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The Lanes Armoury, View Europe’s Leading Original Samurai Sword Gallery. Plus, 1000’s of Other Magical & Rare To Find Ancient and Vintage Wonders. Another Historic Collection Acquired This Week, Including Amazing, Historical, Royal Naval Collectables

The Lanes Armoury, View Europe’s Leading Original Samurai Sword Gallery. Plus, 1000’s of Other Magical & Rare To Find Ancient and Vintage Wonders. Another Historic Collection Acquired This Week, Including Amazing, Historical, Royal Naval Collectables

View online and in our gallery, hundreds and hundreds of original antique and ancient samurai swords, armour, and spears.

For those of you that are serious maritime collectors, we have the privilege to have acquired a superb and historical 20th century Royal Naval sword, that has just arrived, a stunning named officer’s sword of former member of the tragic HMS Hood’s ships company. HMS Hood was an Admiral-class battlecruiser and the largest warship in the Royal Navy for 20 years. Affectionately known as "The Mighty Hood," she served as a potent global symbol of British power. During World War II, a fatal shell from the German battleship Bismarck struck her in May 1941, causing a catastrophic explosion that claimed 1,415 lives. Probably the most infamous sinking of a British warship in history. A naval tragedy almost beyond comprehension for the people of Britain at the time. On May 24, 1941, HMS Hood and the battleship HMS Prince of Wales intercepted the German battleship Bismarck and cruiser Prinz Eugen in the Battle of the Denmark Strait. During the engagement, a single shell from the Bismarck pierced Hood's armour and detonated her internal magazines. The ship broke apart and sank in just minutes. Tragically, there were only three survivors from a crew of 1,418

A KIA officer whose brother was also part of the Hood’s crew, who was lost at sea in its last great combat sinking. Both brothers were lost at sea in WW2, one on the Mighty Hood, the other, who had earlier transferred off the Hood, to serve as Lt. of a submariner crew, was also lost at sea, in its own tragic sinking off the Italian coast.

At the moment it is being no expense spared cleaned and conserved for future posterity. We are considering adding this sword to be a part of our family collection.

Including lots of other unique treasures, such as, a fabulous, early, and large, polished rock crystal quartz witch ball, with breathtaking internal clarity and patterns.

Our weekly emailer was due out this weekend, however, we were absorbed in the arrival of another collection that consumed all our time sadly, so it will be sent out early this coming week {with some fabulous new pieces}

This week a stunning collection of many superb pairs of 18th century flintlock pistols, and brass barrelled blunderbusses, they will be added to the site over the next week or so after cleaning and museum grade conservation.

Also, to be added this coming week, an 18th century naval midshipman’s dirk, a naval brass barrelled blunderbuss with spring bayonet, a Royal Naval Trafalgar sea service flintlock, a Crimean War sea service percussion pistol, and pair of naval ships captains brass barrelled flintlock pistols, plus, another small collection of original James Bond, Ian Fleming, 1960's Ist editions, added recently, and numerous original WW2 German combat awards, taken as war booty by one of Lt Commander Ian Fleming's 'Red Indians', the 30 Assault Commando's, operation in 'behind the lines' clandestine ops in occupied France. Also, a fabulous Napoleonic 1st Empire library clock designed on the bookcases in Napoleon's palace the Palais Des Tuileries. {This beauty was just sold after one day online}. And, an incredible 500 plus year old samurai sword from one of the great swordsmith lines of the Mino-Den, with an incredibly rare 'Summer Lightning' hamon, only created by the great master swordsmiths. {Also sold the same day it was put online}
Just the other day we further acquired a fabulous, and rare, SOE secret agent's WW2 suitcase transceiver. As used by the legendary, clandestine operatives and heroines of WW2, Odette Churchill and Violette Szabo.

Just the other week one visiting couple from the States, a retired Yale professor and his wife, very kindly remarked:

" We have just spent five weeks travelling the UK, visiting all the great tourist sites, museums and castles, but, nothing, simply nothing, was as amazing and fascinating as the collection your store, congratulations, well done, and keep up the good work"


Thanks to us being so long established here in Brighton we are contacted or visited every day by private families interested in selling their long past collected antiques and antiquities.
Artefacts of all kinds, from all eras and all nations are offered to us every single day. Some collected by their ancestors hundreds of years ago. And this week has been particularly fascinating for the diversity and beauty of our finds.

After more than 55 years personal experience by Mark, the elder partner, in our galleries, since 1971, and David’s 45 years since 1981, we are also regarded by many as Europe’s leading original samurai sword gallery, and probably the leading samurai sword specialists in the world, outside of Japan.
With hundreds of original ancient and antique samurai swords to view and buy online, or, to journey to our world famous gallery in Brighton on a personal visit, 6 days a week.

By train we are just under an hour from Victoria Train Station in London.

