A Beautiful Koto-Shinto Period Signed Yasuhiro, in KiiKuni. Antique Samurai Daisho With Rokakku Clan Mon. Traditional Daisho, the Two Swords Of The Samurai, Comprise a Fine Daito Long Sword & Signed Shoto Short Sword. With With Pierced Rokakko Mon

Signed Koto daisho, circa 16th century , with beautiful elegant blades, the saya are very fine, delicate and rare, light ‘cinnabar red’ lacquer, also known as coromandel red {named from the pink petaled flower} urushi lacquer to the saya, often made with the addition of perilla oil. The condition of both saya is very good just a couple of aged surface nicks
The colour created from urushi lacquer mixed with cinnabar was rewarded to them as the most famous warriors of all the samurai clans of Japan, the Li, and the Takeda.
The blades both have superbly beautiful notare hamon, in very good polish
Signed 記伊國住 康廣
Kii Kuni. Jyu Yasu Hiro.
The meaning is Yasuhiro, who lives in KiiKuni.
However, the first word is written as 記. But the better kanji should be 紀. It is impossible to mistake the name of the place where one lives, so one could research that kanji.
This sword was made in the 1500’s to 1600s. There were two generations of Yasuhiro there at that time.

Their clan mon tettsu tsuba have a polished surface finish bevelled towards the edge. Matching daito long sword and shoto short sword tsubas, very finely pierced with the Rokakku samurai clan's crest, the "kamon". The tsuka ito was rebound in cream silk in the post Taisho period, as is very usual due to the wear and natural aging of the Edo period silk tsuka-ito, and the signed cast fuchi kashira, that have a deep takebori design Hiranami style of crashing waves in gilt over metal, and the four gilt and silvered menuki of samurai are all very likely from that same late period.

Founded by Sasaki Yasutsuna of Omi Province in the 13th century, the name Rokkaku was taken from their residence within Kyoto; however, many members of this family continued to be called Sasaki. Over the course of the Muromachi period, members of the clan held the high post of Constable (shugo) of various provinces.
During the Onin War (1467-77), which marked the beginning of the Sengoku period, the clan's Kannonji Castle came under assault. As a consequence of defeat in the field, the clan entered a period of decline.
Like other hard-pressed daimyos, the Rokakku tried to enhance their military position by giving closer attention to improved civil administration within their domain. For instance, in 1549, the Rokakku eliminated a paper merchant's guild in Mino under penalty of confiscation. Then they declared a free market in its place.

The Rokakku were defeated by Oda Nobunaga in 1568 on his march to Kyoto and in 1570 they were absolutely defeated by Shibata Katsuie. During the Edo period, Rokkaku Yoshisuke's descendants were considered a koke clan. Historically, or in a more general context, the term koke may refer to a family of old lineage and distinction. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other. A samurai's daisho were his swords, as worn together, as stated in the Tokugawa edicts. In a samurai family the swords were so revered that they were passed down from generation to generation, from father to son. If the hilt or scabbard wore out or broke, new ones would be fashioned for the all-important blade. The hilt, the tsuba (hand guard), and the scabbard themselves were often great art objects, with fittings sometimes of gold or silver. Often, too, they ?told? a story from Japanese myths. Magnificent specimens of Japanese swords can be seen today in the Tokugawa Art Museum?s collection in Nagoya, Japan.
In creating the sword, a sword craftsman, such as, say, the legendary Masamune, had to surmount a virtual technological impossibility. The blade had to be forged so that it would hold a very sharp edge and yet not break in the ferocity of a duel. To achieve these twin objectives, the sword maker was faced with a considerable metallurgical challenge. Steel that is hard enough to take a sharp edge is brittle. Conversely, steel that will not break is considered soft steel and will not take a keen edge. Japanese sword artisans solved that dilemma in an ingenious way. Four metal bars, a soft iron bar to guard against the blade breaking, two hard iron bars to prevent bending and a steel bar to take a sharp cutting edge were all heated at a high temperature, then hammered together into a long, rectangular bar that would become the sword blade. When the swordsmith worked the blade to shape it, the steel took the beginnings of an edge, while the softer metal ensured the blade would not break. This intricate forging process was followed by numerous complex processes culminating in specialist polishing to reveal the blades hamon and to thus create the blade's sharp edge. Inazo Nitobe stated: 'The swordsmith was not a mere artisan but an inspired artist and his workshop a sanctuary. Daily, he commenced his craft with prayer and purification', or, as the phrase was, 'he committed his soul and spirit into the forging and tempering of the steel.'
Celebrated sword masters in the golden age of the samurai, roughly from the 13th to the 17th centuries, were indeed revered to the status they richly deserved.

As once told to us by an esteemed regular visitor to us here in our gallery, and the same words that are repeated in his book;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25536

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale

Our beautiful pieces from history are not always just for looking at, some can still be enjoyed and worn for every one to see.

See our latest incredible 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Sri Lanka. Occasionally, as we are Great Britain’s leading gallery of our kind, we have had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.

