Antique Arms & Militaria

An Enfield 3 Band Rifle,1853 Pattern, Made in 1860 With Snider Centre-Fire Boxer Cartridge Conversion with Original 1853 Bayonet

Royal Small Arms Factory developed the Pattern 1853 Enfield in the 1850s. The 39 in (99 cm) barrel had three grooves, with a 1:78 rifling twist, and was fastened to the stock with three metal bands, so that the rifle was often called a "three band" model. The rifle's cartridges contained 2+1⁄2 drams, or 68 grains (4.4 g) of gunpowder, and the ball was typically a 530-grain (34 g) Boxer modification of the Pritchett & Metford or a Burton-Minié, which would be driven out at approximately 1,250 feet (380 m) per second.


The British .577 Snider–Enfield was a breech-loading rifle. The American inventor, Jacob Snider created this firearm action, and the Snider–Enfield was one of the most widely used of the Snider varieties. The British Army adopted it in 1866 as a conversion system for its ubiquitous Pattern 1853 Enfield muzzle-loading rifles, and used it until 1874 when the Martini–Henry rifle began to supersede it. The British Indian Army used the Snider–Enfield until the end of the nineteenth century.

In trials, the Snider Pattern 1853 conversions proved both more accurate than the original Pattern 1853s and much faster firing; a trained soldier could fire ten aimed rounds per minute with the breech-loader, compared with only three rounds per minute with the muzzle-loading weapon. From 1866 onwards, the Enfield rifles were converted in large numbers at the Royal Small Arms Factory (RSAF) Enfield beginning with the initial pattern, the Mark I. The converted rifles received a new breechblock/receiver assembly, but retained the original iron barrel, furniture, lock, and hammer.

The Mark III rifles were newly made. They featured steel barrels which were so marked, flat nosed hammers, and a latch-locking breech block instead of the simple integral block lifting tang.

The Snider–Enfield used a new type of metal-cased cartridge called a Boxer cartridge after its designer. The breech block housed a diagonally downward sloping firing pin struck with a front-action lock mounted hammer. To operate the weapon, the rifleman cocked the hammer, flipped the block out of the receiver to the right by grasping the left mounted breech block lever, and then pulled the block back to extract the spent case. There was no ejector, so the firer turned the rifle to the right and upside-down to allow the case to drop out.

Frank Richards, who served on the Northwest Frontier between 1902 and 1908, records in Old Soldier Sahib that the British army still used Sniders during that period. Sentries on night duty in camps and cantonments would carry a Snider and buckshot cartridges. Should tribesmen try to get into the camp to steal rifles, the buckshot would give the sentries a better chance of hitting the thief, and unlike a .303 round, would be less likely to wound or kill a comrade should the sentry miss.

The Snider was notably powerful. Rudyard Kipling gave a graphic depiction of its effect in his poem, "The Grave of the Hundred Head":

A Snider squibbed in the jungle—
Somebody laughed and fled,
And the men of the First Shikaris
Picked up their Subaltern dead,
With a big blue mark in his forehead
And the back blown out of his head.  read more

Code: 24965

A Most Beautiful Early 18th Century Austrian Flintlock, A Royal Castle Gun, Originally Made in Vienna Possibly by Fowler & Riflemaker Casper Zelner. Latterly Used in the American Revolutionary War of the 1770's

Somewhat reminiscent of the beautiful guns produced by Caspar Zelner of Vienna, as his long guns utilized the rifle style trigger guard combined with stock cheekpiece despite being a fowler, Likely to make the gun more accurate than a regular fowler, but an expensive addition to the guns initial cost, but if it was indeed made as a royal castle gun for the hunts of the dukes and princes, this would be an inconsequential expense.

The brass trigger guard bow and front tang are have deep scroll carving. The brass buttplate tang is also nicely carved and engraved. The brass wrist escutcheon has a royal coat of arms in the center. The brass sideplate is very well executed. The carved half stock is fine. It has edge lines along the ramrod channel, carving and edge lines along the trigger guard, carving around the barrel tang, and decorative lines at the forward part of the comb. The action functions correctly. It's unusual to find an early fowler with its original full length barrel as most were shortened during their period of use. This could very well be a castle gun, originally used for royal hunts. Then possibly taken by an officer nobleman who fought in the American Revolutionary War with the Prussians for the British, or, for the American Continental Army

From the American Revolutionary War period. Banana shaped lock, good swan necked cock and walnut stock with finest brass mounts.

