NOW SOLD!! The Most Historical German Officer’s Dagger War Trophy of WW2. Recovered From The Map Room Aboard U-110. The Most Important Capture of WW2. U110 Commanded by Kptlt Fritz Julius Lemp, Hero Of Germany, For His Attack on Battleship HMS Barham

Every single day we try our upmost to acquire, and thus offer to our collectors, interesting and fascinating souvenirs of history going back thousands of years. Today is no exception. We are showing the ‘Operation Primrose’ WW2 Kriegsmarine Dirk from Kptlt. Fritz Julius Lemp’s U-boot Top Secret Code Room Cabin. It was from U110 that the boarding party men from HMS Bulldog, after six hours, recovered an Enigma Machine, and the Kapitan's all too vital super top secret Kriegsmarine code books, the service dagger, the crew’s film of U110 at sea {filmed from the conning tower} and several other vital pieces of secret intelligence. His U-boot dagger was 'retreived' by the Royal Naval engineering officer Lt. Commander who boarded to U110 to ensure it was safe to tow safe haven after its capture {it was however ordered to be scuttled}. U-110 was at sea for approximately two months before its capture on May 9, 1941. Its second patrol, which ended with its capture, lasted from April 15 to May 9.

When the British officer who recovered this trophy was personally decorated with his Distinguished Service Cross by His Majesty King George VIth, the king confirmed to LT Commander Dodds, that his involvement in the ultra top secret action was probably the most important maritime combat success of the entire war. The dagger is in superb condition with a near mint blade with superb full naval etching and all its original frost finish, and small scabbard dent at its base, with more photos of the blade to add tomorrow.

"The Secret Capture"

U-110 was captured by the Royal Navy on May 9 1941. This was perhaps the most important capture of the entire war and was so secret that even the crew of U-110 did not know of it! U-110, under the command of Kptlt. Fritz Julius Lemp, had been attacking a convoy in the Atlantic south of Iceland together with U-201 (Oblt. Adalbert Schnee), when Lemp left his periscope up too long (probably to confirm a kill: he sank two ships totalling 7500 GRT that day) and the escort corvette HMS Aubretia sighted it and rushed to the scene and began depth charging.

U-110 survived the first attacks, but then HMS Bulldog and HMS Broadway joined the hunt. U-110 was forced to surface, and HMS Bulldog immediately set course to ram (its commander realised it might be possible to capture U-110, and veered aside at the last moment) which caused Lemp to order "Abandon Ship". Lemp assumed the boat would be sunk, and its confidential material would go down with it. When he was in the water he realised the boat was not sinking, and attempted to swim back to prevent capture. That was the last seen of him. Members of U-110s crew later claimed he was shot in the water by the British boarding party, but that was never confirmed.

The boarding party commanded by Lt David Balme, followed by Lt Commander Dodds, made several journeys between U-110 and HMS Bulldog to collect whatever they could get their hands on inside the boat. This proved to be very fruitful, as U-110 was abandoned in a hurry, and being a Type IXB U-boat, did not sink as rapidly as a Type VIIC would have. It is almost certain that many U-boats were sunk as a result of the material found inside U-110, including from the kapitan's code room an Enigma machine with rotors set, current code books & his kriegsmarine officer's dirk.

The day after the capture, the British Admiralty realised the importance of this, and that if the Germans knew the boat had been captured, they would assume the worst and change their codes and cipher system. The boat was accordingly ordered to be scuttled while being towed to Britain, the surviving crew were taken straight to Iceland to be interned, and everyone involved in the capture sworn to secrecy. 15 of U-110's crew died in the action and 32 were interned.
This amazing and supremely important action was portrayed in the Hollywood movie, U-571, but its name changed and the capture was made, not by the Royal Navy, but by American vessels.

This event was the subject of a British parliamentary motion in 1999 condemning the portrayal of the capture of U-110 and subsequent breaking of German codes as an American success in the film U-571.

KptLt. Lemp had previously achieved great success in his second U boat, U-30, sinking 17 ships and damaging two, including his part in damage and sinking of the British battleship HMS Barham. She was the first U-boat to make use of the French bases in July 1940, and on 14 August 1940 Lemp, aged 26, became the seventh U-boat commander to be awarded the Knights Cross.

