An 1806 Napoleonic Wars Period 'Brown Bess' Musket By James Yeomans Of London with Bayonet Regimentally Marked For the 79th Foot The Cameron Highlanders. Later Used By Native Troops, Such As The Ghurkas, Alongside The 79th at Lucknow.

Overall in stunning condition, wonderous walnut stock patina, no pitting to the barrel, bayonet or lock, just an absolute stunning example of its kind.

Bayonet, maker stamped by ordnance contracter, G.Salter, with ordnance inspection marks, crown 4 , crown and broad arrow and company and regimental number, D & 79 {Regiment of foot}. George Salter was granted his first board of ordnance contract to supply the regiments bayonets in July 1812.

All the fittings are very good, a superb 36 inch length barrel, fine lock, trigger guard, butt plate, etc, ramrod, sling swivels and brass mounts, new land pattern flush fitting side plate with central screw to avoid recoil damage to the side nails. With a fine leather strap, very nice upgraded from flintlock to percussion action, good proof marks, clear inspection stamps and dating. Lock marked Yeoman's and dated 1806 with Tower ordnance inspector stamp of Richard Duce. {the number 2} plus the EIC heart. Bayonet maker marked by Salter, regimentaly marked 79th Foot.
The 79th Regiment of Foot (Cameron Highlanders) was a line infantry regiment of the British Army raised on August 17, 1793, by Sir Alan Cameron of Erracht.

"D Company" of the 79th Foot, this refers to the standard sub-unit (company) structure of the battalion during its operational history.

The Cameron Highlanders most notably fought through the Napoleonic Wars, & the Crimean War.

One of the 142,970 British contract made 'India Pattern' muskets turned over by the East India Co. army to the British Board of Ordnance for the Napoleonic wars, due to the urgent need for arms to counter Napoleon's massive armament reserve.

The lock is stamped by the primary, senior ordnance inspector, Richard Duce {his mark of Crown 2}. Who was also the controller of tempering & hardening of locks, after their arrival from the stores for fitting to the musket, and apparently he inspected all the EIC bess that were handed over to the British Ordnance for the Napoleonic Wars. An account that was confirmed to us by our friend and historic colleague, Howard Blackmore of the Tower of London armoury.

Originally made for the Honourable East India Co. and the muskets were co-opted by the British Board of Ordnance for the regular British infantry from the EIC contract guns about to depart for India.

In around 1830-40's the flintlock actions of muskets and pistols could, and would, be converted from flintlock to percussion action, often if they were still in government service. The all new {at the time} percussion action could extend the life of a gun and make it considerably more efficient, as flintlock arms were rendered incapable of action in the rain, or even damp conditions. At this time this newer Brown Bess bayonet socket type was adapted for the gun.

While this musket was perfect for service in the regiment up to the 1850's, when the 1853 Enfield rifle-musket was designed and issued to front line regiments, and then, the 79th was sent to India to fight in the Mutiny in 1857. However their older muskets were likely sent to accompany them to India with the regiment in order to arm the loyal Indian regiments that fought alongside the 79th in combat.

While the 79th Foot was a purely British regiment raised in Scotland, British military operations during the rebellion relied heavily on integrated forces. British "Queen's" regiments rarely fought in isolation; instead, they routinely operated in mixed brigades alongside loyal native Indian units

During the siege of Lucknow, and the subsequent operations in Rohilkhand, the 79th Highlanders fought shoulder-to-shoulder with loyal native units, which included Sikh regiments, Punjabi infantry, and loyal Gurkha battalions {such as those from the Kingdom of Nepal and the East India Company's own loyal remnants}

The 'Brown Bess' musket began its life almost 300 years ago, and it helped in creating one of the greatest trading empires the world has ever seen and, among other achievements, made the 'British Square' the almost undefeated form of infantry defence throughout the world. Made in four distinct patterns it originally started life as a 46 inch barrel musket called the Long Land or Ist pattern Brown Bess. Then in around 1768 the gun evolved and the barrel was shortened to 42 inches as 46 was deemed unwieldy and renamed the Short Land or 2nd pattern. Although the Long Land was made continually for another 20 years. With the onset of the Napoleonic Wars in the 1790s, the British Board of Ordnance found itself woefully short of the 250,000 muskets it would need to equip its forces. It managed to produce around 20,000 short land pattern muskets but this was simply not sufficient. At that time the British East India Company maintained it own troops and had contracted with makers to produce a simplified version of the Brown Bess musket with a 39-inch barrel and less ornate furniture and stock work. It was generally felt that the standard of these "India pattern" muskets was not up to the standard of the earlier Besses, but necessity required action so the authorities convinced Company officials to turn over their stores to the Crown. By 1797 the urgencies of war ultimately created the demise of the Short Pattern, and all manufacture was turned to building the more simple 'India' pattern. For the most part, the gun underwent few changes from its introduction until Waterloo, with the exception of the cock, which was altered from the traditional swan-neck style to a sturdier, reinforced ringed version in around 1808.