It has been said that the Hawkins family, have, in their sword dealing history, handled, bought and sold more original Japanese swords than any other sword dealers outside of Japan since World War I, trading over 100 years, numbering well into the tens or even hundreds of thousands of samurai weapons and artefacts. In one single acquisition alone, in the early 1960’s, David senior {the current partner’s father} purchased, in one collection, over 500 original antique and vintage Japanese swords, and Mark helped to disassemble each and every one of them, and was in charge of stringing together the tsuba sword guards into string mounted loops, 20 at a time. In those days tsuba were more collectable than swords. It was one of Mark’s very first introductions to the workings of the wonderful works of art that make up a complete samurai sword.

He can still remember listening to the very first hit of the Beatles ‘Love me do’ on the radiogram, in late 1963, while stringing together 25 loops of 20 tsuba, before he started school that early morning.

Our close family association with the legendary samurai sword continues unabated. In fact we still know of no better and varied original samurai sword selection, for sale under one roof, anywhere in the world today, outside of Japan, or possibly, even within it. Hundreds of antique pieces for sale to choose from, and some up to an incredible 800 years old.

Why is The Lanes Armoury probably the worlds most popular, original Japanese samurai gallery?
Well, we believe that not only are we the oldest still thriving store of our kind outside of Japan, but we have an entirely historical view of all our samurai artefacts, be they armour, helmets, swords, spears or accoutrements,

We place each piece within its historical context, a unique, holistic view if you like, never concentrating on such as simply the minutiae of blade detail alone {that has never been our forte} but of the entire sword as a work of art, and an example of the worlds highest craftsmanship, and thus it’s potential place within all of over 1000 years of samurai history.

Can they be expensive?
Well, they certainly can appear so, however up to 70% of our completely fitted swords may still be half the price of just a newly made sword blade alone, commissioned from one of the few still remaining fine sword smiths in Japan, and ours could well be up to 500 years old, completely and stunningly fitted in fabulous quality original antique mounts, and potentially used in the past by up to 30 samurai within their own working life and history. And yet, they can still look as good as new.

A samurai sword for example, is in many respects, more the sum of its parts, although always dated by its blade’s vintage, each sword can have amazing koshirae mountings of equal beauty to the blade, displaying the skill of likely the most talented artisans in sword making history, and representing the most intriguing and certainly one of the most popular forms of ancient hand to hand combat in the world today.

For example one of the greatest films ever made in the history of cinema is Akira Kurosawa’s 1954 “Seven Samurai”. A groundbreaking epic of such influence on modern cinemas it is said to inspired more films in its genre than any other film ever made. A well deserved masterpiece of cinema, based entire on a simple single event of legendary samurai combat.

Still today, more incredible films in the genre are made involving the legendary samurai sword than any other, such as some of the billion dollar epics made by the Marvel Universe, that still enthral the worlds movie watching audiences.

There is no other country in the world that continually used the very same form of weaponry, in hand to hand combat, for over 800 years. A samurai sword of around 800 years of age, would be just as recognisable and as usable to any 19th century samurai, or even current exponent of samurai martial arts, if he were alive today.

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris, in order to study and discuss our extensive collection, and he used the same words that are repeated in his book below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Finally, a visit to The Lanes Armoury is considered and remarked upon, by near every single visitor to our store, numbering thousands of people every day, that is is an unforgettable experiance, and every samurai sword buyer is afforded the best possible attention, not just for the time that they may view, choose, and buy a sword, but for as long as they own the sword. We are available for every aspect of ownership to its new owner, essentially, forever. Our world renown 5 Star service knows no time limit.

And be assured, every single item, from a cap badge to a 800 year old ancient samurai sword, to an Ancient Greek solid gold crown, will be accompanied with our unique Certificate of Authenticity. Based on over 100 years and four generations of experience.  read more

Code: 24230

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A Simply Stunning Quality 18th Century Pair of Double Barrelled Side By Side Flintlock Pistols, Most Often The Preserve of Generals During The American Revolutionary War in the 1770’s, and Generals Into the Napoleonic Period

A Simply Stunning Quality 18th Century Pair of Double Barrelled Side By Side Flintlock Pistols, Most Often The Preserve of Generals During The American Revolutionary War in the 1770’s, and Generals Into the Napoleonic Period

They are truly magnificent, in superb condition for age. Made and used from the revolutionary period right through the Napoleonic Wars.

The ideal way to be armed with the firepower of a pair of pistols, in a single hand. However, with a pair of double barrelled pistols, one in each hand, one was the most formidably armed combatant, in hand to hand combat, for both attack, or defence.

The most famous historical military commander in history, Napoleon Bonaparte carried such a pair of double barrelled flintlocks, and was renowned for presenting such pairs to his great marshals and allies.

Very similar to the double barrel pistol once belonging to General Richard Montgomery, hero of the American Revolution. Similarly commissioned and created by a finest gunmaker.

There are several very fine, early, similar quality pairs of double pistols in the Metropolitan Museum, Les Invalides Napoleonic War Museum in Paris, and the Royal Collection

A most fine quality pair of pistols, with a fabulous carved walnut stock and brass mounts. The juglans Regis walnet had superb hand carved florid touches at the barrel breech, in the wondrous Chinoiserie style, made most famous in England by its finest cabinetmaker and designer, Thomas Chippendale.
The wonderful Chinoisserie style influenced everything from architecture, to furniture, to paintings, gun fittings, silver, and clocks.