The secret was the capture of the Enigma machine by the Royal Navy from U-110. We will have {arriving next week} the Kriegsmarine dagger, made by Carl Eikhorn in 1941, probably of Kptlt. Fritz-Julius Lemp (Knights Cross) taken from the captain's map room of U110 by the RN officer of HMS Bulldog, who was the Lt Commander Chief Engineer of HMS Bulldog, who had to inspect U110 to enable towing after all the ships booty, including the enigma machine and code books, officer's dagger, had been stored aboard HMS Bulldog.

The Captain of Bulldog realised how important the items recovered from U-110 were, so decided not to send an informative radio message about the capture which avoided the Germans learning of the loss, instead sailing to Iceland and then Scotland with the German prisoners kept isolated. Acquiring an Enigma machine was of some help, but the capture of the code books was of immense help to the Government Code and Cypher School in that the codes were still valid until 30 June 1941 enabling six weeks of unfettered and immediate access to the German naval code, their insight making the breaking of future German naval codes much easier.

Kptlt. Lemp’s U-boot’s dirk, and the Lt Commander's RN sword, was sold by the family by a special auction in Bonhams about 20 years ago. Including the letters of provenance, scanned photos of the RN officer holding his sword, and catalogue etc. that we now have. Some of the paperwork and copies of the scanned Admiralty photographs. We will offering with both items.

Lt Commander Dodds Royal Naval officer's sword that is to be offered for sale seperately.

The Lanes Armoury partner's both agree this is probably the most important Kriegsmarine dirk from WW2. And possibly, only the dirk of Kapt. Hans Langsdorff of the Kriegsmarine Pocket Battleship, Graf Spee, could possibly be comparable if it was to appear one day. Before the secret of U110 was revealed, The Graf Spee and the Battle of the River Plate was the previously the most famous engagement of the Royal Navy vs the Kriegsmarine in WW2.

Photo in the gallery of Admiral Donitz and Kapitanlt. Lemp aboard his U-boot, before his last combat mission and the capture by the Royal Navy of his U-boot.

Both sword and dagger with provenance were offered by us for sale separately, but have been acquired by a collector together in order to the keep the integrity of their history together since 1941

Film by a 1941 Pathe News War photographer { link below} of the tragic sinking of British capital ship, the Battleship HMS Barham.

https://www.youtube.com/watch?v=YdrISbwy_zI

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25732

A Magnificent 18th Century Silver Hilted Small Sword, Dated 1758, with Colichmarde Blade. This Is One Of The Most Beautiful To Be Seen

A combination of the finest 18th century artisan's skill of both a silversmith and bespoke swordsmith. Circa 1758 and IC , probably John Carman of London.

General George Washington, later the first President of the United States, had a very similar sword that he used during his service as commander of the new American Army in the American War of Independance from 1776 onwards

Ideal in its day for duelling or close quarter combat, as well as being a simply fabulous, finest quality sword of immense beauty. Fine cast and chased silver hilt in the elegant rococo style with double shell guard single knucklebow and pas dans. The grip is bound in its original twisted silver wire. The guard has enchanting and highest quality workmanship with a scrolling, pierced, rococo shell pattern with florid embellishments thoughout. Colishmarde blade with bright steel finish. The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practising fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended.The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. This sword is a true work of art, in it's beauty form, quality and balance.

The small sword or smallsword is a light one-handed rapier type sword designed for thrusting which evolved out of the longer and heavier rapier (espada ropera) of the late Renaissance. The height of the small sword's popularity was during the 18th century, when any civilian or military, with pretensions to gentlemanly status would have worn a small sword on a daily basis.

The blade of a small sword is comparatively short at around 0.6 to 0.85 metres (24 to 33 in), though some reach over 1 metre (39 in). It usually tapers to a sharp point but may lack a cutting edge. It is typically triangular in cross-section, although some of the early examples still have the rhombic and spindle-shaped cross-sections inherited from older weapons, like the rapier. This triangular cross-section may be hollow ground for additional lightness. Many small swords of the period between the 17th and 18th centuries were found with colichemarde blades.

