Antique Arms & Militaria

A Most Scarce Original Late 14th Century Crossbow Bolt Quarrel. From the Reign of King Henry Vth and the Battle of Agincourt in 1415

Part of our wondrous, new, historical, and original Ancient Roman, Ancient Greek, Viking, Crusaders, and Medeavil battlefield antiquities and artefacts, another fabulous museum grade collection that has just arrived with us .

heavy diamond form steel bolt head, and remarkably still with the end of its original quarrel shaft still in place within its socket

Much of it acquired by a family in the 1820's while on a Grand Tour of Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine.

Although the English and Welsh Longbowmen that fought at Agincourt are incredibly famous, the crossbow was used predominantly by the French army, yet some English, plus, some mounted knights used crossbows as well, as longbows were incredibly impractical if not impossible for use on horseback

Much of it acquired by a family in the 1820's while on a Grand Tour of Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine.

After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French. Part of an original medieval collection we have just acquired, of Roman, Greek, Assyrian, Celtic, Viking and early British relics of warfare from ancient battle sites, much of it recovered up to 220 years ago.

Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24882

A Super, Large, Spinosaurus Tooth Cretacous Period Around 100 Million Years Old. One of The Great Dinosaurs. Thought Possibly Larger Than The T- Rex

Spinosaurid specimen tooth of good proportions with excellent colour tones and morphology, exhibiting attractive caramel glossy enamel patina, collected in the continental Red sands fossil formation, part of the continental intercalate, Tegana formation, province de Kasr-es-Souk, Kem Kem. Approximately 25km from Erfoud. The fossil beds are situated in southeastern Morocco, an area of the North Western Sahara desert, this area is the northern Sahara of Africa. The Hamada, is a raised plateau and is a distinct topographical feature of this region lying across the borders of Morocco and Algeria.

Spinosaurus (meaning "spine lizard") is a genus of theropod dinosaur that lived in what now is North Africa, during the upper Albian to upper Turonian stages of the Cretaceous period, about 112 to 93.5 million years ago. This genus was known first from Egyptian remains discovered in 1912 and described by German paleontologist Ernst Stromer in 1915. The original remains were destroyed in World War II, but additional material has come to light in the early 21st century. It is unclear whether one or two species are represented in the fossils reported in the scientific literature. The best known species is S. aegyptiacus from Egypt, although a potential second species, S. maroccanus, has been recovered from Morocco.

Spinosaurus was among the largest of all known carnivorous dinosaurs, nearly as large as or even larger than Tyrannosaurus, Giganotosaurus and Carcharodontosaurus. Estimates published in 2005, 2007, and 2008 suggested that it was between 12.6 to 18 metres (41 to 59 ft) in length and 7 to 20.9 tonnes (7.7 to 23.0 short tons) in weight. New estimates published in 2014 and 2018 based on a more complete specimen, supported the earlier research, finding that Spinosaurus could reach lengths of 15 to 15.6 m (49 to 51 ft). The latest estimates suggest a weight of 6.4 to 7.2 tonnes The skull of Spinosaurus was long and narrow, similar to that of a modern crocodilian. Spinosaurus is known to have eaten fish, and most scientists believe that it hunted both terrestrial and aquatic prey; evidence suggests that it lived both on land and in water as a modern crocodilian does. The distinctive spines of Spinosaurus, which were long extensions of the vertebrae, grew to at least 1.65 meters (5.4 ft) long and were likely to have had skin connecting them, forming a sail-like structure, although some authors have suggested that the spines were covered in fat and formed a hump. Multiple functions have been put forward for this structure, including thermoregulation and display.

Accompanied by our Certificate of Authenticity.
Tooth is 72mm long overall  read more

Code: 24879

An Imposing & Elegant ‘Morituri’ Walking Cane, Cast Bronze Skull With & Ebony Stick & Carved Bone Ferrule

Likely 20th century. A gentleman’s walking out cane of the most distinct esoteric style of a weighted cast skull set upon an elegant, earlier, Victorian ebony cane with a carved bone ferrule.
Skull mounted canes for gentlemen have been most popular in all forms since the 18th century, and one of the most famed was the cane made for, and used by, Charles Darwin.
Darwin called his skull stick his ‘morituri’, a type of ‘memento mori’. These objects remind their owners of the short time people live on earth. Charles Darwin (1809-82) is famous for his theory of evolution outlined in The Origin of Species, first published in 1859. Darwin’s walking stick was collected by Henry Wellcome as a relic of someone Wellcome considered a ‘great man.’ Darwin's carved whalebone Morituri cane is shown in the gallery on a black ground.