The great military arms collections in the US such as the Smithsonian and the Metropolitan have numerous guns of this very type, all once the property of officers serving in the American Continental Army during the War of Independence. This is a very nice example in very good order with a good sound action. The mounts are beautiful quality, in all brass, superbly deluxe engraved.

Ethnic Germans, and indeed Austrians, served on both sides of the American Revolutionary War. Large numbers of Germans had emigrated to Pennsylvania, New York, and other American colonies, and they were generally neutral. Some belonged to pacifist sects such as the Amish, but many were drawn into the Revolution and the war.
Germans in Europe lived in numerous separate states. Some of these states had been in alliance with Britain during the Seven Years' War, and were eager to assist Great Britain. Britain had used auxiliary forces in every one of its 18th century wars, their use in suppressing rebellion seemed consistent with previous policy. Their use against British subjects was controversial, however. Despite British Whig opposition to using German soldiers to subjugate the "sons of Englishmen," Parliament overwhelmingly approved the measure in order to quickly raise the forces need to suppress the rebellion.

The leasing of soldiers to a foreign power was also controversial to some Europeans, but the people of these continental states generally took great pride in their soldiers' service in the war. Prussia notably rejected the request to send soldiers. Germans living in America did not enlist in the auxiliary units but some enlisted in British units. The 60th (Royal American) Regiment recruited both from the Americas and from Germany.

Colonial-era jurists drawing a distinction between auxiliaries and mercenaries, with auxiliaries serving their prince when sent to the aid of another prince, and mercenaries serving a foreign prince as individuals.13 By this distinction, the troops which served in the American Revolution were not mercenaries, but auxiliaries. Early Republican historians, however, defended the term "mercenaries" to distinguish the foreign, professional armies from the idealized citizen soldier who altruistically fought for independence.14 Mercy Otis Warren promoted the idea of German auxiliaries as barbarians, but also as victims of tyranny.15

Throughout the war, the United States attempted to entice the hired men to stop fighting. In April 1778, Congress issued a letter, addressed "To the officers and soldiers in the service of the king of Great Britain, not subjects of the said king", which offered land and livestock to defecting German units, in addition to increased rank.16 At the conclusion of the war, Congress offered incentives—especially free farmland—for these ethnic Germans to remain in the United States. Great Britain also offered land and tax incentives to its Loyalist soldiers willing to settle in Nova Scotia in present-day Canada.

41.5 inch barrel, 57 inches long overall  read more

Code: 24963

A Superb and Beautiful Over and Under English Percussion Belt Pistol

Early Victorian double barrelled pistol, made circa 1840. With a large calibre pair of barrels and a very nicely engraved frame, with micro chequered walnut grip inset with a lozenge shaped silver escutcheon, a hinged butt trap percussion cap box, and good left side belt hook. A very tight and crisp twin trigger twin action. Nice blue patination overall. Made by Dawson of Lincolnshire. Captive swivel ramrod. The percussion cap, introduced circa 1820, is a type of single-use ignition device used on muzzleloader firearms that enabled them to fire reliably in any weather condition. This crucial invention gave rise to the caplock or percussion lock system. This early system coined "Percussion Lock" operated in a near identical fashion to flintlock firearms and used fulminating primer made of fulminate of mercury, chlorate of potash, sulphur and charcoal, ignited by concussion. It was an invention born of necessity; Rev. Forsyth had noticed that sitting birds would startle when smoke puffed from the powder pan of his flintlock shotgun, giving them sufficient warning to escape the shot. His invention of a fulminate-primed firing mechanism deprived the birds of their early warning, by avoiding the initial puff of smoke from the flintlock powder pan and shortening the interval between the trigger pull and the shot leaving the muzzle.

Fulminate-primed guns were also less likely to misfire than flintlocks; it was not until after Forsyth's patents expired that the conventional percussion cap system was developed. The percussion cap helped lead to the self-contained cartridge, where the bullet is held in by the casing, the casing is filled with gunpowder and a primer is at the end.

