Antique Arms & Militaria

Good Heavy Original Italian Infantry Papal Army Helmet Cabasset c.1570 From The Papal Armoury

Good Heavy Italian Infantry Helmet Cabasset c.1570, hammered steel raised from a single plate, medial ridge with pear stalk finial, border retains its original brass rosettes (2 missing) each embossed with a ring of 6 stars, stepped flared brim with turned over edge, retaining original linen lining band inside. 19cms tall. Good condition. Provenance: The
Papal Armoury; and London dealers Fenton & Sons Ltd. Fenton and Sons, Antique Arms and Armour, traded in London from 1894-1927. and supplied, amongst others, the British Museum. [Interesting aside, we used to supply them, [Fentons] in the 1920's]. This and a few others were acquired by Fentons in 1919 and were listed in their catalogue. They were all from the Papal Armoury in Rome made for the Barberini family.
The Barberinis supplied the armour and cabassets for the papal army in the late 16th century, a period fraught with anarchy and bandits and direct attacks on papal territories by Parma. The close association led to Maffeo Barberini becoming Pope Urban VIII. His brother Taddeo was made Supreme Commander of the Papal Army. The helmets, including this one, were from the papal armoury and served through the papal wars. It is estimated that about 4500 men served the papal army and most would have worn cabassets, making the original number of the group well over 4000. Others from the group are now in the Musio Storico Vaticano the Old Papal armoury now in the Vatican Historical Museum in the Lateran Palace, Rome. The Papal Army was the loosely-construed army of volunteers and mercenaries in the service of the Italian Papal States, active from the 8th century until the capture of Rome by Italy in 1870. The Papal States maintained a sizeable military during the Middle Ages, using it to fight against the Holy Roman Empire and its Ghibelline allies. During the 1300s, the Papal States began to employ the services of condottieri, mercenaries who sold their services to the extremely wealthy Catholic Church. These forces would be instrumental to the defence of the Pope during the Italian Wars of the 15th and 16th centuries, with Cesare Borgia leading the Papal Army on a campaign of conquest that added several new city-states and regions to the Papal States' territories. Painting in the gallery of the Massacre of San Bartolome in the Catholic-Protestant Religious Wars, where the French crown aided by Queen Catherine de Medici, mother of the French King, with the Pope's blessing, slaughtered ten of thousands of Huguenots what is considered the second deadliest religious war in European history (surpassed only by the Thirty Years' War, which took eight million European lives) The pope was so delighted with the massacre he ordered a Te Deum to be sung as a special thanksgiving (a practice continued for many years after) and had a medal struck with the motto Ugonottorum strages, (Latin: " slaughter of the Huguenots 1572"  read more

Code: 23583

A Most Charming Napoleonic Wars King George IIIrd Royal Scot's Greys Officer's Carved Horn, Campaign Drinking Cup

In carved horn used from the 1790's by a British Napoleonic Wars officer in the Royal Scot's Greys, then by his grandson in the Crimean war. A super Napoleonic Wars collectable.

Campaign furniture is an umbrella term for the portable items of furniture used by the military in the eighteenth, nineteenth and early twentieth centuries. It is comprised of a huge number of objects, from leatherwork, knives and forks, flasks, drinking vessels, chairs to chests, wardrobes to washstands and games tables to camp beds. from chairs to chests, wardrobes to washstands and games tables to camp beds. A number of celebrated British furniture makers created pieces of campaign furniture, elevating it beyond its roots in functional, army-based design to desirable, collectable decor that continues to add a beautiful, innovative touch to homes today.  read more

Code: 14799

A Most Scarce and Beautiful African Congo Tribal Warrior's Shield, of the Mongo Tribe.

Long ovoid form shield with stunning geometric pattern decoration. Carved wood with rattan bound edging.

