Antique Arms & Militaria

A Very Good & Highly Desirable, 19th Century Pistol Powder Flask For Cased Duellers or Revolver

The most desirable kind of antique powder flask. The large fowling piece flasks can be very inexpensive, but the small 'cased pistol' sized flasks are incredibly sought after, as they can fit into cases were the flask is missing beautifully and complete a cased set perfectly..

A very good flask with crescent and bush embossed design, good spring and nice patination. All good seams. A great find for those that have a cased revolver single or pair or a pair of cased duellers lacking their flask. We show several cased pistols all with similar sized pistol flasks, including a cased pair of Colt pocket revolvers, and a pair of Durs Egg duellers.The flask is 4.75 inches long overall, max width 2 inches.  read more

Code: 21924

A Wonderful Victorian Dandy Cane, With the Head of an Expressive Monkey

The monkey's head is made of simulated amber, with decorated highlights. It conveys a somewhat wry expression. Monkeys have created a fascination in British art, design sculpture for over two centuries and their depiction in walking or dandy canes is nothing but a delight. This is an especially endearing large example. The cane haft is dark brown with a nickel collar beneath the head. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. Inches long, the ears appear to have had some old restoration. Inches long, the ears appear to have had some old restoration.  read more

Code: 23190

A Good English Box Lock Flintlock Pistol By Garratt of London

Good action with sliding safety, and a nice turn off barrel for breech loading. Good walnut stock. Made when William Garratt had a shop at Mile End Old Town, London, around 1800. A great conversational piece, and almost all gentlemen required such a piece of personal defense weaponry. Although one likes to think that jolly old Georgian England had a London full of cheerful cockneys and laddish chimney sweeps, it was also plagued with political intrigue, nefarious characters and caddish swine prowling the endless foggy thoroughfares and dimly lit passageways, wishing to do harm to their unsuspecting victim. As with all our antique guns there is no license required as they are all unrestricted antique collectables  read more

Code: 22805

An Original Ancient Egyptian Shabti, The Afterlife Servant of The Mummy, Partial Blue-Glazed Faience 664 to 332 BC

A stunning Grand Tour artefact.
Much of our Grand Tour historic artefacts were originally acquired by a noble Scottish family in the 1820's while on a Grand Tour of the Middle East and the Holy Land, plus Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine. And the great classical battle sites of Ancient Rome and Greece.

We also have at present the swordstick of the Scottish 10th Duke of Hamilton, the world renown Grand Tour collector, especially of ancient Egyptian pieces. He was the Ambassador to Catherine the Great as well as being Lord High Steward to both King William IV and Queen Victoria. He was so enamoured with his devotion to his collection of antiquities, he was mummified after his death, and buried in an ancient Egyptian sarcophagus within his family tomb.

From the 25th dynasty to the Late Period. One of a group of fine small tomb pieces we acquired. A shabti (also known as shawabti or ushabti) is a generally mummiform small figurine found in many ancient Egyptian tombs. They are commonly made of blue or green glazed Egyptian faience, but can also consist of stone, wood, clay, metal, and glass. The meaning of the Egyptian term is still debated, however one possible translation is ‘answerer’, as they were believed to answer their master’s call to work in the afterlife. Since the Fourth Dynasty (2613–2494 BC), for instance, the deceased were buried with servant statuettes like bakers and butchers, providing their owners with eternal sustenance. after the death of Cleopatra in around 37 b.c. and the close of the Ptolomeic Dynasty, no shabti were produced for service in Egyptian mummy's tombs. A spell was oft written on the shabti so that it would awaken as planned, this is the 'shabti spell' from chapter six of the Book of the Dead and reads as follows:

"O shawabti, if name of deceased is called upon,
If he is appointed to do any work which is done on the necropolis,
Even as the man is bounden, namely to cultivate the fields,
To flood the river-banks or to carry the sand of the East to the West,
And back again, then 'Here am I!' you shall say"

Piye established the Twenty-fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa. The reunited Nile valley empire of the 25th Dynasty was as large as it had been since the New Kingdom. Pharaohs of the dynasty, among them Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. The 25th Dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there (at El-Kurru and Nuri) that all 25th Dynasty pharaohs were buried under the first pyramids to be constructed in the Nile valley in hundreds of years

The Late Dynasty Period era;

The Twenty-Eighth Dynasty consisted of a single king, Amyrtaeus, prince of Sais, who successfully rebelled against the Persians, inaugurating Egypt's last significant phase of independence under native sovereigns. He left no monuments with his name. This dynasty reigned for six years, from 404 BC–398 BC.