It is thought to have appeared in France and spread quickly across the rest of Europe. The small sword was the immediate predecessor of the French duelling sword (from which the épée developed) and its method of use—as typified in the works of such authors as Sieur de Liancour, Domenico Angelo, Monsieur J. Olivier and Monsieur L'Abbat—developed into the techniques of the French classical school of fencing. The small sword was mainly used as a duelling weapon.

Militarily, small swords continued to be used as a standard sidearm for infantry officers.Small swords were used both by the military (where they served more as a sign of a certain rank rather than a real weapon for close combat) and as a dueling weapon. The very height of the small sword's widespread popularity was in the 18th century, when it was considered fashionable by aristocrats ("no gentleman was dressed without his sword" – contemporary idiom of the middle of the 18th century), but it was still used as a duelling weapon

John Carman (II) was indentured to his father on 19 June 1736 at the age of fourteen. He was elected Master of the Cutlers' Company in 1761 and died in 1764 at the age of 41.  read more

Code: 24952

A Most Fine 18th to Early 19th Century Ottoman Empire Jannisaries Yatağan Sword, Carved Horn 'Eared' Hilt & Original Hide Covered Wooden Combat Scabbard

Overall in superb condition, the patina on both the hilt and leather scabbard is exceptional. The carved horn eared hilt is composed of two carved horn grip plates attached by three iron rivets, and is very fine indeed. It has a naturally patinated brass, fully encompassing, reinforcing strap that forms into the ricasso and shaped blade plate. The yataghan form blade, in the traditional form, is beautifully geometrically engraved upon the back edge. The polished hide covered wooden scabbard has an iron belt loop fixing. The Yatağan sword is a Turkish sword that is believed to have originated sometime in the late middle ages, around the 14th century. The first authentic findings that there are for the Yatağan are from the 15th century belonging to Suleiman the Magnificent. That sword has an inscription written on it dating it to 1526.

The formation of the Janissaries has been dated to the reign of Murad I (r. 1362–1389), the third ruler of the Ottoman Empire. The Ottomans instituted a tax of one-fifth on all slaves taken in war, and from this pool of manpower the sultans first constructed the Janissary corps as a personal army loyal only to the sultan. They were subjected to strict discipline, but were paid salaries and pensions upon retirement and formed their own distinctive social class. As such, they became one of the ruling classes of the Ottoman Empire, rivalling the Turkish aristocracy. The brightest of the Janissaries were sent to the palace institution, Enderun. Through a system of meritocracy, the Janissaries held enormous power, stopping all efforts to reform the military

Yatağan was widely used in the Ottoman period from the 16th century to the 19th century; is a famous and effective sword. It is also known as the Turkish Sword among foreigners and Kulakli among the people. Yatagan was a weapon of janissaries and other infantry troops.

The centre of gravity of the sword, the angle known as the Turkish curve in making swords, and the ideal strokes are difficult to use because they differ from other swords. The reason for this difference in form is to swing the enemy’s sword strokes more easily. But the destruction and chiselling power of a good user is much higher than that of contemporary swords. Although the motives and writings in Yatağan are sometimes a poem and sometimes a concise word, mostly the verses, the name of the owner of the sword, the prayers and the seal of the master making the sword are seen.

The Yatagan was mostly used by soldiers known as the Janissaries. These soldiers often had to walk long distances to defend the empire or expand its borders. That is why the scabbard was mostly made out of leather so that it would be light. It was usually carried on the side or the back of the belt.

The scabbard of the Yatagan is curved just like the blade and made wider than needed so the broadened tip can easily fit inside. It was made out of wood, leather, and even silver. It was also usually heavily decorated, especially if it was owned by a nobleman.
The Yatagan is truly a one-of-a-kind sword. There simply doesn’t seem to be a sword that can compare to it during the time period it was used. The inwardly curved blade, the lack of a crossguard, and the “ears” all contribute to the item’s one-of-a-kind appearance.

It is possible that the Greek Kopis and, in particular, the Iberian Falcata or Sica had some sort of influence on the Yatagan. However, these swords hadn’t been used for almost a thousand years by the time the Yatagan began to see use in the 14th to 19th centuries.

This sword was used throughout many regions of the Ottoman Empire that it has several different legends connected to its origins. One of the legends is about Yatagan Baba. This was a Seljuk blacksmith as well as a military commander. He conquered a village in modern-day Denizli, Turkey, and made his new home there. Being a master blacksmith, Yatagan Baba developed the Yatagan sword, which was named after him and the village he conquered.