Walking canes have been in use for centuries and have come to represent both elegance and practicality. An elegant walking cane, in particular, is more than just a tool to aid in walking. It is a statement of style, sophistication, and grace. In this article, we will delve deeper into the concept of an elegant walking cane, its history, and its contemporary significance

A brief history of walking canes
Walking canes have been in use since ancient times, with evidence of their use found in several civilizations around the world. The Egyptians, Greeks, and Romans all used walking sticks for both functional and ceremonial purposes. In medieval times, walking canes were an accessory of the wealthy and powerful, often adorned with precious metals and jewels.

By the 17th century, walking canes had become an essential part of men's fashion. They were not only used as a symbol of wealth and status but also as a practical tool to aid in walking. During the 18th century, walking canes became even more ornate, with intricate designs and carvings, and the addition of handles made from exotic materials such as ivory and tortoiseshell.

In the 19th century, walking canes became more utilitarian in nature, with the introduction of collapsible canes and adjustable handles. They continued to be popular among the wealthy, with some canes serving as a form of self-defense, fitted with sword or dagger blades. And a weighted cane often made a most effective 'club' stick


90cm long  read more

Code: 24855

A Stunning, Indian Tiger Head, of 'Tipu Sultan' Form, Dagger's Pommel, The Tiger of Mysore, in Silver and Copper With Gem Stone Eyes

Likely used in the era of the Battle of The Siege of Seringapatam (4 May 1799) potentially by one of his highest rank military or vassal. It was the final confrontation of the Fourth Anglo-Mysore War between the British East India Company and the Kingdom of Mysore. The British achieved a decisive victory after breaching the walls of the fortress at Seringapatam (as Srirangapatna was then known) and storming the citadel. Tippu Sultan, Mysore's ruler, was killed in the action. The British restored the Wodeyar dynasty to the throne after the victory, but retained indirect control of the kingdom. All copper gilt hilt and mount. Decorated with a Tiger's head pommel, and fully designed with mask suspension mounts and all over patterning. Tipu Sultan (c.1753–99) the Sultan of Mysore from (1782–99). He inherited the kingdom recently created by his father, Hyder Ali and was a formidable enemy to both the British and neighbouring Indian states. Failure to secure active French support left him without allies in resisting the British. He was finally besieged in his own capital, Seringapatam, when unfounded rumours that he had secured an alliance with Revolutionary France gave the British the necessary pretext for a final assault. He was killed in the attack.

On a number of Tipu's swords, such as those at Powis Castle, near Welshpool; British Museum, London; and Museo Stibbert Museum, Florence, tigers form the hilt, with Tiger of Mysore pommel, Each tiger is of a slightly different design. The tiger and tiger's head denotes the certainty of it having belonged to royalty as none but Princes are allowed to introduce it,' wrote Lord Mornington, the Governor General, in 1800.

Islam did not directly forbid representational, figurative art, but there is no religious tradition governing it as there is with calligraphy and the more geometric decorative arts. Islamic figurative art is generally secular (separated from religion). Representational examples of Islamic art often illustrate battles or animal hunts, and were used to decorate the private apartments of the nobility. Although unfortunately there is no known remaining direct connection with this sword pommel and Tipu Sultan, or Seringapatam, as his swords were usually solid gold, yet it is so similar to the Tiger of Mysore's solid gold tiger heads thus it is to be logically concluded to possibly have been used by a noble/prince in his service, or, at the very least an admirer-supporter.

A photo in the gallery shows the solid gold, Tiger of Mysore, pommelled sword of Tipu Sultan, and a Tipu Sultan, Tiger of Mysore, pommelled dagger. Both gold silver and jewelled, and another Tiger of Mysore, in gold and jewels taken from his disassembled from his throne over 223 years ago, and that tiger of Mysore head sold for around 1.4 million pounds a few years ago.  read more

Code: 24857

Antique 17th-18th century Sinhalese Nobleman's Dagger Piha Kaetta, With Fabulous Carved Black Coral Grip, and Very Unually With its Original Scabbard.

