Antique Arms & Militaria

A Superb Ancient Greek Bronze Scholar’s Tablet Ring From The Time of Alexander the Great Circa 340 BC. Engraved With Symbolic Crosshatching Of Stylized Pre-Euclidean Geometry, And In The Proportions of A Greek Stele. From the Greek στήλη

Another collection of fine antiquities will be added soon, including this most rare scholar’s tablet ring from the time of Alexander the Great. A ring as could be worn by such as one of the greatest philosophers in history, Aristoteles. Very fine naturally aged bronze ring, in rectangular tablet form, with crosshatch engraving of stylized pre-Euclidean geometry

The great philosopher Aristoteles taught Alexander the Great in Naoussa
In the year 342 bc King Philip II of Macedonia invited. in the area of Naoussa, the great philosopher Aristoteles to educate his 13 year old son Alexander, who will be later known throughout the world as Alexander the Great.
Aristoteles accepted to undertake the education of Alexander and the children of Macedonian nobles in the Temple of the Nymphs near Naoussa. Many of these students would become Alexander’s friends and future generals. Aristotle taught Alexander and his friends about medicine, philosophy, morals, religion, logic, and art. Under Aristotle’s tutelage, Alexander developed a passion for the works of Homer. Aristotle gave him an annotated copy, which Alexander later carried on his campaigns.
This location of the Temple of the Nymphs near Naoussa is rounded with nature, trees, a river and a small swamps. Walking through the nature the philosopher Aristoteles taught Alexander using the epic poems of Homer.
The location is an incredible area that has more than 2300 years of history.

Alexander the Great himself famously wore jewelry that was full of imagery and symbolism. He frequently commissioned and wore jewelry, of bronze, silver and gold, with themes that celebrated his divinity, his victories, and his idea of a unified universe. He expressed his divine background and goals by using mythical creatures. Additionally, to emphasize his status as a monarch.

Steles have also been used to publish laws and decrees, to record a ruler's exploits and honours, to mark sacred territories, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both.

Picture in the gallery of Stele of Arniadas.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25437

A Beautiful Ancient Viking War Hammer. An Iron Hammer-Axe From 900 to 1000 Years Old in Fabulously Preserved Condition

An iron war hammer-axehead with wide bearded blade, round socket and a rounded hammer section with expanded end extension to the rear.

In 793, terror descended on the coast of Northumbria as armed raiders attacked the defenceless monastery of St Cuthbert on Lindisfarne. The terrified monks watched helplessly as the invaders made off with a haul of treasure and a clutch of captives. It was the first recorded raid by the Vikings, seaborne pirates from Scandinavia who would prey on coastal communities in north-western Europe for more than two centuries and create for themselves a reputation as fierce and pitiless warriors. The Anglo-Saxon cleric Alcuin of York wrote dramatically of the Lindisfarne raid that the church was spattered with the blood of the priests of God, despoiled of all its ornaments given as a prey to pagan peoples and subsequent (mainly Christian) writers and chroniclers lost few opportunities to demonise the (mainly pagan) Vikings. Yet, though they undeniably carried out very destructive and violent attacks, from small-scale raids against churches to major campaigns involving thousands of warriors, the Vikings formed part of a complex and often sophisticated Scandinavian culture. As well as raiders they were traders, reaching as far east as the rivers of Russia and the Caspian Sea; explorers, sending ships far across the Atlantic to land on the coastline of North America five centuries before Columbus; poets, composing verse and prose sagas of great power, and artists, creating works of astonishing beauty.Their victims did not refer to them as Vikings. That name came later, becoming popularised by the 11th century and possibly deriving from the word vik, which in the Old Norse language the Vikings spoke means bay or inlet. Instead they were called Dani (Danes) there was no sense at the time that this should refer only to the inhabitants of what we now call Denmark pagani (pagans) or simply Normanni Northmen In medieval Scandinavian languages, a Vikingr is a pirate, a freebooter who seeks wealth either by ship-borne raids on foreign coasts or by waylaying more peaceful seafarers in home waters. There is also an abstract noun Viking, meaning ‘the act of going raiding overseas

In the world of collecting early weaponry an axe is defined as it’s head, it’s haft was separate often made of vulnerable woods that can not survive the ravages of time.

