A Truly Beautiful Antique Koto Period, 'Dragon Head' Hamon, Unokubi (鵜首) Zukuri Blade Tantō. In a Chesnut and Sable Livery, Matsushiro Sinano Koshirae With Kozuka and Kogai, with Higo Scool Tsuba Inlaid With Pure Gold Sakura {Cherry Blossom}
Mounted with a fully matching suite of sinchu and contrasting silver line mounts, including the kozuka and kogai of the fine Matsushiro Sinano school. The Edo period iron tettsu Higo school tsuba is inlaid with pure gold cherry blossom. A very similar Higo school tsuba can be seen in the Osafune sword Museum in Japan, mounted upon a Tomonari, Sukesada blade tanto sword.
The kozuka and kogai pockets in the saya are lined with delicate, doe skin, decorated with a black and red pattern, on a natural white skin ground, in the same form as can see seen to embellish kabuto and armour {see photo 8 in the gallery}.
Wonderful chessnut brown ishime stone finish lacquer saya, with a contrast of sable brown tuskaito silk binding, wrapped over pure gold kiri mon menuki, on shakudo bar ground, over traditional samegawa {giant rayskin}.
The stunning blade has a beautiful intricate hamon, including, where the yakiba meets the hada the detailed head of a dragon. A very small combat surface mark to one side of the blade, likely made by a blade tip {see both detailed in photo 10}.
Unokubi (鵜首): An uncommon tantō style akin to the kanmuri-otoshi, with a back that grows abruptly thinner around the middle of the blade; however, the unokubi zukuri regains its thickness just before the point. There is normally a short, wide groove {hi} extending to the midway point on the blade, this is a most unusual form of unokubi zukuri blade tanto without a hi.
Historically significant and intricately crafted, Japanese swords offer a unique glimpse into Japanese society. Compared to traditional Japanese blades, the Tanto stands out for its beauty, adaptability, and rich cultural importance. But of course, not everyone is well-familiar with this samurai sword form. Despite being traditional dagger sized all Japanese blades are titled as swords however short they may be.
The Matsushiro Shinano Koshirae is a distinctive style of antique Japanese sword mounting (koshirae) that originated in the Matsushiro domain of Shinano Province (present-day Nagano Prefecture) during the Edo period. This style is specifically characterized by the use of brass (shinchu) for all of its metal fittings.
Key Characteristics
The defining feature is the uniform use of brass for all components of the sword furniture, including the fuchi (hilt collar), kashira (pommel), tsuba (handguard), kojiri (scabbard tip), kozuka (small utility knife handle), and kogai (spike).
These fittings often feature intricate decorations, such as bamboo or other natural patterns, sometimes with silver striping or designs.
Matsushiro was a castle town developed by the Sanada family in the early Edo period. It is believed that many domains developed their own distinct styles of koshirae during this era, and the Matsushiro koshirae was a local specialty.
The koshirae was the ornate, functional exterior of a samurai's sword, designed for both aesthetic appeal and practical use, in contrast to the plain wooden shirasaya used for storage.
Swords with original Matsushiro koshirae are considered unique historical artifacts and are highly valued by collectors for their complete, matching sets of fittings.
For example one of the great tanto swords of samurai history is “Tanto Mei Bishu Osafune Jyu Nagayoshi” (短刀 銘 備州長船住長義) it is a tanto made by the swordsmith “Osafune Nagayoshi” (Osafune Nagayoshi / Chogi) who was active in Bizen Province (currently eastern Okayama Prefecture) during the Nanbokucho period. This tanto was a favorite of Toyotomi Hideyoshi, and later it was received by Toyotomi’s retainer “Maeda Toshiie” at Osaka Castle (Osaka Castle), and since then it has been handed down to the Maeda family of Kaga Domain, making it a prestigious famous sword.
The swordsmith, Osafune Nagayoshi, is one of the “Osafune Four Heavenly Kings” representing the “Osafune School”, a group of swordsmiths that flourished in Bizen Province, and is also listed among the “Masamune Jittei” (Masamune’s Ten Disciples), the ten high disciples of the swordsmith Masamune, who is called the “Ancestor of the Revival of Japanese Swords”.
Photo in the gallery of a Tanto sword, by Sadamune, Kamakura period, 1300s AD - Tokyo National Museum - Ueno Park, Tokyo, Japan. This shows how their samurai swords are displayed in the greatest Japanese museum in Tokyo. The koshirae {fittings} are always shown separately, if at all.
The antique Chinese display stand the tanto is shown upon is a superb hand carved hongmu hardwood piece, Ching Dynasty, and originally displayed a piece of the of finest Chinese Imperial Jade once featured in a Mandarin's palace in Peking, and you will see it featured throughout our online Japanese sword gallery to display wakazashi and tanto. It isn't for sale as it has been used by the family in our gallery for around 100 years.
Over the centuries some extraodinarily talented bladesmiths have integrated within their blades a form of identfiable mark, one smith creates rabbit ears in his hamon, several others feature the profile of Mount Fuji, and even one features Mount Fuji with birds flying over head. This smith has created a dragon's head into his hamon, with utterly remarkable skill. It is possible you may never ever see another surviving example.
