Antique Arms & Militaria

838 items found
basket0
A Beautiful and Ancient Original Greek 'Leaf Shaped' Bronze Sword, 1200 BC, Around 3200 Years Old, From the Era Known In The Days of Homer as The 'Heroic Age'

A Beautiful and Ancient Original Greek 'Leaf Shaped' Bronze Sword, 1200 BC, Around 3200 Years Old, From the Era Known In The Days of Homer as The 'Heroic Age'

A Superb ancient Greek bronze age sword blade, from the ancient pre-history period 'Heroic Age', with fabulous areas of crystallized malachite blue/green patina. From the era of the Mycenaean Greek Trojan Wars. in overall fabulous condition. The Hilt would have been made from organic material such as horn bone or wood, that never survives once buried for the three millennia since it was used in war. So all that remains is the bronze blade's tang. The bronze for this blade was likely made from the Cretan copper mines, as an alloy, with an element of added tin.

The story of the Trojan War the Bronze Age conflict between the kingdoms of Troy and Mycenaean Greece straddles the history and mythology of ancient Greece and inspired the greatest writers of antiquity, from Homer, Herodotus and Sophocles to Virgil. Since the 19th-century rediscovery of the site of Troy in what is now western Turkey, archaeologists have uncovered increasing evidence of a kingdom that peaked and may have been destroyed around 1,180 B.C. perhaps forming the basis for the tales recounted by Homer some 400 years later in the Iliad and the Odyssey. According to classical sources, the war began after the abduction (or elopement) of Queen Helen of Sparta by the Trojan prince Paris. Helen's jilted husband Menelaus convinced his brother Agamemnon, king of Mycenae, to lead an expedition to retrieve her. Agamemnon was joined by the Greek heroes Achilles, Odysseus, Nestor and Ajax, and accompanied by a fleet of more than a thousand ships from throughout the Hellenic world. They crossed the Aegean Sea to Asia Minor to lay siege to Troy and demand Helen’s return by Priam, the Trojan king. The siege, punctuated by battles and skirmishes including the storied deaths of the Trojan prince Hector and the nearly-invincible Achilles, lasted more than 10 years until the morning the Greek armies retreated from their camp, leaving a large wooden horse outside the gates of Troy. After much debate (and unheeded warnings by Priam?s daughter Cassandra), the Trojans pulled the mysterious gift into the city. When night fell, the horse opened up and a group of Greek warriors, led by Odysseus, climbed out and sacked the Troy from within. After the Trojan defeat, the Greeks heroes slowly made their way home. Odysseus took 10 years to make the arduous and often-interrupted journey home to Ithaca recounted in the Odyssey. Helen, whose two successive Trojan husbands were killed during the war, returned to Sparta to reign with Menelaus. After his death, some sources say she was exiled to the island of Rhodes, where a vengeful war widow had her hanged.

The Greek Heroic Age, in mythology, is the period between the coming of the Greeks to Thessaly and the Greek warriors' return from Troy after their return with Helen of Troy. The poet Hesiod (fl. c. 700 BCE) identified this mythological era as one of his five Ages of Man. The period spans roughly six generations; the heroes denoted by the term are superhuman, though not divine, and are celebrated in the literature of Homer and of others, such as Sophocles, Aeschylus and Euripides.

The Greek heroes can be grouped into an approximate mythic chronology, based on the stories of events such as the Argonautic expedition and the Trojan War. Over the course of time, many heroes, such as Heracles, Achilles, Hector and Perseus, came to figure prominently in Greek mythology.

Early heroes
Many of the early Greek heroes were descended from the gods and were part of the founding narratives of various city-states. They also became the ancestors of later heroes. The Phoenician prince Cadmus, a grandson of Poseidon, was the first Greek hero and the founder of Thebes.

Perseus, famous for his exploits well before the days of his great-grandson, Heracles, was the son of Zeus. Perseus beheaded the Medusa, saved Andromeda from the sea monster Cetus, and was the legendary founder of Mycenae.
Aeacus was also a son of Zeus. Bellerophon was descended from the nymph Orseis. Oenomaus, king of Pisa, in the Peloponnese, was the son of Ares.
Among these early heroes the three - Cadmus, Perseus and Bellerophon - were considered the greatest Greek heroes and slayers of monsters before the days of Heracles.