A single edged robust steel blade with fuller along the back edge. The forte and spine of the blade are heavily encrusted in silver with scrolling foliage, encased on each side with chased silver alloy bolster panels, over the base, decorated with finely chased floral and vine scrolling foliage, with finely carved black coral grip.The hilt is finely carved and detailed with a

liya-pata pattern hilt. The end is encased in a broad rounding of metal that has been chased in high relief with particularly fine Ceylonese scrolling foliage and flower motifs. From this is emitted a rounded tang button. In its wood scabbard with fluted finish and small wood part lacking.

These elaborately decorated knives are usually the product of the Pattal-hatara (four workshops), the blades being supplied by smiths. This was a mainly hereditary corporation of the best craftsmen who worked exclusively for the king in Kandy. Originally there was only one pattala but this was subsequently divided into sections which included a Randaku pattala (golden sword armoury or workshop). As well as being worn by courtiers, these knives were given by the king to nobles and to the temples. "The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu [Golden Arms], the Abarana [Regalia], the Sinhasana [Lion Throne], and the Otunu [Crown] these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months.
A related but less ornate example but without a scabbard currently is on display in London’s Victoria & Albert Museum. Another example is in the Clive Collection (see Archer, 1987, p. 45 for an illustration.). The Clive example was first mentioned in inventories in 1775.
References
Caravana, J. et al, Rites of Power: Oriental Weapons: Collection of Jorge Caravana, Caleidoscopio, 2010.
Hales, R.,
Islamic and Oriental Arms and Armour: A Lifetime’s Passion, Robert Hale CI Ltd, 2013.

De Silva, P.H.D.H & S. Wickramasinghe,
Ancient Swords, Daggers & Knives in Sri Lankan Museums, Sri Lanka National Museums, 2006.

Weereratne, N.,
Visions of an Island: Rare works from Sri Lanka in the Christopher Ondaatje Collection, Harper Collins, 1999.  read more

Code: 20007

A Super & Historical Brown Bess Flintlock Musket & Bayonet. In Its Final Service Days, Part of the Arms Used by The Expeditionary Sailing Schooner & Steam Ship of the River Niger. Engraved With the Name of The 1st Propeller Driven Exploring Steamship

The Schooner and expedition was under the command of Dr. William Balfour Baikie, R.N. a famed explorer and renown anti-slaver.

The musket is in super condition made by Bond of London. Complete with its standard, regulation, ordnance stamped Brown Bess bayonet, numbered 24. Regulation Brown Bess barrel .750 inch bore, and of 39 inches long, stamped with Board of Ordnance view and proof markings of circa 1790. Typical all brass mounts and fittings, trigger guard side plate fore-end and butt plate, with both steel sling swivels present, and a fine walnut stock. the ships name, 'Pleiad' engraved to the butt tang with the ship's gun's gun-rack numbering, '4'. The regulation trigger guard has a large number engraved, 22 this may likely be a previous use regimental number such as the Cheshire Regt, {the 22nd Foot}

Edward Bond was at 45 Cornhill, London, from 1800 to 1830, during this time he was joined by William, they moved to Lombard St. in around 1830

The vessel, named the Pleiad, was an extremely interesting and historical sailing ship. It was built by John Laird, and she was a sailing schooner, and, an auxiliary steam ship, with a unique 'lifting' propeller, and is said to have been the first exploring vessel to have been fitted with an additional propeller. Her length was 105 feet and her beam 24 feet. She had a 40-horse-power engine.

The Pleiad was schooner rigged, and the lifting propeller prevented the screw from retarding her speed under sail. This was before coaling stations were established on the route, and the vessel was intended to carry her coal from England under sail and to reserve it for use on the Niger.