The Twenty-Ninth Dynasty ruled from Mendes, for the period from 398 to 380 BC. King Hakor of this dynasty was able to defeat a Persian invasion during his reign.

The Thirtieth Dynasty took their art style from the Twenty-Sixth Dynasty. A series of three pharaohs ruled from 380 to 343 BC. The first king of the dynasty, Nectanebo I, defeated a Persian invasion in 373 BC. His successor Teos subsequently led an expedition against the Achaemenid Empire in the Near East. The expedition was beginning to meet with some success. unfortunately for Teos, his brother Tjahapimu was plotting against him. Tjahapimu convinced his son Nectanebo II to rebel against Teos and to make himself pharaoh. The plan was successful and the betrayed Teos had no alternative but to flee and the expedition disintegrated. The final ruler of this dynasty, and the final native ruler of Egypt, was Nectanebo II who was defeated in battle leading to the re-annexation by the Achaemenid Empire.

31st Dynasty
Main article: Thirty-first Dynasty of Egypt
The Second Achaemenid Period saw the re-inclusion of Egypt as a satrapy of the Persian Empire under the rule of the Thirty-First Dynasty, (343–332 BC) which consisted of three Persian emperors who ruled as Pharaoh - Artaxerxes III (343–338 BC), Artaxerxes IV (338–336 BC), and Darius III (336–332 BC) - interrupted by the revolt of the non-Achaemenid Khababash (338–335 BC). Persian rule in Egypt ended with the defeat of the Achaemenid Empire by Alexander the Great, who accepted the surrender of the Persian satrap of Egypt Mazaces in 332BC, and marking the beginning of Hellenistic rule in Egypt, which stabilized after Alexander's death into the Ptolemaic Kingdom.  read more

Code: 24908

A Rare, Archaic Chinese Warrior's Bronze & Tinned Jian Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' wide bladed double edged Jian sword, of tin rich over bronze alloy construction used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC). The surface amazingly still retains a lot of the fine tinned surface. Tinning was used in China from the Eastern Zhou period (770–221 BC), and various methods were employed. A special technique was amalgam tinning, documented since the seventh century BC .

This is one of a stunning collection of original archaic bronze age weaponry we have acquired and we have been cataloguing. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. Many pieces we acquired were sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword. We also show a photograph of warriors the world renown Chinese Tomb Army, discovered and excavated over the past recent decades. The figures apparently show the real image of the faces of each individual warrior of the first emperor of China, Qin Shi Huang, that each statue represents. Each one is adorned the typical combat armour that would have been worn by the past user of this sword, and used a same time as the Tomb Warriors were being created and buried for the tomb of Emperor Qin. China was the name created for the entire country, after their first emperor, although spelt Qin in the English form it is pronounced Chin, hence, China. The Qin emperors last resting place, the tomb and his buried imperial warrior army, covers a breathtaking 56.25 square kilometres, and may take the best part of another 100 years to excavate. By this measure one can see with respect and awe the size and power of ancient China, and this tomb region was created over 2300 years ago. Compare this to the only remaining example of the past recorded, and so called, Seven Wonders of the World, the great pyramid of Giza, it covers just one quarter of a square kilometre, yet it is still considered one of the largest single buildings ever created by man.

The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges from the hilt.
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.

Although the manufacturing techniques used may have varied from region to region, it is generally believed that such tin-rich decoration was achieved by a deliberate tinning process,including cold-tinning hot-tinning (dipping or wiping) the use of a mercury-tin amalgam ,or the application of a tin-rich paste.