Twin individual steel barrels. Finest flintlock actions in the most crisp and tight order. Finest scroll Chinoiserie engraving, to match the stock embellishing the steel breech mounts.

This is a stunning pair of double barrelled pistols was a form that were often chosen by the most senior or high status officers, such as the wealthiest and most influential figures, of distinguished families of the 18th century, in both England, France and America.

Such as, for example, General Sir John Cope who had similar such pistols, but decades before. He was one of the commanders of British forces fighting Charles Stuart the so-called Pretender, Bonnie Prince Charlie in Scotland. General Cope was defeated at the Battle of Prestonpans, with a force of around 2500 men, by the army of Prince Charles.

The famed possessor of a pair of double barrel flintlocks, was the aforementioned General, Richard Montgomery, who was a hero of the American Revolutionary War of 1775.
He was a gentleman of Anglo Irish descent who first served in the British Army in the Americas, but through his Whig ideals went on to become one of Washington's loyal Generals. He was on the committee that drafted the Declaration of Independence and led the army into the Invasion of Canada. He died at the Battle of Quebec, in December 1775, after capturing Montreal.

Yet another historic pair, in the fine Queen Anne style, were presented by Captain Hardy to no less a world renowned hero, Admiral Nelson, and they are in the National Maritime Collection (exhibit number E857).
They are inscribed on the silver escutcheon ‘
To Adm. Nelson from his Friend Cpt. Hardy, June 1801.’

Fine quality good size,18th century twin barrel pistols are the most highly collectable of all pistols, and highly scarce.

A picture in the gallery is of the death of General Montgomery at the Battle of Quebec; American general Richard Montgomery's body, that lies in the snow along with a few others, and he is surrounded by his officers, including men in army uniforms and hunting garb. A cannon lies broken in the foreground, and snow and gun smoke swirl around the scene.

Chinoiserie, from 'chinois' the French for Chinese, was a style inspired by art and design from China, Japan and other Asian countries in the 18th century. At its height in Britain from 1750 to 1765, this fanciful style relied more on the designer's and craftsman's imagination than on accurately portraying oriental motifs and ornament. Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of orientalism. The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the rococo style and with works by Francois Boucher, Thomas Chippendale, and Jean-Baptist Pillement. It was also popularized by the influx of Chinese and Indian goods brought annually to Europe aboard English, Dutch, French, and Swedish East India Companies.Though chinoiserie never fully went out of fashion, it declined in Europe by the 1760s when the neoclassical style gained popularity, though remained popular in the newly formed United States through the early 19th century.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 26292

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A Rare Crimean War Issue, P1839 Tower of London Royal Naval Sea Service Pistol, In Spectacular, As issued Condition, With Original Finish, Blue and Stock Varnish. Positively and Profusely Stamped & Ordnance Marked, With Numerous Inspection Marks

A Rare Crimean War Issue, P1839 Tower of London Royal Naval Sea Service Pistol, In Spectacular, As issued Condition, With Original Finish, Blue and Stock Varnish. Positively and Profusely Stamped & Ordnance Marked, With Numerous Inspection Marks

VR Crown Tower lock with date 1855, stock maker marked by the ordnance contractor.
The new Pattern 1839 Sea Service Pistol, was a single shot percussion action sidearm with a captive ramrod, and was adopted for use by the Royal Navy from 1839. This pistol was nearly identical to the Pattern 1839 British Naval Coast Guard Pistol, but with two significant exceptions. First, the calibre was reduced to 26-Bore (about .57 caliber) and secondly, the pistol was mounted with an additional conventional belt hook rather than just the butt swivel. One other change was the elimination of the bolted safety behind the cock.

The list below was of the ships of the Royal Navy, issued with this pistol for use in the Crimean war, alongside their launch dates.
Arrow-class gunvessel
HMS Agamemnon (1852)
HMS Ajax (1809)
HMS Amphion (1846)
HMS Arrogant (1848)
HMS Ardent (1841)
HMS Basilisk (1848)
HMS Beagle (1854)
HMS Belleisle (1819)
HMS Blenheim (1813)
HMS Boscawen (1844)
HMS Britannia (1820)
HMS Calcutta (1831)
HMS Cornwallis (1813)
HMS Cossack (1854)
HMS Cruizer (1852)
HMS Cumberland (1842)
HMS Cyclops (1839)
HMS Dauntless (1847)
HMS Driver (1840)
HMS Duke of Wellington (1852)
HMS Edinburgh (1811)
HMS Euryalus (1853)
HMS Eurydice (1843)
HMS Exmouth (1854)
HMS Gorgon (1837)
HMS Hornet (1854)
HMS Imperieuse (1852)
HMS James Watt
HMS La Hogue
HMS Leander (1848)
HMS London (1840)
HMS Majestic (1853)
HMS Merlin (1838)
HMS Miranda (1851)
HMS Monarch (1832)
HMS Neptune (1832)
HMS Nile (1839)
HMS Odin (1846)
HMS Orion (1854)
HMS Pique (1834)
HMS Prince Regent (1823)
HMS Princess Royal (1853)
HMS Queen (1839)
HMS Rodney (1833)
HMS Royal George (1827)
HMS Sans Pareil (1851)
HMS St Jean d'Acre
HMS Tartar (1854)
HMS Tiger (1849)
HMS Valorous (1851)
HMS Virago (1842)
HMS Vulture (1843)

