Antique Arms & Militaria

A 19th Century, Highly Attractive, Antique Stilletto Bladed So-Called Courtesan's Protective Dagger

Spiral carved bone hilt, powerful quatrefoil 'armour piercing' blade, steel teardrop quillon crossguard, nickle scabbard. A so called coutesan's dagger, also often regarded as the gambler's boot dagger when found in North America
A coutesan's dagger was so called due to their attractiveness and useful size for concealment by unaccompanied ladies travelling abroad after dark.
Of course they would never have been sold as such by retailers, and the term has entered the vernacular of collectors probably even after the time they were actually made, however, like the term 'mortuary hilted swords' that bore the engraved visage of the king in the hilt from the English Civil War, they were never actually called that until almost 200 years later.

They are attractively designed elegant daggers, just such as this one, with a powerful and most efficient blade. 'Ladies of the night' became a major concern and a focal point for social reformers in the 19th century. Concerns were seen everywhere including the literature of notables such as Charles Dickens. He created characters (some of which may have had real life versions) like Nancy in Oliver Twist, and Martha Endell in David Copperfield.

No one knows for certain, but there were somewhere between 8,000 and 80,000 ladies of the trade in London during the Victorian Age. It is generally accepted that most of these women found themselves in prostitution due to economic necessity and desperate want.

There were three attitudes towards those in the profession – condemnation, regulation, and reformation. Dickens adopted the last and was intimately involved in a house of reform called Urania Cottage.

The carved handle has some feint natural line age markings  read more

Code: 24160

A Rare Victorian 2nd Regiment NSW Volunteer Infantry Helmet Badge Circa

Circa 1878. Silvered brass hat badge with centrally mounted Maltese cross featuring a number '2' within a circle in the centre. The cross is surmounted by a large Kings Crown and surrounded by a wreath of waratahs with intertwined scrolls. The scroll on the left reads 'NUMERO SECUNDUS' and the right scroll reads 'NULLI SECUNDUS'. Beneath the cross on a central scroll is 'VIRTUTE' and 'SECOND REGT INFANTRY'. The back of the badge has three lugs for attaching it to the hat. They have a near identical example in the Australian War Memorial Collection that may be associated with the Ferguson family from Goulburn as it was found in the personal affects of 9146 Gunner Leopold Ferguson who was killed on 9 June 1917 while serving with the Australian Imperial Force.  read more

Code: 18628

A French, Mid to Late 19th Century, Elite Cuirassiers, Heavy Cavalry Sword

Typical Cuirassier double fullered 95 cm straight blade, aresenal engraved along the spine, Manf D'armes Du Chatl: Avril 1874 Cavalrie De Reserve Cuirassiers Mdl. 1854. All steel, single ring combat scabbard. Brass guard, somewhat of the Sabre de Cavalerie modele M1822 type, with replaced leather bound grip. Much of the French heavy cavalry wore armoured cuirass and were armed with their straight swords, pistols and carbines. Though the armour could not protect against contemporary flintlock musket fire, it could deflect shots fired from long-range, stop ricochets and offer protection from all but very close range pistol fire. More importantly, in an age which saw cavalry used in large numbers, the breastplates (along with the helmets) provided excellent protection against the swords and lances of opposing cavalry and against infantry bayonets. It also had some psychological effect for the wearer (effectively making the cuirassier more willing to plunge into the thick of fighting) and the enemy (adding intimidation), while it also added weight to a charge, especially in cavalry versus cavalry actions.
Napoleonic French cuirasses were originally intended to be proof against three musket shots at close range; however, this was never achieved in practice. The regulations eventually recognised this, and cuirasses were subsequently only expected to be proof against one shot at long range. Dragoon regiments were not armoured.

