Japanese

A Very Attractive Pair of Boxed Edo Period Kogatana and Kogai, Samurai Sword Accessory Fittings Matsushiro Sinano school

In sinchu and silver a beautiful design of tosugu [sword mountings] from the Edo Matsushiro Sinano school. The kogatana blade is signed with lengthy cursive script, it could also be a story or poem but it is worn and difficult to read. A boxed pair of original Edo period, kogatana [utility knife] and samurai's kogai [hair dressing piece]. A Kogatana (小刀), or "small sword" in English is a small knife designed to be fitted within its Kozuka (handle). The Kogatana is a small utility knife that fits into a pocket [if it has the option] on the Saya.

A Kozuka (小柄), or "small handle" in English is a small Tsuka [hilt] designed to be fitted with the Kogatana [blade] It usually features various designs inspired by famous historical events or popular Katana-related designs.

The Kogai (笄) is a spike for hair arranging also used for various utility tasks, that fits into a pocket on the saya (similarly to the Kogatana).

The Kogatana and Kogai are the reasons why there are small holes on either or both sides of the Tsuba, so they can be pulled while the Katana is in its Saya. The kogakatana blade is often easily removable from the kozuka handle for ease of cleaning and replacement  read more

Code: 23943

A Koto Period O-Sukashi Katana Tsuba

Circa 1550. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20314

A Captivating Shinto Era Wakizashi, Circa 1650, Signed Fuyuhiro. A Wonderful and Elegant Edo Period Sword of Exceptional Sophistication.

A stunning antique shinto wakazashi samurai sword, its blade, fittings and saya have been completely untouched since its arrival in England around 150 years ago. The blade has just been cleaned and conserved and looks fabulous

All original Edo period signed fittings in patinated copper of of superb quality, with a fabulously crafted takebori flying fish on the kashira and an exceptional complimentary fuchi that is signed, and the black tsukaito is wrapped over stunning shakudo and gold menuki, one being a samurai in armour, beneath that is samegawa of extremely rare large inlaid nodules of giant ray skin some over a third of an inch across.
The tsuba is most elegant and understated with intermediate four-line delicate Amidayasuri filemarks or carving representing the halo emanating from Amida Buddha. The blade is bright with a superb midare hamon but best seen in a correct light, in its beautiful black stippled urushi lacquer saya, with a gold sayajiri end cap, and a small, applied, takebori bean form sinchu lower section mount, the saya is complete with a super, signed blade kozuka utility knife, in matching copper, decorated with a takebori figure of Fukurokuju.
In Japan, Fukurokuju is one of the Seven Lucky Gods in Japanese mythology. It has been theorized that he is a Japanese assimilation of the Chinese Three Star Gods (Fu Lu Shou) embodied in one deity. Most related in appearance to the Chinese star god Shou, he is the God of wisdom and longevity. According to some, before attaining divinity, he was a Chinese hermit of the Song Dynasty and a reincarnation of the Taoist Deity, Xuantian Shangdi. It is said that during his human incarnation, he was a sennin; a immortal who could exist without eating food.

Fukurokuju probably originated from an old Chinese tale about a mythical Chinese Taoist hermit sage renowned for performing miracles in the Northern Song period (960–1127). In China, this hermit (also known as Jurōjin) was thought to embody the celestial powers of the south polar star. Fukurokuju was not always included in the earliest representations of the Seven in Japan. He was instead replaced by Kichijōten (goddess of fortune, beauty, and merit). He is now, however, an established member of the Seven Lucky Gods,

The original Edo period urushi lacquer on the saya is in simply excellent condition and shows most elegant simplicity, it reveals within that simplicity the finest craftsmanship and beauty worthy of a master of the art of urushi decor. Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce decorated samurai sword saya and also ceremonial and decorative objects for their homes and palaces.


Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.  read more

Code: 24338

A Most Beautiful Signed Koto Period Pre Edo Katana , 1500's, With All Original Edo Period Mounts

Koto period blade, with a single mekugi-ana, signed Bitchu ju Kuni... the last part of the name can't be clearly read. It has a very good suguha hamon, tsuka with shakudo fuchi-kashira with gold and silver decoration of a takebori samurai on horseback on the fuchi and a samurai by a shoreline with overhanging trees and waves on the fuchi, gold bamboo leaves menuki, circular iron tsuba chiselled with leaves, in its black urushi lacquered saya. Black tsuka-ito over gold bamboo leaves, on samegawa giant rayskin.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means "one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they were trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art. Blade surface has areas of the usual age surface micro thinning seen in Koto blades

Blade 27.25 inches long tsuba to tip, overall sword length in saya 38 inches long  read more

Code: 24182

An Amazing Samurai Sword Katana. Signed, Hizen kuni Dewa no kami Yukihiro Circa 1670 Made For the Nabeshima Clan

A fabulous, signed, samurai katana of the Nabeshima clan lords.
All original Edo fittings to compliment the blade. A sword made circa 1670, with fine iron Higo school mounts with pure gold inlaid Imperial chrysanthemum mon to the fushi and kashira. Round iron Edo tsuba. Original Edo period urushi lacquer saya.

Yukihiro was a swordsmith of Hizen province, and as we believe this sword was made by him around 1670, he was making his swords for the Nebeshima at this time, so we believe it is very likely this was created intially for one of that family clan.
He was the Second son of Hashimoto Yoshinobu.
Yukihiro acquired the title of Dewa Daijo in 1648 and was ranked up to Dewa (No) Kami in 1663.
He travelled to Nagasaki to learn under Hisatsugu and Tanenaga who were highly informed about western steels brought to Japan by the Dutch. Yukihiro also studied Bizen-den style under the swordsmith that belonged to the Ishido School and sometimes added the character Ichi to his signature. Later he became a retained swordsmith of the Nabeshima family and lived in Nagase town. He passed away in 1683, aged 66. The clan controlled Saga Domain from the late Sengoku period through the Edo period.

The Nabeshima clan was a cadet branch of the Shoni clan and was descended from the Fujiwara clan. In the late 12th century, Fujiwara no Sukeyori, a descendant of Fujiwara no Hidesato in the 9th generation, received the title of Dazai Shoni (equivalent to that of vice-governor of the military government of Kyushu) from Shogun Minamoto no Yoritomo, and the title became the family name.

The clan played an important role in the region as early as the Muromachi period, when it helped suppress opposition to the Ashikaga shogunate's control of Kyushu. It did not take the name Nabeshima, however, until the late 15th century, when Shoni Shigenao established himself at Nabeshima in Hizen province (today part of Saga City, Saga prefecture). Later, in the Sengoku period (1467-1603), the Nabeshima were one of a number of clans which clashed over the island. The Nabeshima sided with the Ryuzoji clan against the Otomo clan, though this ultimately ended in failure and the death of Ryuzoji Takanobu at the 1584 battle of Okita Nawate. Several years later, however, the Nabeshima recovered power and prominence by aiding Toyotomi Hideyoshi in his 1587 invasion of Kyushu; Nabeshima Naoshige was granted the region of Saga as his fief, as a reward for his efforts. Naoshige also contributed to Hideyoshi's invasions of Korea in the 1590s.

The clan initially aided Ishida Mitsunari against Tokugawa Ieyasu in the Sekigahara Campaign in 1600. However, they switched sides to support the Tokugawa, who were ultimately victorious, before the campaign had ended, battling and occupying the forces of Tachibana Muneshige, who was thus prevented from contributing directly to the battle of Sekigahara. Though regarded as tozama daimyo ("outside" lords), and assigned particularly heavy corvee duties, the Nabeshima were allowed to keep their territory in Saga, and in fact had their kokudaka increased. The clan's forces served the new Tokugawa shogunate loyally in the years which followed; they remained in Kyushu during the 1615 Osaka Campaign as a check against a possible rebellion or uprising by the Shimazu clan, and aided in the suppression of the Shimabara Rebellion of 1637. In recognition of their service, members of the clan were granted the prestigious family honorific name of Matsudaira in 1648, Matsudaira being the original Tokugawa family name, the ruling Shogun of Japan for almost 300 years. 29.75 inch blade from tsuba to tip. Overall 39 inches long in saya. No p/x or layaway available on discounted items.  read more

Code: 19598

A Wonderful 500 Year Old Koto Period Samurai 'Dragon' Wakizashi Samurai Short Sword, Another Absolute Beauty From Our latest collection

Based entirely around the legendary Japanese dragon, Bearing the dragon on all of its fittings and mounts including its kozuka utility knife. All of the fittings are original Edo period, of very nice quality the dragon tsuba is iron with gold highlights, of a chiselled takebori dragon signed by a very good tsuba maker, Kinai.

