An Absolutely Stunning Napoleonic Ist Empire Mercurial Gilt Library Clock From Paris, Circa 1804, Depicting the Bust of Roman Poet Ovid (Publius Ovidius Naso) Atop A Library Bookcase In Napoleon's Working Cabinet, in The Tuileries Palace

The 'working cabinet' is an early term for a working office library, hence the now well known term of the cabinet, and 'The Cabinet Office' in 10 Downing St.

Napoleon Bonaparte and the Roman poet Ovid (Publius Ovidius Naso) are connected by the historical irony of their exiles. Ovid famously suffered banishment to Tomis on the Black Sea by Emperor Augustus, and this theme of exile—specifically their own downfalls—became intertwined in history.The shared connection largely revolves around the geography of their punishment and historical reflections:Elba to Tomis:

Ovid's fate is often juxtaposed against Napoleon's. In a twist of historical irony, Ovid discovered his ultimate fate in exile on the island of Elba, which later became the exact location of Napoleon’s first exile in 1814.The "Carmen et Error":

Both men saw their lives defined by a combination of political indiscretions and fateful errors. While Augustus exiled Ovid for what the poet vaguely called a "poem and a mistake," Napoleon was permanently exiled to Saint Helena after losing his empire.

Napoleon was known to have a classical education, and scholars sometimes compare the isolation experienced by Ovid in Dacia to Napoleon’s own attempts to learn English while captive in Saint Helena.Pierre Jean Louis Ovide Doublet: In a less direct note, a French administrator named Pierre Jean Louis Ovide Doublet served as the Secretary General to the Commission of Government installed by Napoleon Bonaparte during his capture of Malta in 1798

The Roman poet Ovid was born in 43 BC at Sulmo, near Rome. At the age of 50 he was exiled to Tomis on the Black Sea where he died in the year 17 AD. Delacroix imagines what Ovid's exile was like in his painting Ovid among the Scythians. Ovid was banned and never ever made it back to Rome. He spent the rest of his life writing letters begging to be allowed back home, and he never was. He died nine years later in Tomis

He is chiefly famed for the 'Metamorphoses', a long verse narrative which retells ancient Greek and Roman legends, unifying them as a sequence and through the theme of the title. The poem, originally written in Latin, was translated and much admired in the Middle Ages; it subsequently provided a rich source of subject matter for artists as diverse as the Pollaiuolo brothers, Titian and Poussin.

Other well-known poems by him include the 'Fasti', which describes the rites of the pagan Roman calendar, and the 'Ars Amatoria' (the 'Art of Love').

A tangible connection to the artistic and political ideals of early 19th-century France.
Timeless Aesthetic: These clocks complement both traditional and modern interiors with ease.
Value: With their artistic merit and historical relevance, Empire clocks tend to retain, and often increase, their worth over time.

French Empire mantel clocks reflect the ideals of the time through their stately architectural forms, rich ornamentation, and use of precious materials. Symmetry, grandeur, and the radiant sheen of mercury-gilded bronze (ormolu) define the style. These clocks were designed as centrepieces for refined interiors, admired not only for their precision but for their narrative power and sculptural finesse.

Technically advanced, the movements were often produced by master clockmakers such as Bazile-Charles Le Roy, Louis Moinet, Louis Berthoud and Jean-Simon Bourdier, while master bronziers like Claude Galle, Pierre-Philippe Thomire, André-Antoine Ravrio, Pierre-Victor Ledure and Jean-André Reiche.

Following Napoleon’s proclamation as Emperor of the French, France entered a new cultural era known as the Empire period (1804–1815). This epoch marked a flourishing of the decorative arts, culminating in what we now recognise as the Empire style. Closely associated with Napoleon himself, this aesthetic drew heavily upon the classical world, particularly Greco-Roman architecture, sculpture, and mythology.
Possibly By Thomire, Pierre-Philippe (French, 1751-1843)

Mercurial gilding or fuming was already used in antiquity, treats the bronze design with 'gold amalgam' - gold powder dissolved in mercury under heating. The mercury is then driven off with a flame. The gold forms a compound (alloy) with the bronze. This process was then repeated several times to obtain a gold layer of sufficient thickness.
The poisonous mercury fumes released during fire gilding were particularly unhealthy, which is why the technique was banned around 1830.

The applied gold layer is thick but contains pores, which gives a matt appearance. The pores can be rubbed closed so that a high-gloss surface is created. This technique is called bruncheren. The alternation of high-gloss and matt parts is a characteristic of fire-gilded objects.

Mercurial or Fire-gilded clocks like this were only owned by the richest and most important citizens at the time, as a result of the artistry of various master craftsmen.
During the Ancien Régime (the period before the French Revolution), reading books was mainly aimed at acquiring knowledge.

8 day silk suspension movement striking on a bell  read more

Code: 26285

A Stunning Antique Rock Quartz Crystal 'Witch' or 'Scrying' Ball. Containing Internal Veils, Wisps, and Tiny Fissures & Areas Of Incredible Clarity.. A Most Intriguing Classic Antique Collector's Item Of The Esoteric Mystical Arts and Occultism

Superbly polished with perfect surface. On a composition gilt stand. Showing incredible optical views and imagery of such as the Milky Way and rainbows

A late 18th-century rock quartz crystal ball is a remarkably rare historical artifact. Authentic pieces from this era are highly prized for their clarity and historical significance, often linked to the Victorian revival of scrying or early, natural specimens cut from deep-earth quartz. Genuine antique crystal balls were painstakingly crafted by cutting large chunks of natural quartz rock—such as those historically mined in Burma or Brazil—against the grain using abrasive sand and water, before being laboriously hand-polished. Genuine late-1700s natural quartz spheres almost always contain internal veils, wisps, and tiny fissures.

In ancient times, quartz was fashioned into beads or used to make talismans. It was used by the inhabitants of Mesopotamia roughly 7000 years BC and, more recently, by the ancient Greek, Roman and Egyptian civilizations who followed. There was a belief that quartz was actually composed of super-cooled ice which had hardened, given its clear, transparent appearance.

Quartz was an important crystal to the Gaels, the ancient tribes which became the Irish. In the Irish language, quartz is known as ‘Grianchloch’ (sunstone) and was used extensively across Europe for passage tombs, such as the famous prehistoric monument at Newgrange or Carrowmore, Ireland. The outer wall at Newgrange is covered with a finishing layer of white quartz.

Unlike the typical crystal ball used by a magician or fortune teller, the largest crystal ball weighs 106.75 pounds, is 12.9 inches in diameter, and is 242,323 carats. It is the largest flawless quartz sphere in the world. The quartz was cut and polished in China sometime between 1923 and 1924 before arriving at the Smithsonian in 1930. Because of its spherical shape, the crystal ball makes the room appear upside-down.

It is on display in the Hall of Geology, Gems, and Minerals at the Smithsonian’s National Museum of Natural History.

Rock crystal spheres of this large size are rare. The largest, at around 32.8 cm., is now in the collection of the Smithsonian Institution in Washington, DC. The Smithsonian sphere was reportedly fashioned by Chinese lapidaries in Shanghai between 1920-1924, from a half-ton block of Burmese rock crystal. The second largest sphere is believed to be one in the collection of the University of Pennsylvania Museum of Archeology and Anthropology (accession no. C681A) measuring 25.4 cm. in diameter. It is said to have been made for the Empress Dowager Cixi (1836-1908) and was one of her prized posessions. Another slightly larger sphere, balanced on a wave stand very similar to the present stand, is in the collection of the Philadelphia Art Museum (accession no. 1944-20-2a,b).