We have just also just added to the web store; a German colonels sword surrendered at the formal surrender of the German armed forces in May 1945 to Field Marshal Lord Montgomery, and a beautiful and magnificent samurai swords from the 1600's Tokugawa Shogunate period, one of the most fabulous samurai swords you might ever see. Plus, an Ancient Greek dagger From The Greco-Persian Wars era, From the time of the Spartans at Thermopylae, to Alexander the Great's conquest of Persia & Egypt

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many, many other Museum pieces, have been just been offered upon the site within the past couple of weeks.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix  read more

Code: 24055

A Simply Magnificent 17th Century Samurai Katana with Signed Soten Gold and Shakudo Mounts. A Spectacular Museum Grade Katana From The Early Tokugawa Shogunate Era. One Of The Most Impressive Samurai Swords You Will Ever See

This is a most stunning high ranking samurai's sword. Made and used at the beginning of the great Japanese Edo period. The blade has a wondrous hamon, shown in all it's beauty. All of the fittings are very fine and the overall effect is simply wonderful. A singularly fine museum quality quality katana, with a full suite of, original, Edo period, signed Soten, gold and patinated copper fittings. This is truly a sword of great beauty, worthy of any top ranked collection of the most beautiful swords of the Japanese samurai.
The saya is original Edo period in black urushi in a two section design, with a partially deeply ribbed lacquer top section.

A revolution took place in the centuries from the time of the Kamakura shogunate, which coexisted with the Tenno's court, to the Tokugawa, when the bushi became the unchallenged rulers in what historian Edwin O. Reischauer called a "centralized feudal" form of government. Instrumental in the rise of the new bakufu was Tokugawa Ieyasu, the main beneficiary of the achievements of Oda Nobunaga and Toyotomi Hideyoshi. Already powerful, Ieyasu profited by his transfer to the rich Kanto area. He maintained 2.5 million koku of land, new headquarters at Edo, a strategically situated castle town (the future Tokyo), and also had an additional two million koku of land and thirty-eight vassals under his control. After Hideyoshi's death, Ieyasu moved quickly to seize control from the Toyotomi family.

Ieyasu's victory over the western daimyo at the Battle of Sekigahara (October 21, 1600, or in the Japanese calendar on the 15th day of the ninth month of the fifth year of the Keichi era) gave him virtual control of all Japan. He rapidly abolished numerous enemy daimyo houses, reduced others, such as that of the Toyotomi, and redistributed the spoils of war to his family and allies. Ieyasu still failed to achieve complete control of the western daimyo, but his assumption of the title of shogun helped consolidate the alliance system. After further strengthening his power base, Ieyasu installed his son Hidetada (1579?1632) as shogun and himself as retired shogun in 1605. The Toyotomi were still a significant threat, and Ieyasu devoted the next decade to their eradication. In 1615, the Tokugawa army destroyed the Toyotomi stronghold at Osaka.

The Tokugawa (or Edo) period brought 250 years of stability to Japan. The political system evolved into what historians call bakuhan, a combination of the terms bakufu and han (domains) to describe the government and society of the period. In the bakuhan, the shogun had national authority and the daimyo had regional authority. This represented a new unity in the feudal structure, which featured an increasingly large bureaucracy to administer the mixture of centralized and decentralized authorities. The Tokugawa became more powerful during their first century of rule: land redistribution gave them nearly seven million koku, control of the most important cities, and a land assessment system reaping great revenues. As Japan entered the more peaceful Edo Period (1603-1868), tsuba and sword fittings became increasingly elaborate and decorative in design and function, and their manufacture became highly specialised and technically advanced. Different schools of makers developed their own styles, often influenced by the culture and environment of the region, and the role of the tsuba and mounts extended to become an elaborate piece of art. Subjects for decoration included Japanese mythology, history and nature. Since the 16th century, it was customary for the guard and mounts to feature the signature of the maker. The katana's saya has a few small Edo period contact marks throughout. It could be re-lacqured to as new condition if it was required by its new owner or left original as is. Valued for their excellence in design and execution, sword fittings today exist as refined pieces of art, and although now only used for state occasions and consecrations, the Japanese sword and its fittings remain a symbol of authority and reminder of Japan's powerful, and at times tumultuous, samurai past.

There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects.

For those that have interest in original Japanese swords, this is a perfect way to have a superbly made original hand made sword that it mounted in original Japanese fittings of the early samurai form of katana.
** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned top-tier sword masters or customized commissions.
These blades, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris {the most eminent sword expert in Europe, and sword curator of the British Museum} and his same words that are repeated in his book, see below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading

For those that have interest in original Japanese swords, this is a perfect way to have a superbly made original hand made sword that it mounted in original Japanese fittings of the early samurai form of katana.
** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned top-tier sword masters or customized commissions.
These blades, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.


Blade 30.3 inches long tip to tsuba, sword length 40 inches out of saya. 41 inches long overall. saya has all its original Edo lacquer finish with just a few natural age surface blemishes as to be expected.  read more

Code: 22994

A Stunning, Fearsome Yet Beautiful, Edo Period Shirohige Ressei-Menpo "Mask With Fierce Expression" Samurai Face Armour,, Probably Myochin School, 18th Century. A Magnificent Example

Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen, menpō, hanbō or hanpō, and happuri.

A resseimon cheek is a form of cheek below the eyes, and is a mask with a very fierce, angry, and threatening expression. He is characterized by wrinkles on his nose and cheeks, wide open mouth, moustache and gold teeth. This work is a typical ressei mask made of iron and covered with black lacquer over the entire surface, and is attached with a collar called a kuruwa, which was commonly used in the Edo period.

This is a wonderful piece of Japanese Samurai 'art' made for warfare, which features a kuchi hige (mustache), shiwa (facial wrinkles). Extremely collectable art that is most desirable in its own right, often stunningly used for interior decoration as an individual work of samurai art in its own right. A very good urushi lacqured embossed iron mask of 'Me no Shita Men' (half face) type. Mid Edo period 18th century. Typical Myochin school craftmanship with very sharp embossing. A multi coloured silk bound yodarekake, neck defence with hooked standing cord pegs for attaching with cords to the samurai. A doeskin top to the neck defences decorated in a black inked pattern of Shishi lion dogs on a leaf pattern background. The inner face is decorated with vermillion lacquer, and the neck lames are covered in black urushi lacquer under the cords. Face armour, menpo, is samurai armour, and this is called 'with a fierce expression' masks They were worn with the Samurai's armours to serve as a protection for the head and the face from sword cuts. Even if the mask in unsigned, the type, and its the features suggest this fabulous face armour menpo was made by a smith from the Myochin school.

