Antique Arms & Militaria

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The Lanes Armoury, Described To Us Every Day, Including, By President Ronald Reagan Over 40 Years Ago, As, Probably, The Best Shop In Britain.

The Lanes Armoury, Described To Us Every Day, Including, By President Ronald Reagan Over 40 Years Ago, As, Probably, The Best Shop In Britain.

Thousands of worldwide visitors to the UK come to visit us every week, and the most consistant and much appreciated comment includes they believe we are the most amazing and interesting shop in Britain, like a museum, but everything is for sale! If we were a National museum, we would likely be the smallest, but, we contain thousands upon thousands of collectables and books, ancient, antique and vintage from a 20 million year old megaladon shark's tooth, to a samurai sword made almost 800 years ago {we have at any one time, up to 350 original samurai weapons in stock to view }. From an Ancient Greek 'Wreath, or Crown Of Victory' in solid hammered gold, made around 2300 years ago from the time of Alexander the Great, to a cased sporting gun made for a prince, or a cannon of Admiral Nelson's period, from Port Royal in Jamaica, to a 'Great Gatsby' or Charles Dickens Ist Edition.

We always try to have an intriguing selection of Ist Editions, this month it's rare James Bond books, plus up to 2,000 other history based books in stock, all vintage and hardback. We stock magical and wondrous artefacts, many arcane or esoteric, such as a Dyak head-hunter shaman’s sword of Pusaka magic, or Tibetan shaman’s, ‘sky-iron’ ghost or demon killa dagger called a Phurba, and each with a history that could likely be beyond compare.

In the previous 104 years our past and present clients have included persons from all fields of interest, such as, Hollywood legends, of film and theatre, the British royalty and aristocracy, academics in all fields including curators of museums such as the British museum and Tower of London, and politicians of all types, and from all manner of countries around the world.

Our oldest regular collector is now over 102 years old, and our most regular customer has been coming to us for over 77 years! Every month over 60,000 of our regular followers around the world request our weekly stock updates by our updates email. and it is so easy to join in with them, just go to our home page, enter your regular email address in the box, and click go!. you will then get an update email every weekend, if you don't, just check your spam or junk box.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 plus years or more of our family’s trading  read more

Code: 22898

Price
on
Request

A Stunning Gold Onlaid Presidential Grade Large Calibre 1855 French Single Action Revolver of Royal Quality, Worthy of the French Emperor.

A Stunning Gold Onlaid Presidential Grade Large Calibre 1855 French Single Action Revolver of Royal Quality, Worthy of the French Emperor.

A finest French 6 shot 12mm Lefaucheux pinfire Model 1855 single action pin-fire revolver, number 2XXXX round barrel 157mm (6¼) with etched panel beautifully inscribed in gothic script “E. Lefaucheux Bte. a Paris”, the fluted breech, frame, hammer and trigger guard chiselled and engraved with panels of flowers and foliage overlaid in gold, with ejector rod, spur trigger guard, plain ebony grips, and lanyard ring. Good Working Order and Condition, with dark brown patina (some wear to the gold overlay). This is an example of the highest grade quality revolver one could commission in the 19th century, presentation grade that one could easily identify as worthy of ownership by Emperor Napoleon IIIrd. Two of most similar quality pin fire pistols belonging to Emperor Napoleon the third were kept in the armoury Chateau de Prangin and sold auction in 1950.
Napoleon III
Franz Xaver Winterhalter Napoleon III.jpg Emperor of the French
Reign from 2 December 1852 – 4 September 1870
1st President of France
In office
20 December 1848 – 2 December 1852
Born 20 April 1808
Paris, French Empire period, Died 9 January 1873 (aged 64) in Chislehurst, Kent, England
Burial at St Michael's Abbey, Farnborough
Spouse Eugénie de Montijo ​(m. 1853)​
Issue Louis Napoléon, Prince Imperial
Full name
Charles-Louis Napoléon Bonaparte
House Bonaparte
Father Louis I of Holland
Mother Hortense de Beauharnais
Napoleon III (Charles-Louis Napoléon Bonaparte; 20 April 1808 – 9 January 1873), the nephew of Napoleon I, was the first president of France, from 1848 to 1852, and the last French monarch, from 1852 to 1870. First elected president of the French Second Republic in 1848, he seized power by force in 1851, when he could not constitutionally be re-elected, and became the emperor of the French. He founded the Second French Empire and was its only emperor until the defeat of the French Army and his capture by Prussia and its allies in the Franco-Prussian War in 1870. He worked to modernize the French economy, rebuilt the center of Paris, expanded the French overseas empire, and engaged in the Crimean War and the Second Italian War of Independence. The revolver has a good and tight, crisp, action.  read more

