Antique Arms & Militaria

A Pair of late Ming to Early Ching Dynasty 16th to 17th Century Cavalry Stirrups

In antiquity, the earliest foot supports consisted of riders placing their feet under a girth or using a simple toe loop. Later, a single stirrup was used as a mounting aid, and paired stirrups appeared after the invention of the treed saddle. The stirrup was invented in China in the first few centuries AD and spread westward through the nomadic peoples of Central Eurasia. The use of paired stirrups is credited to the Chinese Jin Dynasty and came to Europe during the Middle Ages. Some argue that the stirrup was one of the basic tools used to create and spread modern civilization, possibly as important as the wheel or printing press. The stirrup, which gives greater stability to a rider, has been described as one of the most significant inventions in the history of warfare, prior to gunpowder. As a tool allowing expanded use of horses in warfare, the stirrup is often called the third revolutionary step in equipment, after the chariot and the saddle. The basic tactics of mounted warfare were significantly altered by the stirrup. A rider supported by stirrups was less likely to fall off while fighting, and could deliver a blow with a weapon that more fully employed the weight and momentum of horse and rider. Among other advantages, stirrups provided greater balance and support to the rider, which allowed the knight to use a sword more efficiently without falling, especially against infantry adversaries. The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

RISE OF THE MING DYNASTY

The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

Ming dynasty founder Emperor Taizu, or Zhu Yuanzhang, was born into poverty, and spent part of his youth wandering the country after his parents died following a series of natural disasters centered around the Yellow River.

The Qing [or Ching] dynasty, officially the Great Qing, also called the Qing Empire by itself or the Manchu dynasty by foreigners, was the last imperial dynasty of China, established in 1636 and ruling China from 1644 to 1912 with a brief, abortive restoration in 1917. It was preceded by the Ming dynasty and succeeded by the Republic of China. The Qing multi-cultural empire lasted almost three centuries and formed the territorial base for the modern Chinese state. After conquering "China proper", the Manchus identified their state as "China", and referred to it as Dulimbai Gurun in Manchu (Dulimbai means "central" or "middle," gurun means "nation" or "state"). The emperors equated the lands of the Qing state (including present-day Northeast China, Xinjiang, Mongolia, Tibet and other areas) as "China" in both the Chinese and Manchu languages, defining China as a multi-ethnic state, and rejecting the idea that "China" only meant Han areas. The Qing emperors proclaimed that both Han and non-Han peoples were part of "China". They used both "China" and "Qing" to refer to their state in official documents, international treaties (as the Qing was known internationally as "China" or the "Chinese Empire") and foreign affairs, and "Chinese language" (Dulimbai gurun I bithe) included Chinese, Manchu, and Mongol languages, and "Chinese people" referred to all subjects of the empire. In the Chinese-language versions of its treaties and its maps of the world, the Qing government used "Qing" and "China" interchangeably.  read more

Code: 20708

A Very Fine Antique Longsword, Likely German, 16th-17th Century Style, With Double Edged Graduating Diamond Shaped Blade, Bearing Armourers Mark, Crossguard With Single Oval Side Ring

The longsword might have had longer blades than the arming sword, also called the knightly sword which was designed purely for single-handed use, but not necessarily. The difference was the longsword’s longer grip that allowed hand-and-a-half or two-handed use. However, these swords were generally shorter than the German two-hander or zweihander, which was not light enough for single-handed use.

For hilt type see; hilt 10, page 72, A.B.V Norman around 1510 to 1650, The Rapier and Small Sword 1460-1820

Blade Type, Ewart Oakshott XVIIIb and XVIIIc that represent the later longswords of the mid-15th to early 16th centuries. They have a flattened diamond cross-section, often with pronounced mid-rib, some being hollow-ground.

Combining an Oakshott type XVIiic, with the shorter than usual AVB Norman hilt type 10 indicates a hybrid form with the blade of a more usual two handed sword, and the more practical hilt of the shorter bastard style. A most impressive long sword ideal for sword combat competition in many ways.