The current sphere, like those above, was made entirely by hand in a laborious process. The final hand polishing, using finely powdered iron oxide, gave these spheres a luster rarely achieved using modern gem-polishing machinery.
Rock crystal carvings have long been prized by the Chinese, warranting a dedicated discussion chapter in collecting guides, such as the late Ming aesthete Zhang Yingwen's Pure and Arcane Collecting. Rock crystal symbolizes purity and perfection, while the sphere represents completeness and the infinity of space.

Antique carved Rock Crystal Quartz Witch's 'crystal ball', also known as a scrying ball, the crystal ball was used by gazing into their centre, for the divination of the future, and the answering of questions. As well as the warding off of evil spirits and misfortune. A fascinating treasure - of great artistic quality

Witch balls were found in England in the 1600 and 1700s originally to ward off evil spirits and spells. By the 1800s witch balls crossed the Atlantic to New England. They also spread to other parts of Europe, being found in Italy, France, and Constantinople. The witch ball originated among cultures where harmful magic and those who practiced it were feared. They are one of many folk practices involving objects for protecting the household. The word witch ball may be a corruption of watch ball because it was used to ward off, guard against, evil spirits. They may be hung in an eastern window, placed on top of a vase, or for the very wealthy set upon a decorative gold stand, either pedestal, or figural, or suspended by a cord (as from the mantelpiece or rafters). They may also be placed on sticks in windows or hung in rooms where inhabitants wanted to ward off evil.

Superstitious European sailors valued the talismanic powers of the witch balls in protecting their homes. Witch balls appeared in America in the 19th century and larger, more opaque variations are often found in gardens under the name gazing ball. This name derives from their being used for divination and scrying where a person gazes into them dreamily to try to see future events or to see the answers to questions. However, gazing balls contain no strands within their interior. The witch ball holds great superstition with regard to warding off evil spirits in our particular English counties of East Sussex and West Sussex. The tradition was also taken to overseas British colonies, such as the former British colonies of New England, and remains popular in coastal regions. Apparently, our Hawkins forebears ship’s that sailed across to the New World in the 1600’s, for both trade, emigres, and pilgrims, would carry at least one witch ball hung within a net on board. Our paternal grandmother hung one such in a net from her home’s East window all her life until her death in the 1980’s.

The history of the crystal ball as a device can be traced as far back as to the Medieval Period in central Europe (between 500 – 1500 AD) and in Scandinavia (1050 – 1500 AD). The very ancient art of using reflective surfaces in divination is called scrying and is almost as old as man himself. Queen Elizabeth I consulted Dr John Dee, philosopher, mathematician and alchemist for advice in government and a smoky quartz ball that belonged to Dee is now in the British Museum. Any antique crystal spheres are very desirable especially if a well-known reader has used them. This is the best one we have ever seen quite simply and it must have belonged to someone who took their craft incredibly seriously as it would have been tremendously expensive to make at the time.

Occultism, a group of esoteric religious traditions emerging primarily from 19th-century Europe. In particular, the term occultism is associated with the ideas of the French Kabbalist and ceremonial magician Éliphas Lévi as well as the various figures, both in France and abroad, who were strongly influenced by his writings. In the academic study of esotericism, the term is often used in a broader sense to characterize all esoteric traditions that have adapted to an increasingly secular, globalized, and scientific world, including Spiritualism, Spiritism, Wicca, and the New Age milieu.
History
The term occultism derives from occult, itself adopted from the Latin word occultus, meaning “hidden” or “secret.” In medieval and early modern Europe this term had been used in reference to “occult properties,” or forces that, even if invisible to the human eye, were believed to exist within material objects. In the 16th century the term occult gained additional meanings, coming to also describe specific traditions of thought, usually called “occult sciences” or “occult philosophies.” Among the traditions repeatedly labeled under these terms were alchemy, astrology, and magia naturalis (“natural magic”), all of which are now typically regarded as forms of esotericism.
The earliest known use of the term occultism comes from French, where l’occultisme appears in Jean-Baptiste Richard’s 1842 work Enrichissement de la langue française (“Enrichment of the French Language”). The word’s popularization nevertheless results largely from its use by Alphonse Louis Constant, a French author who published a series of books under the pseudonym Éliphas Lévi in the 1850s and ’60s. Sometimes referred to as the “founder of occultism,” Lévi was a committed Roman Catholic and socialist interested in many older esoteric traditions, including ceremonial magic, Kabbalah, and the use of the tarot. In his writings, most notably his highly influential Dogme et rituel de la haute magie (The Doctrine and Ritual of High Magic; 1854–1856), he wrote about a purported ancient and universal tradition of spiritual wisdom, the knowledge of which could help bridge the modern divide between science and religion. During the late 19th and early 20th centuries, many of the influential French figures who were inspired by Lévi—including Stanislas de Guaita, Joséphin Péladan, and Papus—also went on to describe their beliefs and practices as occultisme.
Scrying, also referred to as "seeing" or "peeping," is a practice rooted in divination and fortune-telling. It involves gazing into a medium, hoping to receive significant messages or visions that could offer personal guidance, prophecy, revelation, or inspiration

Scrying has been practiced in many cultures in the belief that it can reveal the past, present, or future. Some practitioners assert that visions that come when one stares into the media are from the subconscious or imagination, while others say that they come from gods, spirits, devils, or the psychic mind, depending on the culture and practice. There is neither any systematic body of empirical support for any such views in general however, nor for their respective rival merits; individual preferences in such matters are arbitrary

Undoubtedly, Nostradamus is the most recognized of scryers. In the sixteenth century, in ancient France, he was an astrologer and physician. He wrote in poetic quatrains which referenced future events. In his day, working as a magician conflicted with the law. His predictions were veiled to allow him to fly under the radar in that sense.

The Crystal Ball is a painting by John William Waterhouse completed in 1902. Waterhouse displayed both it and The Missal in the Royal Academy of 1902. The painting shows the influence of the Italian Renaissance with vertical and horizontal lines, along with circles "rather than the pointed arches of the Gothic".

Another painting in the gallery. Part of a private collection, the painting, by Pieter Claesz circa 1628, Still Life with Crystal Ball which depicts a crystal ball, a wand, a book of ceremonial magic, and a woman "weaving a spell", has been restored to show the skull which had been covered by a previous owner.

Yet another painting is Leonardo da Vinci's 'Salvator Mundi' Circa 1500, of Jesus Christ bearing a crystal ball in his left hand.


5 1/2 inches, 140mm  read more

Code: 26284

The Lanes Armoury Probably The Largest Online Militaria Website in the World, After Over 100 Years of Brighton Trading, &, The 25th Anniversary of Our Best Antique & Collectables Shop in Britain Award

In this very special anniversary year of 2026

Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE in 2001.

