One Of The Most Incredible And Rare Early Samurai Swords We Have Ever Seen The Great Sword Nagamaki, From The Collection of Likely The World's Greatest Authority and Author On Japanese Polearms & Their Use

What a magnificent beauty! The Great Nagamaki sword that crosses the divide between the fearsome naganata long pole-arm and the no-dachi great sword.

It is a joy to acquire this monumental and incredibly rare example of ancient samurai arms, even if just for a brief while. It is in the process of being conserved for the next 500 years, and once completed it will be photographed in all its magnificence. We show it in the gallery as is prior to its completion. The original Edo period koshirae fittings will be relatively left untouched as they are already in great condition, with light artistic 風が吹いている (kaze ga fuite iru) ‘the wind is blowing’ decor. Which may be a symbolic representational name of the sword, such as 山颪 yamaoroshi, ‘wind blowing down from a mountain’

The blade has no damage at all, and in superb order, but, it requires considerable cleaning and expert hand conservation in order to return the blade’s beauty to its previous best.

We also show in the gallery early Japanese woodblock prints of similar examples used by great figures of samurai history.

The nagamaki is a type of sword developed from the Odachi but has the reach of a polearm too. It offers versatile combat techniques, and has the cutting power and technique of a sword with the reach of a longer weapon/polearm.

This behemoth of a sword appears illustrated in the author's second seminal work on samurai polearms and their combat use, of 'Japanese Spears: Polearms and Their Use in Old Japan' published in 2004.

Hosokawa Sumimoto (1489–1520) was a prominent samurai commander during Japan's Muromachi period, often depicted in art holding or associated with the nagamaki, a distinctive, long-handled Japanese sword.
Sumimoto is famously depicted in a 1507 equestrian portrait by Kano Motonobu wearing armor and holding a nagamaki, which is often used in modern media to illustrate this specific weapon.

The nagamaki ("long wrapping") is a sword with a blade length similar to a katana but with a very long handle (sometimes equal in length to the blade) that is wrapped in cord or leather. It was used for powerful sweeping and slicing strokes, particularly effective for infantry against cavalry.
Armor Connection: The armour worn by Sumimoto in his famous 1507 portrait (now associated with the Eisei-Bunko Museum) was later worn by his descendant, Hosokawa Narimori, making his, and the weapon's, appearance historically significant to the family's legacy.
Historical Context: Sumimoto was a key figure in the Hosokawa clan, acting as a deputy shogun (Kanrei) during a period of extreme civil strife in early 16th-century Japan.

We acquired this collector's prized nagamaki great sword, that is over six feet long in its koshirae, made prior to the Azuchi Momoyama period, circa 1550. The type of samurai sword you very, very rarely see in Europe today outside of a museum, and often not in most museums either. This is one of the rarest types, of an example that escaped the Shogun's *edict to cut the nagamakis and no-dachis down to regular katana sword length, as he believed swords that were over length for regular close quarter combat and should be shortened. {see details below}

We show a famous woodbloock print of Hosokawa Sumimoto carrying his nagamaki while on horse back. Our nagamaki was likely made within eighty years or so of Sumimoto's sword, just around the time of the Battle of Sekigahara. From the dimensions in the print, our blade is likely around a foot longer than his nagamaki.

Hosokawa Sumimoto (1489–1520) was a prominent samurai commander during Japan's Muromachi period, often depicted in art holding or associated with the nagamaki, a distinctive, long-handled Japanese sword.
The nagamaki is a type of sword developed from the Odachi but has the reach of a polearm too. It offers versatile combat techniques, and has the cutting power and technique of a sword with the reach of a longer weapon/polearm.

The nagamaki ("long wrapping") is a sword with a blade length similar to a katana or considerably longer, our nagamaki has a 43 inch blade, and with a very long tsuka {handle} sometimes equal in length to the blade that is wrapped in cord or leather. Ours is wrapped in leather, the saya is decorated in a blowing wind pattern. This incredible sword was used for powerful sweeping and slicing strokes, particularly effective for infantry against cavalry.