There are 4 types of mask designs that came into general use in Japan: happuri (which covers the forehead and cheeks), hanbō (covers the lower face, from below the nose all the way to the chin), sōmen (covers the entire face) and the me-no-shita-men (covers the face from nose to chin). We can also classify those mask depending on their facial expressions, most of which derive from the theatre masks. It has an asenagashino ana a hole under the chin to drain off perspiration and orikugi two projecting studs above the chin to provide a secure fastening to the wearer. In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.
The era of warfare called the Sengoku period ended around 1600, Japan was united and entered a relatively peaceful Edo period. However, the Shoguns of the Tokugawa period were most adept at encouraging clan rivalries and conflicts and battles were engaged throughout the empire. This of course suited the Shogun very well, while all his subordinate daimyo fought each other they were unlikely to conspire against him. Samurai use continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for war, but still for battle. The most important branch of the Myochin school is probably that of the Ki region. Founded by Kunimichi, it became popular between 17th and 18th century for the works of Munesuke, who had the technical ability and the artistic capacity to create samurai armour of great beauty, In fact, this is the period when Japanese armor makers became aware that they were living in a peaceful time and their works begun looking back at the mediaval samurai armour as an inspiration: kabuto started again to be of circular shape and decorations became again large and rich, as in the old o-yoroi armor.

The best ability of Munesuke was the hammering technique (uchidashi): his menpo look almost exagerated in their shapes, with a very long chin, sharp and deep wrinkles on the cheeks and theatrical mouth. Moustaches are often inlaid in silver or gold, instead of being in fur as on Nara style menpo.

But the armor maker who really brough the uchidashi technique to the highest level is Muneakira, pupil and adopted son of Munesuke, which we can consider the best maker for samurai armour of modern times: his hammeried works are extraordinary, with precise and sharp lines of a quality that nobody else achieved.

The men-yoroi, which covered all or part of the face, provided a way to secure the top-heavy kabuto (helmet). The Shinobi-no-o (chin cord) of the kabuto would be tied under the chin. Small hooks called ori-kugi or posts called odome located on various places would help secure the chin cord. The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache, fierce teeth and a detachable nose. With the exception of the happuri, a men-yoroi had a small hole underneath the chin for sweat drainage.

Face armour in Japan begins with the happuri, which is depicted in Heian- and Kamakura-era yamato-e paintings and is thought to have appeared during the 10th or 11th centuries. It is depicted as being worn with or without a helmet by both mounted warriors and foot retainers. By the 14th century, the hōate appears, and according to Tom Conlan, this development is behind decreased facial wound statistics. However, others, such as Yamagishi Sumio, believe that the hōate was not widespread at that time, as it—and the later menpō—restricted the vision of the wearer. Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the 16th century
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Code: 25241

A Superb, Original, Her Majesty Queen ELizabeth II, Household Division Drum Major's Welsh Guards Bearskin Cap. In Superb Condition, A Post 1953 Coronation Era, Bearskin, For a Member of The Battalion Staff {Gloriously Fluffy}

A fabulous original Household Division bearskin of the Welsh Guards, in stunning condition, with luxurious fur quality. Original Welsh plume of green and white horsehair.
Perfect interior cane frame and complete leather lining with all the tongues in perfect condition. Maker label to the interior.

The Welsh Guards was raised on 26 February 1915 by order of King George V, in order to complete the national complement of regiments of Foot Guards identified with the countries of the United Kingdom.

On inception the Regiment took its place alongside the English Grenadier Guards and Coldstream Guards, the Scots Guards and the Irish Guards. Two days later, the Battalion mounted its first King's Guard at Buckingham Palace on 1 March 1915 - St David's Day.

The title "Drum Major" is an appointment, not an ordinary or regular military rank. The Drum Major is always referred to and addressed as "Drum Major" or "Sir" this is because as a Drum Major of the Household Division, a Royal Warrant is awarded as a “Drummer to the Household” and a member of Battalion Staff.
The insignia of the appointment is four inverted chevrons worn on a wrist-strap whilst in shirt-sleeve order, or four inverted large chevrons worn on the uniform sleeve, surmounted by a drum.
Military Drum Majors utilize a ceremonial mace for giving commands while marching.

A bearskin is a tall fur cap derived from mitre caps worn by grenadier units in the 17th and 18th centuries. Initially worn by only grenadiers, its usage was extended to several other military units in the 19th century. The bearskin cap continued to see use in battle during the mid-19th century, although by the 20th century, it was only used for parade dress. In the 21st century, the bearskin cap is retained by select military units as a prominent element of their ceremonial and full dress uniforms.

The earliest record of a bearskin-like cap being worn by soldiers in Europe was during the mid-17th century, although its widespread adoption did not take place until 1761, when French grenadiers began to wear tall fur caps resembling the Prussian mitre cap. The purpose appears to have been to add to the apparent height and impressive appearance of these troops both on the parade ground and the battlefield.5 These fur caps developed into the colossal bearskin caps worn by the French Imperial Guard. The British Grenadier Guards adopted the headdress after their victory at the Battle of Waterloo in 1815, with other British units and European militaries adopting the headdress in the years after.