Code: 23327

4650.00 GBP

A Very Good & Attractive, Continental, Historical American Revolutionary War 18th Century Infantry Military Musket

A Very Good & Attractive, Continental, Historical American Revolutionary War 18th Century Infantry Military Musket

The form of musket used by the Continental forces sent to fight in the American Revolutionary War, such as the Netherlander's, Hessian's and Prussians. Walnut stock with all steel furniture. A direct competitor to the English 'Brown Bess' Long Land and Short Land pattern muskets, however as it doesn’t have the fame of the Brown Bess of that period it is up to 70% less expensive today, thus makes a tremendous value collector’s piece from that era and conflict, despite actually being a rarer musket to find. The term "Hessians" refers to the approximately 30,000 German troops hired by the British to help fight during the American Revolution. They were principally drawn from the German state of Hesse-Cassel, although soldiers from other German states also saw action in America. (At the time, Germany was not a unified country but a collection of individual states that shared a language and culture.)

Hiring a foreign army was not unusual in the eighteenth century. For Hesse-Cassel, soldiers were a major export. By renting its army to the British, Hesse-Cassel took in an amount equal to about thirteen years' worth of tax revenue Life in the Hessian Army was harsh. The system aimed to instill iron discipline and the punishments could be brutal. Still, morale was generally high. Officers were well-educated, promotion was by merit, and soldiers took pride in serving their prince and their people. Furthermore, military service provided economic benefits. The families of soldiers were exempt from certain taxes, wages were higher than in farm work, and there was the promise of booty (money earned through the sale of captured military property) and plunder (property taken from civilians). In spite of such action, some 3,000 Hessians decided they liked the country well enough to make it their new home after the war, and they declined returning to Europe. In America, they lived side by side—and perhaps shared a Christmas drink—with their former foes. 44 inch long barrel, overall 60 inches long  read more

Code: 23406

2750.00 GBP

A Most Rare 17th to 18th Century, Scottish Form,  Ram's Horn Powder Flask Carved Geometric Design

A Most Rare 17th to 18th Century, Scottish Form, Ram's Horn Powder Flask Carved Geometric Design

Very much the form of geometric circular based engraving and ram's horn that was very popular in Scotland in the early Jacobite period. Rare curved square ram's horn powder flask with primitive geometric engraved decoration, inset wooden heel, with partial iron re-enforced support at the base also engraved and an engraved brass cap having side rings, long dispensing neck with pouring shut-off thumb gate, 8.5 inches tall overall. Wonderful age and use patination. Made for use with the early wheel lock muskets and earliest flintlocks. Several flasks of this form of carved horn flask travelled across the Atlantic and were used by the early colonial settlers in Pennsylvania, in fact a few American domestically made versions used into the American revolution are in museum collection in the States.

Arms and armour are rarely associated with art. However, they were influenced by the same design sources as other art forms including architecture, sculpture, goldsmiths' work, stained glass and ceramics. These sources had to be adapted to awkwardly shaped devices required to perform complicated technical functions. Armour and weapons were collected as works of art as much as military tools.

Like the pistols and guns that accompanied them, decorated flasks were costly items. Inlaid firearms and flasks reflected the owners' status and were kept as much for display as for use. Daggers, firearms, gunpowder flasks and stirrups worn with the most expensive clothing projected an image of the fashionable man-at-arms. The most finely crafted items were worn as working jewellery.  read more

Code: 22841

945.00 GBP

A Super Roman Dagger Pommel and Scabbard Mount. Around 2000 Years Old, From 100 bc to 100 ad

A Super Roman Dagger Pommel and Scabbard Mount. Around 2000 Years Old, From 100 bc to 100 ad

