Antique Arms & Militaria

The Original List of Ships of the Line in the Mediterranean in 1809 Despatched for Admiral Collingwood

A hand written despatch detailing "A list His Majesty's Ships of the Line, their commanders and Flag Officers, present in the Mediterranean on 6th March 1809". Listed for Vice Admiral Collingwood for the Admiralty. On Admiralty paper showing part of it's original crown and Britannia watermark Admiral Collingwood is considered my many as one of England's greatest sailors, and a man without peer. He was known as Nelson's hero, and they were buried side by side in St Pauls. At the Battle of Trafalgar the combined fleet sailed from Cadiz in October 1805. The Battle of Trafalgar immediately followed. Villeneuve, the French admiral, drew up his fleet in the form of a crescent. The British fleet bore down in two separate lines, the one led by Nelson in the Victory, and the other by Collingwood in the Royal Sovereign. The Royal Sovereign was the swifter sailor, mainly because its hull had been given a new layer of copper which lacked the friction of old, well used copper and thus was much faster. Having drawn considerably ahead of the rest of the fleet, it was the first engaged. "See", said Nelson, pointing to the Royal Sovereign as she penetrated the centre of the enemy's line, "see how that noble fellow Collingwood carries his ship into action!" Probably it was at the same moment that Collingwood, as if in response to the observation of his great commander, remarked to his captain, "What would Nelson give to be here?" Collingwood's merits as a naval officer were in many respects of the first order. His political judgement was remarkable and he was consulted on questions of general policy, of regulation, and even of trade. He was opposed to impressment and to flogging and was considered so kind and generous that he was called "father" by the common sailors. Sailor Robert Hay who served with Collingwood wrote that: "He and his dog Bounce were known to every member of the crew. How attentive he was to the health and comfort and happiness of his crew! A man who could not be happy under him, could have been happy nowhere; a look of displeasure from him was as bad as a dozen at the gangway from another man". And that: "a better seaman, a better friend to seamen - a more zealous defender of the country's rights and honour, never trod the quarterdeck."  read more

Code: 19653

A Fabulous Original Egyptian Carved Wooden Mummy Mask 25th to 26th Dynasty Period to late Dynastic Period

Around 2700 to 2350 years old.

Beautifully painted over a gesso type plaster on cedar wood, with a substantial amount of paint remaining, showing excellent flesh tones, probably bronze insert eye lines with white painted eyes and large black pupils.

Piye established the Twenty-fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa. The reunited Nile valley empire of the 25th Dynasty was as large as it had been since the New Kingdom. Pharaohs of the dynasty, among them Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. The 25th Dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there (at El-Kurru and Nuri) that all 25th Dynasty pharaohs were buried under the first pyramids to be constructed in the Nile valley in hundreds of years

A mummy mask provided protection – both physical and magical – to the head of the mummy. Masks were introduced in the First Intermediate Period (c. 2181-2955 BC) and were used until Roman times (30BC-395AD). They show the deceased in an idealised form, like a god who has triumphed over death. The use of gilding on masks of the wealthy symbolises the golden skin of the gods.

Spell 151 from the Book of the Dead – the ‘Spell for the Head-of-Mystery’ – makes the function of the mask explicit:

Anubis speaks, the embalmer, lord of the divine hall, when he has placed his hands on the coffin of [the deceased] and equipped him with what [he] needs: ‘Hail, O beautiful of face, lord of vision, whom Ptah-Sokar has gathered together and whom Anubis has upraised, to whom Shu gave support, O beautiful of face among the gods!

Your right eye is the night boat, your left eye is the day boat, your eyebrows are the Ennead. The crown of your head is Anubis, the back of your head is Horus, your fingers are Thoth, your lock of hair is Ptah-Sokar. You [the mask] are in front of [the deceased], he sees by means of you. [You] lead him on the goodly ways, you repel Seth’s band for him and cast his enemies under his feet for him in front of the Ennead of the great House of the Noble in Heliopolis. You take the goodly way to the presence of Horus, the lord of the nobles.’
This text appears on the famous golden mask of Tutankhamun, inscribing an object with its function in order to ensure that it would ‘work’ for the dead king. The spell makes clear that the mask was to protect the deceased (magically) from their enemies. As is common in such spells, the text is a command from a god to an inanimate object – divine authority used to spark to life a lifeless substance.