With around 2000 visitors at our shop every day the most popular question asked, is, “where in earth do you find thousands of such incredible pieces?”
Well, although the answer relatively simple, it is based around over a 100 years of our firmly established reputation. Those that wish to sell, one way or another, find us, because we have been here, located and trading in Brighton for over four generations, and thus well known around the world, and more importantly, throughout the United Kingdom, as one of the most important buyers of ancient, antique and vintage collectables, in Great Britain.
We have been acquiring treasures from history, almost exclusively, from some of the most remarkable private sources for all that time, The family partners have had their specific and utterly remarkable business experience, literally unchallenged, for over fifty years. With the privilege of meeting some of the most incredible individuals imaginable, and all with their own unique story to tell, and their desire to pass on their past heirlooms, to become others heirlooms of the future.

Five years ago we were approached by a most historically enthusiastic young person studying at Sussex University who asked if they could research through our archive to complete a 'paper' based on us as one of the oldest remaining Sussex family business's.
It resulted in some remarkable statistics, that we thought we would share with our regulars, for those that have interest. The research only included the types of items that we regularly buy, sell and export today, with general antiques, furniture, porcelain, clocks, silver and works of art excluded, as we haven't been devoted to that side of the trade since selling our antique export shipping companies in 1992. However, when came to books, it was also another near impossible task to calculate, as it would likely stretch into the hundreds of thousands, {conservatively} if not millions of volumes {actually}.

In over 100 years of shop keeping in Brighton, at the time of his research, 80 of them pre-internet, apparently, we have likely sold over 200,000 books, {vintage and antique books were, and are, our largest selling single item}, 135,000 medals & badges, over 95,000 worldwide swords, knives and bayonets, over 32,000 Japanese samurai swords {for example, around 28 years ago we bought over 150 Japanese WW2 NCO swords in one vast lot, from the grandson of a WW2 British military surplus dealer, who acquired them for scrap in 1946 from the War Dept}. We have sold and exported,, apparently over 28,500 helmets of all origins and types, 27,000 pistols and muskets of all countries, at least 2450 suits of armour, European, British or Japanese, and over 1,500 cannon, both signal and full sized. Believe it or not, apparently, according to their research and calculations, these are potentially conservative figures, and the actual figure could indeed be much higher. However, in 1939 business trailed off a bit {WW2} but old pops, William {Bill} Hawkins went to the Alan West factory on the outskirts of Brighton {due to being too old to serve in the Navy} and engineered Army Tanks for the next 6 years.


So, please enjoy our historical website, and remember, every thing you see that is priced, is available, and for sale, we try to not keep our webstore filled with past 'sold' items.

Being part of the centre of the historic Brighton Lanes, anything up 2,000 to 3,000 people, will visit us here most days {especially on Saturdays} winter and summer, rain or shine.

We issue our unique, certificate of authenticity, with every single item purchased, and in regards to our Japanese items, both weapons and fittings etc. our ability to do this is based on well over a century of experience, as probably the largest military antiques dealers in Europe. We detail within our certificates, their beauty, approximate age, style, either specific or generic history, and the details of their fittings and mounts, and their potential position, use, and status in Japanese samurai history. We will detail the translations, if known, of the kanji (names) chisselled upon the nakago of swords, under their hilt bindings, but purely for information only. Although the myth persists that all Japanese master smiths signed their swords, historically, and factually, it is likely less than 30% of samurai blades were in fact ever signed. This fact is certainly found, and confirmed by us to be the case, due to our family’s 100 plus years experience. For example, it is said one of the greatest master smiths who ever lived, the great Masamune, was, apparently, most reluctant to ever sign his swords. Although this must be relative speculation, as so very few of his swords have been recognised to still exist

Our Certificates of Authenticity are our own unique version of a lifetime guarantee, based on our expertise honed over 100 years, containing a detailed description of any item purchased from our stock. In relation to our samurai weapons, the description with be a combination of our opinion of its style, approximate age and beauty, and for our Japanese samurai swords in particular, that it is an ‘original’, samurai sword, made and used by samurai, both ancient and vintage, within Japan, over the past 700 years, up to the last samurai period in the Meiji era of 1868, as well as up to 1945, if it is a military mounted shingunto sword.

Photos 4 and 5 are part of an editorial in Art and Antiques Weekly Magazine, featuring the story so far {in 1975} of the partner’s former family antiques export company, one of the largest in the world at that time. In 1992 Mark and David retired from the mass wholesale export market and morphed their business into the becoming one of the largest dedicated ‘military antiques’ and specialist book businesses instead, both of the partners true passions.  read more

Code: 22565

1st Edition James Bond, On Her Majesty's Secret Service, by Ian Fleming. Part of The ‘Blofeld’ Sequence. The Most Infamous Villain In The James Bond Canon. Written By Fleming at ‘Goldeneye’ Whilst Sean Connery Was Filming His First Bond, “Dr. No” Nearby

Part of another small collection of James Bond First Editions that just arrived

1st Edition, 1st impression. Published by London: Jonathan Cape. 1963 original cover. (1963) On Her Majesty's Secret Service is the tenth novel in Ian Fleming's James Bond series, first published in the UK by Jonathan Cape on 1 April 1963. The initial and secondary print runs sold out, with over 60,000 books sold in the first month. Fleming wrote the book in Jamaica whilst the first film in the Eon Productions series of films, Dr. No, was being filmed nearby.
With a delightful hand written birthday dedication dated April 1963, the same month this Ist edition, first impression was published, with its original Richard Chopping designed dust cover.

On Her Majesty's Secret Service is the second book in what is known as the "Blofeld trilogy", which begins with Thunderball and concluded with You Only Live Twice. The story centres on Bond's ongoing search to find Ernst Stavro Blofeld after the Thunderball incident; through contact with the College of Arms in London Bond finds Blofeld based in Switzerland. After meeting him and discovering his latest plans, Bond attacks the centre where he is based, although Blofeld escapes in the confusion. Bond meets and falls in love with Contessa Teresa "Tracy" di Vicenzo during the story. The pair marry at the end of the story but Blofeld kills Bond's wife, hours after the ceremony.

Fleming made a number of revelations about Bond's character within the book, including showing an emotional side that was not present in the previous stories. In common with Fleming's other Bond stories, he used the names and places of people he knew or had heard of and Blofeld's research station on Piz Gloria was based on Schloss Mittersill, which the Nazis had turned into a research establishment examining the Asiatic races.

On Her Majesty's Secret Service received broadly good reviews in the British and American press. The novel was adapted to run as a three-part story in Playboy in 1963 and then as a daily comic strip in the Daily Express newspaper in 1964–1965. In 1969 the novel was adapted as the sixth film in the Eon Productions James Bond film series and was the only film to star George Lazenby as Bond. On Her Majesty's Secret Service was written in Jamaica at Fleming's Goldeneye estate in January and February 1962, whilst the first Bond film, Dr. No was being filmed nearby. The first draft of the novel was 196 pages long and called The Belles of Hell. Fleming later changed the title after being told of a nineteenth-century sailing novel called On Her Majesty's Secret Service, seen by Fleming's friend Nicholas Henderson in Portobello Road Market.