The Brown Bess musket was the standard weapon of the British for more than a century. soldiers marched into battle with this musket—nicknamed “Brown Bess”—for more than 100 years. British redcoats used the Brown Bess to fight the War of Independence in the colonies, and many of their opponents in the Americans’ Continental army used it as well.
British soldiers fighting in the Napoleonic wars carried it into battle, and it was the principal firearm used by the infantrymen who fought the War of 1812.

Because the weapon was slow to load and relatively inaccurate (experienced soldiers generally estimated its range between 50 and 100 yards), armies developed tactics that helped compensate for its shortcomings. The limitations of smoothbore muskets like the Brown Bess forced units employ “linear tactics,” in which a hundreds of soldiers stood in neat lines, shoulder-to-shoulder and out in the open. While such tactics appear decidedly unstealthy to twenty-first century eyes, they proved essential on the battlefields of all the conflicts which Britain was involved.
There, stealth was a low priority. Packing the men into blocks allowed officers to coordinate their troops’ fire into synchronized volleys. Firing a hundred guns in the same direction at once helped ensure that at least some, often most of the inaccurate musket balls found their targets. And grouping the men into neat lines out in the open helped commanders ensure that few of their troops gave in to the natural instinct to flee.

Of course, packing troops into blocks and fighting in the open required tremendous discipline from the individual soldiers. Infantrymen had to stand exposed to enemy fire as they loaded and fired their own muskets. And in some situations, soldiers learned the grisly dangers of fighting in lines—as at the Battle of New Orleans in the 1812 war, where American artillery attacked the exposed British formations with devastating effect.

Engagements for the infantry were traditionally at relatively close distances, often the result of closely controlled battlefield management. In 1811 a soldier of the 71st Regiment of Foot, writing of fighting the French at Fuentes de Onõro, recorded: “… during our first advance a bayonet went through between my side and clothes, to my knapsack, which stopped its progress. The Frenchman to whom the bayonet belonged fell, pierced by a musket ball from my rear-rank man. Whilst freeing myself from the bayonet, a ball took off part of my right shoulder wing and killed the rear-rank man, who fell upon me. We kept up our fire until long after dark. My shoulder was black as coal from the recoil of my musket; for this day I had fired 107 round of ball cartridge.”

This was not an uncommon account and it would have been just as true of Waterloo. If we were to take an average of 80 cartridges fired by about 50,000 allied infantry at Waterloo the expenditure of ammunition would have amounted to more than four million cartridges. Although not scientific, it does give a flavour of the ferocity of battle that Sunday in June 1815.

The 79th's combat history during the Penisular and Waterloo;
Peninsular War (1808–1814): Landing in Portugal in 1808, the 79th fought across numerous critical engagements:• Corunna (1809): Part of the grueling winter retreat and subsequent evacuation.
• Busaco (1810): Held a key position on the ridge where men like Captain Alexander Cameron engaged in fierce hand-to-hand combat.
• Fuentes de Oñoro (1811)
• Salamanca (1812)
• Burgos (1812)
• Sorauren (1813)
• Nivelle & Nive (1813)
• Toulouse (1814)

The Waterloo Campaign (1815):• Fought at Quatre Bras and Waterloo (Mont St. Jean).
Displayed notable discipline and heroism—including Piper Kenneth McKay playing amidst the fighting—and earned a place as one of the select regiments specifically highlighted in the Duke of Wellington's official Waterloo Dispatch.

See Piper McKay's portrait in the gallery.


Former EIC armoury arsenal stamps to the barrel.  read more

Code: 26419

A Very Good and Most Sound Early Late Georgian to Victorian Antique 'Blue and Gilt' Blade Swordstick, In a Fine Polished Bamboo Cane. A Most Elegant & Sophisticated Work of Art Collectors Item In Near Mint Condition..

Overall in very nice and extremely sound condition, four sided square section 'blue and gilt' engraved blade, and a very snug fit. The same 'blue and gilt' blade as can be seen in Lord byron's sword cane.

29.5 inches long blade, overall 34.5 inches long

Lord Byron was a most accomplished exponent of the use and carrying of the gentleman’s sword stick. His was exhibited in King's College London, bearing a mercurial gilt collar bearing his name, coronet and adopted surname Noel. Upon the death of Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, in 1822, her will required that he change his surname to "Noel" so as to inherit

An interesting 19th century conversation and collector's piece, and one can ponder over of the kind of gentleman who would have sought and required such a piece of personal defence paraphernalia. Although one likes to think that jolly old England had a London full of cheerful cockneys and laddish chimney sweeps, it was also plagued with political intrigue, nefarious characters and caddish swine prowling the endless foggy thoroughfares and dimly lit passageways. The swordstick was a popular fashion accessory for the wealthy during the 18th and 19th centuries. While the weapon's origins are unknown, it is apparent that the cane-sword's popularity peaked when decorative swords were steadily being replaced by canes as a result of the rising popularity of firearms, and the lessening influence of swords and other small arms.