To appreciate the heft and greatness of this sword, by just reading here, it is around 70% longer than a more usual long katana, and around 50% wider, and thicker, thus, likely six to eight times heavier. Once mounted it is likely the most impressive, original, and early samurai sword you will ever likely see or handle, a true behemoth of a museum piece.

*The Tokugawa shogunate did not issue a single, specific edict exclusively to reduce sword lengths but rather, in 1603, shortly after establishing the Tokugawa Shogunate, they enacted strict regulations that mandated all swords—including the massive no-dachi (field swords) and nagamaki, —be restricted to a specific, shorter length.
Many long no-dachi and nagamaki blades used in the previous warring era (Sengoku) were cut down at the tang (the handle part) and reduce the blade length to meet the new, shorter regulations to fit with the standard daishō (pair of swords) that samurai were allowed to carry.

It also needs overall conservation, and will be shown and offered for sale once completed.

As of this time we know of no other original length Nagamaki available on the worldwide collectors market today. In over 100 years we can recollect only owning three before, and we have likely handled in that time more original Japanese swords than any other still remaining antique sword dealers in the world today.

Many pieces that we acquired from Roald Knutsen Collection were from his friend and fellow enthusiast Henry Russell Robinson's private collection. (7 May 1920, Hackney, London - 15 January 1978) He became Keeper of Armour at The Tower Of London, and it is likely many pieces of his was part of a display of Japanese armour he organised for display in the Tower of London. The Japanese armour exhibition in 1965, which featured samurai artefacts arranged to demonstrate evolving defensive technologies and cultural contexts, drawing thousands of visitors to the Tower.

He was a British military armourer and historian.He served in the RAF during the Second World War making models interpreting aerial photographs. This was when he met Sir James Mann, Master of the Armouries at the Tower of London. Robinson joined the staff of the Tower Armouries in 1946 as a Temporary Assistant, before rising to Assistant Keeper and finally, in 1970, Keeper of Armour.

Robinson was a founder member and president of the Arms and Armour Society. In 1965, he was elected a Fellow of the Society of Antiquaries of London. In 1977, he was awarded an honorary MA by the University of Newcastle upon Tyne.

Between 1967 and 1969, he (a practical armourer) worked with Charles Daniels to interpret and reconstruct the Roman armour nowadays known as 'lorica segmentata'. He produced a series of reconstructions of the two sub-types of armour from the Roman site at Corbridge and one from Newstead in time for them to be exhibited at the 1969 Congress of Roman Frontier Studies held in Cardiff.

His work on the armour featured in one of his best-known books, The Armour of Imperial Rome. Published in 1975 by Lionel Leventhal at the Arms and Armour Press, it included line illustrations by his friend, Peter Connolly. Robinson's system of categorizing Roman helmets has been widely adopted in the UK and USA but never really found favour in Europe.

Robinson was not only known for Roman armour, since he worked on an exhibition of Japanese armour at the Tower Armouries and subsequently wrote two books on the subject. He was also an authority on Native American artefacts and was responsible for the production of the replica of the revised reconstruction of the Sutton Hoo helmet and wrote a guide to the Stibbert Museum.

We know from records, and from our mutual great friend and colleague of over 35 summers, Christopher Fox, who was Roald’s dojo sempei, that quite a few of his collection {acquired prior to 1978} were from, or gained with assistance, from Robinson and his invaluable recommendations..  read more

Code: 26203

An Edo Period Tettsu ‘ Krishitan’ {Christian} Samurai Sword Tsuba {Sword Guard} Of Twin Symbols of The Rope And The Cross. In Superb Condition & Traditionally Boxed For Display. From A Very Fine Collection Of Beautiful Antique Tsuba

This beautiful iron tsuba, contains the hidden Edo period Christian symbols of the rope and the cross, and it serves as both a reminder to the violence and to the subsequent hiddenness that came out of the Japanese convert Christians’ suffering. The rope was symbol of obedience - the symbol of an untied rope.
It may be that the design of the tsuba confronted the believer to the ambiguity born of a prolonged time of painful secrecy. Surrounded by the threat of violence, even a weapon could bear a hidden symbol of Christianity—the cross.