The spell emphasises the power of the mask to restore to the deceased the ability to see. An important part of the funeral ritual was a rite known as the ‘Opening of the Mouth’, which restored the power of speech, as well as the other senses to the mummy (set up outside the tomb, probably wearing the mummy mask). The senses were required for a successful rebirth into in the afterlife as a fully-functioning person, as in life.

Masks were made to give their owners the power of sight – and speech.

To show how mummy masks have become so desirable and collectable we show two masks sold in Sotheby's 2011 for 15,000 USD and the other one sold for 200,000 GBP in 2018.
Another photo shows a similar mask discovered recently but lacking paint to the face, being cleaned by the Cairo museum conservator.

The other photos are of Amenhotep I and his very similar mask still in place, we also show his outer sarcophagus.
Amenhotep I's Horus and Two Ladies names, "Bull who conquers the lands" and "He who inspires great terror," are generally interpreted to mean that Amenhotep I intended to dominate the surrounding nations. Two tomb texts indicate that he led campaigns into Nubia. According to the tomb texts of Ahmose, son of Ebana, Amenhotep later sought to expand Egypt's border southward into Nubia and he led an invasion force which defeated the Nubian army. The tomb biography of Ahmose Pen-Nekhebet says he also fought in a campaign in Kush, however it is quite possible that it refers to the same campaign as Ahmose, son of Ebana. Amenhotep built a temple at Saï, showing that he had established Egyptian settlements almost as far as the Third Cataract.
Sometime during the 20th or 21st Dynasty, Amenhotep's original tomb was either robbed or deemed insecure and emptied and his body was moved for safety, probably more than once. It was found in the Deir el-Bahri Cache, hidden with the mummies of numerous New Kingdom kings and nobles in or after the late 22nd dynasty above the Mortuary Temple of Hatshepsut and was kept in the Egyptian Museum in Cairo. His mummy had apparently not been looted by the 21st dynasty, and the priests who moved the mummy took care to keep the cartonnage intact. Because of that exquisite face mask, Amenhotep's is the only royal mummy which has not been unwrapped and examined by modern Egyptologists.

it was last acquired around 25 years after WW2 and remained since in a private collection
Just over 20 cm high  read more

Code: 24113

A 19th Century Napoleonic Pattern, Spanish Dragoons, Heavy Cavalry of the Line Sword

In the Napoleonic wars the Spanish heavy line cavalry troopers were equipped with this pattern of sword, based on the French cuirassiers sword, having a hilt of the French heavy cavalry Cuirassiers, An XI pattern, in brass, with knuckle-bow, three curved quillons and pommel. Later this was regularised to create the model 1832 pattern. This sword's blade is maker marked, Toledo 1863. This sword has certainly seen service and evidence of combat use. This is a big, scarce Napoleonic pattern Cuirassier battle sword, and a most impressive and fascinating example, and the first of it's kind we have seen in nearly 10 years, These huge and impressive original 19th century Spanish heavy cavalry swords are very rarely seen to survive and this is a very impressive piece. The Cavalry Regiment El Rey (Spanish: Regimiento de Caballera El Rey is the oldest cavalry regiment in the Spanish Army, distinguishing itself on several occasions during the Peninsular War. They are known bestn for there charge at the Battle of Talavera where they dealt the decissive blow against General Jean Francois Leval's German Division. The Cavalry Regiment El Rey is Spain's oldest cavalry regiment, founded in 1538 under the reign of King Charles I of Spain, and as such bore the title The King's in the Spanish Army. During the Napoleonic era it was considered as one of the best Spanish regiments and it distinguished itself during the Spanish War of Independence, frequently being commented as performing very well in those years. In 1807 the regiment was assigned to Marques de la Romana's Division of the North. In 1808 it joined the fight against France after evacuating from Denmark.