Before this development, firearms used flintlock ignition systems that produced flint-on-steel sparks to ignite a pan of priming powder and thereby fire the gun's main powder charge (the flintlock mechanism replaced older ignition systems such as the matchlock and wheellock). Flintlocks were prone to misfire in wet weather, and many flintlock firearms were later converted to the more reliable percussion system. As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 22845

A Very Good 19thC. Ship Captain's Spring-Bayonet Side Lock Pistol of Penzance

Steel octagonal barrel and mounts, beautifully engraved with lots of original blue and colour. Cross hatched carved walnut grip, with side mounted folding bayonet, locked into position with a sliding catch. Excellent tight action and a very strong spring to retain the bayonet for its spring loaded action. Maker marked by Norton of Penzance Often referred to as Ships Captain's pistols, as they have been used since the 18th century, and were much favoured by ships captains, as they has a double function both offensive and defensive. With a sword in one hand and this pistol in another the captain would have been holding in both hands a formidable arsenal against enemy boarding parties. A single large bore pistol shot, then eject the bayonet to turn it into a dagger. Maker marked by Norton of Penzance, a well-known centre for British pirates and smugglers over the centuries. Penzance's history stretches back centuries and features all the storybook greats: pirates, smugglers, invaders and adventuring heroes. In just one day, in 1640, three ships raided the town and over 60 residents of Penzance were captured by Corsair pirates and sold into slavery in North Africa. It is estimated anything up to half a million English were captured and sold into slavery by North African Corsair and Barbary pirates during the 17th century and into the 19th century, from, mainly, the South coast.

In Chapel Street you'll find the spot where the news of Lord Nelson's death was first announced, salt-sprayed from the fishing boat it sailed in on. Beneath the modern-day roads, a network of secret tunnels and escape hatches hint at the old days of evading the excise men. During the 18th and 19th centuries, smuggling was rife as the Cornish fought back against hefty taxes. A large network of smuggler's tunnels runs beneath Penzance, spanning out from the harbour to the Abbey Warehouse, the Turks Head and Admiral Benbow pubs on Chapel Street, and to Causewayhead and Market Jew Street. The Admiral Benbow even had its own in-house smuggling ring, known as the Benbow Brandy Men. Also famous were the Carters of Prussia Cove. John Carter, their most notorious member, was widely thought of as west Cornwall?s very own Robin Hood. When his goods were seized and placed in Penzance Customs House, Carter broke in to retrieve them. According to legend, officers immediately knew who was responsible because 'honest' John had only stolen back what was his.

The number of boats sailing in and around Penzance meant important information could sometimes be passed on before it reached the newspapers. In 1805, the town became the first in Britain to hear of Lord Nelson's death and his forces victory at the Battle of Trafalgar. Local fishermen met the HMS Pickle as she sailed to Falmouth with official dispatches, bringing the news in to be announced from the Minstrels Gallery of the Union Hotel on Chapel Street. The pistol was made circa 1830 and the barrel has a few combat impact marks in the mid section. 12.5 inches long overall  read more

Code: 22525

A Magnificent 18th Century Silver Hilted Small Sword with Colichmarde Blade. A Near Pair to General George Washington's Sword

A combination of the finest 18th century artisan's skill of both a silversmith and bespoke swordsmith. Circa 1759 possibly by William Kinman of London. no silver hallmark was required due to The 'Act of 1738' the Plate Offences Act 1738, & the 1738 exemptions, which exempted the requirement of an assay mark for gold and silver mounts of swords, daggers, pistols and guns

General George Washington, later the first President of the United States, had a near identical sword that he used during his service as commander of the new American Army in the American War of Independance from 1776 onwards

Ideal in its day for duelling or close quarter combat, as well as being a simply fabulous, finest quality sword of immense beauty. Fine cast and chased silver hilt in the elegant rococo style with double shell guard single knucklebow and pas dans. The grip has silver banding interspersed with herringbone pattern twisted silver wire. The guard has enchanting workmanship with a scrolling, pierced, rococo Arabesque pattern. Colishmarde blade with part bright steel finish. The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practising fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended.The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. This sword is a true work of art, in it's beauty form, quality and balance. One photo in the gallery is of General Burgoyne surrendering his similar gilt sword after the Battle of Saratoga in October 1777. Another portrait of George Washington with his very similar solid silver sword sword. The 1767 Silver-Hilted Smallsword
One of Washington's most beautiful swords, this sword appears in many famous Washington paintings.  read more

Code: 24960

A Most Unusual, Original Zulu War of 1879 Souvenir, Of A High Ranked Zulu Impi Warrior's Knopkerrie War Club, With Telegraph Wire Geometric Wirework Knob

The Zulus would frequently cut down the British military telegraph wires, strip them, and create wirework decorative patterns on their spear and knopkerrie hafts. That is a desireable feature on the spears and clubs, when found, but we can't recall ever seeing the entire clubhead bound in the wirework before such as this one.