107 cm blade, cm hilt and 19cm grip

The German school of fencing (Deutsche Schule; Kunst des Fechtensa) is a system of combat taught in the Holy Roman Empire during the Late Medieval, German Renaissance, and early modern periods. It is described in the contemporary Fechtbücher ("fencing books") written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the Kunst des Fechtens, or the "Art of Fighting".b The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, messers (with or without a buckler), and the staff, as well as describing mounted combat and unarmed grappling (ringen).
Most authors of writings on the system are, or claim to be, in the tradition of the 14th-century master Johannes Liechtenauer. The earliest surviving treatise on Liechtenauer's system is a manuscript dated to possibly the late 14th, or early 15th century, known as Ms. 3227a. More manuscripts survive from the 15th century, and during the 16th century the system was also presented in print, most notably by Joachim Meyer in 1570.
The German tradition was largely eclipsed by the Italian school of rapier fencing by the early 17th century. Practitioners of the German school persisted at least until the end of the 18th century, though.

The "longsword" type exists in a morphological continuum with the medieval knightly sword and the Renaissance-era Zweihänder. It was prevalent during the late medieval and Renaissance periods (approximately 1350 to 1550), with early and late use reaching into the 12th and 17th centuries.  read more

Code: 25226

A Fabulous & Rare US Civil War General's Sabre With Its Original Civil War General Officer's Pattern 'Acorn' Sword Knot, & Steel Combat Scabbard. Superb Deluxe Etched Blade

A near pair to three other Civil War General's swords, currently in American museums or in private ownership, of, General W.T.Sherman, Major General J.E.B. Stuart, and Lt General John Bell Hood. The sword knot is also a near pair to one {with its sword} of Civil War Brigadier General Champlin. We also show in the gallery General JEB Stuarts hat, that has a pair of interlinked Civil War General's pattern acorn sword knots around the brim. General Sherman's sword is currently offered at auction with a suggested price of $60,000

Our sword has superb quality elaborate hilt embellished decor for a general, and a stunning, deluxe etched blade with maker's name, and the original wirebound sharkskin grip. In its steel, blackened, combat scabbard. All in superb condition. the General’s knot is also in very good condition for age.

An American Civil War import, commissioned from either French or German swordsmiths, and interestingly, almost all the other General's swords within the various US museums were either commissioned in France or Germany, and not domestically produced.
One of the most famous Colonel’s of the Civil War was Robert Gould Shaw of the 54th Massachusetts Infantry Regiment. Robert Gould Shaw (1837-1863) carried his British import sword at the assault on Fort Wagner, Folly Island, S.C. on 18 July 1863. Where sadly he was KIA. The sword was a gift from his uncle George R. Russell, and in a letter to his father, dated 1 July 1863, Shaw acknowledges receiving “a box of Uncle George’s containing a beautiful English sword...” With sword in-hand, Colonel Shaw, of the 54th Massachusetts Infantry Regiment, was shot in the chest and killed while mounting the parapet of Ft. Wagner. The sword and other personal effects were taken from his body during the night and presumed lost. In June of 1865, the U.S. Colored Troops, under the command of Gen. Charles Jackson Paine, U.S.V., found the sword "in the possession of a rebel officer" near Goldsboro, N.C. The sword was returned to the Shaw family in 1865 by Capt. Solon A. Carter, U.S.V. but was misplaced after 1900 until it's recent discovery in 2017. That sword is now within the collections of the Massachuetts Historical Society, donated to them by the Shaw family.

James Ewell Brown "Jeb" Stuart (February 6, 1833 – May 12, 1864) was a Confederate States Army general during the American Civil War. He was known to his friends as "Jeb,” from the initials of his given names. Stuart was a cavalry commander known for his mastery of reconnaissance and the use of cavalry in support of offensive operations. While he cultivated a cavalier image (red-lined gray cape, the yellow waist sash of a regular cavalry officer, hat cocked to the side with an ostrich plume, red flower in his lapel, often sporting cologne), his serious work made him the trusted eyes and ears of Robert E. Lee's army and inspired Southern morale.3

Stuart graduated from West Point in 1854 and served in Texas and Kansas with the U.S. Army. Stuart was a veteran of the frontier conflicts with Native Americans and the violence of Bleeding Kansas, and he participated in the capture of John Brown at Harpers Ferry. He resigned his commission when his home state of Virginia seceded, to serve in the Confederate Army, first under Stonewall Jackson in the Shenandoah Valley, but then in increasingly important cavalry commands of the Army of Northern Virginia, playing a role in all of that army's campaigns until his death.