Upon arrival in Cantabria the cavalrymen marched to Extremadura where they were to collect horses, thus avoiding the defeat that fell upon Romana's division at Espinosa de los Monteros. In 1809 the regiment would see much action while serving in Gregorio Garcia de la Cuesta y Fernandez de Celis' Army of Extremadura, as part of General Jose de Henestrosa's 1st Cavalry Division. It would fight at the Battle of Talavera, where they captured four French cannons and would be highly praised in Cuesta's report. During the Spanish War of Independence the unit wore a blue coat with scarlet cuffs, collar, lapels, turnbacks, gold piping and buff breeches. Like all regiments at the start of the Peninsular War they wore a red plume on their hat to show their loyalty to the Bourbon monarch, Ferdinand VII of Spain, instead of the "hated foreigner" Joseph Bonaparte. In 1870 the regiment wore a blue coatee with scarlet cuffs, collar and lapels, white turnbacks, and yellow piping and had brass buttons, they also wore blue breeches. The troopers wore a black bi-corn hat with gold lace and a red cockade with a gold cockade loop.

In 1898 the regiment had a uniform of a light blue dolman with black Austrian loops and white metal buttons; red collar and cuffs, and red trousers with a light blue stripe. They had also, after the Napoleonic Wars adopted the use of a cuirass and helmet, of steel with brass ornamentation. However, in the colonies of Cuba, Puerto Rico, Guam, the Las Carolinas Islands and the Philippines they wore the Rayadillo colonial uniform with red collar and cuffs and Leopoldina shakos with the Spanish red and yellow cockade 95 cm blade  read more

Code: 22097

A Rare 1840 Constabulary Carbine Bayonet with Deep Defensive Sword Cut

With spring recess in the blade no spring. The most amazing feature of this bayonet is that it has parried a sword thrust, which has deeply cut into the blade elbow. A fabulous battle scar that undoubtedly saved the mans life. The socket is numbered 60. Ordnance stamped blade

The British pattern 1840 Constabulary carbine was known in to distinct patterns. the earlier carbine was derived from the Pattern 1839 Musket, and the later carbine followed the lines of the pattern 42 musket. The main differences being the lock, side plate and bayonet catch. The earlier pattern using the P'39 lock, New Land Pattern side plate and the Hanoverian bayonet catch, while the later used the P'42 lock, Lovell cups and the Lovell bayonet catch. The Pattern 1840 Constabulary Carbine has a 26" barrel and the rear sling swivel is placed at the underside of the butt, rather than at the trigger guard.

The Pattern 1840 Constabulary Carbine was issued in NSW, Victoria, Tasmania, and Western Australia  read more

Code: 17601

An Antique 'Claw and Feather' Bronze Paper Knife or a “Unicorn” Page Turner.

Originally classified in the collecting world as a late Victorian page turner, yet in fact it may well not be a mythical collectible, or so-called ‘unicorn piece’, but thus actually a rare form of paper knife.
A most interesting piece for the bibliophile. In colour patinated bronze, possibly Austrian. Circa late 1800’s. 9.5 inches long.
Uncut pages were common to Victorian Era and earlier books, artifacts of the bookbinding practices of the day. As Spellerberg explains in Reading & Writing Accessories, long sheets of paper were folded numerous times to form a “signature” of pages or “leaves,” which would be printed on both sides. Signatures would be printed, collated, and then bound (which usually meant “sewn”) to create a book. “Most of the leaves were cut during the binding process,” he writes. “However, since all books were bound by hand at that time, leaves were sometimes left uncut and could not be opened unless they were cut.” Paper-knives made such books readable.

It wasn’t just books that required paper-knives to be read, which is why the tools came in all sizes. There were long ones for newspapers and magazines, as well as shorter ones for diminutive books made to fit in the palm of the hand. Regardless of their size, some were painted in handsome designs while others were carved and fitted with sterling-silver handles, transforming these prosaic implements of paper destruction into small works of art. And, of course, a great many paper-knives were treated as handheld advertisements, sold at tourist destinations as souvenirs or given away by companies wishing to extend their brands, as we might put it today.