The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum. Picture four in the gallery shows a samurai Christian convert wearing adapted papal armour taking a blessing from a missionary priest.  read more

Code: 25310

A Stunning Edo Period Tettsu {iron Plate} Kirishitan {Christian.} Tsuba, Of The Holy Cross, Heavenly Eight Pointed Stars in Gold, & The River Of Life in Silver. In Superb Condition & From A Very Fine Collection of Tsuba.

A stunning Kirishitan sukashi piercing of the cross with a silver river and gold eight pointed star inlays. With a kozuka hitsu-ana, and kogai hitsu ana
The Bible starts with an account of a river watering the Garden of Eden. It flowed from the garden separating out into four headwaters. The rivers are named, flowing into different areas of the world,

Eight pointed stars symbolise the number of regeneration and of Baptism. The Stars and The River as Christian Symbols, are images or symbolic representation with sacred significance. The meanings, origins and ancient traditions surrounding Christian symbols date back to early times when the majority of ordinary people were not able to read or write and printing was unknown. Many were 'borrowed' or drawn from early pre-Christian traditions.
The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs. Some were executed by being slowly sawn in half, vertically, from the groin upwards.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum. Picture seven in the gallery shows a samurai Christian convert wearing adapted papal armour taking a blessing from a missionary priest.

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries and their guard to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Some wear to the gold and silver inlays on the reverse side.  read more

Code: 25311

A Fine Original Italian Papal Army Helmet Cabasset c.1570 From The Papal Armoury, Used By The Cannoneers of the Papal Artillery. Also Cabassets Sent To Japan For The Kirishitan Catholic Converts. Acquired From The Papal Armoury, in The Vatican, by Fentons

Good Heavy Italian Infantry Helmet Cabasset c.1570, hammered steel raised from a single plate, medial ridge with pear stalk finial, border retains its original brass rosettes (2 missing) each embossed with a ring of 6 stars, stepped flared brim with turned over edge, retaining original linen lining band inside. 19cms tall. Excellent condition.

Provenance, originally from The Papal Armoury at the Vatican and subsequently acquired by London antique arms dealers Fenton & Sons Ltd. In 1919.

Fenton and Sons, Antique Arms and Armour, traded in London from 1894-1927. and supplied, amongst others, the British Museum. Interesting aside, we used to supply them with antique armour, in the 1920's until 1927 when they closed down.

This and a few others were acquired by Fentons in 1919 and were listed in their catalogue. They were all from the Papal Armoury in Rome made for the Barberini family.

The Barberinis supplied the armour and cabassets for the Papal Army in the late 16th century, a period fraught with anarchy and bandits and direct attacks on papal territories by Parma.
The close association led to Maffeo Barberini becoming Pope Urban VIII. His brother Taddeo was made Supreme Commander of the Papal Army. The helmets, including this one, were from the papal armoury and served through the papal wars. It is estimated that about 4500 men served the Papal Army and most would have worn these cabassets, making the original number of the group well over 4000. Other cabassets from the group are now in the Musio Storico Vaticano the Old Papal armoury now in the Vatican Historical Museum in the Lateran Palace, Rome.

Some cabassets and cuirass’s went to Japan with the bodyguard of the Vatican’s missionary priests on the ‘Black Ships” for the Kirishitan {Catholic} samurai converts. Some were given to the samurai converted clans, others were returned after the missionary priests were ordered to leave Japan in 1587 with their Catholic guard. They were the lucky ones, the many that stayed were martyred in Japan ten years later in 1597. Christianity became a hidden religion, and the samurai that refused to re-covert back to Buddhism and the Shinto cause, that were discovered, were tortured horrifically, some, allegedly, being sawn in half vertically from the groin up. See picture 10 in the gallery depicted a priest blessing a samurai who is adorned in adapted Papal armour {Cabasset and Cuirass}

