Antique Arms & Militaria

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A Superb 17th Century Kora of the Gurkhas of Nepal

A Superb 17th Century Kora of the Gurkhas of Nepal

The blade has an unusual shaped tip, inlaid with brass cross devices within fine engraved borders and bands, twin disc guards, iron grip, stupa-shaped pommel. The Kora is possibly the oldest form of sword of the Gurkhas and it may well be that their phenomenal military success was largely due to their possession of such a terribly effective weapon." 'Kora,' has an inner cutting edge, with which those who use it skilfully are enabled to cut a foe in two at a single blow." Its appearance reminds of the European Sabre but instead of curving upwards (back) it has a wide tip, a forward curved blade, single edged on its concave side, the latter two characteristic sit shares with the Kukri knife. When used correctly the forward curved blade concentrates the power/energy of the strike to the curved area thus allowing more force to be utilised at the point of contact in each blow. It is designed with its practical application in mind, to chop/slash and not for Classical fencing, yet its usually light enough if the need arises. Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepal?" published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria!.

Photo 9 in the gallery of the Bagbhairab Temple, Kirtipur, Kathmandu, Nepal. they are Koras used from the battle of Kirtipur during the 1760`s.

Blade 55cms, overall 70.5cms. Jolly nice condition for age.  read more

Code: 21790

995.00 GBP

A Fine & Most Rare, French Napoleonic Wars Consulat To Empire Period Early 19th Century Flintlock Officer's Pistol From 1801, Manufacture St Etienne, Lock Interior Marked Duran, Identical To Another Sold By the Smithsonian Institution Of New York in 1996

A Fine & Most Rare, French Napoleonic Wars Consulat To Empire Period Early 19th Century Flintlock Officer's Pistol From 1801, Manufacture St Etienne, Lock Interior Marked Duran, Identical To Another Sold By the Smithsonian Institution Of New York in 1996

Lock marked St Etienne, and the barrel marked RS, the identical marking as on the Smithsonian Institutes pistol. Likely the version used by L'officier de marine, such as at Trafalgar in 1805, it was also an option for the L'officier Gendarmerie. It was the pattern designed to be used in most cavalry of the Consulat and during the early years of the Empire, as well as in the Navy. The cavalry examples were usually 3cm longer. They were produced until 1808

The modèle An IX replaced the modèle 1777, which had been criticized to the point where the older modèle 1763 had been brought back into service.

This pistol is superficially similar in appearance to the well respected Pistolet modèle 1763/66 pattern. The Pistolet modèle An IX is in effect the same in terms of changes made to the musket pattern of the same year, but when compared to the modèle 1777/1786 had the spring and brass barrel bands of its predecessor restored to make it much easier to service.

The Battle of Trafalgar, (October 21, 1805), was a naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

Nelson was outnumbered, with 27 British ships of the line to 33 allied ships including the largest warship in either fleet, the Spanish Santísima Trinidad. To address this imbalance, Nelson sailed his fleet directly at the allied battle line's flank, hoping to break the line into pieces. Villeneuve had worried that Nelson might attempt this tactic but, for various reasons, had made no plans for this eventuality. The plan worked almost perfectly; Nelson's columns split the Franco-Spanish fleet in three, isolating the rear half from Villeneuve's flag aboard Bucentaure. The allied vanguard sailed off while it attempted to turn around, giving the British temporary superiority over the remainder of their fleet. In the ensuing fierce battle 20 allied ships were lost, while the British lost none.

Nelson's own HMS Victory led the front column and was almost knocked out of action. Nelson was shot by a French musketeer during the battle, and died shortly before it ended. Villeneuve was captured along with his flagship Bucentaure. He attended Nelson's funeral while a captive on parole in Britain. The senior Spanish fleet officer, Admiral Federico Gravina, escaped with the remnant of the Franco-Spanish fleet (a third of the original number of ships); he died five months later of wounds sustained during the battle.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century, and was achieved in part through Nelson's departure from prevailing naval tactical orthodoxy.  read more

Code: 25387

2150.00 GBP

An Early Crusades Period Reliquary Cross Pendant Still Sealed  From the Ancient Holy Land. Approximately 1000 years old

An Early Crusades Period Reliquary Cross Pendant Still Sealed From the Ancient Holy Land. Approximately 1000 years old

A bronze reliquary cross enkolpion pendant with carinated suspension hoop seperated from cross, each face with a low-relief image of a nimbate robed figure with hands raised in the orans posture. With a deep relief cast Jesus Christ on the cross, dressed with a long robe (sticharion) and two flanking small figures (Virgin Mary and Saint John),

