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A Very Good WW1 & WW2 Royal Naval Officer's Sword with Service Knot

A Very Good WW1 & WW2 Royal Naval Officer's Sword with Service Knot

Made and used in WW1 and WW2, yet perfectly serviceable for current service.

Near mint gilt, fully etched blade with traditional anchor and the King George Vth cypher.

The original Royal Naval sword was designed in 1805, although elegant in design it proved impractical and was replaced in 1827 by the solid hilt variant. In 1846 the Royal Naval blade was standardised for all Royal Naval officers, with the current lighter, straight single-edged blade being commissioned into service in 1929.

During World War I, the Royal Navy's strength was mostly deployed at home in the Grand Fleet, confronting the German High Seas Fleet across the North Sea. Several inconclusive clashes took place between them, chiefly the Battle of Jutland in 1916. The British fighting advantage proved insurmountable, leading the High Seas Fleet to abandon any attempt to challenge British dominance. The Royal Navy played an important role in securing the British Isles and the English Channel, notably ferrying the entire British Expeditionary Force to the Western Front without the loss of a single life at the beginning of the war.
The Royal Navy nevertheless remained active in other theatres, most notably in the Mediterranean Sea, where they waged the Dardanelles and Gallipoli campaigns in 1914 and 1915. British cruisers hunted down German commerce raiders across the world's oceans in 1914 and 1915, including the battles of Coronel, Falklands Islands, Cocos, and Rufiji Delta, among others

At the start of World War II in 1939, the Royal Navy was still the largest in the world, with over 1,400 vessels. The Royal Navy provided critical cover during Operation Dynamo, the British evacuations from Dunkirk, and as the ultimate deterrent to a German invasion of Britain during the following four months. The Luftwaffe under Hermann Göring attempted to gain air supremacy over southern England in the Battle of Britain in order to neutralise the Home Fleet, but faced stiff resistance from the Royal Air Force. The Luftwaffe bombing offensive during the Kanalkampf phase of the battle targeted naval convoys and bases in order to lure large concentrations of RAF fighters into attrition warfare. At Taranto, Admiral Cunningham commanded a fleet that launched the first all-aircraft naval attack in history. The Royal Navy suffered heavy losses in the first two years of the war. Over 3,000 people were lost when the converted troopship Lancastria was sunk in June 1940, the greatest maritime disaster in Britain's history. The Navy's most critical struggle was the Battle of the Atlantic defending Britain's vital North American commercial supply lines against U-boat attack. A traditional convoy system was instituted from the start of the war, but German submarine tactics, based on group attacks by "wolf-packs", were much more effective than in the previous war, and the threat remained serious for well over three years

Fully etched blade with old aged pitting at the tip end now surface polished bright.  read more

Code: 25221

695.00 GBP

A Delightful Piece of Large Quality 'Trench Art'. A German Shell Trench Engineered Into The Form Of A British 1905 Pattern Trench Service Cap. Wonderful Quality

A Delightful Piece of Large Quality 'Trench Art'. A German Shell Trench Engineered Into The Form Of A British 1905 Pattern Trench Service Cap. Wonderful Quality

In near mint condition.

‘Trench art’ is a term used to describe objects made from the debris and by-products of modern warfare. Trench Art is usually associated with the First World War, although similar items have been produced in other conflicts too.



Most trench art was made by servicemen to pass the time when not in the front line. While much of it was simple and amateurish, the production of some examples required metalworking skills or workshop facilities. Prisoners of war, faced with a constant battle against boredom, produced similar items.

The standard service dress cap prescribed for wear by all non-commissioned ranks of the British Army from 1905, excluding Scottish regiments. With its round top and stiff peak, the cap was not an entirely practical form of headdress in sunshine or windy weather. One concession to wet conditions was that it was lined with a waterproof black oilskin composition to the crown. The cap continued in service throughout the First World War but was augmented by the 1915 pat. winter trench cap, known as the 'Gor Blimey', and the later soft peaked field cap in 1917. Both of the latter had their merits, and had the uppermost regard of comfort to the soldier in mind and could be folded away and stowed easily when not worn. Naturally as shrapnel helmets became available on a wider scale of issue from 1916, cloth headdress was worn less in the trenches.

