Antique Arms & Militaria

A Scarce African Turkana Tepeth Tribal Wrist Knife

16cms. Of disc form with cut-out for the wrist, lined inside and out with leather strips GC Possibly Tepeth tribe. Some information about Tepeth tribe:

The present inhabitants of Karamoja are the Karamojong tribes. The main Karamojong tribes are : the Matheniko ("The Bulls"; Moroto area), the Bokora ("The Turtles"; Kangole area), the Pian ("The Lightings"; Namalu area), the Jie ("The Warriors"; Kotido area), the Dodoth ("The Ostriches"; Kaabong and Kidepo area), the Jiye (The Jie of South Sudan), the Nyangatom ("those of the yellow trumpet"; Omo valley, Ethiopia and nearby South Sudan-Ethiopia border), scattered all along the Karamojong area. The Karamojong tribes are related to Masai people, forced to move centuries ago from their original lands located in Ethiopia by the arrival of arabian tribes from the north. The original inhabitants of Karamoja weren't Masai tribes, but - together with other two tribes - a Turkana-related tribe called Tepeth. During the last centuries, Tepeth people has been defeated by Karamojong tribes, and forced to reach the highest valleys of mount Moroto, mount Kadam and mount Napak where at present times they're living of small agriculture and sheep-rearing, organized in grass-made villages each one governed by a council of seniors. The Ik (known as "Teuso" too) and the Nyangia tribes were part of the original inhabitants of Karamoja too, and as the Tepeth they've been defeated by the arrival of the Karamojong tribes and they're still alive on the mountains of Karamoja, the Ik on mount Morungole and the Nyangya on the hills of north-western Karamoja. The wrist knives are a special handmade article of all Turkana tribes, used since ancient times as weapon, to defend, to attack, and for daily works. The wrist knives were used in the past among the tribes as a very valuable currency too.  read more

Code: 22508

A Beautiful 19th Century Ottoman-Indo-Persian Exotic Horn Hilted Jambiya

Very fine carved hilt in exotic horn with double edged blade with central rib. embossed leather covered wooden scabbard. The jambiya were taken by travelers to other cultures including the Ottoman Empire, Persia and India, where they were adopted with slight differences to the blade, hilt and scabbard.A significant part of a jambiya is its hilt (handle). The saifani hilt is made of exotic horn, It is used on the daggers of wealthier men. Different versions of saifani hilts can be distinguished by their colour. Other jambiya hilts are made of different types of horn, wood, metal and ivory. Apart from the material used for the hilt, the design and detail is a measure of its value and the status of its owner. there are 53 different types of Jambiya in the Metropolitan museum Collection, some bear a similarity to this example, many with near identical blades. Overall 9.5 inches long.  read more

Code: 23958

A Wonderful 18th Century French Small-Sword of Parcel Gilt Silver, Steel

A stunning museum grade sword, decorated with purest gold, worthy of a finest collection of 18th century fine art and furnishings. Likely made at Versailles by a Royal swordsmith of King Louis XVIth, such as the master swordsmiths of the king, Lecourt, Liger or Guilman. A very finest grade sword of the form as was made for the king to present to favoured nobles and friends. He presented a similar sword to John Paul Jones [see painting in the gallery] now in the US Naval Academy Museum. Three near identical swords to this now reside in the Metropolitan. This is a simply superb small-sword, with stunningly engraved chiselled steel hilt, overlaid with pure gold over a fish-roe background, decorated with hand chiselled patterns of scrolling arabesques throughout the hilt, knucklebow, shell guards and pommel in the rococo style. The multi wire spiral bound grip is finest silver, betwixt blued silver bands, with Turks head finials. The blade is in the typical trefoil form, ideal for the gentleman's art of duelling, and very finely engraved. The degree of craftsmanship of this spectacular sword is simply astounding, worthy of significant admiration, it reveals an incredible attention to detail and the skill of it's execution is second to none. Other similar swords are in also in the British Royal Collection and in Les Invalides in Paris. Trefoil bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example. For example of the workmanship in creating this sword, for such as the King and Marie Antoinette, the keys for the Louis XVI Secretary Desk (Circa 1783) made for Marie-Antoinette by Jean Henri Riesener, one of the worlds finest cabinetmakers, and whose works of furniture are the most valuable in the world. The steel and gold metalwork key for Marie Antoinette's desk, is attributed to Pierre Gouthi?re (1732?1813), the most famous Parisian bronzeworker of the late eighteenth century who became gilder to the king in 1767. This sword bears identical workmanship and style to that magnificent key. This is the quality of sword one might have expected find inscribed upon the blade 'Ex Dono Regis' [given by the King]. Very good condition overall, with natural aged patination throughout. This painting, entitled John Paul Jones and Louis XVI, by the American artist Jean Leon Gerome Ferris depicts John Paul Jones and Benjamin Franklin at the court of Louis XVIth and being presented a similar sword now in US Naval Academy Museum. Overall length 35.5 inches  read more