From the Roman Republican to Imperial Rome era. Made for and used by a Roman noble, senator or gladiator. It may even be the same form of dagger that was used to assassinate Caeser on the Ides of March. The blade grip and scabbard have not survived as is more than usual. A superb pair of Roman dagger mounts from the historical time of Julius Caeser, the first Emperor, Augustus, Mark Anthony and Cleopatra, and last, but not least, Jesus of Nazareth. The Ides of March comes from the ides, a term the Romans used to note the middle of a month. Every month has an ides around the middle (as well as a calends at the beginning of the month and nones eight days before the ides). The Ides of March feels special for a couple of reasons: it's the day Caesar was murdered, and it's the subject of a soothsayer's spooky prophecy in William Shakespeare's Julius Caesar. Before Caesar, Roman nobility and military were free to plunder the provinces they ruled. But under Caesar, Rome controlled the process and sent inspectors to check up on everything, so they could only exploit their provinces under Caesar's supervision.

That slight was compounded by Caesar's rebranding of political real estate in his name ? he built statues in his image and renamed monuments for himself. He brought power to his family by giving them political appointments and honorifics, and drew allies outside the charmed circle of Roman nobility, like his soldiers and leaders in the provinces. As far as epic betrayals go, we tend to imagine Brutus in the same league as Judas. In reality, that infamy should be reserved for someone called Decimus.

Caesar trusted Decimus much more than he trusted Brutus ? and that made his betrayal more shocking. Misspelled in Shakespeare's Julius Caesar as "Decius," Decimus was much more important than most of us realize. "There were three leaders of the assassins' conspiracy, Brutus, Cassius, and Decimus." Decimus dined with Caesar the night before his assassination and convinced Caesar to leave his house the next morning (he was staying home because his wife, Calpurnia, was worried). Decimus' betrayal followed an adult life spent at Caesar's side. Brutus, however, had often fought against Caesar, like when he took Pompey's side against Caesar in the Civil War that lasted from 49 to 45 BC. He only came over to Caesar's side after a handsome cash award and profitable political appointment. When he was stabbed, most of the sources say he tried to get up and escape. Unfortunately for Caesar, the conspirators were trained soldiers, so they'd formed a tight perimeter. "They knew how you carry out an ambush,and some of the senators were assigned the job of crowd control."

As far as what Caesar said when he died, "Et tu, Brute" is a Renaissance invention. But Caesar did perform a few resonant gestures. He tried to escape, like any soldier would, but when death was near, he covered his face before he died. It may have been an attempt to preserve his dignity. Bibilography; Professor Strauss, Cornell, Classics and History. As with all our items it comes complete with our certificate of authenticity.  read more

Code: 21864

385.00 GBP

A Superb, Original, Long Viking Spear Head 1000 to 1100 Years Old, In Superb Excavated Condition. A True Museum Piece

A Superb, Original, Long Viking Spear Head 1000 to 1100 Years Old, In Superb Excavated Condition. A True Museum Piece

Overall in superb and well preserved condition. Only deeper pitting on the socket, and small impact damage to one outer edge of the diamond form blade. Remarkably the socket still has it remaining rivet for fixing to the wooden haft at the base on the inside. This almost certainly may be a traditional Viking pattern welded blade, in the traditional 'Wolf's Teeth' form, but the surface is too intact to tell, however its shape is very similar to the most famous recovered 'Wolf's Teeth' Viking spear head in Helsinki Museum see gallery. According to the older parts of the Gulating Law, dating back to before the year 900 AD covering Western Norway, a free man was required to own a sword or ax, spear and shield. It was said that Olaf Tryggvason, King of Norway from 995-1000 AD, could throw two spears at the same time. In chapter 55 of Laxdæla saga, Helgi had a spear with a blade one ell long (about 50cm, or 20in). He thrust the blade through Bolli's shield, and through Bolli. In chapter 8 of Króka-Refs saga, Refur made a spear for himself which could be used for cutting, thrusting, or hewing. Refur split Þorgils in two down to his shoulders with the spear. The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith flattened and drew out material to form the socket . This material was formed around a mandrel and usually was welded to form a solid socket. In some cases, the overlapping portions were left unwelded. Spear heads were fixed to wooden shafts using a rivet. The sockets on the surviving spear heads suggest that the shafts were typically round, with a diameter of 2-3cm (about one inch).

