Antique Arms & Militaria

A Former Helmet Created From a Helmet in the Royal Collection. A Victorian, Italian Morion Helmet, Probably From Milan, Circa 1544. Likely Created by Instruction From The Curators Of the Royal Collection In Around 1873

This is likely a unique copy made in the 19th century directly from a fabulous helmet in the Royal Collection, in the Round Tower at Windsor Castle, and believed to be from the personal collection of King George IIIrd. Naturally as the original would never become available this is a unique opportunity to own a simulacrum from Her Majesty’s armoury. This stunning helmet was made in the 19th century using the incredibly advanced copper electrotype system with fully faithful and exact detail from the royal helmet. A system so exact in its ability to recreate an identical version of the original, it was considered by some to be a magical marvel. It has a slightly misshapen damage at the comb. The plume holder etched with a religious scene (possibly the Trinity) and the inscription LAVDAMVS TE (We praise Thee) . In the Round Tower at Windsor Castle in 1904. The collection of George III included ‘A Helmet English, Very Ancient Made of Iron – Embossed with Scrolls – Stars and Leaves had formerly been Gilt’, which was sent to the armoury from Buckingham House on 20 September 1821.

Item no. 2048 in the North Corridor Inventory, which records the arrangement of the Collection at Windsor Castle. We believe it was most likely made by instruction from the curators of the Royal Collection, that commissioned a identical copy made, possibly for the national museum collection, such as the amazing plaster copies of unique worldwide masterpieces in the V&A. Opened in 1873, the Cast Courts display copies of some of the world's most significant works of art reproduced in plaster, electrotype, photography, and digital media. The cast collection is famous for including reproductions of Michelangelo's David, Trajan's Column, and Ghiberti's Gates of Paradise, amongst many others. Electrotyping was an incredible chemical method for forming metal parts that exactly reproduce a model. The method was invented by Moritz von Jacobi in Russia in 1838, and was immediately adopted for applications in printing and several other fields. As described in a treatise, electrotyping produces "an exact facsimile of any object having an irregular surface, whether it be an engraved steel- or copper-plate, a wood-cut, or a form of set-up type, to be used for printing; or a medal, medallion, statue, bust, or even a natural object, for art purposes." In art, several important "bronze" sculptures created in the 19th century are actually electrotyped copper, and not bronze at all One of the earliest documented large-scale (1.67 metres (5.5 ft)) electrotype sculptures was John Evan Thomas's Death of Tewdric Mawr, King of Gwent (1849). The electrotype was done by Elkington, Mason, & Co. for the Great Exhibition of 1851. Link to see the original example http://www.royalcollection.org.uk. The gallery shows a photo of the original Italian morion still in the Royal Collection, but made in iron, however, it was originally fully gilded, which this copy still appears to be, likely in order to show how it once looked when it was originally made in around 1544 in Italy. It is not often any collector has the opportunity to purchase an absolute identical version of a piece of armour in the Royal Collection that was actually made from the Royal original. If the original were to ever come on the open market which it never will of course it would likely be worth six figures or even seven figures 1 million pounds plus due to its Royal connection.

Probably the most famous electrotype simulacrum seen today is the Wimbledon Women’s final trophy. See photo 8 in our gallery.

Tennis fame

The version held aloft as the Wimbledon Ladies Singles Championship trophy was made in silver by the firm of Elkington and Company of Birmingham in 1864. This version is known as the Venus Rosewater Basin, and was first presented at Wimbledon in 1886. Every champion since has had her name engraved on it. The reproduction of the basin was made by the electrical deposition of silver into a mould, and used the plaster cast of an Enderlein basin in the Louvre as a model. When it was first created, the Wimbledon reproduction represented the height of 19th century modernity and was at the forefront of technological innovation. The V&A has an electrotype version which was also made by Elkington, and was moulded from the same plaster cast, 12 years before the creation of the Wimbledon trophy.  read more

Code: 23222

An Important, Unique, & Significant, Historical Boer War Veteran's Souvenirs, the Siege of and Battle for Ladysmith Collection of A Combatant With Superb Personal Correspondence Provenance. Of Gunner Reginald Kisch, NNV One of the Besieged at Ladysmith.

Included in this fabulous collection is an HMS Powerful cap tally, with accompanying original letter, from one of the 'Powerfuls', the landing party from HMS Powerful, for the Battle for Ladysmith. A pair of uniform epaulette shoulder board’s from a combatant at the siege, The Border Mounted Rifles, pieces of shrapnel from a Long Tom the destruction of 'Puffing Billy' the British nickname of the Boers Long Tom big gun, plus numerous letters to Gunner Kisch' mother and sister, at the NNV Natal Naval Volunteers combatants home camp. Plus original newspaper cuttings of the war from the family.