One of the most famous Viking axes is Helm (named after the Norse death goddess), which belonged to King Magnus of Norway and Denmark. He is said to have inherited the weapon from his father, Olav Haraldsson of Norway, whose ax features prominently in Norway’s national coat of arms. Some Viking axes if they were wielded by a particularly strong and skilled warrior could even cut through chainmail and helmets. When King Magnus’s poet credited the king with being able to split heads like firewood, he wasn’t necessarily being hyperbolic. Writing about the pre-Viking Franks and their use of throwing axes, the Francisca, Procopius makes it clear that the Franks threw their axes immediately before hand to hand combat with the purpose of breaking shields and disrupting the enemy line while possibly wounding or killing an enemy warrior. The weight of the head and length of the haft would allow the axe to be thrown with considerable momentum to an effective range of about 12 m (40 ft). Even if the edge of the blade were not to strike the target, the weight of the iron head could cause injury. The francisca also had a psychological effect, in that, on the throwing of the francisca, the enemy might turn and run in the fear that another volley was coming. It is most logical that the Vikings may well have adopted this system of axe throwing combat from the earlier Franks, as it seemed most effective in numerous combat arenas.

For reference of type see; Cf. Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, 1987, table CXXIV 7".  read more

Code: 25459

A Beautiful, Large & Most Fabulous Original Antique Ching Dynasty 'Rose Medallion' Canton Export Porcelain Lamp

An absolutely stunning and beautiful quality original Chinese export antique lamp, Qing Dynasty {Ching} circa 1830, with the body of a fine large size antique Cantonese porcelain vase, in rose medallion pattern with its lacquered highly decorative pierced brass oil lamp mountings, created and assembled in Paris in the 1830's. Later converted to electricity.

A large piece that could be categorised as a centre piece, most surviving antique Canton export lamps are the smaller size side lamps, but this is a statement piece of superb presence. The decoration centres around six dominant panels. On one side there are two panels with scenes of high status mandarins and courtiers above another over a panel decorated with birds and butterflies. The other side a central panel decorated with birds between two panels of people. Antique Chinese export porcelain is now become incredibly desirable and highly valuable due to the ever rising and powerful, so called Tiger Economy, of China. Rare antique Chinese porcelain is now attracting values of 10 to 100 times the prices achieved for them just 30 years ago or so. 'Canton' porcelains are fine Chinese ceramic wares made for export in the 18th to the 20th centuries, this is a piece from the earlier part of that period in the Ching Qing dynasty.

The wares were made, glazed and fired at Jingdezhen but decorated with enamels at Canton (Guangzhou) in southern China prior to export by sea through that port. Canton was a large, densely populated Chinese city. Most of the buildings in this ca. 1800 view in our gallery are two- or three-story buildings used both as residences and shops. The pagoda and five-story watchtower rise above the city, surrounded by the mountains where country estates and guard houses were located. Prominently featured in the foreground, with foreign flags, the area to which foreigners were confined was a tiny district of several acres on the banks of the river, where thousands of boats collected for trade. Many cities along China's southern coast had created foreign quarters for much earlier generations of Indian and Middle Eastern traders. The Westerners were just the latest arrivals. During the passage from Macau up the Pearl River foreigners passed through densely populated agricultural lands and market towns, but they never saw a major city until they reached Guangzhou. We call the trading system that lasted from 1700 to 1842 on China's south coast the Canton system because of this city's dominance. Guangzhou (which Europeans called Canton), an ancient city and one of the largest in South China, had flourished as an administrative and trading centre for over 1000 years before the Westerners arrived. Arab and Persian traders had lived in its foreign quarters under the Tang dynasty since the 8th century. Like most traditional Chinese cities, Canton had a large wall surrounding the central districts, major avenues within the wall, extensive market districts outside the wall, and constant contact by riverboats with the surrounding countryside and distant ports. 25 inches high not including light fitting 33 inches high with shade. The shade is around 50 years old, made of silk, but its condition is now most poor and shown for display purposes only, for use today a new example should be considered  read more

Code: 22231

A Very Good & Fine Original Medieval 'Crusader' Knight's Bronze Battle Mace & Scorpion Flail Mace Head Circa 12th Century. Around 900 Years Old, In Superb Condition and With Excellent Natural Age Patination

Made of Bronze Copper Alloy. A weapon made at the time at great cost, and only for the most affluent knight, a battle mace for the crushing and smashing of armour. The mace head is approx. the width of a pool or billiard ball. This fabulous mace could be mounted upon a haft {pretty much none of the original hafts from that period are now still in existence, being organic they decay very quickly once buried} or the aperture filled with lead and a large hand wrought iron staple, that would then be chained, and further mounted upon a short wooden haft to use as a flail mace.
Although no original early mace heads, in reality, were that large, they were heavy and powerful enough, combined with the impetus of a powerful swing, to be incredibly and dramatically effective at smashing through armour, and even iron plate helmets.