The 1839 Sea Service pistols, and WD contract Colt Navy revolvers, were also used in service by the Navy and Marines in the Second Opium War in China.The Colt revolvers for use by the officers, and the sailors and Marines, the single shot sea service pistols.
The Second Opium War, which brought English Camp's Royal Marines to Guangzhou, started after the Chinese seized a suspected pirate ship that was registered as a British merchant vessel, and the murder by the Chinese of a French priest. In retaliation, Britain made an alliance with France began destroying Chinese forts and eventually gathered an international force that would include British, French, and American combatants. This war would last for four years and climaxed with the burning and looting of the Summer Palace in Beijing, shortly after the Royal Marines arrived at English Camp. The Americans joined as allied combatants in the war, but didn’t make a formal alliance with the Anglo French force.  read more

Code: 26291

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A Most Beautiful Late Edo Japanese Gilt Lacquer Wooden Samurai Sword and Samurai  Armour Folding Display Stand. Decorated with A Hand Painted White Crane Flying Over A Bamboo Grove. For Ancestral Display of Samurai and Bushido Artifacts.

A Most Beautiful Late Edo Japanese Gilt Lacquer Wooden Samurai Sword and Samurai Armour Folding Display Stand. Decorated with A Hand Painted White Crane Flying Over A Bamboo Grove. For Ancestral Display of Samurai and Bushido Artifacts.

A folding wood and hand painted lacquer sword rack display stand, for the display of three samurai swords and for the area beneath for the decoration of samurai artefacts such as sword fittngs, mempo, abumi, war fans, or, such as beautiful Japanese tea ceremony pieces, early iron water vessels, and tea bowls etc.

See a selection of items shown for illustrative purposes. It may once have also displayed hand painted small portraits of ancestral samurai to honour their past samurai family.

Signed by the artist on both the obverse and reverse side. The hand painted cranes and bamboo are on fine gold leaf covered panels, and show considerable age wear, but this enhances its air of contrived antiquity for the display of early samurai swords, weaponry and artefacts

It has long been the tradition of areas of Japanese art to make for display late Edo pieces, in the much earlier ancient forms and styles. Such as, for example, russetted Higo style iron sword mounts. Actually made in the 18th century, but made to appear as they were ancient iron pieces from many centuries before. In many respects as an homage to much revered ancient Japanese art forms

Naturally it has natural age wear, yet it adds to its overall impression of a function yet beautiful interior display temple for all the elements of Bushido and the samurai arts.

The Crane and Bamboo in Japanese Art. While the crane features heavily in stories of gratitude and supernatural love, the bamboo grove serves as the sacred, serene backdrop in both folklore and classical painting.In traditional Japanese art, the crane and bamboo often appear together to represent resilience, purity, and longevity. Because both bamboo and cranes can endure harsh winter conditions while maintaining their grace, they are considered symbols of perseverance. The bamboo's flexibility and the crane's nobility form a perfect pairing in classical hanging scrolls, such as the famous Edo-period painting Pair of Cranes in Bamboo Grove by Tanomura Chikuden

One very rarely ever see them outside of Japan as their transportation back to England, in the 19th century, using sailing and early steamships may well have been cumbersome and not to mention expensive.  read more

Code: 24455

1125.00 GBP

A Very Good Victorian 92nd Gordon Highlanders Silver Cross Belt Badge

A Very Good Victorian 92nd Gordon Highlanders Silver Cross Belt Badge

92nd Regiment (Gordon) officer's crossbelt badge, silver plated 4 pointed star with St Andrew cross with battle honours, Sphinx below XCII Highlanders, with three threaded screw mounts.

In December 1878, the regiment was ordered to Afghanistan where it was engaged in various security operations following the outbreak of the Second Anglo-Afghan War. In October 1879, it took part in the Battle of Charasiab, where the regiment captured three hills, thereby turning the enemy's flank. Major George White received the Victoria Cross for his part in this action. A further Victoria Cross was won by Lieutenant William Dick-Cunyngham at the Siege of the Sherpur Cantonment on 13 December 1879. At the end of August 1880, the regiment formed part of the force which marched under General Frederick Roberts from Kabul to Kandahar, and at the Battle of Kandahar on 1 September 1880, formed part of the 1st Brigade, which led the advance in sweeping the enemy out of the closely wooded enclosures along the western slopes of the hill on which the village of Gundi Mullah Sahibdad stood.