Of course, despite the Age of Heroes and the time of the Gods of Olympus, being based almost entirely on mythology, apart from the actual city of Troy, which is now proved to be not a myth, the real warriors that lived during that age and time, in ancient pre-history, actually existed, and this is their very form of sword, and one that they would have used.
Photo in the gallery of an Attic black figure vase that shows Theseus killing the Minotaur of the Cretan labyrinth with an identical pattern of Greek sword. A feminine figure looks on from the right, possibly Ariadne. Late 6th, early 5th century BCE. (Archaeological Museum, Milan). See discussion in Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, p.8-21. `15.5 inches long overall  read more

Code: 22103

2250.00 GBP

Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

A complimentary display stand, will be included.
As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24304

2595.00 GBP

Archaic Zhou Dynasty Bronze Halberd or ‘Ge’ of a Zhou Dynasty Charioteer, Circa 5th Century BC. Used By a Warrior In the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Archaic Zhou Dynasty Bronze Halberd or ‘Ge’ of a Zhou Dynasty Charioteer, Circa 5th Century BC. Used By a Warrior In the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

This is the very type of original ancient ceremonial halbard, defined by the ancient Chinese as a dagger axe 'Ge' and exactly the type as used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.

In excavated condition, cast in one piece, slightly curved terminal blade of thin flattened-diamond section, pierced along a basal flange with three slots, with fabulous areas of crystallized malachite, blue/green patina.

We also show in the gallery a schematic of how this 'Ge' halbard would have been mounted 2500 odd years ago on its long haft, and used by a charioteer warrior, there is also one depicted being carried in a painting that we show in the gallery being used in a chariot charge in the Zhou dynasty.

This is a superb original ancient piece from one of the great eras of Chinese history. it is unsigned but near identical to another that was signed and inscribed with details that have now been fully translated, deciphered and a few years ago shown at Sothebys New York estimated to a sale value of $300,000. Its research details are fully listed below, and it is photographed within our gallery for the viewers comparison. Naturally, our un-inscribed, but still, very rare original version, from the same era and place, is a much more affordable fraction of this price

The signed and named Sotheby's of New York example that we show in the gallery, was formerly made for its original warrior owner, Qu Shutuo of Chu, it is from the same period and in similar condition as ours. We reference it's description below, and it is photographed within the gallery, it is finely cast with the elongated yuan divided by a raised ridge in the middle of each side and extending downward to form the hu, inscribed to one side with eight characters reading Chu Qu Shutuo, Qu X zhisun, all bordered by sharply finished edges, the end pierced with three vertically arranged chuan (apertures), the nei with a further rectangular chuan and decorated with hook motifs, inscribed to one side with seven characters reading Chuwang zhi yuanyou, wang zhong, and the other side with five characters reading yu fou zhi X sheng, the surface patinated to a dark silver tone with light malachite encrustation
An Exhibition of Ancient Chinese Ritual Bronzes. Loaned by C.T. Loo & Co., The Detroit Institute of Arts, Detroit, 1940, pl. XXXIII.
New Orleans Museum of Art, New Orleans, March - June 1948.

This inscribed bronze halberd blade, although typical in form, is uniquely important as its inscription serves as a critical primary source that reveals the name of its original owner: Qu Shutuo of Chu. The only known close counterpart to this blade is a damaged bronze halberd blade, missing the yuan, and inscribed on the hu with seven characters, which can be generally translated to ‘for the auspicious use of Qu Shutuo of Chu’. That halberd is now in the collection of the Hunan Provincial Museum, Hunan, and published in Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng Compendium of inscriptions and images of bronzes from Shang and Zhou dynasties, vol. 32, Shanghai, 2012, no. 17048

The remaining thirteen inscriptions can be translated as: 'Qu Shutuo of Chu, Qu X's grandson, yuanyou of the King of Chu'. Based on the inscription, the owner of this blade can be identified as such.