The Papal Army was the loosely-construed army of volunteers and mercenaries in the service of the Italian Papal States, active from the 8th century until the capture of Rome by Italy in 1870. The Papal States maintained a sizeable military during the Middle Ages, using it to fight against the Holy Roman Empire and its Ghibelline allies.
During the 1300s, the Papal States began to employ the services of condottieri, mercenaries who sold their services to the extremely wealthy Catholic Church. These forces would be instrumental to the defence of the Pope during the Italian Wars of the 15th and 16th centuries, with Cesare Borgia leading the Papal Army on a campaign of conquest that added several new city-states and regions to the Papal States' territories. Painting in the gallery of the Massacre of San Bartolome in the Catholic-Protestant Religious Wars, where the French crown aided by Queen Catherine de Medici, mother of the French King, with the Pope's blessing, slaughtered ten of thousands of Huguenots what is considered the second deadliest religious war in European history (surpassed only by the Thirty Years' War, which took eight million European lives) The pope was so delighted with the massacre he ordered a Te Deum to be sung as a special thanksgiving (a practice continued for many years after) and had a medal struck with the motto Ugonottorum strages, (Latin: " slaughter of the Huguenots 1572"

Intriguingly some of the papal armoury was selected to go with the Catholic priests on the ‘Black Ships’ to aid the attempted conversion to Catholicism of the Japanese. In fact in many respects it was very successful, and several clans converted, and the Catholic armour of the Pope’s Army was utilised and made into Japanese versions of kabuto {helmets} and complete yoroi {suits of upper armour} see picture 10 in the gallery.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.  read more

Code: 23583

A Most Impressive Original 16th -17th Century Nuremberg 'Black and White' Comb Morion Helmet, The Very Same Form of Helmet As Was Made Famous by the Spanish Conquistador’s in Their Conquest of Central America

The depiction of conquistadors with high comb morions is widespread, ranging from
international movies, such as ‘Captain from Castille’ (1947) with Tyrone Power or ‘Aguirre,
The Wrath of God’ (1972) with Klaus Kinski, to the current Lego ‘Conquistador’ series. Peaked
morions are particularly prominent in the later, 1594, illustrations of Theodore de Bry.

A most similar morion, was in the great historical collection of arms armour from the armoury of, in Zleby Castle. which contained some Nuremberg 'black and white' morion helmets such as this. Morion is a type of open helmet used from the middle 16th to early 17th centuries, such as by the Munich Town Guard, usually having a flat brim and a crest from front to back. Its introduction was contemporaneous with the exploration of North, Central, and South America. Explorers like Hernando de Soto and Coronado may have supplied them to their foot soldiers in the 1540s. The iconic morion, though popularly identified with early Spanish explorers and conquistadors, was not in use as early as the conquest of Mexico by Hernan Cortez or Francisco Pizarro's conquest of the Incas in South America. Thirty to forty years later, it was widely used by the Spanish, but also common among foot soldiers of many European nationalities, including the English; the first English morions were issued during the reign of Edward VI. The crest or comb on the top of the helmet was designed to strengthen it. Later versions also had cheek guards and even removable faceplates to protect the soldier from sword cuts.

The morion's shape is derived from that of an older helmet, the Chapel de Fer, or "Kettle Hat." Other sources suggest it was based on Moorish armor and its name is derived from Moro, the Spanish word for Moor. The New Oxford American Dictionary, however, derives it from Spanish morrion, from morro 'round object'. The Dictionary of the Spanish Language published by the Royal Spanish Academy indicates that the Spanish term for the helmet, morrion, derives from the noun morra, which means "the upper part of the head". A somewhat similar example is in the Metropolitan Museum in New York accession number 14.25.508

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 26213

An Incredibly Rare Samurai Nanban-Do Gusoku {Southern Barbarian Steel} Armour 16th-17th Century Cuirass Dou {Body Armour} Made From The Cuirass of a 1530's Spanish or Portuguese 'Black Ship' Trader. The First Europeans To Arrive in Japan

Another really rare museum piece from the collection of likely the world's greatest authority, and author on Japanese polearms & their use in combat.