Instead of returning to the United Kingdom in 1881, the regiment was diverted to Natal to serve in the First Boer War. The regiment participated in the disastrous Battle of Majuba Hill on 27 February 1881. After capturing the hilltop in order to dominate the Boer line, the force of 350 British soldiers of the 58th and 92nd Regiments including a number of Royal Navy gunners, found themselves exposed to heavy and accurate fire early on the following day. This was followed by an assault by 2,000 Boers; despite a desperate last stand, the survivors were swept from the summit.  read more

Code: 16705

185.00 GBP

A Superb Victorian Hampshire Regt. Officers Full Dress Belt and Belt Plate One of the Best Examples We Have Ever Seen

A Superb Victorian Hampshire Regt. Officers Full Dress Belt and Belt Plate One of the Best Examples We Have Ever Seen

A most scarce pattern of Victorian Hampshire regimental waist belt In 24 carat gilt and gold bullion, over red Morocco leather. Very few of these beautiful quality belts survive complete, and this is a truly exceptional one. Manufactured by Potter of London. Known as the Hampshire Tigers, the buckle bears the symbols of the Indian Tiger, and the Rose plucked from the Battle of Minden. The Hampshire Regiment was formed on 1st July 1881 when The 37th (North Hampshire) Regiment of Foot and The 67th (South Hampshire) Regiment of Foot were merged as part of the Childers reforms. Portrait miniature of an officer of the 37th or North Hampshire Regiment of Foot in the gallery for reference not included

The 37th Regiment of Foot was first formed in 1702 and as was the tradition at the time named ?Meredith?s Regiment? after Thomas Meredith, the Colonel of the Regiment who raised it in Dublin. The Regiment then served in various campaigns including The War of Spanish Succession (1704-1710) and The War of the Austrian Succession (1740?1748). In 1745 The Regiment returned to England when Bonnie Prince Charlie (the grandson of the deposed James II) landed in Scotland, attempting to regain the crown lost to the Stuart family in 1688 and incited the Jacobite Rising. The Regiment fought for the Hanoverian King George II at the Battles of Falkirk and Culloden. In 1751 the Regiment became The 37th Regiment of Foot as part of a scheme to simplify the naming system of British Army Regiments. The Regiment was once again involved in foreign campaigns including, The Seven Years War (1756?1763) and The American War of Independence (1775-1783). In 1783 The 37th became The 37th North Hampshire Regiment in order to aid recruitment. The Regiment was involved in various campaigns including The Peninsular War and The First War of Indian Independence.
The 67th Regiment of Foot was initially the 2nd Battalion of the 20th Foot but detached in 1758 and became the 67th of Foot. The Regiment saw its first action on the aborted expedition to capture St. Malo in 1758. It was part of the force sent to capture Belle Isle during the Seven Years War, also served in The Spanish invasion of Portugal 1762 and was stationed in India from 1805 after the Second Anglo-Maratha War and participated in The Third Anglo-Maratha War (1817?1818), remaining in India for 21 years. In 1783 The 67th became The 67th South Hampshire Regiment in order to aid recruitment. The Regiment was further involved in foreign campaigns including The Second and Third China Wars (1857-1865) and The Japan Expedition (1862?1864).The 67th return to England after 21 years and authorisation to carry the Royal Bengal Tiger on the Regimental Colours
In February 1826, after spells in Sholapore and Poona, the regiment was sent to Rangoon to reinforce British troops engaged in the Burmese war.
Both Regiments were amalgamated in 1881 as part of the Childers Reforms and became the Hampshire Regiment. The Childers Reforms restructured the British army infantry Regiments. The newly formed Regiment engaged in various foreign campaigns including; Secunderabad (1886-1888), Burma (1888?1891), South African War (1899?1902), and two World Wars.  read more

Code: 21180

295.00 GBP

Fabulous, Historical Service Issue 1856-8 Two Band Enfield Yataghan Sword Bayonet Used With P1853 Enfield Rifles In The Indian Mutiny, The Opium War in China, The American Civil War, 1861-65 & The Japanese Boshin War & The Satsuma Rebellion

Fabulous, Historical Service Issue 1856-8 Two Band Enfield Yataghan Sword Bayonet Used With P1853 Enfield Rifles In The Indian Mutiny, The Opium War in China, The American Civil War, 1861-65 & The Japanese Boshin War & The Satsuma Rebellion

All came to us from the collector who bought them in Japan from another collector, so by definition they conclusively were used in all of those campaigns, as the Japanese bought them for the Boshin War, from the American's who purchased them from Britain for the Civil war as army surplus after we had retired them from our war service in India, China, & Burma.

Absolutely bright as a button, hand polished and conserved, for the next 200 years, in our workshop.

The temporary photographs in the gallery are of another, but identical pattern of bayonet from the collection. The bayonet offered here for sale is in a little better condition than the one in the current photographs, without leather repairs, and it has just returned from the workshop. Photos of it will be added after the weekend, from the 29th December

This bayonet was part of a stunning collection of probably the most historical, service issue, bayonets ever used in the 19th century, and this one of these very bayonets was used in combat over five different campaigns, covering four continents, by five different combatant armies. One British, two American {North and South} and two Japanese {Imperial and Anti Imperial Samurai} . All from a Japanese source {decades ago} and are to be sold separately, most with scabbards, some without. Many have already been sold over the past few weeks

Original ordnance stamps and inspection marks abound, and regimental gun rack number on the hilt {possibly American}.