The headdress continued to see military service during the mid-19th century, with British foot guards and the Royal Scots Greys wearing bearskins in battle during the Crimean War.6 However, by the mid-19th century, the expense of acquiring bearskin caps and the difficulty in maintaining them in good condition led to some military units limiting the use of the headdress for specific occasions. Some units, like the Italian 1st Regiment "Granatieri di Sardegna", eventually discontinued the use of the headgear altogether during that century.

The British Army continued to use the headdress during peacetime manoeuvres until the introduction of khaki service dress in 1902. Immediately before the outbreak of World War I in 1914, bearskins were still worn by several British, Belgian, Danish, German, Russian, and Swedish units as a part of their ceremonial/parade dress. Several units that retired the use of the headdress during the 19th century, including units in Italy and the Netherlands, also readopted it for ceremonial use during the 20th century


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25421

English Translation of Mein Kampf by A. Hitler, My Struggle. Published by Hurst and Blackett. 1938, The Year Hitler Was Named Time Magazine's "Man of the Year"

First library edition, October 1938. Published in London by Hurst and Blackett. With author's photograph and publication autograph signature, and a further publication signature to the Author's Forward.

Very good condition for age, usual yellowing to pages.

Hurst and Blackett.
In October 1933, just nine months after Hitler rose to power in Germany, started to publish, in English, Hitler's infamous biographical book, Mein Kampf. Probably the most famous biography in publishing history.

Hitler began dictation of the book while imprisoned for what he considered to be "political crimes" following his failed Putsch in Munich in November 1923. Although Hitler received many visitors initially, he soon devoted himself entirely to the book. As he continued, Hitler realised that it would have to be a two-volume work, with the first volume scheduled for release in early 1925. The governor of Landsberg noted at the time that "he hopes the book will run into many editions, thus enabling him to fulfil his financial obligations and to defray the expenses incurred at the time of his trial."

Hitler originally published his book in German in 1925. There was a little if any interest in Mein Kampf outside the country as he was an unknown Bavarian fringe candidate. When he unexpectedly vaulted to power in January 1933, European publishers rushed to obtain the contract to translate his work and publish it in other countries. Because the German Mein Kampf was so telling about the coming war and atrocities he would inflict on the French, the Soviet, and most of all the Jewish people, Adolf Hitler was hesitant to allow any translations or publishing rights in different countries. As most of you know, Hitler fought bravely during the entire four years of the Great War and he was wounded twice. During that time, as he later recounts in Mein Kampf, Hitler became convinced the French rather than the British were his true western enemies. In fact during the first three years of his chancellorship, Hitler tried repeatedly to secure a military alliance with England so they could help him destroy France, or at least stand by while Hitler obtained his sweet revenge for Germany's humiliation at the Versailles peace table. So the newly-appointed German leader authorised Mein Kampf to be translated into English and published by London's Hurst and Blackett in the spring of 1933. However, Hitler never allowed a complete translation. After an Englishman named Edgar Dugdale completed his work on the actual translation, the Nazis insisted on revising and censoring the 700 page book. Hitler employed Nazi party official Dr. Hans Thost to specifically go through and remove offending passages in Mein Kampf and to also surgically alter his original German words to make a direct appeal for his British alliance. Dr. Thost was the sole Nazi party official living in London at this time. He spent the summer of 1933 altering and removing over 400 pages from this new English translation and when he was finished, he finally allowed Hurst and Blackett to take this edition to print that September. Even though Hitler was now the leader of Germany, the British publishing house Hurst and Blackett was hesitant about printing too many copies of this book initially. 1933 was the height of the Great Depression, and books were only for the few. It wasn't until 1937 that Hurst and Blackett started cranking out a cheaper, smaller My Struggle because Europeans started to become nervous as Hitler was clearly rearming and reindustrializing Germany. Most copies were purchased by British intellectuals or those keenly interested in foreign policy. Most of those people lived in London, and quite a few of the copies of this book were destroyed in the Blitz. Indeed the Hurst and Blackett Publishing house was completely destroyed by German bombs in 1940.

The book was edited by the former Hieronymite friar, catholic priest and journalist, Bernhard Stempfle, who later died during the Night of the Long Knives.

The book was so successful around the world Hitler used the proceeds to fund his entire election campaign, tours and lectures. And due to its and the authors success he was named Time Magazine's "Man of the Year" in 1938. A later Time Magazine "Man of the Year" {not once, but twice} was 'Uncle' Joe Stalin, also Ayatollah Ruhollah Khomeini {in 1979}, and Vladimir Putin {2007}

The first 1933 Hurst and Blackett English edition can now achieve values up to £6,500

After Hitler's death, copyright of Mein Kampf, along with other Nazi assets, was given to the state government of Bavaria, which refused to allow any copying or printing of the book in Germany. In 2016, following the expiry of the copyright held by the Bavarian government, Mein Kampf was republished in Germany for the first time since 1945, which prompted public debate and divided reactions from Jewish groups. A team of scholars from the Institute of Contemporary History in Munich published a two-volume, almost 2,000-page edition annotated with about 3,500 notes. This was followed in 2021 by a nearly 900-page French edition based on the German annotated version, with about twice as much commentary as text.  read more

Code: 25039

Beautiful Signed, Takeda Clan Mon Katana, With a Stunning Notare Midare Hamon. Traditionally Samurai Mounted Katana in Fine Polish, By Seki Yoshimitsu. Edo Period Shakudo Tsuba. Samegawa Saya With Flecked Lacquer. An Incredible Bargain For A Collector

A very good 1930’s Japanese sword, signed by {Noshu} Seki ju Yoshimitsu, likely a sword of Takeda Sōkaku, the 20th century Takeda clan leader, and renown martial artist, until his death in 1943. The blade in superb polish showing a very fine notare midare hamon with great activity, and, in superb condition, the habaki {blade collar} is it's deluxe, traditional, hand made example, gold coated, from the 1930's. In just a very few years this will be not only what it is currently today, an original Japanese sword, but, also, an antique samurai sword

This katana is really beautiful, and extraordinarily inexpensive, thus we will be very surprised if it remains available for very long.