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gísla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Oðin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvör described in chapter 44 of Eyrbyggja saga, the saga author says that Steinþórr threw a spear over the heads of Snorri goði and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (æpa heróp), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsjá (King’s Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords. In regards to surviving iron artefacts of the past two millennia, if Western ancient edged weapons were either lost, discarded or buried in the ground, and if the ground soil were made up of the right chemical composition, then some may survive exceptionally well. As with all our items it comes complete with our certificate of authenticity 13.5 inches long 350 grams weight.  read more

Code: 23143

1550.00 GBP

A Most Fine Tudor Heraldic Crested Steel Armour Gorget of a Duke

A Most Fine Tudor Heraldic Crested Steel Armour Gorget of a Duke

A most beautiful antique piece of armour, in the 16th century style, but likely made in the 18th to early 19th century. It bears a most fine etched heraldic ducal crest, composed of a pair of cranes bearing a five bar face guarded demi-profile dukes helmet, mounted above a shield with chevron below four ermine panels, with three, four lobed devices about the chevron on both sides. The entire rim bears brass headed steel rivets and two shoulder centred large brass rivets that once held leather straps. We show in the gallery several portraits of Elizabethan nobles all adorned in their armour gorget over fine tunics of velvet or leather. The gorget was the last remaining symbol of knightly armour universally worn either at court or in combat by nobles in the Elizabethan period Although other elements of armour could be worn, such as arm defences, in accompaniment as the wearer saw fit. In the High Middle Ages, when mail was the primary form of metal body armor used in Western Europe, the Mail coif protected the neck and lower face. During the 14th century as more plate armor appeared to supplement mail, the Bascinet helmet incorporated a mail curtain called the Aventail which protected the lower face, neck and shoulders. A separate mail collar called a "pisan" or "standard" was sometimes worn under the aventail as additional protection. Towards the end of the 14th century, threats including the increased penetrating power of the lance when paired with a lance rest on the breastplate made more rigid forms of neck protection desirable. One solution was a standing collar plate worn over the aventail and separate from the helmet, which was wide enough for the helmet to move around in so that the man-at-arms could turn his head. Through the early 15th century, gorget plates were integrated into the helmet itself to form the great bascinet. Other forms of helmet such as the sallet which did not protect the lower face and throat with plate were paired with a separate bevor, and the armet was often fitted with a wrapper that included gorget lames protecting the throat. During this time, the mail standard was still used.

At the beginning of the 16th century, the gorget became fully developed as a component of plate armor in its own right. Unlike previous gorget plates and bevors which sat over the breastplate and required a separate mail collar to fully protect the neck from gaps, the developed gorget was worn under the back and breastplate and was intended to cover a larger area of the neck, nape, shoulders, and upper chest, since the upper edges of the cuirass had become lower than before. The gorget served as an anchor point for the Pauldrons, which either had holes to slide over pins projecting from the gorget, or fastened to the gorget by straps and buckles. The neck was protected by a high collar of articulated lames, and the overall gorget consisted of front and back pieces which were hinged at the side so it could be put on and taken off. Some helmets had additional neck lames which overlapped the gorget, while others fitted tightly to the top of the gorget so that there would be no gap between them.
By the 17th century there appeared a form of gorget with a low, unarticulated collar and larger front and back plates which covered more of the upper chest and back. These were not worn with a breastplate as part of a full harness, but instead were worn over civilian clothing or a Buff coat. Some gorgets of this period were "parade" pieces that were beautifully etched, gilded, engraved, chased, embossed, or enamelled at great expense. Gradually the gorget became smaller and more symbolic, and became a single crescent shape worn on a chain, which suspended the gorget ever lower on the chest so that the gorget no longer protected the throat in normal wear. It is one of the more unusual elements of the arms and armour collecting field that 18th and 19th century fine etched armour, in the earlier styles of the 16th century, can be prized the same, or even more highly than the earlier originals that they were based upon. Companies such as Granger of Paris, that worked in the 1840's, created miniature suits of armour that can achieve tens of thousands of pounds, even approaching six figures today, that are no more than 50 cms high complete. Size 14 inches x 12 inches.  read more

Code: 20436

1450.00 GBP

A Glazed Heavy Stone Pottery Tile Recovered From La Haye Sainte Farmhouse The Field of Battle at Waterloo ...

A Glazed Heavy Stone Pottery Tile Recovered From La Haye Sainte Farmhouse The Field of Battle at Waterloo ...