The French cuirassiers numbered 11 regiments at the outbreak of war but had not seen active service since the Battle of Waterloo. A brigade comprising the 6th and 9th Regiments had served in the Crimean War but had not actually encountered the enemy. Accordingly, the prospect of action against the Prussian Army, which included 10 cuirassier regiments of its own, was seen as an opportunity for a strongly traditional branch of the French cavalry to prove its continuing relevance. In the event, in a series of massed charges against Prussian infantry and artillery at Froeschwiller and Rezonville, the French cuirassiers suffered very heavy losses for little return. To cover the French retreat General Michel's brigade of cavalry was ordered to charge. The order was somewhat vague, and in his position under cover near Eberbach, General Michel's had no knowledge of the actual situation. Thus it came about that, without reconnoitering or manoeuvering for position, the French cavalry rode straight at the first objective which offered itself, and struck the victorious Prussians as they were crossing the hills between the Albrechtsh?userhof and Morsbronn. Hence the charge was costly and only partly successful. However, the Prussians were ridden down here and there, and their attention was sufficiently absorbed while the French infantry rallied for a fresh counterstroke. This was made about 13:20 h with the utmost gallantry. The Prussians were driven off the hillsides between the Albrechtsh?userhof and Morsbronn which they had already won. But the counter-attack turned into disaster when 700 French cuirassiers were trapped inside Morsbronn and massacred within a few minutes by rapid close-range fire. The rest of the French cavalry eventually came under fire from the great artillery mass above Gunstett; von Bose having at length concentrated the main body of the XI corps in the meadows between the Niederwald and the Sauer, the French had to withdraw. The story of the Cuirassiers at Reichshoffen displayes well the courage of the French cavalrymen. The French infantry withdrawal involved the retreat of the troops who had fought all day in defence of the Niederwald.
In desperation, MacMahon ordered General Michel's Cuirassier brigade (8th and 9th Cuirassiers) to attack the Prussians and buy his infantry the time they needed to fall back. Morsbronn and the flank of the Prussian XI Corps was to be the target of the charge.
Obediently Michel led his cuirassiers out of Eberbach where they had been held in reserve all morning. Sunlight glinted off polished cuirasses and helmets and harness jangled as the magnificent cavalry trotted off towards the south. As they emerged from the narrow Eberbach valley, Michel quickly lined up his squadrons and sounded the charge. Their swords drawn and horsetail crests streaming behind them, the cuirassiers thundered towards the Prussians. Suddenly the charging troopers were met not by a hail of bullets, but by hedged fields, fences, and trellised vineyards. The formation began to come apart. The various captains rallied their squadrons and continued the advance, but momentum had been lost. Now Prussian infantry opened on the French cavalry at point-blank range, and Krupps guns tore huge gaps in the charging ranks as horses and riders plunged and went down in writhing masses. A few squadrons actually reached Morsbronn where the Prussians blasted them from second story windows and trapped them in barricaded streets. Nine squadrons were shot to pieces.  read more

Code: 20222

Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

A complimentary display stand, will be included.
As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24304

21st Regiment Essex Fusiliers Large Service Helmet Flaming Grenade Badge. Circa.1887

Canadian Militia busby helmet badge. 21st Regiment Essex Fusiliers Fur Busby grenade. Circa.1887 Brass grenade with two lugs to the reverse in excellent condition.

A military presence in Windsor and Essex County dates back as far as 1701, when all men in the community were essentially militia members, armed to combat a perceived 'Indian threat'. When Irish-American Nationalists invaded Canada in 1866, even stronger forces were established locally. By 1885, local militias had amalgamated into the 21st Essex Battalion of Infantry.

By the advent of the First World War, the 21st Battalion (now known as the 21st Regiment Essex Fusiliers) was placed on active service. Initially, they contributed to Canada's 1st Battalion, upon its formation in 1914, then later the 18th Battalion (consisting largely of Essex Fusilier soldiers. The 18th Battalion served in France and Flanders from 1915 until the Armistice.

