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A Super, Original, Antique Edo Period, Most Rare Samurai Kubikiri 'Head Cutter' With Fine Original Edo Period Koshirae Including a Minogame, a Hairy-Tailed Turtle,Tsuba. Katakiriba-zukuri and Flat Mune Blade

A Super, Original, Antique Edo Period, Most Rare Samurai Kubikiri 'Head Cutter' With Fine Original Edo Period Koshirae Including a Minogame, a Hairy-Tailed Turtle,Tsuba. Katakiriba-zukuri and Flat Mune Blade

Superbly mounted in traditional samurai tanto form but once drawn from the saya the tanto blade reveals its cutting edge to be on the inside, specifically for the removal of a head from behind, while holding the fallen samurai's head up by the hair, grasped in the left hand.

The term "kubikiri" is traditionally translated as "head cutter". This style of tanto may have been carried by attendants to high ranking samurai whose job was to remove the heads of dead enemies as "trophies of battle". While this usage was real in ancient times, in later eras it would have been largely a ceremonial sword, used possibly as a badge of rank.

Katakiriba-zukuri form with a flat mune, and the cutting edge is on the inside curvature (extreme uchi-sori), and there is no kissaki with a single ana. The hamon is notare based on suguha with nioi, One blade side is fully polished , flat sided, the other the cutting edge polished and the wide hada blackened and chisseled with horimono of splashing waves. The saya has polished black buffalo horn fittings, and its kurigata, with kozuka or kogai pocket.

The iron tsuba of maru-gata form with single hitsu ana and carved with a takebori of a minogame hairy tailed turtle. Not a real species, it is a mythological or symbolic turtle found in Japanese art, folklore, and proverbs. The "Hairy" Tail is actually a thick growth of long seaweed and algae that trails behind an ancient turtle's shell,
Legends say these turtles live for 1,000 to 10,000 years, and the long algae tail grows as a sign of this immense age.Famous Tales: A Minogame famously appears in the classic Japanese folklore legend of Urashima Tarō, where a fisherman saves a turtle and is rewarded with a trip to an underwater palace.

The blade collar is a copper habaki, the black saya of finest black urushi lacquer of contrasting ishime and polished, sacred aoi plants, the tsuka is covered in samegawa giant rayskin, beneath takebori shakudo menuki of shishi {lion dogs}, and in their turn, beneath black silk tsukaito binding.

The blade is in excellent condition with minor wear. The mounts are in very good condition with some wear, minuscule lacquer nicks to the original Edo saya.

Examples of kubikiri are very rarely found in even the best Western collections

A similar style of tanto (hanakiri) blade, but simpler without fine detail or horimono, was made for ikebana master and samurai as tools for trimming bonsai and flower arranging, ikebana, however they would be mounted in the most simplest and rudimentary wooden mount as a nata, that was required for garden tools and inclement weather.

Samurai would be trained for ikebana in order to settle the mind and create an inner peacefulness, and to train the senses for order and balance, vital for the universal skills needed to be a successful samurai.  read more

Code: 26357

3950.00 GBP

A Beautiful Koto Wakazashi, In Superb Original Edo Fittings and Tsuba With a Masamune Signed Blade. The  Koto Era Was From 900 to 1595. The Edo Period Was From 1603 to 1868

A Beautiful Koto Wakazashi, In Superb Original Edo Fittings and Tsuba With a Masamune Signed Blade. The Koto Era Was From 900 to 1595. The Edo Period Was From 1603 to 1868

A delightful sword, bearing the signature Masamune, associated by legend as the finest samurai sword maker in all history.

Masamune is generally regarded as the greatest swordsmith in the history of the Japanese sword. His blades, mostly daggers (‘tanto’), were both strong and beautiful and could cut extremely efficiently. Many of the technological advances accredited to Masamune were practical ones brought about by experience gained during the invasions of Japan by the Mongols in 1274 and 1281
Currently, photo 5 in the gallery, is the Masamune blade signature in the Victoria and Albert Museum. Photo 6 is of the President Truman Masamune wakazashi. Photo 7 is the Victoria and Albert Masamune signature next to our sword's signature. Photos shown for educational purposes only, The museum Masamune's sword sgnature is somewhat similar to our blades signature.

However, we believe its fair to say our beauty is unlikely to have been made by 'the' Masamune, otherwise it would be absolutely priceless, which naturally, it isn't.

The wakazashi is beautifully presented with fine original Edo mounts and fittings, including, a delightful iron plate tsuba decorated with shallow takebori chisseling of a samurai helmet kabuto, embellished with pure gold and silver, and a samurai armour arm piece, a sode. The reverse side of the tsuba is chisselled with a samurai war bow and an arrow, also embellished with pure silver. The kashira is patinated shakudo with a gold seated samurai holding a kusari, a sickle form weapon, observing a hawk in flight. The fuchi, is also shakudo, with takebori sheaths of wheat next to a flowing river. The menuki, bound beneath gold silk tsukaito, are patinated shakudo of deep takebori in the form of bundles of flower stems, with pure gold decorated flower heads and fruits, and set upon the traditional samegawa giant rayskin.