The urgent transport of the cannon from HMS Powerful and HMS Terrible by the landing party, sent to the Siege of Ladysmith were the inspiration for the world renown Royal Naval Field Gun Competition at the Royal Tournament since 1907. see below

This collection would be a fabulous compliment to a medal group from the siege, such as from an HMS Powerful landing party combatant, or a NNV combatant, or a BMR combatant.

This is also the probably most historically interesting cap tally combat collection we have offered since our ‘Battle of River Plate’ German Battleship Graff Spee cap tally, taken from a killed German sailor, and personally given by Kapitan Langsdorff as a souvenir to a merchant ship captain who was a prisoner aboard his battleship. Now in a private museum collection in America.


Powerful's Naval Brigade Arrives in Ladysmith
The Powerful's Naval Brigade consisting of 283 officers and men, had arrived at the port of Durban on 29th October and travelled overnight by two trains to Ladysmith. The Brigade had with them two 4.7, four 12 pounders and four Maxim guns. The first detachment from the brigade arrived at 6am in Ladysmith in the middle of the Battle for Ladysmith. It had taken them just six days to adapt the 4.7" guns and then transport them by ship and rail to Ladysmith. Unfortunately, in the quest for speed, the Brigade did not bring sufficient ammunition. Percy Scott had asked for 5,000 rounds for the 4.7" guns but was given only 500 rounds - enough for 25 minutes of rapid firing. Departmental arguing saw to it that after Lambton had procured a further two 12 pounder guns, he was not to receive any further ammunition.

As soon as the Brigade arrived at Ladysmith Station it was under fire from the enemy. The 12 pounder guns were then transported using oxen and manpower to their positions and it was not long before they were finding their range and silencing the enemy's 'Long Tom' referred to as 'Puffing Billy' by the British. One enemy shell did dismount one of the 12 pounders and wounded three of the gun crew, the first casualties of the ship in South Africa.

It took several days for the 4.7" guns to be pulled to their positions on Junction Hill and Cove Redoubt from where they could fire on the Boers' long range guns (named Long Toms by the British). On the first day that the 4.7" guns were in action, 2 November, Lieutenant Egerton was killed by shells from Long Tom. His legs were hit by a shell bringing the response: "My cricketing days are over". His legs were amputated and by the afternoon he was cheerfully sitting up drinking champagne, but he died in the evening. On this day, the Naval Brigade's long guns were being fired on by at least five Boer guns and the town found itself finally cut off.

The Border Mounted rifles at the Siege;

the Volunteer Brigade under Colonel Royston, with Lieutenant Colonel H. T. Bru-de-Wold as Chief Staff Officer. The Naval volunteers were generally split up throughout the siege, part being on Caesar's Camp and part at Gordon Post. Between 1st November and the end of February the Natal Mounted Volunteers were frequently engaged. On 2nd November they were, with other troops, out reconnoitering; on the 3rd they were sent to cover the retirement of another force. On this occasion the Carbineers had Major Taunton and Sergeant Mapston killed, and the Border M.R. lost Captain Arnott and 11 men wounded. Section D of the defences of Ladysmith was placed under Colonel Royston. This included the thorn country north of Caesar's Camp and the Klip River Flats. Colonel Royston lost no time in building sangars and digging trenches, and soon had his section greatly strengthened. On 9th November the enemy attacked, firing 800 shells into the town; but their attack was driven off. On the 14th the Volunteers were out with Major-General Brocklehurst, and, along with the Imperial Light Horse, seized Star Hill; but it was not held permanently. When Sir Archibald Hunter made his deservedly famous sortie on 7th December to destroy the Boer guns on Gun Hill, his force consisted of 500 Natal Mounted Volunteers under Colonel Royston, 100 Imperial Light Horse (see that regiment), and a few Royal Engineers, artillerymen, and guides. The storming-parties were 100 Carbineers, Major Addison, and 100 ILH, Lieutenant Colonel Edwards. Two big guns were destroyed and one maxim brought back. Colonel Royston was among those specially mentioned in the body of the despatch. Sir George White had the ILH and Volunteers paraded on the following day, and, addressing them, said " that he did not wish to use inflated or exaggerated language, but the men of Sir Archibald Hunter's party were a credit, not only to the colony, but to the Empire. There was a lot of severe fighting to do, but it was a gratification to a General to have the help of such men."