Shell case by Polte Werk in Magdeburg
This trench art piece is most likely made from a German 77 x 230mmR cartridge case

Produced by Polte Werke, Magdeburg, in October of 1915.
“St” indicates a reinforced (stronger) cartridge case construction.
“160” = serial number
“Sp252” identifies the inspector for quality control.

This cartridge case was used in the German "7,7cm leichte Feld Kanone (l.F.K.) 96 n/A " or 7.7cm (77mm) light field cannon, 1896 new model.  read more

Code: 25220

95.00 GBP

A Stunning Mid 18th Century Ship's Captain Brass Cannon Barrel Pistol with a Silver Escutchon of the Goddess Minerva Adorned With Her Dolphin Helmet & Fishscale Armour

A Stunning Mid 18th Century Ship's Captain Brass Cannon Barrel Pistol with a Silver Escutchon of the Goddess Minerva Adorned With Her Dolphin Helmet & Fishscale Armour

Blunderbuss pistol all brass cannon barrel, and action, beautifully engraved. Made by Hadley circa 1750, with large silver escutcheon engraved with the profile head of Minerva.

Minerva, whose dolphin helmeted face is depicted is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic warfare.


The ‘Queen Anne’ style pistol is distinctive in that it does not have a ramrod. The barrel of the pistol unscrews and allows it to be loaded from the rear and near the touch hole at the breech of the barrel. These pistols were originally made in flintlock.

The Queen Anne pistols were very popular and were made in a variety of calibres, usually about 38 to 50 bore. Boot pistols, Holster pistols, pocket pistols and Sea Service pistols were all made in the 'Queen Anne' style. This type is known as a Queen Anne pistol because it was during her reign that it became popular (although it was actually introduced in the reign of King William III).

Here are some of the specific reasons why people enjoy collecting antique pistols:

Historical significance: Antique pistols are stunning relics of a bygone era, and they can provide insights into the history of warfare, technology, and culture. For example, a collector might be interested in owning a type of pistol that was used in a famous battle or that was carried by a famous historical figure.
Craftsmanship: Antique pistols are often works of art in their own right. Many early gunsmiths were highly skilled artisans, and their creations can be extraordinarily beautiful. Collectors might appreciate the intricate engraving, fine inlays, and other decorative elements that are found on many antique pistols.
Aesthetic beauty: Antique pistols can be simply stunning. Their elegant lines and graceful curves can be a thing of beauty. Collectors might enjoy admiring the form and function of these antique weapons.
Rarity and uniqueness: Some antique pistols are quite rare, and collectors might enjoy the challenge of finding and acquiring them. Others might be interested in owning a pistol that is unique in some way, such as a prototype or a custom-made piece.
Investment value: Antique pistols can also be valuable long term investments. The value of some antique pistols has appreciated significantly over the years. Collectors might enjoy the potential for profit, in addition to the other pleasures of collecting, but that should never be the ultimate goal, enjoyment must always be the leading factor of collecting.
No matter what their reasons, collectors of antique pistols find enjoyment in their hobby. They appreciate the history, craftsmanship, beauty, and rarity of these unique pieces.

In addition to the above, here is yet another reason why people enjoy collecting antique pistols:

Education: Learning about the history and technology of antique pistols can be a thoroughly rewarding experience. Collectors can learn about the different types of pistols that have been made over the centuries, how they worked, and how they were used.

Excellent condition overall, good tight and crisp action, old small split in stock, overall 12.5 inches long  read more

Code: 25219

2950.00 GBP

A Magnificent Tower of London Armoury 1801 Pattern 'Battle of Trafalgar 1805 Issue' Royal Navy Issue, British Sea Service Pistol From Admiral Lord Nelson's Navy. Long 12 inch Barrel

A Magnificent Tower of London Armoury 1801 Pattern 'Battle of Trafalgar 1805 Issue' Royal Navy Issue, British Sea Service Pistol From Admiral Lord Nelson's Navy. Long 12 inch Barrel

Probably one of the best examples of a Royal Navy Sea Service pistol that we have seen. Profusely struck with ordnance and inspectors marks, dated 1805, and numbered for the ship's gun rack, 25.