Overall 13.5 inches long, blade 8.25 inches long tip to tsuba. read more
4950.00 GBP
A Most Rare & Superb, Original, Imperial Roman Legionary's & Cavalryman's Spatha Long Sword, Late 3rd Century Over 1700 Years Old. The Very Form Of Sword As Our Tribune’s Ring Owner Would Use.
Made and used from the eras of Emperor Tacitus and Emperor Diocletian to Emperor Constantine the Great. Only the second example we have seen or offered in the past 15 years. A double-edged original Imperial Roman period spatha sword of the typology of Illerup Wyhl, with excellently preserved long blade, long tang, with triple fullers along its length, parallel cutting edges tapering down towards its point, Fine condition. What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege. A wonderful example piece, from the ancient imperial age. Effectively, from this time of almost two thousand years ago, from a collectors point of view, almost nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary.
The iconographic sources indicate that Roman swords underwent big changes in the later 2nd and 3rd centuries. Longer swords, more popular within Germanic and Celtic cultures, would have been useful for fighting on horseback, but they were soon spread among the infantrymen and massively produced in the Roman workshops, from which they were brought home by many barbarians after mercenary or auxiliary service in Roman army. This, together with the possibility of war booty, explains why the mass of these swords have been found in the territories of the Barbaricum. The graves and the ritual water deposits of the marshy areas of Illerup Adal, Thorsberg, Vimose and many other localities (Simris) have delivered an amount of swords. Illerup has produced fine well-preserved swords, some with rather unusual patterns. Dr. Miks refers to the spathae of the 'lllerup-Wyhl' type I as to a group of blades which in terms of their proportions, dimensions and shape, are probably a mixture of blades of the more classical 'Straubing-Nydam' and 'Lauriacum-Hromowka' types of long Roman swords. They are one of the most complicated category of Late Roman swords and therefore difficult to clearly identify.
The Spatha was first introduced to the Romans by Celtic Mercenaries during the Second Punic War. The Celts would have used weaponry and armour from their homeland, and one of the Celtic weapons would have been the Spatha. Many believe that the Spatha was adopted by the Romans due to contact with Germania, however this is not true.
The earlier gladius sword was gradually replaced by the spatha from the late 2nd to the 3rd century. From the early 3rd century, legionaries and cavalrymen began to wear their swords on the left side, perhaps because the scutum had been abandoned and the spatha had replaced the gladius.
In the imperial period, the Romans adopted the original Greek term, spáthē (σπάθη), as spatha, which still carried the general meaning of any object considered long and flat. Spatha appears first in Pliny and then Seneca with different meanings: a spatula, a metal-working implement, a palm-leaf and so on. There is no hint of any native Roman sword called a spatha.
Referring to an actual sword, the term first appears in the pages of Tacitus with reference to an incident of the early empire. The British king, Caractacus, having rebelled, found himself trapped on a rocky hill, so that if he turned one way he encountered the gladii of the legionaries, and if the other, the spathae of the auxiliaries. There is no indication in Tacitus that they were cavalry.
The next mention of spathae is in the 5th century, by Vegetius, now as a weapon carried by infantry. The term "Roman Iron Age" refers approximately to the time of the Roman Empire in north Europe, which was outside the jurisdiction of the empire, but, judging from the imported Roman artifacts, was influenced by Roman civilization. One source of artifacts from this period are the bogs of Schleswig, Holstein and Denmark. Objects were deliberately broken and thrown into the bog in the belief that they could go with a deceased chief on his voyage to a better place.
A cache of 90 swords was found at Nydam Mose in Denmark in 1858. They were in the form of the spatha and therefore have been classified as "Roman swords". They are dated to the 3rd to 4th centuries. Many connect the Nydam cache with the sword of Beowulf, who was supposed to be a contemporary. See two photos of these in the gallery. Another photo in the gallery is of a depiction of Roman spartha swords, with hilts fashioned in the shape of eagles' heads, in Roman carved statuary (Portrait of the Four Tetrarchs, c. AD 300) in Venice.
This is the typical sword used to great effect, for example at the Battle of Cibalae
The Battle of Cibalae was fought in 316 between the two Roman emperors Constantine I (r. 306–337) and Licinius (r. 308–324). The site of the battle near the town of Cibalae in the Roman province of Pannonia Secunda, was approximately 350 kilometers within the territory of Licinius. Constantine won a resounding victory, despite being outnumbered.
The opposing armies met on the plain between the rivers Sava and Drava near the town of Cibalae. The battle lasted all day. The battle opened with Constantine's forces arrayed in a defile adjacent to mountain slopes. The army of Licinius was stationed on lower ground nearer the town of Cibalae, Licinius took care to secure his flanks. As the infantry of Constantine needed to move forward through broken ground the cavalry was thrown out ahead, to act as a screen. Constantine moved his formation down on to the more open ground and advanced against the awaiting Licinians. Following a period of skirmishing and intense missile fire at a distance, the opposing main bodies of infantry met in close combat and fierce hand-to-hand fighting ensued. This battle of attrition was ended, late in the day, when Constantine personally led a cavalry charge from the right wing of his army. The charge was decisive, Licinius' ranks were broken. As many as 20,000 of Licinius' troops were killed in the hard-fought battle. The surviving cavalry of the defeated army accompanied Licinius when he fled the field under the cover of darkness.