The town and camps were during the siege constantly under shell-fire, and on 18th December one 6-inch shell bursting in the camp of the Carbineers killed 4 men, wounded 6 men, and destroyed 10 horses. The times were trying, but hard digging, sangar building, and brigade sports kept the men fairly fit. In the repulse of the great attack of 6th January 1900 the volunteers took a prominent part. The following is the report furnished by Colonel Royston to the Chief of the Staff : "I have to report that on Saturday, 6th inst., at about 4.15 am, I received information by telephone from headquarters that the enemy were making an attack on Wagon Hill. I at once despatched 80 men of the Natal MR, under Major Evans, to strengthen the outposts on the Flats, then held by 1 officer and 40 men Natal Police, attached to Volunteers, and 1 officer and 20 men Natal Carbineers. The Town Guard was also directed to stand fast at its post on the left bank of the Klip River. As it had been intimated that a battery of artillery would be placed at my disposal, I directed two squadrons Border MR, with one maxim, to accompany the guns. Major Abadie, at about 5.40 am, reported his guns in position near the point where the road to Caesar's Camp crosses the town rifle-range. On my arrival at the outpost line, at 5 am, the enemy were occupying the extreme south-eastern point of Caesar's Hill, well under cover amongst the rocks and bushes. About 50 men were visible from the Flats, but more appeared to be pushing on from the west in small parties. These men were being fired on from the thorn trees and from sangars below by my men as soon as they appeared in sight. A few minutes after my arrival the enemy advanced north along the top of the hill, firing at a party of 'Gordons' near a sangar about 500 yards to their front. I requested the officer commanding the battery to open fire, which he did with good effect, stopping the enemy's advance, and driving them into the rocks. As there appeared to be only a small party of the 'Gordons' opposed to the enemy at this spot, as far as I could see from below, I directed a squadron of Border MR, under Lieutenant Royston, to climb the hill and go to their assistance dismounted. This would be about 6 am. On my men joining the Gordons the party advanced towards the enemy in the rocks, but were at first driven back by their heavy fire, and the enemy again advanced. The battery again opened fire, and the 'Gordons' and the Border MR again advancing, drove the enemy over the point of the hill, and they never again mounted to the crest. At mid-day the enemy had retired about half way down the southern slope of the hill, but still kept up a heavy fire. Unfortunately, it was impossible to get at these with artillery fire from where the battery was limbered, owing to the danger of hitting our own people on the crest of the hill, and the officer commanding the battery did not consider it advisable, owing to the rough ground to cross, and to exposure to Bulwana, to advance any of his guns as far as our outpost line, from which point the enemy could be reached. Rifle-fire was kept up until the enemy finally got into the bed of the Fourie Spruit, where he could only be reached from the top of Caesar's Hill. A heavy fire was kept up until dark, when it gradually ceased, and the enemy appeared to be retiring up the Fourie Spruit. My casualties were 4 men killed and 2 officers and 10 men wounded. I wish to bring to notice the gallant manner in which the battery of artillery, under Major Abadie, stuck to its ground under the very heavy fire from the 6 inch gun and another long range gun on Umbulwana, and also the excellent practice made by the battery. I also consider that Lieutenant Royston, Border MR, did good service with his men. The behaviour of Captain Platt and Lieutenant Hornabrook, Vol. Med. Corps, in attending to the wounded throughout the day under heavy fire, deserves special mention; the last-named officer was wounded, besides having his clothes pierced by a bullet."

When Dundonald rode into Ladysmith on the evening of 28th February, he was accompanied by some Carbineers, Natal Mounted Rifles, Border Mounted Rifles, and Natal Police, the officers being Major D. M'Kenzie, Lieutenants Silburn, M'Kay Verney, Richards, Ashburnham, and Abraham. None of those present will ever forget this ride, probably the most memorable occasion in the lives of any of them.

The Royal Naval Field Gun Tournament;

The Interport Field Gun competition was established in 1907 and was a highlight of the Royal Tournament until the Last Run in 1999. After the demise of the Royal Tournament, the Brickwoods field gun competition was revived as a naval contest. known as the Most Dangerous Sport in the World, where losing a limb is a distinct possibility. two 18-strong teams of the Royal Navy's finest crashing around the main arena and performing a series of Formula One-style pit stops with a Victorian cannon.
Each set of kit weighs the same as a family car and each gun must be put together, taken apart and dragged up and down an 83-yard course, blasting off six shots in the process. It is all done in just over a minute. At this speed, the process can, literally, cost an arm and a leg. But there is no prize money. The teams competing for the pride of their respective bases - HM Naval Base, Portsmouth, and HMS Sultan in neighbouring Gosport. After four consecutive nights, the winning crew will receive a trophy from the Queen and, perhaps, a drink from their commanding officer.