Fantastic patina to the stock. The King George IIIrd issue British Royal Naval Sea Service pistol has always been the most desirable and valuable pistol sought by collectors, but this example is truly exceptional.
Exactly as issued and used by all the British Ship's-of-the-Line, at the Battle of Trafalgar in 1805.
Such as;
HMS Victory,
HMS Temeraire,
HMS Dreadnought,
HMS Revenge,
HMS Agamemnon,
HMS Colossus
HMS Leviathan &
HMS Achilles.
Some of the most magnificent ships, manned by the finest crews, that have ever sailed the seven seas.

Battle of Trafalgar, (October 21, 1805), naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

At the end of September 1805, Villeneuve had received orders to leave Cádiz and land troops at Naples to support the French campaign in southern Italy. On October 19–20 his fleet slipped out of Cádiz, hoping to get into the Mediterranean Sea without giving battle. Nelson caught him off Cape Trafalgar on October 21.

Villeneuve ordered his fleet to form a single line heading north, and Nelson ordered his fleet to form two squadrons and attack Villeneuve’s line from the west, at right angles. By noon the larger squadron, led by Admiral Cuthbert Collingwood in the Royal Sovereign, had engaged the rear (south) 16 ships of the French-Spanish line. At 11:50 AM Nelson, in the Victory, signaled his famous message: “England expects that every man will do his duty.” Then his squadron, with 12 ships, attacked the van and centre of Villeneuve’s line, which included Villeneuve in the Bucentaure. The majority of Nelson’s squadron broke through and shattered Villeneuve’s lines in the pell-mell battle. Six of the leading French and Spanish ships, under Admiral Pierre Dumanoir, were ignored in the first attack and about 3:30 PM were able to turn about to aid those behind. But Dumanoir’s weak counterattack failed and was driven off. Collingwood completed the destruction of the rear, and the battle ended about 5:00 PM. Villeneuve himself was captured, and his fleet lost 19 or 20 ships—which were surrendered to the British—and 14,000 men, of whom half were prisoners of war. Nelson was mortally wounded by a sniper, but when he died at 4:30 PM he was certain of his complete victory. About 1,500 British seamen were killed or wounded, but no British ships were lost. Trafalgar shattered forever Napoleon’s plans to invade England.

Obviously this arm has signs of combat use and the stock has minor dings. But when taken into consideration its service use, it is of little consequence compared to it's condition, which is truly exceptional, with, incredibly, absolutely not a trace of rust or corrosion on the more usually heavily pitted, steel, lock and barrel.

It still has it's original 12" barrel, which is very scarce as the barrels were shortened by official order, to 9", before the Napoleonic wars.
In its working life its belt hook has been removed.  read more

Code: 25217

3450.00 GBP

An Original WW2 British 6 Pounder Tank Shell, Head and Brass Case

An Original WW2 British 6 Pounder Tank Shell, Head and Brass Case

The six-pounder antitank gun was Great Britain’s premier tank killing weapon when it first appeared in the Western Desert, proving able to pierce the armour of any German tank the Afrika Korps could field. The technological arms race of World War II produced new tanks with ever thicker armour, however, and ultimately the six-pounder became ineffective well before war’s end. This obsolescence made little difference for many of the Allied soldiers who used it; since there was no comparable replacement that worked better, the cannon was still in wide use when the war ended.
The weapon the British Army eventually got was a marked improvement over its predecessor. The six-pounder Mk2 production model weighed in at 2,521 pounds, almost 800 pounds heavier than the two-pounder but still light enough for crews to manhandle it into position when necessary. It was mounted on a conventional two-wheeled carriage with “split” trails; that is, the two trailing arms that extended to the rear of the carriage could be separated to increase stability. The barrel on the six-pounder was 43-caliber, meaning the bore’s length was 43 times its diameter of 57mm. The weapon could traverse 45 degrees to either side and elevate from minus five to plus 15 degrees.