Another legend is that at one point during the Ottoman Period, the sultan had forbidden the use of long swords by the Janissaries in peacetime because of their insubordination. They were then forced to improvise, and ordered weapons made that didn’t technically constitute a long sword.

Last photo in the gallery of Mustafa Kemal Atatürk wearing the traditional Janissary uniform Turkish yatagan swords that were the signature weapon of the Janissaries, almost a symbol of the corps.  read more

Code: 25041

An Amazing and Very Fine Original Moghul Empire Katar, As With Most Of The Finest Surviving Katar It Has a 17th Century European Blade. Made and Used From the Time Of Moghul Emperor Shah Jahan

Indian katar from the era of Shah Jahan, builder of The Taj Mahal, the most famous monument to a beloved wife in the world. This wonderful Katar push dagger is mounted with a likely German sword blade from the early 1600s. It was very popular in the Moghul era to import German blades and mount them with Indian hilts. The blade is attached to the hilt with traditional multi rivetting, and the chisseled hilt is overlaid in areas of sheet silver or gold, as would be suitable for a prince. It appears gold in colour but it may be aged silver. Painting circa 1650 of Moghul Shah Shuja who was the second son of the Mughal Emperor Shah Jahan and Empress Mumtaz Mahal, wearing his similar Katar. He was the governor of Bengal and Odissa and had his capital at Dhaka, presently Bangladesh.

Shah Jahan is best remembered for his architectural achievements. His reign ushered in the golden age of Mughal architecture. Shah Jahan commissioned many monuments, the best known of which is the Taj Mahal in Agra, in which is entombed his favorite wife, Mumtaz Mahal. His relationship with Mumtaz Mahal has been heavily adapted into Indian art, literature and cinema. He owned the royal treasury, and several precious stones such as the Kohinoor and has thus often been regarded as the wealthiest person in history.

The death of his father Jahangir in late 1627 spurred a war of succession between his sons Shahryar and Khurram from which Shah Jahan emerged victoriously. He executed all of his rivals for the throne and crowned himself emperor on January 1628 in Agra, under the regnal title "Shah Jahan" (which was originally given to him as a princely title). His rule saw many grand building projects, including the Red Fort and the Shah Jahan Mosque. Foreign affairs saw war with the Safavids, aggressive campaigns against the Shia Deccan Sultanates,10 conflict with the Portuguese, and positive relations with the Ottoman Empire. Domestic concerns included putting down numerous rebellions, and the devastating famine from 1630-32.

In September 1657, Shah Jahan fell seriously ill. This set off a war of succession among his four sons in which his third son, Aurangzeb, emerged victorious and usurped his father's throne. Shah Jahan recovered from his illness, but Emperor Aurangzeb put his father under house arrest in Agra Fort from July 1658 until his death in January 1666. He was laid to rest next to his wife in the Taj Mahal. His reign is known for doing away with the liberal policies initiated by Akbar. Shah Jahan was an Orthodox Muslim, and it was during his time that Islamic revivalist movements like the Naqsbandi began to shape Mughal policies  read more

Code: 21565

A Wonderful 500 Year Old Koto Period Samurai 'Dragon' Wakizashi Samurai Short Sword, Another Absolute Beauty From Our latest collection

Based entirely around the legendary Japanese dragon, Bearing the dragon on all of its fittings and mounts including its kozuka utility knife. All of the fittings are original Edo period, of very nice quality the dragon tsuba is iron with gold highlights, of a chiselled takebori dragon signed by a very good tsuba maker, Kinai.

One has to bear in mind this tanto has been used by numerous samurai over more than a dozen generations, since the era, in England, when King Henry the VIIIth was a child.

The tsuka is superb and has its original, beautiful mid blue silk binding, that is patterned damask silk with a clan mon design theme. It is a very rare, and most infrequently seen form of deluxe quality tsuka-ito, that is wrapped over black samegawa giant ray-skin, over the gold dragon menuki. The fuchi is fine Soten school, of a pure gold decor takebori dragon, over a shakudo Nanak o ground. The kashira is hand carved and polished black buffalo horn.