The cross will have a hollow portion formed inside as a box, that was intended for the sacred relic, such as part of the True Cross, that the faithful would have worn around the neck, and it is still sealed so it may well still be present.
Part four of the amazing collection of Crusades period Crucifixes and reliquary crosses for the early Anglo Norman Crusader knights and Jerusalem pilgrims. As used in the early Crusades Period by Knights, such as the Knights of Malta Knights Hospitaller, the Knights of Jerusalem the Knights Templar, the Knights of St John.The new Norman rulers were culturally and ethnically distinct from the old French aristocracy, most of whom traced their lineage to the Franks of the Carolingian dynasty from the days of Charlemagne in the 9th century. Most Norman knights remained poor and land-hungry, and by the time of the expedition and invasion of England in 1066, Normandy had been exporting fighting horsemen for more than a generation. Many Normans of Italy, France and England eventually served as avid Crusaders soldiers under the Italo-Norman prince Bohemund I of Antioch and the Anglo-Norman king Richard the Lion-Heart, one of the more famous and illustrious Kings of England. An encolpion "on the chest" is a medallion with an icon in the centre worn around the neck upon the chest. This stunning and large neck worn example is bronze three part with its hinged top. 10th to 12th century. The hollow portion formed inside the cross was intended for the sacred relic that the faithful would have worn around the neck. The custom of carrying a relic was largely widespread, and many early bronze examples were later worn by the Crusader knights on their crusades to liberate the Holy Land. Relics of the True Cross became very popular from the 9th century, and were carried in cross-shaped reliquaries like this, often decorated with enamels, niellos, and precious stones. The True Cross is the name for physical remnants from the cross upon which Jesus Christ was crucified. Many Catholic and Orthodox churches possess fragmentary remains that are by tradition believed to those of the True Cross. Saint John Chrysostom relates that fragments of the True Cross were kept in reliquaries "which men reverently wear upon their persons". A fragment of the True Cross was received by King Alfred from Pope Marinus I (Anglo-Saxon Chronicle, year 883). An inscription of 359, found at Tixter, in the neighbourhood of Sétif in Mauretania, was said to mention, in an enumeration of relics, a fragment of the True Cross, according to an entry in Roman Miscellanies, X, 441.

Fragments of the Cross were broken up, and the pieces were widely distributed; in 348, in one of his Catecheses, Cyril of Jerusalem remarked that the "whole earth is full of the relics of the Cross of Christ," and in another, "The holy wood of the Cross bears witness, seen among us to this day, and from this place now almost filling the whole world, by means of those who in faith take portions from it." Egeria's account testifies to how highly these relics of the crucifixion were prized. Saint John Chrysostom relates that fragments of the True Cross were kept in golden reliquaries, "which men reverently wear upon their persons." Even two Latin inscriptions around 350 from today's Algeria testify to the keeping and admiration of small particles of the cross. Around the year 455, Juvenal Patriarch of Jerusalem sent to Pope Leo I a fragment of the "precious wood", according to the Letters of Pope Leo. A portion of the cross was taken to Rome in the seventh century by Pope Sergius I, who was of Byzantine origin. "In the small part is power of the whole cross", says an inscription in the Felix Basilica of Nola, built by bishop Paulinus at the beginning of 5th century. The cross particle was inserted in the altar.

The Old English poem Dream of the Rood mentions the finding of the cross and the beginning of the tradition of the veneration of its relics. The Anglo-Saxon Chronicle also talks of King Alfred receiving a fragment of the cross from Pope Marinus (see: Annal Alfred the Great, year 883). Although it is possible, the poem need not be referring to this specific relic or have this incident as the reason for its composition. However, there is a later source that speaks of a bequest made to the 'Holy Cross' at Shaftesbury Abbey in Dorset; Shaftesbury abbey was founded by King Alfred, supported with a large portion of state funds and given to the charge of his own daughter when he was alive – it is conceivable that if Alfred really received this relic, that he may have given it to the care of the nuns at Shaftesbury

Most of the very small relics of the True Cross in Europe came from Constantinople. The city was captured and sacked by the Fourth Crusade in 1204: "After the conquest of the city Constantinople inestimable wealth was found: incomparably precious jewels and also a part of the cross of the Lord, which Helena transferred from Jerusalem and which was decorated with gold and precious jewels. There it attained the highest admiration. It was carved up by the present bishops and was divided with other very precious relics among the knights; later, after their return to the homeland, it was donated to churches and monasteries.To the category of engolpia belong also the ampullae, or vials or vessels of lead, clay or other materials in which were preserved such esteemed relics as oil from the lamps that burned before the Holy Sepulchre, and the golden keys with filings from St. Peter's chains, one of which was sent by St. Gregory the Great to the Frankish King Childebert.

Encolpion, a different anglicization of the same word, covers the early medieval tradition in both Eastern and Western Christianity. Superb condition for age and use, still sealed, so it may still contain part of the 'real cross'.
Surface in very good condition, with typical natural aged patina with encrustations. Seperate and loose top ball mount 54mm  read more

Code: 24419

SOLD

A Simply Stunning Ancient  Bronze Age Lobed Mace Head, from the Era of Rameses The Great, Pharoah of Egypt, Circa 1300 B.C.

