A Superb Zulu War Period Near Mint British, Pattern of 1876, Martini-Henry Socket Bayonet ( Long Lunger, ) Original Blue Finish Socket and Perfect Bright Polish , In Near Mint Scabbard

The Martini-Henry socket bayonet, officially designated as the "Bayonet, Rifle, Breech-Loading, Martini-Henry, Common, Long" but famously nicknamed the "Lunger" by Victorian soldiers, is one of the most iconic pieces of British militaria. It was specifically engineered to complement the Martini-Henry rifle, extending the weapon's reach during 19th-century, in the Zulu War and all the usual colonial campaigns.

The most desirable Martini Henry are the MK I's and the MKI-II's, The very types of Martini short Lever rifle as were used by the 24th Foot at Ishandwhana and Rorke's Drift, and then later in the Afghan War and several conflicts against the Mahdi in the Sudan. They were even also used up to WW1 by some colonial regiments. This is a very fine early original ordnance contract example, best line regiment issue

This rifle's bayonet was made at one of the ordnance arms workshops and is a truly exceptional and beautiful example, and in very good operational order indeed with an excellent finish.

The Martini Henry, .450 577 rifle was most famous British Infantry breech loading rifle of the 19th century. This rifle is just as were used in the film ZULU, and the exact model type as was used during the Zulu War, a much superior condition stunning example.

The Martini-Henry breech-loading rifle, firing
cartridges, was the primary British infantry weapon during the 1879 Anglo-Zulu War, crucial at battles like Rorke's Drift. While capable of 12–20 rounds per minute, it suffered from overheating and jamming due to gunpowder residue, leading to severe recoil and performance issues in sustained, close-range combat.
Key Aspects of the Martini-Henry in the Zulu War
Weapon Specifications: The Mark II was the most common model used alongside with the earlier issue, rare, MK I-II, featuring a short lever-action breech block and often a 25-inch socket bayonet essential for melee.The rifle was accurate and long-ranged, but produced heavy smoke. Continuous firing caused excessive heating and fouling, forcing soldiers to use cleaning rods to dislodge stuck, fired cartridges.

At Rorke's Drift, disciplined volleys from the Martini-Henry enabled a small force to hold off large Zulu numbers. However, ammunition shortages and jamming issues contributed to the disaster at Isandlwana.
Soldiers were often only issued 70 rounds, which was insufficient during sustained Zulu attacks.
Bayonet Use: The long bayonet was crucial, as the rifle was 4ft 9in long, giving soldiers a vital range advantage in close-quarters fighting.

The weapon was well-regarded for its power but required careful maintenance, which was difficult during the heat of the conflict

The Martini-Henry, that dates to around 1875-79, was the breech-loading lever-actuated rifle adopted by the British, combining an action worked on by Friedrich von Martini (based on the Peabody rifle developed by Henry Peabody), with the rifled barrel designed by Scotsman, Alexander Henry. It first entered service in 1871 replacing the Snider-Enfield, and variants were used throughout the British Empire for 30 years. It was the first British service rifle that was a true breech-loading rifle using metallic cartridges.
During the Martini-Henry period in service, the British army were involved in a large number of colonial wars, most notably the Anglo-Zulu War.

The Martini Henry, 450-577, Short Lever, MK I converted MK II or the regular MK II rifle was the type used by the company of the 2nd Battalion, 24th Regiment of Foot present at Rorke's Drift during the eponymous battle. The MK I originally had a small design fault in that the actions hinge pin was initially made of brass, which was too soft for continual use. The rare and early MKI's were thus converted by removing this pin, replacing it with a steel pin, and then redesignated the MKI-II.

The Martini Henry were later used throughout the British Empire, as this one clearly was as well. In fact the Martini Henry was such a good rifle many survived to be used in WW1 by some colonial regiments.

Th great rifle, after its front rank line regimental service use,
As with all our original antique arms, no licence is required to own, purchase or to collect anything of that description we sell. They, and all of these long guns, are entirely unrestricted to own, collect, and display just as they are, however, we are only permitted to sell to those who are over 18 of age with suitable I.d.  read more

Code: 26359

A Very Fine Koto Samurai 500 Year Old Sword With Rare 'Rabbit Ears' Choji Hamon and Sukashi Tsuba Designed for The 月の兎, Tsuki no Usagi, The Japanese Moon Rabbit, Written in the Konjaku Monogatarishū, 1000 Poems Written in the Heian Period, 794-1185

A stunning Koto period sword, of museum quality created around 1550 around 500 years ago, with all its original Edo period koshirae. The blade has an intense and dramatic deep choji hamon that occupies over one third of the blade, and half way down the blade from the kissaki, emerging from the amazing and remarkable deep choji design, is the Moon Rabbit, with its long and pronounced ears, conversing with its companion, the fox, with its bushy tail. Within the incredibly vibrant and complex hamon, it is possible, is concealed their other companion, the monkey.

Red and black speckled urushi lacquer saya, black silk tsukaito wrap over gilt and bronze Samurai menuki, and a wondrous early Edo iron mokko sukashi tsuba depicting the Moon Rabbit gold shakudo koshirae with relief flowers.

Elegant deep sweeping Sori with good Funbari.

