Antique Arms & Militaria

A Most Fine Presentation 2nd Manchester, 33rd Lancashire Rifle Volunteers Antique Victorian Sword of 1869

Presented to Captain Henry Lewis Rocca, [Later Colonel of the regiment] by the members of No.10 Company. This sword was likely presented by his volunteer company on his promotion to captain in November 1869. Stunning bright polished steel fittings, revealed after over 12 hours of no expense spared, specialist artisan hand conservation, and an absolutely amazing condition deluxe presentation blade with mirror bright finish.
He was born in Hamburg, Germany in 1831, and came to England in 1851, he settled in Manchester and in 1857 became a naturalised British subject. Later he became the principal of a firm of merchants and shippers. He joined the 2nd Manchester 33rd Lancashire Rifle Volunteers, the Ardwick Corps in the summer of 1866 and, although offered a commission, he insisted on drilling in the ranks until he became proficient.
He was appointed Lt on 19th November 1866. Capt on 3rd November 1869, Maj on 10th January 1877 and Lt-Col 10 Jan. 1885.
He was one of the first recipients of the first
issue of the Volunteer Officers' decoration. he died on the 27 Dec. 1916.

Henry Rocca aged 43 took over command as Colonel of the Ardwick Corps in December 1885, the headquarters were still in the original old house at 1 Ardwick Green. One of his first priorities was the provision of a proper home for the Volunteers. It was decided that the most sensible and practical course was to buy the existing building which had been their HQ for so many years and at the same time acquire the free-hold of the site. Rather than carry out the usual methods of raising funds for such a
project by soliciting donations and holding fund-raising bazaars, Colonel Rocca generously provided the necessary funds at a low rate of interest. This to be repaid out of the Government capitation grants as circumstances permitted, and this arrangement was sanctioned by the War Office, allowing planning to proceed

Manchester and its neighbouring townships were no strangers to the raising of volunteer soldiers and their mustering for war.
Following the capitulation of 'Gentleman Johnny' Burgoyne's army on 17 October 1777 at Saratoga there were many offers of armed and financial assistance from patriotic citizens. Manchester raised the 'Royal Manchester Volunteers' or 72nd Regiment of Foot who serve with distinction in the garrison of Gibraltar throughout the siege 1783. There was much local enthusiasm both to subscribe money and to this Regiment. Within four months the Regiment had been completely officered, equipped and was ready for service. All of this was from local resources. In 1793 the outbreak of yet another war with France produced a wave of s enthusiasm, resulting in the formation of a Manchester Military Association raising of the Royal Manchester Volunteers or 104th Regiment of Foot.

The fear of invasion saw the raising of two battalions of Manchester and Salford volunteers in February 1797. In 1798 Colonel Ackers raised a second Volunteer Regiment.
Enthusiasm continued and in December there was a proposal to raise yet another body of men to be known as The (Town's Own) Loyal Regiment of Infantry  read more

Code: 24302

A Beautiful Indo Persian 'Tiger's Claw' Khanjar Walrus Sea Ivory and Wootz Watered Steel Bladed Dagger,

A Magnificent 'Tiger's Claw' Wootz steel blade, likely in mottled pattern, with carved walrus sea ivory handle dagger 18th to 19th century. A museum grade quality piece. Once the property of a high status Mughal noble or prince. Elegant double-edged tapering steel blade of curved form with raised central spine. The blade has a very fine wootz watered steel pattern. The fine steel dagger is attached to a thick carved and engraved ivory handle. This waisted walrus ivory hilt is incised in relief to each side with a tiger capturing a deer and typical Mughul flora and fauna. A most similar example is in the Metropolitan Museum. Small losses to ivory at the base of the handle at the quillon. Walrus ivory is characterized in cross section by a central core that has a marbled appearance, surrounded by a smooth creamy white dentine layer see photo 7 circa 200 to 270 years old.  read more

Code: 24755

A Superb and Huge 19th Century Solid Hallmarked 800 Silver Mounted Gaucho Knife, By FRIED.HERDER ABR.SOHN SOLINGEN

A stunning German export model, which are certainly the most sought after and desirable of all the silver gaucho knives, especially by the best German makers such as Herder, of Solingen, and the very large examples are particularly rare and desirable, just as the very large antique American Bowie knives are rare