See Bishop, M.C. & Coulston, J.C.N., Roman military equipment, from the Punic wars to the fall of Rome, London, 1993; Miks, C., Studien zur Romischen Schwertbewaffnung in der Kaiserzeit, I-II Banden, Rahden, 2007; D’Amato, R., Roman army Units in the Western Provinces, Oxford, 2019; for very similar specimens see Miks, 2007, n.A146,36,37,43 (Illerup).Blade weight 1.1 kg, 98.5cm (38 3/4"). In the world of collecting early weaponry a sword is defined as it’s blade, it’s hilt was separate often made of vulnerable woods and materials that do not survive the ravages of time. You simply do not often see such rare and iconic original ancient swords used by one of the most famed empires in the world, during the period of one of the greatest eras in classical history, let alone have the opportunity to own one. We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel. read more
9750.00 GBP
Ancient Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu
Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).
Another sword from an acquisition by us of the amazing Dove collection of original archaic Chinese bronze age weaponry. This beauty is from the Zhou dynasty. From the area of the King's of Wu, in Chu. A stunning ancient sword around 2500 years old or more. From the Zhou dynasty, and the area of the King's of Wu, in Chu. From a collection of antiquities, swords daggers, and rings, many pieces apparently sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund
Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.
The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name. 480mm long 450 gms
The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.
In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.
Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".
Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.
Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.
The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.
This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.
Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams The Wallace Collection} 65 publications
As with all our items, every piece is accompanied by a certificate of authenticity. read more
2575.00 GBP
Choose The Ideal Christmas Gift From Great Britain's Favourite Armoury Antiques & Collector's Shop. Some of The Best Ideas You Could Imagine, For Both Christmas & New Year, Have Come From The Lanes Armoury’. Our 105th Christmas in Brighton
Now moving on towards the end of November, as we all are, this would the perfect time to select a Christmas gift for a loved one {or oneself} from our unique and massive selection of original military antiques, ancient antiquities, and Ist edition novels. Also a fine time for deliveries worldwide to arrive before the Christmas festivities.
This is our 105th year of family trading this coming Christmas, and the dawn of our 106th year. However, we have actually traded in Brighton for well over 200 years, but until WW1 we were principally involved in the fishing trade, especially seafood. In the early 19th century we used to supply the Brighton Royal Pavilion, the palace of King George IVth {formerly the Prince Regent} with shellfish.
Every year, many, many millions of people visit Brighton, and many hundreds of thousands of them find there way here to us. In fact up to two or three thousand often visit us every opening day.
The world famous New York Times included our gallery in their list as one of the very best places to visit in the UK when travelling to Europe from America. Where else in the UK could you leave a store, after a jolly Christmas holiday visit, with a selection of original WW2 Officer’s uniform buttons for only £1.50p each, or an original solid gold and gemstone intaglio carved seal ring once worn 1700 years ago by an Imperial Roman senator. Where you might rub shoulders with a former American President’s First Lady, a Hollywood superstar, {our latest recent superstar visitor was British actor Tom Hardy, (who returned once again for another visit this weekend) another recent customer, a professor of textiles from America, who very kindly arranged for us to receive some conservation papers from the Met, or a retired Scottish teacher on a regular visit from the Outer Hebrides.
Incredible things seem to happen here every day, for example, just last week a very nice gentleman arrived here, after travelling all the way from Hong Kong, just to view and purchase one of our most special Japanese swords we were offering, and just as it was being packed up, after our business together was concluded, for its long journey to his home, another gentleman called on the phone with sincere interest in order to buy that very same sword, just a few minutes after the Hong Kong gentleman bought it, and bearing in mind we have many hundreds of swords on offer, and many thousands of intriguing pieces.
This remarkable occurrence was witnessed by one of our oldest friends and a very special regular customer, who was seated witnessing the whole turn of events, and he was amazed at the incredible coincidence, yet, he exclaimed, that so many hundreds of times he has been here in the past near 20 years, and he has seen, first hand, just how often that happens. We are truly a shop of most remarkably diverse visitors, and extraordinary coincidences.
As a former client, world renowned author, John Osborne, once said to Mark,
“It’s quite extraordinary, you can see just about everyone you could imagine here, and if you haven’t seen them yet, there’re probably on their way!’