He established a reputation as an audacious cavalry commander and on two occasions (during the Peninsula Campaign and the Maryland Campaign) circumnavigated the Union Army of the Potomac, bringing fame to himself and embarrassment to the North. At the Battle of Chancellorsville, he distinguished himself as a temporary commander of the wounded Stonewall Jackson's infantry corps.

Stuart's most famous campaign, the Gettysburg Campaign, was flawed when his long separation from Lee's army left Lee unaware of Union troop movements so that Lee was surprised and almost trapped at the Battle of Gettysburg. Stuart received criticism from the Southern press as well as the proponents of the Lost Cause movement after the war. During the 1864 Overland Campaign, Union Maj. Gen. Philip Sheridan's cavalry launched an offensive to defeat Stuart, who was mortally wounded at the Battle of Yellow Tavern.

J.E.B Stuart’s sword was made in Paris. U.S. Army officers were responsible for providing their own side arms, so Stuart either ordered it himself or was given it as a gift. It now resides with his hat, in the American Civil War Museum

John Bell Hood (June 12 or June 29,3 1831 – August 30, 1879) was a Confederate general during the American Civil War. Hood's impetuosity led to high losses among his troops as he moved up in rank. Bruce Catton wrote that "the decision to replace Johnston with Hood was probably the single largest mistake that either government made during the war." Hood's education at the United States Military Academy led to a career as a junior officer in the infantry and cavalry of the antebellum U.S. Army in California and Texas. At the start of the Civil War, he offered his services to his adopted state of Texas. He achieved his reputation for aggressive leadership as a brigade commander in the army of Robert E. Lee during the Seven Days Battles in 1862, after which he was promoted to division command. He led a division under James Longstreet in the campaigns of 1862–63. At the Battle of Gettysburg, he was severely wounded, rendering his left arm mostly useless for the rest of his life.4 Transferred with many of Longstreet's troops to the Western Theater, Hood led a massive assault into a gap in the U.S. line at the Battle of Chickamauga but was wounded again, requiring the amputation of his right leg.

Hood returned to field service during the Atlanta Campaign of 1864 and, at the age of 33, was promoted to temporary full general and command of the Army of Tennessee at the outskirts of Atlanta, making him the youngest soldier on either side of the war to be given command of an army. There, he dissipated his army in a series of unsuccessful assaults and was forced to evacuate the besieged city. Leading his men through Alabama and into Tennessee, his army was severely damaged in a massive frontal assault at the Battle of Franklin. The Battle of Franklin was fought on November 30, 1864 in Franklin, Tennessee; in Williamson County. John Bell Hood's Army of Tennessee (around 33,000 men) faced off with John M. Schofield's Army of the Ohio and the Cumberland (around 30,000 men). Often cited as "the bloodiest five hours" during the American Civil War, the Confederates lost between 6,500 - 7,500 men, with 1,750 dead. The Federals lost around 2,000 - 2,500 men, with just 250 or less killed. Hood lost 30,000 men in just six months (from July 1864 until December 15). The Battle of Franklin was fought mostly at night. Several Confederate Generals were killed, including Patrick Cleburne, and the Rebels also lost 50% of their field commanders. Hood would limp into Nashville two weeks later before suffering his final defeat before retreating to Pulaski in mid December. Hundreds of wounded Confederate soldiers were taken to the John and Carrie McGavock home - Carnton - after the battle. She became known as the Widow of the South. The McGavock's eventually donated two acres to inter the Confederate dead. Almost 1,500 Rebel soldiers are buried in McGavock Confederate Cemetery, just in view of the Carnton house.

Hood’s sword was purchased from Coulaux & Cie, Klingenthal, France. Lt. Gen. John Bell Hood used his cavalry saber during his service in the Confederate Army. It now resides in the Museum of the Confederacy in Richmond Va. Hood also had another sword an infantry Militia pattern dress sword, imported from Germany made by P.D.Lunschloss & Companie, that now resides in the American Civil War Museum.