The regiment perpetuated the 18th (Western Ontario) Battalion, 99th (Essex) Battalion and 241st (Canadian Scottish Borderers) Battalion of the Canadian Expeditionary Force and held its final Order of Precedence as 40. Battle honours for the regiment include: First World War: Ypres 1915 & 17, Festubert 1915, Mount Sorrel, Somme 1916 & 18, Flers-Courcelette, Thiepval, Ancre Heights, Arras 1917 & 18, Vimy 1917, Hill 70, Passchendaele, Amiens, Scarpe 1918, Hindenburg Line, Canal du Nord, Cambrai 1918, Pursuit to Mons, France & Flanders 1915-18 Second World War: Dieppe Raid (1942), Battle of Verrigres Ridge (1944), liberation of Dieppe (1944), Battle of the Scheldt (1944), The Rhine (1944-1945), Northwestern Europe

By 1926, an alliance was formed with the Essex Regiment of the British Army, and by 1927, the Essex Scottish had adopted the MacGregor tartan based on Scottish Highland tradition. That year an alliance was also established with the Queen’s Own Royal West Kent Regiment of the British Army.

The Regiment was the first unit of men in Western Ontario to be called up during World War II and one of the first Canadian units to see battle overseas. Their first fight was the tragic Dieppe raid on August 19th, 1942 where the Regiment was hit particularly hard during Operation Jubilee. When the smoke cleared, the Regiment had lost 121, and many of the survivors were either wounded or captured. With barely enough time to regroup, the regiment prepared itself for the invasion of France. On July 5th 1944, it participated in the bloody landing at Normandy, and then fought on through France, Holland and Germany until the war's end.

By then, the regiment had suffered 552 dead and had been inflicted with the highest number of casualties of any unit in the Canadian Army-a staggering 2,510.  read more

Code: 19898

A Wonderful and Highly Desirable Original Antique Pistol Flask Shaped in the Form of a Rifle Butt

An absolute gem for even the most discerning of pistol flask collectors.

The 'butt stock' type are very rare indeed, and the smaller type, like this, are certainly the most desirable of all.

Overall in very nice condition indeed with very fine patination. This is one of the most desirable and highly sought types of pistol flask for casing with tools for rare Colt revolvers and fine British pistols.

This superb flask would compliment any fine cased pistol or pistols, from flintlocks to revolvers.

5 inches long 2.25 inches wide at widest. Small denting at the base and spout.  read more

Code: 22790

A Most Fine Tudor Heraldic Crested Steel Armour Gorget of a Duke

A most beautiful antique piece of armour, in the 16th century style, but likely made in the 18th to early 19th century. It bears a most fine etched heraldic ducal crest, composed of a pair of cranes bearing a five bar face guarded demi-profile dukes helmet, mounted above a shield with chevron below four ermine panels, with three, four lobed devices about the chevron on both sides. The entire rim bears brass headed steel rivets and two shoulder centred large brass rivets that once held leather straps. We show in the gallery several portraits of Elizabethan nobles all adorned in their armour gorget over fine tunics of velvet or leather. The gorget was the last remaining symbol of knightly armour universally worn either at court or in combat by nobles in the Elizabethan period Although other elements of armour could be worn, such as arm defences, in accompaniment as the wearer saw fit. In the High Middle Ages, when mail was the primary form of metal body armor used in Western Europe, the Mail coif protected the neck and lower face. During the 14th century as more plate armor appeared to supplement mail, the Bascinet helmet incorporated a mail curtain called the Aventail which protected the lower face, neck and shoulders. A separate mail collar called a "pisan" or "standard" was sometimes worn under the aventail as additional protection. Towards the end of the 14th century, threats including the increased penetrating power of the lance when paired with a lance rest on the breastplate made more rigid forms of neck protection desirable. One solution was a standing collar plate worn over the aventail and separate from the helmet, which was wide enough for the helmet to move around in so that the man-at-arms could turn his head. Through the early 15th century, gorget plates were integrated into the helmet itself to form the great bascinet. Other forms of helmet such as the sallet which did not protect the lower face and throat with plate were paired with a separate bevor, and the armet was often fitted with a wrapper that included gorget lames protecting the throat. During this time, the mail standard was still used.