See for reference; The Junkunc Collection: Arts of Ancient China / Sotheby's New York
Lot 111

We also show in the gallery a photo of another similar halberd from a museum exhibition, of a Chinese ancient king bodyguard’s halberd gilt pole mounts for his personal charioteer

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24306

1850.00 GBP

An Original Ancient Egyptian Shabti, The Afterlife Servant of The Mummy, Blue-Glazed Faience 664 to 332 BC

An Original Ancient Egyptian Shabti, The Afterlife Servant of The Mummy, Blue-Glazed Faience 664 to 332 BC

A stunning Grand Tour artefact.
Much of our Grand Tour historic artefacts were originally acquired by a noble Scottish family in the 1820's while on a Grand Tour of the Middle East and the Holy Land, plus Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine. And the great classical battle sites of Ancient Rome and Greece.

We also had {now sold} the swordstick of the Scottish 10th Duke of Hamilton, the world renown Grand Tour collector, especially of ancient Egyptian pieces. He was the Ambassador to Catherine the Great as well as being Lord High Steward to both King William IV and Queen Victoria. He was so enamoured with his devotion to his collection of antiquities, he was mummified after his death, and buried in an ancient Egyptian sarcophagus within his family tomb.

From the 25th dynasty to the Late Period. One of a group of fine small tomb pieces we acquired. A shabti (also known as shawabti or ushabti) is a generally mummiform small figurine found in many ancient Egyptian tombs. They are commonly made of blue or green glazed Egyptian faience, but can also consist of stone, wood, clay, metal, and glass. The meaning of the Egyptian term is still debated, however one possible translation is ‘answerer’, as they were believed to answer their master’s call to work in the afterlife. Since the Fourth Dynasty (2613–2494 BC), for instance, the deceased were buried with servant statuettes like bakers and butchers, providing their owners with eternal sustenance. after the death of Cleopatra in around 37 b.c. and the close of the Ptolomeic Dynasty, no shabti were produced for service in Egyptian mummy's tombs. A spell was oft written on the shabti so that it would awaken as planned, this is the 'shabti spell' from chapter six of the Book of the Dead and reads as follows:

"O shawabti, if name of deceased is called upon,
If he is appointed to do any work which is done on the necropolis,
Even as the man is bounden, namely to cultivate the fields,
To flood the river-banks or to carry the sand of the East to the West,
And back again, then 'Here am I!' you shall say"

Piye established the Twenty-fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa. The reunited Nile valley empire of the 25th Dynasty was as large as it had been since the New Kingdom. Pharaohs of the dynasty, among them Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. The 25th Dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there (at El-Kurru and Nuri) that all 25th Dynasty pharaohs were buried under the first pyramids to be constructed in the Nile valley in hundreds of years

The Late Dynasty Period era;

The Twenty-Eighth Dynasty consisted of a single king, Amyrtaeus, prince of Sais, who successfully rebelled against the Persians, inaugurating Egypt's last significant phase of independence under native sovereigns. He left no monuments with his name. This dynasty reigned for six years, from 404 BC–398 BC.

The Twenty-Ninth Dynasty ruled from Mendes, for the period from 398 to 380 BC. King Hakor of this dynasty was able to defeat a Persian invasion during his reign.

The Thirtieth Dynasty took their art style from the Twenty-Sixth Dynasty. A series of three pharaohs ruled from 380 to 343 BC. The first king of the dynasty, Nectanebo I, defeated a Persian invasion in 373 BC. His successor Teos subsequently led an expedition against the Achaemenid Empire in the Near East. The expedition was beginning to meet with some success. unfortunately for Teos, his brother Tjahapimu was plotting against him. Tjahapimu convinced his son Nectanebo II to rebel against Teos and to make himself pharaoh. The plan was successful and the betrayed Teos had no alternative but to flee and the expedition disintegrated. The final ruler of this dynasty, and the final native ruler of Egypt, was Nectanebo II who was defeated in battle leading to the re-annexation by the Achaemenid Empire.