Thick stone pottery tile with golden yellow-brown thick surface glaze to one side. Around 4.1 inches square. One of two we were delighted to acquire, the first is now sold!
La Haye Sainte (named either after Jesus Christ's crown of thorns or a bramble hedge round a field nearby) is a walled farmhouse compound at the foot of an escarpment on the Charleroi-Brussels road in Belgium. It has changed very little since it played a crucial part in the Battle of Waterloo on 18 June 1815.

La Haye Sainte was defended by about 400 King's German Legion troops during the Battle of Waterloo. They were hopelessly outnumbered by attacking French troops but held out until the late afternoon when they retired because their ammunition had run out. If Napoleon Bonaparte's army had captured La Haye Sainte earlier in the day, almost certainly he would have broken through the allied centre and defeated the Duke of Wellington's army.

The capture of La Haye Sainte in the early evening then gave the French the advantage of a defensible position from which to launch a potentially decisive attack on the Allied centre. However, Napoleon was too late—by this time, Blücher and the Prussian army had arrived on the battlefield and the outnumbered French army was defeated.

Strategic importance

A view of the battlefield from the Lion's mound. On the top right are the buildings of La Haye Sainte. This view looks east, with Allied forces behind the road to the left (north) and French forces out of shot to the right(south)
The road leads from La Belle Alliance, where Napoleon had his headquarters on the morning of the battle, through where the centre of the French front line was located, to a crossroads on the ridge which is at the top of the escarpment and then on to Brussels. The Duke of Wellington placed the majority of his forces on either side of the Brussels road behind the ridge on the Brussels side. This kept most of his forces out of sight of the French artillery.

During the night from the 17th to the 18th, the main door to the courtyard of the farm was used as firewood by the occupying troops. Therefore, when the King's German Legion (KGL) was stationed in the farm at the morning of the battle they had to hastily fortify La Haye Sainte.

The troops were the 2nd Light Battalion KGL commanded by Major Georg Baring, and part of the 1st Light Battalion KGL. During the battle, they were supported by the 1/2 Nassau Regiment and the light company of the 5th Line Battalion KGL. The majority of these troops were armed with the Baker rifle with grooved barrels, as opposed to the normal Brown Bess musket of the British Army. The French troops also used muskets which were quicker to load than the Baker rifle but the latter was more accurate and had about twice the range of a musket.

Both Napoleon and Wellington made crucial mistakes about La Haye Sainte as it was fought over and around during most of the day. Napoleon failed to allocate enough forces to take the farm earlier in the day while Wellington only realised the strategic value of the position when it was almost too late


As with all our items, every piece will be accompanied by our fully detailed Certificate of Authenticity  read more

Code: 25018

295.00 GBP

An Original, Rare, 4th Century, Original Roman Legionary's Sword. An Amazing & Rare Historical Sword of The Roman Empire

An Original, Rare, 4th Century, Original Roman Legionary's Sword. An Amazing & Rare Historical Sword of The Roman Empire

A superb original Roman spatha, a most rare and a highly collectable weapon of the ancient Roman Empire. A contemporary original sword to the Denmark the Nydam horde recovered Roman sword cache, and the form of sword said to be connected to the legendary sword of Beowulf.

During the Second Punic War, Celtic mercenaries introduced the spatha sword form to the Roman army. Originally the spatha was a weapon used by the Roman cavalrymen, while the auxiliaries and legionaries used the gladius form of sword instead. However eventually, the Roman infantry would adopt the spatha in the 2nd century. It was a very versatile sword, undergoing many changes from its origins in Gaul to its usage in the Roman military.

To look at what an Emperor's military attire looked like in the 5th century, we mostly have to look to the Diptych of Emperor Honorius, which does show an Eagle-hilted sword, but on another panel he wears a Germanic-derived Spatha just as this one.

This Romano Germanic style, to our best evidence, were the ones the Roman legions and their Emperors of the Empire were largely and mostly using in the 5th century, but certainly many were used in the three centuries before.

The spatha was a type of straight and long sword, measuring between 0.5 and 1 m (19.7 and 39.4 in), with a handle length of between 18 and 20 cm (7.1 and 7.9 in), in use in the territory of the Roman Empire during the 1st to 6th centuries AD. Later swords, from the 7th to 10th centuries, like the Viking swords, are recognisable derivatives and sometimes subsumed under the term spatha.