The saya is ishime lacquer in a beautifully rich, russet colour, with polished carved black buffalo horn fittings and a kozuka pocket holding a shakudo kozuka with a deep takebori gold dragon on a nanako ground. The blade has an old, aged polish, showing a fine suguha hamon and near flawless without any trace of combat damage, with a double copper double interlocking habaki {always a nice indicative sign of quality}.

Yet, is it not a wonderful thing to say one owns a Masamune wakazashi, without any of the incredible expense and heaviest of burdens, of having to pay an insurance premium, of around £500,000 a year, for the priveledge of owning an original and real Masamune.

The complete Kyoho Meibutsu Cho (including the two addendum books) list 61 authenticated Masamune being in existence in the 1700s. Surely some unauthenticated swords by him exist/existed, but it can only be hopeful conjecture. It is now believed less than 20 of his masterworks are likely to still exist.

The USA has two (potentially). One in the Truman Library, presented to President Truman by Gen. Walter Krueger, who was in turn gifted the sword by a Japanese noble (likely to gain favour). The Truman Masamune is possibly the "Mori Masamune" wakizashi, just by looking at the dimensions and photographs. The other (if it still exists) is the legendary Honjo Masamune, which was voluntarily surrendered from a private collection to the Japanese police by a member of the Tokugawa family (who chose to give them up instead of register them). It was then handed off to US occupation forces by the Japanese police and it's whereabouts are unknown currently.

Another exists in Austria, which was gifted to Albrecht von Roretz as part of a lot of swords for working to establish modern hospitals in Japan during the late 1800s.

These are the only ‘recorded’ Masamune blades to leave Japan, and none were battlefield trophies.

The British Museum list that they have a sword signed Masamune in their collection, however it is not photographed, so it is felt it is not an original, and thus, like ours that also isnt.

Another is in the Victoria and Albert Museum, acquired in 1912, it is photographed and also bears an attribution by the Ho’nami family of sword appraisers as being by Masamune, however although it is reasonably believed by many to be ‘the’ Masamune, it may be just of the period.

At a friendly chat we had with Chris Fox and Victor Harris {of the British Museum} in our gallery some years ago, in regards to how much an original would achieve if it appeared on the open market, and importantly, was agreed throughout to be genuine, the theoretical sum of 100 million pounds plus was considered as realistic.

https://www.trumanlibrary.gov/photograph-records/64-131

https://www.militaria.co.za/nmb/topic/36521-truman-library-sword/

Victoria and Albert collection, sword accession number M.20:1 to 4-1912. Although not on display.  read more

Code: 26342

Price
on
Request

A Very Fine Rare Gambler's Dirk cum Boot Knife, Carved Horn Grip, Mid 19th Century

A Very Fine Rare Gambler's Dirk cum Boot Knife, Carved Horn Grip, Mid 19th Century

A very fine quality dirk, perfect for concealment for the gamblers of the Wild West frontier, and the Mississippi river boat gamblers. Carved horn grip with small hairline cracking. Steel double edged blade of very fine and substantial quality. The strength of a blade that could punch through almost anything, ball end straight quillon in steel. Carved grip with shell form pommel. Original leather covered wooden scabbard with German silver mounts. Whether on a riverboat atop the Mighty Mississippi, or in the smoky dimness of a mining camp saloon, a lucky draw could turn a broken man into a winner. In the days of the frontier west, poker was king with the mustachioed likes of Wild Bill Hickok, Doc Holliday, ?Canada? Bill Jones, Wyatt Earp, Bat Masterson, and hundreds of others.

In the old west towns of Deadwood, Dodge City, Tombstone, and Virginia City, gamblers played with their back to the wall and their guns at their sides, as dealers dealt games with names such as Chuck-A-Luck, Three Card Monte, High Dice, and Faro, by far the favourite in the wild west saloons. Gambling took many forms on riverboats. Gambling with one's life with the boilers aside, there were sharks around willing to fleece the unsuspecting rube. As cities passed ordinances against gaming houses in town, the cheats moved to the unregulated waters of the Mississippi aboard river steamers.