The Edo sukashi tsuba depicts the fully pierced design, within the large iron tsuba, of Tsuki no Usagi, the moon rabbit, beneath a gold full moon

The Japanese moon rabbit (月の兎, Tsuki no Usagi)

Early samurai warriors revered the moon rabbit (known as Tsuki no Usagi or Gyokuto) because it perfectly embodied the most sacred virtues of their strict warrior code, Bushido, alongside vital tactical attributes for the battlefield. Far from being just a cute folklore character, the rabbit was a potent, formidable symbol of ultimate self-sacrifice, speed, agility, and forward-moving determination

To the samurai, this narrative was the ultimate expression of loyalty and selflessness. A warrior was expected to lay down his life for his lord (daimyo) and his honour at a moment's notice without hesitation. The rabbit represented a fearless embrace of death for a higher duty.

Biologically, rabbits are known for jumping and running forward, finding it difficult to move backward easily. This physical trait was translated by the warrior class into a martial philosophy of relentless forward momentum. Just like the dragonfly (another popular samurai motif), the rabbit symbolized a warrior who never retreats on the battlefield. The moon was a symbol of clarity, enlightenment, and divine protection. By wearing a moon rabbit themed sword or a kabuto helmet with a moon rabbit crest, a samurai was channeling the mystical, shifting power of both the moon and the sea to overwhelm their enemies

The earliest known version of the story in Japan appeared in the Konjaku Monogatarishū, a collection of 1,000+ poems written late into the Heian period (794–1185). Since then, stories of the moon rabbit have graced Japanese folklore and Buddhist mythology.

The myth of the rabbit in the moon is very ancient. The earliest written version comes from the Jātaka tales, a 4th century BCE collection of Buddhist legends written in Sanskrit. The legend was brought along with Buddhism from India to China, where it was blended with local folklore. It came to Japan in the 7th century CE from China, where it was again adapted and adjusted to fit local folklore.

The Japanese word for pounding mochi in a mortar like the rabbit is doing—餅搗き (mochitsuki)—and the word for the full moon—望月 (mochitsuki)—are homophones.

Legends: The Japanese version of the Sanskrit tale appears in Konjaku monogatarishū. A fox, a monkey, and a rabbit were traveling in the mountains when they came across a shabby-looking old man lying along the road. The old man had collapsed from exhaustion while trying to cross the mountains. The three animals felt compassion for the old man, and tried to save him. The monkey gathered fruit and nuts from the trees, the fox gathered fish from the river, and they fed the old man. As hard as he tried, the rabbit, however, could not gather anything of value to give to the old man. Lamenting his uselessness, the rabbit asked the fox and monkey for help in building a fire. When the fire was built, the rabbit leaped into the flames so that his own body could be cooked and eaten by the old man. When the old man saw the rabbit’s act of compassion, he revealed his true form as Taishakuten, one of the lords of Heaven. Taishakuten lifted up the rabbit and placed it the moon, in order that all future generations could be inspired by the rabbit’s compassionate act. The reason it is sometimes difficult to see the rabbit in the moon is because of the smoke which still billows from the rabbits body, masking his form somewhat.

Overall the sword is in super condition, and the hamon is noticably spectacular with thin natural aged lamination lines in areas. The tsukaito is excellent, the tsuba faultless and the fuchi is in shakudo with pure overlaid gold flower heads, also in superb condition, the kashira bears a round clan mon, possibly with a bird within, but now difficult to interpret due to age.  read more

Code: 26358

Superb Early to Mid Edo, Museum Quality Samurai War Helmet Kabuto, by Nobutada. 21 'Helmet Skull Bowl Plates', With Carved Wood & Gold 月の兎, Tsuki no Usagi Moon Rabbit Maedate & Clan Mon of the Sakai Clan, & “Fierce Face” Ressai, Face Armour

A truly fabulous, original, signed Edo samurai's antique kabuto, war helmet, worthy of a museum display, the best samurai or Japanese art collections, or as a single 'statement' piece for any home.
This is, without doubt, one of the most beautiful and fine original antique samurai war helmets, kabuto, we have seen for a jolly long time. Helmets of such beauty and quality as this can be prized and valued as much as a complete original samurai armour.

The imposing beauty of the helmet is entrancing, and the menpo {the moustached, grimacing expression face armour} sets it off superbly with a most intimidating presence. When this was worn by its fierce-some armoured samurai he must have looked spectacularly impressive.

A 21 plate goshozan sujibachi kabuto, with ressei {fierce face } mempo face armour.

Probably a 17th-18th century, 21 ken plate, Sujibachi, which is a multiple-plate type of Japanese helmet skull bowl with raised ridges or ribs showing where the 21 tate hagi-no-ita (helmet plates) come together creating the main skull bowl bachi, and culminating at the multi stage tehen kanamono finial, with the fukurin metal edges on each of the standing plates.
The mabisashi peak is lacquered and it has a four-tier lacquered iron hineno-jikoro neck-guard laced with gold, and the skull is surmounted by a gilt-lacquered wood leaping animal, the maedate (forecrest), depicts the 月の兎, Tsuki no Usagi Moon Rabbit, the Fukigaeshi small front wings shows the mon crest symbol of a plain form katabami mon {the wood sorrel flower}.