A superb, really rare and valuable, piece of early, original, samurai armour, created from the earliest armour worn by the first European visitors to Japan, that arrived in the 'Black Ships', as depicted in the fabulous historical novel {and films} 'Shogun' by James Clavell.

Such armour, was, and is, very rare indeed, it is incredibly sought after, and can be valued ten to twenty times the price that traditional, old, original samurai domestic armour.

An armour cuirass or dou {in Japanese} that is fitted with a complete sashimono mounting system, and, an incredible two sections of early engraved script, of thirty five kanji, in seven rows, and one section on the front right is highlighted in gold lacquer colour.

We sent a scan to our dear friend in Japan and requested assistance in order to translate it, and, we received a very kind, and prompt, reply. He believes it’s an ancient form of kanji thus difficult to read {unless one has been taught specifically how to, one conjectures} but, it is some kind of divine text to ask assistance from the gods to embolden the samurai’s strength, alongside additional divine power requested from those same gods.

We have never seen its like before.

Sashimono Mounting System Components;
The banner was held in place by a specialized, two-part system attached to the back of the armour's main chest piece, the dō (dou):The ukezutsu (socket) is a tube, often square-shaped, that held the bottom of the banner pole. This was typically located at the lower rear of the cuirass.

Called a gattari (bracket) is a metal fixture situated at shoulder level on the back of the dō, often hinged, designed to secure the pole in an upright position, and fold back down when not in use holding the sashimono


European armour was brought into Japan through trade with Spain and Portugal in the 16th century. Later the Japanese would adapt them and imitate them and began producing them in Japan, which were collectively called Nanban Dogusoku (Nanban Armour). The yoroi armour we show in photo 9 in the gallery, was given to Sakakibara Yasumasa by Tokugawa Ieyasu right before the Battle of Sekigahara (1600) and has since been handed down to the Sakakibara family. That suit nanban armour would be priceless, but similar suits of nanban armour, of the same period, but without the history that the Sakakibara gosuko armour has, are valued up to 100K today or even more. with that photo is a Japanese print showing how the sashimono flag was mounted upon the samurai do cuirass armour.
Tokugawa Ieyasu also wore a nanban armour at the battle of sekigahara. Ieyasu's armour is composed of an Italian peascod cuirass {dou} from circa 1580, a gorget fitted over the cuirass as a "manchira" (derived from the Spanish term 'mantilla', i.e., "mantle" or "cloak"), and a helmet of the Spanish cabasset type

The story of the traders is beautifully conveyed in the novel Shogun James Clavell. William Adams was the principle character, based on the first English real life 17th century navigator adventurer who traveled to Japan, depicted in James Clavell's epic masterpiece "Shogun". Sadly for him, he was never again allowed to leave Japan and return to his family in England.

It is a wonderful and historical part of rare samurai plate armour. English navigator, William Adams, who became a close advisor to the Shogun, and known in Japan as Anjin. However, John Adams became such a highly regarded 'foreigner' within the shogun's court. A picture in the gallery is a print of the Tokugawa's Red Seal ships based on the navigators own ship, and a period print of Richard Adams being presented to the shogun, alongside a contemporary map of Japan as it was detailed on European maps in the early 1600's.

William Adams English navigator, also known in Japan as Miura Anjin, was born in 1564 in Gillingham England
(born 1564, Gillingham, Kent, England—died May 26, 1620, in Hirado, Japan), he was a navigator, merchant-adventurer, and the first Englishman to visit Japan.

At the age of 12 Adams was apprenticed to a shipbuilder in the merchant marine, and in 1588 he was master of a supply ship for the British navy during the invasion of the Spanish Armada. Soon after the British victory, he began serving as a pilot and ship’s master for a company of Barbary merchants. In June 1598 he shipped out as pilot major with five Dutch ships bound from Europe for the East Indies (present-day Indonesia) via the Strait of Magellan. The trouble-ridden fleet was scattered by storms, and in April 1600 Adams’s ship, the Liefde (“Charity”), its crew sick and dying, anchored off the island of Kyushu in southern Japan, the first northern European ship to reach that country.