The Mongo are one of the Bantu groups of Central Africa, forming the second largest ethnic group in the Democratic Republic of Congo. They are a diverse collection of peoples living in the equatorial forest, south of the main Congo River bend and north of the Kasai and Sankuru Rivers. This area is in the south of the province of Equateur and the north of Bandundu Province.

The Mongo speak either the Mongo language (also called Nkundo) or one of the related languages in the Bantu Mongo family. The Lingala language, however, often replaces Mongo in urban centers. Along with the Luba and the Kongo, they are the three largest ethnic groups in the country.

The Mongo ethnic group is divided into several tribes including Bolia, Bokote, Bongandu, Iyaelima, Konda, Mbole, Nkutu, Ntomba, Sengele, Songomeno, Dengese and Tetela-Kusu, Bakutu, Boyela.

Antique & Vintage original African tribal art is now some of the most desirable and sophisticated decor for national and international interior decorators.

Fine tribal artefacts have always been highly popular and in regards to interior decor, the height of sophistication, but recently it has become absolutely 'the' collectable art of the moment. As to be seen from far afield interiors such as in the 8th Arrondissement, in Paris particularly Avenue Montaigne, to Park Avenue New York, to Kensington Palace Gardens in London or the Piazza di Spagna, Via Condotti and Via del Babuino in Rome. All of the above we have had clients for such African tribal art and weaponry, as a statement focal point for their interior decor.

Super colour contrasts and design incorporating red ochre, cobalt blue, black and white. Red ochre is one of the very earliest pigments used by man, dating back to prehistoric times where it’s use is the basis of many Stone Age cave paintings

Overall in very good condition for age.

16 inches x 35 inches  read more

Code: 18653

A Beautiful Pair of Original & Extraordinarily Beautiful Antique American Wild West Frontier Riding Gauntlets. Made for The Settlers and Trade Market of The American Frontiersmen, Such As Army Scouts, Pony Express Riders & Buffalo Hunters.

A stunning pair of simply captivating gauntlets, of the 19th century, from the early 'Wild West Frontier' period.

Likely traditional North American Indian brain tanned and smoked leather to enable the surface to be more waterproof. To ensure a long-lasting resilience of the leather, it was traditionally stored in a special tent over wood smoke, which gave the skin a darker brown tone and also made it waterproof, thus achieving better protection. Without this process, the leather turns out to be whitish and water-sensitive

All the embroidery is incredibly technical micro stitching of amazing beauty and intricacy. These stunning and fringed gauntlets are beautifully embroidered with flowers, florid patterns and a western monogram. They were possibly traded in the 1840's from the Cree, or the Lakota Sioux tribes of North and South Dakota, but theirs is often decorated with beadwork as opposed to this very fine stitched embroidery, which may better indicate Huron or [according to a most kind lady from the region who knows tribal art very well] Metis craftsmanship.

The most famous members of the Lakota Sioux were Sitting Bull and Crazy Horse. In yellow hide [likely deer buckskin] with typical long fringing. Excellent condition, with a small split in base of one finger. The style of Gauntlets worn by 'Kit Carson' and his contemporaries. Superbly beautiful, charming and highly collectable pieces from the old, American, Wild West Frontier.

Gauntlets are protective gloves that distinctively have a flared protective cuff. For centuries, these cuffs protected European and Asian bow hunters and military archers from being snapped on the wrist by their bowstrings. Medieval soldiers and knights began wearing chain-mail gauntlets during the 1300s, and armoured gauntlets appeared in Europe during the 1400s. Four hundred years later and halfway around the world, leather gauntlets appeared in the American West as military uniform accessories. They were soon appropriated by Indian artists, embellished with diverse ornaments, and incorporated into the civilian wardrobe. Here they became intrinsically linked with Western people, history, and landscape, and a symbol of the frontier. The original European form was reworked with a wild American veneer. Former mountain men -- Jim Bridger and Kit Carson among them -- occasionally worked guiding emigrant trains and military units through little-known country. They also helped track renegades of diverse stripes. These scouts were colourful characters, highly skilled, and not required to maintain a military dress code. Their attire was subsequently functional, comfortable, and drawn from a variety of media and cultural sources. By the 1870s, long and abundant fringe was in style and pinked edges provided decorative flair to leather clothing that was by nature quite showy. A similar pair of gauntlets [though later] of the Lakota Sioux can be seen in the Eugene and Clare Thaw Collection of American Indian Art in the Fenimore Art Museum NY.