The saya has its incredible Edo period urushi lacquer in a stippled ishime stone finish. and within its saya pocket is the kozuka utility knife, with a sinchu handle, decorated with a takebori carved sea dragon in crashing waves, the saya bears a shakudo mount of a deep and crisp, rare type takebori mythical flying sea dragon with a fishtail. The blade is in super and beautiful polish, showing a delightful light notare, based on suguha, hamon.

The original Edo period urushi lacquer on the saya is in simply excellent condition for age and shows most elegant patterning, it reveals within that intricacy the finest craftsmanship and beauty worthy of a master of the art of urushi decor. Japanese lacquer, or urushi, is a transformative and highly prized material that has traced it origins, and been refined, for over several thousands of years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years  read more

Code: 24556

A Superb Excavated ‘Grand Tour’ Fine Bronze Age Lance Head, Trojan War Period 3200+ Years Old. From the Legendary Age of Hector, Agamemnon,Paris, Helen of Troy and Achilles

Dominant central rib, graduating long triangular blade and engraved socket. A lance or spear head traded with the Eastern Mediterranean Scythians, Persians and Greeks during the 2nd to Ist millennium B.C. around 2700 to 3200 years ago. Copper alloy circa 1200 B.C. A beautiful Bronze Age battle spear, probably the most used and popular weapon of all the ancient wars of antiquity. Items such as this were oft acquired in the 18th and early 19th century by British noblemen and women touring famous battle sites and their regions in Europe, especially Northern France, Italy and the Middle East on their Grand Tour. Originally placed on display in the family 'cabinet of curiosities', within their country house upon their return home. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, througout classical Europe, and Middle East, acquiring antiquities and antiques for their private collections.
One such family’s descendants have been allowing us to purchase such wonderful pieces from their family collection for around the past 30 years.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

This is a most handsome ancient bronze weapon from the era of the so called Trojan Wars. The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and believed that Troy was located in modern day Turkey near the Dardanelles. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy. Made in copper bronze in the Western Asiatic region. Western Asiatic bronzes refer to items dating from roughly 1500-500 BC that have been excavated since the late 1920?s in the Harsin, Khorramabad and Alishtar valleys of the Zagros Mountains especially at the site of Tepe Sialk. Scholars believe they were created by either the Cimmerians or by such related Indo-European peoples as the early Medes and Persians. Weapons from this region were highly sought after by warriors of many cultures because of their quality, balance and durability. Graduating blade with socket. Rich deep age patination with superb natural encrustations This piece is 14 1/2 inches long overall. As with all our items it comes complete with our certificate of authenticity.  read more

Code: 23019

An Original & Super, 17th Century English Civil War Period Pikeman's Partizan Polearm Head

A most scarce 17th-century Dutch partizan head with "wings" or projections at the base. These weapons were used by infantry soldiers to fend off cavalry and could be used to trap an opponent's sword. The partisan was a common polearm in the 15th and 16th centuries, gradually evolving from a short spear.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

A partisan (also partizan) is a type of polearm that was used in Europe in the 16th, 17th, and 18th century. It consisted of a spearhead mounted on a long shaft, usually wooden, with protrusions on the sides which aided in parrying sword thrusts. Like the halberd, it quickly became obsolete with the arrival of practical firearms, although it stayed in use for many years as a ceremonial weapon. In profile, the head of a partisan may look similar to that of a ranseur, spontoon, ox tongue, or septum; however, unlike a ranseur, the lower parts of the head have a sharpened edge.

This is a gorgeous example of a heavily-used head of a Partizan polearm likely used during the 17th Century. This lovely example is most certainly of Continental European origin, likely German, and dates to the early to mid 17th Century.

The partizan head measures roughly 17½” long with a maximum width of 4 3/4”. The condition is overall jolly good for age, completely intact with no signs of damage

Polearm

A polearm or pole weapon is a close combat weapon in which the
main fighting part of the weapon is fitted to the end of a long shaft, typically of wood, thereby extending the user's effective range and striking power. Polearms are predominantly melee weapons, with a subclass of spear-like designs fit for both thrusting and throwing. Because many polearms were adapted from agricultural implements or other fairly abundant tools, and contained relatively little metal, they were cheap to make and readily available. When warfare would break out and the belligerents had a poorer class who could not pay for dedicated military weapons, leaders would often appropriate tools as cheap weapons. The cost of training was comparatively minimal, since these conscripted farmers had spent most of their lives using these "weapons" in the fields. This made polearms the favored weapon of peasant levies and peasant rebellions the world over.