Unique, ancient, antique and vintage beautiful items are our specialty, and be sure and certain that anything from us will be the best choice you can make this Christmas time. Just arrived this week! some stunning cannon balls fired at Waterloo. Plus, our current selection ranges from a collection just acquired of really great and rare bayonets, British German & French, antique WW1 and WW2, from a collector who wanted the very best he could find over the past 40 years. Including rare French examples from the 'Russian contract' during WW1, that were uncovered in Ukraine in the late 90's, and some French Foreign Legion bayonets, acquired from a French Foreign Legion reserve armoury depot clear-out in the 70's. Plus stunning and rare Japanese samurai swords including a beautiful, original 'Tamashigiri Cutting Test' antique samurai katana signed by high rated master smith, Masashige Tegarayama, 手柄山正繁 with a highly rare Tamashigiri Cutting Test, By Gonnosuke Komatsubara, Dated 1799 to some super Ist Edition Charles Dickens novels, and various fabulous, wonderful and utterly beautiful antique Victorian dragoon dress helmets. Also a stunning collection of historical, provenanced original Napoleonic War cannon balls and a huge French Howitzer explosive round { now inert}.
All kinds of other unique and fabulous conversation pieces, including some delightful volumes, have been acquired lately, such as, for example, a 1st edition of The Third Man by Graham Greene, one of David senior’s fellow imbibers at our neighbours ancient establishment, The Cricketers, Brighton’s 500 year old inn.
Another part of our original Japanese katana acquisitions arrived, and as usual many are stunning beauties and A Superb Choice For This Christmas, And a Special Price Too! A Very Good World War II Imperial Japanese Army Officer's Katana with a famous family's silver clan mon
We have had arrive here recently, some more really wonderful, original pieces of history. And as usual, this occurs almost every single day, {except Sunday} sometimes many times in a day if we are fortunate. Being one of all the world’s collectors favourite stores, some incredible artifacts are almost magnetically drawn to our doorstep every opening hour.
Every item, as usual, will be accompanied with our unique, presentation quality, 'Certificate of Authenticity' that will not only fully certify it's genuineness, but it will detail the circumstance of it's origin, and where and when it may have been used in it's specific or generic history.
Where else in Britain could you walk out of the store this Christmas with an original souvenir from Alexander the Great's battle with the Persians in 334 B.C, from only £65, to a fabulous unique handmade gold, diamond and ruby 'Mystery Watch' once owned by movie legend, Elizabeth Taylor, for just under £180,000, or, a 2500 year old ancient Chinese sword that may very likely have once been the sword of a king!, and how about a fabulous 'Shaturnal' a Moghul War-Elephant cannon
We are very proud to offer a superb selection of ancient antiquities, swords, daggers and spears from all the major past empires and civilisations of the world from over the past 3,500 years. In fact many recognise our unique and original selection is likely the best and most comprehensive to be seen, and offered for sale, anywhere in Europe, and possibly even the world over.
This Christmas season we can offer thousands of pieces, including, such as, a fabulous complete set of Charles Dickens novels
"Outside of a dog, man's best friend is a book. Inside of a dog, it's too dark to read."
— GROUCHO MARX
{and yes, he was a visiting customer as well, in around March 1965}
And please be further assured, all gift purchases may be changed after Christmas for any form of suitable alternatives.
"Doesn't someone you know deserve something unique from The Lanes Armoury". Just look at a few of our thousands of pages of delectable offerings, that vary from a very rare Rowntree’s WW2 munitions factory Rescue Officer’s helmet, to an Iceni chieftain’s chariot rein mount from the Roman-Celtic war with Queen Boudicca in England 2000 years ago, to very rare Italian Renaissance 16th century prince's dagger, to crossbow bolts recovered from the Battle site of Bannockburn {23–24 June 1314}, to some exceptional swords from the Napoleonic Wars, some belonging to several of Napoleon's generals. One, is a presentational grade sabre, somewhat akin to the fabulous Lloyd’s Patriotic Fund swords awarded to hero’s of the wars with Napoleon {but fortunately, not for the 100,000 pounds plus cost that they can command today}, &, to a superb Gurkha’s WW2 military issue kukri for just a few hundred pounds. Everything is possible through our portals, for all budget ranges, from just a few pounds to six figures.
The Lanes Armoury described by the 'New York Times' as one of the very best stores and destinations to visit when in Europe.
A living, breathing gallery that is a huge walk around ‘Cabinet of Curiosities’, containing thousands of original historical and magical pieces from the ancient long past, to the near recent. In fact, from 300,000 years of human history, and 100 million years of world history.
We are certainly not the biggest premier store in Europe recommended by the New York Times, in fact we are probably the smallest, but what we lack in size, apparently, we more than make up for in amazement, and wonder, and, the family have been trading in antiques in Brighton for over 104 years. Prior to that, we traded in Brighton caught shellfish for the previous 100 plus years, with our licensed shellfish concessions for the entire Brighton coastline.
For example, we added recently items that range from a Samurai Ancestral Sword Around 600 years old {or more}, a WW2 Japanese Officer's Sword With An Ancestral Blade 450 Years Old, an original late Koto to shinto samurai’s daisho, a stunning ‘Agincourt’, hand-and-a-half knights sword, a Seige of Troy era Bronze Age sword, incredibly rare original Viking warriors sword around 1000 years old, a beautiful samurai’s disguised fan dagger, plus, Ancient Roman Gladiator's rings for both for a Gladiator and Gladiatrix, around 1700 years old.