This bronze mace was made and used in the era of the first, through to all the knightly crusades to the Holy Land to reclaim Jerusalem.

The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Christian Latin Church in the medieval period. The best known of these military expeditions are those to the Holy Land in the period between 1095 and 1291 that had the objective of reconquering Jerusalem and its surrounding area from Muslim rule after the region had been conquered by the Rashidun Caliphate centuries earlier. Beginning with the First Crusade, which resulted in the conquest of Jerusalem in 1099, dozens of military campaigns were organised, providing a focal point of European history for centuries. Crusading declined rapidly after the 15th century.

In 1095, after a Byzantine request for aid, Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for Byzantine emperor Alexios I Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in Western Europe, there was an enthusiastic response. Participants came from all over Europe and had a variety of motivations. These included religious salvation, satisfying feudal obligations, opportunities for renown, and economic or political advantage. Later expeditions were conducted by generally more organised armies, sometimes led by a king. All were granted papal indulgences. Initial successes established four Crusader states: the County of Edessa; the Principality of Antioch; the Kingdom of Jerusalem; and the County of Tripoli. A European presence remained in the region in some form until the fall of Acre in 1291. After this, no further large military campaigns were organised.  read more

Code: 25454

A Superb Queen Anne, Early 18th Century Bone Topped Walking Dandy Cane

It is a delight to get such an early example of a fine English 'Dandy' cane, it has a wonderful carved bone top with intermittent baleen inserts, and a fine grain hardwood haft. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. With a small repair at the replaced brass ferrule.  read more

Code: 16579

A Singularly Beautiful & Rare Victorian Folk Art Silk 'Royal' Maritime Embroidery Woolwork, A ‘Jack Tar’ Sailor’s Woolwork or ‘Woolie’. The White Ensign, Red Ensign, Blue Ensign, Union Flag, Scottish Standard, Shamrock Flag

Although encompassed in the term 'woolwork', the better quality examples, such as this, were made from silk obtained by the sailors who stitched them, usually in China or Japan. Set in a simulated rosewood frame. 19th century Victorian royal crest with British maritime flags of the Royal Navy, The White Ensign, Red Ensign, Blue Ensign, Union Flag, Scottish Standard, Shamrock Flag and surmounted with a life preserver. At the base is the royal motto in a scroll 'Dieu Et Mon Droit' beneath the English rose the Scottish thistle and Irish shamrock. All on a blue silk ground with silk and embroidery decoration throughout. Often made by sailors when at sea during quiet periods and brought home for framing. Sometimes called a sailor's silkwork. From about 1840 to World War I, many British sailors passed the long hours in port or on the open sea by sewing these wool pictures, commonly called Woolies. Many have a naive charm, but some are so well executed that they rival their counterparts in oil. Primarily Woolies depict ships, but some are known to contain other subjects such as patriotic symbols, flags and crests. As Woolies were works of pride or sentiment, none were done in bad taste or caricature. Unfortunately, the names of the artists have been lost to history because Woolies tend to be unsigned. But sometimes they give us small clues as to their origin.
The enchantment of Woolies is that they are folk art. They were made by the hands of men who were not formally trained in embroidery. Regardless, it is understandable how such tough men could create such delicate pictures. Woolies are the creative product of sailors spare time, excess materials and a basic, yet necessary, familiarity with needle and thread. Until the mid-1880s the average seaman had no standard uniform. Not only did he sew his own clothes, but also one of his duties was to maintain the ship?s sails. Furthermore, sailors used embroidery to individualize and embellish their garments, frequently in eccentric designs. Therefore, spare time between watches combined with basic sewing skills and imagination became the rich soil from which the art of Woolies grew.