Adams and the other survivors were summoned to Osaka, where Tokugawa Ieyasu—soon to become the shogun of Japan—interrogated mainly Adams about a variety of political, religious, and technological topics. Ieyasu was so impressed with Adams’s knowledge, especially of ships and shipbuilding, that he made the Englishman one of his confidants. Adams was given the rank of hatamoto (“bannerman”), a retainer to the shogun, and was awarded an estate at Miura, on the Miura Peninsula south of Edo (now Tokyo). Despite those honours, in the early years of his sojourn Adams repeatedly expressed his desire to return to England (where he had a wife and family, whom he eventually was able to continue to support) but was refused permission. He thus became permanently settled in Japan, married a Japanese woman, and came to be known by the name Anjin (“Pilot and Navigator later called Miura Anjin.

Adams oversaw the construction of Western-style ships, wrote letters on behalf of the shogun encouraging Dutch and English traders to come to Japan, and then officiated between the shogunate and the traders who began visiting the country. In 1613 he helped to establish an English factory (trading post) for the East India Company at Hirado, in Kyushu northwest of Nagasaki. Adams was allowed to undertake several overseas voyages between 1614 and 1619, traveling as far as Southeast Asia. His name is still revered in Japan with a district of his estate still bearing his name and his story is detailed in the magnificent epic book and film Shogun by James Clavell.  read more

Code: 26216

A Superb Original Zulu War Souvenir of a Knopkerrie Staff of an Induna High Ranking Zulu. His Symbol of Authority, Prestige, and Status. Another Induna's Example Was Taken By Lt Bromhead At Rorke's Drift, Now In The Regimental Museum

In 1879, during the Anglo-Zulu War, a Zulu chief or high-ranking induna carried a long knobkerrie (iwisa) not merely as a weapon, but as a symbol of authority, prestige, and status.

While ordinary warriors used knobkerries for close-quarters combat—designed to crush skulls, often proving more effective than spears in tight fighting—a chief's knobkerrie was frequently a highly refined, ornate staff. Or the large Knop {head} type

Carved from extremely dense, heavy, indigenous hardwood root to create a beautiful, dark, polished patina over years of use.

Often features a perfectly spherical or slightly flattened knob at the end of a long, thin handle, occasionally adorned with complex geometric or zig-zag carvings at the grip.
High-ranking examples were sometimes adorned with intricate, fine copper or iron wire binding, indicating the status of the owner.
It was a "prestige object" handled daily, representing the bearer’s power to command.

Another induna's wooden staff of Zulu War origin, in the regimental museum, is described as being ‘taken’ by Major Gonville Bromhead, 24th Regiment, at the Battle of Rorke's Drift during the Anglo-Zulu War, 1879, South Africa.

Later presented to Henry Germain Mainwaring, 24th Regiment
Physical description Staff carved from dark brown wood with two polished heads at the top
and a hand-grip featuring a raised decorative pattern (amasumpa).

Above and beneath the hand-grip the staff is inscribed:
'From Major G. Bromhead / XXIV / To / H.G. Mainwaring / XXIV / Taken at the / Attack /
on / Rorke's Drift / 22nd Jan / 1879'. Regimental Museum of the Royal Welsh, Brecon

51 inches long  read more

Code: 26215

A ‘Special Offer’ Pair, A Single Fired Musket Ball & Single Musket Flint From The Waterloo Battlefield Site During the Construction of the Waterloo Mound in the 1820’s