The wirework has had some unravelling but most is still beautifully intact.

During the period of this knopkerries use, two of most famous pair of engagements in the British army's history, during the last quarter of the 19th century, happened over two consecutive days. Curiously, it is fair to say that these two engagements, by the 24th Foot, against the mighty Zulu Impi, are iconic examples of how successful or unsuccessful leadership can result, in either the very best conclusion, or the very worst. And amazingly, within only one day of each other. The 1879 Zulu War, for the 24th Foot, will, for many, only mean two significant events, Isandlhwana and Rorke's Drift. This is the brief story of the 24th Foot in South Africa; In 1875 the 1st Battalion arrived in Southern Africa and subsequently saw service, along with the 2nd Battalion, in the 9th Xhosa War in 1878. In 1879 both battalions took part in the Zulu War, begun after a British invasion of Zululand, ruled by Cetshwayo. The 24th Foot took part in the crossing of the Buffalo River on 11 January, entering Zululand. The first engagement (and the most disastrous for the British) came at Isandhlwana. The British had pitched camp at Isandhlwana and not established any fortifications due to the sheer size of the force, the hard ground and a shortage of entrenching tools. The 24th Foot provided most of the British force and when the overall commander, Lord Chelmsford, split his forces on 22 January to search for the Zulus, the 1st Battalion (5 companies) and a company of the 2nd Battalion were left behind to guard the camp, under the command of Lieutenant-Colonel Henry Pulleine (CO of the 1/24th Foot).

The Zulus, 22,000 strong, attacked the camp and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed. At this time the Victoria Cross (VC) was not awarded posthumously. This changed in the early 1900s when both Lieutenants were awarded posthumous Victoria Crosses for their bravery. The 2nd Battalion lost both its Colours at Isandhlwana though parts of the Colours—the crown, the pike and a colour case—were retrieved and trooped when the battalion was presented with new Colours in 1880.

The 24th had performed with distinction during the battle. The last survivors made their way to the foot of a mountain where they fought until they expended all their ammunition and were killed. The 24th Foot suffered 540 dead, including the 1st Battalion's commanding officer.

After the battle, some 4,000 to 5,000 Zulus headed for Rorke's Drift, a small missionary post garrisoned by a company of the 2/24th Foot, native levies and others under the command of Lieutenant Chard, Royal Engineers, the most senior officer of the 24th present being Lieutenant Gonville Bromhead. Two Boer cavalry officers, Lieutenants Adendorff and Vane, arrived to inform the garrison of the defeat at Isandhlwana. The Acting Assistant Commissary James Langley Dalton persuaded Bromhead and Chard to stay and the small garrison frantically prepared rudimentary fortifications.

The Zulus first attacked at 4:30 pm. Throughout the day the garrison was attacked from all sides, including rifle fire from the heights above the garrison, and bitter hand-to-hand fighting often ensued. At one point the Zulus entered the hospital, which was stoutly defended by the wounded inside until it was set alight and eventually burnt down. The battle raged on into the early hours of 23 January but by dawn the Zulu Army had withdrawn. Lord Chelmsford and a column of British troops arrived soon afterwards. The garrison had suffered 15 killed during the battle (two died later) and 11 defenders were awarded the Victoria Cross for their distinguished defense of the post, 7 going to soldiers of the 24th Foot.

Each Impi was made up of several ibutho, each approximately 1,000 warriors strong plus the young boys acting as servants and scouts for the army. Each had its own shield colours, and other emblems such as head dresses. The amount of black and white on a shield allowed the Zulu commanders to know exactly what regiment was where on the battlefield, much like the colours of the regiments did for the European armies. Shaka needed a fast mobile army, as early in his campaigns he was outnumbered and needed to manoeuvre quickly, so to ensure this the warriors were made to run bare foot so the loss of a sandal wouldn’t disable them and their feet were hardened, by frequent runs over the hot stony ground and by stamping thorns into the ground so that scar tissue would form.