The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

On Byron’s sword cane was the name NOEL BYRON, upon the ferrule of his one indicated that it was used after 1822, when Byron added the surname Noel after the death of his mother-in-law.

There are several references to sword sticks in the correspondence of Byron and his circle. Byron wrote to Hobhouse from Switzerland on 23 June 1816 asking him to Bring with you also for me some bottles of Calcined Magnesia a new Sword cane procured by Jackson he alone knows the sort (my last tumbled into this lake ) some of Waite's red tooth-powder & tooth-brushes a Taylor's Pawrsanias Pausanias and I forget the other things. Hobhouse responded on 9 July: Your commissions shall be punctually fulfilled whether as to muniments for the mind or body pistol brushes, cundums, potash Prafsanias Pausanias tooth powder and sword stick.

In the entry for 22 September 1816 in Byron's Alpine Journal he describes how, at the foot of the Jungfrau,
"Storm came on , thunder, lightning, hail, all in perfection and beautiful, I was on horseback the Guide wanted to carry my cane I was going to give it him when I recollected it was a Sword stick and I thought that the lightning might be attracted towards him kept it myself a good deal encumbered with it & my cloak as it was too heavy for a whip and the horse was stupid & stood still every other peal."

In a letter to Maria Gisborne of 6-10 April 1822, Mary Shelley described the "Pisan affray" of 24 March, in which Sergeant-Major Masi was pitch-forked by one of Byron's servants. She recounted how Byron rode to his own house, and got a sword stick from one of his servants.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War.

But it was Louis XIII who brought the cane to importance as a royal accessory. The king, as his portraits depict, supposedly always held one in his hands. He also gave them – along with valuable snuffboxes – as gifts of honour. Accordingly, gentlemen who wanted to be fashionable never went without this accessory from that time on. At the time, these were sort of ornate rods without a curved handle that were held in the hand or carried under the arm.

The 19th century and the beginning of the 20th century became the age of the cane. The tremendous popularity then created the desire to be seen with a cane. And so a wealth of unique
pieces with practical and strange handles and a mysterious inner life were created. The painter
Henri de Toulouse-Lautrec, for example, owned a cane containing a bottle that held a pint of absinthe.
In the mid-18th century Saxony's prime minister, Heinrich Graf von Brühl, possessed 300 sticks to go with 300 suits, together with just as many snuffboxes which he weared in turn. King Friedrich II, too, had a huge collection of luxurious walking sticks and snuffboxes. After the Seven-Years War one particular type of sticks with a handle formed like a rope, which was King Friedrich’s constant companion, became so popular, that it was dubbed the "Fritz crutch".  read more

Code: 26426

An Original, Ancient Roman Iron Stylus, Around 1900 Years Old. The Stylus An Ancient Form Of Writing and Erasing Pen Used By An Ancient Roman Scribe or Soldier To Inscribe Notes, Lists Or Details Upon A Wax tablet

It is thought that Roman wax tablets were filled with clean wax using a spatula, often with a handle in the form of a bust of Minerva; these spatulas are found in writing sets in graves, and in pictures of writing equipment, e.g. from Pompeii

A wax tablet is a tablet made of wood and covered with a layer of wax, often linked loosely to a cover tablet, as a "double-leaved" diptych. It was used as a reusable and portable writing surface in antiquity and throughout the Middle Ages. Cicero's letters make passing reference to the use of cerae, and some examples of wax-tablets have been preserved in waterlogged deposits in the Roman fort at Vindolanda on Hadrian's Wall. Medieval wax tablet books are on display in several European museums.

Writing Side (Pointed Tip): The sharp, pointed end—typically made of iron, bronze, bone, or ivory—was used to scratch letters, numbers, and symbols directly into the soft wax layer. Pressing down revealed the contrasting wood underneath or left a deep indented line
Erasing Side (Flat Spatula): The opposite end featured a flat, circular, or blade-like spatula. The writer flipped the tool over to rub, flatten, or smooth the wax back out over mistakes, effectively acting as an ancient "undo" button or eraser

Styli and tablets were used for short-term notes and ephemeral, erasable texts. More permanent writings were committed to books or rolls of parchment (sheepskin) or vellum (calfskin) or, later, paper, using ink and quills or metal pens.