The origins of the world famous field gun competition lie in the Second Boer War in South Africa. The legendary story tells of the siege of the British garrison in the township of Ladysmith in 1899. In support of the British Army, the Royal Navy landed guns from HMS Terrible and Powerful to help in the relief of the siege. The Naval Brigade transported guns over difficult terrain and brought them into action against the Boers.
The Royal Naval Field Gun Tournament;

The Royal Navy landed two 4.7 inch guns and four 12-pounder field guns. The guns were transported inland by rail and then drawn on makeshift carriages by oxen. For the final part of the journey, sailors from the Naval Brigade manhandled the guns over very difficult terrain. One story tells of sailors carrying one of the 12 pounder guns for 2 miles after one of the wheels collapsed.

The siege of Ladysmith lasted for 120 days until February 1900. On their return home, the sailors from the Naval Brigade paraded their guns through London and appeared at the Royal Naval and Military Tournament at the Agricultural Hall, Islington. Displays of Field Gun drill continued in subsequent years. A precursor to the competition lay in the presentation of Field Gun 'Evolutions' including one performed by Miss Weston’s Naval Boy’s Brigade from Portsmouth at the Royal Albert Hall on 21 October 1905 as part of the Centenary Commemoration of the Battle of Trafalgar.

This incredibly rare and historical collection could look incredible in a bespoke small pair, or even a set of glazed, mounted display frames. We have a company that could undertake this superbly. See photo 10 in the gallery of a perfect example of how such a display could be effected, of an original collection of combat souvenirs of an ‘Operation Market Garden’, Arnhem campaign, WW2 British ‘para’ war hero, that was completed previously for a friend and client.

If you wish to watch the Royal Naval Gun Race on youtube copy and paste link below.

https://www.youtube.com/watch?v=6lhx6Q3WuvU  read more

Code: 24243

A Most Fine, Antique, Original Regimental Embroidery Of the Royal Artillery, P Battery, 63rd Royal Field Artillery, With Crimean War, Canada and Boer War Battle Honours. One Of The Best Examples We Have Seen in 50 Years

Stunningly handsome embroidered regimental wreathed crest, with the field cannon and motto ‘Ubique’ of legendary ‘P’ Battery, and also bearing their later title the 63rd RFA. Royal Field Artillery

Likely stiched by an officer's lady from the regiment. A traditional pastime of the wives of the serving or past serving men from British Regiments in the army, or, by sailors themselves in the Royal Navy was the making of highly intricate embroidery of their regimental colours.

From the doomed attempt to seize the Russian guns by the Light Brigade at Balaclava, to the Siege of Sebastopol itself, artillery played a major part in the Crimean War. The official history of the Royal Artillery Regiment in the conflict is therefore indispensible to a full picture of the war. Original embroidery , made in the Victorian to WW1 period, nicely framed. With Crimean War, Canada and Boer War Battle Honours. The story of the 63rd RFA from 1899; The 63rd lost their guns on the Ismore. They were refitted and joined Buller in Natal in time to take part in the operations about Spion Kop and Vaal Krantz and in the final relief actions. One officer was mentioned in General Buller's despatch of 30th March 1900. The battery accompanied that general in his northward movement to the south of the Transvaal, and a section went with General Clery to Heidelberg. In General Buller's final despatch 2 officers were mentioned. Towards the close of 1900 and in 1901 the battery was employed about the Standerton line, and four guns accompanied the column of Colonel Colville which operated on that line and in the north-east of the Orange River Colony. Referring to an action near Vlakfontein, Lord Kitchener in his telegram of 22nd December 1900 said, "Colonel Colville attributes the small loss to the excellent shooting of the 63rd Battery and the skilful leading of Lieutenant Jarvis, 13th Hussars, and Captain Talbot and Lieutenant White of the Rifle Brigade". 34.5 inches x 29 inches in the frame.  read more

Code: 22530

A Gold Inlaid Traditional Persian Armour Suite, of Helmet, Shield & Arm Defence. The Kulah Khud,(کلاه‌خود) Sipar (سپر), and Bazu Band (بازوبند). Late 18th to Early 19th Century, Possibly Wootz Steel { Pulad}

A simply stunning suite of original armour comprising the traditional Kulah khud, dhal, and bazu band. Most likely made in Isfahan

A very fine set of Persian armour consisting of a shield; sipar (سپر), helmet; kulah khud (کلاه‌خود) and armguard; bazu band (بازوبند) for the left hand. Such sets often come with only one bazu band, and curiously, it is always the left one like seen here.