In 1965 a similar form sword from the same era was found in an ancient tomb in Hubei, it was also engraved with seal script, but of a different form. The Sword of Goujian (越王勾践剑) is a tin bronze sword, renowned for its unusual sharpness, intricate design and resistance to tarnish rarely seen in artifacts of similar age. The sword is generally attributed to Goujian, one of the last kings of Yue during the Spring and Autumn period.
On one side of the Hubei sword’s blade, two columns of text are visible. Eight characters are written in an ancient script, now known as Bird-worm seal script (literally "birds and worms characters", owing to the intricate decorations of the defining strokes), a variant of seal script. Initial analysis of the text deciphered six of the characters, "King of Yue" (越王) and "made this sword for his personal use" (自作用劍). The remaining two characters were assumed to be the name of the particular King of Yue.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.

This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. 22 inches long overall.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams {The Wallace Collection} 65 publications  read more

Code: 24906

An 19th Century 1842 Pattern Lancer Officer's Percussion Pistol

Made by William Peacock of London. an officer's version of the type 1842 lancer's pistol, used in the Crimean war by officers such as were in the Charge of the Light Brigade. With traditional lancer's flat butt stock, and lancers captive ramrod and percussion action. Good tight working action. Pineapple engraved finial trigger guard, acanthus leaf scroll engraved butt plate.

The maker, William Peacock of Grosvenor sq. London is engraved on the lock face with scroll engraving and sliding safety, and his gold scroll address {London} engraved on the barrel flat, but some of the gold inlay is lacking so it is difficult to read. The barrel of .65 inch bore also has an inlaid partial gold line at the breech.

Charge of the Light Brigade
In response to their orders, the Light Brigade began their charge, but at the wrong gun batteries. They galloped through Russian artillery fire from three sides and on into the ‘Valley of Death’ suffering heavy losses in the process.

Some of the horsemen succeeded in reaching the Russian guns at the end of the valley, and even drove the men operating them into retreat before charging the Russian cavalry beyond.

We advanced down a gradual descent of more than three-quarters of a mile, with the batteries vomiting forth upon us shells and shot, round and grape, with one battery on our right flank and another on the left, and all the intermediate ground covered with the Russian riflemen.’
Lord Cardigan, recounting the Charge of the Light Brigade to Parliament, 1855.

After intense fighting, the remnants of the Light Brigade were forced to retreat from the guns. They made their way back through the ‘Valley of Death’ before reaching safety. Fortunately, their return was ensured by the French cavalry, who cleared the Russians from the north side of the valley.

Although the reinforcements from Sevastopol had now deployed and were ready to begin an assault on the heights, no further action was taken.

The battle ended in strategic stalemate, with the Russians controlling the heights and the road, but Balaklava still in Allied hands. Unfortunately, Russian possession of the road made supplying the forces besieging Sevastopol during a terrible winter much harder.

Lock with areas of old light pitting, usual signs of age an use commensurate to the service life and purpose of this scarce lancer officer’s pistol  read more

Code: 24900

An Original, Incredibly Rare 'Damascus' Presentation Sword, An Imperial German, Damascus Steel and Gold, Sword Presented by One of Germany’s Most Powerful and Influential Families in 1887

This is a magnificent example of one of the rarest most desirable and valuable German swords made in 200 years. Made by Numan of Berlin, personally, for Baron Von Hammerstein. One of two similar museum grade Imperial German swords we were delighted and privileged to acquire, and certainly one of the very best examples, with the highest of provenanced pedigrees ever to come onto the open market.

The highest grade possible of German military sword to be commissioned during the 19th and 20th centuries, encompassing the Imperial, Weimar and Third Reich eras of Germany.

This fabulous sword was presented by Baron von Hammerstein, one of the great military commanders, from one of the greatest of families of the Imperial German empire, whose influence and power continued through the demise of the empire in 1918, right through the post WW1 Weimar period and into the notorious Third Reich. This sword would have been used by the recipients family’s officers, right through all of those eras, and continually into the end of the WW2, despite the Von Hammerstein family being fervent anti-nazi. Which in of itself shows just how powerful the family once was, to survive, indeed thrive, being such vocal opponents of Hitler, at least, in private.