31st Dynasty
Main article: Thirty-first Dynasty of Egypt
The Second Achaemenid Period saw the re-inclusion of Egypt as a satrapy of the Persian Empire under the rule of the Thirty-First Dynasty, (343–332 BC) which consisted of three Persian emperors who ruled as Pharaoh - Artaxerxes III (343–338 BC), Artaxerxes IV (338–336 BC), and Darius III (336–332 BC) - interrupted by the revolt of the non-Achaemenid Khababash (338–335 BC). Persian rule in Egypt ended with the defeat of the Achaemenid Empire by Alexander the Great, who accepted the surrender of the Persian satrap of Egypt Mazaces in 332BC, and marking the beginning of Hellenistic rule in Egypt, which stabilized after Alexander's death into the Ptolemaic Kingdom. Small, aged, glaze loss at the shoulder {see photo}
45mm high  read more

Code: 25101

SOLD

A 19th Century Indian Raj Period Percussion Cavalry Horse Pistol, With Damascus Twist Steel Barrel, Thus Likely For An Officer, Such as, a Risaldar/Subedar, or Risaldar Major of The Punjab Irregular Cavalry

A 19th Century Indian Raj Period Percussion Cavalry Horse Pistol, With Damascus Twist Steel Barrel, Thus Likely For An Officer, Such as, a Risaldar/Subedar, or Risaldar Major of The Punjab Irregular Cavalry

Good walnut stock, Damascus twist barrel, percussion action lock, with government Victorian crown stamp, iron mounts including trigger guard and butt cap with lanyard ring.

Pistols of this form were mounted in pairs, each within a single saddle holster, in leg o’mutton form, fixed and hanging either side of the saddle’s pommel. These holsters were known as *saddle buckets, long before the term saddle holster was used to describe leather receptacles to carry pistols when on horseback.{see picture 10 in the gallery}.

Subedar/Risaldar or subadar was the second-highest rank of Indian officer in the military forces of British India, ranking below "British Commissioned Officers" and above "Local Non-Commissioned Officers". Indian officers were promoted to this rank on the basis of both lengths of service and individual merit.

Under British rule, a Risaldar was the cavalry equivalent of a Subedar. A Subedar / Risaldar was ranked senior to a Jemadar and junior to a Subedar Major / Risaldar Major in an infantry / cavalry regiment of the Indian Army. Both Subedars and Risaldars wore two stars as rank insignia.

In photo 8 in the gallery one can see regimental officers, subedars and subedar majors of the British Indian Army Cavalry. Note the magnificence of their stunning uniforms, a mixture of Sikh and British traditional uniform dress of the time.

After the First Sikh War of 1845-46 the fighting qualities of the Sikhs impressed the British so much that in 1846 the first two regiments of Sikh infantry were raised at Ferozepore and Ludhiana. In the same year a frontier brigade was raised to police the frontier comprising the Corps of Guides and four more infantry regiments of Sikhs.
After the Second Sikh War of 1848-49 the Punjab was annexed, bringing the British into contact with the Pathan tribes of the North-West Frontier. This led to the formation of what later became the Punjab Frontier Force, comprising the Frontier Brigade raised in 1846, five regiments of Punjab Irregular cavalry and 6 regiments of Punjab irregular infantry. From 1851 to 1865 the regiments were titled Punjab Irregular Force abbreviated to PIF so that they were nick-named Piffers, a word that continued in use up to 1947.

Each regiment had 4 squadrons, and so that the the religious/ethnic groups were clearly defined, each squadron, or half-squadron, consisted of one type only. The types found in the 5 regiments were Sikhs, Dogras, Hindustani Mulims, Hindustani Hindus, Punjabi Muslims and Pathans.

*See the last picture in the gallery that shows how saddle pistol buckets were mounted upon cavalry saddles.