The story and representations of the Japanese moon rabbit (月の兎, Tsuki no Usagi)

Early samurai warriors revered the moon rabbit (known as Tsuki no Usagi or Gyokuto) because it perfectly embodied the most sacred virtues of their strict warrior code, Bushido, alongside vital tactical attributes for the battlefield. Far from being just a cute folklore character, the rabbit was a potent, formidable symbol of ultimate self-sacrifice, speed, agility, and forward-moving determination

To the samurai, this narrative was the ultimate expression of loyalty and selflessness. A warrior was expected to lay down his life for his lord (daimyo) and his honour at a moment's notice without hesitation. The rabbit represented a fearless embrace of death for a higher duty.

Biologically, rabbits are known for jumping and running forward, finding it difficult to move backward easily. This physical trait was translated by the warrior class into a martial philosophy of relentless forward momentum. Just like the dragonfly (another popular samurai motif), the rabbit symbolized a warrior who never retreats on the battlefield. The moon was a symbol of clarity, enlightenment, and divine protection. By wearing a moon rabbit themed sword or a kabuto helmet with a moon rabbit crest, a samurai was channeling the mystical, shifting power of both the moon and the sea to overwhelm their enemies

It's one of popular kamon that is a design of the flower of oxalis corniculata.
The founder of the clan that chose this flower as their mon had wished that their descendants would flourish well. Because oxalis corniculata is renown, and fertile plant.
the mon form as used by clans such as the Sakai, including daimyo lord Sakai Tadayo

One of the great Sakai clan lords was Sakai Tadayo (酒井 忠世, July 14, 1572 – April 24, 1636). He was a Japanese daimyō of the Sengoku period, and high-ranking government advisor, holding the title of Rōjū, and later Tairō. You can see his image in the gallery wearing the very same form of war helmet kabuto.

The son of Sakai Shigetada, Tadayo was born in Nishio, Mikawa Province; his childhood name was Manchiyo. He became a trusted elder (rōjū) in Toyotomi Hideyoshi's government, alongside Tokugawa Ieyasu. Under Hideyoshi, he was made lord of Kawagoe Castle (in Musashi Province, today Saitama Prefecture) and later of Nagoya Castle in Kyūshū's Hizen Province. In 1600, in the lead-up to the decisive Sekigahara campaign, he fought against the Tokugawa at Aizu, and submitted to them at the siege of Ueda. Thus, having joined the Tokugawa prior to the battle of Sekigahara itself, Sakai was made a fudai daimyō, and counted among the Tokugawa's more trusted retainers. He served under Ieyasu for a time, and under the second shōgun, Tokugawa Hidetada, as a hatamoto.
The lacquered iron menpo (face mask) with four-lame yodarekake face armour. The kabuto is signed on the interior Nobutada saku Nobutada made this

After the introduction of firearms, smoke blanketed many battlefields, causing confusion for the troops. So they could be more readily identified, samurai began to wear helmets with elaborate ornaments at the front, back, or sides, often featuring an intricate crest (maedate).

In their quest for unique and meaningful armour, samurai turned to nature, folklore, or religion for inspiration. Whatever the source, they selected designs for their armor that would set them apart and communicate their personality and beliefs, whether whimsical, frightening, or spiritual.

An antique woodblock print in the gallery, likely of Sakai Tadayo, showing his same form of war helmet kabuto, decorated with his same Sakai clan mon of the katabami, and he also has a leaping animal, gold covered carved wood, as his maedate helmet crest as has ours. And he has the same 'fierce face' mempo face armour with the very same style of elaborate, pronounced moustache.

The Fukigaeshi on the left facing side of the helmet shows the mon crest symbol of a plain katabami mon but small surface lacquer area partly missing. There are very small age nicks to the helmet lacquer. It has its original helmet lining but most removed back to reveal the signature.

The story of the Moon Rabbit

The Japanese tale appears in Konjaku monogatarishū. A fox, a monkey, and a rabbit were traveling in the mountains when they came across a shabby-looking old man lying along the road. The old man had collapsed from exhaustion while trying to cross the mountains. The three animals felt compassion for the old man, and tried to save him. The monkey gathered fruit and nuts from the trees, the fox gathered fish from the river, and they fed the old man. As hard as he tried, the rabbit, however, could not gather anything of value to give to the old man. Lamenting his uselessness, the rabbit asked the fox and monkey for help in building a fire. When the fire was built, the rabbit leaped into the flames so that his own body could be cooked and eaten by the old man. When the old man saw the rabbit’s act of compassion, he revealed his true form as Taishakuten, one of the lords of Heaven. Taishakuten lifted up the rabbit and placed it the moon, in order that all future generations could be inspired by the rabbit’s compassionate act. The reason it is sometimes difficult to see the rabbit in the moon is because of the smoke which still billows from the rabbits body, masking his form somewhat.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25056

Original Ancient Roman ‘Cross-bow” Fibula Bronze Toga Pin Military Issue, Fine Piece For Higher Ranking Figures in the Legion, Such As a Centurion or Tribune