As with his previous novels, Fleming used events from his past as elements in his novel. Whilst at Kitzbühel in the 1930s, Fleming's car, a Standard Tourer, had been struck by a train at a level crossing and he had been dragged fifty yards down the track. From that time on he had associated trains with death, which led to their use as a plot device not just in The Man with the Golden Gun, but also in Diamonds Are Forever and From Russia, with Love.
To demonstrate just how much all things original Bond are appreciated in the world of collectors, the Walther pistol used by Connery in the poster of From Russia With Love, in 1963, and also drawn in the man With The Golden Gun is in fact just an air pistol. A .177 (4.5mm) Walther 'LP MOD.53' Air Pistol, Serial No. 054159. That pseudo pistol was sold by Christies in 2010, with an estimate of £15,000 to £20,000, but for an incredible £277,000. {We dropped out of the bidding at a mere £22,000} Incredible in that it was never used in any film, it was just an air pistol, not a real automatic, and only ever used in promotional posters. It was 'said' to have been used by accident in fact as they couldn't find a correct Walther.
A full set of 1st edition Ian Fleming's 14 James Bond novels published by Jonathan Cape between 1953-1966 could now cost in the region of £90,000. plus
Comprising of:
Casino Royale,
Live and Let Die,
Moonraker,
Diamonds are Forever,
From Russia with Love,
Dr No,
Goldfinger,
For Your Eyes Only,
Thunderball,
The Spy Who Loved Me,
On Her Majesty's Secret Service,
You Only Live Twice,
The Man with the Golden Gun
and
Octopussy and the Living Daylights {two storys in one volume}.


The dust jacket has a few small tears, but overall a jolly nice volume.

Out of interest, our last example of this super Ist edition James Bond, in around the same condition, we sold as a gift for an American megastar, who is now, apparently, the most famous and biggest selling movie actor in the world.

For those that have interest in World War II clandestine operations, we have acquired a small unique collection or original German badges personally collected by a former 30 AU commando, during clandestine raids, serving in Lt Commander Ian Flemings, so-called, “Red Indians”, of 30 assault commando.
Each superb iconic piece of history is for sale separately. Naturally, each piece comes with our usual certificate of authenticity, just as we have issued for all our pieces since after the war.

The partners of The Lanes Armoury have, for many decades, a very special interest in the clandestine forces of World War II, thus, offered and sold over the decades since the war, some of the most incredible artifacts of former SOE and OSS secret equipment and weaponry that you could ever find.

An interest that was likely formed as the current partner‘s father was an RAF bodyguard of Barnes Wallis, one of the greatest top-secret ‘boffins’ to have ever lived, the brains behind the dam-busters and so many other intriguing inventions for the RAF.
Also, the partner’s mother was a dear friend of former agent 365 of the Belgian Resistance, Countess Anita Vulliamy, who remarkably survived capture and torture by the Gestapo in WW2, and relocated to Hove after the war, and Mark, the elder partner, knew quite well a very famous spy, but for the ‘other side’, of Joe Stalin’s KGB, the ‘Cambridge Five Spy Ring’ recruiter. Of course it wasn’t until she had died that it was revealed to the public she was indeed one of the infamous World War II traitors and communist spy. Edith Tudor-Harte lived only a few hundred yards from the The Lanes Armoury gallery.  read more

Code: 26283

One of The Most Famous 20th Century Writers in The World. James Bond Ist Edition "You Only Live Twice" Ist Issue, Fleming, Ian Published by Jonathan Cape, London, 1964. Basis for the James Bond Movie, Sean Connery & Karin Dor As Bond-Girl Helga Brandt

Our latest addition to our small Ian Fleming 1st Edition collection.
Jonathan Cape, London, 1964. the 2nd Bond book. Black Cloth with Japanese kanji . Condition: Fine. Dust Jacket Condition:Good. First Edition. A first edition/first Impression.
A first edition, first impression (stating 'First Published 1964' versus the second state 'March 1964') of Ian Fleming's You Only Live Twice, here in highly collectible condition. With the original dustjacket designed by Richard Chopping, It is the last novel by Fleming to be published in his lifetime, with subsequent works (Man with The Golden Gun and Octopussy) being published posthumously. First edition, first impression (stating 'First Published 1964' versus the second state 'March 1964'), correctly priced at 16s.net. Original black cloth boards with the spine lettered in silver, with title in Japanese on front board in gilt. Internally fresh Original dustjacket by Richard Chopping with the pink presenting beautifully mild toning to the jacket spine. A near-fine example. Published by Jonathan Cape, London, 1964.

Ian Fleming was probably one of the most interesting Englishman of the 20th century. 90% of the world would believe that is because solely of his contribution to the literary world of his eponymous icon, James Bond. Also, for his other well known and famous literary masterpiece, Chitty Chitty Bang Bang

However, long before the escapades described of Mr Bond, he was indeed a WW2 master spymaster himself, creating some of the most clandestine groups of special forces the world has ever known, but it is hardly, in fact, known around the world at all.
His clandestine force, called 30 commando or X force, Aka the Red Indians, contained some of the bravest and most resourceful men to have fought in World War II. In fact all of them versions of James Bond himself and his connection to so many other clandestine operations, such as The Dieppe Raid, and some still secret today, is not frequently known by all of the admirers of his post war craft. His clandestine force was actually referred to in one of his early books, and he subtly described them, as Bonds affinity to playing like Red Indians.

The Metaphorical Meaning in the novel, Casino Royale is when the villain, Le Chiffre, mocks James Bond by telling him he is "playing Red Indians". He implies that Bond is acting like a naive child who thinks the world is simple, mistakenly believing it is easy to tell black and white, or absolute good and evil, apart. The real-life inspiration outside of the narrative, is that the term refers to the previously described 30 Assault Unit (30 AU). This was a real-life commando unit formed by Ian Fleming during World War II, made up of specialist intelligence troops tasked with infiltrating enemy lines and securing documents. Fleming originated the idea for this group and personally nicknamed his commandos his "Red Indians

Throughout a jolly nice copy. "When Ernst Stavro Blofeld blasted into eternity the girl whom James Bond had married only hours before, the heart, the zest for life, went out of Bond" (from the dust-jacket). Basis for the James Bond movie with Sean Connery and Karin Dor as Bond-Girl Helga Brandt. This film is the first Bond movie to deviate from the source material. Other than the Japanese setting, and several characters, the two stories are very different. A first edition/first Impression (stating "first Published 1964" versus the second state "March 1964")
You Only Live Twice
Cinema poster showing Sean Connery as James Bond fly his monocoptor over the villains lair.
British cinema poster for You Only Live Twice.

The movie was Directed by Lewis Gilbert
Produced by Albert R. Broccoli
Harry Saltzman

Distributed by United Artists
Release date
12 June 1967 (London, premiere)
You Only Live Twice is a 1967 British spy film and the fifth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. The film's screenplay was written by Roald Dahl, and loosely based on Ian Fleming's 1964 novel of the same name. It is the first James Bond film to discard most of Fleming's plot, using only a few characters and locations from the book as the background for an entirely new story.

In the film, Bond is dispatched to Japan after American and Soviet manned spacecraft disappear mysteriously in orbit. With each nation blaming the other amidst the Cold War, Bond travels secretly to a remote Japanese island to find the perpetrators and comes face to face with Ernst Stavro Blofeld, the head of SPECTRE. The film reveals the appearance of Blofeld, who was previously a partially unseen character. SPECTRE is working for the government of an unnamed Asian power, implied to be the People's Republic of China, to provoke war between the superpowers.