Just one of the greatly respected Risaldar-Majors of the time was the great Sirdar Bahadur Risaldar-Major Mani Singh who was born in Gujranwala in the Punjab. He was the first and most famous Indian officer who served in Hodson's Horse, an irregular cavalry regiment of the British Indian army formed during the Indian Rebellion of 1857-8. During the First Sikh War of 1845-6, Mani Singh was a cavalry officer in the Sikh army fighting the British. In 1852 he enlisted as a mounted policeman in Neville Chamberlain's Punjab Police. In 1857 he was asked to raise recruits to form Hodson's Horse. He served with the British throughout the Siege of Delhi, a key event of the Indian Rebellion in which Indian troops rose up against British colonial rule. During the Battle of Nawabganj he was badly wounded having shown great bravery in action. He was awarded many of the highest decorations, including the Order of Merit 1st class, and the Order of British India 1st class. He retired from military serivce in 1877, and was subsequently made manager of the Darbar Sahib (Golden Temple) at Amritsar. His watercolour portrait, by Sydney Prior Hall, autographed in Urdu, was acquired by HRH Albert Edward, Prince of Wales, {later King Edward VIIth, It was one of the King's prized pieces and resides within the Royal Collection.

Small old re-stock for-end repair, very strong mainspring.  read more

Code: 25100

595.00 GBP

21st Regiment Essex Fusiliers Large Service Helmet Flaming Grenade Badge. Circa.1887

21st Regiment Essex Fusiliers Large Service Helmet Flaming Grenade Badge. Circa.1887

Canadian Militia busby helmet badge. 21st Regiment Essex Fusiliers Fur Busby grenade. Circa.1887 Brass grenade with two lugs to the reverse in excellent condition.

A military presence in Windsor and Essex County dates back as far as 1701, when all men in the community were essentially militia members, armed to combat a perceived 'Indian threat'. When Irish-American Nationalists invaded Canada in 1866, even stronger forces were established locally. By 1885, local militias had amalgamated into the 21st Essex Battalion of Infantry.

By the advent of the First World War, the 21st Battalion (now known as the 21st Regiment Essex Fusiliers) was placed on active service. Initially, they contributed to Canada's 1st Battalion, upon its formation in 1914, then later the 18th Battalion (consisting largely of Essex Fusilier soldiers. The 18th Battalion served in France and Flanders from 1915 until the Armistice.

The regiment perpetuated the 18th (Western Ontario) Battalion, 99th (Essex) Battalion and 241st (Canadian Scottish Borderers) Battalion of the Canadian Expeditionary Force and held its final Order of Precedence as 40. Battle honours for the regiment include: First World War: Ypres 1915 & 17, Festubert 1915, Mount Sorrel, Somme 1916 & 18, Flers-Courcelette, Thiepval, Ancre Heights, Arras 1917 & 18, Vimy 1917, Hill 70, Passchendaele, Amiens, Scarpe 1918, Hindenburg Line, Canal du Nord, Cambrai 1918, Pursuit to Mons, France & Flanders 1915-18 Second World War: Dieppe Raid (1942), Battle of Verrigres Ridge (1944), liberation of Dieppe (1944), Battle of the Scheldt (1944), The Rhine (1944-1945), Northwestern Europe

By 1926, an alliance was formed with the Essex Regiment of the British Army, and by 1927, the Essex Scottish had adopted the MacGregor tartan based on Scottish Highland tradition. That year an alliance was also established with the Queen’s Own Royal West Kent Regiment of the British Army.

The Regiment was the first unit of men in Western Ontario to be called up during World War II and one of the first Canadian units to see battle overseas. Their first fight was the tragic Dieppe raid on August 19th, 1942 where the Regiment was hit particularly hard during Operation Jubilee. When the smoke cleared, the Regiment had lost 121, and many of the survivors were either wounded or captured. With barely enough time to regroup, the regiment prepared itself for the invasion of France. On July 5th 1944, it participated in the bloody landing at Normandy, and then fought on through France, Holland and Germany until the war's end.