Most of the materials used to make Woolies were found on board ship. Sail canvas, duck cloth from sailors trousers or a simple linen or cotton fabric was used as a base. The stretcher commonly was made from excess wood with simple tenon joints, without wedges. Only the Berlin wool, cotton or silk would need to be brought from home or acquired in a foreign port. Sailors mainly chose to use vivacious colours chiefly white, blue, red, brown and varying shades of green. Early Woolies are made of naturally dyed wool. After the development of chemical dyes in the mid-1850s, sailors could obtain a greater range of colours at a less expensive price.

Only when the sailor returned home did he frame it. Today collectors frequently place woolies in maple frames, but originally the frames were quite diverse. Sometimes they were made of a simple wood; other times they were highly carved or gilded. Woolies reached their height from about 1860-80. Several events led to the eventual demise of the craft. After the advent of steam engine power, the dependency on sails and the large crews required to maintain them came to an end. This in turn influenced the size of the crews as well as their required skills. Sailors no longer needed to know how to sew in order to repair the sails, nor did they need to make their own clothing anymore. Photography also allowed a sailor to remember his travels through photographs instead of his own wool work.

Jack Tar (also Jacktar, Jack-tar or Tar) is a common English term originally used to refer to seamen of the Merchant or Royal Navy, particularly during the period of the British Empire

In the age of wooden sailing vessels, a ship's rigging was rope made of hemp, which would rot quickly in such a damp environment. To avoid this, the ropes and cables of the standing rig were soaked in tar, which had to be replenished by tarring.
Seamen were known to 'tar' their clothes before departing on voyages, in order to make them waterproof, before the invention of waterproof fabrics. Later they frequently wore coats and hats made from a waterproof fabric

Top left blue silk ground has some fading. Size 23 inches x 24 inches in frame  read more

Code: 20991

A Very Fine Pair of Absolutely Beautiful French, Napoleonic 1st Empire Period, Circa 1804, Duelling Pistols, by Arlot of Paris, Near Identical To Napoleon's Pair of Duelling Pistols Taken at Waterloo

Made circa 1804 by master gunsmith and maker to the King of France, Jean Arlot of Paris. Jean Arlot was a very fine gunmaker, based in Paris [c.1780-1815] and was the Royal gunmaker to King Louis XVI, prior to the French Revolution. These wonderful pistols were made in the period when Napoleon declared himself Emperor of all France, known as the 1st French Empire Period. There is a most similar beautiful pair of French duellers in the Rijksmuseum in Holland [see them in our photo gallery for comparison] that belonged to Napoleon Bonaparte, those pistols came into the possession of Lieutenant Henry Sagermans of Brussels shortly after the Battle of Waterloo. Sagermans claimed the pistols were found in Napoleon's travel carriage which had been abandoned near the battlefield. This French Empire period pair of pistols were originally crafted in the late flintlock period and then expertly converted to percussion, including careful engraving the hammer in order to match the original lock’s engraving which are signed "ARLOT" at the centres. The swamped barrels have fine "micro-groove" style rifling, a dovetailed blade front sight, engraved Bachereau "A PARIS", a sighting groove that extends onto the breech plug, and a notch rear sight within the groove. They are also equipped with adjustable single set triggers, very finely engraved furniture, spurred trigger guards, and a chequered and carved half-stocks. Fine with 85% plus blue finish light case colours, crisp engraving, grey and brown patina on the balance, and general light age and storage related wear. Aside from a single hairline crack the stocks are superb, and they have crisp carving and micro chequering with light wear commensurate for age.

Napoleon gifted allies and personal friends with splendid weapons from the Versailles Arms Factory, very similar to this stunning pair. Such presents could be expensive even for luxury goods: King Charles IV of Spain, an ally of France and a dedicated huntsman, received a set of nine guns, also a pair of duelling pistols which cost 130,000 francs (which was the equivalent of 36,000 days of wages for a skilled tradesman in those days, thus approx 12 years pay).

Napoleon and the art of honouring loyalty and bravery

In France, it was customary for the King to award weapons of honour for exceptional service. Awarding royal military honours was stopped with the abolition of the monarchy in 1792, but reinstated a couple of years later by Napoleon, then Commander-in-chief.
Napoleon first awarded arms of honour for individual acts of bravery during the Italian campaign of 1796-1797, and he decided to increase doing so in an order from 28 August 1797. The distribution of weapons of honour was made official by the Consulate in an order from 25. December. Napoleon regulated which ranks received what kind of arms: officers received pistols, grenadiers and the line infantry received rifles or sabres, and the cavalry troops received rifles, too.