Bow Fibula with a folded or rolled sleeve hinge, c. Early Imperial - Beginning of 2nd Century. We acquired a very small collection of roman toga pins, from super, small collection of original, historical, Imperial Roman and Crusader's artefacts
Shaped in the form of a roman military crossbow fibula, in bronze.
It became the most popular form of closure for Roman fibulae, and is characteristic of the bow brooches from the early imperial times to the beginning of the 2nd century. Outside the Roman Empire and after that time, this type of hinge was seldom used. The sleeve hinge consists of a small sleeve at the top of the head which is forged from a square sheet metal plate and then rolled up. In a center-cut slot, the spiked needle is inserted and held by a shaft (usually iron) passing through the whole sleeve. At the ends of each of the Aucissa fibulae and their early successors were buttons holding the hinge axis; later, the hinge axis was clamped in the sleeve and needed no buttons. The needle always carries a thorn-like projection on its perforated oval plate, which beats against the head of the fibula and, by virtue of this resistance, causes the suspension to spring forth. The sleeve hinge is used exclusively in bow fibulae. The needle is primarily rectilinear, but bends hand in hand with the flattening of the bow to the outside to continue to leave enough space between the bracket and needle. The sleeve hinge is considered a typical Roman construction. The paludamentum was usually worn over one shoulder and fastened with a fibula (ancient version of a safety pin). Arguments abound over what shoulder was exposed, but it seems fairly clear that the garment was fastened loosely enough to move around, The paludamentum was a cloak that was specifically associated with warfare. A general donned one for the ceremonial procession leading an army out of the sacred precinct of the city of Rome and was required to remove it before returning to the city…a sign that he was no longer a general, but a common citizen. The paludamentum or sagum purpura (purple cloak) was the iconic red cloak worn by a Roman general (Legatus) and his staff officers. Originally, it’s distinctive red/purple color clearly delineated between these officers and the rest of the army, which sported the sagum gregale (cloak of the flock). Although the sagum gregale, worn by the rank and file, started out the color of the flock (i.e. undyed wool), it seems likely to have transitioned to a coarser version of the sagum purpura by the imperial period (27BCE – 476CE). Outfitting the entire army in red garments would have been a mark of the great wealth of Rome – well, that and the fact that the Romans controlled the source of purple dye by then.The pin is now frozen through two millennia in a fixed position. Fibula 47mm x 22mm not incuding pin 68mm long x 22mm including the pin extended  read more

Code: 23985

The Lanes Armoury Probably The Largest Online Militaria Website in the World, After Over 100 Years of Brighton Trading, &, The 25th Anniversary of Our Best Antique & Collectables Shop in Britain Award

In this very special anniversary year of 2026

Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE in 2001.

With around 2000 visitors at our shop every day the most popular question asked, is, “where in earth do you find thousands of such incredible pieces?”
Well, although the answer relatively simple, it is based around over a 100 years of our firmly established reputation. Those that wish to sell, one way or another, find us, because we have been here, located and trading in Brighton for over four generations, and thus well known around the world, and more importantly, throughout the United Kingdom, as one of the most important buyers of ancient, antique and vintage collectables, in Great Britain.
We have been acquiring treasures from history, almost exclusively, from some of the most remarkable private sources for all that time, The family partners have had their specific and utterly remarkable business experience, literally unchallenged, for over fifty years. With the privilege of meeting some of the most incredible individuals imaginable, and all with their own unique story to tell, and their desire to pass on their past heirlooms, to become others heirlooms of the future.

Five years ago we were approached by a most historically enthusiastic young person studying at Sussex University who asked if they could research through our archive to complete a 'paper' based on us as one of the oldest remaining Sussex family business's.
It resulted in some remarkable statistics, that we thought we would share with our regulars, for those that have interest. The research only included the types of items that we regularly buy, sell and export today, with general antiques, furniture, porcelain, clocks, silver and works of art excluded, as we haven't been devoted to that side of the trade since selling our antique export shipping companies in 1992. However, when came to books, it was also another near impossible task to calculate, as it would likely stretch into the hundreds of thousands, {conservatively} if not millions of volumes {actually}.

In over 100 years of shop keeping in Brighton, at the time of his research, 80 of them pre-internet, apparently, we have likely sold over 200,000 books, {vintage and antique books were, and are, our largest selling single item}, 135,000 medals & badges, over 95,000 worldwide swords, knives and bayonets, over 32,000 Japanese samurai swords {for example, around 28 years ago we bought over 150 Japanese WW2 NCO swords in one vast lot, from the grandson of a WW2 British military surplus dealer, who acquired them for scrap in 1946 from the War Dept}. We have sold and exported,, apparently over 28,500 helmets of all origins and types, 27,000 pistols and muskets of all countries, at least 2450 suits of armour, European, British or Japanese, and over 1,500 cannon, both signal and full sized. Believe it or not, apparently, according to their research and calculations, these are potentially conservative figures, and the actual figure could indeed be much higher. However, in 1939 business trailed off a bit {WW2} but old pops, William {Bill} Hawkins went to the Alan West factory on the outskirts of Brighton {due to being too old to serve in the Navy} and engineered Army Tanks for the next 6 years.


So, please enjoy our historical website, and remember, every thing you see that is priced, is available, and for sale, we try to not keep our webstore filled with past 'sold' items.

Being part of the centre of the historic Brighton Lanes, anything up 2,000 to 3,000 people, will visit us here most days {especially on Saturdays} winter and summer, rain or shine.