There was also gambling with the racing of boats up the river. Bets were made on a favourite vessel. Pushing the boilers hard in races would also cause fires to break out on the wooden deck structures. Size 10 inches long overall, blade 5 1/4 inches. A very similar example was sold in Butterfields Auction, San Francisco in 1992 for £1,030. As is usual for these small knives it has no maker markings  read more

Code: 24095

675.00 GBP

A Superb, Historical, WW2 'Surrender of Japan' Presentation Silver Kukri With Superbly Engraved Silver Mounts and Pommel. Excellent Quality Honed and Tempered Blade

A Superb, Historical, WW2 'Surrender of Japan' Presentation Silver Kukri With Superbly Engraved Silver Mounts and Pommel. Excellent Quality Honed and Tempered Blade

Carved horn handle and traditional fine steel blade, {exceptionaly sharp} the elongated recurved blade, highly distinctive of the tradition kukri of the gurkhas.

Presented as a souvenir of the war's end surrender of Japan, to an aide de camp of a British General who was part of the negotiations of the surrender of the Empire of Japan, at the conclusion of the negotiations, that were made in 1945-08-28, Prior to the formal surrender a few days later aboard USS Missouri on the 2nd of September. The surrender was negotiated In the Throne Room, Government House, Rangoon, which was used for the surrender negotiations, by Lieutenant General Takazo Numata with Lieutenant Colonel Morio Tomura and Rear Admiral Kaigye Chudo 

Original Nepalese presentation silver gurkha's kukri, antique, circa 1870. Leather nicely patinated through age.
The kukri came to be known to the Western world when the East India Company came into conflict with the growing Gorkha Kingdom, culminating in the Gurkha War of 1814–1816. It gained literary attention in the 1897 novel Dracula by Irish author Bram Stoker. Despite the popular image of Dracula having a stake driven through his heart at the conclusion of a climactic battle between Dracula's bodyguards and the heroes, Mina's narrative describes his throat being sliced through by Jonathan Harker's kukri and his heart pierced by Quincey Morris's Bowie knife. In the hands of an experienced wielder Khukuri or Kukri is about as formidable a weapon as can be conceived. Like all really good weapons, Khukuri's or Kukri's efficiency depends much more upon skill than the strength of the wielder. And thus so that it happens, that a diminutive Gurkha, shorter and slight in regards to his stature, could easily cut to pieces a gigantic adversary, who simply does not understand the lightly built Gurkha's mode of attack and fearsome skill. The Gurkha generally strikes upwards with his Kukri, possibly in order to avoid wounding himself should his blow fail, and possibly because an upward cut is just the one that can be least guarded against however strong his opponent.
In the 20th century through the WW1 and WW2 period they continued to make silver or plated mounts presentation kukri, and the criteria for presentation became more flexible. After WW2 presentation types were almost always silver plated or nickle.

Photo in the gallery of Lieutenant General Takazo Numata and Rear Admiral Kaigye Chudo arrive at Mingladon airfield, Rangoon, to discuss arrangements for the surrender of the Japanese Army. We have more information on the provenance of this superb and historical piece that we will be pleased to pass onto to the next owner. In January we were delighted to acquire a superb Japanese General's gendaito sword also surrendered to a British General at this same ceremony. That Japanese sword, with other family swords and kukri, were sold to a private American collector the same day that it was acquired by us.

Excellent condition overall with small areas of contact use wear upon the horn.  read more

Code: 25655

1295.00 GBP

A Very Fine And Historical Signed Letter From Admiral Sir G.C.Berkeley Aboard HMS Ganges 1809. From The Admiral That According to Many Historians Personally Instigated The War of 1812 With America, By Ordering The Attack On USS Chesapeake by HMS Leopard

A Very Fine And Historical Signed Letter From Admiral Sir G.C.Berkeley Aboard HMS Ganges 1809. From The Admiral That According to Many Historians Personally Instigated The War of 1812 With America, By Ordering The Attack On USS Chesapeake by HMS Leopard

A rare original document of the Napoleonic Wars, that could make a stunning and unique gift. Signed by the Admiral who started the War of 1812, the man who was promoted, in 1810, to be Lord High Admiral of the Portuguese Navy by the Portuguese Regent in Brazil, in order to aid Wellington at sea against the forces of Napoleon. And, furthermore, he was the Admiral who convinced the navy board to investigate, for the health of the navy and England, and to assist the promotion of Edward Jenner’s new vaccine against smallpox. The worlds first vaccine. Edward Jenner, a most remarkable and innovative man, and Berkeley’s friend, who it is said, saved more lives through this work, than any other single man in the history of the world, thanks to his radical idea of the smallpox vaccine, that was promoted, and thus assisted to be accepted by England and the Navy, by the efforts of Admiral Berkeley.

It would make a unique addition to any fine collection, particularly if bespoke framed for the beautiful display of such a significant hand written signed record of Napoleonic Wars British Royal Navy history. Hand signed by the American Station commanding officer, and the instigator of the action, Admiral Sir George Cranfield Berkeley, known as the Chesapeake-Leopard Affair, that culminated in the War of 1812.