A Simply Stunning Ancient Bronze Age Lobed Mace Head, from the Era of Rameses The Great, Pharoah of Egypt, Circa 1300 B.C.

Ist to 2nd Millenium B.C. The type of lobed mace style used by the Sardinian warriors that fought for Rameses IInd, alongside Thutmoses IIIrd, considered the greatest Pharoah of all the ancient Egyptian dynasties. One of the most beautiful and finely crafted examples we have seen.
One of two maces from the same era and collection. This one is the more elaborate of the two. Items such as this were oft acquired in the 18th century by British noblemen touring Northern France and Italy on their Grand Tour. Originally placed on display in the family 'cabinet of curiosities', within his country house upon his return home. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, througout classical Europe and the Middle East, acquiring antiquities and antiques for their private collections.

In use it would have slotted onto a wooden haft. The use of the stone headed mace as a weapon and a symbol of status and ceremony goes back to the Upper Paleolithic stone age, but an important, later development in mace heads was the use of bronze copper ally metal for their composition. With the advent of copper mace heads, they no longer shattered, and a better fit could be made to the wooden club by giving the eye of the mace head the shape of a cone and using a tapered handle.

The Shardanas or warriors from Sardinia who fought for Ramses II against the Hittities were armed with maces consisting of wooden sticks with bronze heads. Many bronze statuettes of the times show Sardinian warriors carrying swords, bows and original maces. Persians used a variety of maces and fielded large numbers of heavily armoured and armed cavalry (see cataphracts).

For a heavily armed Persian knight, a mace was as effective as a sword or battle axe. In fact, Shahnameh has many references to heavily armoured knights facing each other using maces, axes, and swords. The enchanted talking mace Sharur made its first appearance in Sumerian/Akkadian mythology during the epic of Ninurta. Roman though auxiliaries from Syria Palestina were armed with clubs and maces at the battles of Immae and Emesa in 272 AD. They proved highly effective against the heavily armoured horsemen of Palmyra. Photos in the gallery of original carvings from antiquity in the British Museum etc.; Ashurbanipal at the Battle of Til-Tuba, Assyrian Art, British Museum, London 650-620 BC, Limestone, An Assyrian soldier waving a mace escorts four prisoners, who carry their possessions in sacks over their shoulders. Their clothes and their turbans, rising to a slight point which flops backwards, are typical of the area; people from the Biblical kingdom of Israel, shown on other sculptures, wear the same dress, on a gypsum wall panel relief, South West Palace, Nimrud, Kalhu Iraq, neo-assyrian, 730BC-727BC.
A recovered tablet from Egypt’s Early Dynastic Period (3150-2613 BCE) shows a Pharoah smiting his foe with a war mace. The mace is complete with its display stand as shown. Approx. 6 inches high including stand. This wonderful piece would have been made and traded throughout the Western Asiatic region. As with all our items it comes complete with our certificate of authenticity. Antique ivory, 'worked' declaration for submission. We can only sell this sword within the UK, it is not allowed for export.  read more

Code: 23021

1350.00 GBP

A Most Resplendent, Original Antique and Rare, Victorian, Royal Household,  Royal Horse Guards Fanfare Trumpet Banner

A Most Resplendent, Original Antique and Rare, Victorian, Royal Household, Royal Horse Guards Fanfare Trumpet Banner

Rarely seen or available these wondrous pieces of magnificent, British, Royal Household regalia were never made for use other than for royal service within the bodyguard of the reigning British monarch, they are used on horseback or standing on trumpets and in pairs when they fit on the front of both kettle drums . They were and are always made of the finest quality materials, such as silk, purest gold and silver, by craftsmen and women with superlative skill and dedication. When taken from service these wonderful pieces were more often than not hung in churches or cathedrals to commemorate men or officers of the Household Cavalry lost in battle. This banner is composed of crimson silk damask, embroidered with the 1837 Royal Arms of Her Majesty Queen Victoria, in silks, gold and silver bullion wire. Edged with a gold thread fringe. It is now in faded and worn condition as to be expected for a piece of such age and use. The present royal service trumpet banner conforms to the design type first introduced in the reign of Charles II (1660-1685).
The history of the Band of The Life Guards began when King Charles II entered London accompanied by a throng of 20,000 horse and foot on his birthday, 29th May 1660. On this day, commemorated as Oakapple Day in recognition of his escape when a fugitive by hiding in the Boscobel Oak Tree, it is recorded that, at the public entry into London, he was escorted by three troops of The Life Guards each preceded by it's own kettledrummer and four trumpeters. The origins of the Band you hear today derive from this proud occasion. At this time the use of kettledrums and trumpets was confined to the Army and the nobility and, even among the Kings troops. The Life Guards alone had the privilege of using kettledrums. The musicians held warrants of appointment from the King were paid at the rate of five shillings per day. In 1678 they wore uniforms of velvet, silver laced, and their instruments had richly embroidered and trimmed banners, the whole cost defrayed by the King. This is the origin of the State Dress worn to this day by the Band and Trumpeters. The design was based on that of the King?s racing colours and, when Parliament refused to cover the full cost of the Gold Coats, the Lord Mayor of London met the outstanding debt. In recognition of this he is the only person outside the Royal Family for whom Gold Coats are worn.

