A Most Rare & Beautiful British Percussion Half Stock Light Rifle By Isaac Riviere. A Very Finely Regarded London, Bespoke, Hand Made Rifle Maker Holding Patent for His Unique Percussion Action Designs

The Riviere gun making family were Huguenots that fled France and settled in London, this rifle likely by Isaac Riviere. A very lovely rifle in a very fine state of condition. It clearly shows this to be an excellent example of British hand made finest gunmaking, at its very best, in the 19th century.

Approx 12mm rifled 10 bore. The barrel shows a nice contrasting plum and darker brown Damascus pattern its full-length. There is a simple silver bladed front sight and folding rear twin site, with the maker name ''Riviere Rifle Gun Maker London'' on the top flat ahead of the breech. The breech shows some nice mottled smoky colour with a platinum blowout plug on the bolster, and hook breech. barrel affixed to the stock with a barrel key. There is nice quality scroll engraving on the tang which shows nicely.

The English walnut stock is highly figured and rates very fine with excellent original varnish and overall light dings and handling marks from the years. It features a checkered pistol grip area. with its original ramrod with screw cap covering the worm screw for extracting missfires.
The stock bears its two original sling swivels.

Fine steel mounts and fittings.
Overall in superb condition for age, with a fine hairline in the stock behind the lock.  read more

Code: 26323

A Magnificent 95th Rifles, 1803 British Light Infantry Officer's Sabre of the Napoleonic Wars, The Peninsular War Campaign, The War of the Hundred Days Culminating in Quatre Bras, and Waterloo. with Engraved 'Britannia' Blade. Bespoke Made by Osborne

Used in the Peninsular War, Waterloo & The War of 1812 by a British Officer of a light infantry such as the famous 95th Rifles, or the flank light company of a Guards regiment. Such as that fought at Hougemont in The Battle of Waterloo. and the 95th Rifles that held "The Sandpit" near La Haie Sainte, Waterloo

A singularly beautiful sword, with near mint mercurial gilt hilt, that was designed for battle but was stunningly serviceable for full dress.

It has a carved slotted hilt with the 95th Rifles bugle, the pierced cypher of King George IIIrd, as the inner design within the knuckle bow, and adorned with a wonderfully detailed lion's head pommel, with fine triple wire binding around the spiral sharkskin grip.
This is the pattern of British Light Infantry and Rifles Officer's sword carried by gentlemen officers who relished the idea of combat, but found the standard 1796 Infantry pattern sword too light for extreme combat.

The light infantry regiments were made up of officers exactly of that mettle. The purpose of the rifles light infantry regiments was to work as skirmishers. The riflemen and officers were trained to work in open order and be able to think for themselves. They were to operate in pairs and make best use of natural cover from which to harass the enemy with accurately aimed shots as opposed to releasing a mass volley, which was the orthodoxy of the day.
The riflemen of the 95th were dressed in distinctive dark green uniforms, as opposed to the bright red coats of the British Line Infantry regiments. However the Light Infantry Companies of the Guards Regiments wore red. This tradition of green uniforms lives on today in the regiment’s modern equivalent, 'The Rifles'.

This sabre has a few hand to hand combat cuts in its edge likely from Quatre Bras or Waterloo, and as it still remains sharp. These impacts are highly respected as indicative of the sword's combat pedigree against Napoleons forces.

The standard British infantry and light infantry regiments fought in all campaigns during the Napoleonic Wars, seeing sea-service at the Battle of Copenhagen, engaging in most major battles during the Peninsular War in Spain, forming the rearguard for the British armies retreat to Corunna, serving as an expeditionary force to America in the War of 1812, With the return of Napoleon from exile, all of the companies in England crossed the channel and landed in Belgium in May 1815, joining with those already present, so that the entire regiment, bar the five companies still in America, became part of Wellington's Anglo-Dutch army. The first battalion went on to fight at the Battle of Quatre Bras on 16 June 1815, while all three battalions would fight at the Battle of Waterloo on 18 June 1815

During the battle of Waterloo the 95th Rifles held "The Sandpit" near La Haie Sainte, near the centre of the fighting. From this covered position they could target the French columns marching to both sides & the attackers on the chateau.

In 'Burke at Waterloo', by Tom Williams, Burke’s sergeant, William Brown, is fighting alongside the riflemen, and the account accords well with real accounts of the battle for the farm.