The helmet has a hemi-spherical skull, pierced with four heart-shaped panels each fitted with an iron plate within a moulded frame, the skull fitted at its apex with a low spike, a pair of plume-holders at the front and with a staple for a sliding optional nasal guard, decorated over the greater part of its surface with gold koftgari flowers and foliage and mail neck-defence of butted links; the bazu band of a gutter-shaped form, fitted with hinged inner arm-defence, each decorated with gold and silver koftgari foliage, and chain mail covering for the hand of butted links, and with a padded lining; and the dhal somewhat in the size of a buckler of shallow convex form, the outer face applied with brass and gold and silver koftgari inlay foliage and flowers and decorated with silver koftgari foliage enriched with gold flowers: Koftgari is the name for Indian form of Damascening used on Indo-Persian armour and weaponry, which also closely resembles the Damascening found in Persia and Syria.

The inlay process begins after the piece is moulded and fully formed. The intended design is engraved into the base metal and fine gold or silver wire is then hammered into the grooves.

The base metal is always a hard metal, either steel, iron or bronze, and the inlay a soft metal, either gold or silver. This combination prevents the base from deforming when the wire inlay is hammered into the surface and results in the inlaid areas being well defined and of sharp appearance.

Swords, shield and armour were often decorated in koftgari . Persian arms and armor enjoyed widespread fame across the world and naturally found their way to the armories of Ottoman and Indian rulers. Aside from fine craftsmanship, the Persians were known to produce very fine wootz, most notably in the city of Isfahan.

Armours such as this fine suite could be used by the guard of nobility or Ta'zieh

The Ta'zieh were religious passion plays that recounted the tragedy of Hussein, the grandson of the Prophet Muhammad. They were performed at set dates and local royalty, and even the Shah himself, took great pride in organizing them in the most lavish manner:

"Among the " properties " may be reckoned horses, mules, camels, etc, all richly caparisoned; lions and other wild beasts from the Shah's menagerie; carpets, shawls, dresses, and suits of armour of every description; European uniforms for the Feringhi ambassador and his suite, who intercede with Yezid for the lives of Hussein's family; and an endless variety of ornamental objects old and new. Some months ago the Shah ordered a collection of ancient metal vases to be made, to add to the splendour of the next Tazieh."

-Robert Murdoch Smith, 1876



Fine sets of Persian arms and armour thus found their way through export to the palaces of Ottoman and Indian rulers but also to the arms panoplies that were commonly found in the homes of European gentlemen, particularly in Britain. The British traditionally always had a great fondness of this form of high quality, exotic Asian weaponry, helmetry and armour.  read more

Code: 21499

A Superbly Attractive Native American Trade Style Tomahawk Axe, Typical Import Pattern With Trader’s Inventory Stamp. Reservation Period

With studded wooden haft, the axe with single curved blade and rounded opposing pole hammer. Probably 19th century or later. The metal trade tomahawk has long been an object of fascination for both the amateur collector and the ethnologist. Few other implements have ever combined so many different
functions: tool, weapon, sceptre, symbol and smoking pipe. In this one instrument is collected the lore of handicraft, warfare, prestige, ceremony and personal comfort. Captain John Smith is beheved to have been the first to bring the word into English in his brief vocabulary of Indian terms prepared sometime during the years 1607-1609, when he defined tomahaks simply as meaning "axes." Later he added that the term was applied to both the native war club and the imported iron trade hatchet. Almost from the moment the Native American Indian first saw the metal hatchet or tomahawk, likely made in Sheffield, England, he coveted it, and sought to possess one for himself. The efficiency of the new implement was readily apparent : it was deadlier in combat, more efficient in cutting wood, and just as useful as a ceremonial object. Although it was an excellent weapon, the new American man was not as reluctant to trade it as he was to dispense guns. The axe was also self-sufficient; it could function without such components as powder and ball that had to be obtained from the traders. Thus the hatchet could and did spread rapidly through Indian trade routes far from the points of frontiersman’s contact, reaching tribes and areas as yet unknown to the few Europeans along the coast. The first contact of the Indian with the iron or steel axe undoubtedly occurred with the arrival of the Vikings, and to judge from accounts in the sagas, the meetings were not auspicious. Two instances are recounted which may well be the first recorded encounters of the Indian with the weapon which later was to become almost synonymous with his warfare. The Saga of Eric the Red recalls the first reported battle of the Vikings with the natives of America

“The Skrellings Indians, moreover, found a dead man, and an axe lay beside him. One of their number picked up the axe and struck at a tree with it, and one after another they tested it and it seemed to them to be a treasure, and to cut well; then one of their number seized it, and hewed at a stone with it so that the axe broke, whereat they concluded that it could be of no use, since it would not withstand stone, and they cast it away.”