The South American Cowboy or Gaucho was the first range cowboy, whose existence is first recorded back in the 1600's, they wandered the Pampas for centuries, working cattle and living off the land and the herd, just as the later North American Cowboy did in the 19th century. Like the North American cowboys gauchos were generally reputed to be strong, honest, silent types, but proud and capable of violence when provoked. The gaucho tendency to violence over petty matters is also recognised as a typical trait.
Gauchos' use of the famous "facón" (knife generally tucked into the rear of the gaucho sash) is legendary, often associated with considerable bloodletting. Historically, the facón was typically the only eating instrument that a gaucho carried. As Charles Darwin said of the distinctive men who wore and used the facón,
"Many quarrels arose, which from the general manner of fighting with the knife often proved fatal."

This is a very fine quality and unusually large example. 17 inches long overall 10 inch blade.

In 2018 a similar sized example {within 1 inch} sold at Centurion Auctions in Tallahassee, Florida USA for $17,000. {£13,993}  read more

Code: 24996

A Most Attractive Middle Eastern, Antique 19th Century Jambiya.

Carved wooden hit brass embossed and leather scabbard over wood. Double edged steel blade. The blade would polish nicely. The janbiya was given its name because it is worn on the side of a person – the word janbia is derived from the Arabic word "janb" which mean "side". A jambia is constituted of a handle, a blade, and a sheath in which the blade is held. It is made of a certain sort of wood, to hold the blade that is fixed to the waist from underneath with an upward curved sheath. The belt that holds the janbia can be made of tanned leather, or, wound some thick cloth.

The janbiya handle often tells of the social status of the man who wears it.

Other jambiya hilts are made of different types of horn, wood, metal and ivory. Apart from the material used for the hilt, the design and detail is a measure of its value and the status of its owner. there are 53 different types of Jambiya in the Metropolitan museum Collection, some bear a similarity to this example, many with near identical blades.  read more

Code: 16537

A Fine and Long, Saudi Arabian, Silver & Copper Alloy Dharia Jambiya 19th Century

A rare jambiya to find as the smaller Omani and Yemeni types were made in far greater numbers over the past century. A long bladed Dharia jambiya, with shbeyl hilt type, more within the short-sword size, with a flat beyd blade as opposed to the more frequently seen Omani dagger sized pieces. Late 19th century also called in the west a Wahhabi jambiya. With gemstone set scabbard and covered in geometrically patterned silver. A "Wahhabi jambiya" is a occidental collector's term. "Weapons of the Islamic World" by The King Faisal Centre Centre for Research & Islamic Studies categorises these by type, tribal or regional origin, not by religious sect. Obviously jambiyas of this type were carried by Wahhabis and certain of the tribes they are associated with would be predominately Wahhabi. These are from the Asir, Hejaz, Nejd (generally the South, West and Central Saudi Arabia) and were the origins and backbone of the "Ikwhan" which was of course Wahhabi. Dharia is the term used to describe the long dagger which originates from the west of modern day Saudi Arabia, around the Azir/Hijaz area, and down as far as Yemen.
The word Dharia appears to come from the Arabic Dhura'eyah which translates as Arm Long Dagger. These daggers are also called Sabiki, Sabak, Sabik etc depending on the spelling. The term Wahabite is also commonly used to describe these, but any direct connection with the Wahhabi Movement except perhaps the actual geographical area is likely very co-incidental, and perhaps that this style was one used by them.

The jambia was given its name because it is worn on the side of a person – the word jambia is derived from the Arabic word janb (Arabic: جنب, lit. 'side'). A jambia is constituted of a handle, a blade, and a sheath in which the blade is held. It is made of a certain sort of wood, to hold the blade that is fixed to the waist from underneath with an upward curved sheath. The belt that holds the jambia is made of tanned leather, or some thick cloth. There are specialised markets and handicraft markets that decorate it with golden wires.

The jambia handle often tells of the social status of the man who wears it. Jambias can be made with ivory handles or hilts of other rare and exotic materials.
T. E. Lawrence was famous for using a jambiya knife historically.