"At last the drummers started to beat amongst the ranks of blue-uniformed warriors and the columns began to bear down on La Haye Sainte. They advanced at a quick step with loud cries of ‘Vive l’Empereur!’ From the heights behind William came a murderous artillery fire that struck down dozens of the advancing soldiers, but they came on regardless.

Now they had reached the beginning of the slope. As they approached La Haye Sainte, skirmishers broke out from the head of each of the columns. Finally, the 95th had something to shoot at. The sound of their rifles was almost lost in the din of artillery as French and British guns duelled across the battlefield.

The farm ahead of them was now the scene of desperate fighting. The French had the place surrounded on three sides, pouring fire into the farmyard. A French brigade moved towards the north of the farm to complete its encirclement. As they did so, they came within range of the sandpit and the Rifles opened up on them. William fired, reloaded and fired again. There was no careful wrapping of the balls now. He rammed home his ammunition as fast as he could. With the enemy so close, it was speed, not accuracy, that was needed. There were so many that it seemed almost impossible not to hit them. The French dropped by the score, but as fast as the men of the 95th killed them, more blue-coated figures moved to replace the dead. Outnumbered as they were, it could only be a matter of time before the Rifles were overrun.

Then, to William’s amazement, the brigade swung away, as if unwilling to face the men in the sandpit. If they were trying to escape the Green Jackets, though, this manoeuvre went horribly wrong, for their change in direction took them straight towards the company that were hidden in the hedge. Once again, their ranks were decimated by British rifle fire.

For a moment, William thought that their three companies of Rifles might achieve the impossible and beat back the French brigade, but, even as the French hesitated, an outburst of firing and cheers drew everyone’s attention to the east. There, through the chaos of smoke, he could see men in the dark blue of the Belgian infantry breaking back towards the main Allied lines while the lighter blue of the French pursued them.

Their captain saw it too, cursed, briefly but fluently, and then turned to his sergeant. ‘The Belgians have broken. We’re too exposed. We have to withdraw.’

William already had his rifle at his shoulder, so he pulled the trigger and took down one more Frenchman. Then, with the rest of the men of the 95th, he started heading back to their own lines.
and holding their positions against tremendous odds at the Battle of Waterloo."

The 1803 Sabre has frequently described as one of the most beautiful swords ever carried, and it was used, in combat, in some of the greatest and most formidable battles ever fought by the British Army during the Napoleonic Wars in Europe the Peninsular Campaign and Waterloo. This is a very attractive sword indeed and highly desirable, especially for devotees of the earliest era of the British Rifle Regiments, such as the 95th and the 60th. As a footnote, in Bernard Cornwall's books of 'Sharpe of the 95th', this is the Sabre Major Sharpe would and should have carried if he hadn't used the heavy cavalry pattern troopers sword, given to him in the story in the first Bernard Cornwall novel.

Overall this battle cum dress sword is in very good order and quite stunning. Near mint mercurial gilt hilt, and fine sharkskin and original triple wire binding to the grip,the scabbard leather is good with two effective contemporary field service leather repairs and very good scabbard mounts, with twin hanging rings, and a top fitting frog mount. The blade is finely engraved, with gilt within the engraving, of Britannia with her Union Flag shield, the Kings Royal Cypher, scrolls, maker mark of Osborne, and in combat service condition, with all its deluxe engraving, mostly clear, but with numerous areas of old russetting and pitting.  read more

Code: 26335

A Most Interesting and Very Attractive, 1800’s Continental, Napoleonic Wars Period Flintlock Carbine. Based on a French Pattern. Likely A British Officer's Souvenir Of His Combat Service In The Napoleonic Campaigns.

A very handsome small carbine, with a very good tight and crisp action. Likely for cavalry or mounted artillery use.
Fine walnut stock with fine patination, all steel furniture, in very nice order, including the butt plate, side-plate, trigger guard, and three screw fixed barrel bands. Both sling swivels present. Likely a war souvenir, brought back to England by the British officer. The barrels were then re-proofed by the Birmingham proof-house, with the 1813 Birmingham proofs stamps upon the barrel breech, for continued use in Britain.

This fine carbine will make a incredibly attractive display piece, complimenting any decor, and also perfect for a Napoleonic Wars historical artifact collector, as an example of a rarely seen form of original flintlock for an incredibly low price, compared to the regulation pattern French equivalents.