The Royal Horse Guards were formed in 1661 from cavalry of the former New Model Army and were given the nickname of the Oxford Blues, in recognition of their first colonel, the Earl of Oxford, and to their blue uniforms. It is recorded that from the outset that the Regiment had kettledrummers and trumpeters. In 1661 the Tangier Horse was raised for service on the Mediterranean coast of Africa. By 1702 the Tangier had changed to a Dragon Regiment and evolved to be The Royal Dragoons (1st Dragoons) and had a band consisting of 8 drummers and 8 hautbois (an early form of oboe). Soon after, in 1710, kettledrummers were added and in 1766 the drummers were converted to trumpeters. The Royal Horse Guards (The Blues) had also acquired trumpeters and drummers and in 1805 King George III personally presented a pair of solid silver kettledrums as testimony to their Honourable and Military conduct on all occasions. These kettledrums continue to be used today and can be seen carried and played by the mounted drummer on the Queen's Birthday Parade on Horse Guards. In 1969 The Royal Horse Guards (The Blues) amalgamated with 1st The Royal Dragoons (The Royals) to become The Blues and Royals (Royal Horse Guards and 1st Dragoons). This banner would have been used in the eras of; First Opium War 1839-1842
First Anglo Marri War 1840
First Anglo-Sikh War 1845-1846
Second Anglo-Burmese War 1852-1853
Crimean War 1853-1856
Anglo-Persian War 1856-1857
Second Opium War 1856-1860
Indian Rebellion 1857
New Zealand land wars 1845-1872
Second Anglo-Sikh War 1848-1849
Second Ashanti War 1863-1864
Bhutan War 1864-1865
Third Ashanti War 1873-1874
Second Anglo-Afghan War 1878?1880
Anglo-Zulu War 1879
Second Anglo Marri War 1880
First Boer War 1880-1881
Third Anglo-Burmese War 1885
Mahdist War 1891-1899
Fourth Ashanti War 1894
Anglo-Zanzibar War 1896 Shortest war in history lasted 38 minutes
Boxer Rebellion 1899-1901
Second Boer War 1899-1902
Framed and glazed in a simple modern gilt frame. It could be so much complimented by a fine antique Georgian or Victorian frame  read more

Code: 22531

2950.00 GBP

A Superb Spencer Carbine, The Best Carbine Rifle of the American Civil War, & The Wild West. One of The 500 Guns Of The ‘Colorado Shipment’ & Used In The ‘Post Colorado War’ Indian Wars, Between the Southern Cheyenne, Arapaho, & Brulé and Oglala Sioux

A Superb Spencer Carbine, The Best Carbine Rifle of the American Civil War, & The Wild West. One of The 500 Guns Of The ‘Colorado Shipment’ & Used In The ‘Post Colorado War’ Indian Wars, Between the Southern Cheyenne, Arapaho, & Brulé and Oglala Sioux

An absolutely cracking example in superb condition for age, probably one of the best we have seen in years, and comparable or possibly better to one we had last year, which was, until then, the finest we had seen anywhere in the last 10 years. Complete with its removable and reloadable magazine. Serial numbered 33k range.

It bears a US inspector’s cartouche stamp on the stock, and that particular inspector is seen on the Colorado issue range, within the 33k serial numbered guns, this is rare in that only 500 carbines from this serial numbered range were transferred to the Colorado territory, and this is only the second we have ever seen, both in that rarely seen 33k serial number sequence.

Colorado, in the world famous Rocky Mountains aka ‘The Rockies’, was at the very heart of what is known today as the “Wild West’ period, and it went through an incredible series of historical events at this time, it was not granted statehood till August 1st 1876, as President Andrew Jackson vetoed it in 1865, it had an amazing and violent ‘Gold Rush’ period during the war, and it was experiencing all manner of difficulties and dangers regarding the breaking of the Fort Laramie Treaty, which became known as the the Colorado War, between the warring Native American tribes, such as between the Southern Cheyenne, Arapaho, and allied Brulé and Oglala Sioux. It became the centre of so many Hollywood ‘Wild West’ films in the entire 20th century, in the telling of the stories of Colorado and ‘The Rockies’ that one way or another it became one of the most famous territories and states of America around the world.