Polearms can be divided into three broad categories: those designed for extended reach and thrusting tactics used in pike square or phalanx combat; those designed to increase leverage (thanks to hands moving freely on a pole) to maximize centrifugal force against cavalry, and those designed for throwing tactics used in skirmish line combat. Because their versatility, high effectiveness and cheap cost, polearms experimentation led to many variants and were the most frequently used weapons on the battlefield bills, picks, dane axes, spears, glaives, guandaos, pudaos, poleaxes, halberds, harpoons, sovnyas, tridents, naginatas, bardiches, war scythes, and lances are all varieties of polearms.  read more

Code: 25737

A Most Fine Knightly Polish War-Hammer Nadziak or Obuch, 1500's A.D. Inlaid with Silver Cross Hatching. Certainly one of the Most Beautiful & Well Preserved We Have Ever Seen.

A fine early original war-hammer composed of an ovoid haft socket, a fierce downturned ‘tiger’s claw’ spike, and a square section hammer head, all inlaid with a stunning and intricate silver geometric design. Overall in superb condition for its great age.

We show it in the gallery with the form of haft it would have had, and indeed could do once more, but this one shown is for information only and not present or included

The name obuch is Polish and means 'the blind end of an axe', but already at the beginning of the 15th century it meant a unspecified war hammer. According to Polish sources of 17th century, the war-hammer could have been formed into the shape of an axe (czekan), or in the form of a thick, slightly sloping spike (nadziak), or curved like a round cracknel (obuch). A 17th century description states: 'It was a terrible instrument in the hand of a Pole...With the sabre one could cut off somebody’s hand, cut the face, injure the head, and the running blood of the adversary would calm down the rancour. But with the obuch one could cause a deadly wound without even seeing the blood, and – not seeing it – he would not calm down instantly, but would strike several times without cutting the skin, breaking ribs and bones at the same time.'

There is a stunning original drawing of a very similar example [we show a copy of it in the gallery] with a full description and how it was used in the attempted assassination of the king of Poland by Michal Piekarski in 1620.

The translation of the drawings text reads

:” a sledge hammer, a war hammer design called a 'Crane' with which Russian nobleman Michele [Michal] Piekarski, aged 40, wounded the King of Poland called Sigismund of Lithuania in the back with one blow of the hammer point and another of the hammer shaft (having used the metal for the first blow). This happened on Sunday the 15th of November 1620 at 9 ½ hours in Warsaw while his Majesty was in church studying the learnings of the Dominican Fathers. In June of that year [The King/the Hammer] cut to pieces .?. Polish people with the death of their earthly life.”

The drawing is perhaps the work of a political sympathiser in opposition to the Swedish annexation of Poland under Sigismund III Vasa as part of the Polish-Lithuanian Commonwealth.

By the end of the 16th century, the hussars had adopted enough armor to become a new, more agile heavy cavalry, using their trademark 18-foot light-long lance as their initial shock weapon. They sported breastplate, a mail shirt, forearm guards, thigh armor (cuirass), and an open-faced burgonet-like helmet called a zischaage. Total weight of a hussar’s armor was no more than 30 pounds. An animal-skin mantle, particularly leopard, was a showy form of identity and esprit de corps. Perhaps the most notable element of the latter array was the famous “wings” the hussars would sometimes wear—eagle wings attached to arching frames and a special support on their back armor or saddle. The rush of these wings during a charge was psychologically unnerving, and the extra height they gave riders was intimidating.

The war hammer was the hussars’ most common secondary weapon. Slung from the saddlebow, the early Polish hussar war hammer was of German and Italian design, with a long shaft. Two styles had names derived from Turkish. The czekan was a combination of hammerhead on one side and an ax on the other. The nadziak, perhaps the most popular war hammer, had a hexagonal head balanced by a long, slightly drooping beak.