The Napoleonic Wars (1803–1815) were a global series of conflicts pitting the French Empire under Napoleon Bonaparte against shifting European coalitions. Emerging from the French Revolution, the wars gave France temporary control over most of continental Europe before ending in Napoleon's final defeat.
Britain resumed war with France, leading to the Third Coalition. Napoleon secured a masterclass victory at the Battle of Austerlitz (1805), though Britain secured naval dominance at Trafalgar.
Napoleon enforced a trade blockade against Britain called the Continental System. Portugal's refusal led to the costly Peninsular War in Spain and Portugal, draining French resources.Invasion of Russia (1812):
A disastrous winter retreat from Moscow decimated the French Grand Army and inspired a unified Sixth Coalition.
Allied forces captured Paris, forcing Napoleon to abdicate and retreat to Elba.Conclusion of the ConflictThe Hundred Days (1815): Napoleon escaped exile, returned to France, and raised a new army during the War of the Seventh Coalition.Battle of Waterloo (June 18, 1815): Allied forces led by the Duke of Wellington and supported by Gebhard Leberecht von Blücher decisively defeated Napoleon.

Napoleon was exiled once more, but to far more isolated, to the island of Saint Helena, and the Congress of Vienna redrew Europe's political boundaries.

42 inches long overall. Replaced wooden rammer.  read more

Code: 26328

A Very Good Original 1930's Japanese WW2 Rising Sun Battle Flag Kyokujitsu-ki. Excellent Size For Display Purposes For Collectors of The Pacific Theatre War From 1936 -1945

Made from likely cotton-muslin, with a left side flag pole sleeve, double stitched for added strength. The flag is darker through its service at the bottom third, than the top 2/3rds, as it was carried on a flag pole in service, by a Japanese soldier, and the bottom section would be closer to the ground and the jungle and or river crossings. It could likely clean, but we would recommend to leave it 'as is' to demonstrate its in-built historic context.

The Japanese Rising Sun Flag (Kyokujitsu-ki) features a red central sun disc with 16 radiating red rays on a white field. Symbolizing the sun, the design dates back to the Edo period as a feudal warlord banner, and became the official Japanese military flag in the late 19th century.

The artistic motif of a sun with radiating beams was used by regional lords (daimyo) in Japan during the Edo period (1603–1868) to decorate banners and equipment.

On May 15, 1870, the Meiji government adopted a 16-ray design as the war flag for the Imperial Japanese Army.
On October 7, 1889, a variation with an off-centre sun was adopted as the naval ensign for the Imperial Japanese Navy. Troops carried these banners into battle during the First Sino-Japanese War, the Russo-Japanese War, and World War II.

A WW2 Pacific Theatre, Burma combat souvenir, originally wrapped around a surrendered Japanese officer's sword, and stored accordingly since the war.

The World War II Burma Campaign (1941–1945) was a brutal, multi-year struggle where Allied forces—primarily the British Indian Army, British units, and Chinese troops—fought to recapture Burma from the invading Empire of Japan. Fought through punishing jungles, monsoon rains, and disease, the campaign aimed to reopen supply lines to China and protect India.

The Japanese Invasion (1942).
Japanese forces swiftly overran Burma, forcing a disastrous, long-range retreat of British and Chinese troops back toward the borders of India.
Under leaders like General William Slim, the Allies reformed the British Fourteenth Army, mastering jungle warfare, logistics, and airborne resupply.

Japanese offensives at Imphal and Kohima failed catastrophically when Allied defenders held their ground using air drops for food and ammunition, decimating the Japanese forces.
The Allied Reconquest (of 1944–1945) where the Allies counter-attacked, swept through central Burma, reopened overland routes to China, and recaptured Rangoon, securing total victory before the war ended.

Overall in very nice survived condition, with just a few moth holes at the outer edges.

70cm {27.5 inches} high, 129cm wide {51 inches}  read more

Code: 26333

An Original & Historical 1796 Pattern Napoleonic Wars British Light Dragoon Trooper's Sword. A Regiment of the Line Issue Combat Sabre, For An NCO Or Other Rank Trooper Used In The Peninsular War and Battle of Waterloo era.

All steel scabbard, with steel P hilt and wooden grip. The blade is in excellent plus condition, and superbly bright overall, made circa 1802 to 1803. Average condition for age, obviously seen combat service .
Maker stamped by Osborne, ordnance contract maker of 1796 pattern light and heavy dragoon trooper's swords, a maker in Birmingham, 1797 to 1803, & ordnance inspector stamped on the blade face, Crown over 1.

This sword would have been used by a Light Dragoon trooper in any of the light cavalry regiments of the line, of the Napoleonic Wars, such as one who served, just for example, in the 11th Light Dragoons.