Code: 23162

To Find Antique Arms, Armour & Specialist Books in the UK There is Only one place you need to visit. We Trust You Will All Enjoy Your Visit & Viewing Experience of Our Online Site, Frequently Described As The Best Militaria Collectables Site in the World

NEW SELECTION OF REPUBLIC & IMPERIAL PERIOD ROMAN ANTIQUITIES ARRIVES THIS WEEK, PLUS EGYPTIAN AND VIKING.
This week we be showing our usual intriguing and amazing selection of our latest rare and fascinating pieces, including some fabulous and most beautiful and historical collectables due to be offered on our site within the next few days, including a stunning, ancient 1600 year old sword from the Barbarian Hordes of Attila the Hun and his invasion of the Roman Empire. Plus stunning ancient Roman rings, one a Gladiator’s ring, also, ancient Egyptian-Roman rings from the time of Anthony and Cleopatra, an Amazing 16th century Polish iron and silver nadziak, a knights War-Hammer, Greek arrow heads, spears, lead sling bullets, antiquities and rings from an 1820 Grand Tour Collection . Plus a good 1938 German Kriegsmarine officers dirk, a stunning original signed portrait photograph of Field Marshal Montgomery.

We Are Also Europe's Leading Original Samurai Sword Specialists.
We were listed by the world famous New York Times as one of the ‘must see’ places for Americans to visit when in Europe!! and regularly, as one of the very best shops in the whole of Great Britain. And bearing in mind, in the UK, recorded in 2019, there were 306,655 retail outlets,..apparently, so as you can imagine, the competition was pretty stiff.

For us it is vitally important that every customer, old and new, has confidence to deal with a well established, generations old company that believes every customer must have an enjoyable, successful and satisfactory experience, and you can know that you can also enjoy a personal one to one contact with our partners during any visit to our permanent gallery in Brighton, which for us is a priority.

Here are just two of our clients comments we received in the past five days. ‘Today the medals arrived. It is high quality as always and I am 100% satisfied. best regards G.B.’ From Germany

‘The swords arrived and are lovely. Yes, the Light Company sabre is especially striking. In fact, it's out of this world. You take good photos but they didn't do this piece justice. The French piece has tremendous presence. It's hard to find French Revolutionary pieces, especially ones with battle wear. Thanks again” G.G. From North America

Enjoy our site, it has been over 100 years in the making!.

The history of the ‘Grand Tour’

Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men and women began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.
As with all our items, they come complete with our certificate of authenticity
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Code: 23801

A Most Scarce Antique Australian Aboriginal Throwing Club, Carved Head

Nulla Nulla, Aboriginal, short, possibly mulga wood, very dense hardwood, throwing club with ovoid shaped head, used for hunting, fighting and ceremonial purposes, [South East] Australia, 1860. A waddy, nulla nulla or hunting stick is an Aboriginal Australian club for use in hunting and fighting. The first of these names comes from the Dharuk Aborigines of Port Jackson, Sydney.

A waddy is a heavy, pointed club constructed of carved timber. Waddies have been used in hand-to-hand combat, and were capable of splitting a shield, and killing or stunning prey. In addition to this they could be employed as a projectile as well as used to make fire and make ochre. They found further use in punishing those who broke Aboriginal law, which often involved settling a conflict between individuals, or between an individual and a group, in a 'Trial by Ordeal' in which fighters gave and suffered heavy blows resulting in skull and bone fractures and much blood  read more

Code: 22406

Antique Zulu-Tsonga Prestige Staff Possibly Carved by a Carver Known as the 'Baboon Master'. With a Carved Female Head

19th century. This dignatory's staff has a most figurative carving. They have been collected in Southern Africa since the mid-19th century. Recent research by Anitra Nettleton suggests, however, that Tsonga sculptors may actually have produced most of these carvings. There is evidence that the Tsonga migrated to the Natal from southern Mozambique as early as the 1850s. Recognized for their carving skills, they were soon producing fine artifacts for Zulu dignatories. Two related staffs, were purchased for the collection of the Standard Bank Foundation in Johannesburg. One staff of theirs is surmounted by a baboon and the other by a male figure with a beard. Both are said to be turn-of-the-century staffs carved by the same hand, by a most accomplished and sought after artist dubbed the 'Baboon Master', who was possibly of Tsonga origin. 31 inches long.  read more

Code: 23116

A Rare 19th Century King's Knife of the Zande or the Mengbetu People, A Trombash Power Authority Knife

A long Knife consisting of a short cylindrical wooden handle, round in section, with a flat end bound in iron banding at the pommel end. The other end of this is cut flat, and has a smaller cylindrical body as the middle hand grip section. Above this point, the handle connects with the blade tang. Which goes through the handle, the tang has been inserted through the centre of the handle, and then its rectangular end hammered over at the top to fix it in place. This is end is visible where it emerges through the handle top, and is off centre. The narrower part of the handle have been decorated with an iron binding strip. Both binding strips [top and bottom] have their ends hammered into slots in the wood to secure them. The blade is curved, with a broad flat ridge running along the length on both sides. This is not centred. On one side of the ridge, the blade extends to form a broad, sharpened base edge with a pointed corner; a more narrow blade extends from the other side of this, slightly higher up the knife. The sides then begin to taper in towards the point at the other end. Both edges were once sharpened. The object is complete, with some minor cut marks on the blade and handle.

