hand to hand combat in the world today.

For example one of the greatest films ever made in the history of cinema is Akira Kurosawa’s 1954 “Seven Samurai”. A groundbreaking epic of such influence on modern cinemas it is said to inspired more films in its genre than any other film ever made. A well deserved masterpiece of cinema, based entire on a simple single event of legendary samurai combat.

Still today, more incredible films in the genre are made involving the legendary samurai sword than any other, such as some of the billion dollar epics made by the Marvel Universe, that still enthral the worlds movie watching audiences.

There is no other country in the world that continually used the very same form of weaponry, in hand to hand combat, for over 800 years. A samurai sword of around 800 years of age, would be just as recognisable and as usable to any 19th century samurai, or even current exponent of samurai martial arts, if he were alive today.

Finally, a visit to The Lanes Armoury is considered and remarked upon, by near every single visitor to our store, that is is an unforgettable experiance, and every samurai sword buyer is afforded the best possible attention, not just for the time that they may view, choose, and buy a sword, but for as long as they own the sword. We are available for every aspect of ownership to its new owner, essentially forever. Our world renown 5 Star service knows no time limit.

And be assured, every single item, from a cap badge to a 800 year old ancient samurai sword, to an Ancient Greek solid gold crown, will be accompanied with our unique Certificate of Authenticity. Based on over 100 years and four generations of experience.  read more

Code: 24230

An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market

A near identical pair to another prize example Makara enamel sword in the Getty Museum in America.

A magnificent work of art, and the sword of a prince. It has a fabulous Mahomed's Ladder Kirk Narduban pattern Damascus blade, with a gold inscription and gold cartouches. In very good condition for age, the polychrome enamels are inlaid into the solid silver hilt, that is further decorated with three heads of the mythical beast, the Makara, including the pommel and both quillon ends, with just very minor enamel surface losses. The fine Damascus blade has small areas of surface pitting and a re-shaped tip. One of the finest Lucknow Damascus swords you could find today, from the one time rulers of Lucknow, and most likely originated from the palace of the Nawab of Lucknow. A Nawab was a Sovereign Prince and Governor of the Moghul Empire. An almost identical princely form of Lucknow Makara enamel silver hilted sword is in the Getty Research Institute, in LA, California. Centuries ago Lucknow emerged as one of the most important centres in the world for courtly crafts such as fine enamelling on silver. It was the capital of the state of Oudh which was established in 1750. The flourishing arts scene was largely on account of the patronage of the local, wealthy Nawabs of Oudh. By the mid-19th century, Lucknow was India's largest and wealthiest city. Lucknow Moghul daggers and swords, especially with Damascus blades, are considered to be some of the most valuable and desirable in the world of antique weaponry art. Representations of such are in the finest collections, such as the British Royal Collection, The British Museum and the Getty Museum. Dwelling in the Indian Ocean, the Makara is traditionally looked upon as a powerful deity, which was capable of harming or guarding seafarers, depending upon its whims. Many scholars naturally assume that the tales of the Makara are nothing more than myths based upon ancient eyewitness accounts of Indian elephants swimming off the coast of India, as they are sometimes known to do. Until 1719, the subah of Awadh was a province of the Mughal Empire administered by a Governor appointed by the Emperor. Persian adventurer Saadat Khan, also known as Burhan-ul-Mulk, was appointed Nizam of Awadh in 1722 and established his court in Faizabad, near Lucknow.