Sadly, we do not know the name of the general officer to whom our sabre once originally belonged.  read more

Code: 25224

A Despatch From Commodore James Poo Beresford HMS Theseus 2 Feb 1809

Shortly before the Battle of the Basque Roads. Written and signed by Commodore [Later Admiral] Beresford aboard and in command of HMS Theseus. Some few years earlier Theseus was the flagship of Rear Admiral Horatio Nelson's fleet for the 1797 Battle of Santa Cruz de Tenerife. Day to day command at that time was vested in her flag captain Ralph Willett Miller. Unfortunately on this occasion the navy was defeated and Nelson was wounded by a musket ball while aboard the Theseus, precipitating the amputation of his right arm. In 1798, Theseus took part in the decisive and hugely successful Battle of the Nile, under the command of Captain Ralph Willett Miller. The Royal Navy fleet was outnumbered, at least in firepower, by the French fleet, which boasted the 118-gun ship-of-the-line L'Orient, three 80-gun warships and nine of the popular 74-gun ships. The Royal Navy fleet in comparison had just thirteen 74-gun ships and one 50-gun fourth-rate.

During the battle Theseus, along with Goliath, assisted Alexander and Majestic, who were being attacked by a number of French warships. The French frigate Artemise surrendered to the British, with the crew setting fire to their ship to prevent it falling into the hands of the British. Two other French ships Heureux and Mercure ran aground and soon surrendered after a brief encounter with three British warships, one of which was Theseus. L'Orient was destroyed in the battle by what was said to be the greatest man made explosion ever to have been witnessed. It was heard and felt over 15 miles distant.

The battle was a success for the Royal Navy, as well as for the career of Admiral Nelson. It cut supply lines to the French army in Egypt, whose wider objective was to threaten British India. The casualties were heavy; the French suffered over 1,700 killed, over 600 wounded and 3,000 captured. The British suffered 218 dead and 677 wounded. Nine French warships were captured and two destroyed. Two other French warships managed to escape. Theseus had five sailors killed and thirty wounded, included one officer and five Royal Marines. A painting in the gallery of Commodore Beresford leading his squadron of ships from 'The Naval Chronology of Great Britain', by J. Ralfe, leading a British squadron of 4 sail of the line near the Isle of Grouais in the face of the French Brest fleet of 8 of the line obliging the French to haul their wind and preventing them from joining the L'Orient squadron. The three ships alongside Beresford were HMS Revenge, Valiant and Triumph, and the Triumph was commanded by none other than Capt. Sir Thomas Masterman Hardy. Beresford was a natural son of Lord de la Poer the Marquess of Waterford. He joined the Royal Navy and he served in HMS Alexander in 1782. He was appointed as a Lieutenant RN serving on H.M.S. Lapwing 1790. He served in H.M.S. Resolution 1794. He served in H.M.S. Lynx (In command) in 1794. He was appointed as Acting Captain RN in 1794 serving in H.M.S. Hussar (In command). He was appointed as a Captain RN (With seniority dated 25/06/1795). He served in H.M.S. Raison (In command) 1795. He served in H.M.S. Unite (In command) 1798. He served in H.M.S. Diana (In command). He served in H.M.S. Virginie (In command) 1803. He served in H.M.S. Cambrian (In command) 1803. He was appointed as a Commodore RN 1806. He was appointed as the Commander-in-Chief in the River St. Lawrence, along the Coast of Nova Scotia, the islands of St. John and Cape Breton and in the Bay of Fundy and the Islands of Bermuda. He served in H.M.S. Theseus (In command) 1808. He served in H.M.S. Poitiers (In command) 1810. He served on to the staff of Lord Wellington at Lisbon Portugal 1810. During the War of 1812, he served as captain of HMS Poictiers, during which time he ineffectually bombarded the town of Lewes in Delaware. More importantly, Poictiers participated in an action where, four hours after USS Wasp, commanded by Jacob Jones, captured HMS Frolic, Capt Beresford captured Wasp and recaptured Frolic, and brought both to Bermuda. He was appointed as a Commodore RN in 1813. He served in HMS Royal Sovereign (In command) 1814. He was appointed as a Rear Admiral of the Blue (With seniority dated 04/06/1814). He was appointed as Commander-in-Chief at Leith 1820-23. He was appointed as the Commander-in-Chief at The Nore 1830-33. He was appointed as a Vice Admiral RN (With seniority dated 27/05/1825). He was appointed as a Junior Lord of the Admiralty in 1835. He was finally appointed as a Admiral RN (With seniority dated 28/06/1838). The typed transcript shown in the gallery states 'mediant servant' of course it should be 'obedient servant'  read more