Impossibly so, as it turns out: After researching the topic for several years, Spellerberg concluded that page turners simply did not exist during the Victorian Era. In fact, according to Spellerberg, page turners didn’t exist during any historical period at all, making them the unicorns, if you will, of office collectibles, mythical objects that tell us more about how we imagine people lived rather than how they actually did.
Page turners, then, were actually paper-knives, and paper-knives were the tools readers employed to get at the content inside an “unopened” book.
Matthew Haley of Bonhams, stated. “I was once told, but have never confirmed, that people still occasionally request books that have never been opened at the Bodleian Libraries in Oxford,” Haley says. “They are lent a paper-knife for the purposes of cutting the pages.” In fact, as Rosie Burke of the Bodelian told me via email, “I’m pleased to confirm that it is true that after all these years we still have many books with uncut pages—either completely uncut or only partially cut. Staff will issue paper-knives to readers for certain books, but anything that is particularly old or fragile will only be cut by either reading-room staff or a member of our conservation team.”

This is obviously good news for readers—as a library, the Bodelian is in the business of spreading knowledge rather than keeping it secreted within the uncut pages of the books on its shelves. But the utility of paper-knives raises an interesting dilemma for book collectors. Is a book with uncut pages more valuable than a comparable volume whose leaves have been sundered, however carefully, by a paper-knife?

“Generally speaking,” Haley says, “there is a slight premium placed by collectors on uncut or ‘unopened’ copies, as they are closer to how the book would have been originally supplied by the bookseller. It’s one of the fascinating ironies of book collecting,” he adds, “that an unreadable book could be worth more than one that’s ready to read.”
Some years ago we had an early edition of Darwin’s ‘On the Origin of Species’ from Winston Churchill’s personal library, and many pages were still uncut, which demonstrates that despite being an early edition from the mid 19th century it had neither been read or even cut by Spencer Churchill or Winston Churchill during their ownership  read more

Code: 18896

A Scarce Large Antique Bali & Lombok Loncengan Hilt High Born Warriors Kris or Keris. Serpentine15 Luk Blade

From the Bali or Lombok island of Indonesia. The very fine blade being also very finely polished likely leans towards Bali. Most keris or kris from other islands have course blades that are not meant to be highly polished as is this fine sword.

The Dutch first visited Lombok in 1674 and settled the eastern part of the island, leaving the western half to be ruled by a Hindu dynasty from Bali. The Sasaks chafed under Balinese rule, and a revolt in 1891 ended in 1894 with the annexation of the entire island to the Netherlands East Indies. This is a beautiful and scarce Kris with bound grip typically indicative of Lombok Keris,
Because some kris are considered sacred and believed to possess magical powers, specific rites needed to be completed to avoid calling down evil fates which is the reason warriors often made offerings to their kris at a shrine. There is also the belief that pointing a kris at someone means they will die soon, so silat practitioners precede their demonstrations by touching the points of the blades to the ground so as to neutralise this effect.

Reference; a Lanes Armoury *Special Conservation* Item, restored and conserved in our workshop, see info page for details on our conservation principles.

Painting in the Royal Collection by Frans Francken the Younger in the gallery, photo 10, painted in 1617, titled 'Cabinet of a Collector', clearly shows, top left, a 16th century Kris dagger, Even as early as the 16th century, awareness and collectability of the Indonesian kris had reached far into Europe.

The kris or keris is a distinctive, asymmetrical dagger from Indonesia. Both weapon and spiritual object, the kris is considered to possess magical powers. The earliest known kris go back to the tenth century and most probably spread from the island of Java throughout South-East Asia.

Kris blades are usually narrow with a wide, asymmetrical base. The sheath is often made from wood, though examples from ivory, even gold, abound. A kris’ aesthetic value covers the dhapur (the form and design of the blade, with some 40 variants), the pamor (the pattern of metal alloy decoration on the blade, with approximately 120 variants), and tangguh referring to the age and origin of a kris. A bladesmith, or empu, makes the blade in layers of different iron ores and meteorite nickel. In high quality kris blades, the metal is folded dozens or hundreds of times and handled with the utmost precision. Empus are highly respected craftsmen with additional knowledge in literature, history and occult sciences.