Many independent kingdoms, such as Awadh, were established as the Mughal Empire disintegrated. The third Nawab, Shuja-ud-Daula (r. 1753-1775), fell out with the British after aiding the fugitive Nawab of Bengal, Mir Qasim. Roundly defeated at the Battle of Buxar by the East India Company, he was forced to pay heavy penalties and surrender parts of his territory. Awadh's capital, Lucknow rose to prominence when Asaf-ud-Daula, the fourth Nawab, shifted his court to the city from Faizabad in 1775. The British East India Company appointed a resident (ambassador) in 1773 and by early 19th century gained control of more territory and authority in the state. They were, however, disinclined to capture Awadh outright and come face to face with the Maratha Empire and the remnants of the Mughal Empire. In 1798, the fifth Nawab Wazir Ali Khan alienated both his people and the British and was forced to abdicate. The British then helped Saadat Ali Khan take the throne. He became a puppet king, and in a treaty of 1801, yielded large part of Awadh to the East India Company while also agreeing to disband his own troops in favour of a hugely expensive, British-controlled army. This treaty effectively made the state of Awadh a vassal of the East India Company, although it continued to be part of the Mughal Empire in name until 1819. The treaty of 1801 proved a beneficial arrangement for the East India Company as they gained access to Awadh's vast treasuries, repeatedly digging into them for loans at reduced rates. In addition, the revenues from running Awadh's armed forces brought them useful returns while the territory acted as a buffer state. The Nawabs were ceremonial kings, busy with pomp and show. By the mid-nineteenth century, however, the British had grown impatient with the arrangement and demanded direct control over Awadh.

In 1856 the East India Company first moved its troops to the border, then annexed the state for alleged maladministration. Awadh was placed under a chief commissioner Sir Henry Lawrence. Wajid Ali Shah, the then Nawab, was imprisoned, then exiled by the East India Company to Calcutta. In the subsequent Indian Rebellion of 1857, his 14-year-old son Birjis Qadra, whose mother was Begum Hazrat Mahal, was crowned ruler. Following the rebellion's defeat, Begum Hazrat Mahal and other rebel leaders sought asylum in Nepal. Ghazi-ud-Din Haidar Shah became Nawab Wazir of Oudh on 11 July 1814 after the death of his father. In 1818, under the influence of Warren Hastings, the British Governor of the Presidency of Fort William (Bengal), he declared himself as the independent Padshah-i-Awadh (King of Oudh). This sword would likely have been part of his treasure.  read more

Code: 22605

A Superb Edo Period Samurai Jingasa War Hat Helmet

A Jingasa Ichimonji Gasa, circa 1800. The clan mon [family crest] is very distinctive indeed.
A lacquer over cloth and paper constructed helmet, as is traditional of the era. The most used and famous are the various round jingasa that are basically flat with just a small raised central part. Akemi Masaharu calls this type ichimonji gasa (straight-line hats), hira gasa (flat hats) or nuri gasa (lacquered hats). The vast majority of these are made in what Akemi Masaharu calls the dry lacquer technique. This would involve gluing layers of cloth and / or paper together into a wooden mould, perhaps with some thin wood or bamboo strips as reinforcement, until a sufficient thickness was obtained, then lacquering. An alternative was to make them from coiled twisted paper strings, with each turn sewn to the next with another string. When lacquered, the whole structure was stiffened sufficiently to hold its shape. In both cases the result is a lightweight basic shape that could be individualised with decorations in lacquer. Not all of these are made in this way.

Most ichimonji jingasa are black lacquered on top with the owner’s, or his lord’s, kamon in gold on the front. No liner. Areas of lacquer surface cracking as usual for antique lacquer helmets of this type  read more

Code: 21744

A Powerful Long & Formidable Samurai Antique Shinto Period Katana Signed Blade, of Shumada Kami Taira Yoshisuka, With an Incredible Yadome no Jutsu, Arrow Defensive Blocking Mark & Matsushiro Sinano School Koshirae

All original Edo period mounts and black lacquer saya, and a very good mokko shaped tsuba engraved with leaves and flowers with lines of silver inlay. Menuki of dragons. Fully matching suite of mounts to the tsuka and saya, Matsushiro Sinano school, Signed blade, Shumada Kami Taira Yoshisuka.
The hada is very nicely visible in the excellent polish and around one inch from the habaki the obverse blade face has deflected a blow from an enemy arrow, and created a tiny circular impact point surrounded with incredible hada grain rippling. Please note that unique phenomena, in the photograph, where a the fast travelling projectile has been deflected by the blade from its samurai target and the instant pressure wave incurred in micro seconds has created a miniature tsunami of steel sent out from the impact point for just a few millimetres and created an oval misshaped hada grain all of its own, within the natural hada grain of the blade. A visual record of the samurai’s extraordinary skill and ability to intercept an arrow in mid flight, and something even a nihonto {samurai sword} specialist might only see once in a lifetime. Below the photograph of impact, we show, in the same photo, an antique Japanese woodblock print of the very same action being performed by a samurai, the ‘Yadome no Jutsu’ blocking himself from the impact of arrows, with his sword blade, while being consumed by a hail of enemy yadome {arrows} in flight, while his faithful steed is being impaled by the deadly hail.