By then, the regiment had suffered 552 dead and had been inflicted with the highest number of casualties of any unit in the Canadian Army-a staggering 2,510.  read more

Code: 19898

245.00 GBP

A Very Powerful and Substantial Viking Chiefs Guard's Spear. Around 1200 Years Old. Used From The Time of The Seige of Paris on The Seine in 845, By Viking Chieftain Ragnar in Command of His 120 Longships

A Very Powerful and Substantial Viking Chiefs Guard's Spear. Around 1200 Years Old. Used From The Time of The Seige of Paris on The Seine in 845, By Viking Chieftain Ragnar in Command of His 120 Longships

A heavy grade spear made between the 9th and 11th Centuries, very likely used by a senior man of a Viking chiefs guard. Thus around 1200 years old, from the peak of the era of the great seafaring Scandinavian Viking conquerers.
Between 1000 and 1200 years old, From the time of the Viking siege of Paris.

The siege of Paris of 845 was the culmination of a Viking invasion of West Francia. The Viking forces were led by a Norse chieftain named "Reginherus", or Ragnar, who tentatively has been identified with the legendary saga character Ragnar Lodbrok. Reginherus's fleet of 120 Viking ships, carrying thousands of warriors, entered the Seine in March and sailed up the river.

Ragnar's Vikings raided Rouen on their way up the Seine in 845 and in response to the invasion, determined not to let the royal Abbey of Saint-Denis (near Paris) be destroyed, Charles assembled an army which he divided into two parts, one for each side of the river. Ragnar attacked and defeated one of the divisions of the smaller Frankish army, took 111 of their men as prisoners and hanged them on an island on the Seine to honour the Norse god Odin, as well as to incite terror in the remaining Frankish forces.

The Vikings reached Paris at the end of the month, during Easter. They plundered and occupied the city, withdrawing after Charles the Bald paid a ransom of 7,000 French livres 2,570 kg (83,000 ozt) in gold and silver.
Ragnar's fleet made it back to his overlord, the Danish King Horik I, but Ragnar soon died from a violent illness that also spread in Denmark

With an octagonal form socket and two holes for affixing it to its haft with a square section rivet. Formerly the property of an English gentleman, from his collection orginally acquired from the 1940's. In chapter 55 of Laxdæla saga, Helgi had a spear with a blade one ell long (about 50cm, or 20in). He thrust the blade through Bolli's shield, and through Bolli. In chapter 8 of Króka-Refs saga, Refur made a spear for himself which could be used for cutting, thrusting, or hewing. Refur split Þorgils in two down to his shoulders with the spear. The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith flattened and drew out material to form the socket . This material was formed around a mandrel and usually was welded to form a solid socket. In some cases, the overlapping portions were left unwelded. Spear heads were fixed to wooden shafts using a rivet. The sockets on the surviving spear heads suggest that the shafts were typically round, with a diameter of 2-3cm (about one inch).

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gísla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Oðin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvör described in chapter 44 of Eyrbyggja saga, the saga author says that Steinþórr threw a spear over the heads of Snorri goði and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (æpa heróp), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsjá (King’s Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords. As with all our items it comes complete with our certificate of authenticity. 13.75 inches long.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsj (King’s Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords.

As with all our items it comes complete with our certificate of authenticity. 13.75 inches long.  read more

Code: 22090

Reserved

A Wonderful and Highly Desirable Original Antique Pistol Flask Shaped in the Form of a Rifle Butt

A Wonderful and Highly Desirable Original Antique Pistol Flask Shaped in the Form of a Rifle Butt

An absolute gem for even the most discerning of pistol flask collectors.

The 'butt stock' type are very rare indeed, and the smaller type, like this, are certainly the most desirable of all.

Overall in very nice condition indeed with very fine patination. This is one of the most desirable and highly sought types of pistol flask for casing with tools for rare Colt revolvers and fine British pistols.

This superb flask would compliment any fine cased pistol or pistols, from flintlocks to revolvers.