During the filming in Japan, it was announced that Sean Connery would retire from the role of Bond, but after a hiatus, he returned in 1971's Diamonds Are Forever and later 1983's non-Eon Bond film Never Say Never Again. You Only Live Twice is the first Bond film to be directed by Lewis Gilbert, who later directed the 1977 film The Spy Who Loved Me and the 1979 film Moonraker, both starring Roger Moore.

You Only Live Twice was a great success, receiving positive reviews and grossing over $111 million in worldwide box office.

For those that have interest in World War II clandestine operations, we have acquired a small unique collection or original German badges personally collected by a former 30 AU commando, during clandestine raids, serving in Lt Commander Ian Flemings, so-called, “Red Indians”, of 30 assault commando.
Each superb iconic piece of history is for sale separately. Naturally, each piece comes with our usual certificate of authenticity, just as we have issued for all our pieces since after the war.

The partners of The Lanes Armoury have, for many decades, a very special interest in the clandestine forces of World War II, thus, offered and sold over the decades since the war, some of the most incredible artifacts of former SOE and OSS secret equipment and weaponry that you could ever find.

An interest that was likely formed as the current partner‘s father was an RAF bodyguard of Barnes Wallis, one of the greatest top-secret ‘boffins’ to have ever lived, the brains behind the dam-busters and so many other intriguing inventions for the RAF.
Also, the partner’s mother was a dear friend of former agent 365 of the Belgian Resistance, Countess Anita Vulliamy, who remarkably survived capture and torture by the Gestapo in WW2, and relocated to Hove after the war, and Mark, the elder partner, knew quite well a very famous spy, but for the ‘other side’, of Joe Stalin’s KGB, the ‘Cambridge Five Spy Ring’ recruiter. Of course it wasn’t until she had died that it was revealed to the public she was indeed one of the infamous World War II traitors and communist spy. Edith Tudor-Harte lived only a few hundred yards from the The Lanes Armoury gallery.  read more

Code: 26281

A Superb & Early Kriegsmarine High Seas Fleet Badge by Adolf Bock Ausf Schwerin, Berlin {Flottenkriegsabzeichen} From One Of Ian Fleming’s Naval Intelligence Section’s So Called ‘Red Indians’ 30 Commando Special Engineering Unit

From an Interesting historical Collection Of Original German Third Reich Luftwaffe & Kriegsmarine Combat Badges & Awards & An SS & Army Buckle, Collected During WW2 By A 30 Commando British Bomb Disposal Officer. Untouched Since 1945, & Stored As Is For 80 Years. These ‘Red Indians’ commandos were mentioned twice in Ian Fleming’s first James Bond novel, Casino Royale, as an ‘honourable mention’ to Fleming’s secret service in Naval Intelligence in WW2.

Bomb disposal sections of special engineering units {Fleming’s so called ‘Red Indians} in wartime Europe were a vital part of clandestine warfare, and all parts of the units combat service were then trained in recognising enemy mines, booby traps, handling of explosives, demolitions, counter-demolitions, bomb disposal, and combined with recognition of enemy uniforms and equipment for intelligence gathering. Reporting all elements of their findings back to CoCO, and by them to the Admiralty. Fleming referred to such brave men as his ‘Red Indians’. see Casino Royale for reference.


KRIEGSMARINE HIGH SEAS FLEET BADGE BY ADOLF BOCK AUSF SCHWERIN BERLIN
A nice early Kriegsmarine High Seas Fleet Badge by Adolf Bock Ausf Schwerin, Berlin (Flottenkriegsabzeichen) constructed in tombac. The obverse of the badge has a nice gilt finish and patina with sharp detail. The reverse of the decoration has t


The maker’s mark “FEC. ADOLF BOCK AUSF. SCHWERIN BERLIN” complete with a vertical block hinge and flat wire catch. The badge has no damage or repairs in very good condition by desirable maker.
The design was created by the well known artist Adolf Bock of Berlin and the design was approved and adopted in 1941 by the then Grand Admiral Raeder, Commander in Chief of the German Navy. Although the award was instituted in 1941, awards could be rendered in retrospect of service from the beginning of World War II.

The brain child of naval commander Ian Fleming & Lord Louis Mountbatten, 30 Commando, this wartime unit was a secret well kept for over 50 years after the war by the Official Secrets Act, some remains classified. At the time, officially, they didn’t exist. The members of this unit were forbidden to discuss or document their activities, a pledge that many of the men kept even many years after the war was over, or even for their entire lives!
Due to the fact these men operated in very small groups on ‘need-to-know’ basis it is very difficult to get clear picture of everything they were doing.
Fleming’s/NID30AU secretary Miss Margaret Priestley (a history professor from Leeds University) played a vital role in the running and administration of 30AU and became his inspiration for Miss Petty Pettaval - the original character name that became Miss Moneypenny.
As revealed here for the first time! (see Beau Bête)

Miss Preistley transferred over to NID30AU during the winter of 1943-44 from DNR - (Department of Naval Research) where she worked as a civilian, although there were obvious links between DNR and NID30AU as intelligence on enemy targets was collected for Fleming’s ‘Black List’.

Also Known as: Fleming's 'Red Indians'
Fleming himself referred to the men of the unit as behaving like 'Red Indians'. (A reference he also used when referring to his character, James Bond, four times in his first novel Casino Royale. Which effectively makes this unit the ‘literary James Bond’s wartime unit’.)
Formerly:- (NID30 Command Office at Admiralty),
Special Engineering Unit.
'RED' Marines.
Latterly:- 30 Assault Unit,
 30 Advanced Unit, 30AU
 and incorrectly as 30th Assault Unit.
The number '30' was used for no better reason than it was NID/Miss Priestley’s Office Door number at the Admiralty. (Fleming’s Office was No. 39, see photo in the gallery of Fleming in room 39 of the Admiralty) 'Assault Unit' was 'overt' cover for the fact that they were intelligence gathering.
Date Founded: 30 September 1942
Date Disbanded: 26 March 1946
Date Reformed: February 2010 - 30 Cdo IXG
Mission When Founded:
The collection of technical intelligence and personnel from enemy headquarters and installations. Ahead of allied advances and before enemy could destroy it, to ‘Attain by Surprise’.

30 Commando consisted of Royal Marine, Army and Royal Navy elements that were organised into three Sections: No. 33, No. 34 and No.36 respectively. Initially code-named the Special Engineering Unit, the unit reported to the Chief of Combined Operations, though the Admiralty retained ultimate control of No.36 Section. No.35 Section was left vacant for the RAF to utilise but they never raised a troop to participate in 30 Cdo. Although they did supply intelligence officers and specific targets to pursue after D-Day for ‘Operation Crossbow’.
Unit members were given general commando skills and weapons training, and were then trained in recognising enemy mines, booby traps, handling of explosives, demolitions, counter-demolitions, recognition of enemy uniforms and equipment. Parachute training, small boat handling, recognition of enemy documents, search techniques including lock picking and safecracking, prisoner handling, photography and escape techniques were also taught.
A significant number of the initial recruits were formerly policemen. Although at least one ‘expert’ was recruited straight from prison, thought by the police to be the best safe-breaker in England at the time.
30 Cdo’s operational tactic was to move ahead of advancing Allied forces, or to undertake covert missions into enemy territory by land, sea or air, to capture intelligence, in the form of equipment, documents, codes or enemy personnel. 30 Cdo often worked closely with the Intelligence Corps' Field Security sections. More often than not each team consisted of two special operations Jeeps (As used by the SAS and 30AU) manned by one Naval Commander in possession of a ‘Black Book’ which listed targets from Ian Fleming’s famous ‘Black List’. The Naval Commander was the only man in each team who knew where and what the targets actually were. This Naval Commander was usually accompanied by at least one weapons expert or scientist who he relied on to evaluate the information or equipment they encountered. There were also usually at least six Royal Marines and one RM Officer whose main job was to do any fighting required and to keep the Naval Commander and any experts alive and out of trouble. (For details Reading section.)
The individual Sections served in all the Mediterranean and NW European operational theatres, usually operating independently, gathering information from captured facilities. The unit served in North Africa, the Greek Islands, Norway, Pantelleria, Sicily, Italy, and Corsica, 1942-1943 as 30 Commando.