By 1600, Polish hussars had bested all other cavalries thrown against them. Each hussar unit charged in three or four ranks, depending on terrain, with the rear rank ready to deal with flank attacks. Hussars initially attacked in open order for ease of movement and maneuvering, but nearing impact with the enemy, they would squeeze together knee to knee, moving at full gallop. This difficult maneuver not only gave them powerful crushing strength, but also minimized losses from enemy firepower.

In comparison to the heavy cavalry of the West, which depended more on sheer weight than speed, the hussars could move quickly from standing to maximum speed. The deadly lance was practical only for the first few ranks, with the rest ready with their secondary weapon of preference, the war hammer, second only to the much-revered sabre.

The haft that fitted the socket would often have been turned or carved wood, but it simply doesn't usually survive around 500 years. However a good cabinet maker or a wood turner could easily create a replacement for a fine display.

Approx 19cm long overall.

As with all our items it comes complete with our certificate of authenticity
 read more

Code: 24624

A Large Antique Indian Ceremonial Steel Tabar Axe Inlaid in Brass, Copper & Gilt With Scene of Krishna & Temple Decor

India, 19th century. Recently returned from conservation and attention in our workshop. The result is stunning and worthy of the finest museum conservation

Of typical shape with a large crescentric cutting edge, and brass and copper nails, each side of the crescent embellished with chased brass and copper-overlaid figural decoration depicting Krishna playing the flute inside a domed shrine, flanked by two attendants holding fly-whisks, surrounded by floral sprays and vegetal tendrils, the butt with a copper-inlaid inscription and surmounted by brass chhajjas (domed pavillion-shaped structures) the top of the axe head has a sharp faceted steel spike, the patinated wooden shaft is embellished with brass rosettes and a domed pommel end. ,

This 19th century tabar - or saddle axe - is Indian. During the 17th and 18th centuries, the tabar was a standard weapon given to calvalrymen on the field of battle. The tabar would have been carried under the horseman's saddle. This is the elaborate ceremonial version of the tabar saddle axe.
Krishna
Krishna, Sanskrit Kṛṣṇa, one of the most widely revered and most popular of all Indian divinities, worshipped as the eighth incarnation (avatar, or avatara) of the Hindu god Vishnu and also as a supreme god in his own right. Krishna became the focus of numerous bhakti (devotional) cults, which have over the centuries produced a wealth of religious poetry, music, and painting. The basic sources of Krishna’s mythology are the epic Mahabharata and its 5th-century-CE appendix, the Harivamsha, and the Puranas, particularly Books X and XI of the Bhagavata-purana. They relate how Krishna (literally “black,” or “dark as a cloud”) was born into the Yadava clan, the son of Vasudeva and Devaki, who was the sister of Kamsa, the wicked king of Mathura (in modern Uttar Pradesh). Kamsa, hearing a prophecy that he would be destroyed by Devaki’s child, tried to slay her children, but Krishna was smuggled across the Yamuna River to Gokula (or Vraja, modern Gokul), where he was raised by the leader of the cowherds, Nanda, and his wife Yashoda.

The child Krishna was adored for his mischievous pranks; he also performed many miracles and slew demons. As a youth, the cowherd Krishna became renowned as a lover, the sound of his flute prompting the gopis (wives and daughters of the cowherds) to leave their homes to dance ecstatically with him in the moonlight. His favourite among them was the beautiful Radha. At length, Krishna and his brother Balarama returned to Mathura to slay the wicked Kamsa. Afterward, finding the kingdom unsafe, Krishna led the Yadavas to the western coast of Kathiawar and established his court at Dvaraka (modern Dwarka, Gujarat). He married the princess Rukmini and took other wives as well.

Krishna refused to bear arms in the great war between the Kauravas (sons of Dhritarashtra, the descendant of Kuru) and the Pandavas (sons of Pandu), but he offered a choice of his personal attendance to one side and the loan of his army to the other. The Pandavas chose the former, and Krishna thus served as charioteer for Arjuna, one of the Pandava brothers. On his return to Dvaraka, a brawl broke out one day among the Yadava chiefs in which Krishna’s brother and son were slain. As the god sat in the forest lamenting, a huntsman, mistaking him for a deer, shot him in his one vulnerable spot, the heel, killing him.