The rifle that this sword bayonet was designed for the P1853 two band Enfield rifle, and was first used in the late Indian Mutiny at the "Seige and Relief of Lucknow". With a chequered leather grip with rivets, and screw affixed retaining spring. Good, long, Yataghan blade in bright polish. Excellent leather.
The regiments that used this bayonet sword also took part in the Second Opium War in China, the Third Anglo-Burmese War, and this bayonet, along with tens of thousands of other service issue rifles and bayonets, were then sold to America in the Civil war, purchased by both the North, and the South. {See photos in the gallery of Union and Confederates with the Enfield rifles and their yataghan bayonets.}
Then after the Civil War thousands of Confederate purchased Enfields were sold to Japan's Tokugawa Shogunate, and used in the Boshin war, and their Satsuma Rebellion by the samurai anti imperialist army.

A quote from a Confederate officer's diary,
"Every short two-band Enfield which came into possession of any of our men was taken away and given to these men sharpshooters ... But there were not enough and some of them had the common long Enfield."
It would appear that by mid-war in the Confederate Service, while the infantry was provided with the longer rifle-muskets where possible, the shorter rifles (US or Enfield) were preferred for use by the Cavalry:

Gen. Basil Duke noted of Morgan's Cavalry, they did not even like the American shorter carbine length muzzle loaders (musketoons):

"Morgan's Cavalry in the west preferred the British arm they called the "medium Enfield" the two band rifle. The short Enfield carbine they found convenient to carry, but deficient in range and accuracy. The long-Enfield (three band) they found inconvenient to carry, and difficult to use (as was sometimes necessary) on horseback. Regardless, in that command one company had the long Enfield, another the short, and another the medium.

We bought the entire small collection from the widow of a 'best of British Empire rifles and bayonets, plus French and German bayonets collector’, who acquired them over the past 40 plus years, and only ever kept the very best he could afford to keep. Act fast they are selling really fast, three rifles and eight bayonets and a cutlass have sold in two days alone. Top quality and condition,19th and 20th century scarce British French and German collectables are always the most desirable of all. These Victorian British made bayonets were all used in the above mentioned conflicts, including this one offered here, that were eventually sold to Japan, via a very circuitous route, by America, who in their turn had purchased them from England for the American Civil War. This one and all of the others were acquired by our English collector, from a former Japanese collector of Boshin War and Satsuma Rebellion militaria some decades ago.

They are perfect historical examples of just how far traveled British made arms and bayonets were, journeying around the world in their combat service lifetime.

The Confederates imported more Enfields during the course of the war than any other small arm, buying from private contractors and gun runners and smuggling them into Southern ports through blockade running. It has been estimated that over 900,000 P53 Enfields were imported into America and saw service in every major engagement from the Battle of Shiloh (April 1862) and the Siege of Vicksburg (May 1863), to the final battles of 1865. The gun was highly sought after in the Confederate ranks. According to a survey taken by British officials during the early stages of war on the arms of the Western Confederate Forces, nearly 70% were armed with smoothbore arms, such as the Model 1842 Springfield. Later in the war the same survey was taken, they found that more than 75% had acquired a rifle, mainly the Pattern 1853 Enfield.

The P53 Enfields capabilities were largely lost by the lack of marksmanship training by both the Union and Confederacy. Most soldiers were not trained to estimate ranges or to properly adjust their sights to account for the "rainbow-like" trajectory of the large calibre conical projectile. Unlike their British counterparts who attended extensive musketry training, new Civil War soldiers seldom fired a single cartridge until their first engagement. After the end of the war, hundreds of formerly Confederate Enfield 1853 muskets were sold from the American arms market to the Tokugawa shogunate, as well as some prominent Japanese domains including Aizu and Satsuma. These units were later used in the Boshin War, and some remaining in Satsuma were also used by rebelling former samurai in the Satsuma Rebellion about a decade later.

The end of the American Civil War in 1865 had made a huge number of obsolete percussion muzzleloading rifles and rifle muskets available on the secondary market from international arms traders like Schuyler, Hartley & Graham. While these guns were being replaced with modern metallic cartridge breechloaders in most of the world, a muzzleloading Enfield pattern rifle or rifle musket was a huge technological advantage against the traditional smoothbore Tanegashima-tsutsu matchlocks in Japan. Other firearms found their way into Japan through western traders as well, ranging from Spencer Carbines to Smith & Wesson Model No 2 revolvers, and everything in between. The traders were only too happy to arm what was looking to be a Japanese civil war. It is also worth noting that there is the possibility that these bayonets, in addition to almost certainly being used by pro-Imperial forces during the Meiji Restoration of 1868-1869, may well have seen use again during the Saga Uprising of 1874 by the anti-Imperial rebels in that province. Photos in the gallery show an 1860’s Japanese anti Imperial samurai rebels armed with an Enfield rifle, with its Yataghan long sword-bayonet upon his belt,

The generic photos show the scabbard with leather repair this scabbard has no repairs

Priced for UK mainland delivery only. For export delivery, please POA  read more

Code: 26002

345.00 GBP

A Rare, Antique, Kamakura, {鎌倉時代}, Kamakura Jidai, 1185–1333 Style, Ageha 'V' Shaped 'Swallow Tail' Arrow Of Yadake Bamboo, With Sea Eagle Flights and Steel Head