William Baikie M.D. (1825-1864) was born in Orkney and studied medicine at Edinburgh University. He joined the Royal Navy in 1848 and soon attracted the notice of Sir Roderick Murchison who secured Baikie the post of surgeon and naturalist to the Niger Expedition in 1854. One of Baikie’s most important observations was on the use of quinine to prevent malaria as no one on the expedition contracted the disease. During the expedition, the senior officer, Consul John Beecroft, died and Baikie took command. Ascending the Benue about 250 miles beyond the point reached by former explorers, he returned and reached the mouth of the Niger, after a voyage of 118 days, without the loss of a single man. The expedition was partly funded by Laird of Birkenhead -- the 266-ton screw yacht Pleiad was designed by William Laird Jr and built by John Laird of Birkenhead to meet whatever unknown challenges cropped up, and was well armed with a single 12pdr gun, four swivel guns, a number of Minie guns together with pistols, shotguns and trade muskets. Baikie also used it for his second expedition of 1857 but it was wrecked in rapids. Baikie determined to carry out the purposes of the Expedition. He first considered establishing a British Consular Agency at Kabba but faced opposition from the local king of the region of Niger -- probably because Baikie was an anti-slaver firmly against the slave trade, which still provided a generous income for some tribal leaders and especially the local king. Instead, he chose Lokoja as the base of his future operations, it being the site of the model farm established by the Niger Expedition of 1841, and abandoned on the death of most of the white settlers. After Baikie's death, the British government abolished the consulate (1866), but the trading post remained influential. The district where Baikie had worked so successfully was finally secured for the UK through private enterprise some 20 years later and Lokoja became the capital of the Northern Nigeria Protectorate. Baikie wrote up the 1854 Expedition in his Narrative of an exploring voyage up the rivers Kwóra and Binue (commonly known as the Niger and Tsádda) in 1854.

Thanks to Laird’s forethought on all points she did well. Knowing the climate by experience, he insisted on keeping the number of Europeans to the minimum. The Pleiad left under the command of Dr. William Balfour Baikie, R.N., who dosed the ship’s company with quinine night and morning. When she reached Fernando Po, Dr. Baikie learned that Beecroft had died. Baikie decided to go up the river. He had engine trouble and the Pleiad ran aground several times, but he reached the confluence of the Niger and the Benue. Baikie ascended the Benue farther than any white man before him. Unfortunately the river began to fall. Baikie left the little vessel and went on farther by canoe until he was sure that Barth was not in the district. Then he returned to the Pleiad.

He traded her cargo, and she sailed back to England without the loss of a man by disease or accident, a new and wonderful event in the story of the Niger. He established that the river which Barth had reached was the one which flowed into the Niger.

The National Maritime Museum, Greenwich, have two matched examples of pistols from the set of the arms in the ship's arms locker, also named for the Pleiad, and similarly made by Bond of London, Object IDs AAA2432 & AAA2432.2. Another brace of pistol from the gun locker of the Pleiad and named as such sold at auction for just shy of £4,000.

To demonstrate the historical interest and status of the ship's voyage of exploration, an original copy of the book written by Dr. William Balfour Baikie, R.N., detailing his voyage aboard the Pleiad, published in 1856, can fetch upwards of £1,000. See a photo of his book in the gallery. For information and education purposes only, book not available

Narrative of an exploring voyage up the rivers Kwóra and Binue (commonly known as the Niger and Tsádda) in 1854.
Baikie, William Balfour
Published by London : Murray, 1856

The gun and action are very good for age, with an incredibly tight and crisp action, with just age and wear commensurate for its period and use both at sea and river. Small sliver of wood lacking forward of the lockplate, on the inside, beneath the barrel  read more

Code: 24859

A Very Fine Large Long Barrel Boxlock Flintlock Brass Cannon Barrel Blunderbuss Pistol Circa 1730 by Renown Maker John Freeman of London

Superb silver fittings and elaborate scroll inlays stunningly depicting trumpets, drums, spears and cannon to the butt, and the silver wire appears to be 100% intact. With brass cannon barrel and lock, and safety mechanism by sliding the trigger guard forward once the pistol is cocked. Known as a Queen Anne flintlock this is a stunning example in wonderful condition, by one of the best makers of the day. Demon face butt mask in silver. 13 inches long overall.

Without doubt, especially considering the most rare design of silver inlay this is one of the finest examples in the best condition, we have ever seen.

The ‘Queen Anne’ style pistol is distinctive in that it does not have a ramrod. The barrel of the pistol unscrews and allows it to be loaded from the rear and near the touch hole at the breech of the barrel. These pistols are made in either Dog Lock or Flintlock styles.

The Queen Anne pistols were very popular and were made in a variety of calibers, usually about 38 to 50 bore. Boot pistols, Holster pistols, pocket pistols and Sea Service pistols were all made in Queen Anne style. This type is known as a Queen Anne pistol because it was during her reign that it became popular (although it was actually introduced in the reign of King William III).