The gifts Napoleon made to military heroes and statesmen were also admired by the British. While usually not being present with them, they bought or took them from Napoleon’s fallen allies that were defeated in the war or went into exile. The 1st Marquess Wellesley, Brother to Arthur Wellesley, presented George, The Prince of Wales, in May 1810 with a pair of flintlock rifled pistols. Its barrel was inlaid with gold ornaments. It is part of the Royal Collection Trust

practices and rituals were codified in the Code Duello of 1777 which set forth rules describing all aspects of an "affair of honour," from the time of day during which challenges could be received to the number of shots or wounds required for satisfaction of honour. For gentlemen the law "offered no redress for insults" he might be subject to from rivals and enemies. Shooting a fellow officer in a duel "gave a sharp edge to one's reputation, earned congratulations in the regimental mess, and brought admiring glances from the ladies. Higher military authorities regarded duelling as a proof test of courage" Although theoretically banned by British Army regulations, refusing a challenge was likely to result in an officer having to leave his regiment, for the same rules that banned duelling forbade an officer from submitting to "opprobrious expressions" or "any conduct from another that should degrade him, or, in the smallest way impeach his courage." To decline a challenge was often equated to defeat by forfeiture, and was sometimes even regarded as dishonourable. Prominent and famous individuals ran an especial risk of being challenged for duels.
Among the most famous duels are the American Burr-Hamilton duel, in which notable Federalist Alexander Hamilton was fatally wounded, and the duel between Duke of Wellington and the 10th Earl of Winchilsea, wherein each participant intentionally missed the other. In New Orleans in 1817 wealthy Creole Bernard de Marigny challenged American blacksmith James Humble to a duel. Humble at nearly seven feet tall had the advantage of size but had never so much as handled a weapon before, and Marigny was only five-nine but a deadly fighter. But by tradition, Humble, as the challenged party, had choice of weapons and location. His choice: the duel would be fought with blacksmith hammers standing in six feet of water in Lake Pontchartrain. Marigny immediately declared that he could not possibly harm a man with such a sense of humour and invited Humble home for dinner. Some were fought over matters of great import, such as Whig leader George Tierney's challenge to William Pitt, after the prime minister accused him of a lack of patriotism; while at the other extreme, in 1721, two Irishmen fought over the correct spelling of a Greek word. Natchez, Mississippi: September 20, 1827: Formidable frontier knife fighter Jim Bowie was shot twice, stabbed "many" times, and had a sword impaled in his chest but still managed to stand, fight, and kill in a gentlemen's duel gone dreadfully wrong.

Since duelling is illegal in Mississippi, it all happened on a sandbar on the Louisiana side of the Mississippi River just west of here, yesterday. Samuel Wells of Natchez faced Louisiana doctor Thomas Maddox in a pistol duel. Each man had a large contingency of witnesses. Both men were allowed two shots at each other. Both missed. So, the actual duel ended with a laugh, with a handshake and with the opening of a bottle of wine, celebrating the duellers new found friendship.

Bowie was Wells second in the duel, and Judge R.A. Crane from Louisiana was Dr. Maddox's second.

As the wine flowed so, suddenly, did the anger, not between the duellists but between the two seconds, Jim Bowie and Judge Crane.

Crane pulled a pistol and fired twice. A bullet punctured Bowie's thigh. He went down. The second bullet hit Bowie's friend Dr. Samuel Cuney, who was there just to witness the duel. He slumped to his knees, then toppled face first to the sand? dead.

Brawling bloody bedlam began. Friends of each dueler became mortal enemies. Bullets whined through gun smoke, and knife blades slashed in the sun.

Major Norris Wright, a banker from Alexandria who hated Jim Bowie and had tried to kill him before, took the opportunity to unsheathe his cane sword and impale Bowie in the chest as Bowie lay wounded on the ground. With the sword still sticking in his chest, Bowie grabbed Wright's coattails and pulled Wright toward him on the ground, slashing Wright's mid-section back and forth with his big, curved knife, killing him instantly.