A Rare, Antique, Kamakura, {鎌倉時代}, Kamakura Jidai, 1185–1333 Style, Ageha 'V' Shaped 'Swallow Tail' Arrow Of Yadake Bamboo, With Sea Eagle Flights and Steel Head

The ageha swallow tail arrows of this type appear mostly in the Kamakura period, the head may indeed be from that period, and the early eagle feathers are now considerably worn. Experienced Kamakura archers were allowed to use arrows with the V-shaped swallowtail prong {ageha}. If armour is struck, it will splinter, so, the optimum target for a lethal blow on any opponent, wearing full traditional samurai armour (O-Yoroi), is the space just beneath the helmet visor that is often bare. It was once told to us by a very aged and respected Japanese sensei visitor, who was a master of Yabusame mounted archery, that to hit a samurai at the bridge of the nose, beneath his kabuto helmet peak, with the swallowtail ageha ya, it would penetrate both eyes at once. It may not be instantly lethal but the samurai would be immediately blinded, and thus have no function in combat. The samurai’s Ya could also be made with tamehagane steel, the same as used for swords, with similar tempering, despite potentially being a ‘fire and forget’ weapon, used only once for barely a minute of combat for each arrow.

In the post Kamakura era, in the Edo period, the swallow tail arrow was changed slightly and used with two interior sharpened edges, and its use was changed to cut the retaining straps of cuirass armour and the like.

The arrows are made using yadake bamboo (Pseudosasa Japonica), a tough and narrow bamboo long considered the choice material for Japanese arrow shafts. The black {now faded to brown} and white feather flights {hane} are likely Steller's sea eagle feather. Period 1599 -1863.Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers. Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of some archery in battle. In the Edo period archery was also considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai.

Picture 8 in the gallery shows a different arrow head, but the same form of elongated tang, similar to yari, is used to hold the arrow head firmly in place. Some are signed by the smith. Naturally this ageha head cannot be removed to show this.

THE LANES ARMOURY, THE PREMIER HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES , MILITARY ARMOURY ANTIQUES & COLLECTABLES IN BRITAIN  read more

Code: 25808

465.00 GBP

A Simply Wondrous, And An Absolute Beauty of a Cased, Double Barrelled Percussion Sporting Gun, Tools, Powder Flask Cleaning Rod, Nipple Key, Ramrod With Multi Heads, Turnscrew Etc. Bespoke Made Circa 1835. Maker to The King. W Parker Master Gunsmith

A Simply Wondrous, And An Absolute Beauty of a Cased, Double Barrelled Percussion Sporting Gun, Tools, Powder Flask Cleaning Rod, Nipple Key, Ramrod With Multi Heads, Turnscrew Etc. Bespoke Made Circa 1835. Maker to The King. W Parker Master Gunsmith

A magnificent original set, that would cost today, to be bespoke custom hand made, in excess of £125,000. the hand engraving alone is simply breathtaking.

A finest, King William IVth period, original cased English double Damascus barrelled sporting gun by one of England's pre-eminent makers of the 19th century, William Parker of 233 High Holborn, gun maker to Prince Edward, to King William IV (1830-1837) and the Duke of Kent. The whole gun's mounts are hand engraved with superlative skill and expertise, it features, pheasants, a gun dog, dolphin hammers a stunning pineapple finial to the trigger guard and profuse scrolling arabesques. The stock is the finest Juglans Regia walnut and the mahogany case bears its original baize lining and maker label. It is fully fitted throughout with essential equipment and tools including a signed copper powder flask, a shoulder mounted bandolier type shot flask, a percussion cap tin, a gun fitted ram rod, and a separate case ram/cleaning rod, oil bottle, and a most rare shot-pouring funnel, nipple key and screw driver. To replace such a fine hand made gun today, likely only Purdey or Boss of London could have the skills required to replicate it. A fine engraved Purdey side by side, with a pair of Damas barrels, costs today £113,500, with an 18 months to 2 year waiting time, and additional costs for casing and tools. When John Field died in 1791, William Parker went into partnership with his widow (name not known), and they traded as Field & Parker. John Field had been a goldsmith, sword cutler and gun maker at 233 High Holborn from 1783 to 1791, trading under his own name and also as Field & Co and Field & Clarke (William Clarke of Duke Street, Portland Place). In 1793, William Parker bought John Field's widow's share of the partnership. From that date he ceased being a goldsmith. In 1803, on John Brown's bankruptcy, he appears to have bought the rights to Joseph Hall's "New Invented Hammer" patent (No. 2573 of 1802 - waterproof primer and steel)from John Brown, and he used George Dodd's 1805 patented lock. In 1803 he started to supply the London Police Offices with guns. In 1804 William Parker became a Contractor to Ordnance. In 1806 Parker opened additional workshops at 22 Chamber Street, these moved in 1808 to 52 & 31-32 Chamber Street.