The fine examples were made with silver fittings and or inlays, but the finest, with brass barrels and frames as well as silver mountings and inlays

As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 24860

A Superbly Attractive, Native American Indian 'Spontoon Head' Style Tomahawk with Studded Haft, Glass Beads, and Eagle Feathers.

Great Lakes style. Rarely seen in Europe, a large spontoon trade style tomahawk axe head, with 2 large hook quillons on either side of the head. The head itself is a work of art, engraved with four spontoon heads at north south east and west, and nail point stamped create a circle. Possibly forged by an unknown blacksmith. The blade and head show a nice natural patina, and old brass tacks along the handle. They are domed head brass tacks set in an ash wood haft. The haft has a hole drilled for attaching an old beaded drop and eagle feathers with a piece of thin buckskin cord, the eagle feathers have been cut across the top, this is an old Lakota symbol of 'cutting an enemy's throat'. In excellent condition, It somewhat reminds us of the late 19th century spontoon head tomahawk of Chief Iron Tail of the Oglala Lakota Nation. He was a famed late 19th century celebrity Sioux, but it was as a star performer in Buffalo Bill's Wild West in the 1880s that brought this Sioux to the attention of world leaders and American audiences; as many as 12,000 people attended the live shows each day. It was the quintessential last vestige of the American West and passing century of discovery. When performances went overseas, Iron Tail was still Buffalo Bill's lead performer, and also his avowed best friend. He nicknamed Bill "Pahaska" or "Long Hair." In the West they hunted; in Europe, they toured historic sites, often hosted by royal aristocracy, traveling together until 1913.The spiked tomahawk, made along the lines of medieval European battle axes, had either a straight or curved spike projection at the top of the hatchet’s head.

The Missouri war axe, a large, thin-bladed hatchet with a short handle, was favoured by tribes along the great bend of the Missouri River.

The spontoon tomahawk, with its dagger-like blade and curled or winged-like appendages, suggested a fleur-de-lis-shaped battle axe.

Although least practical as a cutting or chopping tool, each one of these tomahawks made formidable hand weapons and held some favour with Indians because of their graceful and artistic shapes.

Regardless of style or shape, like the Indian’s bow and lance or the white man’s rifle and revolver, the tomahawk was as important a practical tool as it was a weapon of combat. Whether left plain or adorned with tacks, beads, coloured cloth, feathers, animal parts or even human appendages, the tomahawk also served as a symbol, representing the choice between peace or war, when white and red men met. While the first iron hatchets and tomahawks in America came from British and French sources in the northwestern territories and the Spaniards and French in the south and southwestern regions of the frontier, the first American tomahawks probably appeared in the Far West during Meriwether Lewis and William Clark’s 1804-1806 expedition. Nevertheless, by the early to mid-19th century, the iron tomahawk had become a standard trade item and fighting implement of frontier Indians. This tomahawk is not an authentic 18th century or early 19th century example, today those examples are now valued in the tens of thousands of pounds, and furthermore should never now leave American shores. This axe is likely 19th century or later, . Surface pitting to the iron and small blackened staining to the iron on one side. We cannot ship this item to the US, because not only are Native American artefacts are not permitted to leave American shores, it is also, most peculiarly, not allowed to be imported back into the US either. To us lesser mortals it reads as; ‘ One is no longer allowed to remove our NA artefacts from the US, but we don’t want what you already have back either’ Somewhat of a puzzle methinks.  read more

Code: 23398

A Most Fine Presentation 2nd Manchester, 33rd Lancashire Rifle Volunteers Antique Victorian Sword of 1869

Presented to Captain Henry Lewis Rocca, [Later Colonel of the regiment] by the members of No.10 Company. This sword was likely presented by his volunteer company on his promotion to captain in November 1869. Stunning bright polished steel fittings, revealed after over 12 hours of no expense spared, specialist artisan hand conservation, and an absolutely amazing condition deluxe presentation blade with mirror bright finish.
He was born in Hamburg, Germany in 1831, and came to England in 1851, he settled in Manchester and in 1857 became a naturalised British subject. Later he became the principal of a firm of merchants and shippers. He joined the 2nd Manchester 33rd Lancashire Rifle Volunteers, the Ardwick Corps in the summer of 1866 and, although offered a commission, he insisted on drilling in the ranks until he became proficient.
He was appointed Lt on 19th November 1866. Capt on 3rd November 1869, Maj on 10th January 1877 and Lt-Col 10 Jan. 1885.
He was one of the first recipients of the first
issue of the Volunteer Officers' decoration. he died on the 27 Dec. 1916.