This sword is beautifully mounted, in the traditional samurai katana manner, with Takeda clan antique and vintage fittings. The Edo period shakudo tsuba is a particularly nice example. A simple style but sophisticated in its simplicity. Its traditional lacquer saya is also most attractive, with its giant rayskin top section decor, and the saya is showing very fine workmanship.

The tsuka-ito {hilt binding} is in stunning black, with chrysanthemum Hirohito menuki, over traditional samegawa, and the fuchi kashira are beautiful antique silver, with the shakudo clan mon, of the Takeda-bishi 武田菱, of the highly esteemed Takeda clan.

The Takeda clan, a prestigious branch of the Minamoto clan (Seiwa Genji), used a clan mon (kamon) known as the Takeda-bishi (武田菱, Takeda Diamond), featuring four diamond shapes arranged in a larger diamond pattern. Based in Kai Province, this aristocratic samurai clan was one of the most powerful during the Sengoku period, led most famously by Takeda Shingen.
The emblem consists of four diamonds (菱, hishi) grouped to form a larger diamond or square.
Variations: While the core "four diamonds" (四つ割菱, Yotsubaribishi) remained consistent, the spacing between the diamonds sometimes varied, with the Takeda-bishi traditionally referring to a design with narrow gaps between the diamonds.
Symbolism: The crest is said to be derived from the armored "Tatenashi" suit worn by Minamoto no Yoshimitsu, the ancestor of the Takeda, or designed to represent the character "Ta" (田) in Takeda.
4 Elements (Furinkazan): Takeda Shingen famously used a battle standard representing the four elements—Wind, Forest, Fire, and Mountain—derived from Sun Tzu's The Art of War, which is often associated with the Takeda clan's spirit.
The Takeda were descendants of Emperor Seiwa (850–880) and a branch of the Minamoto clan, with Minamoto no Yoshikiyo (1075–1149) being the first to use the name Takeda.

The Takeda clan, particularly under Takeda Shingen, were known for their elite cavalry, and this four-diamond crest was widely recognized across Japan.

In the 1930s, the Takeda clan, a famous branch of the Minamoto clan (specifically the Seiwa Genji line), maintained its legacy and was represented by the martial artist Takeda Sōkaku (1859–1943), who was actively teaching Daitō-ryū Aiki-jūjutsu to elite members of Japanese society, including police and military officers. The clan mon upon the tsuka of this sword may indicate this once belonged to Takeda Sōkaku or his son Tokumune. Both clan leaders of the Takeda, and masters of the martial arts.
Tokimune Takeda (武田 時宗 Takeda Tokimune, 1916–1993), became the head-master of the art following Sokaku's death in 1943. Tokimune taught what he called "Daitō-ryū Aikibudō" (大東流合気武道), an art that included the sword techniques of the Ono-ha Ittō-ryū along with the traditional techniques of Daitō-ryū Aiki-jūjutsu.
Ono-ha Ittō-ryū (小野派一刀流) is a prestigious 16th-century Japanese kenjutsu (swordsmanship) school founded by Ono Jiroemon Tadaaki, based on the teachings of Itō Ittōsai. As the "one sword" school, it emphasizes defeating opponents with a single, precise cut, significantly influencing modern Kendo and traditional martial arts.

The nakago is clearly signed with Emperor Hirohito's period stamp {he the last divine emperor} and coloured rich red with some old preservative around 80 years ago. It could certainly be removed, but it has done a good job so far, and it assists in seeing the signature.

For those that have interest in original Japanese swords, this is a perfect way to have a superbly made original hand made sword that it mounted in original Japanese fittings of the early samurai form of katana.
** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned top-tier sword masters or customized commissions.
These blades, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us.

The world of antique and vintage sword collecting is a fascinating journey into the past, offering a unique lens through which to view history and culture. More than mere weapons, these artifacts serve as tangible connections to the societies and ancient times where they originated. Each blade tells a story, not just of the battles it may have seen but of the craftsmanship, artistic trends, and technological advancement of its time.

The swords mountings can be equally telling. Engravings and decorative elements may enhance the sword’s beauty and hint at its historical context. The materials used for them can reveal the sword’s age

Collecting antique swords, arms and armour is not merely an acquisition of objects; it’s an engagement with the historical and cultural significance that these pieces embody. As collectors, we become custodians of history, preserving these heritage symbols for future generations to study and appreciate.

We are now, likely the oldest, and still thriving, arms armour and militaria stores in the UK, Europe and probably the rest of the world too. We know of no other store of our kind that is still operating under the control its fourth successive generation of family traders

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris, in order to study and discuss our extensive collection, and he used the same words that are repeated in his book below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords  read more

Code: 26016

Very Fine 1889 Pattern Regimental Officer's Sword WW1 Imperial Prussian Eagle Guard With Crest of Kaiser Willhelm IInd. Surrendered on the 4th of May 1945. A Few Hours Before The Official Instrument Of Surrender Was Signed at 18.30 Hours

Surrendered by a veteran staff officer of Generalmajor Hans Kienast, at the surrender to Field Marshal Montgomery of the German armed forces in 1945.

However, most regrettably, there was no written record kept of the name of the colonel that surrendered it. If this had been recorded, this sword could have been priced at ten times its current value, or even higher. But, it does mean, as such, it is incredibly affordable. This surrender was a precursor to the final unconditional surrender of all German forces (V-E Day) on May 8, 1945.