In modern movie times the 1860 Spencer Rifle was used by Clint Eastwood and Morgan Freeman in ‘The Unforgiven’ and in ‘3.10 to Yuma’ by Christin Bale

The Spencer was the most advanced infantry weapon in the world of its times, it was patented in 1860 by Christian Spencer, a machinist who worked in Hartford. Conn. For Sharps and developed the Spencer on his own time. We are offering this simply superb example that is in great condition for its age. This carbine was a fundamental game changer of the entire Civil War. Although Confederates captured some of these weapons, the South's armament industry was unable to manufacture much of the ammunition due to a shortage of copper. It is only a small exaggeration to state that this cartridge decided the outcome of the Civil War.
Col. John T. Wilder said of them:"Hoover's Gap was the first battle where the Spencer repeating rifle had ever been used, and in my estimation they were better weapons that has yet taken their place, being strong and not easily injured by the rough usage of army movements, and carrying a projectiile that disabled any man who was unlucky enough to be hit by it." One of his soldiers wrote about the Spencer that it "never got out of repair. It would shoot a mile just as accurately as the finest rifle in the world. It was the easiest gun to handle in the manual of arms drill I have ever seen. It could be taken all to pieces to clean, and hence was little trouble to keep in order -- quite an item to lazy soldiers." According to Smith Aktins, a colonel in Wilder's regiment, it was "the best arm for service in the field ever invented, better than any other arm in the world then or now, so simple in its mechanism that it never got out of order, and was always ready for instant service.".

Major-General James H. Wilson, who was instrumental in crushing Hood at Nashville (15-16 Dec. 1864) and defeated Forrest at Selma (2 April 1865), wrote the following about them: "There is no doubt that the Spencer carbine is the best fire-arm yet put into the hands of the soldier, both for economy of ammunition and maximum effect, physical and moral. Our best officers estimate one man armed with it is equivalent to three with any other arm. I have never seen anything else like the confidence inspired by it in the regiments or brigades which have it. A common belief amongst them is if their flanks are covered they can go anywhere. I have seen a large number of dismounted charges made with them against cavalry, infantry, and breast-works, and never knew one to fail. It was the world's first practical repeater and fired a .52 calibre metallic rimfire cartridge (patented by Smith & Wesson in 1854 and perfected by Henry in the late 1850's} which completely prevented gas leakage from the back because the brass casing expanded on ignition to seal the chamber. It had a "rolling block" (actually a rotating block) activated by lowering the trigger guard. This movement opened the breech and extracted the spent cartridge. Raising the lever caused a new cartridge, pushed into position by a spring in the 7-round magazine, to be locked into the firing chamber. The 7-round magazine was located in the stock.
The Spencer was easy to manufacture (given the requisite industrial infrastructure), had relatively few parts, many of which were in common with the Sharps rifles, and was cheaper than other repeaters on the market such as the Henry. It also turned out to be extremely reliable under battlefield conditions. Its great advantage over the muzzle loading rifles such as the Enfields and Springfields lay not only in the rapidity of fire, but also in the ability of the shooter to aim each shot. In a normal battle situation, the muzzle loaders were fired in an aimed manner only the first few shots, thereafter it was usually a case of hurried fire after frantic loading. A trained soldier could get off two or three shots a minute with them until the barrel fouled with lead deposit. With the Spencer the soldier could fire 20 to 30 times a minute when necessary, taking advantage of the cartridge box which held 10 preloaded magazines. The only disadvantage of the Spencers was the relatively small powder charge in the cartridge which limited its range. Some marksmen therefore preferred the single shot Sharps breechloader which used paper or linen cartridges with a larger powder charge and had greater range. With the Sharps you could fire about 10 times a minute. But for the cavalry which fought mostly at close range, the Spencer was the weapon of choice.

Introduced in Jan. 1862, it found its first major use by Col. John Wilder's Indiana "Lightning Brigade" of mounted infantry at Hoover's Gap during the Tullahoma Campaign (22 June - 3 July 1863). The firepower and speed of this unit overwhelmed Wheeler's cavalry guarding the southern end of this pass and allowed George H. Thomas's 14th infantry corps to place itself on the flank of the Confederate General Hardee. This sudden development misled Hardee into thinking he had been outflanked by the entire Union Army of the Cumberland, and he retreated without orders back to Tullahoma, 15 miles in his rear. Wilder then spearheaded the turning movement to the east of Tullahoma, and this in turn undermined Bragg's entire defensive line, and he had to pull back into Chattanooga. At the price of about 500 casualties the Union Army advanced 100 miles and made military history. Later, at the battle of Chickamauga (19-20 Sept. 1863), his troops used them with decisive effect on the first day, keeping Bragg's troops from cutting the road to Chattanooga, and slowing Longstreet's attack on the second day. This is the scarcer Burnside Spencer Repeating Rifle Contract Carbine,

Made in Providence Rhode Island This specimen is one of the Burnside Contract, making it much scarcer and thus rarer than those standard carbines made by the Spencer Repeating Rifle Company. Out of the 34,000 made by Burnside, over 30,000 were purchased by the U.S. government, which in gun production numbers, during this period, 30,000 was a most small contract indeed.