The inner lining of our gauntlets is some kind of fine quilted cloth.

These stunning gauntlets would superbly compliment any Wild West collection of original American revolvers, and would look amazing case framed. We offer a highly recommended bespoke case framing service accomplished by one of our local expert artisans.

Such original and rare items of Native American art and artefacts are new very rare in Europe, and thus most valuable to collectors, as they are almost always not permitted to be exported from North America any longer

The last photo in the gallery is of the Teton Sioux Lakota gauntlets in the Fenimore Museum, however, the embroidery on our gauntlets is very much like earlier Huron work  read more

Code: 20890

A Magnificent & Fabulous Quality Antique French Rococo Silver Table Lamp

A wonderful example of the finest antique silver plate. Superlative quality of the highest grade, and of the most incredible beauty, from the Rococo Revival period that emerged from the King Louis Phillipe and Second Empire eras in France, and was then adapted in England. Revival of the rococo style was seen all throughout Europe during the 19th century within a variety of artistic modes and expression including decorative objects of art, paintings, art prints, furniture, and interior design. In much of Europe and particularly in France, the original rococo was regarded as a national style, and to many, its re-emergence recalled national tradition. Rococo revival epitomized grandeur and luxury in European style and was another expression of 19th century romanticism and the growing interest and fascination with natural landscape. Louis Philippe (1830-1848)

The rising bourgeoisie in France demanded rococo decorative-art objects as a reflection of status, wealth, and material possession. The bourgeois consumer purchased objects and furnishings from a variety of revival styles, including rococo, for its significance in historicizing opulence and grandeur.

Modern French Rococo furniture and decorative arts were characterized by their opulence elegance and grace. Its ornamentation consisted of delicate foliage and intricate details.13.5 inches x 8 inches. Excluding light fitting. Very heavy quality.  read more

Code: 21266

Superb Medieval 12th-13th Century Crusader Knights Iron Flanged Battle Mace & Scorpion Flail Mace Head

A rare example of mace, and, apparently, not many surviving examples of this type of flanged mace are still in existence. An offensive battle mace that would be an amazingly effective piece against armour, helmet or shield. In almost spherical form with multi layered protruding flanges in hollow-cast iron that could be mounted on a haft, or with a chain and haft and used as a battle flail. They were also carried as a symbol of power and rank, as it is so now, for example such as the cosmetically huge parliamentary mace and the Queen's great mace of state being just two examples. In the Crusades era this was, on occasion, also an ecclesiastic weapon [used by Bishops Popes], for an ecclesiastical warrior was not allowed to draw blood in combat [a most novel distinction] but far more usually used by mounted knights in noble combat. a flail mace for extra reach on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.
Controlling the flail is much more difficult than rigid weapons.On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights [both friends and companions] to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace head is approximately the size of a slightly flattened tennis ball.  read more

Code: 22686

Another Fabulous ‘Grand Tour’ Piece of History. An Original Transylvanian/Hungarian 14th Cent. Bronze Mace Head, An Iconic Weapon Of War of the Knights of Vlad Dracul, In The War With Sultan Mehmed IInd Ruler of the Ottoman Empire

From the reign of Vlad Dracul, a name that from which derived the Order of the Dragon. Who was ruler and prince of Transylvania. A bronze mace head formed with a series of low pyramidal points, and in patinated condition throughout. This wonderful original artifact, from Eastern European medieval history, was a most popular close combat weapon for mounted knights of the 14th century and 15th century, and as a highly effective close combat knightly weapon they were continually used right through the 15th into the 16th century. They were used by the Hungarian Knights of the Black Army, and the Transylvanian Knights and mercenary knights that served Prince Vlad the IInd and his son Prince Vlad Dracul, [Vlad the IIIrd, the Impaler] and the Szekely . They fought across the whole Empire, in Hungary, Transylvania, Romania, fighting against the encroachment of the expanding Ottoman Empire of Sultan Mehmed IInd.