Overall the sword is in excellent condition, with its original multi wire bound sharkskin grip fully original and intact. Bronze guard, with the personal monogram of the Kaiser upon the grip, and guard depicting the Imperial Prussian Eagle, pieced and in relief. Double fullered blade and it’s original all steel combat scabbard. The blade bears the Kaiser Wilhelmi W Crown proof inspection mark.

1889 Pattern Prussian Officers sword with cast Eagle guard, multi wire bound sharkskin grip, excellent condition double fullered blade and black lacquered steel combat scabbard. Kaiser Willhelm Crest to grip.
Many of these swords were also used in the 3rd Reich by veteran officers serving in WW2 after their service in WW1, as was this great example.

Numerous Vintage photographs of WW2 German Officers show them wearing this pattern of sword, including one in the gallery of Generalleutnant Hans von Donat with his identical sword.

This sword was taken at the official event of the German high command requesting surrender terms to Montgomery at 2nd army HQ on May 3rd, all of the participants were disarmed, unfortunately it is not known from whom this sword was taken.

See our original official photograph from this special and monumentally important historical event, taken on the 3rd of May 1945. It is of Field Marshal Montgomery, Admiral von Friedeburg, General Kinzel and Rear Admiral Wagner plus aides .The unconditional surrender was not ‘officially signed until a few days later as Stalin insisted his generals must be present. Overall this sword is in excellent condition.
Field Marshal Montgomery greeted for the surrender the German delegation (Admiral von Friedeburg, General Kinzel and Rear Admiral Wagner).
The images were taken by the British Army Film and Photographic Unit.

Field Marshal Montgomery signed the terms of the surrender watched by Rear Admiral Wagner and Admiral von Friedeburg.
On 4 May 1945, at 18:30 British Double Summer Time, at Lüneburg Heath, south of Hamburg, Field Marshal Sir Bernard Law Montgomery accepted the unconditional surrender of the German forces in the Netherlands, northwest Germany including all islands, in Denmark and all naval ships in those areas. The surrender preceded the end of World War II in Europe and was signed in a carpeted tent at Montgomery's headquarters on the Timeloberg hill at Wendisch Evern. Lüneburg had been captured by the British forces on 18 April 1945 with Montgomery establishing his headquarters at a villa in the village of Häcklingen. A German delegation arrived at his tactical headquarters on the Timeloberg hill by car on 3 May, having been sent by Großadmiral Karl Dönitz who had been nominated President and Supreme Commander of the German armed forces by Adolf Hitler in his last will and testament on 29 April. Dönitz was aware of the allied occupation zones intended for Germany from a plan that had fallen into German hands. He therefore hoped that protracted partial and local surrender negotiations might buy time for troops and refugees in the east to seek refuge from the Red Army, whilst holding open a pocket to provide sanctuary on the west bank of the River Elbe.

Dönitz did not think it appropriate to negotiate personally with a field marshal as he had become the head of state following the death of Adolf Hitler. He therefore sent the delegation headed by the new Commander-in-Chief of the German navy Admiral Hans-Georg von Friedeburg. Montgomery refused an initial offer to surrender Army Group Vistula which was being cut off to the east by the Red Army and demanded the unconditional surrender of all forces on his northern and western flanks. The Germans stated that they did not have the authority to accept Montgomery's terms. However they agreed to return to their headquarters to obtain permission from Dönitz.

The German officers returned the next day at 18:00 with an additional delegate, (Colonel Fritz Poleck) representing the Oberkommando der Wehrmacht, (the German armed forces high command). Von Friedeburg was ushered into Montgomery's command caravan for confirmation that they were ready to sign. For the surrender ceremony Montgomery sat at the head of a table with an army blanket draped over it and two BBC microphones in front of him; he called on each delegate in turn to sign the instrument of surrender document at 18.30. The surrender ceremony was filmed by the British Pathé News and recorded for broadcast on radio by the BBC with a commentary by the Australian war correspondent Chester Wilmot. The intimate detail of document translation and conversation interpretation was supervised by one of Montgomery's senior intelligence officers Colonel James Oliver Ewart.

We acquired it from the same family of the WW2 photographer, that had another German sword, surrendered at the same surrender signing, four years ago.

Photo shown in the gallery, that we once had, taken at time of the surrender of this sword, with Field Marshal Montgomery in May 1945  read more

Code: 26139

A Museum Piece, Antique 17th-18th Century Sinhalese Nobleman's Dagger Piha Kaetta, From The Royal Workshops of The King Of Kandy With Fabulous Gold Alloy, Silver, & Carved Black Coral Grip, and Very Unusually With its Original Scabbard.

The knife has being cleaned and conserved in the workshop

From our latest incredible collection of early 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Kandy of Sri Lanka


From the sixteenth century, the Kandyan kingdom was drawn into the Wars of Kotte Succession after the Kingdom of Kotte was divided among three brothers. It was also at this time that the Portuguese Empire intruded into the internal affairs of Sri Lanka, establishing control over the maritime regions of the island and seeking to control its lucrative external trade. During this civil war the Kandyan kingdom almost lost its independence the Kingdom of Sitawaka who occupied it for a decade. The Crisis culminated in the collapse of the Kotte kingdom in 1597 and all of its successor states, including the Sitawaka kingdom. Kandy was the only independent Sinhalese kingdom to survive thus beginning the Kandyan period (1592–1815). Kandyan rulers, in an effort to protect their independence, alternated between resistance and diplomacy when dealing with the Europeans.
In the seventeenth century, the kingdom formed an alliance with the Dutch East India Company to expel the Portuguese from the island. Although the Portuguese were eventually removed, the Dutch double-crossed the Kandyans and retained control of the coastal regions and relations between Kandy and the Dutch became strained. The Kandyans and the Dutch would engage in two wars with the later resulting in loss of all of Kandy's remaining coastal territory, making it a landlocked country.