85cm high.  read more

Code: 24667

A Singularly Beautiful Napoleonic Wars, Elite Cuirassier's 'Year 13' Imperial French Dated Sword, Of The War of The 100 Days, Culminating at the Battle Of Quatre Bras & The Battle of Waterloo, the Duke of Wellington's Decisive Victory Over Napoleon

Superb and beautiful hilt, with very fine original leather bound grip, and a very fine double fullered blade with stunning bright patina. Steel combat scabbard without denting.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

French Napoleonic 'An 13', year 13 swords, were manufactured from 1805 and discontinued in late 1815, whereupon it was superceded in general by the later hilt style of the 1816 model, although some of the surviving models, such as this beauty, continued in service.
Renown throughout the world of historic sword collectors as probably the biggest and most impressive cavalry sword ever designed. This would have seen service in the Elite Cuirassiers of Napoleon's great heavy cavalry regiments.

Napoleon hoped to compel Tsar Alexander I of Russia to cease trading with British merchants through proxies in an effort to pressure the United Kingdom to sue for peace. The official political aim of the campaign was to liberate Poland from the threat of Russia. Napoleon named the campaign the Second Polish War to curry favour with the Poles and provide a political pretence for his actions. The Grande Armee was a very large force, numbering nearly half a million men from several different nations. Through a series of long marches Napoleon pushed the army rapidly through Western Russia in an attempt to bring the Russian army to battle, winning a number of minor engagements and a major battle at Smolensk in August. Napoleon hoped the battle would mean an end of the march into Russia, but the Russian army slipped away from the engagement and continued to retreat into Russia, while leaving Smolensk to burn. Plans Napoleon had made to quarter at Smolensk were abandoned, and he pressed his army on after the Russians. The battles continued, but once the winter set in Napoleon's army was facing insurmountable odds that left it effectively shattered beyond repair. Napoleon fled, it is said, dressed as a woman, and the army left to it's sad and miserable fate. Only around 27,000 were able to return after a mere six months of the Russian campaign. The campaign was a turning point in the Napoleonic Wars. The reputation of Napoleon was severely shaken, and French hegemony in Europe was dramatically weakened. The Grande Armee, made up of French and allied invasion forces, was reduced to a fraction of its initial strength. These events triggered a major shift in European politics. France's ally Prussia, soon followed by Austria, broke their alliance with France and switched camps. This triggered the War of the Sixth Coalition. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers swords in England very likely came from that field of conflict, after the battle, as trophies of war. However, this sword was one of the few that were allowed to remain in the elite cuirassier corps after Waterloo, serving King Louis XVIIIth both before Napoleon's 100 days, and after his crushing defeat by Wellington at Waterloo. Inspected on the blade by Napoleonic inspectors, Lobstein and Bick, also back strap engraved Manufacture Rle January 1815. Made during the abdication period and used in the War of the 100 days. Less than a year following his abdication (April 6, 1814) and the Bourbon Restoration, Napoleon left his island exile in the Tyrrhenian Sea and landed at Cannes on March 1, leading 1,500 men, and marched at once upon Paris. Louis XVIII fled to Ghent on March 13, and Napoleon entered Paris one week later. To broaden his support, Napoleon made liberal changes to the Imperial Constitution, which led a number of former opponents, most notably Benjamin Constant, to rally to his cause. On March 25 Austria, Britain, Prussia, and Russia concluded an alliance against Napoleon and forced a series of military engagements leading up to the fatal Battle of Waterloo (June 18).

Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly magnificent Napoleonic sword in superb condition for it's age.
The largest sword of it's kind that was ever made or used by the world's greatest cavalry regiments. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. The brass basket guard on this sword is first class, the grip is totally original leather and a great colour
only shows expected combat wear, the blade is double fullered and absolutely as crisp as one could hope for. Made in the Napoleonic Wars period.
Used at Quatre-Bras and Waterloo. Apparently every remaining French elite cuirassier regiment fought at Waterloo for Napoleon, and there were no cuirassier reserve, and there were no cuirassier militia

The blade has wonderful steel bright colour, and the hilt has fabulous patina. Overall 45.5 inches long in its scabbard, the spear pointed blade is 37.7 inches long. Old original aged patina and regular usual surface blacking to the scabbard steel.  read more

Code: 25736