A 'Grosse Degan', translates to the ‘great size sword’ is around 50% heavier, wider and substantial, and a far superior quality than the regular officer’s sword of the day. Presented in the late 19th century, these significant and important Damascus swords were effectively, the swords of Kings, worn by the highest ranking officers Generals, Field Marshals, Dukes and Kings right through WW1 and also WW2. For example we show in the gallery Field Marshal von Kleist with his identical family sword, that was also an antique Imperial sabre, but worn by him in WW2.

Also, a photograph of His Majesty King George Vth the Queen's grandfather and Kaiser Wilhelm of Prussia King George's cousin in their ceremonial Colonel-in-Chief uniforms. King George Vth is in his full dress ‘honorary’ Imperial German uniform with pickelhaub helmet and also wearing his identical grade of sword to ours. Before WW2 it was common for foreign kings to be made honorary colonels to other countries regiments. For example until WW1 Kaiser Willhelm was an honorary colonel of a British regiment, the Kaiser’s Own.

Superb condition for age, with its original steel scabbard. German Damascus swords, made with the traditional ‘Damascus steel’ method are incredibly scarce and valuable, and from Imperial Germany are the most desirable of all German swords. This superb example was presented by one of the members of the great German noble families, in Cassel, in 1887. It bears a presentation inscription, given by Ernst Baron von Hammerstein to his friend Rudolf Frank. On the obverse, For Service, Cassel 1887. Ernst von Hammerstein attended high school in Hildesheim, Hanover, the Royal Corps of Cadets, the University of Gottingen and the Forest Academy Mariabrunn in Austria. In 1857 he was a lieutenant in the 3rd Hanoverian Infanterie-Regiment Infantry Regiment and in 1858 First Lieutenant. In 1866 he took part in the Battle of Langensalza. He was, until 1871, in the personal service of King George V of Hanover. The Von Hammersteins had a most influencial part in German history from the 1600's. Ernst's later relative was Commander of the German Army until Hitler took power, and was also a fervent anti Nazi, taking part in several conspiricies, but never caught or imprisoned, until his natural death in 1943Born to a noble family in Hinrichshagen, Mecklenburg-Strelitz, Germany in 1878, Baron von Hammerstein-Equord joined the German Army on 15 March 1898. In 1907 Hammerstein married Maria von Luttwitz, the daughter of Walther von Luttwitz. He was attached to the General Staff during World War I and participated in the Battle of Turtucaia. Hammerstein-Equord was loyal to the Weimar Republic, opposing the Kapp-Luttwitz putsch in 1920. He served as Chief of Staff of the 3rd Division from 1924, as Chief of Staff of the I Group Command in 1929, and as Head of Troops in the Office Ministry of War from 1929. A close friend of Kurt von Schleicher, he was appointed Commander-in-Chief of the Reichswehr in 1930, replacing General Wilhelm Heye. Another was a U Boat Commander in WWII Adolf-Wilhelm von Hammerstein-Equord joined the Kriegsmmachinearine in 1937. He went through U-boat training from Oct 1940 to April 1941. He went through U-boat familiarization (Baubelehrung from April to May 1941 and then became First Watch officer (1WO) on the new U-402 (Kptlt. Siegfried von Forstner) from May to Oct 1941. He left the boat just prior to its first patrol at the end of Oct 1941 (Busch & R?ll, 1999).

He then became the First Watch officer (1WO) on the U-71 (Kptlt. Walter Flachsenberg) in Oct 1941 and served on the boat until April 1942 (Busch & R?ll, 1999). During this time he went out on 2 war patrols, 92 days at sea, and took part in sinking 5 ships for almost 39,000 tons.

Von Hammerstein-Equord then went through U-boat Commander training with the 24th Flotilla and U-boat Commander sea training on the "duck" U-149 from April to July 1942

Adolf-Wilhelm Baron von Hammerstein-Equord took command of his old boat U-149 on 1 Aug 1942, commanding the boat until 14 May 1944 (Busch & R ll, 1999). The boat was a school boat and von Hammerstein-Equord never went out on patrol with it.
Leaving his boat he joined the Staff of the U-boat Command in Norway and stayed in staff positions there until the end of the war in May 1945  read more

Code: 21918

Historian Uncovers Graves of the Knights Templar in Staffordshire, Believed To Be One of the 'Most Nationally Important Discoveries' of its Kind

Graves belonging to members of the Knights Templar - a somewhat mysterious holy militia that sprang up in the 12th century - have been uncovered at an English village church in one of the 'most nationally important discoveries' of its kind.