In 1814 the firm rented additional production facilities at John Stinton's workshops in Glasshouse Yard. In about 1814 William Parker's daughter, Mary, married John Field Jnr. From 1820 to 1826 William was recorded at 60 Theobalds Road (workshop). In 1829 William Parker started to supply guns to the Metropolitan Police (London Police Offices re-named). At some time William Parker became gun maker to Prince Edward, then to King William IV (1830-1837) and the Duke of Kent. In 1833 William became a contractor to the East India Company, and in 1837 a contractor to the Hudson's Bay Company. The double-barrelled sporting gun was seen as a weapon of prestige and authority, especially in the days of the East India Company and the later Raj in India, where it was known as Dunali (literally "two pipes"). It was especially valued in Bihar, Purvanchal, Uttar Pradesh, Haryana and Punjab

In 1838 Ordnance contract ended and the firm moved their workshops to 10 Chamber Street. In 1841 William Parker died, aged 68, and John Field Jnr and his sons trading as Parker, Field & Sons took over. This fabulous gun is in overall excellent condition. As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 22880

9995.00 GBP

Ancient Roman Gladiator's Aes Corinthiacum Bronze Ring, Of A Colosseum Barbary Lion Late Old Republic Era To Early Empire Period. Over 2000 Years Old. Made & Used From the Reigns of Julius Caeser to Emperor Trajan

Ancient Roman Gladiator's Aes Corinthiacum Bronze Ring, Of A Colosseum Barbary Lion Late Old Republic Era To Early Empire Period. Over 2000 Years Old. Made & Used From the Reigns of Julius Caeser to Emperor Trajan

Over 2000 years old. Unusually it is a good wearable size. UK size R

*Corinthian bronze, also named Corinthian brass or aes Corinthiacum, was a metal alloy in classical antiquity. It is thought to be an alloy of copper with gold or silver (or both), although it has also been contended that it was simply a very high grade of bronze, or a kind of bronze that was manufactured in Corinth.

The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring. Gladiators rings would be intaglio engraved depicting the exotic and fearsome beasts they fought, such as Lions, Tigers, Bears, Rhinocerous or even Sharks in giant water tanks complete with ships, or, armoured gladiators in combat. Could one imagine simply the logistics of transporting live sharks from the sea into the middle of Rome, it is simply astounding.

Julius Caesar (though he was never officially an emperor, he held the title of dictator perpetuo and is often considered the precursor to the imperial system)
The Julian Dynasty
Augustus (also known as Octavian, he was the first official emperor, reigning from 27 BC to AD 14)
Tiberius (reigned from AD 14 to 37)
Caligula (reigned from AD 37 to 41)
Claudius (reigned from AD 41 to 54)
Nero (reigned from AD 54 to 68)
The year of the 4 emperors, preceded by reign dates.
June 68 - Jan 69: Galba
Jan 69 - Apr 69: Otho
Apr 69 - Dec 69: Vitellius

The Flavian Dynasty
69 - 79: Vespasian
79 - 81: Titus
81 - 96: Domitian

The Nerva-Antonine Dynasty
96 - 98: Nerva
98 - 117 a.d.: Trajan

The Gladiators from Caeser to Trajan
In 65 BC, newly elected curule aedile Julius Caesar held games that he justified as munus to his father, who had been dead for 20 years. Despite an already enormous personal debt, he used 320 gladiator pairs in silvered armour. He had more available in Capua but the senate, mindful of the recent Spartacus revolt and fearful of Caesar's burgeoning private armies and rising popularity, imposed a limit of 320 pairs as the maximum number of gladiators any citizen could keep in Rome. Caesar's showmanship was unprecedented in scale and expense; he had staged a munus as memorial rather than funeral rite, eroding any practical or meaningful distinction between munus and ludi.

Gladiatorial games, usually linked with beast shows, spread throughout the republic and beyond. Anti-corruption laws of 65 and 63 BC attempted but failed to curb the political usefulness of the games to their sponsors. Following Caesar's assassination and the Roman Civil War, Augustus assumed imperial authority over the games, including munera, and formalised their provision as a civic and religious duty. His revision of sumptuary law capped private and public expenditure on munera, claiming to save the Roman elite from the bankruptcies they would otherwise suffer, and restricting gladiator munera to the festivals of Saturnalia and Quinquatria. Henceforth, an imperial praetor's official munus was allowed a maximum of 120 gladiators at a ceiling cost of 25,000 denarii; an imperial ludi might cost no less than 180,000 denarii. Throughout the empire, the greatest and most celebrated games would now be identified with the state-sponsored imperial cult, which furthered public recognition, respect and approval for the emperor's divine numen, his laws, and his agents. Between 108 and 109 AD, Trajan celebrated his Dacian victories using a reported 10,000 gladiators and 11,000 animals over 123 days.

*Pliny the Elder distinguished it into three kinds, depending on the metal that is added to the copper base: in the first, gold is added (luteum); in the second, silver (candidum); in the third, gold, silver, and copper are equally blended. Plutarch and Cicero both comment that Corinthian bronze, unlike many other copper alloys, is resistant to tarnishing, and the ring certainly appears to have resisted tarnishing at the bottom two thirds of the intaglio seal engraving.  read more

Code: 25491

895.00 GBP