Google just let us know our updated Google entry just past the amazing 1,000,000 { one million } searches in order to find out our location in order to visit us here in Brighton, England.
Twenty Four Years Ago, After 80 Years Trading in Brighton, We Were Honoured by Being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001
Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.
In the gallery, the first photo, is a wonderful daybreak photo, taken the at the farm two Christmas seasons ago, December 2023. Showing what some are calling the South of England's 'Sky-on-Fire' Daybreak. You can see in the far distance in his retirement paddock the late Judy Hawkins's beloved former UK 'Supreme Champion' Scottish Highland grey pony, that was a frequent competitor against the late queen's Highlands at Windsor Castle. In his prime, he had his own worldwide fan club, and competition followers. Photo 7 in the gallery is old “Governor’ and his little chum “Roger” waiting for their morning apples at our farm last year, sadly, they are now no longer with us. Photo 8 is a typical example of everyday new arrivals in the gallery. Photo 9 is Judy and Holly, ten years apart, first watching "Governor" in competition, then Holly alone, with her horse, following on in her late devoted grandmother's passion, and, the family tradition. Our family have been entranced by our love of animals since modern memory, but principally dogs and horses, for over 200 years. Of course, in regards to horses, the first 130 years was by necessity, as then you couldn’t get anything done, in both the domestic or business world, at all, without them, but the past 70 years has been for love, pleasure and joy alone.
This year has been a tough one for our equine life. First we lost Governor, then Roger, then just last week, Arrow. But the many decades of joy they brought us all, and hopefully the joyous life they all led with us here, more than makes up for our feelings of loss and sadness.
The last photo in the gallery is an autographed photo, given to Mark personally, by the late, great, 40th President of The United States, Ronald Reagan in the Oval Office of The White House. read more
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An Antique Ching Dynasty Chinese Small Sword Jian, Late 18th Early 19th century. Near Identical to Admiral Sir James Hanway Plumbridge's Sword in the National Maritime Museum Collection
A Chinese jian sword, double edged blade lined darkwood grip, tortoishell covered scabbard, with typical stylized brass mounts, typically decorated with a traditional, intricate, bat and seal design. Double edged blade.
Just returned from ten hours of museum grade hand conservation and polishing.
Likely brought back to England as a souvenir of the Opium War period to the Boxer Rebellion. Truly original, antique, Chinese weapons are very scarce indeed, as historically, few swords were ever brought back from China. Porcelain and silk were far more popular and preferable souvenirs and exports for Europeans, and in China, in the mid 20th century, nearly all the surviving antique edged weapons were melted down and destroyed in the era of Mao, under Chairman Mao's Cultural Revolutionary instructions, in order to create new steel.
A fabulous example that has breathtaking natural age patina. Effectively near flawless condition
A near identical sword was once belonging to Admiral Sir James Hanway. His family believed he wore it as a midshipman at the Battle of Trafalgar in 1805. It is on display in the National Maritime Museum, exhibit number; WPN1157. Described as follows
Chinese sword, which belonged to Admiral Sir James Hanway Plumbridge (1787-1863). The hilt of the sword consists of a gilt pommel and crosspiece with very short down-turned quillons, and a fluted brown grip. The hilt is ornamented with a design of bats, which are a symbol of good luck. The steel blade is straight and double-edged. The point of the blade has evidently been broken off; it is about an inch too short for the scabbard and is rather roughly ground. The wooden scabbard is covered with lacquered paper actually tortoishell, and has four gilt lockets and a chape, which is ornamented with a design of bats. The two middle lockets are fitted with loops. This sword was offered to the National Maritime Museum as the sword which was worn by Admiral Sir James Hanway Plumbridge when he was a Midshipman at Trafalgar. It is inconceivable that he wore a Chinese weapon at Trafalgar. He probably obtained the sword during one of his three commissions in the East Indies. Admiral Sir James Hanway Plumbridge (1787-1863) entered the Royal Navy on the 6th September 1799 and was a Midshipman in HMS 'Leda' in the expedition to Egypt in 1801. At Trafalgar he was acting 6th Lieutenant in HMS 'Defence', and on the 20th August 1806 he was confirmed in rank. See photos 9 and 10 in the gallery, it shows the admiral's identical Jian sword on display in the National Maritime Museum, the photos are sadly poor quality
The two paintings in the gallery are original Chinese gouache of a seated Ching Emperor, and his sword bearer, holding the same type of Jian sword, but with a green tortoiseshell scabbard read more
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Fabulous, Historical Service Issue 1856-8 Two Band Enfield Yataghan Sword Bayonet Used With P1853 Enfield Rifles In The Indian Mutiny, The Opium War in China, The American Civil War, 1861-65 & The Japanese Boshin War & The Satsuma Rebellion
All came to us from the collector who bought them in Japan from another collector, so by definition they conclusively were used in all of those campaigns, as the Japanese bought them for the Boshin War, from the American's who purchased them from Britain for the Civil war as army surplus after we had retired them from our war service in India, China, & Burma.