One has to bear in mind this tanto has been used by numerous samurai over more than a dozen generations, since the era, in England, when King Henry the VIIIth was a child.

The tsuka is superb and has its original, beautiful mid blue silk binding, that is patterned damask silk with a clan mon design theme. It is a very rare, and most infrequently seen form of deluxe quality tsuka-ito, that is wrapped over black samegawa giant ray-skin, over the gold dragon menuki. The fuchi is fine Soten school, of a pure gold decor takebori dragon, over a shakudo Nanak o ground. The kashira is hand carved and polished black buffalo horn.

The saya has its incredible Edo period urushi lacquer in a stippled ishime stone finish. and within its saya pocket is the kozuka utility knife, with a sinchu handle, decorated with a takebori carved sea dragon in crashing waves, the saya bears a shakudo mount of a deep and crisp, rare type takebori mythical flying sea dragon with a fishtail. The blade is in super and beautiful polish, showing a delightful light notare, based on suguha, hamon.

The original Edo period urushi lacquer on the saya is in simply excellent condition for age and shows most elegant patterning, it reveals within that intricacy the finest craftsmanship and beauty worthy of a master of the art of urushi decor. Japanese lacquer, or urushi, is a transformative and highly prized material that has traced it origins, and been refined, for over several thousands of years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.  read more

Code: 24556

A Fine Japanese Shinto Aikuchi Tanto, Made Over 240 to 300 Years Ago, During the Edo Period, With Old Edo Silvered Fittings & A Very Fine And Beautiful Blade

An extremely sophisticated and elegant tanto, of stunning simplicity. With silvered twin kogai

The kogai is actually two pieces ("warikogai") that can be used as chopsticks. The tsuka bound in thin strands of beleen. It has a hammered chequered pattern pure gold foiled covered habaki, blade collar.
The beautiful blade has a very fine deep, gunome undulating hamon. it has gilt chrysanthemum mekugi ana roundels.

All the original fittings are Edo period, as is the urushi lacquer saya. Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce decorated samurai sword saya and also ceremonial and decorative objects for their homes and palaces

The samurai tanto is commonly referred to as a knife or dagger, although in technical Japanese terms it is still a sword, however short. The blades of tanto can be single or double edged with a length between 15 and 30 cm (6-12 inches, in Japanese the length of 11.8 inches is called 1 shaku).

The tanto was designed primarily as a stabbing weapon, but the edge can be used for slashing as well. Tanto are generally forged in hira-zukuri style (without ridgeline) as is this one, meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana. Some tanto have particularly thick cross-sections for armour-piercing duty, and are called yoroi toshi.

A very small gold foil area of the habaki now lacking. The old urushi lacquer on the saya has very small old contemporary wear marks etc.

Overall 12.5 inches long, blade around 8 inches long  read more

Code: 22202

An Edo Period 1603 -1867, Katana Tsuba Tenbo Saotome Style, Hammered Iron With Formed Rim Mimi

A most attractive form of tsuba with fabulous patina, the hitsu-ana infills are extremely well done, and very nicely surface decorated. The hammering of the surface is superb and to us this is an exceptional piece for a collection or to compliment a suitable blade. Likely early Shinto, 1600’s. With pierced kozuka and kogai hitsu-ana both metal filled, possibly in a silver alloy. The tsuba, is a fundamental element in the mounting of the Japanese sword, it is the guard, the most important element of the fittings, and has two main functions: the first to protect the hand against the slashes and lunges of an opposing sword; the second is to prevent that the hand ends up directly on the cutting edge of the blade. Over the course of more than ten centuries of history, the tsuba has undergone a number of important changes, as regards the materials used for its manufacture and its appearance.