But not all Indians thought the same.


The potentialities of the axe as a weapon were apparent to the Indian from the outset. Garcilaso de la Vega tells of a bloody fight between an Indian armed with a captured battle axe and several of De Soto's soldiers, in which he even includes a i6th century version of the old story of a man being cut in two so quickly by a keen blade that he remains standing and has time to pronounce a benediction before falling. In Florida, Jacques LeMoyne illustrated the murder of a colonist by an Indian with an axe during the brief French settlement at Fort Caroline, 1564-1565. By the early 17 th century the tomahawk was firmly established in the minds of the white settlers as the Indians' primary weapon, and was much more feared than the bow and arrow. Even after the Indians had obtained a sizeable number of firearms, the tomahawk retained its popularity and importance. Once a gun had been fired, it was useless until it could be reloaded ; an edged weapon was needed as a supplement, and this was the tomahawk. Moreover, for surprise attacks and raids, a firearm was frequently out of the question. This axe’s trade stamp could be a weight mark, or even a quantity mark. Lists of trade goods and treaty gifts indicate that the axe, hatchet, or tomahawk were among the most desired objects. As many as a quantity of 300 axes might be handed out at one treaty meeting, and Sir Wilham Johnson estimated that the Northern Indian Department needed 10,000 axes for trade purposes in the year 1765 alone. This is a 19th century trade axe.
Head 7.5 inches, x 3.25 inches length 20.5 inches. We cannot ship this item to the US.  read more

Code: 23386

An Original, Antique, Edwardian Royal Artillery Undress Pouch and Bullion Dress Cross Belt

Gold bullion crossbelt with gilt bronze fitting of traditional finest quality. A leather undress pouch with gilt brass swivel mounts. Reverse of leather pouch with old score marks. The undress pouch is in patent leather with gilt Royal Artillery badge and motto. The belt has superb original bullion with gilt bronze mounts, embellished finely cast acanthus leaves and the flaming canon ball. The design of the full dress pouch followed that of the full dress sabretache in that the royal arms were central over the battle honour, UBIQUE, latin for 'everywhere'. Laurel leaves are on the left and oak leaves on the right. Below UBIQUE is a metal gun badge, and below that is a three part scroll with the regimental motto QUO FAS ET GLORIA DUCUNT - Where Right and Glory Lead. This pouch was worn for special occasions. Mostly the full dress pouch belt was worn with the undress black leather pouch. A vintage photo in the gallery show a Royal Artillery officer wearing his cross belt and pouches however, the pouches are worn across the back and not visible from the front in this photo  read more

Code: 23005

An Original Ancient Medieval 13th Century, Knight's, Iron Battle Mace & Scorpion Flail MaceHead

A pineapple shaped iron head, with large centre mounting hole, for a leaded chain or a haft. The wooden haft as usual has rotted away, but could be replaced one day for display purposes. This is the type of War Mace that were also used as a Flail Mace, with the centre mount being filled with lead and a foot to a foot and a half long chain mounted within in, and then it was attached to a wooden haft, so it could be flailed around the head. Flattened pyramidical protuberances, most possibly English. Made for a mounted Knight to use as an Armour and Helmet Crusher in mortal combat. It would have been continually used up to the 15th to even 16th century. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon at the Battle of Crecy, for as he was blind, and the act of 'Flailing the Mace' meant that his lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. It was his personal banner of the triple feathers that was adopted following this battle by the Prince of Wales as his standard, and still used by Prince William the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.  read more

Code: 22991

A Fabulous & Massive Antique Moro Keris Kalis, A Phillipines Pre Colonial Style Warrior's Sword

A kalis ( in Jawi script: كاليس ) is a type of Philippine sword. The kalis has a double-edged blade, which is commonly straight from the tip but can be wavy near the handle. Kalis exists in several variants, either with a fully straight or fully wavy blade. It is similar to the Javanese keris, but differs in that the kalis is a sword, not a dagger. It is much larger than the keris and has a straight or slightly curved hilt, making it a primarily heavy slashing weapon (in contrast to the stabbing pistol grip of the keris).