On October 16, 1868, 500 Burnside Contract Spencer Carbines were transferred by the Ordnance Department to the Colorado Territory. The Ordnance inspector cartouche remain visible on the left side of the stock behind the sling ring bar, this particular Ordnance stamp is also the ones used for the 500 Colorado Territory guns shipment.

Thousands of people had flooded into Colorado between 1858-1861 trying to find quick riches. As a result, the Colorado territory was born. This was the first time that a concentrated group of people had began to settle the region. It was almost immediately filled with wealth, trade, and rail transportation. By 1865, more than 1 million ounces of gold had been found. But this now overpopulated area had spilt out and violated an already unstable situation; The Treaty of Fort Laramie had been broken. The Treaty was meant to establish boundaries and offer peace, internally and externally, among both the United States and Natives. The American miners settling on the Native land only exaggerated the existing conflicts between tribes. The result ended up being years of war between multiple tribes and the U.S. Government, in what is now known as the Colorado War.
As the conflicts ceased, population growth flourished, and resources kept flowing, the territory became a state on August 1, 1876. Colorado could have been a state a little sooner if President Andrew Jackson didn’t issue a veto against the statehood in 1865. A lot of American history happened in a short span of time. Colorado played a huge role in the history of the American West, making the potential of this rifle in our opinion very special indeed.
As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 23152

4750.00 GBP

A Personalised & Named Naval Sword of an 1804 Naval Hero Commodore of a British East Indiaman Fleet & His Original Framed Portrait

A Personalised & Named Naval Sword of an 1804 Naval Hero Commodore of a British East Indiaman Fleet & His Original Framed Portrait

One of the great naval war heroes of the Napoleonic Wars, who won a commanding victory over a far superior French battle fleet in 1804. A super sword personally named to him. He was a famous King George IIIrd period naval fleet commander hero of the wars with Napoleon. His greatest achievement came during the Napoleonic Wars, in 1804, when having been appointed commodore of the Royal East India Volunteers and one of the company's fleets, that was carrying in today’s value almost a billion pounds sterling of cargo. He came across a far superior armed fleet, a French heavily armed battle squadron under Rear-Admiral Comte de Linois, which was raiding British shipping in the area.

Through simply remarkable and skillfull seamanship, and exemplary aggressive tactics, he fooled the French commander into thinking that the British convoy was escorted by powerful naval forces, instead of very lightly armed East Indiamen, and the French Admiral, horrified by what he assumed were a few, British, Royal Naval armed escort ships, decided not to risk attacking the convoy, and fled.The commodore skilfully compounded the deception by taking his lightly armed merchants and chasing the French away, despite the considerable disparity of force. Having saved the convoy from almost certain destruction, he was hailed as a hero throughout the kingdom, lavishly rewarded with praise, money, and a knighthood, and thus spent the last years of his life in most comfortable and well deserved retirement.

The Naval Chronicle declared at the time;

‘We cannot sufficiently express our opinion of the coolness, intrepidity, and skill, with which the Commander of this Fleet, unaccustomed as he was to the practice of naval engagements, provided against every emergency, and prepared his plans, either for attack or defence, as the manoeuvres of the French Admiral might render it expedient for him to adopt either the one of the other. His conduct was worthy of the experience and science of our most approved and veteran Admirals, while the ardour and promptitude with which his orders were obeyed and his plans executed by the several Captains under his command, may have been rivalled, but can scarcely be exceeded in the most renowned of our naval exploits. ‘
See the last photos in the gallery of famous paintings of the time depicting his battle and victory His near life size portrait accompanies his sword. The pictures in the gallery will show the brass sword hilt has been battle repaired, for the commodore, with immense skill on the shell guard and knuckle bow. The picture frame has some small areas of gesso and gilt the bottom that are missing, the blade has no scabbard.

Commodore Nathanial Dance was also awarded a £100 Lloyds Patriotic Fund Sword, today such a sword could be worth up to £200,000.

Antique ivory, 'worked' declaration submission, but we can only sell this sword within the UK, it is not allowed for export. Ivory, however old cannot be imported into the USA.  read more

Code: 23559

4950.00 GBP

A Magnificent 18th Century Silver Hilted Small Sword with Colichmarde Blade. This Is One Of The Most Beautiful We Have Seen in Several years

A Magnificent 18th Century Silver Hilted Small Sword with Colichmarde Blade. This Is One Of The Most Beautiful We Have Seen in Several years

A combination of the finest 18th century artisan's skill of both a silversmith and bespoke swordsmith. Circa 1759 possibly by William Kinman of London. no silver hallmark was required due to The 'Act of 1738' the Plate Offences Act 1738, & the 1738 exemptions, which exempted the requirement of an assay mark for gold and silver mounts of swords, daggers, pistols and guns