The 11th Light Dragoons later became the 11th Hussars. The 11th fought at both the Peninsular War and at the Battle of Waterloo, and were awarded almost 500 medals for Waterloo. After a spell in Ireland the 11th were sent to Spain and Portugal to reinforce Wellington's army. Their strength, normally around 300 in peacetime was raised to 725. They arrived in June 1811 and, as in Egypt, they had a bad start. A dawn attack by the French in woods between Elvas and the Guadiana forced the 11th to retire on to what they thought were friendly Portugese lines. When they realised they were French, their commander Capt Lutyens ordered the charge. The shock tactic worked and they were able to drive their way through, but a second line of enemy troops was able to resist them. They lost 8 killed, 22 wounded and 77 taken prisoner.
The regiment had more success at El Bodon near Cuidad Rodrigo on 25th September. By this time they were commanded by Lt Col Cumming, a brave and efficient cavalry officer. A large force of French cavalry was threatening Allied infantry and artillery on the plain in front of the 11th and a squadron of the King's German Legion who were well placed on high ground. Although they were vastly outnumbered the 11th and KGL charged at the enemy again and again, 20 times in all.

The 11th were part of Wellington's great victory over Marmont at Salamanca on 22nd July 1812 but by 3rd April 1813 they had to give up their horses and embark for England much to the regret of Sir Stapleton Cotton who was in command of the cavalry in the Peninsula. It had been a hard two years for them having lost 417 men and 555 horses.

During their time in the Peninsula many changes had been made to the uniforms of the British Army. The Prince Regent had a keen eye for dress and with his newly acquired position of supreme power was determined to push through his ideas based on continental military trends. The 11th exchanged it's light dragoon Tarleton helmet for a shako. The new jacket was still dark blue but had a buff plastron covering the chest, and white epaulettes, silver for officers. With the return of Napoleon in March 1815 the war with France resumed and the 11th arrived at Ostend on 2nd April. They were in Vandeleur's brigade with the 12th and 16th and had an unprecedented strength of 947 men. They came under heavy attack at Quatre Bras but did not suffer badly. On the 18th June 1815 the Battle of Waterloo began after a terrible night of torrential rain. It was a frustrating morning for the British cavalry who had to stand and watch an infantry battle. Against Wellington's wishes, the heavy cavalry made a brilliant charge that was spoiled by it's failure to re-form. The 11th under the command of Lt Col Money were sent into action when it looked as if the enemy were breaking up. They broke a French infantry square and carried on with the pursuit of Napoleon’s fleeing soldiers.
Wellington entered Paris in triumph on 7th July escorted by the 11th and others. The regiment bivouacked on the Champs Elysees and became part of the army of occupation in France and Belgium. On 20th November they eventually arrived home after 3 years on the continent

The mounted swordsmanship training of the British emphasised the cut, at the face for maiming or killing, or at the arms to disable. This left masses of mutilated or disabled troops; the French, in contrast, favoured the thrust, which gave cleaner kills. A cut with the 1796 LC sabre was, however, perfectly capable of killing outright, as was recorded by George Farmer of the 11th Regiment of Light Dragoons, who was involved in a skirmish on the Guadiana River in 1811, during the Peninsular War:
"Just then a French officer stooping over the body of one of his countrymen, who dropped the instant on his horse's neck, delivered a thrust at poor Harry Wilson's body; and delivered it effectually. I firmly believe that Wilson died on the instant yet, though he felt the sword in its progress, he, with characteristic self-command, kept his eye on the enemy in his front; and, raising himself in his stirrups, let fall upon the Frenchman's head such a blow, that brass and skull parted before it, and the man's head was cloven asunder to the chin. It was the most tremendous blow I ever beheld struck; and both he who gave, and his opponent who received it, dropped dead together. The brass helmet was afterwards examined by order of a French officer, who, as well as myself, was astonished at the exploit; and the cut was found to be as clean as if the sword had gone through a turnip, not so much as a dint being left on either side of it" The blade is remembered today as one of the best of its time and has been described as the finest cutting sword ever manufactured in quantity.

The steel hilt and scabbard has overall ols russetting, bright polished and with no denting.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 26331

A Singularly Beautiful & Magnificent Presentation Grade 1796-1803 {15th Hussars} British Officer's Sword, Of The Napoleonic Wars. Used In The Peninsular Campaign, & The War of 100 Days Culminating at Quatre Bras & Waterloo. Museum Quality Example

In stunning condition, near mint mercurial gilding, with bright polish blade bearing traces of GR cypher and Royal motto.
The 15th Hussars was converted into a Hussar Regiment, from a Light Dragoon regt. in 1807, before being sent to Spain for the Peninsular War (1808-14) a year later.