Overall just over 21.5 inches long.  read more

Code: 24999

A Beautiful, Early 19th Century, Antique 'Tiger's Claw' Carved Horn Hilted Khanjar Dagger

A most attractive antique dagger with an impressive blade. A middle eastern long bladed dagger, also called a jambiya. With a long, curved double-edged sturdy steel blade, with a medial ridge. Beautifully hand carved horn hilt of elegant form with waisted grip with central carved spiral and typical hooked pommel. In its original leather covered wooden scabbard with metal conical chape.

Jambiya were taken by travellers to other cultures including Persia, the Ottoman empire, and India, where they were adopted with slight differences to the blade, hilt and scabbard. The horn hilt has old small losses to some surfaces. Blade 9 inches overall in scabbard 16.25 inches long, both measured straight across  read more

Code: 21254

A Very Nice Black Coral Handled Gold Alloy Sinhalese King's Knife Piha-Kaetta (Pihiya)

A Fine Sinhalese Knife Piha-Kaetta (Pihiya) from Sri Lanka, Late 17th early 18th Century
The Pihiya is a very well known Ceylonese small Knife with a straight-backed blade and a curved cutting edge.
The Pihiya Handle and part of the blade are beautifully and finely engraved and decorated with delicate tendrils, the powerful hilt is made out of different combinations of materials such as Gold, Silver, Brass, Copper, Rock Crystal, Ivory, Horn, Black Coral Steel and Wood. Sometimes the Gold or Silver mounts extend down halfway the blade.
Handles were made in a certain and very distinctive form, occasionally they were made in the form of serpentines or a mythical creature's head, similar to our current lot.
The Kaetta means a beak or billhook, it is a similar but larger knife to the Pihiya, it has a blade with a carved back and a straight cutting edge that curves only towards the tip.
The finest examples were made at the four workshop (Pattal-Hatara), where a selected group of craftsmen worked exclusively for the King and his court, and were bestowed to nobles and officials together with the kasthan and a cane as a sign of rank and / or office. Others were presented as diplomatic gifts. Many of the best knives were doubtless made in the Four Workshops, such as is this example, the blades being supplied to the silversmith by the blacksmiths.
"The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu Golden Arms, the Abarana Regalia, the Sinhasana Lion Throne, and the Otunu Crown these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months. The Kottal-badda men in each district were under a foreman (mul-acariya) belonging to the Pattal-hatara. Four other foremen, one from each pattala, were in constant attendance at the palace. Prince Vijaya was a legendary king of Sri Lanka, mentioned in the Pali chronicles, including Mahavamsa. He is the first recorded King of Sri Lanka. His reign is traditionally dated to 543?505 bce. According to the legends, he and several hundred of his followers came to Lanka after being expelled from an Indian kingdom. In Lanka, they displaced the island's original inhabitants (Yakkhas), established a kingdom and became ancestors of the modern Sinhalese people.  read more

Code: 20795

A Very Fine Rare Gambler's Dirk cum Boot Knife, Carved Horn Grip, Mid 19th Century

A very fine quality dirk, perfect for concealment for the gamblers of the Wild West frontier, and the Mississippi river boat gamblers. Carved horn grip with small hairline cracking. Steel double edged blade of very fine and substantial quality. The strength of a blade that could punch through almost anything, ball end straight quillon in steel. Carved grip with shell form pommel. Original leather covered wooden scabbard with German silver mounts. Whether on a riverboat atop the Mighty Mississippi, or in the smoky dimness of a mining camp saloon, a lucky draw could turn a broken man into a winner. In the days of the frontier west, poker was king with the mustachioed likes of Wild Bill Hickok, Doc Holliday, ?Canada? Bill Jones, Wyatt Earp, Bat Masterson, and hundreds of others.

In the old west towns of Deadwood, Dodge City, Tombstone, and Virginia City, gamblers played with their back to the wall and their guns at their sides, as dealers dealt games with names such as Chuck-A-Luck, Three Card Monte, High Dice, and Faro, by far the favourite in the wild west saloons. Gambling took many forms on riverboats. Gambling with one's life with the boilers aside, there were sharks around willing to fleece the unsuspecting rube. As cities passed ordinances against gaming houses in town, the cheats moved to the unregulated waters of the Mississippi aboard river steamers.