This is an amazing thing to see, in that the arrow impact was remarkably deflected, and otherwise the arrow would without doubt have penetrated the body of its samurai, and likely it would have been a fatal wound. Impacts to blades such as this are much revered and honoured, and if possible not removed in later blade polishing.

There is a move in samurai sword combat that is designed to deflect an incoming arrow, which must have been incredibly difficult to execute. The technique is called 'yadome' or 'yadome no jutsu' - the art of cutting or blocking arrows. There are stories of it in Sengoku Japan (and older), it must have required very impressive skill. In the Heike Monogatari (Tale of the Heike), one of the most famous examples of arrow cutting is described:

"Then Gochi-in Tajima, throwing away the sheath of his long naginata, strode forth alone on to the bridge, whereupon the Heike straightaway shot at him fast and furious. Tajima, not at all perturbed, ducking to avoid the higher ones and leaping up over those that flew low, cut through those that flew straight with his whirring naginata, so that even the enemy looked on in admiration. Thus it was that he was dubbed Tajima the arrow-cutter. Some katana can be light and finely balanced to reflect the stature of the samurai who wielded it in combat, others, such as this one, was most certainly for a mighty samurai, either to use on foot in full armour, or in armour on horseback. This is the stature of a sword that could be used against a foe, similarly adorned in full armour, and its power would easily be perfectly suitable against armour in the melee of battle.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art. Often times swordsmiths were more famous than the people who used them. The rise in popularity of katana by samurai is believed to have been due to the changing nature of close-combat warfare. The quicker draw of the sword was well suited to combat where victory depended heavily on fast response times. The katana further facilitated this by being worn thrust through a belt-like sash (obi) with the sharpened edge facing up. Ideally, samurai could draw the sword and strike the enemy in a single motion. Previously, the curved tachi had been worn with the edge of the blade facing down and suspended from a belt.

As with all our items it comes complete with our certificate of authenticity. 28.25 inch long blade from the tsuba to tip.  read more

Code: 23061

An Early Crusades Period Knight's Templar Reliquary Pendant Cross Pendant Still Sealed From the Ancient Holy Land. Approximately 900 years old

A bronze reliquary cross enkolpion pendant with each face with one of the Knights Templar Cross's.

The bronze cross will have a hollow portion formed inside as a box, that was intended for the sacred relic, such as part of the True Cross, that the faithful would have worn around the neck, and it is still sealed so it may well still be present.

Part of the amazing collection of Crusades period Crucifixes and reliquary crosses for the early Anglo Norman Crusader knights and Jerusalem pilgrims. As used in the early Crusades Period by Knights, such as the Knights of Malta Knights Hospitaller, the Knights of Jerusalem the Knights Templar, the Knights of St John.The new Norman rulers were culturally and ethnically distinct from the old French aristocracy, most of whom traced their lineage to the Franks of the Carolingian dynasty from the days of Charlemagne in the 9th century. Most Norman knights remained poor and land-hungry, and by the time of the expedition and invasion of England in 1066, Normandy had been exporting fighting horsemen for more than a generation. Many Normans of Italy, France and England eventually served as avid Crusaders soldiers under the Italo-Norman prince Bohemund I of Antioch and the Anglo-Norman king Richard the Lion-Heart, one of the more famous and illustrious Kings of England. An encolpion "on the chest" is a medallion with an icon in the centre worn around the neck upon the chest. This stunning and large neck worn example is bronze three part with its hinged top. 10th to 12th century. The hollow portion formed inside the cross was intended for the sacred relic that the faithful would have worn around the neck. The custom of carrying a relic was largely widespread, and many early bronze examples were later worn by the Crusader knights on their crusades to liberate the Holy Land. Relics of the True Cross became very popular from the 9th century, and were carried in cross-shaped reliquaries like this, often decorated with enamels, niellos, and precious stones. The True Cross is the name for physical remnants from the cross upon which Jesus Christ was crucified. Many Catholic and Orthodox churches possess fragmentary remains that are by tradition believed to those of the True Cross. Saint John Chrysostom relates that fragments of the True Cross were kept in reliquaries "which men reverently wear upon their persons". A fragment of the True Cross was received by King Alfred from Pope Marinus I (Anglo-Saxon Chronicle, year 883). An inscription of 359, found at Tixter, in the neighbourhood of Sétif in Mauretania, was said to mention, in an enumeration of relics, a fragment of the True Cross, according to an entry in Roman Miscellanies, X, 441.