Vlad Dracul of Transylvania inspired the tales of the vampire of legend, named "Dracula". That evolution of Dracul, recalls only the character from the 1897 novel by Bram Stoker, dramatically and memorably realised by Bella Lugosi, in the eponymous 1931 Hollywood horror film, and then followed by all too numerous actors since, including one of the very best, Gary Oldman. However, behind the popular myth lies the genuine historic ruler Vlad III Dracula "the Impaler" (1431-76), Prince of Wallachia in what is now Romania, a vassal of the Hungarian kings. Voivode is the medieval Romanian term for a regional commander, which position Vlad held intermittently in addition to his princedom (1448, 1456-62 and 1476), and the name "Dracula" is a diminutive derived from the Imperial Order of the Dragon, the order of knights to which Vlad and his father, Vlad II (1390-1447) commanded. He ruled his military kingdom of Wallachia southern Romania with a heavy and blood-soaked fist. To not only the Turks but also to many of his own countrymen he was Vlad The Impaler, Vlad Die Tepes (pronounced Tee-pish). Determined not to be overtaken by the intrigue of an intriguing political underhandedness, in a world in which princes fell daily to smiling, hypocritical "allies," paranoia among the aristocracy was, and probably needed to be, utmost in a sovereign's disposition. Dracula built a defence around him that dared not open kindness nor trust to anyone. During his tenure, he killed by the droves, impaling on a forest of spikes around his castle thousands of subjects who he saw as either traitors, would-be traitors or enemies to the security of Romania and the Roman Catholic Church. Sometimes, he slew merely to show other possible insurgents and criminals just what their fate would be if they became troublesome.
A pamphlet published in Nuremburg, Germany, immediately following his death in 1476, tells of his burning beggars after allowing them free food at his court. "He felt they were eating the people's food for nothing, and could not repay it," the broadside explains. And there are countless of other tales of Dracula's wickedness written down ages ago, many of which will be related in this article. This Mace is without haft,and in it's present state it would make a superb cabinet piece, or desk display. However if required we could commission our master cabinet maker to create a replacement haft to replicate how it once would have looked complete. Original paintings in the gallery of Vlad IIIrd and a Knight of the Black Army with mace, and finally an original medeivil portriat of Stephen Lackfi, holding an identical Hungarian mace, he was a knight horseman, and note the Dragon Order shield.
[for information only] The Szekely are of uncertain origins, subject to much debate among themselves and among scholars. A widespread theory asserts that they descend from the warrior tribes settled by the Hungarians in the border mountains to defend against invasions from Tatars and other menacing people from the east. Szekely people adhere proudly to a Hungarian identity. They have a slightly distinct Hungarian dialect, but most of the differences from modern Hungarian consist of archaic words and phrase constructions, as well as a particular intonation.