The letter was for Admiral Sir J.T.Duckworth, regarding Admiral's Berkeley's sending of three British ships for the assistance of Admiral J.T.Duckworths hoped for victory against the enemy, in March 1809.
Admiral Sir George Cranfield Berkeley who is regarded by some to have instigated the cause of the War of 1812 With America by ordering the attack of HMS Leopard on the American frigate USS Chesapeake. He was a highly regarded friend of the Duke of Wellington, and he was also father-in-law to Nelson's great friend, and commander of HMS Victory, Capt. Thomas Masterman Hardy, and he also encouraged his great friend and physician Edward Jenner to continue his work and research on his smallpox vaccine for the good of naval personnel. This action alone directly connects him to one of the greatest and most successful medical achievements in the history of mankind.

Admiral Berkeley partook in several most notable and significant battles and wars, including;
American Revolutionary War
First Battle of Ushant
Great Siege of Gibraltar
Second Battle of Ushant
French Revolutionary Wars
Glorious First of June
Napoleonic Wars
Peninsular War
Admiral Sir George Cranfield Berkeley GCB (10 August 1753 - 25 February 1818), often known as George Berkeley, was a highly experienced, popular, yet controversial naval officer and politician in late eighteenth and early nineteenth century Britain. Serving on several ships, Cranfield-Berkeley saw action at all three Battles of Ushant, commanded fleets in the West Indies and off Ireland and governed the supply routes to Portugal and Spain which kept Wellington's armies in the field during the Peninsula War. He also enjoyed an extensive political career, reforming military practices in Britain and participating in several prominent scandals including feuds with Charles James Fox and Hugh Palliser.In 1786 Berkeley commanded HMS Magnificent and remained with her for three years until 1789 when he became surveyor-general of the ordnance. He left the post after the French Revolutionary Wars broke out in 1793, taking over HMS Marlborough.

French Revolutionary Wars

Berkeley was still in command of Marlborough when she fought under Lord Howe at the Glorious First of June, fighting as part of Admiral Thomas Pasley's van division there and at the preceding Atlantic campaign of May 1794. At the First of June, Marlborough was dismasted in close combat with several French ships and Berkeley badly wounded in the head and thigh, having to retire below after a period to staunch the bleeding. He had a long convalescence after the action but was amongst the captains selected for the gold medal commemorating the action, only awarded to those felt to have played a significant part in the victory.

Returning to service in 1795, Berkeley commanded HMS Formidable off Brest, Cadiz, Ireland and the Texel, coming ashore in 1798 to command the Sussex sea fencibles. In 1799, Berkeley was promoted rear-admiral and attached to the Channel Fleet, but the gout which had forced his first retirement returned, and Berkeley was forced to take permanent shore leave in 1800. In 1801, Berkeley increased his political interests to compensate for the loss of his naval career.
Berkeley continued building his political status during the Peace of Amiens and by Berkeley had been appointed inspector of sea fencibles, a job he undertook with vigour, conducting a fourteen-month survey of Britain's coastal defences, which greatly improved the island's defences. In 1806. In January 1809 he arrived at Lisbon to assume command of the Portuguese station, his flag flying aboard the Barfleur 98 commanded by his son-in-law, Captain Thomas Masterman Hardy, and with his 22 year-old nephew Maurice Berkeley serving as his flag-lieutenant. In November 1811 Captain John Smith Cowan was placed in acting command of the flagship in succession to Captain Henry Hume Spence. Berkeley enjoyed great success in his support of the army, being lauded by Viscount Wellington for his attention to all aspects of his command, and he also managed to keep the French from taking control of the Spanish fleet at Ferrol

Berkeley left this, his last duty, in May 1812, having been promoted admiral on 31 July 1810 and created Lord High Admiral of the Portuguese Navy.
After a shift in political power, Berkeley fell out of favour somewhat and was dispatched to the North American Station. From there, Berkeley ordered the attack by HMS Leopard on the American frigate USS Chesapeake in retaliation for American recruitment of British deserters. This action, known as the Chesapeake-Leopard Affair, helped precipitate the War of 1812

Having embarrassed the British government with this action, Berkeley was recalled home. However, public opinion supported his orders, so Berkeley was moved to command in Lisbon in the hope he could organise the chaotic supply system for Wellington's army in the Peninsula War. Berkeley recognised that only a dedicated and organised convoy system could keep the supply of men, food and material regular and consequently set one up. Simultaneously, he reequipped and galvanised the remnants of the Spanish Navy, rescuing several ships from capture by the French as well as used frigates to supply partisan units all along the coast of Portugal and Northern Spain.