At the beginning of the 16th century, the gorget became fully developed as a component of plate armor in its own right. Unlike previous gorget plates and bevors which sat over the breastplate and required a separate mail collar to fully protect the neck from gaps, the developed gorget was worn under the back and breastplate and was intended to cover a larger area of the neck, nape, shoulders, and upper chest, since the upper edges of the cuirass had become lower than before. The gorget served as an anchor point for the Pauldrons, which either had holes to slide over pins projecting from the gorget, or fastened to the gorget by straps and buckles. The neck was protected by a high collar of articulated lames, and the overall gorget consisted of front and back pieces which were hinged at the side so it could be put on and taken off. Some helmets had additional neck lames which overlapped the gorget, while others fitted tightly to the top of the gorget so that there would be no gap between them.
By the 17th century there appeared a form of gorget with a low, unarticulated collar and larger front and back plates which covered more of the upper chest and back. These were not worn with a breastplate as part of a full harness, but instead were worn over civilian clothing or a Buff coat. Some gorgets of this period were "parade" pieces that were beautifully etched, gilded, engraved, chased, embossed, or enamelled at great expense. Gradually the gorget became smaller and more symbolic, and became a single crescent shape worn on a chain, which suspended the gorget ever lower on the chest so that the gorget no longer protected the throat in normal wear. It is one of the more unusual elements of the arms and armour collecting field that 18th and 19th century fine etched armour, in the earlier styles of the 16th century, can be prized the same, or even more highly than the earlier originals that they were based upon. Companies such as Granger of Paris, that worked in the 1840's, created miniature suits of armour that can achieve tens of thousands of pounds, even approaching six figures today, that are no more than 50 cms high complete. Size 14 inches x 12 inches.  read more

Code: 20436

A Superb 19th Century Persuader Cosh. A Victorian, City Dwellers Version Of A Royal Navy 'Press-Gang' Cosh

Also a so called, 'life preserver', concealable flexible head cosh that would once have been well concealed about a gentleman's person, within an inside overcoat pocket, or tucked through a waist belt. Based on a press gang club from the Georgian era In the Victorian era, after dark, city thoroughfares abounded with ruffians neer'do wells and garrotters. Police forces, in those days, were in their infancy, and the respectable and well heeled inhabitants, when travelling the streets and lanes of most cities, were understandably paranoid for their safety, so most protection had to be provided for by oneself, and all due precautions and defensive measures explored. This is a wonderful example of a club, known at the time as a life preserverWe detail an article from Punch Magazine, August 18th 1866, regarding a trial of some violent street attackers?.. "No less than six roughs, two of them garrotters, convicted at Manchester Assizes, of robbery with violence, were sentenced the other day by Mr. Justice Lush, to be, in addition to penal servitude, flogged with the cat-o'-nine-tails. ? If there is in his the criminal's nature any degree of latent sympathy, inactive from want of imagination, it can be stimulated to due activity only be a whipping which will give him considerable pain. All that pain is economy of pain; of so much pain as it saves respectable people from suffering by brutal violence. ? Some of the six scoundrels whipped at Manchester, being pachydermatous, made a show of bravado. To preclude this in future, let all such offenders be sentenced to be flogged two or three times."

Punch, August 18, 1866. We show several original Victorian Punch magazine and journal illustrations of several persons being accosted in the city streets by thugs, and a group of ladies and gentlemen walking in the road armed with coshes and clubs for protection for information only.  read more

Code: 21139

A Most Rarely Seen, Antique Ceremonial, Head-Hunters Sword 'Pusaka Magic' Dohong, A Borneo, Dyak Shamen's, Kayanic Art Ritual Sword, With a Carved, Twin-Head Hilt

This is an amazing dohong, a Borneo kayanic art carved twin headed hilt sword, given to a previous owner, by a Dyak headhunter shamen, with a hardened skin scabbard, possibly goatskin. It’s condition is superb with stunning natural age patina to the carved wooden hilt. Kayanic art is most distinctive in the depiction of carved heads, with an owl-like style of heart shaped face carving

There are a lot of intriguing interest about this most rare form of shamen's dohong when they appear. They can come in either dagger or short sword form, and both are rare, but due to the fact it was likely used mostly for ceremonial "pusaka magic", many have never seen such a piece to survive. Few such ceremonies had ever been seen by Westerners, as very few outsiders visited the inner Dayak tribes during the 19th century. Of course ceremonial Dyak shamen magic was not always benign, as it could often include head-hunting, so the reticence of strangers to attempt to view such ceremonies was highly understandable

There is however, a somewhat similar carved wood hilted double headed kyanic art example in the National Museum Wereldkulturen in Rotterdam, and from all the ones we have seen, although very few in number of course, they have had all manner of bespoke differences. See photo 10 of that particular similar sword in the gallery

Dayaks are a collection ethic groups that have traditionally lived in the forests in both the Malaysian and Indonesian sides of Borneo. They are distinguished from the Malay population in that for the most part they are not Muslims and distinguished from the Penan in that have traditionally been settled while the Penan were nomadic.