We issue our unique, certificate of authenticity, with every single item purchased, and in regards to our Japanese items, both weapons and fittings etc. our ability to do this is based on well over a century of experience, as probably the largest military antiques dealers in Europe. We detail within our certificates, their beauty, approximate age, style, either specific or generic history, and the details of their fittings and mounts, and their potential position, use, and status in Japanese samurai history. We will detail the translations, if known, of the kanji (names) chisselled upon the nakago of swords, under their hilt bindings, but purely for information only. Although the myth persists that all Japanese master smiths signed their swords, historically, and factually, it is likely less than 30% of samurai blades were in fact ever signed. This fact is certainly found, and confirmed by us to be the case, due to our family’s 100 plus years experience. For example, it is said one of the greatest master smiths who ever lived, the great Masamune, was, apparently, most reluctant to ever sign his swords. Although this must be relative speculation, as so very few of his swords have been recognised to still exist

Our Certificates of Authenticity are our own unique version of a lifetime guarantee, based on our expertise honed over 100 years, containing a detailed description of any item purchased from our stock. In relation to our samurai weapons, the description with be a combination of our opinion of its style, approximate age and beauty, and for our Japanese samurai swords in particular, that it is an ‘original’, samurai sword, made and used by samurai, both ancient and vintage, within Japan, over the past 700 years, up to the last samurai period in the Meiji era of 1868, as well as up to 1945, if it is a military mounted shingunto sword.

Photos 4 and 5 are part of an editorial in Art and Antiques Weekly Magazine, featuring the story so far {in 1975} of the partner’s former family antiques export company, one of the largest in the world at that time. In 1992 Mark and David retired from the mass wholesale export market and morphed their business into the becoming one of the largest dedicated ‘military antiques’ and specialist book businesses instead, both of the partners true passions.  read more

Code: 22565

A Beautiful Koto Wakazashi, In Superb Original Edo Fittings and Tsuba With a Masamune Signed Blade. The Koto Era Was From 900 to 1595. The Edo Period Was From 1603 to 1868

A delightful sword, bearing the signature Masamune, associated by legend as the finest samurai sword maker in all history.

Masamune is generally regarded as the greatest swordsmith in the history of the Japanese sword. His blades, mostly daggers (‘tanto’), were both strong and beautiful and could cut extremely efficiently. Many of the technological advances accredited to Masamune were practical ones brought about by experience gained during the invasions of Japan by the Mongols in 1274 and 1281
Currently, photo 5 in the gallery, is the Masamune blade signature in the Victoria and Albert Museum. Photo 6 is of the President Truman Masamune wakazashi. Photo 7 is the Victoria and Albert Masamune signature next to our sword's signature. Photos shown for educational purposes only, The museum Masamune's sword sgnature is somewhat similar to our blades signature.

However, we believe its fair to say our beauty is unlikely to have been made by 'the' Masamune, otherwise it would be absolutely priceless, which naturally, it isn't.

The wakazashi is beautifully presented with fine original Edo mounts and fittings, including, a delightful iron plate tsuba decorated with shallow takebori chisseling of a samurai helmet kabuto, embellished with pure gold and silver, and a samurai armour arm piece, a sode. The reverse side of the tsuba is chisselled with a samurai war bow and an arrow, also embellished with pure silver. The kashira is patinated shakudo with a gold seated samurai holding a kusari, a sickle form weapon, observing a hawk in flight. The fuchi, is also shakudo, with takebori sheaths of wheat next to a flowing river. The menuki, bound beneath gold silk tsukaito, are patinated shakudo of deep takebori in the form of bundles of flower stems, with pure gold decorated flower heads and fruits, and set upon the traditional samegawa giant rayskin.

The saya is ishime lacquer in a beautifully rich, russet colour, with polished carved black buffalo horn fittings and a kozuka pocket holding a shakudo kozuka with a deep takebori gold dragon on a nanako ground. The blade has an old, aged polish, showing a fine suguha hamon and near flawless without any trace of combat damage, with a double copper double interlocking habaki {always a nice indicative sign of quality}.

Yet, is it not a wonderful thing to say one owns a Masamune wakazashi, without any of the incredible expense and heaviest of burdens, of having to pay an insurance premium, of around £500,000 a year, for the priveledge of owning an original and real Masamune.

The complete Kyoho Meibutsu Cho (including the two addendum books) list 61 authenticated Masamune being in existence in the 1700s. Surely some unauthenticated swords by him exist/existed, but it can only be hopeful conjecture. It is now believed less than 20 of his masterworks are likely to still exist.

The USA has two (potentially). One in the Truman Library, presented to President Truman by Gen. Walter Krueger, who was in turn gifted the sword by a Japanese noble (likely to gain favour). The Truman Masamune is possibly the "Mori Masamune" wakizashi, just by looking at the dimensions and photographs. The other (if it still exists) is the legendary Honjo Masamune, which was voluntarily surrendered from a private collection to the Japanese police by a member of the Tokugawa family (who chose to give them up instead of register them). It was then handed off to US occupation forces by the Japanese police and it's whereabouts are unknown currently.

Another exists in Austria, which was gifted to Albrecht von Roretz as part of a lot of swords for working to establish modern hospitals in Japan during the late 1800s.

These are the only ‘recorded’ Masamune blades to leave Japan, and none were battlefield trophies.

The British Museum list that they have a sword signed Masamune in their collection, however it is not photographed, so it is felt it is not an original, and thus, like ours that also isnt.

Another is in the Victoria and Albert Museum, acquired in 1912, it is photographed and also bears an attribution by the Ho’nami family of sword appraisers as being by Masamune, however although it is reasonably believed by many to be ‘the’ Masamune, it may be just of the period.