From the field of the 1815 Battle of Waterloo, during a Grand Tour at the building of the Waterloo mound, a huge lion monument at the battle site of Waterloo, in honour of the Prince of Orange. A collection 20 assorted musket flints and pistol and musket balls recovered from Waterloo, offered by us as a matched pair of one ball and one flint at a time. Originally purchased by the nobility from the peasant excavators in Belgium, while building the Prince of Orange's Waterloo Mound at the battlefield in the 1820's, and acquired by us from their descendants as a collection of 20. From part of our antiquities and curiosities acquired from a circa 1820's Grand Tour classical collection from Europe and the Middle East. Such as Agincout, Poitiers, Crecy, Waterloo, Philippi, and following Alexander's campaign trail of his conquests then part of the Ottoman Empire. We have been purchasing piecemeal from the same family for around 20 years, military items and artefacts from the family's forebears Grand Tour in the early 19th century.

We are offering them as two fabulous souvenirs of the famous Duke of Wellington's victory over France and Napoleon, a matched pair, one flint and one ball.
The Battle of Waterloo was fought on Sunday, 18 June 1815, near Waterloo in Belgium, part of the United Kingdom of the Netherlands at the time. A French army under the command of Napoleon Bonaparte was defeated by two of the armies of the Seventh Coalition, a British-led coalition consisting of units from the United Kingdom, the Netherlands, Hanover, Brunswick, and Nassau, under the command of the Duke of Wellington, referred to by many authors as the Anglo-allied army or Wellington's army, and a Prussian army under the command of Field Marshal von Blücher, referred to also as Blücher's army. The battle marked the end of the Napoleonic Wars. The battle was contemporaneously known as the Battle of Mont Saint-Jean or La Belle Alliance (the beautiful alliance).
Waterloo was the decisive engagement of the Waterloo Campaign and Napoleon's last. According to Wellington, the battle was "the nearest-run thing you ever saw in your life". Napoleon abdicated four days later, and coalition forces entered Paris on 7 July. The defeat at Waterloo ended Napoleon's rule as Emperor of the French and marked the end of his Hundred Days return from exile. This ended the First French Empire and set a chronological milestone between serial European wars and decades of relative peace, often referred to as the Pax Britannica. The battlefield is located in the Belgian municipalities of Braine-l'Alleud and Lasne, about 15 kilometres (9.3 mi) south of Brussels, and about 2 kilometres (1.2 mi) from the town of Waterloo. The site of the battlefield today is dominated by the monument of the Lion's Mound, a large artificial hill constructed from earth taken from the battlefield itself; the topography of the battlefield near the mound has not been preserved. Photo is of ten of our twelve pairs

THE HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. It is probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history.
For this reason we also like to be known as a learning and researching website.
Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 23946

A Very Fine & Historical, Original, 1870's Zulu Warrior's Southern African Stabbing Spear, An Iklwa With Telegraph Wire Binding. A Typical Officer's Souvenir of the Zulu War.

An original Zulu Iklwa spear with a long steel tapering blade. The collar of the blade haft is bound tightly with traditional telegraph wire of both forms brass and steel. Hardwood haft with the usual slightly swollen end. The Zulus would frequently cut down the British military telegraph wires, strip them, and create wirework decorative patterns on their spear and knopkerrie hafts. That is a most desirable and specifically historical feature of quality, when bound upon the spears and clubs, of the Zulu War period Zulu warriors. Very unusual to be beautifully bound of both types of telegraph wire.

The wirework is still beautifully intact and the native hardwood has a impeccable natural age patina.

As weapons, the Zulu warrior carried the iklwa stabbing spear (losing one could result in execution) and a club or cudgel fashioned from dense hardwood known in Zulu as the iwisa, usually called the knobkerrie in English, for beating an enemy in the manner of a mace. The Zulu King provided his warriors with shield's but the impi were required to supply their own weapons, following a general design principle but this was a relatively fluid principle.

Zulu officers often carried the Zulu Axe, but this weapon was more of a symbol to show their rank. The iklwa – so named because of the sucking sound it made when withdrawn from a human body – with its long and broad 10. inch blade it was an invention of King Shaka that superseded the older thrown ipapa (so named because of the "pa-pa" sound it made as it flew through the air). It could theoretically be used both in melee and as a thrown weapon, but warriors were forbidden in Shaka's day from throwing it, which would disarm them and give their opponents something to throw back. Moreover, Shaka felt it discouraged warriors from closing into hand to hand combat. Shaka's brother, and successor, Dingane reintroduced greater use of the throwing spear, perhaps as a counter to Boer firearms.