After joining up with Sir John Moore’s force, it successfully charged uphill through snow against French chasseurs and dragoons at Sahagun on 21 December 1808. It was evacuated from Corunna in January 1809.

After a spell of policing duties in the north of England, it returned to the Peninsula in 1813, fighting at Morales and Vitoria that year, and at Orthes and Toulouse in 1814. It also fought at Waterloo in 1815.

In May 1815 the Regiment, under command of Lt. Col. Leighton Dalrymple, returned to France to meet the threat raised by the resurrected Napoleon. In France, the Regiment was brigaded with the 7th Hussars and the 2nd German Hussars. Napoleon's rapid advance in June took Wellington by surprise, and the British cavalry were ordered to march at short notice, reaching Quartre Bras on the evening of 16th June. On 17th, the British, with the cavalry covering, fell back towards the village of Waterloo and spent a night bivouacked in the open in torrential rain. On the fateful morning of the 18th, the 15th Hussars formed a section of the British front line near Hugomont Farm, astride the Nivelle Road.

" . . a large body of Cuirassiers and other cavalry were seen carrying all before them on the open ground between Hugomont and La Haye Saint, and their Lancers were shouting in triumph. The brigade instantly moved towards its former post, and the 13th and the 15th charged and drove back the Cuirassiers, with the most distinguished gallantry, for some distance."

Based, primarily, on Wellington's own comments, some historians have expressed admiration of British cavalry actions at Waterloo - in the mud, blood and heat of battle, the contribution to victory made by both the heavy cavalry, such as the Scots Greys and the Inniskillens, and the light cavalry, such as the hussar regiments, is remarkable.

At Waterloo, the 15th Hussars lost 3 officers and 25 other ranks killed, together with 42 horses, and 7 officers (including Col. Dalrymple) and 43 other ranks wounded, together with 52 horses. After the battle, the Regiment pursued the French to Cambray and then to Paris, returning to England (Hounslow) in May 1816.

The hilt retains almost all its original finest mercurial gold covering, and a stunning line engraved grip, and ivory grip. The scabbard similarly draws the eye to the importance of the entire piece. Its highly distinctive appearance brings us very much to mind a strong possibility it was presented to an officer of the 15th Light Dragoons, likely for conspicuous service in the Peninsular campaign. In the early 1800’s the regiment commissioned a specific design of highest quality mameluke hilted dress swords, without knuckle bow, and a carved marine Ivory hilt, for officers of the regiment, and with this highly distinctive rare scabbard pattern, a rare scabbard pattern is so similar that we feel this sword was the alternative dress-cum-combat version. We therefore judge this very sword's design may well have influenced by the pattern of the 15th Hussars regiments officer's deluxe quality mameluke made during the Georgian period, but the 1796 p hilt was far more effective as a combat sabre for a secure grip in the charge.
This sword's blade slides neatly into the amazingly decorated sheath, of engraved mercurial gold copper-gilt panels, with a black leather base, and twin fine ring mounts. This wondrous sword is somewhat similar quality to the Lloyds Patriotic Fund swords, and other highest grade presentation quality swords awarded to officers during wars with France, during the reign of King George IIIrd, in the early 19th century. It would have been commissioned from by one the finest London makers, such as R. Teed of Lancaster Court, or Thomas Gill of St James's, as there are certainly elements of workmanship similar to both Gill and Teed's finest craftsmanship. The blade is polished with areas of age staining and once bore fine engravings and the king's cypher and motto. Lloyd's Patriotic Fund was founded on 28 July 1803 at Lloyd's Coffee House, and continues to the present day. Lloyd’s Patriotic Fund now works closely with armed forces charities to identify the individuals and their families who are in urgent need of support.

The contributors created the fund to give grants to those wounded in service to the Crown and to set up annuities to the dependents of those killed in action. The Fund also awarded prizes to those British combatants who went beyond the call of duty. The rewards could be a sum of money, a sword or a piece of plate. The Fund issued 15 swords worth £30 each, to midshipmen, masters' mates and Royal Marine lieutenants. Also, 91 swords worth 50 pounds each went to naval lieutenants and Royal Marine captains. It issued 35 swords worth £100 each to commanders and naval captains. In addition, it issued 23 swords, worth £100 each, to naval captains who fought at Trafalgar. Some 60 officers requested a piece of plate of equal value instead of a sword. Lastly, a number of officers opted for cash instead, either for themselves or to distribute to their crew.