The medieval order, which had chapters across Europe, including in Britain, were known for their role in the Crusades and as one of the Middle Ages' most powerful and wealthy religious organisations.

Historian Edward Spencer Dyas made the Da Vinci Code-style discovery of eight Knights Templar graves at St Mary's Church in Enville, Staffordshire.

In Dan Brown's novel, The Da Vinci Code, and the film of the same name starring Tom Hanks, Professor Robert Langdon delves beneath Rosslyn Chapel, in Scotland, in the hunt for Knights Templar treasure.

Mr Dyas now believes St Mary's could be one of the most nationally important Templar churches in the country because of its links to 'England's greatest knight' of the Middle Ages.
Mr Dyas' research led him to establish that St Mary's was built by Roger de Bermingham - a priest whose family owned all Enville land including Morfe, a medieval royal forest in neighbouring Shropshire.

Although records are missing it is clear the de Bermingham family built the Norman church at Enville, using Templar financing,' he added.
'Henry de Morfe, who held land owned by the de Berminghams, sold part of Morfe Forest to the Templars at this time, and the de Berminghams instated Roger de Bermingham as the first priest of St Mary's Church, Enville.'

It is for this reason that Mr Dyas believes the church was 'under the patronage of the Templars'.
William Marshal, the 1st Earl of Pembroke, was a jouster, warrior, diplomat and even twice de facto king who was the inspiration for Lancelot in medieval Arthurian tales and also drafted the Magna Carta.

Marshal died aged 73 in 1219 and was buried in Temple Church in London after being invested into the order of the Knights Templar on his deathbed.
But at St Mary's, the stained glass windows depict an array of coats of arms including one that belonged to Hugh Mortimer of Chelmarsh, who married Marshal's granddaughter.

There is little other explanation why there would be so many Templar graves at the quaint village church, although members of the group are believed to have attached themselves to churches dedicated to St Mary the Virgin. The church on the outskirts of the Black Country was built in the early 12th century at a time when the Templars were creating Preceptories - a type of monastery - around Britain.

Each of the graves he has uncovered features a Templar cross within double circles in a standard Templar design. One also includes a Crusader cross, suggesting the knight was both a Templar and a Crusader of the ancient military order.

At the foot of the same grave there's also a Templar Cross - a variation of the Jerusalem Cross - revealing the unknown knight had once been part of the Templar Order at Temple Mount, Jerusalem.

'I believe these discoveries make Enville one of the most nationally important churches in the country,' Mr Dyas said.

'That's due to its close links with William Marshall, who is considered of the greatest warriors England ever produced.
'But there is a mystery of why an European Templar is buried at Enville and why they were secretly so prominent there.'

The Crusades were a series of religious wars fought between 1095 and 1291, in which Christian invaders tried to claim the near East.

It's known that nobility led the Crusades, but historical records lack details of the ordinary soldiers who travelled to, lived and died in the near East.

The Crusades set the stage for several religious knightly military orders, including the Knights Templar, the Teutonic Knights, and the Hospitallers.

These groups defended the Holy Land and protected pilgrims travelling to and from the region.

We have a few original Templar and Templar period artefacts, which we show, and some are only a few hundred pounds. It represents an incredible opportunity to own a spectacular piece of world history.

If you wish to read the full story, the link is below;

https://www.dailymail.co.uk/sciencetech/article-12408493/The-real-life-Da-Vinci-Code-Historian-uncovers-graves-belonging-members-Knights-Templar-Staffordshire-one-nationally-important-discoveries-kind.html  read more

Code: 24895

A Stunning, Victorian '3 Band' Rifle From the Tower of London Armoury, With Original Bayonet.