When firing the standard six-pound armour-piercing round, the six-pounder had a maximum range of 5,500 yards with a muzzle velocity of 2,693 feet per second and could penetrate 74mm of armour at 1,000 yards. Over time, improved ammunition was developed, culminating in June 1944 with an APDS (Armour Piercing Discarding Sabot) round that had a tungsten core. This increased penetration to 146mm at 1,000 yards. Tungsten was a valuable commodity in war production, so shortages meant there were never as many APDS rounds available as needed.

Photo in the gallery of a Panzer tank crew comparing our six pounder shell to their 88mm shell. As you can see much merriment was had that day by the jolly German crew, famously known for their sense of humour.

Inert, deactivated and completely safe  read more

Code: 25218

275.00 GBP

A Stunning Original Horseguards Officer's Pattern Helmet Plate. In Gold, Red Enamel Cross, Blue Enamel Garter, And Frosted Silver Cut Steel Order of the Garter Badge Star

A Stunning Original Horseguards Officer's Pattern Helmet Plate. In Gold, Red Enamel Cross, Blue Enamel Garter, And Frosted Silver Cut Steel Order of the Garter Badge Star

Probably the worlds most beautiful helmet plate ever designed.
This fabulous quality officer’s helmet plate, in use since the Queen’s coronation in 1953, was used by an officer of the Queen’s mounted bodyguard, from either the Blues and Royals or the Life Guards regiments, that combined, make up the Royal Horseguards. The helmet plate is identical for both helmets, only the colour of the yak hair plume was different, white for Life Guards, red for Blues and Royals.

The Albert helmet is the current ceremonial headgear of the British Army's Household Cavalry, for both the Life guards regiment and the Blues and Royals regiment, known collectively as Horseguards.

This pattern will now be changed very soon for the design designated for His Majesty King Charles lII. The crown will be changed to the single domed crown of all the kings since Edward VIIth. The domed crown is called either The King’s Crown or the Imperial State Crown. The late Queen’s crown, is known as St Edwards Crown.

The Albert pattern helmet was introduced by Prince Albert in 1842 and adopted by the Household Cavalry the following year. In 1847 the helmet was introduced to all heavy cavalry regiments. It remains in use as the full dress headgear of the two remaining Household Cavalry regiments, the Blues and Royals and the Life Guards. The magnificent helmet remains in use with the two current Household Cavalry regiments, the Blues and Royals with red plume and the Life Guards with white plume. These regiments are amalgamations of the four earlier regiments. The Life Guards retain the white plume and the onion from the 2nd Regiment, the Blues and Royals retain the red plume of the Royal Horse Guards. Blues and Royals officers wear a yak hair plume. Farriers in both regiments wear different plumes, the Life Guards farrier wear black and Blues and Royals farrier red.

The regiments also differ in how they wear the helmet's chin strap. The Blues and Royals wear it under the chin while the Life Guards wear it under the lower lip. The helmet is now in white metal for all ranks and the same helmet plate is worn by both regiments (they were different historically).

The Albert helmet is only worn in full dress review order, guard order and front yard order by other ranks and in full dress, levee dress and ceremonial rehearsal dress by officers. Medical and veterinary officers do not wear the helmet, instead wearing a cocked hat.

The other ranks of the Mounted Band of the Household Cavalry wear the helmet in full dress (with the plumes of their parent regiments), except when parading in the presence of the royal family, when they wear state dress with jockey caps. Band officers wear Albert helmets on both occasions.

Its condition is considered by us as mint. A complete Horseguards officer’s helmet from the 1953 coronation period, in mint condition, will cost today somewhere between £6,500 to £10,000.  read more

Code: 24065

950.00 GBP

A Beautiful Late Edo Bakumatsu Copper Katana Tsuba With NBTHK Papers.

A Beautiful Late Edo Bakumatsu Copper Katana Tsuba With NBTHK Papers.