Code: 19654

A Most Scarce, Original, Early 17th Century English Civil War Infantry Musketeer's or Pikeman's Comb Morion Helmet

Used from the 30 years war and into the English Civil War, as the pattern used by both musketeers and pikemen. The musket soon became the dominant infantry weapon during the Civil War. Musketeers could move and react faster than the Pikeman in their heavy armour. They were easier to train and the musket could kill and maim the enemy up to 200 paces away. If you could keep your enemy at this distance you didn't have to close to hand to hand combat.
The role of musketeer is more technical than that of the pikeman. As a musketeer within the regiment, you will be using a replica period matchlock musket, and when appropriate, carrying a set of bandoliers, holding the required amount of gunpowder to fire it.

The pikeman of the English Civil War. A pike was a wooden pole up to 18 feet long with a sharp metal spike. Its name comes from the French piquer, meaning ‘pierce’. Although the pike evolved in the Middle Ages, pike blocks more closely resembled Ancient Greek phalanxes.

It was considered to be a more noble and traditional weapon than the musket – a weapon for gentlemen that needed strength, skill, and training to master and nerves of steel to fight with. Pike blocks could consist of up to 200 men and would form up in the centre of the line of battle; they could either protect musketeers from cavalry attack or be used as huge offensive infantry formations that would edge towards each other, their pikes levelled at ‘the charge’ before engaging in ‘push of pike’, where they would try and break the enemy’s formation.

At the beginning of the English Civil Wars, armies would have roughly one pikeman for every two musketeers. By the 1650s, this was closer to one to four or five and, as muskets became more effective and use of the bayonette became widespread, the pike become obsolete and the regular use of pikes ended with the beginning of the 18th Century.  read more

Code: 24006

A Stunning Mid 18th Century Ship's Captain Brass Cannon Barrel Pistol with a Silver Escutchon of the Goddess Minerva Adorned With Her Dolphin Helmet & Fishscale Armour

Blunderbuss pistol all brass cannon barrel, and action, beautifully engraved. Made by Hadley circa 1750, with large silver escutcheon engraved with the profile head of Minerva.

Minerva, whose dolphin helmeted face is depicted is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic warfare.


The ‘Queen Anne’ style pistol is distinctive in that it does not have a ramrod. The barrel of the pistol unscrews and allows it to be loaded from the rear and near the touch hole at the breech of the barrel. These pistols were originally made in flintlock.

The Queen Anne pistols were very popular and were made in a variety of calibres, usually about 38 to 50 bore. Boot pistols, Holster pistols, pocket pistols and Sea Service pistols were all made in the 'Queen Anne' style. This type is known as a Queen Anne pistol because it was during her reign that it became popular (although it was actually introduced in the reign of King William III).

Here are some of the specific reasons why people enjoy collecting antique pistols:

Historical significance: Antique pistols are stunning relics of a bygone era, and they can provide insights into the history of warfare, technology, and culture. For example, a collector might be interested in owning a type of pistol that was used in a famous battle or that was carried by a famous historical figure.
Craftsmanship: Antique pistols are often works of art in their own right. Many early gunsmiths were highly skilled artisans, and their creations can be extraordinarily beautiful. Collectors might appreciate the intricate engraving, fine inlays, and other decorative elements that are found on many antique pistols.
Aesthetic beauty: Antique pistols can be simply stunning. Their elegant lines and graceful curves can be a thing of beauty. Collectors might enjoy admiring the form and function of these antique weapons.
Rarity and uniqueness: Some antique pistols are quite rare, and collectors might enjoy the challenge of finding and acquiring them. Others might be interested in owning a pistol that is unique in some way, such as a prototype or a custom-made piece.
Investment value: Antique pistols can also be valuable long term investments. The value of some antique pistols has appreciated significantly over the years. Collectors might enjoy the potential for profit, in addition to the other pleasures of collecting, but that should never be the ultimate goal, enjoyment must always be the leading factor of collecting.
No matter what their reasons, collectors of antique pistols find enjoyment in their hobby. They appreciate the history, craftsmanship, beauty, and rarity of these unique pieces.

In addition to the above, here is yet another reason why people enjoy collecting antique pistols:

Education: Learning about the history and technology of antique pistols can be a thoroughly rewarding experience. Collectors can learn about the different types of pistols that have been made over the centuries, how they worked, and how they were used.