In medieval times, the Szekely were part of the Unio Trium Nationum ("Union of Three Nations") a coalition of the three Transylvanian Estates, the other two nations being the (predominantly Hungarian) nobility and the Saxon (ie ethnic German) burghers. These three nations ruled Transylvania, usually in harmony though sometimes in conflict with one another. The Romanian inhabitants, who largely belonged to the class of serfs (which also included many Hungarians), were Orthodox and were not allowed political representation. The Szekely were considered the best warriors of medieval Transylvania. Regular size mace of the period 2 inches at the widest  read more

Code: 22566

Original Victorian 7th Dragoon Guards Silver Cap Badge, 1898 1906

A superb example in pristine condition, not hallmarked silver. Crisp and sharp and superb quality. Part of a small collection of original rare Victorian badges we have just been most pleased to acquire. At Dettingen, Cornet Richardson of the 7th received thirty-seven wounds whilst defending the Regimental Standard. This standard is the oldest surviving in the British Army.
7th Dragoon horsemen carried out the last cavalry charge of World War 1 when they galloped for 10 miles to capture LESSINES in BELGIUM and the crossings there over the RIVER DENDRE suffering no casualties themselves, but taking 4 German officers and 167 men prisoners. As was required by higher command this action was completed as the clocks were striking 11 o?clock when hostilities had to stop in accordance with the terms of the Armistice.  read more

Code: 15968

A Queen's South Africa Medal to South African Constabulary Cavalryman.

A rare medal of the Boer War with three bars. Issued to 3rd Class Trooper R.G,Phillips.. 12 squadrons of the SAC were raised in Canada by General Baden-Powell. Many Canadians stayed on to live there after the war's end. One photo in the gallery of a group of SAC probably outside the HQ at Koffiefontein  read more

Code: 21866

A Super & Rare US Civil War Souvenir, An Original US Cavalry Gallagher Carbine Stock.

Ideal for the collector of rare Civil War arms that is not necessarily inclined to buy a full rifle for the several thousands of pounds it would cost, or, for an owner of a Gallagher that needs a replacement stock. If needed as such, it would normally be simply impossible to find an original example, in such wonderful condition, ever available on the collector market.

Fine walnut stock, with all steel furniture including the steel hinged patchbox, steel butt plate and side screw mounts. In superb condition and three figure serial number, 257 [repeated], stamped on the inner steel patch box lid. On the underside are several crudely carved notches, traditionally, are supposed to represent enemy soldiers that have been successfully 'introduced' to the horse soldier's shooting prowess.

The Gallager Carbine was conceived in 1860 by Mahlon J. Gallager. Receiving his patent on the 17th of July 1860, Gallager submitted his design to military trials. The design was approved and Federal forces issued a contract for Richardson and Overman of Philadelphia to produce the carbine. This contract resulted in 22,728 Gallagers to be produced before the end of the American Civil War, which was more than some other breechloading rifles (such as the Joslyn Rifle or Starr Carbine) but no where near as many as the Springfield Model 1861 rifled musket (whose production passed over 1,000,000 during the conflict).

The Gallager Carbine had a rather unusual breechloading design, using a modified version of the more typical lever-action mechanism to open the breech. As was the trend at the time, the lever effectively formed the trigger guard , and when pulled downwards slid the barrel forwards, before tiliting downwards. This then allowed the user to remove the spent cartridge (most commonly with a knife) and insert the new cartridge. The barrel was then pushed back into place, then locked when the lever was put into its upwards position, ready for firing.

Initially the Gallager was manufactured utilising a percussion lock mechanism, largely due to the fact that the quickest (and cheapest) cartridges to produce at the time were made of paper. This mechanism was not modified on later models, despite the use of metallic cartridges. Other features of the Gallager included iron fittings (ie the buttplate of the stock and patchbox) and a lack of a forestock.

The lack of a forestock is not that much of a suprise, however, as the shorter stock meant that the barrel could tilt once it had moved forwards (otherwise the barrel would have to have been allowed to move further to allow the user to load the new cartridge). Furthermore, because there was a lack of a forestock, the Gallager also lacked any form of barrel bands and also lacked the ability to have a bayonet mounted to it. The barrel itself had six grooves forming the rifling pattern and measured 22.25in (0.57m) in length.

Photo in the gallery of a US Civil War Horse Soldier with his carbine, sabre and revolver, also a photo of the complete Civil War Gallaghar Carbine in the Smithsonian  read more

Code: 24592