The Dayaks are former head hunters and the original "wild men of Borneo." They continued to practice headhunting after it was outlawed by the Dutch in the 19th century. Up until World War II most of them were river-dwelling head hunters. Now many have been Christianized and forced into settlements. Even though they were the original inhabitants of Borneo they are now greatly outnumbered by Malays and Indonesians. It is believed that most Dayaks lived along the coast until they were driven inland after the arrival of the Malays.

Dayak "psycho-navigators” use visions and dreams to help them find their way in the forest. Dayak shaman practitioners of the "Old Snake religion” describe a hidden highland lake where enormous aging pythons enjoy dancing under the light of the full moon to honor the forest god Aping. Many Dayaks are Christians who have incorporated animists concepts onto their belief scheme. Missionaries went through the trouble of backpacking in paints and brushes to make hellfire scenes on the sides of longhouses. On the positive side missionaries have helped the Dayak clear landing strips which can be used for medical emergencies.

James Brooke wrote in his journal in “Expedition to Borneo of H.M.S. Dido for the Suppression of Piracy”: “The Kayans of the north-west coast of Borneo have one custom in common with the wild tribe of Minkoka in the Bay of Boni. Both the Kayans and Minkokas on the death of a relative seek for a head; and on the death of their chief many human heads must be procured: which practice is unknown to the Dyak. It may further be remarked, that their probable immigration from Celebes is supported by the statement of the Millanows, that the Murut and Dyak give place to the Kayan whenever they come in contact, and that the latter people have depopulated large tracts in the interior, which were once occupied by the former. Source: “The Expedition to Borneo of H.M.S. Dido For the Suppression of Piracy” by Henry Keppel and James Brooke (1847).

The Dayak perform elaborate death ceremonies in which the bones are disinterred for secondary reburial. The Ngaju Dayaks in the Mendawai area of Kalimantan keep alive their ancient burial rituals called Tiwah. Participants wear bizarre masks, with owl-like heart shaped faces, sing, and stage mock attacks. They exhume the bones of the dead, anoint and touch the bones and re-intern them in family “sandung”. (House-shaped boxes on stilts). In the old days headhunting was often include in the ritual.

Interestingly, despite returning from the darkest regions of the interior of Borneo, with this gifted sword, by the original vendors father, a former merchant ship captain, we were reminded, due to a mention from a regular viewer of our site, that we once had a somewhat similar style prestige sword from the Bamum or Tikar people of Cameroon. A tribe known for its similar highly talented artistry and carving. We couldn’t help wondering if there could once possibly have been a connection of some sort between these two native peoples due to the similarity of this wood-carvings artistry, despite around 7,000 mile distance between these peoples across the Indian Ocean. Could the Tikar peoples have made swords inspired by the Borneo version, or indeed could it be the other way around, and a Tikar sword found its way to Borneo. We may never know.

The captains son mentioned his father had a b&w photograph with the entire tribe’s elders after gifting him this sword. Apparently he became a most favoured ‘foreigner’ with the tribe due his supply of important necessities to them in ‘difficult times’. This may have been during the imminent Japanese invasions of that part of the world around the Indian Ocean in WW2.