Excellent condition overall, good tight and crisp action, old small split in stock, overall 12.5 inches long  read more

Code: 25219

A Superb Piece of 'Potential', Unique History. Admiral Lord Nelson's Hair Woven Into a Piece of Memorium Jewellery, A Lyre Brooch of Extraordinary Quality

Acquired from an Admiral Lord Nelson family of collectors, together with a small miniature portrait of the Admiral, the miniature of the full sized one painted by Lemuel Francis Abbott in 1797 for Lady Nelson.

Said to be, by the family, made from a small lock of hair {given to them by Lady Hamilton, Nelson's mistress}, that, some years after his tragic death, was intricately woven into a rigid weblike structure, and formed around very finely crafted gilt metal, into a mourning brooch of lyre form, to wear as a wedding gift, and it has been in the family ever since. The hair colour has subsequently darkened somewhat, from its original lighter colour, due to being lacquered to aid rigidity, handled and worn, possibly for decades. It originally had a small ivory slip engraved with its distinguished origin, and that it was given by Lady Hamilton to her relatives by marriage. Lady Hamilton, Nelson's infamous mistress, was married to Sir William Hamilton, who was the 4th son of Lord Archibald Hamilton, who was the 7th son of the 3rd Duke of Hamilton. We have been acquiring fascinating artefacts and antiquities from descendants of the 10th Duke of Hamilton these past 30 years or more.

That ivory slip was with it until just a very few years ago, when it was discarded by the dear ladies that last recently owned it, and from whence it came, to us. It was purposely removed due to HRH Prince William disapproving of ivory artefacts. This we consider a great shame, as it was very old, an antique of around 210 years vintage, and simply nothing was gained by its sad removal and loss.

Of course there is absolutely no possibility for us to definitively state it was indeed Nelson's hair, as a provable fact, as any DNA test would likely damage its integrity, but its most highly likely potential, due to its origin, is most intriguing.

The miniature that came with it {and is not for sale} bears a hand written label glued at its back, still present, to note it was it's full sized original was in the National Portrait Gallery that {opened in 1856}. The original is by Lemuel Francis Abbott
an oil on canvas, was painted in 1797
This is one of the many portraits Abbott painted of Nelson and it is perhaps the most widely recognised of the whole Nelson iconography. It depicts him in rear-admiral's uniform wearing the Star and Ribbon of the Bath and the Naval Gold Medal, awarded for his victory at the Battle of St Vincent (1797). The original portrait was painted for Captain Locker of the Greenwich Hospital. This full sized version, commissioned for Lady Nelson, was also taken from life. Although Nelson only sat to him twice, Abbott subsequently copied the picture over forty times. The copies gradually declined in quality as the artist became mentally ill but this was no bar to their popularity. Many were purchased by Nelson's naval colleagues, his family and friends.
In July 1798, Nelson's wife wrote to him: 'My dearest Husband - I am now writing opposite to your portrait, the likeness is great. I am well-satisfied with Abbott… it is my companion, my sincere friend in your absence…

Nelson's pigtail (or queue), was cut off after his death at the Battle of Trafalgar 21 October 1805. It is sandy-coloured hair, bound with black ribbon, which is tied in a bow. Surgeon William Beatty records in his "Narrative of the Death of Lord Nelson" that Nelson asked that Lady Hamilton should have his hair. The pigtail was cut off after his death and Hardy delivered it to Emma Hamilton after the Victory's arrival in England. Small locks of hair were given to relations and close friends, and some pieces were mounted in special mourning rings and lockets. What remains of Nelson’s queue is now part of the National Maritime Museum Collection.  read more

Code: 25210

A Beautiful Silver Mounted Javanese Pedang Lurus Dagger

A Javanese dagger pedang lurus . Slightly swollen single edged blade 21cms with striking pamor, often made of meteorite steel mixed with meteorite nickel, silver hilt and sheath nicely embossed and engraved with foliage.Good condition. In Western literature this type of Indonesian edged weapon is often called pedang lurus, literally straight sword, even though they are not always perfectly straight. It probably refers to the fact they are straighter than a keris or saber. The term is specifically used for a group of Indonesian shortswords that come mounted entirely in silver. They typically bear some striking resemblances to European hunting swords, like the shape of handle and guard, the belt stopper on the scabbard, and the often ribbed scabbard end. The mounts, and sometimes the blades, were probably inspired by such hunting swords that were worn by colonists.