In battle the troops were lightly equipped apart from a shield - any armour would have been impractical and useless anyway when facing European armies with guns. The elaborate dress seen in many films is a misconception and mainly ceremonial. Standard weapons were a short broad bladed stabbing spear and a heavy club, Shaka introduced the short stabbing spear and warriors did not carry spares so did not throw them in battle. Some regiments re-introduced throwing spears when facing the European and Boer armies but by this time they were also using looted firearms and primitive muskets traded to them by Arab traders. Although lacking the fire power of the modern armies European armies they later faced the Zulus were well disciplined and brave and once they closed with the enemy their greater training in close combat and the advantage of having a shield made them lethal. They were also know for the ritual of “washing of the spears” - a tradition of cutting open fallen enemies’ bellies so that their ghost/ spirit would be free and not haunt the person who killed him. This was seized upon by the media to help portray the Zulus as blood thirsty savages. Discipline was harsh but not exceptionally so if compared to contemporary European armies, cowards were shamed and normally executed and the brave honoured, basic battlefield medicine was practised but the Zulus had surprisingly good causality recovery rates.  read more

Code: 24957

⚔️Original 19th Century Emperor Menelik IInd Ethiopian Shotel With Deeply Curved Fully Etched Blade With Scrolling, Amharic Script & a 1780 Silver Austro Hungarian Thaler Pommel

Curved blade fully etched in its tooled brown leather scabbard. These very unusual swords with very curved blades come from the "Horn of Africa," which includes Abyssinia, which we now know as Ethiopia. Made famous just before WWII by the Italian Invasion of that Country, and the appeal by it's Emperor Haile Selassie to the League of Nations, which the Western Powers basically ignored. It's Capital is Addis Ababa, a city dating back some 2,000 years and more. A country much in the news but also a land largely still in the middle ages in some respects.
The sword, oft described as a shotel but actually it is a gorade, with its very characteristic curved blade. The swords dates back to the reign of Amda Seyon the 1st, known as "the Pillar of Zion" who was Emperor from 1314 - 1344. Called shotel, while technically the proper term locally for sabre was 'gorade'. Shotel which is not an Amharic word, Amharic for sword is gorade .The blade is etched with the profile of Emperor Menelik II, and also the symbol of the emperor, the Lion of Judah. The rest of the blade is etched with fancy scrolls. Menelik II baptised as Sahle Maryam (17 August 1844 – 12 December 1913) was Emperor of Ethiopia from 1889 to his death in 1913 and King of Shewa from 1866 to 1889. At the height of his internal power and external prestige, the process of territorial expansion and creation of the modern empire-state was completed by 1898. He is widely honoured by many Ethiopians and commemorated during the celebration of the Battle of Adwa, which is celebrated on March 1 or 2 across Ethiopia and in the diaspora. Many Pan-Africans regard him as an advocate for African independence against European powers during the Scramble for Africa. Selassie
Haile Selassie was one of the most famous leaders in Ethiopian history. As the emperor, he was exiled during the Italian occupation of Ethiopia due to the status he held. Selassie would go onto return to Ethiopia and help in taking back control of the country from Italy. On April 2, 1930, Ras Tafari Makonnen became Emperor Haile Selassie. Selassie was the last reigning monarch of Ethiopia’s Solomonic Dynasty. The Solomonic Dynasty traces its ancient ancestry to King Solomon of Israel and the Queen of Sheba, biblical figures who may have lived during the 10th century BCE.

Ethiopia is often acknowledged as the only nation in Africa never to have been colonized, and Selassie emerged as a powerful international figure as other African countries sought independence in the 20th century. His long reign and enduring policies (such as support for African unity and the abolition of slavery in Ethiopia) earned him a privileged position at international summits. For instance, Selassie was one of the highest-ranking diplomats at the funeral of U.S. President John Kennedy.