Absolutely bright as a button, hand polished and conserved, for the next 200 years, in our workshop. The blade is excellent as is the hilt grip, the leather on the scabbard has an old service repair at the join with the chape, and the pommel has old pitting.
This bayonet was part of a stunning collection of probably the most historical, service issue, bayonets ever used in the 19th century, and this one of these very bayonets was used in combat over five different campaigns, covering four continents, by five different combatant armies. One British, two American {North and South} and two Japanese {Imperial and Anti Imperial Samurai} . All are to be sold separately, most with scabbards, some without. Many have already been sold over the past two weeks
Original ordnance stamps and inspection marks abound, and regimental gun rack number on the hilt {possibly American}.
The rifle that this sword bayonet was designed for the P1853 two band Enfield rifle, and was first used in the late Indian Mutiny at the "Seige and Relief of Lucknow". With a chequered leather grip with rivets, and screw affixed retaining spring. Good, long, Yataghan blade in bright polish. Excellent leather.
The regiments that used this bayonet sword also took part in the Second Opium War in China, the Third Anglo-Burmese War, and this bayonet, along with tens of thousands of other service issue rifles and bayonets, were then sold to America in the Civil war, purchased by both the North, and the South. {See photos in the gallery of Union and Confederates with the Enfield rifles and their yataghan bayonets.}
Then after the Civil War thousands of Confederate purchased Enfields were sold to Japan's Tokugawa Shogunate, and used in the Boshin war, and their Satsuma Rebellion by the samurai anti imperialist army.
A quote from a Confederate officer's diary,
"Every short two-band Enfield which came into possession of any of our men was taken away and given to these men sharpshooters ... But there were not enough and some of them had the common long Enfield."
It would appear that by mid-war in the Confederate Service, while the infantry was provided with the longer rifle-muskets where possible, the shorter rifles (US or Enfield) were preferred for use by the Cavalry:
Gen. Basil Duke noted of Morgan's Cavalry, they did not even like the American shorter carbine length muzzle loaders (musketoons):
"Morgan's Cavalry in the west preferred the British arm they called the "medium Enfield" the two band rifle. The short Enfield carbine they found convenient to carry, but deficient in range and accuracy. The long-Enfield (three band) they found inconvenient to carry, and difficult to use (as was sometimes necessary) on horseback. Regardless, in that command one company had the long Enfield, another the short, and another the medium.
We bought the entire small collection from the widow of a 'best of British Empire rifles and bayonets, plus French and German bayonets collector’, who acquired them over the past 40 plus years, and only ever kept the very best he could afford to keep. Act fast they are selling really fast, three rifles and eight bayonets and a cutlass have sold in two days alone. Top quality and condition,19th and 20th century scarce British French and German collectables are always the most desirable of all. These Victorian British made bayonets were all used in the above mentioned conflicts, including this one offered here, that were eventually sold to Japan, via a very circuitous route, by America, who in their turn had purchased them from England for the American Civil War. This one and all of the others were acquired by our English collector, from a former Japanese collector of Boshin War and Satsuma Rebellion militaria some decades ago.
They are perfect historical examples of just how far traveled British made arms and bayonets were, journeying around the world in their combat service lifetime.
The Confederates imported more Enfields during the course of the war than any other small arm, buying from private contractors and gun runners and smuggling them into Southern ports through blockade running. It has been estimated that over 900,000 P53 Enfields were imported into America and saw service in every major engagement from the Battle of Shiloh (April 1862) and the Siege of Vicksburg (May 1863), to the final battles of 1865. The gun was highly sought after in the Confederate ranks. According to a survey taken by British officials during the early stages of war on the arms of the Western Confederate Forces, nearly 70% were armed with smoothbore arms, such as the Model 1842 Springfield. Later in the war the same survey was taken, they found that more than 75% had acquired a rifle, mainly the Pattern 1853 Enfield.
The P53 Enfields capabilities were largely lost by the lack of marksmanship training by both the Union and Confederacy. Most soldiers were not trained to estimate ranges or to properly adjust their sights to account for the "rainbow-like" trajectory of the large calibre conical projectile. Unlike their British counterparts who attended extensive musketry training, new Civil War soldiers seldom fired a single cartridge until their first engagement. After the end of the war, hundreds of formerly Confederate Enfield 1853 muskets were sold from the American arms market to the Tokugawa shogunate, as well as some prominent Japanese domains including Aizu and Satsuma. These units were later used in the Boshin War, and some remaining in Satsuma were also used by rebelling former samurai in the Satsuma Rebellion about a decade later.