This straight bladed sword or pedang lurus represents a fine example of 19th century Javanese silverwork. Also known as a pedang luwuk, the pedang lurus is associated with central Java, particularly Surakarta and to a lesser extent Yogyakarta, each being royal centres with kratons (palaces) and flourishing court arts.
The hilt has been cast, chased and engraved in high relief with rococo-inspired leafy and stylised flowering motifs. It is shaped as a stylised kris hilt which in town often are shaped as highly stylised wayang characters.
The pomel is covered in sheet silver and has been lightly etched with foliate and floral motifs.
The scabbard is of plain sheet silver over a wooden base, and is beautifully engraved on both sides with a repeated serrated leaf and flower motiff.
The blade, in watered iron/nickel is straight and highly decoratively adorned
Overall, this is an beautiful pedang lurus in a form that is not often encountered.. REFERENCES
Avieropoulou Choo, A., Silver: A Guide to the Collections, National Museum Singapore, 1984.

Hardianti, E.S. & P. ter Keurs (eds.), Indonesia: The Discovery of the Past, KIT Publishers for De Nieuwe Kerk, Amsterdam, 2005.

National Museum Jakarta, Treasures of the National Museum Jakarta, Buku Antar Bangsa, 1997.

Van Zonneveld, A., Traditional Weapons of the Indonesian Archipelago, C. Zwartenkot Art Books, 2001.  read more

Code: 22571

A Fine Antique Indo-Persian 'Mace of Rostam' the Bull's Head Mace

A Persian all iron 'Mace of Rostam' the mighty Paladin of Persia. The mace's head is a full bull's head [after Rostam's Mace] with applied horns and ears, iron haft with traces of silver damascened decoration to all three sides of the bull's head. Good overall condition for age. See Allan and Gilmour fig.26 for a closely related example, and p.189 and 315 for a discussion of these maces. Rostam, sometimes spelled Rustam, was the son of Zal and Rudaba, and the most celebrated legendary hero in Shahnameh and Persian mythology. In Shahnameh, Rostam and his predecessors are Marzbans of Sistan (present-day Iran and Afghanistan). Rostam is best known for his tragic fight with Esfandiar; the other legendary Persian hero, for his expedition to Mazandaran (not to be confused with the modern Mazandaran province); and for tragically fighting and killing his son, Sohrab, without knowing who his opponent was. Rostam was eventually killed by Shaghad, his half-brother.

Rostam was always represented as the mightiest of Iranian paladins (holy warriors), and the atmosphere of the episodes in which he features is strongly reminiscent of the Parthian period. He was immortalized by the 10th-century Persian poet Ferdowsi in the Shahnameh, or Epic of Kings, which contains pre-Islamic Iranian folklore and history.

He rode the legendary stallion Rakhsh and wore a special suit named Babr-e Bayan in battles. While out hunting Rostam awoke from his sleep to find Rakhsh had gone missing. He was distraught at losing his beloved horse and he tracked him as far as the city of Samangan. Here he greeted the King and asked for his help to find Rakhsh.

While in Samangan, Rostam met the king's lovely daughter Tahmina. The Shahname describes her as elegant as a cypress tree. One night she came to his room:

' My name is Tahmineh; longing has torn

My wretched life in two, though I was born

The daughter of the king of Samangan,

And am descended from a warrior clan.

But like a legend I have heard the story

Of your heroic battles and your glory,

Of how you have no fear, and face alone

dragons and demons and dark unknown

Of how you sneak into Turan at night

And prowl the borders to provoke a fight,

Of how, when warriors see your mace, they quail

And feel their lionhearts within them fail.

I bit my lip to hear such talk, and knew

I longed to see you, to catch sight of you,

To glimpse your martial chest and mighty face-

And now God brings you to this lowly place.

If you desire me, I am yours, and none

Shall see or hear of me from this day on.'