Very similar to a Mengbetu collected by Robert Grenville Gayer-Anderson in the Bahr el Ghazal region, probably between 1909 and 1914, in the period immediately before World War I. At the time this object was collected, the Bahr el Ghazal province was much larger than it is today, extending from roughly the Bahr el Arab all the way to the border with the Belgian Congo; this area is now divided into the districts of Western Bahr el Ghazal, Northern Bahr el Ghazal, and parts of Warab, El Buheyrat and Western Equatoria. The drawing in the gallery is a 19th century depiction of Munza, the king of the Mangbetu. Seated on his throne, he holds a similar knife to ours as a symbol of power and authority.  read more

Code: 19166

A Fine & Beautiful Antique Fijian Ula Throwing Club. A Singularly Beautiful Example & of Exceptional Rarity

A handsomely hand carved hardwood throwing club "ula" showing a stunning natural, age patina. With fine globed assymetrical head with top knob, and geometric carved patterning on the haft. It is perhaps the most famous and recognizable of all oceanic weapons. The ula was the most personal weapon of the Fijian warrior and was inserted into a man's fibre girdle sometimes in pairs like pistols. The throwing of the ula was achieved with great skill, precision and speed. It was often carried in conjunction with a heavier full length club or spear which served to finish an opponent after initially being disabled by a blow from the ula. Was made by a specialist from a variety of uprooted bushes or shrubs. Across 1,000 kilometres (620 mi) from east to west, Fiji has been a nation of many languages. Fiji's history was one of settlement but also of mobility. Over the centuries, a unique Fijian culture developed. Constant warfare and cannibalism between warring tribes were quite rampant and very much part of everyday life. During the 19th century, Ratu Udre Udre is said to have consumed 872 people and to have made a pile of stones to record his achievement."Ceremonial occasions saw freshly killed corpses piled up for eating. 'Eat me!' was a proper ritual greeting from a commoner to a chief. The posts that supported the chief's house or the priest's temple would have sacrificed bodies buried underneath them, with the rationale that the spirit of the ritually sacrificed person would invoke the gods to help support the structure, and "men were sacrificed whenever posts had to be renewed" . Also, when a new boat, or drua, was launched, if it was not hauled over men as rollers, crushing them to death, "it would not be expected to float long" . Fijians today regard those times as "na gauna ni tevoro" (time of the devil). The ferocity of the cannibal lifestyle deterred European sailors from going near Fijian waters, giving Fiji the name Cannibal Isles; as a result, Fiji remained unknown to the rest of the world. Approx 13 inches long  read more

Code: 22806

A Very Rare Collector’s Piece From One of the Most Significant National Hero State Events in the 19th Century. Original Part From The Duke of Wellington's Funeral Carriage

Attended by an estimated at the time, 1.5 million people, and this was when the population of the country was almost a quarter what it is today.
From one of the original foundrys [Taylors Works] that cast the wheels. This is an original spare wheel support made for the magnificent 18 ton funeral carriage. The Duke lay in state in Chelsea Hospital for two days, during which thousands of mourners including the Queen paid their respects. His funeral took place on 18 November when the funeral processed from Horse Guards to St Paul's, Wellington's remains borne in a huge funeral carriage weighing over 18 tons, and that is now on public display at Stratfield Saye. Field Marshal Arthur Wellesley, 1st Duke of Wellington, KG, GCB, GCH, PC, FRS (1 May 1769 ? 14 September 1852), was a British soldier and statesman, a native of Ireland from the Anglo-Irish Ascendancy, and one of the leading military and political figures of the 19th century. His importance in national history is such that he is often referred to as "the Duke of Wellington" instead of "the 1st Duke of Wellington" (overshadowing the heirs to his dukedom including the current duke ? see Dukes of Wellington).

Wellesley was commissioned as an ensign in the British Army in 1787. Serving in Ireland as aide-de-camp to two successive Lords Lieutenant of Ireland he was also elected as a Member of Parliament in the Irish House of Commons. A colonel by 1796, Wellesley saw action in the Netherlands and in India, where he fought in the Fourth Anglo-Mysore War at the Battle of Seringapatam. He was appointed governor of Seringapatam and Mysore in 1799 and as a newly appointed major-general won a decisive victory over the Maratha Confederacy at the Battle of Assaye in 1803.