Merchants recorded transactions, clerks took dictation or shorthand, soldiers wrote messages, and officials drafted temporary records

Multiple tablets were often bound together with string or leather straps into "diptychs" (two leaves) or "polyptychs" (multiple leaves), making them easy to fold shut and carry

Styluses were first used by the ancient Mesopotamians in order to write in cuneiform. They were mostly made of reeds and had a slightly curved trapezoidal section.
Egyptians (Middle Kingdom) and the Minoans of Crete made styluses in various materials: reeds that grew on the sides of the Tigris and Euphrates rivers and in marshes and down to Egypt where the Egyptians used styluses from sliced reeds with sharp points; bone and metal styluses were also used. Cuneiform was entirely based on the "wedge-shaped" mark that the end of a cut reed made when pushed into a clay tablet; from Latin cuneus 'wedge'.
The linear writings of Crete in the first half of the second millennium BC which were made on clay tablets that were left to dry in the sun until they became "leather-hard" before being incised by the stylus. The linear nature of the writing was also dictated by the use of the stylus.

The woman in the painted mural in the gallery is using the same Roman stylus (from a recovered mural from Pompeii) .

Another photo in the gallery is a carved marble panel of of likely a centurion wearing his toga and using his stylus and wax tablet

The wax slate photograph is from the Roman-Germanic Museum in Cologne

There is also a photo of an ancient Greek ceramic painting of a scribe using the stylus and tablet

Set upon a wooden display stand. Stylus 4 3/4 inches  read more

Code: 26421

A Scarce and Original British Special Forces Designed Collector's Item, Cold War Period, Robert & John Wilkinson-Latham and Howard Evans 1960's MOD Contract Jungle Knife Made By Wilkinson Sword. Used In the Far East

This is a scarce survival / fighting knife produced by Wilkinson Sword Co in the 1960's. Intended for the M.O.D contract, of approximately 7,000 knives that were were made. But the MOD didn't pay the contract fee, so they were sold to Far East {special forces units} for jungle warfare.

The M.O.D. didn't officially adopt the knife so they were eventually sent to the Far East and sold to the military as private purchase weapons (see page 123 of Flook's book ‘British & Commonwealth Military Knives).

Our example has a beautiful polished 8” fullered Bowie blade and 1908 pattern Cavalry sword hilt which features chequered panels & thumb recess for grip.
The blade is etched ' WILKINSON SWORD LONDON ENGLAND' on one side & ' RJH JUNGLE KNIFE' on the reverse. The hilt has the correct short brass finger guard and large brass pommel nut. The knife comes with its original brown leather scabbard which has an integral belt loop and retaining strap with press stud fastener. The scabbard has the correct ‘lift the dot’ stamped press stud fastener.  read more

Code: 26417

A Waterloo Battle Site Recovered British A 69th Foot Brown Bess Musket Bayonet Scabbard Formerly In the Sgt Major Cotton Museum Collection at Waterloo. Acquired From Auction Of The Exhibits Due To The The Museum Closure in 1909

A Battle Of Waterloo souvenir, from The Cotton Museum Collection at Waterloo. A Brown Bess musket bayonet scabbard from 69th Regiment of Foot that fought with distinction at Quatre Bras and Waterloo

In very good, immediately post battle recovered condition. The leather is superb, {but somewhat dry at present} as are the brass mounts, nicely regimentally marked for the 69th numbered to gun 541. The leather could be very nicely waxed and polished to revive its surface, but we have left it just 'as is' for the next owner to decide.

My goodness would not this bayonet scabbard add an element of unique history to any 'Brown Bess' musket with its bayonet.

Before the Battle of Waterloo the 69th were stationed south of Brussels, near the crossroads of Quatre Bras. Here on 16 June Dutch & British fought the vanguard of the French army. Both sides suffered heavy losses of over 4,000 men, and the Allied army was forced to fall back towards Brussels, planning to make a stand at Waterloo.

During the Waterloo Campaign of 1815, the 2nd Battalion of the 69th (South Lincolnshire) Regiment of Foot earned a tragic but famous place in British military history. Composed of young, relatively inexperienced soldiers—with an average age of 21 and nearly 30% under the age of 18—the battalion was thrown into the crucible of two of the era's most intense engagements in a matter of 48 hours.

At the Battle of Quatre Bras, the 69th Foot suffered one of the most severe tactical setbacks experienced by any British unit during the campaign. During the battle of Quatre Bras, the 69th were charged by a mass of French cavalry. They attempted to form up into squares, with their bayonets pointing outwards. This formation was almost impossible for cavalry to attack, as their horses would refuse to charge onto a mass of spear-pointed bayonets. However, possibly due to confusing orders (because he was an idiot) from their inexperienced commander the Prince of Orange, the 69th were unable to get into squares in time. Two companies were caught in the open, and hacked down by French sabres, almost to the last man.

In this slaughter, a French cuirassier (armoured cavalry soldier) cut down Ensign Duncan Keith, who carried the King’s Colour. This flag was personally presented to the regiment by the monarch, and served as a rallying point and source of pride for the troops.