Kris were worn everyday and at special ceremonies, and heirloom blades are handed down through successive generations. Both men and women wear them. A rich spirituality and mythology developed around this dagger. Kris are used for display, as talismans with magical powers, weapons, sanctified heirlooms, auxiliary equipment for court soldiers, accessories for ceremonial dress, an indicator of social status, a symbol of heroism, etc. 19.5 inch blade, overall 24.75 inches.
No scabbard  read more

Code: 24676

Edward VIIth 20th Hussars Cap Badge, Used in WW1

The regiment was not deployed to South Africa until December 1901 for service in the Second Boer War and therefore only took part in the final drives against the Boer commandos in spring 1902. The regiment was based in Ireland again from 1908 to 1911.

The regiment, which was based in Colchester at the start of the First World War, landed in France as part of the 5th Cavalry Brigade in the 2nd Cavalry Division in August 1914 for service on the First World War. The regiment saw action at the Battle of Mons in August 1914 and both the First Battle of the Marne and the First Battle of the Aisne in September 1914. It went on fight at the First Battle of Ypres in October 1914, the Battle of Arras in April 1917 and the Battle of Cambrai in November 1917. It later took part in the German Spring Offensive in 1918, the Battle of Amiens in August 1918 and the final push as the war drew to a close  read more

Code: 21116

A Good Early Naval Merchantman Ship's Cannon Priming Flask

18th to 19th century naval gunner's priming powder flask, of polished cow horn body, with traditional wooden base with brass spout plug and on of two carrying rings. In the firing naval cannon huge amounts of gunpowder were required to fire them, and the cannon were ignited with very fine quality, fine ground priming powder poured into the touch hole. Young boys, often known as ?powder monkeys?, would haul gunpowder to the gun decks within barrels. Cow horns flasks, were used to contain the fine grain priming powder, which was poured into the pan of the touch hole of each cannon before firing. 9" long overall  read more

Code: 22987

Antique Persian Carved Bone Hilted Kindjal Short Sword

18th to Early 19th Century. The blade has traces of a complex etched design, possibly including some Islamic script. Carved bone hilt with single silver leaf d?cor and a nail mounting stud. Old cracking to hilt and overall russetting to the old blade. Overall 201/4 inches long  read more

Code: 23135

A Very Good & Scarce Viking Period Javelin Spear Head, Approx 900 AD

Medially ridged leaf shaped blade, with a long tapering spiked tang. Although not as glamorous as the sword, the spear was in every sense the definitive weapon of the Viking Age and used as the primary weapon of combat by almost every warrior. This form of long throwing javelin spear has an iron socket spike at the base, that in order to create a javelin, its bottom spike would be driven into a suitable haft by around 4.5 inches, up to the end of the socket, and this would thus create a most devastating long distance throwing weapon of warfare. Decorated spearheads inlaid with precious metals prove that in the Viking Age spears were not seen as the poor man's choice and one has only to look at the representations of warriors from the illuminated manuscripts of the era to quickly come to the conclusion that the use of the spear was ubiquitous. Swords are considered a most valuable historical find, as is a same era spear, however, a similar condition surviving Viking era sword could cost today well over 18,000 pounds, so the cost of this large spear by comparison is very good value indeed. A fine example of a 10th century spear that can be found in England, that came from Viking invaders, who used such spears from Eastern Europe, all Scandinavia, Northern Europe, Central Europe and Britain. Many of the Anglo-Saxon phrases used to describe both battle and warrior help to underline the importance of the spear. In Voluspo (from the Norse Poetic Edda) line 24 onwards -we read :

Vápnum sínum skal-a maðr velli á
feti ganga framar,
því at óvíst er at vita,
nær verðr á vegum úti geirs of þörf guma

let fly a spear, hurled it over the host;
that was still the first war in the world,
the palisade surrounding the Aesir's stronghold was breached
by the Vanir battle-magic, as they strode the plain.
During the War between the Aesir and the Vanir, Odinn threw a javelin into the Vanir host to signal the commencement of hostilities. The practice of symbolically throwing a spear into the enemy ranks at the start of a battle was sometimes used in historic clashes, to seek Odinn’s blessing. 17.5 inches long overall. Part of an original medieval collection we have just acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the later swords of kings, that have been preserved in national or Royal collections, are today still in a good state and condition, but due to rarity no Viking swords remain that are still in a good surface condition.  read more

Code: 22759