5 inches long 2.25 inches wide at widest. Small denting at the base and spout.  read more

Code: 22790

485.00 GBP

A Most Fine Antique,  Fijian Ula Drisia South Seas Island Warrior’s Throwing Club

A Most Fine Antique, Fijian Ula Drisia South Seas Island Warrior’s Throwing Club

Superbly patinated root ball with geometrically carved handle. The ula was the most personal weapon of the Fijian warrior and was inserted into a man's fibre girdle sometimes in pairs like pistols. The throwing of the ula was achieved with great skill, precision and speed. It was often carried in conjunction with a heavier full length club or spear which served to finish an opponent after initially being disabled by a blow from the ula. Was made by a specialist from a variety of uprooted bushes or shrubs. Across 1,000 kilometres (620 miles) from east to west, Fiji has been a nation of many languages. Fiji's history was one of settlement but also of mobility. Over the centuries, a unique Fijian culture developed. Constant warfare and cannibalism between warring tribes were quite rampant and very much part of everyday life. During the 19th century, Ratu Udre Udre is said to have consumed 872 people and to have made a pile of stones to record his achievement."Ceremonial occasions saw freshly killed corpses piled up for eating. 'Eat me!' was a proper ritual greeting from a commoner to a chief. The posts that supported the chief's house or the priest's temple would have sacrificed bodies buried underneath them, with the rationale that the spirit of the ritually sacrificed person would invoke the gods to help support the structure, and "men were sacrificed whenever posts had to be renewed" . Also, when a new boat, or drua, was launched, if it was not hauled over men as rollers, crushing them to death, "it would not be expected to float long" . Fijians today regard those times as "na gauna ni tevoro" (time of the devil). The ferocity of the cannibal lifestyle deterred European sailors from going near Fijian waters, giving Fiji the name Cannibal Isles; as a result, Fiji remained unknown to the rest of the world. The handle has a natural age split at the base.  read more

Code: 20896

1650.00 GBP

Important & Historical Letter From Vice Admiral Hood Aboard HMS Victory. HMS Victory Became Nelson's Flagship at The Battle of Trafalgar in 1805

Important & Historical Letter From Vice Admiral Hood Aboard HMS Victory. HMS Victory Became Nelson's Flagship at The Battle of Trafalgar in 1805

Dated 3rd October 1793. by Horatio Nelson's commanding officer at the Siege of Toulon, where Napoleon was commanding the French Artillery before he became the leader of France . This is a historically important letter for several reasons. It is signed and dated by one of England's greatest admirals, it was written and sent from the British flagship HMS. Victory, Horatio Nelson was there at the time under the command of Hood on his ship, and Napoleon Bonaparte was commanding the French artillery there against Hood and Nelson at the time of writing. It would look simply amazing if bespoke framed with fine mounting and possibly complete with a fine print of HMS Victory or Admiral Hood. Regarding the Siege of Toulon just weeks before it fell. Two pages of foolscap, written on three sides, on correct 18th century Admiralty paper bearing Brittannia watermark, with date, location, name position and signature of Admiral Lord Hood. Personally hand written and signed aboard HMS Victory, by Admiral Lord Hood, addressed to Philip Stephens, First Secretary of the Admiralty [and great friend of Capt. James Cook], to present to the Lord Commissioners of the Admiralty, his congratulations on a most Brilliant and complete Victory over the troops of General Carteaux Commander-in-chief of the Army before Toulon. It was at this engagement, part of the Siege of Toulon, that a young Corsican, a captain in command of artillery, Napoleon Buonaprte gained huge success, and the praises of the Generals, Committee of Public Safety, Augustin Robespierre and Antoine Christophe Saliceti, and thus his eventual promotion to Brigadier -General for his skill in his command of the batteries during the siege. The young artillery captain, Napoleon Bonaparte was appointed as Carteaux's new artillery commander. With the backing of the all-powerful Robespierre and Saliceti, the dynamic Bonaparte quickly devised a plan for the capture of the forts l'Eguillette and Balaguier. Bonaparte correctly surmised that the capture of these would allow accurate fire to be brought to bear on the Anglo-Neapolitan fleet and force it to abandon Toulon just after this letter was written. From this very siege Napoleon gained the influence and power that eventually changed the history of Europe forever. The significance of this event, it's highly important connecting points of the three great heroes, Hood, Napoleon and Bonaparte cannot be underestimated in it's position in world history. On 28 August, Admiral Sir Samuel Hood of the Royal Navy and Admiral Juan de Longara of the Spanish Navy, committed a force of 13,000 British, Spanish, Neapolitan and Piedmontese troops to the French royalists' cause. This was a serious blow to the arms of the republic, as it was a key naval arsenal of the country, with 26 ships of the line based there at the time (about one third of the total available to the French Navy). If France were to lose this port, there was no hope for her naval ambitions. Which would mean by proxy that any ambition to challenge the Allies, and specifically the British, for control of the seas would be out of the question. Not only that, but its loss could set a dangerous precedent for other areas that menaced the republic with revolt. The survival of the Republic was at stake. On 1 October, Baron d'Imbert proclaimed the young Louis XVII to be king of France, and hoisted the French royalist flag of the fleur de lys, delivering the town of Toulon to the British navy. It was not until 1793 that Napoleon was first able to demonstrate his ability to grasp the significant moment, to devise the successful strategy, to lead from the front and by example. In this year the year in which Louis XVI had been guillotined, at the beginning of what was to become The Terror Napoleon, now a twenty-four-year-old artillery captain, was given the opportunity to take control of artillery for the siege of Toulon.