The 69th suffered 38 killed and 115 wounded out of 546 men. At the Battle of Waterloo on 18 June, there were too few men to form a defensible square, and they were forced to join forces with the 33rd Regiment of Foot to fight.

At Waterloo, the 69th had their revenge upon the French cavalry, as the horsemen charged the British squares several times, suffering appalling losses from musket- and cannon-fire. Captain Alexander Mercer of the Royal Horse Artillery said the French “were smashed to fragments” on the British squares “like waves beating against rocks”.


This was purchased from the auction of the Cotton Collection, by the Hamilton family, in 1909, a family of battlefield and antiquity relic collectors for over 100 years {prior to 1909}, acquiring pieces for the descended family collection of the late 10th Duke of Hamilton of Scotland

Edward Cotton was a veteran of the 7th Hussars who became a renowned battlefield guide and innkeeper. He wrote 'A Voice from Waterloo' and gathered a massive collection of battlefield relics. After the museum closed in 1909, roughly 3,000 items, along with the hotel contents and goodwill, were auctioned off in Brussels


An extract from an 1862 publication;
HOTEL DU MUSÉE,
AT THE FOOT OF THE LION MOUNT.
This Hotel, kept by a niece of the late Sergeant-Major Cotton, is situated in the very centre of the field of Waterloo, and is strongly recommended to visitors on account of its proximity to the scenes of interest connected with the great battle, and also for the excellent accommodation and comfort it offers at moderate charges.—See Bradshaw’s continental Guide.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars who personally fought at Waterloo. Another photo shows the front page of his collection catalogue

Pictures in the gallery of the Cotton Museum Auction pamphlet and labels, for information and historical context only. Out of interest, a few years ago half a French cuirass from the Cotton Museum Auction sold for 6000 gbp.

In the 1820’s the Waterloo Mound bearing the huge bronze lion statue was erected, in honour of the Prince of Orange’s ‘unique’ contribution (no doubt for the slaughter of the 69th.)

As with all our items, every piece will be accompanied by our fully detailed Certificate of Authenticity, based on over 100 years of our Brighton family trading  read more

Code: 26424

A Breath Takingly Beautiful Chisa Katana Museum Piece, Signed Inshu Zumi Fujiwara Kanesaki (藤原兼先）Finest Silver Mon Mounts and Gold Inlaid iron Koshirae {Fittings} For a Retainer Of The Kamei Clan of Kamei Korenori (1557–1612) of the Tsuwano Domain

The blade is just amazing and its curvature is extraordinary. overall the sword is is superb plus condition. Japanese iron openwork sword guard (tsuba) from the Edo period (17th–19th century), likely attributed to the Kyo-Shoami or related provincial schools featuring a nature-inspired design with birds and river (sukashi)

Inshu Zumi Fujiwara Kanesaki(因州住藤原兼先) forged swords in the early Edo period. He first started his career in Mino province(Gifu prefecture), mastering MINO-DEN (one of the most famous Japanese sword styles). He is ranked in top-tier MINO-DEN swordsmiths in the early to mid-Edo period.

He moved from Mino province to Tottori province and served the Ikeda clan, who ruled the Tottori prefecture (Tottori domain) for about 240 years. Ikeda clan was one of the most powerful feudal lines in that region.It was a privilege to work for the feudal family, and only highly skilled swordsmiths were entitled to this honor.

Tottori prefecture is located in western Japan . He forged swords near Tottori castle. The swordsmith name’s Kanesaki (the total of 11th generations) lasted at the end of the Edo period when feudal society turned to modern society, and the Samurai government lost their authority.

MINO-DEN had its origin from YAMATO-DEN in the late KAMAKURA period(1280-1330). It flourished in the MUROMACHI period(1333-1573) and continued until the EDO period(1603-1868).

MINO-DEN especially prospered during Sengoku Jidai (Warring State period) due to the high demand for weapons. And the location of Mino province beat others. Akechi Mitsuhide controlled Mino province, and Nobunaga Oda ruled Owari province, and Tokugawa Ieyasu was the lord of Suruga (Neighboring areas).

There was high demand from those powerful feudal lords and their retainers. Furthermore, so many wars occurred between the Kanto region and the Kyoto area.

Mino is located in the middle, making feudal lords feel convenient to order swords from MINO-DEN. The blades forged in MINO provinces also had the reputation of its practical design and sharpness. Many feudal lords demanded swords forged in the Mino province. The tradition of excellent sword forging skills had been passed to the Edo period, and Kanesaki is a good example.

The four-diamond mon (family crest) of the Kamei clan is historically classified under the Meyui (目結) category of Japanese heraldry, specifically known as Yotsumeyui (四つ目結 - "four eyes") or Sumitate Yotsume (隅立て四つ目) The Kamei clan, led by Kamei Korenori, became Daimyo of the Tsuwano Domain until the Meiji Restoration, using these types of geometric emblems to signify their family lineage.