The overall condition for age is excellent with just a small separation of the hide at the base of the scabbard. 28.5 inches long overall in scabbard, blade 16 inches long

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 24466

One Amazing {of Two} 17th Century Iron Cannon Balls From 'Queen Elizabeth's Pistol', A 24 Foot Long Basilisk Cannon. The Cannon Balls Were Found in the 19th Century. A Fabulous Relic From 'The Siege of Hull' During the English Civil War

'Queen Elizabeth's Pistol', was the Tudor nickname of a fabulous cannon presented to Queen Elizabeth's father King Henry the VIIIth. In the English Civil war it was called 'the great Basilisco of Dover' and it was used in the English Civil war, first by the Parliamentarian artillery train forces of the Earl of Essex, it was captured, at Lostwithiel in August 1644, then used by the King's Artillery train, and then retaken by the Parliamentarian forces.

The basilisk got its name from the mythological basilisk: a fire-breathing venomous serpent that could cause large-scale destruction and kill its victims with its glance alone. It was thought that the very sight of it would be enough to scare the enemy to death

The cannon balls were recovered from the besieged area of Hull, and sold at auction in the 19th century, and since then, they have been in the same family's ownership. We are selling them separately, and priced individually.

The 24 foot long bronze cannon was cast in 1544 by Jan Tolhuys in Utrecht. It is thought to have been presented to Henry VIII by Maximiliaan van Egmond, Count of Buren and Stadtholder of Friesland as a gift for his young daughter Elizabeth and is known to have been referred to as Queen Elizabeth's Pocket Pistol by an article in the Gentleman's Magazine from 1767. The cannon is thought to have been used during the English Civil War, described as 'the great Basilisco of Dover' amongst other ordnance captured by Royalist forces from the Earl of Essex in Cornwall in 1644, later used at the siege of Hull and recaptured by Parliamentarians. The barrel is decorated in relief with fruit, flowers, grotesques, and figures symbolizing Liberty, Victory and Fame. The gun carriage was commissioned by the Duke of Wellington in the 1820s, when it was then known as Queen Anne's gun, cast from French guns captured at Waterloo.

Maximilian van Egmont, Count of Buren, Stadtholder of Friesland, 1509-1548, was a distinguished military commander in the service of the Emperor. He was on terms of friendship with Henry VIII and commanded the Imperial contingent at the Siege of Boulogne in 1544. The gun may have been installed at Dover as soon as it was received in England. In the inventory of the Royal possessions drawn up after the King's death in 1547 "the Ordynance and Munycions of Warre......which were in the black bulworke at the peire of Dover....included Basillisches of brasse .....oone Basillisches shotte ......Cl ti"

A popular rendering of the inscription on the gun was 'Load me well and keep me clean, I'll send a ball to Calais Green'. A footnote in the 1916 inventory suggests that this is a doubtful boast since ' Calais Green' was a part of Dover. There appears, however, to be no basis for this statement.

We show in the gallery two of the Basilisk cannon balls recovered outside the curtain wall of Pontefract Castle

Pontefract Castle sits on the edge of the medieval market town. Conservation work is being undertaken with the ambition of making Pontefract a key heritage destination within West Yorkshire. The £3.5m Heritage Lottery funded project is known as the Key to the North, after the title bestowed upon the castle by Edward I. During the project, workmen at the castle recovered seven cannonballs from a section of the castle’s curtain wall.

This cannon ball {a pair to our other one} was acquired from an auction, of recovered Civil War relics from the Siege of Hull, that was held in Hull in the early Victorian period, and acquired from the buyers directly descended family, by us, very recently.

The basilisk was a very heavy bronze cannon employed during the Late Middle Ages. The barrel of a basilisk could weigh up to 4,000 lb (1,800 kg) and could have a calibre of up to 5 inches (13 cm). On average they were around 10 feet long, though some, like Queen Elizabeth's Pocket Pistol, were almost three times that length.
The basilisk got its name from the mythological basilisk: a fire-breathing venomous serpent that could cause large-scale destruction and kill its victims with its glance alone. It was thought that the very sight of it would be enough to scare the enemy to death

The Basilisk cannon used in the Civil War was a most specific calibre of almost 5 inches, and fired this distinct size of round shot cannon ball munition of just over 4 1/2 inch diameter

We also show in the gallery a photograph of 'Queen Elizabeth's Pistol'. in Dover Castle, with a stack of the very same sized cannon balls.

The ball is very surface russetted, but still spherical and very good for its age,

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25075