Selassie’s greatest impact may have been on the island of Jamaica. Jamaican religious leaders adopted a version of his birth name, Tafari (Ras was an official title) and Rastafarians regard Selassie as a god. (Selassie himself remained a Christian throughout his life.). Photo in the gallery of Emperor Hallie Selassie in full dress uniform. The Maria Theresa taler is a silver bullion coin and a type of Conventionstaler, first minted in 1741. The official weight is 28.0668 grams (0.99003 oz) and contains 23.386 grams (0.752 troy ounces) of fine silver. It has a silver content of .833 and a copper content of .166 of its total millesimal fineness. In 1751 this new standard Conventionstaler was effectively adopted across the German-speaking world when it was accepted formally in the Bavarian monetary convention. This new, post-1751 thaler has continued as a trade coin ever since. The last year of minting was in 1780, the year in which Maria Theresia died. As this cointype was very popular they continued the production, always been dated 1780. The Maria Theresia taler quickly became a standard trade coin and several nations began striking Maria Theresa talers. The following mints have struck Maria Theresia talers: Birmingham, Bombay, Brussels, London, Paris, Rome and Utrecht, in addition to the Habsburg mints in Günzburg, Hall, Karlsburg, Kremnica, Milan, Venice Prague, and Vienna. The Maria Theresa talers could also be found throughout the Arab world, especially in Saudi Arabia, Yemen, and Muscat and Oman, in Africa, especially in Somalia, Ethiopia, Kenya.  read more

Code: 23600

A Magnificent 18th Century Silver Hilted Small Sword, Dated 1758, with Colichmarde Blade. This Is One Of The Most Beautiful To Be Seen

A combination of the finest 18th century artisan's skill of both a silversmith and bespoke swordsmith. Circa 1758 and IC , probably John Carman of London.

General George Washington, later the first President of the United States, had a very similar sword that he used during his service as commander of the new American Army in the American War of Independance from 1776 onwards

Ideal in its day for duelling or close quarter combat, as well as being a simply fabulous, finest quality sword of immense beauty. Fine cast and chased silver hilt in the elegant rococo style with double shell guard single knucklebow and pas dans. The grip is bound in its original twisted silver wire. The guard has enchanting and highest quality workmanship with a scrolling, pierced, rococo shell pattern with florid embellishments thoughout. Colishmarde blade with bright steel finish. The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practising fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended.The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. This sword is a true work of art, in it's beauty form, quality and balance.

The small sword or smallsword is a light one-handed rapier type sword designed for thrusting which evolved out of the longer and heavier rapier (espada ropera) of the late Renaissance. The height of the small sword's popularity was during the 18th century, when any civilian or military, with pretensions to gentlemanly status would have worn a small sword on a daily basis.

The blade of a small sword is comparatively short at around 0.6 to 0.85 metres (24 to 33 in), though some reach over 1 metre (39 in). It usually tapers to a sharp point but may lack a cutting edge. It is typically triangular in cross-section, although some of the early examples still have the rhombic and spindle-shaped cross-sections inherited from older weapons, like the rapier. This triangular cross-section may be hollow ground for additional lightness. Many small swords of the period between the 17th and 18th centuries were found with colichemarde blades.

It is thought to have appeared in France and spread quickly across the rest of Europe. The small sword was the immediate predecessor of the French duelling sword (from which the épée developed) and its method of use—as typified in the works of such authors as Sieur de Liancour, Domenico Angelo, Monsieur J. Olivier and Monsieur L'Abbat—developed into the techniques of the French classical school of fencing. The small sword was mainly used as a duelling weapon.

Militarily, small swords continued to be used as a standard sidearm for infantry officers.Small swords were used both by the military (where they served more as a sign of a certain rank rather than a real weapon for close combat) and as a dueling weapon. The very height of the small sword's widespread popularity was in the 18th century, when it was considered fashionable by aristocrats ("no gentleman was dressed without his sword" – contemporary idiom of the middle of the 18th century), but it was still used as a duelling weapon

John Carman (II) was indentured to his father on 19 June 1736 at the age of fourteen. He was elected Master of the Cutlers' Company in 1761 and died in 1764 at the age of 41.  read more

Code: 24952

A Fabulous Quality Crimean War Cavalry Officer's Pistol of Carbine Bore, Damascus Barrel with Paget Style Captive Ramrod. Near Identical to the Pistol of Colonel John Yorke, 1st Royal Regt of Dragoons,.