Geometric designs like the Yotsumeyui were highly favored by samurai clans during the Sengoku and Edo periods because their bold, minimalist structures made them instantly recognizable on banners, armor, and helmets across chaotic battlefields.

Historical records detail the military life of Kamei Korenori (1557–1612), tracking his transition from a desperate resistance fighter trying to revive his fallen master's clan into a strategically flexible daimyō who served all three great unifiers of Japan: Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu.

Following the collapse of the Amago cause, Korenori transferred his allegiance directly to Toyotomi Hideyoshi For his combat distinction in subduing the San'in region, Hideyoshi granted Korenori Shikano Castle in Inaba Province

Korenori played an aggressive role in the subjugation of Tottori Castle. Records indicate that he joined Saimura Masahiro in a scorched-earth campaign, burning down the outer civilian settlements surrounding Tottori Castle to completely isolate the Mōri garrison, forcing its commander to commit seppuku to spare his starving men

Upon Hideyoshi's death, Korenori recognized the shifting political tides and sided with Tokugawa Ieyasu's Eastern Army during the pivotal Battle of Sekigahara.Korenori pleaded with Hideyoshi for coastal lands in Izumo. When diplomatic truces forced Hideyoshi to leave Izumo in Mōri hands, Korenori audaciously asked for the Ryukyu Islands (modern-day Okinawa) instead. Hideyoshi famously painted "Kamei, Lord of Ryukyu" onto a folding paper war fan as a symbolic grant. In 1590, Korenori assembled a fleet of 3,500 men at Nagoya Castle to invade the islands, but his fleet was physically blocked by the Shimazu clan of Satsuma, who claimed exclusive domain over the kingdom.

Korenori put his naval infrastructure to use during Hideyoshi's continental campaigns, commanding ships and troops under the Toyotomi banner. In a striking historical crossover, Korean records note that after a naval engagement, local warriors discovered Hideyoshi's signed "Lord of Ryukyu" war fan among the wreckage of a captured Japanese vessel
As a direct reward for his calculated realignment during the Sekigahara campaign, Tokugawa Ieyasu expanded Korenori's fiefdom from a minor 13,000 koku holding to a robust 43,000 koku domain. This established the financial power that secured his family's rule over the Tsuwano Domain for the next two and a half centuries.  read more

Code: 26416

A Beautiful, Handsome & Most Elegant Samurai Katana Around 600 Plus Years Old. Late Nanboku-chō period (南北朝時代, Nanboku-chō jidai) & Leading into the Sengoku Jidai, Warring States Era. A Beautiful, Handsome & Most Elegant Samurai Katana

Long elegant early wazamono blade with fine deep graduating curve Toriizori (鳥居反り) Uniform curve along the entire blade, with typical, early, ko-kissaki. The blade is jolly sharp {wazamono}, which is a great and positive indication of its quality, and fitted with a pure gold foiled copper habaki finely carved and with several sukashi pierced boars eyes.

The nakago may once have borne a signature by the smith but it is so ancient anything that was there is no longer visible.

It has always been traditional to never, under any circumstances to clean polish or preserve the nakago. It is entirely left to age naturally over the centuries, as opposed to the blade itself that is cared for with the utmost attention to preserve it as close to mint condition as possible.

The original lower mekugi-ana ( mounting circular peg aperture ) is low enough to suggest that in its earliest days it was once mounted as a longer tachi for combat. Ancient blades can as usual have two or more mekugi-ana to enable remounting, as the style of sword dress changed during its long use in combat.

Up until only a very few centuries ago it was a capitol offence, punishable by immediate execution, for a person of lesser station to touch a samurai’s sword without his express permission, even by accident.

Toriizori describes an even, graceful arc from tang to tip, named after the curved gates (torii) at Shinto shrines. This balanced curvature became standard during the mid to late Kamakura period (1200-1333) as fighting techniques evolved. The uniform curve optimizes both cutting and thrusting while maintaining excellent balance.
Versatile for multiple techniques, balanced feel, effective cutting geometry throughout blade length .

The saya is ishime lacquer in a beautifully rich, russet colour, with polished carved black buffalo horn fittings. The blade has just today returned from artisan cleaning and once more looks magnificent with new photos added.
Higo school fuchigashira, engraved with crashing waves in turbulant sea with low flying seabirds, large mokko gata iron plate tsuba, Edo period, chisselled with a small fishing boat with a mountain in the background. Signed. Menuki of deep takebori gilded copper carp in turbulant waves. green-blue tsukaito over traditional samegawa {giant rayskin}.

Picture 10 in the gallery is an original antique edo period Japanese woodblock print of a samurai bearing his sword in the very same livery as this sword. {For information only}

The Nanboku-chō era (1336–1392) in Japan was a tumultuous period of civil war between the Northern and Southern Imperial Courts, driven by rival claims to the throne after the Kamakura shogunate's fall, featuring significant shifts in warfare, art (increasing realism and warrior focus), and the rise of the Ashikaga shogunate, with key developments like extremely long swords no dachi also known as tachi, and guerrilla tactics amidst constant strife, culminating in the nominal reunification but underlying power struggles.