Tower of London manufactured and dated 1857, with VR Crown stamp, and the butt has a War Office stamp and date, 1861, possibly when it was further inspected in Birmingham by the War Office inspector, and deemed suitable to export to the US Civil War. The War Office was a department of the British Government responsible for the administration of the British Army from 1857

The 'Enfield 1853' Pattern Rifle-Musket was the mainstay of the British Army and militia during the Crimean War and Indian Mutiny. It was later replaced briefly by the 2 Band, the Snider conversion and ultimately by the Martini Henry 450 577. This example is very attractive with it's original bayonet marked, and ramrod, profusely and fully ordnance marked throughout by the ordnance inspectors, and bears the stock roundel stamp on the butt, although this is very dark and difficult to read.

With war breaking out between the Turks and the Russians, Britain realized that it was only a matter of time before they would be drawn into the conflict. The British Army was in the midst of a significant weapons transformation from smoothbore muskets to rifled muskets. While three of the four divisions of the field army in the Crimea had been supplied with the pattern 1851 Minie rifle-musket, the other regiments of the army around the Empire still carried the 1842 pattern smoothbore musket. By the end of 1853, the Enfield rifle-musket was approved by the War Department for the army and was put into production. The Enfield saw extensive action in the Crimean War, 1854–1856, with the first Enfield rifles being issued to troops from February 1855

It was a rifle that was also used by both the North and the South in the American Civil War, and was the second most widely used infantry weapon in the war, surpassed only by the Springfield Model 1861 Rifled Musket. The Confederates imported more Enfields during the course of the war than any other small arm, buying from private contractors and gun runners when the British government refused to sell them arms after it became obvious that the Confederacy could not win the war. It has been estimated that over 900,000 P53 Enfields were imported to America and saw service in every major engagement from the Battle of Shiloh (April, 1862) and the Siege of Vicksburg (May 1863), to the final battles of 1865. At the Battle of Gettysburg on July 2, 1863, the 20th Maine Volunteer Infantry, led by Colonel Joshua L. Chamberlain, were armed with Enfield 1853 Rifle-Muskets during their famous bayonet charge against a relentless attack by Confederate Forces attempting to destroy the left flank of the Union Army on Little Round Top. Here is an excerpt from Chamberlain's Official Battle Report:

"The intervals of the struggle were seized to remove our wounded (and those of the enemy also), to gather ammunition from the cartridge-boxes of disabled friend or foe on the field, and even to secure better muskets than the Enfields, which we found did not stand service well."

The ferocious charge of the 20th Maine, with bayonets fixed to their Enfield Rifle-Muskets, was victorious against the stunned Confederates, and Colonel Chamberlain received the Medal of Honor for his day on Little Round Top. The P53 Enfields capabilities were largely lost by the lack of marksmanship training by both the Union and Confederacy. Most soldiers were not trained to estimate ranges or to properly adjust their sights to account for the "rainbow-like" trajectory of the large calibre conical projectile. Unlike their British counterparts who attended extensive musketry training, new Civil War soldiers seldom fired a single cartridge until their first engagement. After the end of the war, hundreds of formerly Confederate Enfield 1853 muskets were sold from the American arms market to the Tokugawa shogunate, as well as some prominent Japanese domains including Aizu and Satsuma. These units were later used in the Boshin War, and some remaining in Satsuma were also used by rebelling former samurai in the Satsuma Rebellion about a decade later.

The Enfield Pattern 1853 rifle-musket (also known as the Pattern 1853 Enfield, P53 Enfield, and Enfield rifle-musket) was a .577 calibre Minié-type muzzle-loading rifled musket, used by the British Empire from 1853 to 1867; after which many were replaced in service by the cartridge-loaded Snider–Enfield rifle.

History and development

The parts of the Enfield cartridge, including the papers, the Pritchett bullet, and forming tools
The term "rifle-musket" originally referred to muskets with the smooth-bored barrels replaced with rifled barrels. The length of the barrels were unchanged, allowing the weapons to be fired in ranks, since a long rifle was necessary to enable the muzzles of the second rank of soldiers to project beyond the faces of the men in front. The weapon would also be sufficiently long when fitted with a bayonet to be effective against cavalry. Such weapons manufactured with rifled barrels, muzzle loading, single shot, and utilizing the same firing mechanism, also came to be called rifle-muskets.