By 1810, Wellington could truthfully say of Berkeley that "His activity is unbounded, the whole range of the business of the Country in which he is stationed, civil, military, political, commercial, even ecclesiastical I believe as well as naval are objects of his attention". He was promoted to full admiral and made Lord High Admiral of the Portuguese Navy by the Portuguese Regent in Brazil. By 1810 he had used sailors to man coastal defences all over Spain, freeing soldiers for Wellington and also formed a squadron of river gunboats to harry French units from major rivers like the Tagus.

He and Wellington remained good friends for the rest of their lives, and Wellington later stated that Berkeley was the best naval commander he had ever cooperated with. Furthermore, Berkley's contribution, although unrecognised, due to his association of his lifelong friend, Edward Jenner, the pioneer of the worlds first vaccine. The vaccine for smallpox, that Berkeley had persuaded the government to investigate, particularly with regard for the health of the navy.

Jenner, who is is often called "the father of immunology", due to his work, that is said to have "saved more lives than the work of any other human past or present.” may possibly have failed in his groundbreaking idea, if it had not been for Berkeley’s intervention on his behalf.

The paper of this letter bears the watermark and date of Dusautoy & Rump 1806.
The last picture in the gallery is a portrait of Rear Admiral Duckworth, the recipient of the letter, the previous three pictures are of Admiral Berkeley, Admiral Berkeley’s HMS Ganges, and Edward Jenner

Six similar Royal Naval letters, from 1808-1813, are in the "Sir George Cranfield Berkeley Papers" at Rice University, Texas, USA
https://digitalprojects.rice.edu/wrc/british-navy/collections/show/6

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 20233

1875.00 GBP

An Early Roman Empire Period 1st Century Status Seal Ring Depicting Winged Pegasus and Bellerophon Slaying the Monstrous Chimaera With His Spear

An Early Roman Empire Period 1st Century Status Seal Ring Depicting Winged Pegasus and Bellerophon Slaying the Monstrous Chimaera With His Spear

A superb Henig type Xb ring. Wide oval bezel affixed to flattened shoulders engraved copper bronze alloy with gilt highlights. Almost identical shape and form to one found in the UK near Hadrian's Wall. And another similar, with the very same style of workmanship and engraving from the era, was discovered 50 years ago, and believed to be once the ring of the infamous Pontius Pilate, the Governor of Judea for Rome

Although an Ancient Greek legend, all the gods and myths of Ancient Greece were highly revereed and eagerly adopted by the Romans, for their art especially. However, once they adopted the Greek gods they Romanised and re-named them, such as the God of the Sea, Poseiden, who thus became Neptune, God of the Sea, for the Romans. Traditional stylized engraving, typical for a Roman status ring, for a citizen or noble.

Pegasus is fabled winged-horse from Greek mythology which was fathered by Poseidon and was born from the severed neck of the gorgon Medusa, slain by Perseus. At the same time and in the same way, Chryasor was also born. Poseidon gave Pegasus to his son Bellerophon who put Pegasus to good use in his famous battle with the Chimaera.

The myth of Bellerophon begins with the hero visiting Tiryns and enjoying the hospitality of the city's king Proitos. However, trouble started when Stheneboia, the king's wife, fell in love with the hero and made inappropriate advances. Bellerophon, being a good guest, politely rejected these advances but predictably, Stheneboia saw red and went before the king and accused the visitor of attempting to seduce her. In punishment, Bellerophon was sent by Proitos to serve his father-in-law Iobates, King of Lykia. On arrival, Bellerophon was set a series of dangerous and impossibly difficult tasks, chief amongst them being to destroy the fearsome and rather bizarre Chimaera. This fire-breathing creature was a terrible mix of a lion's body with a snake for a tail and the head of a goat sprouting from its back. To aid him in this task, Bellerophon was fortunate to have at his disposal Pegasus. In some accounts he found the horse at the fountain of Pirene near Corinth, and Hesiod suggests this fact explains the name Pegasus, derived from 'water'- pēgē. Taming the horse with the help of Athena, Bellerophon rode (and flew) Pegasus and managed to kill the monstrous Chimaera with his spear.

Bellerophon and Pegasus went on to enjoy further success with other challenges Iobates set the hero including a battle with the Amazons. However, becoming rather boastful and thinking he could fly high enough on his winged steed to take his place amongst the immortal gods, Bellerophon was thrown by Pegasus and fell unceremoniously back to earth. Meanwhile, Pegasus kept on going and on reaching Mt. Olympus, he was given to Eos who was responsible for bringing Dawn across the sky each day. According to Hesiod in his Theogony, Pegasus also brought Zeus his thunder and lightning whenever needed.
Pegasus appeared on Greek pottery, the earliest being Corinthian wares from the 7th century BCE. Pegasus was also a popular design on coins, in particular from Corinth from the 6th century BCE. A famous representation in sculpture is from the pediment of the Temple of Artemis on Corcyra (c. 580 BCE). The Bellerophon and Pegasus myth was also a popular subject in Roman art - especially engraved semi-precious stone cameos and floor mosaics - where the horse became symbolic of immortality.