Henry Rocca aged 43 took over command as Colonel of the Ardwick Corps in December 1885, the headquarters were still in the original old house at 1 Ardwick Green. One of his first priorities was the provision of a proper home for the Volunteers. It was decided that the most sensible and practical course was to buy the existing building which had been their HQ for so many years and at the same time acquire the free-hold of the site. Rather than carry out the usual methods of raising funds for such a
project by soliciting donations and holding fund-raising bazaars, Colonel Rocca generously provided the necessary funds at a low rate of interest. This to be repaid out of the Government capitation grants as circumstances permitted, and this arrangement was sanctioned by the War Office, allowing planning to proceed

Manchester and its neighbouring townships were no strangers to the raising of volunteer soldiers and their mustering for war.
Following the capitulation of 'Gentleman Johnny' Burgoyne's army on 17 October 1777 at Saratoga there were many offers of armed and financial assistance from patriotic citizens. Manchester raised the 'Royal Manchester Volunteers' or 72nd Regiment of Foot who serve with distinction in the garrison of Gibraltar throughout the siege 1783. There was much local enthusiasm both to subscribe money and to this Regiment. Within four months the Regiment had been completely officered, equipped and was ready for service. All of this was from local resources. In 1793 the outbreak of yet another war with France produced a wave of s enthusiasm, resulting in the formation of a Manchester Military Association raising of the Royal Manchester Volunteers or 104th Regiment of Foot.

The fear of invasion saw the raising of two battalions of Manchester and Salford volunteers in February 1797. In 1798 Colonel Ackers raised a second Volunteer Regiment.
Enthusiasm continued and in December there was a proposal to raise yet another body of men to be known as The (Town's Own) Loyal Regiment of Infantry  read more

Code: 24302

Possibly The Finest 17th Century Silver Sword Cum Plug-Bayonet, Complete With It’s Original Scabbard & Belt Mount, Outside of the Royal Collection..

A sword cum plug bayonet is a belt mounted short sword that doubles as a defensive sword, but when thrust into the muzzle of a musket becomes the very first form of bayonet, that converts a musket into a long pike or spear. In fact it is named after the French town of Bayonne, where it was said to have been first used, and thus technically invented, and it is the very first form of bayonet ever made, and whence every future bayonet therefore gets its name.
It further bears in silver bullion, stitched into the baldric [belt ‘frog’ mount] behind the two retaining cross straps, twin, inverted and elongated capital letter ‘L’s’, the personal cypher mark and symbol of King Louis XIVth of France. The highly distinctive cypher mark of all the King’s of France bearing the name Louis. This may likely indicate that this sword-bayonet was actually owned and used within the service of the King of France, by one of his highest ranking officers, or indeed an officer of his personal guard. One of finest quality pieces of its type we have ever had the privilege to own, and incredibly still in its original silver mounted scabbard and silk and silver bullion baldric. Probably this can be seen as the best available within the worldwide collecting market today.
It is also probably the most complete example, from the mid to late 1600's, we have ever seen, certainly in over 40 years, including those we have handled within the Royal Collections. This magnificent plug bayonet-cum-short sword would be the prize of any of the finest worldwide collections of the rarest short swords that can double as the very rare, so called ‘plug’ bayonet, as they are ‘plugged’ into the muzzle of a musket, to convert it to a pike or spear. It is remarkably complete with it's silver bullion and silk baldrick frog belt mount with three tongues. It has finest quality solid silver mounts, with decorated quillons bearing profile heads of men adorned with caps, very similar to the armourer's marks on the blade. And the silver scabbard mounts and fittings also beautifully match, with an acorn frog mount. The original scabbard leather is superb condition, crosshatch patterned, with the so called ‘bullets and lines’ stamped decor. It has a wonderful blade, in stunning order, with two large matching armourer's marks of a profile head [on both blade sides]. The grip handle is birds-eye maplewood with a silver pommel. The late 17th century saw the final demise of the pike, and its replacement by the bayonet. The plug bayonet, which blocked the muzzle of the musket and needed to be removed for firing, did not catch on. The earliest military use of bayonets was by the French Army in 1647, at Ypres. These were plug-fitted into the barrel. That prevented firing once they were mounted, but allowed musketeers to act as their own pikemen, which gave infantry formations greater firepower. By 1650 some muskets had bayonets fixed to the gun at manufacture, hinged and foldable back along the barrel. French fusiliers adopted the plug bayonet as standard equipment in 1671; English fusiliers followed suit in 1685. The trouble with firing in successive lines was that it was only practical on a narrow front. In open country, the musketeers could easily be flanked, especially by cavalry. In most battles, the musketeers relied on pikemen to protect them while reloading. Infantry practiced various formations and drills that allowed musketeers to hide behind the pikes while reloading and to take up firing positions as soon as their weapons were ready to use. This system worked pretty well, but it obviously cut down the army’s firepower-sometimes by more than half.