The end of the American Civil War in 1865 had made a huge number of obsolete percussion muzzleloading rifles and rifle muskets available on the secondary market from international arms traders like Schuyler, Hartley & Graham. While these guns were being replaced with modern metallic cartridge breechloaders in most of the world, a muzzleloading Enfield pattern rifle or rifle musket was a huge technological advantage against the traditional smoothbore Tanegashima-tsutsu matchlocks in Japan. Other firearms found their way into Japan through western traders as well, ranging from Spencer Carbines to Smith & Wesson Model No 2 revolvers, and everything in between. The traders were only too happy to arm what was looking to be a Japanese civil war. It is also worth noting that there is the possibility that these bayonets, in addition to almost certainly being used by pro-Imperial forces during the Meiji Restoration of 1868-1869, may well have seen use again during the Saga Uprising of 1874 by the anti-Imperial rebels in that province. Photos in the gallery show an 1860’s Japanese anti Imperial samurai rebels armed with an Enfield rifle, with its Yataghan long sword-bayonet upon his belt,
Priced for UK mainland delivery only. For export delivery, please POA read more
320.00 GBP
A Beautiful Omori School Tsuba Turbulant Sea With Crashing Waves and A Crane Swooping Over Turtle Below.. Edo Period
The crane and the turtle have a significant position in Japanese folk lore and tradition, as both symbolically represent longevity in Japanese art.
The shibuichi tsuba of marugata shape, with a kozuka and kogai hitsu-ana, the nakago-ana with some suaka sekigane, finely worked takabori and takazogan to depict breaking waves carved in the typical manner of the Omori school with inlaid gold spray drops. Sekigane. Late 18th century, Edo period (1615-1868)
Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.
A closely related shibuichi tsuba with waves {omitting the crane and turtle} by Omori Teruhide is in the Museum of Fine Arts, Boston, accession number 11.5454.
Koryūsai Isoda, woodblock print, of a crane flying over crashing waves.
64mm read more
625.00 GBP
A Beautiful & Stunning Edo Period Tetsu Round Tsuba Of a Bat Flying in Rain Over Turbulant Seas.
The reverse is a willow carved in sunken relief, all upon a russet ground. somewhat reminiscent of the work my master Kenzui,
In Japanese folklore, bats are often associated with good luck and prosperity. One popular folktale is the story of "Bakeneko," a mythical creature resembling a cat with bat-like features. Bakeneko is believed to bring blessings and protection to households, particularly during times of hardship.
In the context of kimono designs, the depiction of bats holds specific symbolism. Bats are often featured alongside other auspicious motifs such as the pine, bamboo, and plum—traditional symbols of longevity, resilience, and prosperity. When bats are included in these designs, they reinforce the notion of good fortune and longevity, making them popular motifs for celebratory occasions such as weddings and New Year's festivities.
During the Meiji period (1868-1912), Japan underwent significant cultural and societal transformations. Bats continued to be prominent symbols during this era, often depicted in art and textiles as representations of prosperity and modernisation. As Japan embraced Western influences and embarked on industrialisation, the symbolism of bats evolved to reflect aspirations for economic growth and social advancement. Bats were frequently incorporated into decorative arts, such as ceramics and textiles, to convey wishes for prosperity and success in the changing landscape of Meiji Japan.
72mm read more
895.00 GBP
A Good Yoshii School Wakazashi, Likely Muromachi, Signed Yoshii Mitsunori Dressed With A Stunning Livery of Brown Ishime Lacquer Complimented With a Finest Blue Silk Tsukaito Hilt Wrap
A good, antique, wakazashi signed Yoshii Mitsunori.
Beautiful blue-green tsuka-ito wrap over a pair of feather form menuki, traditional samegawa {giant rayskin}. Higo school iron kashira decorated with a large leaved plant on a plain course plain background. plain iron fuchi.
Very attractive Edo period round plate tetsu tsuba, reminiscent of the Yokoya School, with pronounced mimi rim, engraved with katakiri and kebori on one side with Mount Fuji, and a deeply engraved shishi lion dog.
The Yoshii (吉井派)school was active in Yoshii, near Osafune, beginning in the Nanbokuchô period 1336-1392. Tamenori (為則) is said to have been the founder, followed by Kagenori (景則), Sanenori (真則), Ujinori (氏則), Yoshinori (吉則), Mitsunori, (光則), Morinori (盛則), Naganori, (永則) , Kanenori (兼則), and others. Later generations of smiths used the same names and those who moved to Izumo province are known as the Unshu Yoshii (雲州吉井)smiths.
Most of the Yoshii (吉井)blades were produced during the Muromachi {室町時代,} era, 1336 to 1573.This wakazashi was made during this era.
Their workmanship shows its own distinctive traits and is an unorthodox variation of the Bizen tradition.