Key Aspects of Nanboku-chō Warfare & Era were the dual Imperial Courts: The imperial family split into a Northern Court (backed by Ashikaga) and a Southern Court (led by Emperor Go-Daigo and based in Yoshino).
The conflict facilitated the fall of the Kamakura Shogunate and the establishment of the Ashikaga (Muromachi) Shogunate, with Ashikaga Takauji emerging as a dominant figure.
The prolonged conflict saw the use of guerrilla warfare. Castles were built using suitable terrain, and ideal to survive sieges.
There was a move away from Heian-era courtly aesthetics towards more direct, virile, and realistic art reflecting the warrior class's values.
The era ended in 1392 when the Southern Court formally renounced its claim for the North, though this resolution left lingering questions of legitimacy.
Legacy: The period laid groundwork for the turbulent Muromachi era and the subsequent Sengoku period, shaping Japanese political identity and military. This led into the Ōnin War (1467–1477): A devastating civil war that shattered central authority and ushered in the Sengoku Jidai (Warring States).

There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available, and we are fortunate to have likely one of the most varied and largest selection of original swords, from all nations, in the world. There are swords in our gallery from all over the globe and from every period of history, going back almost 4000 years, Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval swords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects.

This blades polish will be beautiful once more, with just the usual minuscule age surface marks, as all antique and ancient swords must always be expected to have at least some very small natural age appropriate flaws.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 26405

A Very Good King George IVth {The Former Prince Regent} Constable's and Bow Street Runner's 'Weighted' Tipstaff Bearing the King's Crest. With a Leaden End In-Fill.

The tipstaff was a short, ornate staff made of wood, brass, or silver, often topped with a crown and engraved with the royal crest.
Many tipstaves were hollow in the centre, allowing the Runners to roll up and store their official arrest warrants inside.
Because the Bow Street Runners did not wear a standardized police uniform, brandishing or showing the tipstaff—or tapping a suspect with it—served as immediate proof of their legal authority under Crown power


George IV was King of the United Kingdom of Great Britain and Ireland and King of Hanover. He was born on the 12th of August 1762, at St. James’ Palace, the eldest son of George III and Queen Charlotte.

He ruled as Prince Regent from 1811 when his father's illness was judged to be permanent and acceded to the throne in 1820. He ruled for ten years until his death on the 26th June 1830.

The Bow Street Runners were the law enforcement officers of the Bow Street Magistrates' Court in the City of Westminster. They have been called London's first professional police force. The force originally numbered six men and was founded in 1749 by magistrate Henry Fielding, who was also well known as an author.1 His assistant, brother, and successor as magistrate, John Fielding, moulded the constables into a professional and effective force. Bow Street Runners was the public's nickname for the officers although the officers did not use the term themselves and considered it derogatory.2 The group was disbanded in 1839 and its personnel merged with the Metropolitan Police, which had been formed ten years earlier but the London metropolitan detective bureau trace their origins back from there. The brothers set up horse patrols in 1753 which made their group much more advanced.

In the new century, crime rates diminished in the metropolis, therefore the contribution of the Runners to the policing of property offences decreased considerably; they continued to investigate offences in London, but not as actively as they had before. Their incomes from London crime diminished as the position that Bow Street had once held in the commitment of felons to trial continued to erode with the expansion of the patrol and the creation of new police offices from 1792. By the early 1820s, Bow Street was responsible for just over 10% of the accused felons being committed to trial at the Old Bailey.30 After 1815, the Runners' most regular employment was to respond to help requests from prosecutors outside London. These were likely cases in which their skill and experience was thought to be useful in investigating offences in the provinces.31

After the Metropolitan Police Act 1829, which established the Metropolitan Police, the policing responsibilities of the Bow Street magistrates were very considerably diminished. The Bow Street patrol was gradually absorbed into the new police force and Bow Street was left with only the Runners.32 Even then, the Home Office held much of the authority over the activity of the Runners and was mainly concerned to bring Bow Street's finances under control. The Bow Street magistrates' effective loss of authority over the activity of the Runners and the government's concern to control costs meant that the funds for the office were much diminished in the 1830s  read more

Code: 26420

A Very Good & an Absolute Corker!. A Line Regiment Issue 1796 Light Dragoon and Hussar's Troopers Sabre Used In The Peninsular War and Waterloo Era By the British Light Brigades. in Great Condition For Age

In April 1815, Sir Hussey Vivian was appointed to command the 6th Brigade of the Earl of Uxbridge's Cavalry Division. Vivian's brigade included the 10th and 18th Hussars as well as the 1st and 2nd Hussars King's German Legion. At the Battle of Waterloo the 6th Brigade was posted on the Duke of Wellington's left flank. In the late afternoon, Vivian's regiments, with those of General Vandeleur's 4th Brigade, were ordered to move to support the centre of the line, which was under pressure from Napoleon's Imperial Guard. After the enemy were repulsed, Vivian's hussars made the final charge of the day between Hougoumont and La Haye Sainte, sweeping the Middle Guard and Line units before them before breaking upon the squares of the Old Guard, which they soon learned to avoid. This service was rewarded by the thanks of both houses of Parliament, an award of the KCH, and the Orders of Maria Theresa and St. Vladimir from the emperors of Austria and Russia.