As the Allies broke through 30AU split into many ‘Field Teams’ and these were responsible for capturing many and varied targets throughout Germany.
Team 2 under Curtis captured Prof. Helmut Walter, designer of the Me163 Rocket Plane and Midget Submarines at Kiel. (Kept by the British!).
Team 5 under USN Lambie captured Prof. Herbert Wagner (Handed to US Agents) designer of the guided flying bomb Hs293, already used to sink HMS Egret and to kill over 1000 troops on HMT Rohna. He went on to work for the US Navy. He did not surrender in Bavaria with Dornberger and the von Braun brothers as the Allied military would have us believe..
The capture of Prof. Magnus von Braun (Martin) V2 fuel chemist. (Handed to US Agents). He did not surrender in Bavaria as the Allied military want us to believe.
The capture of the designer of the Nazi V2 (who went on to the NASA Saturn V), Prof. von Braun and his brother. (Some men were convinced they were some of the scientists they caught!) Did they surrender in Bavaria as the Allied military want us to believe or was that staged afterwards? (see Beau Bête for details and FREE preview PDF, in Reading)
Team 55 under Glanville captured the entire Nazi Naval records collection at ‘Tambach Castle’.
Team 4 under Job(e) captured the Bremen dockyards with type 21; 25 submarines and destroyers. Then took the surrender of Bremerhaven and captured Naval HQ SS Europa and Z29 Destroyer. (All handed over to US Agents).
Team 2 Postlethwaite captures the Torpedo testing facility at Ekenförde.
Another team captured Admiral Dönitz (as Führer).
And many other things yet to be revealed by the government!
Ref; https://www.30au.co.uk
An amazing historic collection of information, including. https://www.amazon.co.uk/Beau-B%C3%A9te-assigned-Flemings-intelligence/dp/B08R7XYHXW

Photos in the gallery of;
Fleming in his wartime office, Room 39 of the Admiralty, Whitehall.

Admiral Otto Ciliax
Generaladmiral Oskar Kummetz
Fregattenkapitän Ernst Dominik

All the above Kriegsmarine officers are wearing the High Seas Fleet Badge.  read more

Code: 25708

WW2 Kriegsmarine Destroyer Badge The Destroyer Badge (German: Zerstörerkriegsabzeichen)From One Of Ian Fleming’s Naval Intelligence Section’s So Called ‘Red Indians’ 30 Commando Special Engineering Unit

Badge By Friedrich Orth, It was a World War II German military decoration awarded to officers and crew for service on Kriegsmarine destroyers. It was instituted on 4 June 1940 by Grand Admiral Erich Raeder following the battle of Narvik. It was also awarded to the crews of torpedo boats and fast attack craft until the institution of the Fast Attack Craft War Badge.

The medal, designed by Paul Carsberg of Berlin, consists of an outer oakleaf laurel wreath of oak leaves with the national emblem of eagle clutching a swastika at its apex. The central area features a side-view of a destroyer cutting through a wave

A highly desirable original collectors item, uncleaned unpolished, kept just as is, untouched and unmolested for the past 80 years

Originally taken by a commando of 30 commando X troop while on clandestine missions as part of 30 Commando reconnaissance and sabotage.

The brain child of naval commander Ian Fleming & Lord Louis Mountbatten, 30 {30AU} Commando, this wartime unit was a secret well kept for over 50 years after the war by the Official Secrets Act, some remains classified, see Reading. At the time, officially, they didn’t exist. The members of this unit were forbidden to discuss or document their activities, a pledge that many of the men kept even many years after the war was over, or even for their entire lives!
Due to the fact these men operated in very small groups on ‘need-to-know’ basis it is very difficult to get clear picture of everything they were doing.
Fleming’s/NID30AU secretary Miss Margaret Priestley (a history professor from Leeds University) played a vital role in the running and administration of 30AU and became his inspiration for Miss Petty Pettaval - the original character name that became Miss Moneypenny.
As revealed here for the first time!(6) (see Beau Bête)
Miss Preistley transferred over to NID30AU during the winter of 1943-44 from DNR - (Department of Naval Research) where she worked as a civilian, although there were obvious links between DNR and NID30AU as intelligence on enemy targets was collected for Fleming’s ‘Black List’.

Also Known as:
Fleming himself referred to the men of the unit as behaving like 'Red Indians'. (A reference he also used when referring to his character, James Bond, four times in his first novel Casino Royale. Which effectively makes this unit the ‘literary James Bond’s wartime unit’.)
Formerly:- (NID30 Command Office at Admiralty),
Special Engineering Unit.
'RED' Marines.
Latterly:- 30 Assault Unit,
 30 Advanced Unit, 30AU
 and incorrectly as 30th Assault Unit.
The number '30' was used for no better reason than it was NID/Miss Priestley’s Office Door number at the Admiralty. (Fleming’s Office was No. 39) 'Assault Unit' was 'overt' cover for the fact that they were intelligence gathering.
Date Founded: 30 September 1942
Date Disbanded: 26 March 1946
Date Reformed: February 2010 - 30 Cdo IXG
Mission When Founded:
The collection of technical intelligence and personnel from enemy headquarters and installations. Ahead of allied advances and before enemy could destroy it, to ‘Attain by Surprise’.