The Roman spatha was used in war and in gladiatorial fights. The spatha of literature appears in the Roman Empire in the 1st century AD as a weapon used by presumably Celtic auxiliaries and gradually became a standard heavy infantry weapon, relegating the gladius to use as a light infantry weapon. The spatha apparently replaced the gladius in the front ranks, giving the infantry more reach when thrusting. While the infantry version had a long point, versions carried by the cavalry had a rounded tip that prevented accidental stabbing of the cavalryman's own foot or horse.

Archaeologically many instances of the spatha have been found in Britain and Germany. It was used extensively by Germanic warriors. It is unclear whether it came from the Pompeii gladius or the longer Celtic swords, or whether it served as a model for the various arming swords and Viking swords of Europe. The spatha remained popular throughout the Migration Period. It evolved into the knightly sword of the High Middle Ages by the 12th century.
This Roman sword would date from the era of Emperor Valentinian I. He was Roman emperor from 364 to 375. Upon becoming emperor, he made his brother Valens his co-emperor, giving him rule of the eastern provinces. Valentinian retained the west.

During his reign, Valentinian fought successfully against the Alamanni, Quadi, and Sarmatians. Most notable was his victory over the Alamanni in 367 at the Battle of Solicinium. His general Count Theodosius defeated a revolt in Africa and the Great Conspiracy, a coordinated assault on Roman Britain by Picts, Scots, and Saxons. Valentinian was also the last emperor to conduct campaigns across both the Rhine and Danube rivers. Valentinian rebuilt and improved the fortifications along the frontiers, even building fortresses in enemy territory.

He founded the Valentinianic dynasty, with his sons Gratian and Valentinian II succeeding him in the western half of the empire.

In early 368, Rando, a barbarian chieftain, fell unexpectedly on the town of Moguntiacum (modern Mainz) on the Rhine, and put the defenceless inhabitants to the sword, before retiring over the river. Valentinian, furious, now determined to anticipate their future depredations by a campaign into their own territory beyond the Rhine. Count Sebastian was deputed to encircle the enemy from the south, by way of Rhaetia, while the emperor himself advanced with the entire forces of the west from Gaul. Finding their arms inadequate for the defence of their fields and villages, the Alemans retreated into the mountains, erecting their camp on an unidentified hill referred to as "Solicinium", in the area of Württemberg.

It is reported that the emperor, while on a personal reconnaissance of the enemy position on the lower reaches of the mountain, was nearly captured by an advanced party of the enemy who had been placed in ambuscade, losing his helmet and standard-bearer while retreating.

The battle
There is little known about the actual battle. It appears that Valentinian carried their defences by a general assault, charging up the slope, and the barbarians, when they were ejected from the summit, were driven down the opposite side of the hill into the clutches of Sebastian, who had been placed in their rear to anticipate the retreat. The result was the total defeat of the Alemans.

The next mention of spathae is in the 5th century, by Vegetius, now as a weapon carried by infantry. The term "Roman Iron Age" refers approximately to the time of the Roman Empire in north Europe, which was outside the jurisdiction of the empire, but, judging from the imported Roman artifacts, was influenced by Roman civilization. One source of artifacts from this period are the bogs of Schleswig, Holstein and Denmark. Objects were deliberately broken and thrown into the bog in the belief that they could go with a deceased chief on his voyage to a better place.

A cache of 90 swords was found at Nydam Mose in Denmark in 1858. They were in the form of the spatha and therefore have been classified as "Roman swords". They are dated to the 3rd to 4th centuries. Many connect the Nydam cache with the sword of Beowulf, who was supposed to be a contemporary. See two photos of these in the gallery.

As with almost all original ancient Roman steel weaponry recovered in the past two hundred years or so, such as daggers and swords, their hilts do not survive and are effectively non existent today. this is due their crossguards, grips, pommels, and scabbards being almost entirely made of organic material, thus only the blades and their hilt’s tangs of the swords and daggers still exist, are the only parts of the whole weapon to survive the ravages of time till today.
The surface of this superb sword is heavily pitted, but that is absolutely usual with all recovered original Roman swords from the ancient times, see the photo in the gallery of the Nydam cache, but the blade is still remarkably sound.

it come complete with a fine carved wooden stand see photo gallery but would also look stunning if bespoke framed.
Approximately 30.2 inches long overall.
As with all our original items, it will be accompanied with a bespoke and unique Certificate of Authenticity.  read more