During the centuries of wars that characterised Japan until the advent of the Tokugawa Shogunate during the first half of the 17th century, the tsuba was essentially made of iron or steel. From the mid-17th century onwards the tsuba became a real work of art, with the use of soft metals used in various ways, with engravings, incrustations; well made tsuba were the pride of hundreds of craftsmen’s schools whose value sometimes exceeded that of the same blades of the mounting where tsuba was part of
75mm  read more

Code: 24233

A Beautiful Antique Edo Period Wakizashi Samurai Short Sword, With a Fabulous Quality Botanical Shakudo Gold and Silver Takebori Mounts & Tsuba

Circa 1680. A stunning antique shinto wakazashi samurai sword, its blade and fittings saya etc. have been almost completely untouched since its arrival in England around 150 years ago. All original Edo period fittings with one mekugi-ana, midare hamon, fully bound tsuka with shakudo fuchi-kashira decorated with flowers and tendrils in gold, shakudo and gold floral menuki, mokko-shaped iron tsuba decorated with silver and gold takebori foliage, in its beautiful black stippled lacquer saya complete with a super shakudo kodzukatana utility knife decorated with a takebori figure of a sage, possibly Tenaga from Japanese folklore, and a dog on a lead. Fabulous faultless blade showing a superb undulating hamon.

Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.

There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects

Blade length 15.5 inches long

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24184

A Most Handsome Shinto O-Tanto, Around 300 years Old Circa 1720 With a Most Impressive and Beautiful Large Blade Used As A Powerful Close-Combat Small Sword and Suitable as a Post Combat 'Head Cutter'

All original Edo period koshirae with a superb urushi lacquer saya of dark red with black angular overstriping and black banding at the top section, a fine takebori tetsu sayajiri mount, with a shakudo and gold kozuka utility knife with decoration of takebori zodiac animals, including a deer, rabbit, dragon, pony, snake, dog, rat, phoenix, hare etc.

It has very nice o-sukashi tetsu tsuba with a fine tsuka with Higo school fuchi kashira of iron decorated with takebori whirling clouds. The menuki under the tsuka ito are super quality of a pure gold sun and a shakudo crescent moon.
O-Tanto


The blade is long wide and very elegant with a great gunome hamon in beautiful polish. It has mighty strong thickness and size perfectly suitable as a samurai's close combat weapon, but also to double up, post combat, as a samurai's 'head cutter', if a kubikiri a solely dedicated head cutter, used by an attendant, was not available.

Samurai usually had to chop off their enemy’s head in order to prove to their daimyo or master that they actually killed the right person, not a woman or child.
Additionally collecting more heads meant getting more stipend and promotion.
However, after chopping the head, the samurai would always clean and put some light make up to the face to pay their respect to the dead person.
At the same time, every samurai also usually put incense within the inside their helmets knowing that they may get killed and their head's odour, due to the stress of battle, must not offend their killer.
In situations when the samurai did not have time to chop off the enemy’s head, they then used to cut off the upper lip (to distinguish if the head is male or female).
Tanto first began to appear in the Heian period, however these blades lacked artistic qualities and were purely weapons. In the Early Kamakura period high quality tanto with artistic qualities began to appear, and the famous Yoshimitsu (the greatest tanto maker in Japanese history) began his forging. Tanto production increased greatly around the Muromachi period and then dropped off in the Shinto period. Shinto period tanto are quite rare. Tanto were mostly carried by Samurai; commoners did not generally carry them. Women sometimes carried a small tanto called a kaiken in their obi for self defence.It was sometimes worn as the shoto in place of a wakizashi in a daisho, especially on the battlefield. Before the 16th century it was common for a Samurai to carry a tachi and a tanto as opposed to a katana and a wakizashi.

Blade 35.5 cm inches long, 3cm wide at the habaki, overall in the saya it is 51 cm long.

A solely dedicated kubikiri would normally have its cutting edge on the inside, and carried by attendants of high ranking samurai, but curiously the kubikiri would also be used for bonsai trimming.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24340