General George Washington, later the first President of the United States, had a near identical sword that he used during his service as commander of the new American Army in the American War of Independance from 1776 onwards

Ideal in its day for duelling or close quarter combat, as well as being a simply fabulous, finest quality sword of immense beauty. Fine cast and chased silver hilt in the elegant rococo style with double shell guard single knucklebow and pas dans. The grip has silver banding interspersed with herringbone pattern twisted silver wire. The guard has enchanting workmanship with a scrolling, pierced, rococo Arabesque pattern. Colishmarde blade with blackened steel finish. The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practising fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended.The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. This sword is a true work of art, in it's beauty form, quality and balance. One photo in the gallery is of General Burgoyne surrendering his similar gilt sword after the Battle of Saratoga in October 1777. Another portrait of George Washington with his very similar solid silver sword sword.

The blade is age blackened steel with original untouched centuries old old patina  read more

Code: 23170

2850.00 GBP

An Extremely Rare Example of a Vijayanagara Hooded Katar From South India,16th To Early 17th century.

An Extremely Rare Example of a Vijayanagara Hooded Katar From South India,16th To Early 17th century.

Graduating triangular blade, engraved at the grip with two facing yali or leogryph (a part lion and part griffin), with some bird-like features. This mythological creature could be added to fine hooded katars by engraving to the hooded Katars as a means of spiritual protection in the battlefield. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse. The Vijayanagara Empire originated in the South of India through small Hindu Kingdoms as a resistance to the Muslim invasions from the North. These types of Hooded Katars are seen in the statues at Seshagiri Rayar Mandapam and were the staple of the Empire. As the Vijayanagara Empire slowly declined in the 17th century, this style of Katar declined and Katars without the hood became prominent.
This most rare Vijaynagara Katar exhibits the classical and traditional design, staying true to its roots. The blade is long, strongly tapering, with multiple grooves and fullers. The blade is also very sturdy and tight. Also if you notice the examples provided by Elgood, some of the katars do feature this type of blade. The grooves are deep and precisely cut and hold a consistent spacing and design, which adds to its aesthetic appeal. The blade is longer than the usual hooded Katars, which points towards this being an original blade, rather than a cut down european blade that is found on most other hooded katars on the market. The shield (hood) is a thick solid steel with a clean finish, engraved with floral designs and a yali. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse, and in similar shapes. Also, it has been sometimes described as a leogryph (part lion and part griffin), with some bird-like features. This mythological creature was added to the hooded Katars as a means of spiritual protection in the battlefield.

The handle bars are wide and larger than the typical Katar to match the aesthetic and size of the Vijaynagara Katar. The width of the handle bars provide an excellent protective layer for the user, but also creates an imposing presence when held due to the sheer size of the Katar. The grips features balls which give the user a good grip.  read more

Code: 25353

1625.00 GBP

A Superb Old English-Viking Large 'Winged' Spear Javelin Head With Later Haft. A Vital Component in 'Shield Wall' Battles Over 1000 Years Old

A Superb Old English-Viking Large 'Winged' Spear Javelin Head With Later Haft. A Vital Component in 'Shield Wall' Battles Over 1000 Years Old

Overall darkened natural patina with age and areas of a pitted surface, but overall in incredibly well preserved condition. Diamond section blade round socket with a pair of flat topped wings square section semi hooked below. It has three double rivet holes at the base of the socket for haft fixing.
The later haft was created for a museum type display to show how it was originally used. Although recovered a long time past, it was incredibly fortunate it was buried an area, likely in England, that was in a highly inorganic material that caused minimal degradation and corrosion over the past millennia, such as fine textured clay soils.

Although some of the leaf spears were light and controllable with one hand, the more massive spearheads were undoubtedly two-handed and suitable for heavy cut-and-thrust, usable as swords in all respects. Their functional aspect is often multiplied by wings, which, among other things, act as a cross-guard. When used on ground, these massive variants had to be exceptionally useful against both cavalry and infantry, while in cavalry use they could be used as cutting, anti-infantry weapons. It is difficult to imagine that such massive spearheads would be placed on very long shafts. In iconography, the spears are usually as high or slightly taller than the wearer. In archeology, the spearheads are often located next to the head, but it is not clear whether the shaft was broken before being placed in the grave or not (eg Belošević 2007: 275; Kouřil 2005: Abb. 4, 6, 15, 16).

Anglo-Saxon England or Early Medieval England, existing from the 5th to the 11th centuries from soon after the end of Roman Britain until the Norman Conquest in 1066, consisted of various Anglo-Saxon kingdoms until 927, when it was united as the Kingdom of England by King Æthelstan (r. 927–939). It became part of the short-lived North Sea Empire of Cnut, a personal union between England, Denmark and Norway in the 11th century.