Wellesley rose to prominence as a general during the Peninsular campaign of the Napoleonic Wars, and was promoted to the rank of field marshal after leading the allied forces to victory against the French at the Battle of Vitoria in 1813. Following Napoleon's exile in 1814, he served as the ambassador to France and was granted a dukedom. During the Hundred Days in 1815, he commanded the allied army which, together with a Prussian army under Bl?cher, defeated Napoleon at the Battle of Waterloo. Wellesley's battle record is exemplary, ultimately participating in some 60 battles during the course of his military career.

Wellesley is famous for his adaptive defensive style of warfare, resulting in several victories against a numerically superior force while minimising his own losses. He is regarded as one of the greatest defensive commanders of all time, and many of his tactics and battle plans are still studied in military academies around the world

The Duke of Wellington is one of only a handful of non-royals to have been accorded a state funeral. This carriage or ?car? was made for the occasion.Included in it's construction were over ten tons of bronze cannon captured at Waterloo and six foundries employed over a hundred men for eighteen days to make it.

The resulting creation measured twenty seven feet in length, ten feet wide and seventeen feet high. A canopy of silk and silver hung from four halberds above the main structure. It required twelve horses to pull it.

The car proved to be the most controversial feature of Wellington?s funeral on 18 November 1852. Prince Albert, who oversaw the project, decreed that it should be ?a symbol of English military strength and statesmanship.? His wife loved it. Lord Hardinge, the Duke?s successor as commander-in-chief, reckoned it ?a beautiful specimen of art.?

It did not help that one of the carriage?s six wheels got stuck in The Mall during the elaborate funeral procession. About sixty policemen were needed to free it. Worse, when it reached St Paul?s Cathedral, its mechanism failed. It took over an hour for the Duke?s coffin to be conveyed inside. The car then found a home in the crypt of St Paul?s until it was transferred to Stratfield Saye in 1981.

Despite such shortcomings, Wellington?s funeral was one of the great British state occasions of the nineteenth century. An estimated million and a half people converged on the procession route. The general feeling was that the passing of the hero of Waterloo marked the close of an era. Tennyson went even further, declaring that ?the last great Englishman is low.? Certainly there was nothing to compare to it until Sir Winston Churchill?s funeral in 1965. The spoke weighs around 6.5 kilos. Of heavy metal construction  read more

Code: 22855

A Superb, Heavy Grade, Original Viking Throwing Axe, Around 1200 Years Old. A Superb Opportunity to Own An Original Artefact From One of The Great Periods Of History.

Especially today with so many representations and depictions of the the great Viking age and peoples being created into films and documentaries currently. The interest in original Viking artefacts has never been greater than it is today. In our Brighton gallery almost all of our daily thousands of visitors make a beeline to all our amazing original Viking pieces, the interest is literally unceasing. Many are spellbound by their historical significance and almost all are surprised to be able to view up close, let alone acquire, such amazing pieces. And this fine example is one of the least expensive pieces we can offer currently, bearing in mind original Viking arms and armour we can show and have had recently, can easily approach up to around £40,000 each.

Viking Arched Axehead made and used from the 9th, and in use up to the 12th century AD.

An iron axehead with circular socket, narrow blade with curved edge. For reference of type see; Cf. Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, 1987, table CXXIV 7".

Weight 865 grams, 17cm (6 3/4").

One of the most famous Viking axes is Helm (named after the Norse death goddess), which belonged to King Magnus of Norway and Denmark. He is said to have inherited the weapon from his father, Olav Haraldsson of Norway, whose ax features prominently in Norway’s national coat of arms. Some Viking axes if they were wielded by a particularly strong and skilled warrior could even cut through chainmail and helmets. When King Magnus’s poet credited the king with being able to split heads like firewood, he wasn’t necessarily being hyperbolic. Writing about the pre-Viking Franks and their use of throwing axes, the Francisca, Procopius makes it clear that the Franks threw their axes immediately before hand to hand combat with the purpose of breaking shields and disrupting the enemy line while possibly wounding or killing an enemy warrior. The weight of the head and length of the haft would allow the axe to be thrown with considerable momentum to an effective range of about 12 m (40 ft). Even if the edge of the blade were not to strike the target, the weight of the iron head could cause injury. The francisca also had a psychological effect, in that, on the throwing of the francisca, the enemy might turn and run in the fear that another volley was coming. It is most logical that the Vikings may well have adopted this system of axe throwing combat from the earlier Franks, as it seemed most effective in numerous combat arenas. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today in even a relatively fair state of surface preservation and condition after over 1000 years, but almost all though are not in any better condition than this beauty.  read more

Code: 22008