30 Commando consisted of Royal Marine, Army and Royal Navy elements that were organised into three Sections: No. 33, No. 34 and No.36 respectively. Initially code-named the Special Engineering Unit, the unit reported to the Chief of Combined Operations, though the Admiralty retained ultimate control of No.36 Section. No.35 Section was left vacant for the RAF to utilise but they never raised a troop to participate in 30 Cdo. Although they did supply intelligence officers and specific targets to pursue after D-Day for ‘Operation Crossbow’.
Unit members were given general commando skills and weapons training, and were then trained in recognising enemy mines, booby traps, handling of explosives, demolitions, counter-demolitions, recognition of enemy uniforms and equipment. Parachute training, small boat handling, recognition of enemy documents, search techniques including lock picking and safecracking, prisoner handling, photography and escape techniques were also taught.
A significant number of the initial recruits were formerly policemen. Although at least one ‘expert’ was recruited straight from prison, thought by the police to be the best safe-breaker in England at the time.
30 Cdo’s operational tactic was to move ahead of advancing Allied forces, or to undertake covert missions into enemy territory by land, sea or air, to capture intelligence, in the form of equipment, documents, codes or enemy personnel. 30 Cdo often worked closely with the Intelligence Corps' Field Security sections. More often than not each team consisted of two special operations Jeeps (As used by the SAS and 30AU) manned by one Naval Commander in possession of a ‘Black Book’ which listed targets from Ian Fleming’s famous ‘Black List’. The Naval Commander was the only man in each team who knew where and what the targets actually were. This Naval Commander was usually accompanied by at least one weapons expert or scientist who he relied on to evaluate the information or equipment they encountered. There were also usually at least six Royal Marines and one RM Officer whose main job was to do any fighting required and to keep the Naval Commander and any experts alive and out of trouble. (For details Reading section.)
The individual Sections served in all the Mediterranean and NW European operational theatres, usually operating independently, gathering information from captured facilities. The unit served in North Africa, the Greek Islands, Norway, Pantelleria, Sicily, Italy, and Corsica, 1942-1943 as 30 Commando.
s the Allies broke through 30AU split into many ‘Field Teams’ and these were responsible for capturing many and varied targets throughout Germany.
Team 2 under Curtis captured Prof. Helmut Walter, designer of the Me163 Rocket Plane and Midget Submarines at Kiel. (Kept by the British!).
Team 5 under USN Lambie captured Prof. Herbert Wagner (10) (Handed to US Agents) designer of the guided flying bomb Hs293, already used to sink HMS Egret and to kill over 1000 troops on HMT Rohna. He went on to work for the US Navy. He did not surrender in Bavaria with Dornberger and the von Braun brothers as the Allied military would have us believe. (2) (see Reading section).
The capture of Prof. Magnus von Braun (Martin) V2 fuel chemist. (Handed to US Agents). He did not surrender in Bavaria as the Allied military want us to believe. (see Reading for details)
The capture of the designer of the Nazi V2 (who went on to the NASA Saturn V), Prof. von Braun and his brother. (Some men were convinced they were some of the scientists they caught!) Did they surrender in Bavaria as the Allied military want us to believe or was that staged afterwards? (see Beau Bête for details and FREE preview PDF, in Reading)
Team 55 under Glanville captured the entire Nazi Naval records collection at ‘Tambach Castle’. (1)
Team 4 under Job(e) captured the Bremen dockyards with type 21 & 25 submarines and destroyers. Then took the surrender of Bremerhaven and captured Naval HQ SS Europa and Z29 Destroyer. (1)(All handed over to US Agents).
Team 2 Postlethwaite captures the Torpedo testing facility at Ekenförde. (1)
Another team captured Admiral Dönitz (as Führer).
And many other things yet to be revealed by the government!
Ref; https://www.30au.co.uk
An amazing historic collection of information, including. https://www.amazon.co.uk/Beau-B%C3%A9te-assigned-Flemings-intelligence/dp/B08R7XYHXW  read more

Code: 25823

WW2 Luftwaffe Combat Bomber Clasp (Frontflugspange für Kampf- und Sturzkampfflieger in Gold)From One Of Ian Fleming’s Naval Intelligence Section’s So Called ‘Red Indians’ 30 Commando Special Engineering Unit. Collected During A Clandestine Recon Mission

(Frontflugspange für Kampf- und Sturzkampfflieger in Gold). Constructed of gilded zinc, for 110 missions, the obverse consisting of a central circular laurel leaf wreath, joined together at the bottom by a swastika, surrounding a central winged bomb executed in silvered tombak, flanked on each side by nine oak leaves, the reverse with a single visible rivet securing the bomb in position, with a crimped barrel hinge and tapering horizontal pinback meeting a flat wire catch emanating from a crimped base, maker marked with the maker mark and address of Richard Simm & Söhne, Gablonz,
The Front Flying Clasp was instituted on January 30, 1941, by Hermann Göring.
It was awarded to recognize the bravery and service of Luftwaffe aircrew, heavy, or medium fighters and dive bombers, during World War II.

The Bomber Clasp specifically recognized the achievements of pilots and crew flying bomber aircraft.
The Front Flight Clasp was awarded in bronze for 20 front-line flights, in silver for 60 front-line flights, and in gold for 110 front-line flights . Upon awarding a higher rank, the previously worn clasp had to be removed. The award was worn on the left breast pocket, directly above the medal bar .

A highly desirable original collectors item, uncleaned unpolished, kept just as is, untouched and unmolested for the past 80 years

Originally taken by a commando of 30 commando X troop while on clandestine missions as part of 30 Commando reconnaissance and sabotage.

The brain child of naval commander Ian Fleming & Lord Louis Mountbatten, 30 {30AU} Commando, this wartime unit was a secret well kept for over 50 years after the war by the Official Secrets Act, some remains classified, see Reading. At the time, officially, they didn’t exist. The members of this unit were forbidden to discuss or document their activities, a pledge that many of the men kept even many years after the war was over, or even for their entire lives!
Due to the fact these men operated in very small groups on ‘need-to-know’ basis it is very difficult to get clear picture of everything they were doing.
Fleming’s/NID30AU secretary Miss Margaret Priestley (a history professor from Leeds University) played a vital role in the running and administration of 30AU and became his inspiration for Miss Petty Pettaval - the original character name that became Miss Moneypenny.
As revealed here for the first time!(6) (see Beau Bête)
Miss Preistley transferred over to NID30AU during the winter of 1943-44 from DNR - (Department of Naval Research) where she worked as a civilian, although there were obvious links between DNR and NID30AU as intelligence on enemy targets was collected for Fleming’s ‘Black List’.

Also Known as:
Fleming himself referred to the men of the unit as behaving like 'Red Indians'. (A reference he also used when referring to his character, James Bond, four times in his first novel Casino Royale. Which effectively makes this unit the ‘literary James Bond’s wartime unit’.)
Formerly:- (NID30 Command Office at Admiralty),
Special Engineering Unit.
'RED' Marines.
Latterly:- 30 Assault Unit,
 30 Advanced Unit, 30AU
 and incorrectly as 30th Assault Unit.
The number '30' was used for no better reason than it was NID/Miss Priestley’s Office Door number at the Admiralty. (Fleming’s Office was No. 39) 'Assault Unit' was 'overt' cover for the fact that they were intelligence gathering.
Date Founded: 30 September 1942
Date Disbanded: 26 March 1946
Date Reformed: February 2010 - 30 Cdo IXG
Mission When Founded:
The collection of technical intelligence and personnel from enemy headquarters and installations. Ahead of allied advances and before enemy could destroy it, to ‘Attain by Surprise’.