A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. See its image in the gallery, with a detailed drawing of the traditional stylized engraving.

Being around 2000 years old, it has a heavily encrusted, natural, well aged patina

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24889

395.00 GBP

A German Army Third Reich Period, Officers Sword By Eikhorn of Solingen

A German Army Third Reich Period, Officers Sword By Eikhorn of Solingen

Doves head pommel with acorn leaf engraved p hilt, acorn leaf engraved backstrap and eagle and swastika langet. A gilded alloy hilt and the gilding is surface flaking with age. Swords made in the closing years up to the war tended to have alloy hilts [as opposed to brass or steel earlier on] that was then over gilded with thin pure gold. The blade is excellent and the steel blackened scabbard has no denting. The German Army (German: Heer, was the land forces component of the Wehrmacht, the German armed forces, from 1935 to 1945. The Wehrmacht also included the Kriegsmarine (Navy) and the Luftwaffe (Air Force). During World War II, a total of about 15 million soldiers served in the German Army, of whom about seven million became casualties. Separate from the army, the Waffen-SS (Armed SS) was a multi-ethnic and multi-national military force of the Third Reich. Growing from three regiments to over 38 divisions during World War II, it served alongside the army but was never formally part of it.

Only 17 months after Hitler announced publicly the rearmament program, the Army reached its projected goal of 36 divisions. During the autumn of 1937, two more corps were formed. In 1938, four additional corps were formed with the inclusion of the five divisions of the Austrian Army after the Anschluss in March. During the period of its expansion by Adolf Hitler, the German Army continued to develop concepts pioneered during World War I, combining ground (Heer) and air (Luftwaffe) assets into combined arms teams. Coupled with operational and tactical methods such as encirclements and the "battle of annihilation", the German military managed quick victories in the two initial years of World War II, prompting the use of the word Blitzkrieg (literally lightning war, meaning lightning-fast war) for the techniques used.

The German Army entered the war with a majority of its infantry formations relying on the horse for transportation. The infantry remained foot soldiers throughout the war; artillery also remained primarily horse-drawn. The motorized formations received much attention in the world press in the opening years of the war, and were cited as the main reason for the success of the German invasions of Poland (September 1939), Norway and Denmark (April 1940), Belgium, France and Netherlands (May 1940), Yugoslavia (April 1941) and the early campaigns in the Soviet Union (June 1941). However their motorized and tank formations accounted for only 20% of the Heer's capacity at their peak strength.  read more

Code: 23075

725.00 GBP

A Very Fine 17th Century Spontoon. Central  Double Edge Blade With Side Wings. Used For Over 140 Years in Military  Service Including From the English Stuart to Early Hanoverian Reigns, The  French-Indian War & Revolutionary War In The Americas

A Very Fine 17th Century Spontoon. Central Double Edge Blade With Side Wings. Used For Over 140 Years in Military Service Including From the English Stuart to Early Hanoverian Reigns, The French-Indian War & Revolutionary War In The Americas

With original long, studded full haft, around 8 foot long, with steel foot. Spontoons (also spelled “espontoons”) appeared later than halberds, coming into use in the late 17th century. The word seems to come from the Italian spuntone, meaning “pointed.” A spontoon’s iron point, sometimes decorated with tassels, was fitted to a sturdy hardwood shaft measuring from six to nine feet in length. The weapon’s distinguishing feature were sidewings sometimes plain and sometimes elaborately ornamental, perpendicular to the main blade.

Spontoons may have evolved from earlier spear-like weapons called pertuisanes or partisans. The partisan had a large blade, sharp on both sides. The blade was wider at the bottom, where twin symmetrical blades of various shapes sprouted from the sides. Rather blurry lines separate the spontoon and a number of other spear-like staff weapons. There were hybrids known as “partisan spontoons,” and some 18th-century European accounts refer to officers’ weapons as partisans rather than spontoons. Other sources refer to spontoons as “half-pikes,” and some simply call them spears.

Although the British serving both in America and Europe, used them in the French Indian War {aka the 7 Years War} quite liberally, we put aside a lot of their use as pole weapons during the Revolutionary War, yet spontoons formed a large part of the equipment of the US Continental Army. Captain Daniel Morgan led a portion of the Continental attack on Quebec on December 30, 1775. His men carried spontoons in addition to rifles and scaling ladders. Attacking a two-gun battery, they drove the defenders into a nearby house. Morgan ordered his men to “fire into the house and follow up with their pikes (for in addition to our rifles, we were also armed with long espontoons), which they did, and drove the guard into the street.”