A single edged robust steel blade with fuller along the back edge. The forte and spine of the blade are heavily encrusted in silver and gold alloy with scrolling foliage, encased on each side with chased silver alloy bolster panels, over the base, decorated with finely chased floral and vine scrolling foliage, with finely carved black coral grip.

The hilt is finely carved and detailed with aliya-pata pattern hilt. The end is encased in a broad rounding of silver and gold alloy that has been chased in high relief with particularly fine Ceylonese scrolling foliage and flower motifs. From this is emitted a rounded tang button. In its wood scabbard with fluted finish and small wood part repaired

These fabulous and beautiful, elaborately decorated knives are the product of the Pattal-hatara (four royal workshops), the blades being supplied by smiths.
This was a mainly hereditary corporation of the best craftsmen who worked exclusively for the king in Kandy. Originally there was only one pattala but this was subsequently divided into sections which included a Randaku pattala (golden sword armoury or workshop). As well as being worn by courtiers, these knives were given by the king to nobles and to the temples. "The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu Golden Arms, the Abarana Regalia, the Sinhasana Lion Throne, and the Otunu Crown these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months.
A related but less ornate example but without a scabbard currently is on display in London’s Victoria & Albert Museum. Also another, later but very similar to ours, with scabbard, in the same Museum, see below link,
Another example is in the Clive Collection (see Archer, 1987, p. 45 for an illustration.). The Clive example was first mentioned in inventories in 1775.
References
Caravana, J. et al, Rites of Power: Oriental Weapons: Collection of Jorge Caravana, Caleidoscopio, 2010.
Hales, R.,
Islamic and Oriental Arms and Armour: A Lifetime’s Passion, Robert Hale CI Ltd, 2013.

De Silva, P.H.D.H & S. Wickramasinghe,
Ancient Swords, Daggers & Knives in Sri Lankan Museums, Sri Lanka National Museums, 2006.

Weereratne, N.,
Visions of an Island: Rare works from Sri Lanka in the Christopher Ondaatje Collection, Harper Collins, 1999.

https://collections.vam.ac.uk/item/O452562/knife-and-sheath/

Occasionally, as we are Great Britain’s leading gallery of our kind, we had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.  read more

Code: 20007

A Superb & Very Rare Original Grouping, 5th to 7th Century Roman & Goth Period 'Ceremonially Folded' Sword, From a Pagan Ritual, A Warrior or Legionary's Spartha Sword, and War Shield Mounts

A very similar find of a Roman sword and shield boss was excavated in Greece last May, and caused a sensation and world news. The 'astonishing' findings have been shared by Errikos Maniotis, an archaeologist at Aristotle University of Thessaloniki in Greece, who believes the man likely served in the Roman imperial army.

'Usually, these types of swords were used by the auxiliary cavalry forces of the Roman army,' Maniotis told Live Science.

'Thus, we may say that the deceased, taking also into consideration the importance of the burial location, was a high-ranking officer of the Roman army.

It's rare to find a 'folded' sword in an urban landscape, let alone in this part of Europe, Maniotis pointed out. The term 'folded' sword describes that it has been believed to have been ceremonially killed and bent, in a pagan rite, to sacrifice the sword from current use, to represent a warrior passing into the afterlife, for it to be used in the afterlife by the warrior, and thus buried with his shield and offerings to the gods. Our sword group is around 1400 to 1600 years old. It was likely recovered more up to two centuries ago, probably a ‘Grand Tour’ find, from the area historically known as Merovingian Roman-Frankish Germany or France. The shield boss and handle have survived remarkably well, naturally the leather covered wooden shield body and sword hilt have rotted away over its 1200 plus years underground. The organic parts of shields and swords simply never survive this great period of time being buried. For example, we know not of a single complete Viking wooden shield in existence today, the only way we know today of their appearance is from ancient texts and poems that have survived. The spatha is a type of straight and long sword, measuring between 0.75 and 1 m , with a handle length between 18 and 20 cm , in use in the territory of the Roman Empire during the 1st to 6th centuries AD. Later swords, from the 6th to 10th centuries, like the Viking swords, are recognisable derivatives and sometimes subsumed under the term spatha.

The Roman spatha was used in war and in gladiatorial fights. The spatha of literature appears in the Roman Empire in the 1st century AD as a weapon used by presumably Germanic auxiliaries and gradually became a standard heavy infantry weapon, relegating the gladius to use as a light infantry weapon. The spatha apparently replaced the gladius in the front ranks, giving the infantry more reach when thrusting. While the infantry version had a long point, versions carried by the cavalry had a rounded tip that prevented accidental stabbing of the cavalryman's own foot or horse.

Archaeologically many instances of the spatha have been found in Britain and Germany. It was used extensively by Germanic warriors. It is unclear whether it came from the Pompeii gladius or the longer Celtic swords, or whether it served as a model for the various arming swords and Viking swords of Europe. The spatha remained popular throughout the Migration Period. It evolved into the knightly sword of the High Middle Ages by the 12th century. Picture of combating Frankish warrior knights using spartha and shields of the same type, from the Stuttgart Psalter.