Royal Small Arms Factory developed the Pattern 1853 Enfield in the 1850s. The 39 in (99 cm) barrel had three grooves, with a 1:78 rifling twist, and was fastened to the stock with three metal bands, so that the rifle was often called a "three band" model. The rifle's cartridges contained 2+1⁄2 drams, or 68 grains (4.4 g) of gunpowder, and the ball was typically a 530-grain (34 g) Boxer modification of the Pritchett & Metford or a Burton-Minié, which would be driven out at approximately 1,250 feet (380 m) per second.

The original Pritchett design was modified by Col. Boxer, who reduced the diameter to 0.55 after troops found the original 0.568 too hard to load during the Indian Mutiny, changing the mixed beeswax-tallow lubrication to pure beeswax for the same reason, and added a clay plug to the base to facilitate expansion, as the original Pritchett design, which relied only on the explosion of the charge, was found to cause excessive fouling from too slow an expansion, allowing unburnt powder to escape around the bullet. The Enfield's adjustable ladder rear sight had steps for 100 yards (91 m) – the first position – 200 yards (180 m), 300 yards (270 m), and 400 yards (370 m). For distances beyond that, an adjustable flip-up blade sight was graduated (depending on the model and date of manufacture) from 900 yards (820 m) to 1,250 yards (1,140 m). British soldiers were trained to hit a target 6 feet (180 cm) by 2 feet (61 cm) – with a 2 feet (61 cm) diameter bull's eye, counting 2 points – out to 600 yards (550 m). The target used from 650 yards (590 m) to 900 yards (820 m) had a 3 feet (91 cm) bull's eye, with any man scoring 7 points with 20 rounds at that range being designated a marksman


As with all our antique guns no license is required as they are all unrestricted antique collectables.
The external finish is very good with much original varnish to the stock, with signs of use and wear naturally. The action was rather clogged and it is in the gun workshop being serviced, the spring is excellent and action tight as a drum.  read more

Code: 24897

An Original 900 Year Old Templar Crusader Knights era ‘Sword of War’. A Broadsword With Brazil Nut Pommel. From the Period Immediately Following the Norman Conquest & As Used By the Templar Knights

This wonderful antiquity would make a spectacular centrepiece to any new or long established fine collection, or indeed a magnificent solitary work of historical art, for any type of decor both traditional or contemporary and a fabulous original ‘statement piece’ for any home. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history.

Earlier this year we acquired and sold almost immediately a Templar knights sword, actually stamped and forged by a Templar armourer. This sword bears no such extremely rare Templar marking, so, it is thus priced accordingly.

A fine example piece, from the ancient Templar knightly age, from almost a thousand years past. Although this sword is now in an obvious ancient, and historical, russetted condition, with some elements lacking, every item made of iron from this era, such as the rarest of swords and daggers, even in the Royal Collection, are in this very same state of preservation.

Around 900 Years Old. A hand-forged iron knightly sword, the very same as used by the templar Knights of Jerusalem, comprising a narrow two-edged blade with shallow fuller to both faces, short ricasso, slender square-section cross guard tapering slightly, flat tang, brazil-nut pommel. 12th-early 13th century, used in the early Crusades Period by Knights, such as the Knights of Jerusalem the Knights Templar, Knights of St John, made from time of King Stephen, and used into the times of King Henry the IInd, and King Richard the Ist.
Although made for a Knight around the time of the reign of the Norman king, King Stephen, it was likely also used by succeeding knights for the next 300 years or so, as such swords were of immense value at the time and it was likely passed down from father to son or knight to knight, and thus used as a ‘sword of war’ right into the era of the battles of Crecy, Poitiers, and King Henry V’s age defining victory, at Agincourt. *See further reference to this below This assumption is realistically made due to swords at that time being incredibly valuable and most highly prized, and the style and form of swords during that period had only changed cosmetically, and thus ancestral swords, as this would have been in King Henry’s day, still functioned perfectly well, despite being used for the past three centuries. There are records of swords recovered from Agincourt of being knightly ‘ancestral swords’, made and used originally in the Crusades, especially the swords from the hundreds of slain French knights of Agincourt that were descended from crusader knights from the nobility of France.