One engagement might result in multiple awards. When a cutting-out party from HMS Franchise captured Raposa in 1806, naval lieutenants John Fleming and Peter Douglas, and Lieutenant of Marines Mend, each received a sword worth £50, while Midshipman Lamb received one worth £30.

Not all the officers who received swords or other merit awards were naval officers or Royal Marines. Some were captains of privateers or East Indiamen. The Fund awarded Mr. Thomas Musgrave, captain of the private man of war Kitty an honour-sabre worth £30 for the action in which Kitty captured the Spanish ship Felicity (or Felicidad). After the Battle of Pulo Aura, Lloyd's Patriotic Fund gave each captain a sword worth £50, and one to Lieutenant Robert Merrick Fowler (RN), who had distinguished himself in a variety of capacities during the engagement, and one worth £100 to Captain Nathaniel Dance, who had been the commodore of the fleet.

Napoleonic period original painting in the gallery of Capt. George William Manby, with his near identical Prize Presentation Sword, painted in 1818, by Samuel Lane..

This sword has its ivory restriction exemption certificate no; RDW66NZ9
It cannot be exported from the UK.  read more

Code: 21774

A Most Rare Third Reich Period Deutche Luftfahrt/DLV Officer's Visor Cap Insignia, German Flyers Associoation

DLV (German Flyers Association). The German Air Sports Association (Deutscher Luftsportverband, or DLV e. V.) was an organisation set up by the Nazi Party in March 1933 to establish a uniform basis for the training of military pilots. Its chairman was Hermann Göring and its vice-chairman Ernst Röhm. Since the Treaty of Versailles officially forbade Germany from building fighter planes of any sort, the German Air Sports Association used gliders to train men still officially civilians for the future Luftwaffe. The first steps towards the Luftwaffe's formation were undertaken just months after Adolf Hitler came to power. Hermann Göring, a World War I ace with 22 victories and the holder of the Orden Pour le Mérite, became National Kommissar for aviation with former Deutsche Luft Hansa director Erhard Milch as his deputy. On 25 March 1933 the German Air Sports Association absorbed all private and national organizations, whilst retaining its 'sports' title. In April 1933 the Reichsluftfahrtministerium (RLM – Reich Air Ministry) was established. The RLM was in charge of development and production of aircraft, and soon afterwards the test site or Erprobungsstelle at Rechlin became its testing ground, a military airfield that had been first established in August 1918. Göring's control over all aspects of aviation became absolute.

The German Air Sports Association was dissolved in 1937 and replaced with the National Socialist Flyers Corps, a corporation under public law and subordinate to Reichsluftfahrtminister Göring.  read more

Code: 23870

A Simply Glorious Bladed 'Katateuchi' 500 Year Old Katana Signed Katsumitsu 勝光. The Bizen Osafune Smiths Renown For Some of The Finest And Most Beautiful Blades To Ever Behold. The Very Form of Katana Used By Musashi, The Greatest Samurai Warrior

The blade on this is katana is truly breathtaking and one of the most beautiful we have had the privilege to own and display for sale amongst our collection.

If the greatest samurai who ever lived, Musashi, had used this sword, it would already have been over 100 years old.

Made and used by samurai, who was an expert in the combat form of two sword combat, that Musashi made famous a century later, and detailed in his iconic biography, The Five Rings

We hope that the photographs truly do this breathtaking sword blade justice.

The blade is not only extraordinarily fine, and with a spectacular hamon, but in superb effectively flawless condition. The fuchi kashira and all the mounts are original Edo period with the Takeda clan kamon, the diamond form flower head of the Hanabishi, made of silvered copper-gold alloy. The hammered iron tsuba is very early, and most rare, made of tamehagane steel by an armourerer and swordsmith, and also in superb condition. The menuki, under the tsuka-ito, on the original samegawa giant rayskin, are shakudo and gold decorated plants.

A katateuchi by the Bizen smith Katsumitsu (late Muromachi period, around the late 15th to early 16th century) is a historical one-handed Japanese fighting sword (uchigatana) often measuring roughly 55 to 66 cm in length, featuring a distinctive short tang (nakago) designed for single-handed grip during the Sengoku period. This sword blade is 68cm.
Defining Features of Katsumitsu Katateuchi Crafted by the Osafune school smiths in Bizen Province (frequently associated with master smiths like Jirozaemonnojo Katsumitsu).