Witnesses say Bowie then stood up with the sword wobbling in his chest, a bullet in his thigh, and a knife wound gaping in his side, as attackers continued to stab him and shoot at him.

When the attacks stopped, either through fear or fatigue, two men lay dead; two more men tried to patch serious wounds; and the others wiped blood with torn shirts from their grazes and gashes.

As smoke cleared, the dead and wounded were taken by boat across the river to Natchez for civilised burial and modern medical treatment. Sometimes, however, duels were fought for political reasons. In 1798, the Prime Minister of England, William Pitt, accused George Tierney, an opposition politician, of desiring to obstruct the defence of England. Tierney demanded that Pitt withdraw the accusation; Pitt refused. Tierney challenged him to a duel, and the two met near London. The first set of shots went wild, and Pitt fired his second shot into the air, thereby vindicating honour. As with all our antique guns no license is required as they are all unrestricted antique collectables 1cm of one sideplate lacking to one reverse side of one pistol. Mechanically, both pistols are very fine indeed, of top quality craftsmanship, with fine crisp actions. 245mm barrels, overall 370mm long  read more

Code: 22574

A Fine & Beautiful Pair of Porcelain Cabinet Plates of Emperor Napoleon & Empress Josephine, From the World Renowned Porcelain Factory of Royal Copenhagen.

Finest porcelain dished plates bearing fine portraits of the emperor and empress of France, decorated with deluxe finest brushed pure gold borders. Makers mark to each dish. Slight original glaze wear within Josephine’s hair style.
Marie Josèphe Rose Tascher de La Pagerie was born in 1763 in Martinique to a wealthy white Creole family that owned a sugarcane plantation. In 1779, she married Alexandre de Beauharnais, with whom she had two children. The marriage was not a happy one, leading to a court-ordered separation. In 1794, during the Reign of Terror, Alexandre was executed but Josephine was freed thanks to the fall and execution of Robespierre.
Josephine met Napoleon, six years her junior, in 1795. Napoleon was enamored with Josephine, with whom he had a passionate affair. In January 1796, Bonaparte proposed to Josephine and they married in March. Until meeting Bonaparte, Josephine was known as Rose, but Bonaparte preferred to call her Josephine, the name she adopted from then on.
The marriage was not well received by Napoleon’s family, who were shocked that he had married an older widow with two children. Two days after the wedding, Bonaparte left to lead the French army in Italy. During their separation he sent her many love letters, but both spouses also had lovers. Despite his own affairs, their relationship was never the same after he learnt about hers.
The coronation ceremony, officiated by Pope Pius VII, took place at Notre Dame de Paris in December 1804. Following prearranged protocol, Napoleon first crowned himself, then put the crown on Josephine’s head, proclaiming her empress.
When after a few years it became clear Josephine could not have a child, Napoleon, though he still loved his wife, began to think seriously about the possibility of divorce and created lists of eligible princesses. In November 1809, he let Josephine know that in the interest of France he must find a wife who could produce an heir. Despite her anger, Josephine agreed to the divorce so the Emperor could remarry in the hope of having an heir.
Despite his divorce from Josephine, he showed his dedication to her for the rest of his life. When he heard the news of her death while on exile in Elba, he locked himself in his room and would not come out for two days. Her name would also be his final word on his deathbed in 1821.

Juliane Marie was known as a modern queen and a strong supporter of the country. It was the task of the reigning monarch to safeguard the country’s economic health with the development of domestic products and services. Her greatest legacy was founding the Royal Danish Porcelain Factor y in 1775.The production of porcelain was not entirely unknown to Juliane Marie. Her brother, Charles I of Brunswick-Wolfenbüttel had also founded a porcelain factory in Fürstenberg, Germany. In addition, their sister was married to Frederik II of Prussia, one of Europe’s absolute monarchs who in 1763 founded a porcelain factory in Berlin. Although the siblings corresponded, the secret for porcelain manufacturing was not shared between them and it was only in 1774 that porcelain was first produced in Copenhagen. Finally, Juliane Marie and the Danish royal family had their own valuable porcelain production, like other European monarchies.
THE ROYAL CROWN AND THE THREE WAVES