The Merovingians were a Salian Frankish dynasty that ruled the Franks for nearly 300 years in a region known as Francia in Latin, beginning in the middle of the 5th century. Their territory largely corresponded to ancient Gaul as well as the Roman provinces of Raetia, Germania Superior and the southern part of Germania. The semi legendary Merovech was supposed to have founded the Merovingian dynasty, but it was his famous grandson Clovis I (ruled c.481-511) who united all of Gaul under Merovingian rule. Charles de Gaulle is on record as stating his opinion that "For me, the history of France begins with Clovis, elected as king of France by the tribe of the Franks, who gave their name to France. Before Clovis, we have Gallo-Roman and Gaulish prehistory. The decisive element, for me, is that Clovis was the first king to have been baptized a Christian. My country is a Christian country and I reckon the history of France beginning with the accession of a Christian king who bore the name of the Franks. The Merovingians are featured in the book The Holy Blood and the Holy Grail (1982) where they are depicted as descendants of Jesus, inspired by the "Priory of Sion" story developed by Pierre Plantard in the 1960s. Plantard playfully sold the story as non-fiction, giving rise to a number of works of pseudohistory among which The Holy Blood and the Holy Grail was the most successful. The "Priory of Sion" material has given rise to later works in popular fiction, notably The Da Vinci Code (2003), which mentions the Merovingians in chapter 60 . The ritual 'killing' of swords, such as bending or breaking have been found in thousands of examples of this practice across Europe, indicating that it was a ritual common to all the pan-Celtic tribes. However, although many theories have been postulated, for now the exact significance of this mysterious custom remains unclear. Some suggest it may be for all to know that the blade is not to recovered by grave robbers, or, possibly, the warrior or knight owner has been killed in battle, and thus his sword, as part of him, is also now dead. Or, maybe an offering to the gods of the afterlife. A Merovingian Frankish sword in 'un-killed' condition, is such a rare piece to survive to today, would likely be valued comfortably into five figures £12,000 plus. In May 2021 An iron sword deliberately bent as part of a pagan ritual has been discovered in a Roman soldier's grave in Greece, an archaeologist has revealed.

The deformed or 'folded' sword was buried with an as yet unidentified soldier about 1,600 years ago in the Greek city of Thessaloniki.

His 'arch-shaped' grave was found in the underground remains of a basilica – a large public building and place of worship – dating from the fifth century AD. 'Folded swords are usually excavated in sites in Northern Europe,' he said.

'It seems that Romans didn't practise it, let alone when the new religion, Christianity, dominated, due to the fact that this ritual was considered to be pagan.'

Archaeologists are yet to assess the remains of the soldier, described as likely a 'Romanized Goth or from any other Germanic tribe who served as a mercenary'.

'We don't know anything about his profile – age of death, cause of death, possible wounds that he might have from the wars he fought,' Maniotis said.

The soldier's grave was one of seven found in the basilica, but not all of them were found containing artefacts. in the third century A.D., the Goths launched a series of raids into the Roman Empire. “The first known attack came in 238, when Goths sacked the city of Histria at the mouth of the river Danube. A series of much more substantial land incursions followed a decade later,” writes Peter Heather, a professor at King’s College London, in his book “The Goths” (Blackwell Publishers, 1996).

He notes that in A.D. 268, a massive expedition of Goths, along with other groups also called barbarians, broke into the Aegean Sea, wreaking havoc. They attacked a number of settlements, including Ephesus (a city in Anatolia inhabited by Greeks), where they destroyed a temple dedicated to the goddess Diana.

“The destruction wrought by this combined assault on land and sea were severe, and prompted a fierce Roman response. Not only were the individual groups defeated, but no major raid ever again broke through the Dardanelles,” writes Heather.

The Goths' tumultuous relationship with Rome would continue into the fourth century. While Goths served as Roman soldiers, and trade took place across the Danube River, there was plenty of conflict.

Heather notes that a Gothic group called the Tervingi intervened in Roman imperial politics, supporting two unsuccessful claimants to the emperorship. In A.D. 321, they supported Licinius against Constantine, and in A.D. 365, they supported Procopius against Valens. In both instances this backfired, with Constantine and Valens launching attacks against the Tervingi after becoming emperor.

As contact with Rome intensified, a form of Christianity known as Arianism spread among the Goths.

“In the 340s, the Arian Gothic bishop Ulfilas or Wulfila (d. 383) translated the Bible into the Gothic language in a script based chiefly upon the uncial Greek alphabet and said to have been invented by Ulfilas for the purpose,” writes Robin Sowerby, a lecturer at the University of Stirling, in an article in the book “A New Companion to the Gothic” (Wiley, 2012).
In time, the Goths would adopt the Catholic form of Christianity that came to be used in Rome. ; From a private collection of an English gentleman acquired in the 1940's. As with all our items it comes complete with our certificate of authenticity. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a relative good state and condition. We show in the gallery two photos of the excavated Roman's tomb in Thessaloniki, and the Roman's folded spartha sword. In the photo of the tomb interior one can plainly see the folded sword and shield boss, the shield boss has been crushed flat. Another photograph is of the exhibit in the museum of Nuremberg Germany showing another original spartha sword unfolded and a fully formed shield boss, both are extremely similar to ours.

A sword was still so valued in the much later Norse society that good blades were prized by successive generations of warriors. There is even some evidence from Viking burials for the deliberate and possibly ritual "killing" of swords, a ritual from ancient times, which still involved the blade being bent so that it was unusable. Because Vikings were often buried with their weapons, the "killing" of swords may have served two functions, namely a ritualistic function in retiring a weapon with a warrior, and a practical one in deterring any grave robbers from disturbing the burial in order to get one of these costly weapons. Indeed, archaeological finds of the bent and brittle pieces of metal sword remains testify to the regular burial of Vikings with weapons, as well as the habitual "killing" of sword  read more

Code: 21852