Part of superb Crimean War period collectables we have just acquired. Beautifully scroll engraved lock and mounts, in superb condition for age, with Damascus twist barrel with hook breech and barrel slide, 'Paget' captive ramrod, juglans regia walnut stock with micro chequering and silver escutcheon. Sliding safety to lock. Dolphin percussion hammer. Excellent tight and crisp action.
Photo in the gallery of a near identical pistol, also of carbine bore, showing all the same features as this pistol, such as sliding safety, hook breech Damascus barrel retained with barrel slides, fine walnut stock with micro chequring and paget swivel ramrod. The pistol of Colonel John Yorke, 1st Royal Regt of Dragoons, wounded at Balaklava, supporting the Light Brigade in the Valley of Death. The pistol in the household Cavalry Museum.

This cavalry officer's pistol is absolutely typical of the type carried by some officer's that took part in the charge, and may very well have been used by one.

The Charge of the Light Brigade {Aka, Into the Valley of Death} was a world famous military action undertaken by British light cavalry against Russian forces during the Battle of Balaclava in the Crimean War, resulting in many casualties to the cavalry. On 25 October 1854, the Light Brigade, led by Lord Cardigan, mounted a frontal assault against a Russian artillery battery which was well prepared with excellent fields of defensive fire. The charge was the result of a misunderstood order from the commander in chief, Lord Raglan, who had intended the Light Brigade to attack a different objective for which light cavalry was better suited, to prevent the Russians from removing captured guns from overrun Turkish positions. The Light Brigade made its charge under withering direct fire and reached its target, scattered some of the gunners but was forced to retreat immediately.

The events were the subject of Alfred, Lord Tennyson's narrative poem "The Charge of the Light Brigade" (1854), published six weeks after the event. Its lines emphasise the valour of the cavalry in carrying out their orders regardless of the risk. Responsibility for the miscommunication has remained controversial, as the order was vague and Captain Louis Nolan, who delivered the written orders with some verbal interpretation, was killed in the first minute of the assault.

Out of interest, around 30 years ago we owned the very foul weather sabretache of Captain Nolan that he used, and carried, that very order to charge the Russian guns into the Valley of Death. The sabretache, was the one upon which he fell, when he perished when fatally wounded within sixty seconds of the commencement of charge. It came to us through the family ownership and had previously been on display in two museums until the mid 20th century.

The charge;

The Light Brigade set off down the valley with Cardigan in front, leading the charge on his horse Ronald. Almost at once, Nolan rushed across the front, passing in front of Cardigan. It may be that he realised that the charge was aimed at the wrong target and was attempting to stop or turn the brigade, but he was killed by an artillery shell and the cavalry continued on its course. Captain Godfrey Morgan was close by:

The first shell burst in the air about 100 yards in front of us. The next one dropped in front of Nolan's horse and exploded on touching the ground. He uttered a wild yell as his horse turned round, and, with his arms extended, the reins dropped on the animal's neck, he trotted towards us, but in a few yards dropped dead off his horse. I do not imagine that anybody except those in the front line of the 17th Lancers saw what had happened.

We went on. When we got about two or three hundred yards the battery of the Russian Horse Artillery opened fire. I do not recollect hearing a word from anybody as we gradually broke from a trot to a canter, though the noise of the striking of men and horses by grape and round shot was deafening, while the dust and gravel struck up by the round shot that fell short was almost blinding, and irritated my horse so that I could scarcely hold him at all. But as we came nearer I could see plainly enough, especially when I was about a hundred yards from the guns. I appeared to be riding straight on to the muzzle of one of the guns, and I distinctly saw the gunner apply his fuse. I shut my eyes then, for I thought that settled the question as far as I was concerned. But the shot just missed me and struck the man on my right full in the chest.

In another minute I was on the gun and the leading Russian's grey horse, shot, I suppose, with a pistol by somebody on my right, fell across my horse, dragging it over with him and pinning me in between the gun and himself. A Russian gunner on foot at once covered me with his carbine. He was just within reach of my sword, and I struck him across his neck. The blow did not do much harm, but it disconcerted his aim. At the same time a mounted gunner struck my horse on the forehead with his sabre. Spurring "Sir Briggs," he half jumped, half blundered, over the fallen horses, and then for a short time bolted with me. I only remember finding myself alone among the Russians trying to get out as best I could. This, by some chance, I did, in spite of the attempts of the Russians to cut me down.