30 Commando consisted of Royal Marine, Army and Royal Navy elements that were organised into three Sections: No. 33, No. 34 and No.36 respectively. Initially code-named the Special Engineering Unit, the unit reported to the Chief of Combined Operations, though the Admiralty retained ultimate control of No.36 Section. No.35 Section was left vacant for the RAF to utilise but they never raised a troop to participate in 30 Cdo. Although they did supply intelligence officers and specific targets to pursue after D-Day for ‘Operation Crossbow’.
Unit members were given general commando skills and weapons training, and were then trained in recognising enemy mines, booby traps, handling of explosives, demolitions, counter-demolitions, recognition of enemy uniforms and equipment. Parachute training, small boat handling, recognition of enemy documents, search techniques including lock picking and safecracking, prisoner handling, photography and escape techniques were also taught.
A significant number of the initial recruits were formerly policemen. Although at least one ‘expert’ was recruited straight from prison, thought by the police to be the best safe-breaker in England at the time.
30 Cdo’s operational tactic was to move ahead of advancing Allied forces, or to undertake covert missions into enemy territory by land, sea or air, to capture intelligence, in the form of equipment, documents, codes or enemy personnel. 30 Cdo often worked closely with the Intelligence Corps' Field Security sections. More often than not each team consisted of two special operations Jeeps (As used by the SAS and 30AU) manned by one Naval Commander in possession of a ‘Black Book’ which listed targets from Ian Fleming’s famous ‘Black List’. The Naval Commander was the only man in each team who knew where and what the targets actually were. This Naval Commander was usually accompanied by at least one weapons expert or scientist who he relied on to evaluate the information or equipment they encountered. There were also usually at least six Royal Marines and one RM Officer whose main job was to do any fighting required and to keep the Naval Commander and any experts alive and out of trouble. (For details Reading section.)
The individual Sections served in all the Mediterranean and NW European operational theatres, usually operating independently, gathering information from captured facilities. The unit served in North Africa, the Greek Islands, Norway, Pantelleria, Sicily, Italy, and Corsica, 1942-1943 as 30 Commando.
s the Allies broke through 30AU split into many ‘Field Teams’ and these were responsible for capturing many and varied targets throughout Germany.
Team 2 under Curtis captured Prof. Helmut Walter, designer of the Me163 Rocket Plane and Midget Submarines at Kiel. (Kept by the British!).
Team 5 under USN Lambie captured Prof. Herbert Wagner (10) (Handed to US Agents) designer of the guided flying bomb Hs293, already used to sink HMS Egret and to kill over 1000 troops on HMT Rohna. He went on to work for the US Navy. He did not surrender in Bavaria with Dornberger and the von Braun brothers as the Allied military would have us believe. (2) (see Reading section).
The capture of Prof. Magnus von Braun (Martin) V2 fuel chemist. (Handed to US Agents). He did not surrender in Bavaria as the Allied military want us to believe. (see Reading for details)
The capture of the designer of the Nazi V2 (who went on to the NASA Saturn V), Prof. von Braun and his brother. (Some men were convinced they were some of the scientists they caught!) Did they surrender in Bavaria as the Allied military want us to believe or was that staged afterwards? (see Beau Bête for details and FREE preview PDF, in Reading)
Team 55 under Glanville captured the entire Nazi Naval records collection at ‘Tambach Castle’. (1)
Team 4 under Job(e) captured the Bremen dockyards with type 21 & 25 submarines and destroyers. Then took the surrender of Bremerhaven and captured Naval HQ SS Europa and Z29 Destroyer. (1)(All handed over to US Agents).
Team 2 Postlethwaite captures the Torpedo testing facility at Ekenförde. (1)
Another team captured Admiral Dönitz (as Führer).
And many other things yet to be revealed by the government!

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.

Ref; https://www.30au.co.uk
An amazing historic collection of information, including. https://www.amazon.co.uk/Beau-B%C3%A9te-assigned-Flemings-intelligence/dp/B08R7XYHXW  read more

Code: 25833

A Most Attractive & Handsome Antique Shinto Wakazashi Around 1600. With Silver Koshirae & Late Edo Sukashi Hawk & Chidori Tsuba. Fine Blade With Beautiful Suguha Hamon, Itame Hada. In Full and Beautiful Polish .

All original Edo period saya with fine stone finish ishime urushi lacquer in black, with carved buffalo kurigata and fittings throughout. Kozuka pocket with copper gilt kozuka, decorated with takebori mounted samurai attacking a tower castle fortification and a bright late polished steel kogatana blade. Fully bound tsuka with original Edo silk ito over samegawa. 'Hawk and Chidori' silvered sukashi tsuba of a raptor within a pine tree espying sparrows. Silvered fuchigashira decorated with village scenes including a cedar tree, a village house with thatched roof, bushels of wheat, a half water barrel, a double gourd drinking vessel, and a waterfall.

Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.

Kanzan Sato, in his book titled "The Japanese Sword", notes that the wakizashi may have become more popular than the tanto due to the wakizashi being more suited for indoor fighting. He mentions the custom of leaving the katana at the door of a castle or palace when entering while continuing to wear the wakizashi inside. Wakizashi were worn on the left side, secured to the obi waist sash. The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615, straddling the end of the Koto era and into the early Shinto.
20.3 inches overall in saya, 13.5 inch blade tsuba to tip blade Overall in very nice condition, natural aging wear to the tsukaito, usual age wear to fuchigashira. Saya and blade excellent.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25759

A Beautiful, Signed Samurai Long 17th Century Katana With Very Fine Edo Period Mounts Including Fabulous Quality Hand Chisselled Silver Fuchi Kashira of Takebori Turbulent Seas and Sea Shells. Signed Hisamichi

The sword has just returned from our Japanese, trained polisher, for a final hand conservation and it look simply fabulous.

Its fabulous munuki are bound underneath the micro woven plaited tsuka-ito hilt binding, depict takebori gold and shakudo Mount Fuji, and a man running in the waves that are before Mount Fuji. The saya is black urushi lacquer with a carved buffalo horn kurigata and brown sageo wrap. The blade shows a beautiful notare based on suguha hamon, with fine hada. The nakago is signed and bears the signature, Omi no Kami Hisamichi, but not, or very unlikey to be one of the four Mashina school masters, also named Hisamichi.

Very fine signed iron plate hira-kaku-gata tsuba, but when mounted, the tsuba seppa-dai is covered by seppa (metal spacers) and the signature (mei) is not visible as usual. With a mimi {a prominant rim} and a kozuka hitsu-ana, and kogai hitsu ana, and very scarcely seen, twin holes near the rim at the bottom of the tsuba called ude-nuki ana. These represent the sun and moon and were likely used for threading a leather wrist thong to prevent dropping the sword in battle on horseback, and to tie the tsuka to the saya.

The name katana derives from two old Japanese written characters or symbols: kata, meaning side, and na, or edge. Thus a katana is a single-edged sword that has had few rivals in the annals of war, either in the East or the West. Because the sword was the main battle weapon of Japan's knightly man-at-arms (although spears and bows were also carried), an entire martial art grew up around learning how to use it. This was kenjutsu, the art of sword fighting, or kendo in its modern, non-warlike incarnation. The importance of studying kenjutsu and the other martial arts such as kyujutsu, the art of the bow, was so critical to the samurai a very real matter of life or death that Miyamoto Musashi, most renowned of all swordsmen, warned in his classic The Book of Five Rings: The science of martial arts for warriors requires construction of various weapons and understanding the properties of the weapons. A member of a warrior family who does not learn to use weapons and understand the specific advantages of each weapon would seem to be somewhat uncultivated. European knights and Japanese samurai have some interesting similarities. Both groups rode horses and wore armour. Both came from a wealthy upper class. And both were trained to follow strict codes of moral behaviour. In Europe, these ideals were called chivalry; the samurai code was called Bushido, "the way of the warrior." The rules of chivalry and Bushido both emphasize honour, self-control, loyalty, bravery, and military training.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some samurai, it has been claimed, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Blade 28.3 inches long, tsuba to tip.  read more

Code: 25301