Bakumatsu copper tsuba, NBTHK Kicho Kodugu papers from 2020. With a translation, the "ninteisho" is introducing the document as recognition written in calligraphy. The tsuba is decorated with Aki kusa, Autumn grass [flowers], unsigned. The Nihon Bijutsu Tōken Hozon Kyōkai is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value. Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other. The tsuba has north and south kuchi-beni.
Literally "lipstick", but refers to the copper plugs of the nakago-ana. Their function is to secure the tsuba firmly when mounted on a blade. These plugs are sometimes called sekigane.  read more

Code: 23510

695.00 GBP

A Superb Piece of 'Potential', Unique History. Admiral Lord Nelson's Hair Woven Into a Piece of Memorium Jewellery, A Lyre Brooch of Extraordinary Quality

A Superb Piece of 'Potential', Unique History. Admiral Lord Nelson's Hair Woven Into a Piece of Memorium Jewellery, A Lyre Brooch of Extraordinary Quality

Acquired from an Admiral Lord Nelson family of collectors, together with a small miniature portrait of the Admiral, the miniature of the full sized one painted by Lemuel Francis Abbott in 1797 for Lady Nelson.

Said to be, by the family, made from a small lock of hair {given to them by Lady Hamilton, Nelson's mistress}, that, some years after his tragic death, was intricately woven into a rigid weblike structure, and formed around very finely crafted gilt metal, into a mourning brooch of lyre form, to wear as a wedding gift, and it has been in the family ever since. The hair colour has subsequently darkened somewhat, from its original lighter colour, due to being lacquered to aid rigidity, handled and worn, possibly for decades. It originally had a small ivory slip engraved with its distinguished origin, and that it was given by Lady Hamilton to her relatives by marriage. Lady Hamilton, Nelson's infamous mistress, was married to Sir William Hamilton, who was the 4th son of Lord Archibald Hamilton, who was the 7th son of the 3rd Duke of Hamilton. We have been acquiring fascinating artefacts and antiquities from descendants of the 10th Duke of Hamilton these past 30 years or more.

That ivory slip was with it until just a very few years ago, when it was discarded by the dear ladies that last recently owned it, and from whence it came, to us. It was purposely removed due to HRH Prince William disapproving of ivory artefacts. This we consider a great shame, as it was very old, an antique of around 210 years vintage, and simply nothing was gained by its sad removal and loss.

Of course there is absolutely no possibility for us to definitively state it was indeed Nelson's hair, as a provable fact, as any DNA test would likely damage its integrity, but its most highly likely potential, due to its origin, is most intriguing.

The miniature that came with it {and is not for sale} bears a hand written label glued at its back, still present, to note it was it's full sized original was in the National Portrait Gallery that {opened in 1856}. The original is by Lemuel Francis Abbott
an oil on canvas, was painted in 1797
This is one of the many portraits Abbott painted of Nelson and it is perhaps the most widely recognised of the whole Nelson iconography. It depicts him in rear-admiral's uniform wearing the Star and Ribbon of the Bath and the Naval Gold Medal, awarded for his victory at the Battle of St Vincent (1797). The original portrait was painted for Captain Locker of the Greenwich Hospital. This full sized version, commissioned for Lady Nelson, was also taken from life. Although Nelson only sat to him twice, Abbott subsequently copied the picture over forty times. The copies gradually declined in quality as the artist became mentally ill but this was no bar to their popularity. Many were purchased by Nelson's naval colleagues, his family and friends.
In July 1798, Nelson's wife wrote to him: 'My dearest Husband - I am now writing opposite to your portrait, the likeness is great. I am well-satisfied with Abbott… it is my companion, my sincere friend in your absence…

Nelson's pigtail (or queue), was cut off after his death at the Battle of Trafalgar 21 October 1805. It is sandy-coloured hair, bound with black ribbon, which is tied in a bow. Surgeon William Beatty records in his "Narrative of the Death of Lord Nelson" that Nelson asked that Lady Hamilton should have his hair. The pigtail was cut off after his death and Hardy delivered it to Emma Hamilton after the Victory's arrival in England. Small locks of hair were given to relations and close friends, and some pieces were mounted in special mourning rings and lockets. What remains of Nelson’s queue is now part of the National Maritime Museum Collection.  read more

Code: 25210

1250.00 GBP

A Napoleonic, 1st Empire Bladed Elite Cuirassier's Sword, Klingenthal Dated October 1813

A Napoleonic, 1st Empire Bladed Elite Cuirassier's Sword, Klingenthal Dated October 1813

Superb and beautiful hilt, with very fine original leather bound grip, and a very fine double fullered blade, dated 1813, with stunning bright patina.