The Light Brigade faced withering fire from three sides which devastated their force on the ride, yet they were able to engage the Russian forces at the end of the valley and force them back from the redoubt. Nonetheless, they had suffered heavy casualties and were soon forced to retire. The surviving Russian artillerymen returned to their guns and opened fire with grapeshot and canister shot, indiscriminately at the mêlée of friend and foe before them  read more

Code: 24948

A Very, Very Rare Scots Fusilier Guards Officer's Bearskin Cap 1854. Used at Sebastopol and Alma as Can Be Seen in The Guards Museum

In overall very good condition, the interior is lined with a leather cap, stitched to the skin, as could be usual for the Crimean bearskin, so the caps could be transported flat one supposes, and it also has the officer's velvet band partially intact. It has no hackle mount externally, which is correct for the Scots Fusilier Guards bearskins, as they wore no hackle, unlike the Grenadiers, and Coldstream Guards. This is only the second 1850's example used in the Crimea we have seen outside of the Guards Museum
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This is the bearskin headdress of an 1850's officer of the Scots Fusilier Guards, one of the most famous regiments of infantry in the British Army. This celebrated item, still worn by the Guards Division on ceremonial duties, has its origins in the Battle of Waterloo, where the 1st Foot Guards of Wellington’s army fought against the French Imperial Guard, who wore bearskin caps. It was during the reign of King George IV that the Guard uniforms were changed, along with the Guard Regiments themselves. The scarlet coatee was introduced, with gray or white trousers and in 1832 the bearskin cap became the official headdress of all three guards regiments, thus creating the ceremonial uniform that essentially remains in use today.

In the Crimean war the bearskin was reduced in height and the cap's pelt could be attached to a leather cap, as is this one, and not mounted on a frame of willow or rattan, one such bearskin mounted is in the Guards Museum London

In the Crimean war they were still a combat helmet, classified as a bearskin cap. Sometime after the Crimea the bearskin was only in use by the guards, and fusiliers as a dress cap, as it still is today.

The guards combat details follow below {in a brief resume} at the Battle of Alma, during the retreat and second attack.

By now, the 1st Division had finally crossed the river and the Russians in the greater redoubt saw approaching them the Guards' Brigade, with the Grenadier Guards on the right, the Scots Fusilier Guards in the centre, and the Coldstream Guards on the left. Out of sight on the far left was the Highland Brigade, commanded by Sir Colin Campbell. Campbell was irritated by the Guards' delay and ordered an immediate advance. A firm believer in the charge with bayonets, Campbell told his men not to fire their rifles until they were "within a yard of the Russians".

The Scots Fusiliers, by then ahead of the rest of the division, started to move uphill immediately, repeating the Light Division's mistake, which at that moment was running down from the redoubt, pursued by Russian infantry. The Light Division crashed into the advancing Scots Fusiliers with such force that the line was broken in many places. The Scots faltered, but emerged on the other side with only half their numbers and continued towards the great redoubt in a chaotic state. When they were 37 m (40 yd) from the redoubt, the Russians mounted a massive volley. The Scots Fusiliers were forced to retreat, stopping only when they reached the river.

The two other guards regiments filled the gap left by the Scots Fusiliers, but refused orders to charge with bayonets up the hill. Instead, the Grenadiers and the Coldstream formed into lines and started firing Minié volleys into the Russian advance parties. This stopped the Russians, and the Grenadiers and the Coldstream were soon able to close the gap between them; the Russians were again forced back into the redoubt. Vintage, replaced chinscales

Photos in the gallery of Hand-coloured photograph of three soldiers of the Scots Fusiliers Guards who served in the Crimean War. From right to left are Corporal Judd, Edward Temple and William Reynolds. They are all seated with Judd resting his bearskin on his lap and Temple holding one of the three rifles joint together pointing upwards.

Alongside this Crimean piece we also acquired a fabulous Crimean War pistol and an 1853 relic sword blade from the Charge of the Light Brigade.

Throughout the war Queen Victoria had taken an active interest in the welfare of the troops and on their return from the Crimea she met a number of the veterans at Buckingham Palace, Chatham Military Hospital and Aldershot Garrison. Following these meetings she commissioned a series of photographs of the veterans from the photographers Joseph Cundall and Robert Howlett.

The other coloured photograph is of Colour Sergeant William McGregor of the Scots Fusilier Guards.  read more

Code: 24947