Juliane Marie was adamant from the start that each piece of Royal Copenhagen porcelain would be stamped with its unique factory mark: the three hand-painted waves that symbolise Denmark’s waterways, the ‘Oresund’ or Sound, the Great Belt and the Little Belt. The queen also introduced the royal crown stamp to highlight the factory’s royal association. The crown has changed over time and can be used to date each piece of Royal Copenhagen.
In the 1700's, it was good diplomatic practice amongst royalty and aristocracy to give fine porcelain as gifts. Following Danish defeat at the Battle of Copenhagen in 1801, Lord Nelson bought Royal Copenhagen porcelain for his beloved Lady Hamilton. The Danes lost the battle. But a love of Danish porcelain was victorious.
273mm wide  read more

Code: 24588

A Very Fine & Rare, Signally Beautiful, Anglo-American War of 1812, 'Eagle Head' & Scroll Fretted Hilt, American Officer's Sabre. In Great Condition.

It was quite extraordinary, but we acquired a pair of these fabulous and very rare American eagle head pommel and scroll fretted hilted sabres, that have been together since the war of 1812, possibly owned by brothers that served, but naturally, officer's swords were never sold as pairs, or indeed used as such, but, none the less, they have been together for almost 200 years. We are, however, selling them individually. We similarly and equally amazingly bought a pair of French Napoleonic sabres by the same maker, we also are selling them separately, but the coincidence is simply extraordinary.

Eagle head pommel with fully feathered back strap, in brass, with scroll fretted knuckle guard, and carved bone grip. Almost all the deluxe grade American officer’s sabres had the expensive alternative option of a carved bone hilt, as opposed to carved ivory, as enjoyed by their British counterparts, as the new nation of America lost all its access to ivory after its split from being part of the British colonial forces. Another one of the long list of negative consequences resulting from the revolution of 1776. It has an engraved bright polished blade, and its original brass mounted leather scabbard, with both twin ring belt strap supports, and an alternative wear option of a frog mount stud. Overall in excellent condition, with usual aged blade etching surface wear.
Used in the War of 1812 period, and a very nice example of these very fine swords, For Canadians, historically, the War of 1812 was the successful defence of a small colony against attack by a much larger neighbour.
Canadians endured repeated invasions and occasional occupations, but each invasion ultimately ended with an American withdrawal. The Royal Navy and British Army supported by Canadian regulars, Canadian militia, and First Peoples warriors, successfully defended Canada. Isaac Brock, Charles de Salaberry, Laura Secord, and Tecumseh became, and remain, iconic Canadian figures. The successful defence of Canada allowed British North America to evolve into an independent transcontinental country.

The War of 1812 was fought between the United States of America and Great Britain and its colonies, Upper and Lower Canada and Nova Scotia, from 1812 to 1815 on land and sea. The Americans declared war on Britain on June 18, 1812, for a combination of reasons, outrage at the impressment (seizure) of thousands of American sailors, frustration at British restraints on neutral trade while Britain warred with France, and anger at British support for native attacks along the frontier which conflicted with American expansion and settlement into the Old Northwest. The war started poorly for the Americans as their attempts to invade Canada were repeatedly repulsed; later in the war, American land forces proved more effective. The Royal Navy lost some early single-ship battles but eventually their numbers told and the naval blockade of the eastern seaboard ruined American commerce, and led to extreme dissatisfaction in New England. Following the American raid and burning of York (now Toronto), the British raided the Chesapeake Bay area and burned parts of Washington D.C. but were repulsed at Baltimore and withdrew. The Americans gained naval control of Lake Erie and Lake Champlain, preventing the planned British invasion of New York. The Americans destroyed the power of the native people of the Northwest and Southeast. With the defeat of Napoleon in 1814, and the stalemate on the battlefields, both nations agreed to a peace that left the prewar boundaries intact.

The small thumb pictures in this gallery are of our other near identical matching American 1812 sword, the large photos are correct for this sword . Other photos to add on Monday

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25449

A Super Historical Saxon Warrior's Axe. Likely a Saxon Thegn. Circa 850. As Was Used at the Battle of Basing of Saxon King Æthelred and His Brother, The Future Saxon, King Alfred the Great During the Viking Invasions of the Kingdom of Wessex

Just returned today from over two months of no expense spared conservation.