French Napoleonic 'An 13' year 13 swords were manufactured from 1805 and discontinued in late 1815. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassier's swords in England very likely came from that field of conflict, after the battle, as trophies of war. However, this sword was one of the few that were allowed to remain in the elite cuirassier corps after Waterloo, serving King Louis XVIIIth both before Napoleon's 100 days, and after his crushing defeat by Wellington at Waterloo. In fact one can see it has been issued, re-issued and even re-inspected, with serial numbers and inspection stamps, within its working life, up from 1813 up to the 1850's and possibly the Franco Prussian War of 1869.

Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly magnificent Napoleonic sword in superb condition for it's age.
The largest sword of it's kind that was ever made or used by the world's greatest cavalry regiments. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. The brass basket guard on this sword is first class, the grip is totally original leather and a great colour, it
only shows expected combat wear, the blade is double fullered and absolutely as crisp as one could hope for. Made in the Napoleonic Wars period.
Just a basic few of the battles this would have been used at such as; 1813: Reichenbach and Dresden, Leipzig and Hanau
1814: La Rothiere, Rosnay, Champaubert, Vauchamps, Athies, La Fere-Champenoise and Paris
1815: Quatre-Bras and Waterloo. The blade has fabulous steel bright colour, and hilt has fabulous patina. Overall the spear pointed blade is 37.75 inches long.
Likely, hilt re-mounted and inspected for service once again in the Crimean war, in either the 6th and 9th Curassier regiments, or the 6th and 7th Dragoons regiments.
No scabbard.  read more

Code: 25214

995.00 GBP

A Beautiful Silver Mounted Javanese Pedang Lurus Dagger

A Beautiful Silver Mounted Javanese Pedang Lurus Dagger

A Javanese dagger pedang lurus . Slightly swollen single edged blade 21cms with striking pamor, often made of meteorite steel mixed with meteorite nickel, silver hilt and sheath nicely embossed and engraved with foliage.Good condition. In Western literature this type of Indonesian edged weapon is often called pedang lurus, literally straight sword, even though they are not always perfectly straight. It probably refers to the fact they are straighter than a keris or saber. The term is specifically used for a group of Indonesian shortswords that come mounted entirely in silver. They typically bear some striking resemblances to European hunting swords, like the shape of handle and guard, the belt stopper on the scabbard, and the often ribbed scabbard end. The mounts, and sometimes the blades, were probably inspired by such hunting swords that were worn by colonists.

This straight bladed sword or pedang lurus represents a fine example of 19th century Javanese silverwork. Also known as a pedang luwuk, the pedang lurus is associated with central Java, particularly Surakarta and to a lesser extent Yogyakarta, each being royal centres with kratons (palaces) and flourishing court arts.
The hilt has been cast, chased and engraved in high relief with rococo-inspired leafy and stylised flowering motifs. It is shaped as a stylised kris hilt which in town often are shaped as highly stylised wayang characters.
The pomel is covered in sheet silver and has been lightly etched with foliate and floral motifs.
The scabbard is of plain sheet silver over a wooden base, and is beautifully engraved on both sides with a repeated serrated leaf and flower motiff.
The blade, in watered iron/nickel is straight and highly decoratively adorned
Overall, this is an beautiful pedang lurus in a form that is not often encountered.. REFERENCES
Avieropoulou Choo, A., Silver: A Guide to the Collections, National Museum Singapore, 1984.

Hardianti, E.S. & P. ter Keurs (eds.), Indonesia: The Discovery of the Past, KIT Publishers for De Nieuwe Kerk, Amsterdam, 2005.

National Museum Jakarta, Treasures of the National Museum Jakarta, Buku Antar Bangsa, 1997.

Van Zonneveld, A., Traditional Weapons of the Indonesian Archipelago, C. Zwartenkot Art Books, 2001.  read more

Code: 22571

875.00 GBP