Code: 24421

8995.00 GBP

An Original Good Size,  Ancient Roman Bronze Encolpion Cross, Likely a High Status Pilgrim's or Bishop's Pendant Approximately 1400 Years old

An Original Good Size, Ancient Roman Bronze Encolpion Cross, Likely a High Status Pilgrim's or Bishop's Pendant Approximately 1400 Years old

A very early original Christian Roman reliquary from the Eastern Roman Empire of Constantinople, with an absolutely stunning bronze patination.
This reliquary cross bears many icons from Christian iconography: on the main side, the crucified Christ, dressed in the colobium. The hollow portion formed inside the cross was intended for the sacred relic that the faithful would have worn around the neck. the reverse side is Christ in the orans pose. The custom of carrying a relic was largely widespread, and many early bronze examples were later worn by the Crusader knights on their crusades to liberate the Holy Land. Relics of the True Cross became very popular from the 9th century, and were carried in cross-shaped reliquaries like this, often decorated with enamels, niellos, and precious stones. The True Cross is the name for physical remnants from the cross upon which Jesus Christ was crucified. Many Catholic and Orthodox churches possess fragmentary remains that are by tradition believed to those of the True Cross. Saint John Chrysostom relates that fragments of the True Cross were kept in reliquaries "which men reverently wear upon their persons". A fragment of the True Cross was received by King Alfred from Pope Marinus I (Anglo-Saxon Chronicle, year 883). An inscription of 359, found at Tixter, in the neighbourhood of Sétif in Mauretania, was said to mention, in an enumeration of relics, a fragment of the True Cross, according to an entry in Roman Miscellanies, X, 441.

Fragments of the Cross were broken up, and the pieces were widely distributed; in 348, in one of his Catecheses, Cyril of Jerusalem remarked that the "whole earth is full of the relics of the Cross of Christ," and in another, "The holy wood of the Cross bears witness, seen among us to this day, and from this place now almost filling the whole world, by means of those who in faith take portions from it." Egeria's account testifies to how highly these relics of the crucifixion were prized. Saint John Chrysostom relates that fragments of the True Cross were kept in golden reliquaries, "which men reverently wear upon their persons." Even two Latin inscriptions around 350 from today's Algeria testify to the keeping and admiration of small particles of the cross. Around the year 455, Juvenal Patriarch of Jerusalem sent to Pope Leo I a fragment of the "precious wood", according to the Letters of Pope Leo. A portion of the cross was taken to Rome in the seventh century by Pope Sergius I, who was of Byzantine origin. "In the small part is power of the whole cross", says an inscription in the Felix Basilica of Nola, built by bishop Paulinus at the beginning of 5th century. The cross particle was inserted in the altar.

The Old English poem Dream of the Rood mentions the finding of the cross and the beginning of the tradition of the veneration of its relics. The Anglo-Saxon Chronicle also talks of King Alfred receiving a fragment of the cross from Pope Marinus (see: Annal Alfred the Great, year 883). Although it is possible, the poem need not be referring to this specific relic or have this incident as the reason for its composition. However, there is a later source that speaks of a bequest made to the 'Holy Cross' at Shaftesbury Abbey in Dorset; Shaftesbury abbey was founded by King Alfred, supported with a large portion of state funds and given to the charge of his own daughter when he was alive – it is conceivable that if Alfred really received this relic, that he may have given it to the care of the nuns at Shaftesbury

Most of the very small relics of the True Cross in Europe came from Constantinople. The city was captured and sacked by the Fourth Crusade in 1204: "After the conquest of the city Constantinople inestimable wealth was found: incomparably precious jewels and also a part of the cross of the Lord, which Helena transferred from Jerusalem and [which] was decorated with gold and precious jewels. There it attained [the] highest admiration. It was carved up by the present bishops and was divided with other very precious relics among the knights; later, after their return to the homeland, it was donated to churches and monasteries.


We show in the gallery several carved marble Christian scenes from the tomb of the administrator of Rome from the 4th century Imperial Roman Empire, In his role as prefect, Junius Bassus was responsible for the administration of the city of Rome. When Junius Bassus died at the age of 42 in the year 359, a sarcophagus was made for him. As recorded in an inscription on the sarcophagus now in the Vatican collection, Junius Bassus had become a convert to Christianity shortly before his death. 52 mm  read more

Code: 24420

695.00 GBP