After hostilities had ceased, Vivian remained in France as part of the Army of Occupation in command of the 2nd Brigade of Cavalry

The Cotton Collection, the full weapons, militaria, and recovered artifact display, from the battlefield, housed at the Hotel du Musee at Waterloo, owned first by Edward Cotton, then by his descendant family, was sold by auction in 1909.

The mounted swordsmanship training of the British emphasised the cut, at the face for maiming or killing, or at the arms to disable. This left masses of mutilated or disabled troops; the French, in contrast, favoured the thrust, which gave cleaner kills. A cut with the 1796 LC sabre was, however, perfectly capable of killing outright, as was recorded by George Farmer of the 11th Regiment of Light Dragoons, who was involved in a skirmish on the Guadiana River in 1811, during the Peninsular War:
"Just then a French officer stooping over the body of one of his countrymen, who dropped the instant on his horse's neck, delivered a thrust at poor Harry Wilson's body; and delivered it effectually. I firmly believe that Wilson died on the instant yet, though he felt the sword in its progress, he, with characteristic self-command, kept his eye on the enemy in his front; and, raising himself in his stirrups, let fall upon the Frenchman's head such a blow, that brass and skull parted before it, and the man's head was cloven asunder to the chin. It was the most tremendous blow I ever beheld struck; and both he who gave, and his opponent who received it, dropped dead together. The brass helmet was afterwards examined by order of a French officer, who, as well as myself, was astonished at the exploit; and the cut was found to be as clean as if the sword had gone through a turnip, not so much as a dint being left on either side of it" The blade is remembered today as one of the best of its time and has been described as the finest cutting sword ever manufactured in quantity.

An extract from an 1862 publication;
HOTEL DU MUSÉE,
AT THE FOOT OF THE LION MOUNT.
This Hotel, kept by a niece of the late Sergeant-Major Cotton, is situated in the very centre of the field of Waterloo, and is strongly recommended to visitors on account of its proximity to the scenes of interest connected with the great battle, and also for the excellent accommodation and comfort it offers at moderate charges.—See Bradshaw’s continental Guide.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars who personally fought at Waterloo. Another photo shows the front page of his collection catalogue

There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects

Sadly, each sword once had its inventory label attached, but they are all now lost. With cotton's labels present the prices can be many times the value.

Pictures in the gallery of the Cotton Museum Auction pamphlet and labels, for information and historical context only. Out of interest, a few years ago half a French cuirass from the Cotton Museum Auction sold for 6000 gbp.

As with all our items, every piece will be accompanied by our fully detailed Certificate of Authenticity, based on over 100 years of our Brighton family trading  read more

Code: 26423

A Roman or Pre-Roman Copper-Alloy Bronze Shield Boss {Umbo} Featuring A Stunning Lions Head and Mane. 3rd Century To 1st Century BC. Made and Used During the Roman-Etruscan Wars Era 509-264BC

A Roman or pre-Roman bronze shield boss (umbo), likely from the area later known in the Republic Era of Augustus as Italia, featuring a lion's head was a rare, striking piece of military hardware designed to intimidate opponents and display strength or status on the battlefield. Roman-Etruscan wars era, 509-264 BC.

Shaped or hammered into a bold lion's portrait with prominent facial features (eyes, nose, ears, and mane).
The lion image was intended to inspire courage in the wearer and strike fear into the enemy.

While standard Roman legionary shields (scuta) typically featured iron or plain bronze bosses to protect the center grip, specialized or decorative lion-head bosses were sometimes linked to cavalry units (such as a turma), senior officers, or parade/ceremonial armour.
Similar lion-emblem shield traditions trace back earlier through Etruscan and Mediterranean metalwork (dating from the 7th–5th century BC onwards) before appearing in Roman-era contexts around the 1st to 3rd century AD.

The Copper-Alloy Bronze Lion's Head Shield Boss, most similar to ours, {see photo in the gallery} is displayed as an object spotlight in Segedunum's 'Following the Eagle' exhibition, in North East England, this striking bronze shield boss featuring a bold lion's head design was uncovered near the Vindolanda Roman Fort along Hadrian's Wall  read more

Code: 26418