At this time, there were still significant pockets of royalist insurrection against the revolution throughout the provinces, especially in the western Vendee region and in the South East. When royalist Marseille was retaken in August by the Jacobins, with appalling reprisals, the counter-revolutionaries holding Toulon called on the British Royal Navy to help them, along with their Spanish and other allies. Britain had been at war with France since the formation of the First Coalition of European allies against revolutionary France, formed earlier that year after the execution of Louis XVI.

The English fleet anchored in the harbour at Toulon was commanded by Rear Admiral Hood. Captain Horatio Nelson was with Hood's fleet, in command of the 64-gun third-rater Agamemnon. Britain's renewed conflict with France in 1793 meant officers of Nelson?s experience were required. He was given command of HMS Agamemnon on 30 January 1793. Nelson sailed to the Mediterranean in May 1793, joining Lord Hood's fleet blockading the French fleet in Toulon. Josiah, his stepson, accompanied him. His wife, Fanny, was left to worry about the dangers they faced. Nelson's letters to her at this time showed signs that their relationship was under strain. Hood ordered Nelson to Naples to seek King Ferdinand IV's help in defending Toulon against French republicans. Nelson made this request through Sir William Hamilton (1730-1803), the British envoy, at the Palazzo Sessa. It was here in September 1793 that he met Emma Hamilton, the envoy's second wife, aged 28, who was reputed to be one of the most beautiful women of her time. Nelson informed Fanny that Lady Hamilton has been wonderfully kind and good to Josiah She is a young woman of amiable manners?who does honour to the station to which she is raised? (Nicolas, Volume 1, page 326). Having negotiated a promise of 6,000 troops for the siege of Toulon, Nelson returned there to be ordered to join Commodore Robert Linzee's squadron in Tunis. Linzee was in negotiation with the Bey to hand over a French squadron under his protection. En route, on 22 October 1793, Nelson fell in with some French frigates and engaged the Melpomone, but his ship was beaten off by superior forces. The diplomatic mission to Tunis proved unsuccessful. Nelson considered Linzee's approach too cautious, I should have taken every Frenchman here without negotiating; even had the negotiations taken place, I would have had the French men-of-war and believe that the people of England will never blame an officer for taking a French line of Battle ships
The Hood family, from 1st Viscount Hood down was a lineage that has produced some of the greatest fighting men to serve in the Royal Navy. Battle Cruiser H.M.S. Hood (1920-1941) Named in honour of the 1st Viscount Admiral Hood was the third and most famous ship to bear the name, the legendary battle cruiser that during her 21 year long career, she, more than any other ship, would stand as the ultimate symbol of the Empire's might. Of all the vessels to bear the name, she was the most important, most memorable and most loved. She was lost with all hands bar three in her catastrophic engagement with the German Heavy Cruiser Prinz Eugen and the German Battleship Bismarck at the Battle of Denmark Strait 24th May 1941. Original letter shown with a newly typed version for reading assistance.  read more

Code: 22821

3495.00 GBP