At a friendly chat we had with Chris Fox and Victor Harris {of the British Museum} in our gallery some years ago, in regards to how much an original would achieve if it appeared on the open market, and importantly, was agreed throughout to be genuine, the theoretical sum of 100 million pounds plus was considered as realistic.

https://www.trumanlibrary.gov/photograph-records/64-131

https://www.militaria.co.za/nmb/topic/36521-truman-library-sword/

Victoria and Albert collection, sword accession number M.20:1 to 4-1912. Although not on display.  read more

Code: 26342

A Very Fine Rare Gambler's Dirk cum Boot Knife, Carved Horn Grip, Mid 19th Century

A very fine quality dirk, perfect for concealment for the gamblers of the Wild West frontier, and the Mississippi river boat gamblers. Carved horn grip with small hairline cracking. Steel double edged blade of very fine and substantial quality. The strength of a blade that could punch through almost anything, ball end straight quillon in steel. Carved grip with shell form pommel. Original leather covered wooden scabbard with German silver mounts. Whether on a riverboat atop the Mighty Mississippi, or in the smoky dimness of a mining camp saloon, a lucky draw could turn a broken man into a winner. In the days of the frontier west, poker was king with the mustachioed likes of Wild Bill Hickok, Doc Holliday, ?Canada? Bill Jones, Wyatt Earp, Bat Masterson, and hundreds of others.

In the old west towns of Deadwood, Dodge City, Tombstone, and Virginia City, gamblers played with their back to the wall and their guns at their sides, as dealers dealt games with names such as Chuck-A-Luck, Three Card Monte, High Dice, and Faro, by far the favourite in the wild west saloons. Gambling took many forms on riverboats. Gambling with one's life with the boilers aside, there were sharks around willing to fleece the unsuspecting rube. As cities passed ordinances against gaming houses in town, the cheats moved to the unregulated waters of the Mississippi aboard river steamers.

There was also gambling with the racing of boats up the river. Bets were made on a favourite vessel. Pushing the boilers hard in races would also cause fires to break out on the wooden deck structures. Size 10 inches long overall, blade 5 1/4 inches. A very similar example was sold in Butterfields Auction, San Francisco in 1992 for £1,030. As is usual for these small knives it has no maker markings  read more

Code: 24095

A Superb, Historical, WW2 'Surrender of Japan' Presentation Silver Kukri With Superbly Engraved Silver Mounts and Pommel. Excellent Quality Honed and Tempered Blade

Carved horn handle and traditional fine steel blade, {exceptionaly sharp} the elongated recurved blade, highly distinctive of the tradition kukri of the gurkhas.

Presented as a souvenir of the war's end surrender of Japan, to an aide de camp of a British General who was part of the negotiations of the surrender of the Empire of Japan, at the conclusion of the negotiations, that were made in 1945-08-28, Prior to the formal surrender a few days later aboard USS Missouri on the 2nd of September. The surrender was negotiated In the Throne Room, Government House, Rangoon, which was used for the surrender negotiations, by Lieutenant General Takazo Numata with Lieutenant Colonel Morio Tomura and Rear Admiral Kaigye Chudo 

Original Nepalese presentation silver gurkha's kukri, antique, circa 1870. Leather nicely patinated through age.
The kukri came to be known to the Western world when the East India Company came into conflict with the growing Gorkha Kingdom, culminating in the Gurkha War of 1814–1816. It gained literary attention in the 1897 novel Dracula by Irish author Bram Stoker. Despite the popular image of Dracula having a stake driven through his heart at the conclusion of a climactic battle between Dracula's bodyguards and the heroes, Mina's narrative describes his throat being sliced through by Jonathan Harker's kukri and his heart pierced by Quincey Morris's Bowie knife. In the hands of an experienced wielder Khukuri or Kukri is about as formidable a weapon as can be conceived. Like all really good weapons, Khukuri's or Kukri's efficiency depends much more upon skill than the strength of the wielder. And thus so that it happens, that a diminutive Gurkha, shorter and slight in regards to his stature, could easily cut to pieces a gigantic adversary, who simply does not understand the lightly built Gurkha's mode of attack and fearsome skill. The Gurkha generally strikes upwards with his Kukri, possibly in order to avoid wounding himself should his blow fail, and possibly because an upward cut is just the one that can be least guarded against however strong his opponent.
In the 20th century through the WW1 and WW2 period they continued to make silver or plated mounts presentation kukri, and the criteria for presentation became more flexible. After WW2 presentation types were almost always silver plated or nickle.

Photo in the gallery of Lieutenant General Takazo Numata and Rear Admiral Kaigye Chudo arrive at Mingladon airfield, Rangoon, to discuss arrangements for the surrender of the Japanese Army. We have more information on the provenance of this superb and historical piece that we will be pleased to pass onto to the next owner. In January we were delighted to acquire a superb Japanese General's gendaito sword also surrendered to a British General at this same ceremony. That Japanese sword, with other family swords and kukri, were sold to a private American collector the same day that it was acquired by us.