The solution to the problem was to turn the musket into a spear. According to some sources, this was the idea of Sebastien le Prestre de Vauban, the great French military engineer in the armies of Louis XIV. It was a solution at least for soldiers. Hunters in France and Spain had for some time been jamming knives into the muzzles of their muskets for protection against dangerous game. It seems that Bayonne, a French city noted for its cutlery, made a type of hunting knife that was favoured for this use. When the French army adopted this weapon, it was called a ‘bayonet’. The earliest reference to the use of the bayonet is in the memoirs of a French officer who wrote that on one campaign, his men did not carry swords, but knives with handles one foot long and blades of the same length. When needed, the knives could be placed in the muzzles of the guns to turn them into spears. The bayonet proved to be a much more effective defense against cavalry than the sword.

There were some drawbacks to the use of plug bayonets when mounted in muskets, When the bayonet was inserted within in the muzzle of a loaded musket and then fired by accident, the gun might indeed explode. This sort of accident seems to have been much more prevalent among civilians who, unlike soldiers, did not load and fire on command. It was so prevalent that in 1660, Louis XIV had to issue a proclamation forbidding the placing of short sword-daggers in the muzzles of hunting guns. The trouble with plug bayonets in military guns was that, when the bayonet was in place, the gun could not be loaded or fired, although there were situations when it would be most helpful to be able to do either with the bayonet in place. In the Battle of Killicrankie, General Hugh Mackay of Scourie a Scotsman, had learned his trade in the famous Scots Brigade of the Dutch Army. A friend of King William, he came over with William’s forces and was appointed to command in Scotland. Most of his detachment were Scottish. In fact, some of his Dragoon officers may have been feeding information to Dundee, and seem to have been responsible for Dundee to have been able to evade capture. Mackay had his own regiment and two others who had fought the French on the continent, and Leven’s newly raised Edinburgh regiment. At this point in history, British or government troops were equipped with the matchlock musket and plug bayonet. To make matters worse, MacKay’s troops were also equipped with the plug bayonet. As its name suggests, this fitted like a plug into the barrel of a musket. When inserted, the infantryman had the equivalent of a short pike to counter the broadsword and Targe of the Highland gentleman. Once inserted, he could not fire his weapon until the plug was removed. If he did have success and actually stuck an enemy with this type of bayonet, it would likely remain in the body of the person stuck, leaving him with virtually no defense. If his officers miscalculated and gave the order to fix bayonets late, he could get chopped to pieces. And of course, the plug bayonet didn?t always fit or hold in the barrel, which could leave the poor infantryman basically defenseless. This magnificant piece would have been used by a highest ranking officer who used a musket, or a nobleman for hunting boar or dangerous beasts. Plug bayonets were continually used into the American Revolution, most usefully turning any musket into a spontoon or pike. King Louis XIVth, was known as King Louis the great, or the Sun King. During Louis's long reign, France emerged as the leading European power and regularly asserted its military strength. A conflict with Spain marked his entire childhood, while during his reign, the kingdom took part in three major continental conflicts, each against powerful foreign alliances: the Franco-Dutch War, the War of the League of Augsburg, and the War of the Spanish Succession. In addition, France also contested shorter wars, such as the War of Devolution and the War of the Reunions. Warfare defined Louis's foreign policy and his personality shaped his approach. Impelled by "a mix of commerce, revenge, and pique", he sensed that war was the ideal way to enhance his glory. In peacetime he concentrated on preparing for the next war. He taught his diplomats that their job was to create tactical and strategic advantages for the French military  read more

Code: 22160