Blade length (incl. gangya): 58.5 cm (23 in.)
Width of blade (mid-point): 4 cm
Hilt length: 10.2 cm
OAL: 71 cm (27 7/8 in.)
Width of gangya {guard} tip to tip: 13.2 cm

This blade is of laminated construction. The ricikin shows a secah kasang (elephant trunk), gandhik, praen (tusk), and lambe gajah (elephant lips). The orientation of these features is similar to the much later forms of Indonesian Keris, although the lambe gajah straddle the line of separation between the gandhik and the gangya, instead of appearing low on the gandhik. There is no sogokan or blumbanggan. Greneng and jenggot are present, and both show wear. There is a single, one-piece, asang asang. The hilt is a single piece of carved banati wood, topped with cushion shaped pommel. The grip is bound with criss-crossing rattan, which also secures the extension of the asang asang. The scabbard is made of local wood and bound with plaited rattan strips. Its durability and sharpness can be comparable to the Japanese katana.

A collection of Moro keris types are archived in the United States National Museum.

Even before the arrival of Spain, the knowledge of metallurgy in the pre-colonial Philippines was neither tribal nor primitive. In fact, it was already sophisticated. Because if it was not, Panday Pira would not have come to be. The blades of these swords are a testament to the expertise of these early Filipinos.

The history of the Philippines from 1565 to 1898 is known as the Spanish colonial period, during which the Philippine Islands were ruled as the Captaincy General of the Philippines within the Spanish East Indies, initially under the Viceroyalty of New Spain, based in Mexico City, until the independence of the Mexican Empire from Spain in 1821. This resulted in direct Spanish control during a period of governmental instability there.

The first documented European contact with the Philippines was made in 1521 by Ferdinand Magellan in his circumnavigation expedition,1 during which he was killed in the Battle of Mactan. Forty-four years later, a Spanish expedition led by Miguel López de Legazpi left modern Mexico and began the Spanish conquest of the Philippines in the late 16th century. Legazpi's expedition arrived in the Philippines in 1565, a year after an earnest intent to colonize the country, which was during the reign of Philip II of Spain, whose name has remained attached to the country.

The Spanish colonial period ended with the defeat of Spain by the United States in the Spanish–American War and the Treaty of Paris on December 10, 1898, which marked the beginning of the American colonial era of Philippine history.

The scabbard throat have small side elements lacking  read more

Code: 25638

Very Fine Late 16th Century, Morion Cabasset Helmet. A Queen Elizabeth Ist Helmet of the Spanish Armada Period Circa 1570. Captured From the Spanish Fleet, Re-issued to English Musketeers and Pikemen & Used Until the English Civil War of King Charles 1st

An Elizabethan armour cabasset helmet from the era of the unsuccessful Spanish 'Armada', the attempted invasion of England, during the Reign of Queen Elizabeth Ist. Used continually through the English Civil War and into the reign of King James. A fine one piece high peak cabasset helmet made in the mid to late 16th century. Wonderfully hand forged with hammer marks and with patches of delamination. This super helmet is nicely constructed with good edgework and lovely quality throughout, and it is a fine period piece in excellent condition for age. This form of helmet that survive today in England were often captured from the Spanish Armada armouries, and some even recovered from the sea bed alongside Spanish cannon, beneath the stricken Spanish ships, and subsequently issued to the London Trayned Bands. There is a picture in the gallery of the same form of helmet heavily rusted recovered from Jamestown, the early American colony fort. The History of the Cittie of London Trayned Bandes

(1572-1647)

In the absence of a regular army, the trained bands {nothing to do with musicians}, were founded in 1572 as part of Elizabeth I's efforts to modernise the militia, were the only permanent military units in England. While the county bands were often poorly organised, ineptly officered and infrequently trained, the London bands were not, although enthusiasm did wax and wane considerably over the years of their existence (1572 - 1647).