The typical battle involved both sides, Anglo Saxons, and Vikings or Normans forming shieldwalls to protect against the launching of missiles, and standing slightly out of range of each other.

Stephen Pollington has proposed the following sequence to a typical shieldwall fight . {Stephen Pollington is an English author who specialises in Anglo-Saxon England and the Old English language}

Preliminaries – The lines are drawn up and leaders make pre-battle inspirational speeches
Advance to close quarters – A battle cry would be raised and one or both shieldwalls would advance
Exchange missiles – Both sides shoot arrows and throw javelins, axes and rocks to break the enemy's resolve
Shield to shield – One or other side closes the short gap and attacks, using spears and swords, protecting themselves and pushing with shields to try to break the enemy line. If neither line broke, both sides would draw back to rest. More missiles would be exchanged, and then the two lines would close again. This would continue until one line broke through the other, perhaps aided by the death of a leader or capture of a banner.
Rout and pursuit – One side would begin to give way. A final stand might be made by some, as at Maldon, but most would flee. The victors would pursue, killing all they could catch.
Individual combat style
Individual warriors would run forward from the ranks to gain velocity for their javelin throws. This made them vulnerable due to their being exposed, having left the protection of the shield wall, and there was a chance of being killed by a counter throw from the other side.citation needed This is epitomized in the following excerpt:

"So then did Aethelgar's child enbolden them all, Godric to battle. Often he sent forth spears, deadly shaft sped away onto the Vikings thus he on this people went out in front of battle, cutting down and smiting, until he too on the battlefield perished." (The Battle of Maldon. 320-4.)

If a warrior was killed in the 'no man's land' between shieldwalls, someone from the other side might rush out to retrieve the valuable armour and weapons, such as extra javelins, sword, shield and so on from the corpse. The one best positioned to retrieve the body was often the thrower of the fatal javelin as he had run forward of his shield wall too in order to make his throw. Exposing himself like this, and even more so during his attempt to retrieve the slain's gear, was a great mark of bravery and could result in much valuable personal gain, not only in terms of his professional career as a retainer, but also in material wealth if the equipment were valuable.
Due to the very visible and exposed nature of these javelin-throwing duels, we have some detailed descriptions which have survived, such as the following passage. The first part describes thrown javelin duels, and the latter part describes fighting over the corpses' belongings.

"Advanced again to fierce battle, weapons raised up, shields to defence, and towards these warriors they stepped. Resolute they approached Earl to the lowest Yeoman: each of them intent on harm for the enemy. Sent then a sea-warrior a spear of southern make that wounded the warrior lord. He thrust then with his shield such that the spear shaft burst, and that spear-head shattered as it sprang in reply. Enraged became that warrior: with anger he stabbed that proud Viking who had given him that wound. Experienced was that warrior; he threw his spear forward through the warrior's neck, his hand guiding so that he this ravager's life would fatally pierce. Then he with another stab speedily pierced the ravager so that the chainmail coat broke: this man had a breast wound cut through the linked rings; through his heart stuck a deadly spear. The Earl was the better pleased: laughed then this great man of spirit, thanking the Creator for the day's work which the Lord had given him. And so then another warrior a spear from the other side flew out of hand, which deeply struck through the noble Aethelred's retainer. To him by his side stood a young man not fully grown, a youth on the battlefield, who valiantly pulled out of this warrior the bloody spear, Wulfstan's child, Wulfmaer the younger; and so with blinding speed came the shaft in reply. The spear penetrated, for that who on the Earth now lay among his people, the one who had sorely pierced. Went then armed a man to this Earl; he desirous of this warrior's belongings to take off with, booty and rings and an ornamental sword. Then Byrhtnoth drew his sword from its sheath broad and bright of blade, and then struck the man's coat of mail. But too soon he was prevented by a certain sea-scavenger, and then the Earl's arm was wounded. Fall then to the ground with his gold-hilted sword: his grip unable to hold the heavy sword, or wield the weapon." (The Battle of Maldon. 130-58.)

Reconstructions of fighting techniques suggested by Richard Underwood in his book Anglo Saxon Weapons and Warfare suggest two primary methods of using a spear. You can use it over arm – held up high with the arm extended and the spear pointing downwards. Used this way you could try and attack over the enemy shield against head and neck. Or you could use it underarm with the spear braced along the forearm. This was more defensive and was good for parrying the enemy spear and pushing against his shield to keep him away but was not much use offensively.


Picture in the gallery from the Codex Aureus of Echternach, 1030-1050AD
Germanisches Nationalmuseum in Nuremberg, Germany.

Another picture of an archaeological detailed drawing of a warrior's grave site, showing large winged spear and sword. From Abramowicz – Nadolski – Poklewski-Koziełł 1959:

17 inches long. Weight 0.5 lb

The later haft was made purely for museum grade display purposes, while we can send it within the UK it is far too long to export.  read more

Code: 25386

2595.00 GBP