Miyamoto Musashi used and advocated for single-handed striking techniques, and the term katate-uchi (片手打ち, meaning "one-handed strike") describes both a functional sword style and a shorter type of uchigatana designed for one-handed use.

Musashi famously founded the two-sword strategy known as Niten Ichi-ryū, around 100 years after this sword was created, where he wielded a long sword (katana or daitō) and a companion short sword (wakizashi or shōtō) at the same time.
One- Wielding a long sword simultaneously with a short sword forces the practitioner to use the main katana with only one hand. Musashi noted in The Book of Five Rings (Go Rin No Sho) that training to use a long sword with one hand is essential because situations arise—such as being on a horse or in narrow spaces—where you cannot use both hands.

Late Muromachi / Sengoku era (circa 1490–1529), was an era of intense warfare. This sword is a most fine example of katana originally built strictly for one hand rather than the two-handed grip of a standard katana.
Typically a katana form that was, optimized for rapid drawing and close-quarters combat.

The Katsumitsu of Kashu Province resided in this province, This province was ruled by Maeda clan when Katsumitsu was alive. Maeda clan was originally a retainer of Oda family, who ruled Owari province. (today’s Nagoya area in Aichi prefecture) The first head of the Maeda clan was Toshie Maeda. He became the feudal lord of Kaga Province . It is said that he had a vast rice fief which is called Hyakuman Goku.
The Maeda clan was one of the most powerful lines in Samurai history. Toshie Maeda had a close tie with Oda Nobunaga and Hideyoshi Toyotomi.

The sword is mounted with a most fine Ko-Tōshō Sukashi Tsuba likely Kamakura period, ca. 1185–1333.

The Ko-Tōshō sukashi tsuba is solid iron plate tsuba, an early Japanese sword guard (tsuba) made by swordsmiths (Tōshō) during the pre Muromachi period (1336–1573). These pieces feature simple openwork (sukashi) cut from robust iron plates, blending utilitarian defense pierced with austere Zen-Buddhist symbolism. Made by early swordsmiths and armourers often using tamahagane sword steel

The saya needs a kurigata {sageo cord horn mount that is damaged} restored, a small task but we will attend to it. The saya is black ishime {stone finish in matt black}

Blade 68 cm long, 97 cm long overall in saya  read more

Code: 26326

A Beautiful Victorian Hidden Gadget System Cane, Known As the Toulouse-Lautrec Cane. In Carved Mallacca Wood. A Fabulous Original Converstion Piece of Victorian Hidden Gadgetry.

Of all systems canes, the Toulouse-Lautrec walking stick is certainly the most unique. This stick is named after the famed 19th-century artist whose personal reputation rested largely upon his frequent visits to cabarets and dance hall bars within the mystical underbelly of Montmartre in Paris, France.

This intriguing type of cane, also known as a tippling stick, conceals the necessary apparatus related to travelling alcohol consumption: a tubular glass flask fixed within the haft, and in the separate top section, a hollow empty receptacle for either using as a drinking cup or to hold small 'tipple' glasses. Both sections are connected by screw threaded silver plated copper metal mounts

Notably, it is often said that Toulouse-Lautrec himself personally commissioned a wooden-shaft cane with a secret compartment in which he could hide a small glass vial for liquor, mostly absinthe, known as the 'green fairy'.

Systems canes are the most highly collected types of canes and there are literally thousands of types from which to choose. A system cane is one that has a dual purpose or hidden meaning or function. These canes were used in much the same way as we use a wallet or a purse today and wealthy gentlemen or ladies would have owned several canes to be used for different outings and purposes.

An original antiques collectors item for display purposes only.  read more

Code: 26299

A Original Antique Vintage & Iconic Collectors Piece . A Simply Superb Original Thompson, 'Tommy Gun'. The Auto Ordnance Sub Machine Gun, The 1928A1, The Iconic & Most Famous American Machine Gun In the World. Known as 'The Chicago Piano' . Deact.

Fine walnut stock, with stunning patina, with the much sought after early pattern pistol grip, and the early 'long' box magazine, all its original blue finish, with commensurate combat service wear.