In several surviving written orders, General George Washington insisted that Continental officers carry spontoons. At Valley Forge on December 22, 1777, Washington directed that each officer “provide himself with a half-pike or spear, as soon as possible.” Washington did not want his officers to carry muskets, which he believed had a way of “drawing their attention too much from the men.” He needed the officers focused on commanding their men, not distracted with loading and firing a musket. Additionally, Washington believed that an officer with neither firearm nor spontoon had “a very awkward and unofficerlike appearance.”

In America, spontoons held on into the early Federal period. A North Carolina militia law of 1787 required infantry officers to carry “side arms or a spontoon.” Because militia officers might well wear civilian clothing, a spontoon or sword served as an indication of superior rank.

The U.S. War Department ordered 120 spontoons for its officers in 1800. Captains Meriwether Lewis and William Clark each carried one during their transcontinental expedition of 1804-1806. Both officers would have reason to be glad they were burdened with these heavy staff weapons. In what is now Montana, on the night of May 26, 1805, Lewis nearly stepped on a rattlesnake. Guided by the sound of the rattles, Lewis stabbed about in the dark with his spontoon until he killed the snake. Three days later, Clark killed a wolf with his spontoon. Lewis’s spontoon would twice more save his life, once in driving away a bear and another time when the captain saved himself from falling 90 feet from a precipice by bracing himself with his weapon’s long staff.

Lewis and Clark may have been the last American military officers to get any real use out of the spontoon. Watchmen and policemen in some cities carried smaller versions of spontoons until about 1860, but by the time of the War of 1812, they had essentially disappeared from military life. However, William T. Sherman, in an 1890 article in the North American Review, pointed out that U.S. militia laws still on the books stated that “each commissioned officer shall be armed with a sword or hanger and spontoon.” So, strictly speaking, all militia officers without spontoons were in violation of Federal statutes until the militia laws were revised in 1903.

The British Monarch's Royal Bodyguard, the Yeoman of the Guard, wearing their scarlet and gold full dress Tudor style uniforms, still carry the traditional spontoon polearms {see photo in the gallery at the Tower of London}. In the gallery is a photograph of spontoons in a Swiss castle museum gallery. This one is polearm type number four on the right.

It has its original studded haft but since it has been in armoury display for likely two centuries all its surface velvet is now gone and overall surface worn.

what is incredibly interesting is the iron foot of the spontoon, it is a 17th century Civil War pike head, that has likely lost its point so the haft has been turned around the spontoon head fitted, and the pike head left in place to be used as its foot.

See photo 10 in the gallery to show exactly how the pike {now an iron foot} would have looked with its point intact, the pike is on display in the Metropolitan Museum in the USA.

Delivery completely assembled with its haft is within the UK mainland only due to length.

Two links to a similar spontoon and a pike in the Metropolitan Museum below, for reference

https://www.metmuseum.org/art/collection/search/25095

https://www.metmuseum.org/art/collection/search/25847

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25649

1745.00 GBP

A Most Fine 1840 Bespoke English Fowling Piece, with Finest Elaborate Engraving, Juglans Regia Walnut Stock and and Damascus Twist Barrel. Finely Engraved Throughout with Hunting Dogs, Scrollwork and Gamebirds

A Most Fine 1840 Bespoke English Fowling Piece, with Finest Elaborate Engraving, Juglans Regia Walnut Stock and and Damascus Twist Barrel. Finely Engraved Throughout with Hunting Dogs, Scrollwork and Gamebirds

By James Catley of Lench St. Birmingham.

With back action lock prevalent in the 1840's , and a finest damascus 31 1/2 inch long barrel, with twin inlaid gold lines, and hook breech for rapid removal of the barrel. Original rammer, with its concealed threaded worm-screw and cover cap at its farthest end, for the removal of missfires, and the stock has silver escutcheons for a barrel retaining key, again to aid rapid removal of the barrel.

During the 1840s, English fowling pieces (sporting shotguns) reached a pinnacle of mechanical refinement, artistry, and prestige. This decade marked the absolute maturity of the percussion lock system before breechloaders took over, characterized by incredibly fast ignition times, exquisite Damascus steel barrels, and ultra-slim, elegant walnut stocks. London and Birmingham gunmakers set the global standard for luxury sporting arms

By the 1840s, the classic flintlock was considered obsolete for high-end wing shooting. Gunsmiths perfected the copper percussion cap system, utilising "patent breeches" that allowed for near-instantaneous ignition and superior weather resistance.

Barrels were meticulously forged by twisting iron and steel bars together to create striking, intricate patterns (such as curnee, herringbone, or ribbon Damascus). These were finished using a specialized browning or cold rust bluing process that protected the metal while accentuating the elegant swirling pattern.

The lines of 1840s pieces were exceptionally sleek. Stocks were carved from high-grade English or Circassian walnut, featuring fine checkering at the wrist and a slim, gracefully sloping comb. Engraving reached an extraordinary level of detail, featuring tight scrollwork, hunting dogs, and game birds on the lock plates, hammers, and trigger guards.