There was also gambling with the racing of boats up the river. Bets were made on a favourite vessel. Pushing the boilers hard in races would also cause fires to break out on the wooden deck structures. Size 10 inches long overall, blade 5 1/4 inches. A very similar example was sold in Butterfields Auction, San Francisco in 1992 for £1,030. As is usual for these small knives it has no maker markings  read more

Code: 24095

A Superb Late 18th Century, Napoleonic Wars British Officer's Sabre With a French 'Trophy' Blade, With An Ancient Egyptian Goddess Wadget Entwined Serpent British Hilt

Gilt bronze serpent hilt chisselled in great detail and of very fine quality. Talisman symbol Napoleoniuc blade. Circa 1800. Very possibly a war trophy from the Battle of the Nile, with Nile Club connections There are numerous examples of snakes depicted in Napoleonic swords, such as the Lloyds swords, but usually with other beasts, such as lions, tigers or hounds, but to have two opposing serpents alone is very rare indeed. Snake sculpture - the Staff of Aesculapius, the Staff of Mercury, and the Embodiment of Wisdom Snakes are fairly frequent in Georgian sculpture, and of course from other periods. In art generally in fact from medieval times onwards, the snake is also associated with wisdom, and in this capacity is often found with statues of Prudence. The way this sword is constructed shows it is likely a trophy blade, captured in combat and mounted with a Napoleonic French sabre, etched with talismanic symbols of a crescent moon, sun, grand Turk's head, stand of arms. In fact the whole sword may indeed now be described as talismanic. Blade in superb condition, original scabbard in very good condition indeed, and the hilt is excellent. Scabbard throat lacking.
Egyptian gods and goddesses, much famed in ancient Egypt, become hugely popular throughout Western artistic culture in the early 19th century.
Europe became beguiled by ancient Egyptian art and architecture in all its forms, and furniture designers and sculptors particularly, eagerly created the ‘Egyptian style’ in the Regency period England, and the Consular and Directoire period in France.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo



Overall 39 inches long, blade 32 inches  read more

Code: 23387

A Superb Condition Relic From the Battle of Agincourt. A Fierce-Some Armour or Helmet Piercing Welsh Longbowman'sTanged Long Arrowhead. Recovered From Azincourt in the 1820's

Yet another small part of our wondrous, historical, and original Ancient Roman, Ancient Greek, Viking, Crusaders, and Medeavil battlefield antiquities and artefacts, another Grand Tour collection

Much of it acquired by a Scottish Duke's family in the 1820's while on a Grand Tour of Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine.

Most English and Welsh war arrows for longbows could vary, and some archers would have some type of armour piercing bodkin or “plate cutter” since their job was to penetrate armour (gambesons, hauberks, and plate). They had long and short bodkin, plate cutter, leaf, trefoil, crescent, and swallowtail broadheads. Broadheads were for targeting un-armoured men and knight's horses.

English & Welsh longbowman groups bore the brunt of the fighting in ‘overseas’ France, thus endowing them with a professional character. Their improved pay scale also reflected such a change, with the new figure being 6 pence a day – adding up to around 9 pounds per year. In a practical scope, the number actually came down to around 5 pounds per year; and for comparison’s sake, a medieval knight required around 40 pounds per year to support himself and his panoply.

The Battle of Poitiers was a major English victory in the Hundred Years' War. It was fought on 19 September 1356 in Nouaillé, near the city of Poitiers in Aquitaine, western France. Edward, the Black Prince, led an army of English, Welsh, Breton and Gascon troops, many of them veterans of the Battle of Crécy. They were attacked by a larger French force led by King John II of France, which included allied Scottish forces. The French were heavily defeated; an English counter-attack captured King John, along with his youngest son, and much of the French nobility who were present.

The effect of the defeat on France was catastrophic, leaving Dauphin Charles to rule the country. Charles faced populist revolts across the kingdom in the wake of the battle, which had destroyed the prestige of the French nobility. The Edwardian phase of the war ended four years later in 1360, on favourable terms for England.

Poitiers was the second major English victory of the Hundred Years' War, coming a decade after the Battle of Crécy and about half a century before the Battle of Agincourt.The English army was led by Edward, the Black Prince, and composed primarily of English and Welsh troops, though there was a large contingent of Gascon and Breton soldiers with the army. Edward's army consisted of approximately 2,000 longbowmen, 3,000 men-at-arms, and a force of 1,000 Gascon infantry.