Excellent condition overall with small areas of contact use wear upon the horn.  read more

Code: 25655

A Very Fine And Historical Signed Letter From Admiral Sir G.C.Berkeley Aboard HMS Ganges 1809. From The Admiral That According to Many Historians Personally Instigated The War of 1812 With America, By Ordering The Attack On USS Chesapeake by HMS Leopard

A rare original document of the Napoleonic Wars, that could make a stunning and unique gift. Signed by the Admiral who started the War of 1812, the man who was promoted, in 1810, to be Lord High Admiral of the Portuguese Navy by the Portuguese Regent in Brazil, in order to aid Wellington at sea against the forces of Napoleon. And, furthermore, he was the Admiral who convinced the navy board to investigate, for the health of the navy and England, and to assist the promotion of Edward Jenner’s new vaccine against smallpox. The worlds first vaccine. Edward Jenner, a most remarkable and innovative man, and Berkeley’s friend, who it is said, saved more lives through this work, than any other single man in the history of the world, thanks to his radical idea of the smallpox vaccine, that was promoted, and thus assisted to be accepted by England and the Navy, by the efforts of Admiral Berkeley.

It would make a unique addition to any fine collection, particularly if bespoke framed for the beautiful display of such a significant hand written signed record of Napoleonic Wars British Royal Navy history. Hand signed by the American Station commanding officer, and the instigator of the action, Admiral Sir George Cranfield Berkeley, known as the Chesapeake-Leopard Affair, that culminated in the War of 1812.

The letter was for Admiral Sir J.T.Duckworth, regarding Admiral's Berkeley's sending of three British ships for the assistance of Admiral J.T.Duckworths hoped for victory against the enemy, in March 1809.
Admiral Sir George Cranfield Berkeley who is regarded by some to have instigated the cause of the War of 1812 With America by ordering the attack of HMS Leopard on the American frigate USS Chesapeake. He was a highly regarded friend of the Duke of Wellington, and he was also father-in-law to Nelson's great friend, and commander of HMS Victory, Capt. Thomas Masterman Hardy, and he also encouraged his great friend and physician Edward Jenner to continue his work and research on his smallpox vaccine for the good of naval personnel. This action alone directly connects him to one of the greatest and most successful medical achievements in the history of mankind.

Admiral Berkeley partook in several most notable and significant battles and wars, including;
American Revolutionary War
First Battle of Ushant
Great Siege of Gibraltar
Second Battle of Ushant
French Revolutionary Wars
Glorious First of June
Napoleonic Wars
Peninsular War
Admiral Sir George Cranfield Berkeley GCB (10 August 1753 - 25 February 1818), often known as George Berkeley, was a highly experienced, popular, yet controversial naval officer and politician in late eighteenth and early nineteenth century Britain. Serving on several ships, Cranfield-Berkeley saw action at all three Battles of Ushant, commanded fleets in the West Indies and off Ireland and governed the supply routes to Portugal and Spain which kept Wellington's armies in the field during the Peninsula War. He also enjoyed an extensive political career, reforming military practices in Britain and participating in several prominent scandals including feuds with Charles James Fox and Hugh Palliser.In 1786 Berkeley commanded HMS Magnificent and remained with her for three years until 1789 when he became surveyor-general of the ordnance. He left the post after the French Revolutionary Wars broke out in 1793, taking over HMS Marlborough.

French Revolutionary Wars

Berkeley was still in command of Marlborough when she fought under Lord Howe at the Glorious First of June, fighting as part of Admiral Thomas Pasley's van division there and at the preceding Atlantic campaign of May 1794. At the First of June, Marlborough was dismasted in close combat with several French ships and Berkeley badly wounded in the head and thigh, having to retire below after a period to staunch the bleeding. He had a long convalescence after the action but was amongst the captains selected for the gold medal commemorating the action, only awarded to those felt to have played a significant part in the victory.

Returning to service in 1795, Berkeley commanded HMS Formidable off Brest, Cadiz, Ireland and the Texel, coming ashore in 1798 to command the Sussex sea fencibles. In 1799, Berkeley was promoted rear-admiral and attached to the Channel Fleet, but the gout which had forced his first retirement returned, and Berkeley was forced to take permanent shore leave in 1800. In 1801, Berkeley increased his political interests to compensate for the loss of his naval career.
Berkeley continued building his political status during the Peace of Amiens and by Berkeley had been appointed inspector of sea fencibles, a job he undertook with vigour, conducting a fourteen-month survey of Britain's coastal defences, which greatly improved the island's defences. In 1806. In January 1809 he arrived at Lisbon to assume command of the Portuguese station, his flag flying aboard the Barfleur 98 commanded by his son-in-law, Captain Thomas Masterman Hardy, and with his 22 year-old nephew Maurice Berkeley serving as his flag-lieutenant. In November 1811 Captain John Smith Cowan was placed in acting command of the flagship in succession to Captain Henry Hume Spence. Berkeley enjoyed great success in his support of the army, being lauded by Viscount Wellington for his attention to all aspects of his command, and he also managed to keep the French from taking control of the Spanish fleet at Ferrol

Berkeley left this, his last duty, in May 1812, having been promoted admiral on 31 July 1810 and created Lord High Admiral of the Portuguese Navy.
After a shift in political power, Berkeley fell out of favour somewhat and was dispatched to the North American Station. From there, Berkeley ordered the attack by HMS Leopard on the American frigate USS Chesapeake in retaliation for American recruitment of British deserters. This action, known as the Chesapeake-Leopard Affair, helped precipitate the War of 1812

Having embarrassed the British government with this action, Berkeley was recalled home. However, public opinion supported his orders, so Berkeley was moved to command in Lisbon in the hope he could organise the chaotic supply system for Wellington's army in the Peninsula War. Berkeley recognised that only a dedicated and organised convoy system could keep the supply of men, food and material regular and consequently set one up. Simultaneously, he reequipped and galvanised the remnants of the Spanish Navy, rescuing several ships from capture by the French as well as used frigates to supply partisan units all along the coast of Portugal and Northern Spain.