The Regiments

Before the Civil War there were four London regiments - the North, South, East and West - comprising a total of 6,000 men in 20 companies. In 1642, as relations between king & parliament worsened, the bands were re-organised into 40 companies of 8,000 men in six regiments named the Red, Blue, Green, White, Orange and Yellow after the colour of their regimental flags, or "trophies", as they were known to London militiamen. The following year, after the King's unsuccessful attempt to seize The Capital, three more trained band and five "auxiliary" regiments were raised bringing the whole force to around 20,000 men. This large army, controlled by the mayor and the city aldermen, held London for parliament throughout the first Civil War (1642 - 1646) and contributed brigades of foot to parliament's field armies. The establishment and subsequent rise of the New Model Army after 1645 greatly reduced the significance of the bands and they gradually melted away. Today, only the Honourable Artillery Company, a ceremonial unit of ex-soldiers, remains as a legacy of the glory days of London citizen's solders. Weapons & Equipment

Weapons and equipment conformed to statute laid down by the Privy Council. The following description is from the 1638 issue of "Directions for Musters".

The Pikeman

"Must be armed with a pike seventeen feet long, head and all; the diameter of the staff to be one inch 3/4, the head to be well steeled, 8 inches long, broad, strong and sword-pointed; the cheeks 2 foot long, well riveted; the butt end bound with a ring of iron, a gorget, back, breast, tassets and head piece, a good sword of 3 foot long, cutting and stiff pointed with girdle and hangers".

The Musketeers

"Must be armed with a good musket, the barrel four foot long, the bore of 12 bullets in the pound rowling in, a rest, bandolier, head-piece, a good sword, girdle and hangers".
One other picture is a period engraving of an Elizabethan soldier with his pear stalk cabasset, another picture of The Battle of Gravelines, August 8, 1588, which is of the defeat of the Spanish Armada by Sir Francis Drake, Queen Elizabeth's Admiral. Pictures shown for information only. Some text is quoted from an article by Mr Steve Rabbitts on London trayned bands  read more

Code: 23226

A Rare, Archaic Chinese Warrior's Bronze & Tinned Jian Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' wide bladed double edged Jian sword, of tin rich over bronze alloy construction used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC). The surface amazingly still retains a lot of the fine tinned surface. Tinning was used in China from the Eastern Zhou period (770–221 BC), and various methods were employed. A special technique was amalgam tinning, documented since the seventh century BC .

This is one of a stunning collection of original archaic bronze age weaponry we have acquired and we have been cataloguing. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. Many pieces we acquired were sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund. From the Tony Dove F.S.A. Collection, formed circa 1970's, one of England’s most revered and respected collectors, especially early silver, & he was a past honorary President of London’s Silver Spoon Society, and learned joint contributor to many scientific appraisals on ancient Chinese swords

Sword total length 20 1/4 inches long, 4 inch hilt

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword. We also show a photograph of warriors the world renown Chinese Tomb Army, discovered and excavated over the past recent decades. The figures apparently show the real image of the faces of each individual warrior of the first emperor of China, Qin Shi Huang, that each statue represents. Each one is adorned the typical combat armour that would have been worn by the past user of this sword, and used a same time as the Tomb Warriors were being created and buried for the tomb of Emperor Qin. China was the name created for the entire country, after their first emperor, although spelt Qin in the English form it is pronounced Chin, hence, China. The Qin emperors last resting place, the tomb and his buried imperial warrior army, covers a breathtaking 56.25 square kilometres, and may take the best part of another 100 years to excavate. By this measure one can see with respect and awe the size and power of ancient China, and this tomb region was created over 2300 years ago. Compare this to the only remaining example of the past recorded, and so called, Seven Wonders of the World, the great pyramid of Giza, it covers just one quarter of a square kilometre, yet it is still considered one of the largest single buildings ever created by man.

The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges from the hilt.
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.

Although the manufacturing techniques used may have varied from region to region, it is generally believed that such tin-rich decoration was achieved by a deliberate tinning process,including cold-tinning hot-tinning (dipping or wiping) the use of a mercury-tin amalgam ,or the application of a tin-rich paste.

In 1965 a similar form sword from the same era was found in an ancient tomb in Hubei, it was also engraved with seal script, but of a different form. The Sword of Goujian (越王勾践剑) is a tin bronze sword, renowned for its unusual sharpness, intricate design and resistance to tarnish rarely seen in artifacts of similar age. The sword is generally attributed to Goujian, one of the last kings of Yue during the Spring and Autumn period.
On one side of the Hubei sword’s blade, two columns of text are visible. Eight characters are written in an ancient script, now known as Bird-worm seal script (literally "birds and worms characters", owing to the intricate decorations of the defining strokes), a variant of seal script. Initial analysis of the text deciphered six of the characters, "King of Yue" (越王) and "made this sword for his personal use" (自作用劍). The remaining two characters were assumed to be the name of the particular King of Yue.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.

This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. 22 inches long overall.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams {The Wallace Collection} 65 publications  read more

Code: 24906