But their time together was brief, because once Rakhsh was found, Rostam departed for his homeland. Nine months later Tahmina gave birth to a son Sohrab, who grew up to be a warrior like his father Rostam. Scene from the Shahnama: Garsivaz prostrating himself before Siyavush in the presence of Rustam. 14th century, 54cms  read more

Code: 22529

An Exceptionally Beautiful Gold Hilted Sword With ‘Laminated Damascus’ Pattern Steel Blade. A Sword of Highest Museum Quality. An Indian Prince's Tulwar, Accompanied With His Oriental Annual 1838

A Maharajah's royal gold tulwar, with its superb running damascus steel blade, with a dominant flowing grain, and its engraved gold hilt in traditional Indo Persian tulwar style, finely decorated with scroll engraving and traditional oriental flowers. Mounted in its original velvet scabbard [now a little faded] with single gold hanging mount and gold chape. A royal tulwar such as the Maharajah Duleep Singh may have once worn as a boy, or, worn by a similar ranking Moghul prince. The gold on the hilt and mounts are applied sheets of hammered gold that are overlaid onto a steel base for additional strength.

A most fine gifted book with its companion fabulous sword with brown leather binding and gold title, with embossed pure gold leaf elephant and howdah to front and back covers. Scenes of India by Reverand Hobart Caunter B.D. with 22 engravings from drawings by Willian Daniell R.A.

We show a Victorian painting of the Maharajah Duleep Singh with his royal tulwar, who became the Sikh ruler of the Punjab when he was no more than a child. But with family intrigues and treachery never being far behind (not to mention the fact that the Punjab was such a valuable territory, dividing India from Afghanistan - the passage through which the Russians might threaten to enter India and therefore endanger the British rule) in due course the Punjab was annexed at the end of the second Anglo Sikh war. In 1849, when that short war ended, the boy maharajah gave up this throne to be raised by a British army officer, in whose care he eventually converted to Christianity - after which he was sent to England and raised as a gentleman aristocrat, well away from those who might have sought to use him as a political pawn. He became a very great favourite of Prince Albert and Queen Victoria. The portrait of Duleep above was painted by Victoria who called the prince her 'beautiful boy' and who often had him accompany her own family on holidays spent in the Isle of Wight. A sword brought to England in the time of the Raj. It is important to note that the Raj (in Hindi meaning 'to rule' or 'kingdom') never encompassed the entire land mass of the sub-continent.
Two-fifths of the sub-continent continued to be independently governed by over 560 large and small principalities, some of whose rulers had fought the British during the 'Great Rebellion', but with whom the Raj now entered into treaties of mutual cooperation.
The 'Great Rebellion' occurred in 1858 and saw the end of the East India Company and the creation of the Raj
Indeed the conservative elites of princely India and big landholders were to prove increasingly useful allies, who would lend critical monetary and military support during the two World Wars.
Hyderabad for example was the size of England and Wales combined, and its ruler, the Nizam, was the richest man in the world.
The word maharaja, literally great king, conjures up a vision of splendour and magnificence. The image of a turbaned, bejewelled ruler with absolute authority and immense wealth is pervasive and evocative, but it fails to do justice to his role in the cultural and political history of India.


From the beginning of the 18th century to the mid-20th century the changing role of the maharajas and their patronage of the arts, both in India and Europe, resulted in the production of splendid and beautiful objects symbolic of royal status, power and identity.
The secular and sacred power of an Indian king was expressed most spectacularly in the grand public processions that celebrated royal events and religious festivities. Riding a richly caparisoned elephant or horse, the ruler was lavishly dressed and jewelled and surrounded by attendants bearing symbolic attributes of kingship: a royal parasol, royal tulwar or dagger, chauri, fans and staffs of authority.The vision of a king in all his splendour was believed to be auspicious. It was central to the concept of darshan, the propitious act of seeing and being seen by a superior being, whether a god or a king. Although originally a Hindu notion, the idea of darshan became an integral aspect of kingship throughout the subcontinent. In India rulers were expected to exercise rajadharma, meaning the duties and behaviour appropriate to a king. These would include the protection of their subjects, the adjudication of disputes, and the ministering of justice and punishment. Martial skills were as important as administrative and diplomatic ones; as well as being wise and benevolent, kings were expected to be fierce warriors and skilled hunters. Rajadharma was also exercised through the patronage of poets, musicians, architects, artists, craftsmen and religious foundations. It was often the case, especially in the old days of empire, where student princes presented gifts of esteem such as these to favoured tutors at oxbridge.
Overall in scabbard 26.75 inches, blade 22.25 inches.  read more

Code: 22607