Fragments of the Cross were broken up, and the pieces were widely distributed; in 348, in one of his Catecheses, Cyril of Jerusalem remarked that the "whole earth is full of the relics of the Cross of Christ," and in another, "The holy wood of the Cross bears witness, seen among us to this day, and from this place now almost filling the whole world, by means of those who in faith take portions from it." Egeria's account testifies to how highly these relics of the crucifixion were prized. Saint John Chrysostom relates that fragments of the True Cross were kept in golden reliquaries, "which men reverently wear upon their persons." Even two Latin inscriptions around 350 from today's Algeria testify to the keeping and admiration of small particles of the cross. Around the year 455, Juvenal Patriarch of Jerusalem sent to Pope Leo I a fragment of the "precious wood", according to the Letters of Pope Leo. A portion of the cross was taken to Rome in the seventh century by Pope Sergius I, who was of Byzantine origin. "In the small part is power of the whole cross", says an inscription in the Felix Basilica of Nola, built by bishop Paulinus at the beginning of 5th century. The cross particle was inserted in the altar.

The Old English poem Dream of the Rood mentions the finding of the cross and the beginning of the tradition of the veneration of its relics. The Anglo-Saxon Chronicle also talks of King Alfred receiving a fragment of the cross from Pope Marinus (see: Annal Alfred the Great, year 883). Although it is possible, the poem need not be referring to this specific relic or have this incident as the reason for its composition. However, there is a later source that speaks of a bequest made to the 'Holy Cross' at Shaftesbury Abbey in Dorset; Shaftesbury abbey was founded by King Alfred, supported with a large portion of state funds and given to the charge of his own daughter when he was alive – it is conceivable that if Alfred really received this relic, that he may have given it to the care of the nuns at Shaftesbury

Most of the very small relics of the True Cross in Europe came from Constantinople. The city was captured and sacked by the Fourth Crusade in 1204: "After the conquest of the city Constantinople inestimable wealth was found: incomparably precious jewels and also a part of the cross of the Lord, which Helena transferred from Jerusalem and which was decorated with gold and precious jewels. There it attained the highest admiration. It was carved up by the present bishops and was divided with other very precious relics among the knights; later, after their return to the homeland, it was donated to churches and monasteries.To the category of engolpia belong also the ampullae, or vials or vessels of lead, clay or other materials in which were preserved such esteemed relics as oil from the lamps that burned before the Holy Sepulchre, and the golden keys with filings from St. Peter's chains, one of which was sent by St. Gregory the Great to the Frankish King Childebert.

Encolpion, a different anglicization of the same word, covers the early medieval tradition in both Eastern and Western Christianity. Superb condition, still sealed, so it may still contain part of the 'real cross'.
Surface in very good condition, with typical natural aged patina

34mm  read more

Code: 24914

A Beautiful Original Roman 1st to 2nd Century A.D. Modius or Fire Alter Status Seal Ring.

Henig type Xb. Wide oval bezel affixed to flattened shoulders engraved copper alloy. Almost identical to one found in the UK near Hadrian's Wall. Engraved to either to represent the Zaroastrian fire altar, or vessel of sprouting grains. The engraved intaglio seal ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus: The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognise them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. Comes in a complimentary box  read more

Code: 24910