By 1810, Wellington could truthfully say of Berkeley that "His activity is unbounded, the whole range of the business of the Country in which he is stationed, civil, military, political, commercial, even ecclesiastical I believe as well as naval are objects of his attention". He was promoted to full admiral and made Lord High Admiral of the Portuguese Navy by the Portuguese Regent in Brazil. By 1810 he had used sailors to man coastal defences all over Spain, freeing soldiers for Wellington and also formed a squadron of river gunboats to harry French units from major rivers like the Tagus.

He and Wellington remained good friends for the rest of their lives, and Wellington later stated that Berkeley was the best naval commander he had ever cooperated with. Furthermore, Berkley's contribution, although unrecognised, due to his association of his lifelong friend, Edward Jenner, the pioneer of the worlds first vaccine. The vaccine for smallpox, that Berkeley had persuaded the government to investigate, particularly with regard for the health of the navy.

Jenner, who is is often called "the father of immunology", due to his work, that is said to have "saved more lives than the work of any other human past or present.” may possibly have failed in his groundbreaking idea, if it had not been for Berkeley’s intervention on his behalf.

The paper of this letter bears the watermark and date of Dusautoy & Rump 1806.
The last picture in the gallery is a portrait of Rear Admiral Duckworth, the recipient of the letter, the previous three pictures are of Admiral Berkeley, Admiral Berkeley’s HMS Ganges, and Edward Jenner

Six similar Royal Naval letters, from 1808-1813, are in the "Sir George Cranfield Berkeley Papers" at Rice University, Texas, USA
https://digitalprojects.rice.edu/wrc/british-navy/collections/show/6

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 20233

An Early Roman Empire Period 1st Century Status Seal Ring Depicting Winged Pegasus and Bellerophon Slaying the Monstrous Chimaera With His Spear

A superb Henig type Xb ring. Wide oval bezel affixed to flattened shoulders engraved copper bronze alloy with gilt highlights. Almost identical shape and form to one found in the UK near Hadrian's Wall. And another similar, with the very same style of workmanship and engraving from the era, was discovered 50 years ago, and believed to be once the ring of the infamous Pontius Pilate, the Governor of Judea for Rome

Although an Ancient Greek legend, all the gods and myths of Ancient Greece were highly revereed and eagerly adopted by the Romans, for their art especially. However, once they adopted the Greek gods they Romanised and re-named them, such as the God of the Sea, Poseiden, who thus became Neptune, God of the Sea, for the Romans. Traditional stylized engraving, typical for a Roman status ring, for a citizen or noble.

Pegasus is fabled winged-horse from Greek mythology which was fathered by Poseidon and was born from the severed neck of the gorgon Medusa, slain by Perseus. At the same time and in the same way, Chryasor was also born. Poseidon gave Pegasus to his son Bellerophon who put Pegasus to good use in his famous battle with the Chimaera.

The myth of Bellerophon begins with the hero visiting Tiryns and enjoying the hospitality of the city's king Proitos. However, trouble started when Stheneboia, the king's wife, fell in love with the hero and made inappropriate advances. Bellerophon, being a good guest, politely rejected these advances but predictably, Stheneboia saw red and went before the king and accused the visitor of attempting to seduce her. In punishment, Bellerophon was sent by Proitos to serve his father-in-law Iobates, King of Lykia. On arrival, Bellerophon was set a series of dangerous and impossibly difficult tasks, chief amongst them being to destroy the fearsome and rather bizarre Chimaera. This fire-breathing creature was a terrible mix of a lion's body with a snake for a tail and the head of a goat sprouting from its back. To aid him in this task, Bellerophon was fortunate to have at his disposal Pegasus. In some accounts he found the horse at the fountain of Pirene near Corinth, and Hesiod suggests this fact explains the name Pegasus, derived from 'water'- pēgē. Taming the horse with the help of Athena, Bellerophon rode (and flew) Pegasus and managed to kill the monstrous Chimaera with his spear.

Bellerophon and Pegasus went on to enjoy further success with other challenges Iobates set the hero including a battle with the Amazons. However, becoming rather boastful and thinking he could fly high enough on his winged steed to take his place amongst the immortal gods, Bellerophon was thrown by Pegasus and fell unceremoniously back to earth. Meanwhile, Pegasus kept on going and on reaching Mt. Olympus, he was given to Eos who was responsible for bringing Dawn across the sky each day. According to Hesiod in his Theogony, Pegasus also brought Zeus his thunder and lightning whenever needed.
Pegasus appeared on Greek pottery, the earliest being Corinthian wares from the 7th century BCE. Pegasus was also a popular design on coins, in particular from Corinth from the 6th century BCE. A famous representation in sculpture is from the pediment of the Temple of Artemis on Corcyra (c. 580 BCE). The Bellerophon and Pegasus myth was also a popular subject in Roman art - especially engraved semi-precious stone cameos and floor mosaics - where the horse became symbolic of immortality.

A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. See its image in the gallery, with a detailed drawing of the traditional stylized engraving.

Being around 2000 years old, it has a heavily encrusted, natural, well aged patina

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24889