A Single-Handed, Knights sword, made in the 12th century {circa 1120's} and constantly used in the early Crusades period, by a Knight and hand forged by an armourer, during the time of England's King Henry Ist, and used into the reigns of King Henry the IInd, and King Richard Ist, the Lionheart, and potentially, for the following century or even longer.

The Knights Templar were an elite fighting force of their day, highly trained, well-equipped, and highly motivated; one of the tenets of their religious order was that they were forbidden from retreating in battle, unless outnumbered three to one, and even then only by order of their commander, or if the Templar flag went down. Not all Knights Templar were warriors. The mission of most of the members was one of support – to acquire resources which could be used to fund and equip the small percentage of members who were fighting on the front lines. There were actually three classes within the orders. The highest class was the knight. When a candidate was sworn into the order, they made the knight a monk. They wore white robes. The knights could hold no property and receive no private letters. They could not be married or betrothed and could not have any vow in any other Order. They could not have debt more than they could pay, and no infirmities. The Templar priest class was similar to the modern day military chaplain. Wearing green robes, they conducted religious services, led prayers, and were assigned record keeping and letter writing. They always wore gloves, unless they were giving Holy Communion. The mounted men-at-arms represented the most common class, and they were called "brothers". They were usually assigned two horses each and held many positions, including guard, steward, squire or other support vocations. As the main support staff, they wore black or brown robes and were partially garbed in chain mail or plate mail. The armour was not as complete as the knights. Because of this infrastructure, the warriors were well-trained and very well armed. Even their horses were trained to fight in combat, fully armoured. The combination of soldier and monk was also a powerful one, as to the Templar knights, martyrdom in battle was one of the most glorious ways to die.

The Templars were also shrewd tacticians, following the dream of Saint Bernard who had declared that a small force, under the right conditions, could defeat a much larger enemy. One of the key battles in which this was demonstrated was in 1177, at the Battle of Montgisard. The famous Muslim military leader Saladin was attempting to push toward Jerusalem from the south, with a force of 26,000 soldiers. He had pinned the forces of Jerusalem's King Baldwin IV, about 500 knights and their supporters, near the coast, at Ascalon. Eighty Templar knights and their own entourage attempted to reinforce. They met Saladin's troops at Gaza, but were considered too small a force to be worth fighting, so Saladin turned his back on them and headed with his army towards Jerusalem.

Once Saladin and his army had moved on, the Templars were able to join King Baldwin's forces, and together they proceeded north along the coast. Saladin had made a key mistake at that point – instead of keeping his forces together, he permitted his army to temporarily spread out and pillage various villages on their way to Jerusalem. The Templars took advantage of this low state of readiness to launch a surprise ambush directly against Saladin and his bodyguard, at Montgisard near Ramla. Saladin's army was spread too thin to adequately defend themselves, and he and his forces were forced to fight a losing battle as they retreated back to the south, ending up with only a tenth of their original number. The battle was not the final one with Saladin, but it bought a year of peace for the Kingdom of Jerusalem, and the victory became a heroic legend.

Another key tactic of the Templars was that of the "squadron charge". A small group of knights and their heavily armed warhorses would gather into a tight unit which would gallop full speed at the enemy lines, with a determination and force of will that made it clear that they would rather commit suicide than fall back. This terrifying onslaught would frequently have the desired result of breaking a hole in the enemy lines, thereby giving the other Crusader forces an advantage.

The Templars, though relatively small in number, routinely joined other armies in key battles. They would be the force that would ram through the enemy's front lines at the beginning of a battle, or the fighters that would protect the army from the rear. They fought alongside King Louis VII of France, and King Richard I of England.3 In addition to battles in Palestine, members of the Order also fought in the Spanish and Portuguese Reconquista. It could also be enhanced by affixing to a rectangular bespoke display panel.We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel.  read more

Code: 23241