A superb example, as good as any of the best examples in the Imperial War Museum, and their like, and a rare example bearing three of the best inspection stamps you would like to see but rarely do. Thus it is stamped by The US Army Inspector of Ordnance for the Rochester District, Lt. Colonel Ray L. Bowlin, using his official stamp, RLB (from 1940, until 1942). Also stamped, GEG the initials of Auto-Ordnance’s inspector, George E. Goll. Plus, it has has the US Army 'flaming grenade' approval stamp for combat service issue in WW2.
All the previously described stamps are, effectively, its ‘built-in’ provenance, that it was acquired for the US Army for combat service, in 1941, for the entry of WW2 by the USA, and approved for use in the Pacific Theatre and Europe.

Interestingly, at the time it was the most expensive machine gun ever made, the cost in the 1930’s was $250 each, paid by the British Government in order for urgent arms supplies desperately required as we were tragically ill prepared for war {as usual}. Especially so, because after the incredible evacuation of the army at Dunkirk, when all our arms and 60,000 vehicles were left abandoned in France, Britain only had around one light machine gun left for every mile of British coastline. Fortunately, Hitler was unaware just how completely unprepared for the coming war we were, as we had been criminally let down by the 1930’s pre-Churchill era of government. To put into context how much $250 dollars was worth in 1939, a British ‘Tommy’ regular soldier was paid just $3 a week. Thus a ‘Tommy Gun’ cost almost two years pay for a British soldier.
Hence the need for a really cheap, basic, British version to be designed, put into production and supplied to the army, and incredibly quickly. Thus the Sten Gun was born, at a production cost of only $10. each. So, it was 25 Sten Guns produced for the cost of every 1 Tommy Gun, with 3 million made by the end of 1945.

Even the US government balked at the cost of the 1928A1 Tommy Gun, so they order a major re-designed far cheaper model, the M1A1 Tommy Gun. Eventually to be itself replaced by the M3, the so called ‘Grease Gun’.

This fabulous machine gun was as seen used {specifically the 1928A1 ‘Tommy Gun’} by Johnny Depp, (one of America’s most talented actors),
in his remarkable movie portrayal of John Dillinger in, 'Dillinger'.

The absolute archetypal Tommy Gun of the Chicago Gangster era. Known as the 'Chicago Piano' it is probably the most famous American Machine gun ever made. There was certainly not a single 1930's Chicago Gangster movie made in Hollywood that did not feature the Tommy Gun. 1920's Millionaire Industrialist Richard B. Mellon once said of it "You could not run a coal company without Machine Guns".. 1928A1 model with Fluted Barrel, forward Pistol Grip, Cutts Compensator, Lyman peep site, long box mag. In the USA this gun is supremely collectable as one of the very best, and one of the most famous guns, ever made. Incredibly a 1928 pattern 'Tommy Gun' gun could sell in the US for up to $40,000, in fact one that was sold by a Sheriffs Dept, for charity, in April 2006 at Rock Island, was sold for $80,500. Very sadly, even though deactivated, we cannot export this gun to America, or outside Europe. Some of the infamous gangsters that used the Tommy gun were, Clyde Barrow, Bonnie Parker, John Dillinger, "Machine Gun" Kelly, "Baby Face" Nelson, "Ma" Baker and her sons & "Pretty Boy" Floyd. Picture in the gallery of Johnny Depp in Dillinger.

The Thompson submachine gun (nicknamed the Thompson or Tommy Gun) is an American submachine gun, invented by John T. Thompson in 1918, that became infamous during the Prohibition era. It was a common sight in the media of the time, being used by both law enforcement officers and criminals. The Thompson was also known informally as: the "Tommy Gun", "Trench Broom", "Trench Sweeper", "Chicago Typewriter", "Chicago Piano", "Chicago Style", "Chicago Organ Grinder", and "The Chopper".

The Thompson was favoured by soldiers, criminals, police and civilians alike for its ergonomics, compactness, large .45 ACP cartridge, reliability, and high volume of automatic fire. It has since gained popularity among civilian collectors for its historical significance. It has considerable significance in popular culture, especially in works about the Prohibition era and World War II, and is one of the most well known and recognised firearms in history.

Just returned from being surface cleaned and fully conserved in the workshop.
For sale to over 18's only

Deactivated UK Spec, with certificate. Not suitable for export

As as a point of interest, in a documentary interview with Sir Christopher Lee, one of England’s great actors, when asked
“of all the performers you ever watched or worked with, in your 60 years as an actor, who do you believe to be the worlds greatest actor?”,
He replied, without a seconds hesitation,
“Johnny Depp”

Fixed cocking lever, movable switchable auto, semi auto lever,  read more

Code: 26329