The 1840s market was dominated by legendary names operating out of London and Birmingham, many of whom pioneered technology still referenced in modern gunmaking today:

This beautiful piece of finest English workmanship, is from the zenith of the worlds greatest gunmaking master craftsmen. It would make a superb piece for interior decoration {no gun safe is required to store antique obsolete arms}, bearing in mind to replace it today, by one of the few remaining and equivalent finest London bespoke gunsmiths, such as Boss or Purdey, would require an expenditure of likely £120,000 plus

All in superb condition for age, with just usual light wear throughout.  read more

Code: 26356

1150.00 GBP

An Early, Historical and Fine, Original, Moghul Empire Katar. As With Most Of The Fine, Surviving, Early Katar It Has an Armour Piercing Blade. Made and Used From the Time Of Moghul Emperor Shah Jahan in the 17th Century

An Early, Historical and Fine, Original, Moghul Empire Katar. As With Most Of The Fine, Surviving, Early Katar It Has an Armour Piercing Blade. Made and Used From the Time Of Moghul Emperor Shah Jahan in the 17th Century

Indian long blade armour piercing katar from the era of Shah Jahan, builder of The Taj Mahal, the most famous monument to a beloved wife in the world.

It was well known for its armour piercing capabilities, as many historical katars featured a blade that dramatically thickened into a diamond-shaped tip {see photo 9 in the gallery of this katar's blade tip}. This was intentionally engineered to punch directly through steel chainmail or split shields during an ambush.

The Katar is one of India's oldest weapons, characterised by its H shape grip and triangular blade. The Katar was predominantly used in battle and by skilled assassins as a thrusting dagger due to its design similar to the boxing method the user would punch with the dagger in the hand with the aim of piercing chain mail and the opponent. Due to the build of the Katar, with its H shaped grip, the Katar also provided a great defence as the handle bars protected the wrist from getting cut. Katars could also be paired with other weapons, such as a Kard or Pesh Kabz and utilised for slashing; as many of them hard sharp edges. From becoming a predominantly functional weapon, during the Mughal reign of India (from the 1500s onwards) rulers would wear a highly bejewelled gold covered example {see the portrait in the gallery}

The portrait in the gallery, circa 1650, is of Moghul Shah Shuja who was the second son of the Mughal Emperor Shah Jahan and Empress Mumtaz Mahal. He is wearing his similar form katar. Although his katar was naturally decorated with fabulous jewels, ours is plain steel.
He was the governor of Bengal and Odissa and had his capital at Dhaka, presently Bangladesh. He suffered and ignominious fate at the hands of his brother, Aurangzeb, who declared himself the next Emperor. In the Moghul Empire it was entirely normal for the most powerful son of the previous Shah to kill, banish or imprison their brothers, who would or even might be contenders for the throne. It was similarly the normal practise of the Ottomans.

Shah Jahan is best remembered for his architectural achievements. His reign ushered in the golden age of Mughal architecture. Shah Jahan commissioned many monuments, the best known of which is the Taj Mahal in Agra, in which is entombed his favorite wife, Mumtaz Mahal. His relationship with Mumtaz Mahal has been heavily adapted into Indian art, literature and cinema. He owned the royal treasury, and several precious stones such as the Kohinoor and has thus often been regarded as the wealthiest person in history.

The death of his father Jahangir in late 1627 spurred a war of succession between his sons Shahryar and Khurram from which Shah Jahan emerged victoriously. He executed all of his rivals for the throne and crowned himself emperor on January 1628 in Agra, under the regnal title "Shah Jahan" (which was originally given to him as a princely title). His rule saw many grand building projects, including the Red Fort and the Shah Jahan Mosque. Foreign affairs saw war with the Safavids, aggressive campaigns against the Shia Deccan Sultanates,10 conflict with the Portuguese, and positive relations with the Ottoman Empire. Domestic concerns included putting down numerous rebellions, and the devastating famine from 1630-32.

In September 1657, Shah Jahan fell seriously ill. This set off a war of succession among his four sons in which his third son, Aurangzeb, emerged victorious and usurped his father's throne. Shah Jahan recovered from his illness, but Emperor Aurangzeb put his father under house arrest in Agra Fort from July 1658 until his death in January 1666. He was laid to rest next to his wife in the Taj Mahal. His reign is known for doing away with the liberal policies initiated by Akbar. Shah Jahan was an Orthodox Muslim, and it was during his time that Islamic revivalist movements like the Naqsbandi began to shape Mughal policies.

9 1/4 inch long blade, overall 17 3/4 inches long. 3 1/2 inches wide.  read more

Code: 26355

875.00 GBP