In 1875 the 1st Battalion of the 24th arrived in Southern Africa and subsequently saw service, along with the 2nd Battalion, in the 9th Xhosa War in 1878. In 1879 both battalions took part in the Zulu War, begun after a British invasion of Zululand, ruled by Cetshwayo. The 24th Foot took part in the crossing of the Buffalo River on 11 January, entering Zululand. The first engagement (and the most disastrous for the British) came at Isandhlwana. The British had pitched camp at Isandhlwana and not established any fortifications due to the sheer size of the force, the hard ground and a shortage of entrenching tools. The 24th Foot provided most of the British force and when the overall commander, Lord Chelmsford, split his forces on 22 January to search for the Zulus, the 1st Battalion (5 companies) and a company of the 2nd Battalion were left behind to guard the camp, under the command of Lieutenant-Colonel Henry Pulleine (CO of the 1/24th Foot).

The Zulus, 22,000 strong, attacked the camp and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed.

15 1/4 inch blade {including socket haft}. 50 inches long overall  read more

Code: 26214

A Superb Zulu War Zulu Chiefs Knopkerrie Staff, With Entwined Serpent, Identical to King Chetwayo's Staff, It was the British Museum Since 1963. A Typical Senior British Officer's Souvenir of the Zulu War.

Chetswayo's staff is now in the National Army Museum

Although it is typical for officers that commanded their men in the Zulu War of 1879 to return to England with souvenirs such as this beauty, this is absolutely not a typical example. The serpent entwined knopkerrie staff is incredibly rare, and this is an exceptionally rare Zulu War artefact.

Chiefs were awarded the privilege to use the knopkerrie staff, but so few used the serpent entwined type.

Made of South African hardwood the knopkerrie long staff were permitted to be used by high ranking Zulu warrior veterans such as chiefs and kinglets, and as one can see that King Chetswayo had the same one it confirms just how rare the serpent entwined version really is.

This is a stunning example with breathtaking natural age patina and in superb condition.

King Cetshwayo was the last Zulu King. At the time British people spelt the name Cetewayo, but nowadays it is more likely to be Cetshwayo, closer to the actual pronunciation. After a long and brave fight by the Zulu army, the King was captured after the battle of Ulundi in 1879 by Major Richard J.C. Marter of the Kings Dragoon Guards. Colonel Harford described the moment King Cetewayo gave himself up – “the King …strode in with the aid of his long stick, with a proud and dignified air and grace, looking a magnificent specimen of his race and every inch a warrior in his grand umutcha of leopard skin and tails, with lion’s teeth and claw charms round his neck”.

In 1882, Mr F.C. Lucy took a collection of these valuable items back to Britain after a trip to South Africa. The list was long and included Cetewayo’s knopkerrie walking stick, 13 throwing and stabbing assagais (light spears), 3 knobkerries (clubs), clothing with bead work, 2 Kaffir pipes and 2 Zulu pipes, as well as a number of natural history objects.

These were donated to the Banff Museum by Mr Lucy of London, via his mother-in-law Mrs Ewing, who lived in St Catherine Street. The walking stick is listed as being in the museum in 1919 (Banff and District by A. Edward Mahood). After this it is difficult to track what happened to Cetewayo’s stick until it turns up in the British Museum in 1963 {see their photograph of his knopkerrie walking stick}. It is there listed as being previously owned by Cetshwayo kaMpande, Banff Museum, and from the collection of Captain A.W.F. Fuller.

As one can see, this knopkerrie stick is near identical to Chetswayo's knopkerrie walking staff, that is shown in photo 4, photo 2 is an original photo portrait of King Chetswayo

34 1/5 inches long overall  read more

Code: 26212