By the end of the Muromachi period, the first Europeans had arrived. The Portuguese landed in Tanegashima south of Kyūshū in 1543 and within two years were making regular port calls, initiating the century-long Nanban trade period. In 1551, the Navarrese Roman Catholic missionary Francis Xavier was one of the first Westerners who visited Japan. Francis described Japan as follows:
"Japan is a very large empire entirely composed of islands. One language is spoken throughout, not very difficult to learn. This country was discovered by the Portuguese eight or nine years ago. The Japanese are very ambitious of honors and distinctions, and think themselves superior to all nations in military glory and valor. They prize and honor all that has to do with war, and all such things, and there is nothing of which they are so proud as of weapons adorned with gold and silver. They always wear swords and daggers both in and out of the house, and when they go to sleep they hang them at the bed's head. In short, they value arms more than any people I have ever seen. They are excellent archers, and usually fight on foot, though there is no lack of horses in the country. They are very polite to each other, but not to foreigners, whom they utterly despise. They spend their means on arms, bodily adornment, and on a number of attendants, and do not in the least care to save money. They are, in short, a very warlike people, and engaged in continual wars among themselves; the most powerful in arms bearing the most extensive sway. They have all one sovereign, although for one hundred and fifty years past the princes have ceased to obey him, and this is the cause of their perpetual feuds."
This sword has certainly seen combat in its centuries long combat life, the external koshirae are excellent, after being refurbished in the last 20 years, the blade is beautifully bright and elegant with natural age wear for a blade so old, with surface thinning. read more
2995.00 GBP
A Very Fine Superior, Very Likely Gendaito, Traditional Hand Made Japanese Officer's Sword. Signed Tanigawa Ichishin Saku In Fabulous Condition. With all Original Antique Edo Period Fittings and Mounts & Kiri Mon Armourer's Iron Tsuba
The blade tang is signed by the maker, and appears to be handmade, in the traditional fashion, from the 1930's. the rest of the sword is fully traditional samurai form, from the Edo period {1600 - 1868}.
The blade on this example was hand forged, and the tang of the blade is signed (Mei) with the characters 谷 川 一 心, that read as Tanigawa Ichishin saku {Tanigawa Ichishin made this}
Research indicates that this smith's real name was 谷川 慶治 - Tanigawa Keiji, so in this case "Tanigawa" was his family name, and "Ichishin" his "swordsmith name." We have seen many other smiths sign their swords in this fashion. His name appears in the Seki Tanrensho Book printed in 1939. Ichishin was active during the Showa Period and worked at Seki arsenal in Gifu, with that stamp on the nakago, Mino Province (美濃国), and look to have made both arsenal forged and traditional blades. The signature is his traditional type.
The stunning blade appears bespoke, handmade and was expertly and traditionally crafted by the sword smith. The mekugi-ana hole in the tang is punched and not drilled, {typical for handmade blades for ichishin}. it has a beautifully visible temper line {hamon} on the fabulous blade.
The blade is is stunning condition, and signed on the tang by the maker "the Mei".the Blade has a fine yokote at the tip, kissaki, with a boshi (tip temper line).
It has a traditional lacquered saya bound in field service combat leather. The tsuka is a traditional katana type with fine patinated Higo school iron fuchi kashira engraved with crashing waves in turbulant seas. the tsuba is a hot stamp armourer's mokko form tettsu {iron} plate with five hammered Kiri mon, the Imperial mon of Japan.
Under the original silk tsuka-ito are tettsu menuki of tageha {arrow} in a yabira yazutsu {quiver}.
This is a superior quality sword for likely a higher ranked officer of the IJN due to its original antique Edo period full koshirae mounting, that is of completely traditional samurai form, with simply a leather field service protective combat cover on its saya that still has its antique kurigata.
The IJN launched a surprise attack on Pearl Harbor, killing 2,403 Americans and crippling the US Pacific Fleet. During the first six months of the Pacific War, the IJN enjoyed spectacular success inflicting heavy defeats on Allied forces. Allied navies were devastated during the Japanese conquest of Southeast Asia. Japanese naval aircraft were also responsible for the sinkings of HMS Prince of Wales and HMS Repulse which was the first time that capital ships were sunk by aerial attack while underway. In April 1942, the Indian Ocean raid drove the Royal Navy from South East Asia.
In 1943, the Japanese also turned their attention to the defensive perimeters of their previous conquests. Forces on Japanese held islands in Micronesia were to absorb and wear down an expected American counteroffensive. However, American industrial power become apparent and the military forces that faced the Japanese in 1943 were overwhelming in firepower and equipment. From the end of 1943 to 1944 Japan's defensive perimeter failed to hold.
The defeat at the Philippine Sea was a disaster for Japanese naval air power with American pilots terming the slanted air/sea battle the Great Marianas Turkey Shoot, mostly going in the favour of the US,126 while the battle of Leyte Gulf led to the destruction of a large part of the surface fleet. During the last phase of the war, the Imperial Japanese Navy resorted to a series of desperate measures, including a variety of Special Attack Units which were popularly called kamikaze. By May 1945, most of the Imperial Japanese Navy had been sunk and the remnants had taken refuge in Japan's harbours. By July 1945, Nagato was the only remaining ship of the Imperial Japanese Navy's capital ships that had not been sunk in raids by the United States Navy.
The blade is in excellent plus condition, overall 37.5 inches long in saya, blade tsuba to tip 26.5 inches long. the saya also excellent, the tsuba, fuchi kashira are similarly excellent plus. The original blue tsuka ito silk wrap is aged and with small frays as usual for age. read more
2950.00 GBP