Like the earlier engagement at Crécy, the power of the English army lay in the longbow, a tall, thick self-bow made of yew. Longbows had demonstrated their effectiveness against massed infantry and cavalry in several battles, such as Falkirk in 1298, Halidon Hill in 1333, and Crécy in 1346. Poitiers was the second of three major English victories of the Hundred Years' War attributed to the longbow, though its effectiveness against armoured French knights and men-at-arms has been disputedGeoffrey the Baker wrote that the English archers under the Earl of Salisbury "made their arrows prevail over the French knights' armour",but the bowmen on the other flank, under Warwick, were initially ineffective against the mounted French men-at-arms who enjoyed the double protection of steel plate armour and large leather shields. Once Warwick's archers redeployed to a position where they could hit the unarmoured sides and backs of the horses, however, they quickly routed the cavalry force opposing them. The archers were also unquestionably effective against common infantry, who could not afford plate armour.

The English army was an experienced force; many archers were veterans of the earlier Battle of Crécy, and two of the key commanders, Sir John Chandos, and Captal de Buch were both experienced soldiers. The English army's divisions were led by Edward, the Black Prince, the Earl of Warwick, the Earl of Salisbury, Sir John Chandos and Jean III de Grailly, the Captal de Buch.

After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French. Part of an original medieval collection we have just acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago.

It has been suggested that the bodkin came into its own as a means of penetrating armour, but research by the Royal Armouries has found no hardened bodkin points, though only two bodkin points were actually tested, not a statistically relevant number. Bodkins did, however, have greater ability to pierce mail armour than broadheads, and historical accounts do speak of bodkin arrows shot from close range piercing plate armour. Broadheads were made from steel, sometimes with hardened edges, but were more often used against lightly armoured men or horses than against an armoured adversary.

In a modern test, a direct hit from a steel bodkin point penetrated mail armour, although at point blank range. However, the test was conducted without a padded jack or gambeson, which was layered cloth armour worn under heavier armour for protection against projectiles, as it was known to stop even heavy arrows.

Armour of the medieval era was not completely proof against arrows until the specialised armour of the Italian city-state mercenary companies. Archery was thought not to be effective against plate armour in the Battle of Neville's Cross (1346), the Battle of Bergerac (1345), and the Battle of Poitiers (1356); such armour became available to European knights and men at arms of fairly modest means by the late 14th century, though never to all soldiers in any army.

Some recent tests have demonstrated that needle bodkins could penetrate all but heavy steel plate armour; one test used padded "jack" armour, coat of plates, iron and steel mail and steel plate. A needle bodkin penetrated every type, but may not have been able to inflict a lethal injury behind plate. As with all other tests, accuracy of these tests is called into question as the arrowheads were all high carbon steel and hardened, and the historical accuracy of the armour tested is unknown.The name comes from the Old English word bodkin or bodekin, a type of sharp, pointed dagger. Arrows of the long bodkin type were used by the Vikings and continued to be used throughout the Middle Ages. The bodkin point eventually fell out of use during the 16th and 17th centuries, as armour largely ceased to be worn and firearms took over from archery. 105mm long overall including socket

As with all our items it comes complete with our certificate of authenticity.

Most of our antiquities and artefacts are from 200 year past souvenir accumulations from British ‘Grand Tours’. Beautiful Items and antiquities were oft acquired in the 18th and early 19th century by British noblemen and women touring battle sites in Northern France and Italy, in fact most of Europe and the Middle East, on their so-called ‘Grand Tour’. They were often placed on display upon their return home, within the family’s 'cabinet of curiosities', within their country house. Some significant British stately homes had entire galleries displaying the treasures and artefacts gathered and purchased on such tours, and some tours lasted many years, and the accumulated souvenirs numbered in their hundreds or even thousands. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, throughout classical Europe, and the Middle East, acquiring knowledge and education on the arts, and thus returning with antiquities and antiques as souvenirs for their private collections, and these travels have been thus called ‘Grand Tours’.

83mm long overall including tang

As with all our items it comes complete with our certificate of authenticity read more  read more

Code: 25671