Incredibly the axe was recovered with it's original haft wedge still intact and present, this simply almost never happens. it has little or no intrinsic value as such at all, as an axe wedge, but historically, it is amazing. Found many decades ago, by the grandfather of its last owner, near the old site of Rowlads Castle, Hampshire, in the Saxon Kingdom of Wessex.
The Battle of Basing was a victory of a Viking army over the West Saxons at the royal estate of Basing in Hampshire on about 22 January 871.

In late December 870 the Vikings invaded Wessex and occupied Reading. Several battles followed in quick succession, Englefield, a West Saxon victory, Reading, a Viking victory and Ashdown on about 8 January, a West Saxon victory. Two weeks later, King Æthelred and his brother, the future King Alfred the Great, were defeated at Basing. There was then a lull of two months until the Battle of Meretun, when the Vikings again prevailed. Soon after Easter, which fell on 15 April in that year, Æthelred died and was succeeded by Alfred.

In 871, the Vikings continued to attack. Alfred's brother Aethelred died in one of the battles and Alfred was crowned king at the age of 22. Over the next several years Alfred fought off the Vikings. After many battles, he thought they had finally achieved some kind of peace. However, in 878, the Danish King Guthrum led a surprise attack against Alfred and his army. He was defeated. Alfred managed to escape, but with only a few men. He fled so that he could plot his counterattack.
Many of the men of Wessex were tired of the constant raids and attacks of the Vikings; as a result, they rallied around Alfred and soon the king had a strong army again.

Despite being very courageous and a great leader, Alfred was a frail man who struggled with illness for most of his life. He did not let this stop him though; with his new army, Alfred counter-attacked the Vikings. After a hard-fought battle, he
defeated King Guthrum and took back his land at Chippenham. Subsequently, Alfred established a peace treaty: the Vikings would remain on the eastern side of Britain and the Anglo Saxons on the west. The Viking territory became known
as Danelaw.
Once peace had been established with the Vikings, Alfred went about rebuilding his kingdom. With so much focus on fighting off the Vikings, the educational system of England had almost disappeared. Alfred knew that education was
important, so he founded schools and rebuilt monasteries.
In 886, he re-captured London and was named King of the English on Anglo Saxon coins. This was the first time a man had ever reigned over most of the country.
A devout Christian, he began to spread the religion throughout England and many Saxons and Vikings, who were Pagan, converted to Christianity. Not only this, but he helped to translate the Bible from Latin into English so that more people could read – this is another example of how he helped to improve education too.
In addition to this, Alfred made other reforms and improvements to his kingdom:
he built forts throughout the country, established a strong navy, and brought talented European scholars and craftsmen across the channel to England. Furthermore, he also established a national code of law.

The Saxon settlement at Southampton was known as Hamtun, while the surrounding area or scīr was called Hamtunscīr. The old name was recorded in the Domesday book as Hantescire, and it is from this spelling that the modern abbreviation "Hants" and thus its name Hampshire derives.

In later Anglo-Saxon England, a thegn was an aristocrat who owned substantial land in one or more counties. Thanes ranked at the third level in lay society, below the king and ealdormen. Thanage refers to the tenure by which lands were held by a thane as well as the rank.

Thegns, the wealthy noblemen of Anglo-Saxon kingdoms, served as retainers for their lords, fulfilling their obligation of military service.

Well-trained and equipped, thegns served as infantrymen, clad in chain mail armour and iron helmets shields.

Led to battle under dragon banners, they provided Saxon armies with a steadfast, hard-hitting core.

The term thane was also used in early medieval Scandinavia for a class of retainers, and thane was a title given to local royal officials in medieval eastern Scotland, equivalent in rank to the child of an earl.

Thegns were divided into three ranks: ealdormen (later earl), king's thegns, and median thegns. Below ealdormen were king's thegns, so called because they only served the king. The lowest thegnly rank were the median thegns who owed service to other thegns. The higher a thegn's rank, the greater the heriot he paid to the king.

Thegns were the backbone of local government and the military. Sheriffs were drawn from this class, and thegns were required to attend the shire court and give judgment. For these reasons, historian David Carpenter described thegns as "the country gentry of Anglo-Saxon England". Although their exact role is unclear, the twelve senior thegns of the hundred played a part in the development of the English system of justice. Under a law of Aethelred they "seem to have acted as the judicial committee of the court for the purposes of accusation". This suggests some connection with the modern jury trial.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25448