Antique Arms & Militaria

Very Rare Company Of Watermen, River Thames, Tudor' Barge Fork Circa 1530 Ideal For A Tudor House or Museum Type Display. From The Era of Thomas Cromwell A Frequent User Of Thames Barges

Large 'Y' shaped head and old oak haft. It bears two large letters stamped in the iron ' T & M'. These are likely for a Barge Company of Waterman mark. We had another about 10 years ago bearing the same company mark and these historical artifacts are now really rare. Recovered from the Thames near London Bridge. In the 16th Century the Company of Watermen were the equivalent to today’s cabbies. Created by an Act of Parliament in 1556 and their trade was carefully licensed. They would ply for hire from designated locations along the Thames, with the cry of ‘Oars! Oars!’

When the watermen were not transporting people they would turn their hand to salvage and found a brisk trade in finding bodies, either suicides or those who?d accidentally drowned or been murdered. By a curious quirk of history, the origins of which are now lost, bodies were almost always landed on the south side of the river because the authorities would pay a shilling for a body landed in Southwark but only sixpence for one landed on the north bank. Clearly waterborne cabbies were not averse to ‘going south of the river’ in those days.

One on the best trips for the Watermen was from the City to as far up river as Hampton Court.The trade was not without its dangers; if you wanted to travel downstream below London Bridge you risked life and limb. A major feature of London Bridge was the effect it had on the Thames. The location of the bridge?s 19 timber pier supports (called starlings) was determined by riverbed conditions and this meant that they were varied in spacing across the river. Consequently, the arch spans varied in size too and boats navigating the arches encountered different currents and river conditions at each one. Some were more dangerous than others. Over the years, boatmen christened the arches with various names, such as Gut, Lock and Long Entry. Navigating through these arches in a boat could be very dangerous because the closeness and number of starlings backed up the river water, creating rapids. In some places the drop in water height from one side of the bridge to the other was more than the height of a man. Many people lost their lives ‘shooting’ the bridge and ‘Drowned at the bridge’ became a common entry in the registers at nearby graveyards, but most Londoners took Cardinal Wolsey's example. On his frequent visits to Greenwich to see Henry VIII, he would have his barge stopped above the bridge and get out and travel to Billingsgate by mule, where he would rejoin his barge, providing it had successfully negotiated the rapids. The barge fork was used to push a barge away from an obstruction, or for pushing off from the river bank or jetty. The last picture is of a statue of the Martyr John Roche a Thames Waterman, Martyred at Tyburn in 1588, who is mounted St Etheldreda’s Church in Ely Place, London, along the North and South walls, alongside his fellow 7 Martyrs. Fork head 13.1 inches long by 6.25 inches across. Total length around 5+ foot.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 21232

A, Stunning 19th Century Northern Nile Sudan Campaign Barbed Spear

14 inch iron head comprising of a 4 inch leaf shaped spear tip followed by 16 barbarous hooks. On a 51 inch haft over 64 inches long. Called at the time 'fishhook spears' a simply fearful looking piece brought back as a souvenir of the war in the Sudan campaign by a British officer serving in Abu Klea and 13 years later at Omdurman in the 2nd Dragoon Guards. Their was an article written by Winston Churchill, specifically mentioning them,- who was at the battle of Omdurman as a cavalryman - with reference to the 'fishhook spears' - and another about medical treatment after the battle, and how the doctors had difficulty removing the spears from wounded soldiers because of the wicked barbs on them.. Abu Klea: the quintessential Victorian colonial battle, fought by the lauded Camel Corps, and celebrated in Sir Henry Newbolt's poem Vitai Lampada.A bumping pitch and a blinding light,
An hour to play and the last man in.
And it's not for the sake of a ribboned coat,
Or the selfish hope of a season's fame,
But his captain's hand on his shoulder smote
'Play up! Play up! And play the game! '

The sand of the desert is sodden red,
Red with the wreck of a square that broke;
The Gatling's jammed and the Colonel dead,
And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
And England's far, and Honour a name,
But the voice of a schoolboy rallies the ranks:
'Play up! Play up! And play the game! '

This is the word that year by year,
While in her place the school is set,
Every one of her sons must hear,
And none that hears it dare forget.
This they all with a joyful mind
Bear through life like a torch in flame,
And falling fling to the host behind
'Play up! Play up! And play the game!
..Photo in the gallery of the 21st Lancers at Omdurman and a Sudanese warrior of the time.  read more

Code: 20517

A Superb, Heavy Grade, Original Viking Throwing Axe, Around 1200 Years Old. A Superb Opportunity to Own An Original Artefact From One of The Great Periods Of History.

Especially today with so many representations and depictions of the the great Viking age and peoples being created into films and documentaries currently. The interest in original Viking artefacts has never been greater than it is today. In our Brighton gallery almost all of our daily thousands of visitors make a beeline to all our amazing original Viking pieces, the interest is literally unceasing. Many are spellbound by their historical significance and almost all are surprised to be able to view up close, let alone acquire, such amazing pieces. And this fine example is one of the least expensive pieces we can offer currently, bearing in mind original Viking arms and armour we can show and have had recently, can easily approach up to around £40,000 each.

Viking Arched Axehead made and used from the 9th, and in use up to the 12th century AD.

An iron axehead with circular socket, narrow blade with curved edge. For reference of type see; Cf. Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, 1987, table CXXIV 7".

Weight 865 grams, 17cm (6 3/4").

One of the most famous Viking axes is Helm (named after the Norse death goddess), which belonged to King Magnus of Norway and Denmark. He is said to have inherited the weapon from his father, Olav Haraldsson of Norway, whose ax features prominently in Norway’s national coat of arms. Some Viking axes if they were wielded by a particularly strong and skilled warrior could even cut through chainmail and helmets. When King Magnus’s poet credited the king with being able to split heads like firewood, he wasn’t necessarily being hyperbolic. Writing about the pre-Viking Franks and their use of throwing axes, the Francisca, Procopius makes it clear that the Franks threw their axes immediately before hand to hand combat with the purpose of breaking shields and disrupting the enemy line while possibly wounding or killing an enemy warrior. The weight of the head and length of the haft would allow the axe to be thrown with considerable momentum to an effective range of about 12 m (40 ft). Even if the edge of the blade were not to strike the target, the weight of the iron head could cause injury. The francisca also had a psychological effect, in that, on the throwing of the francisca, the enemy might turn and run in the fear that another volley was coming. It is most logical that the Vikings may well have adopted this system of axe throwing combat from the earlier Franks, as it seemed most effective in numerous combat arenas. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today in even a relatively fair state of surface preservation and condition after over 1000 years, but almost all though are not in any better condition than this beauty.  read more

Code: 22008

THE LANES ARMOURY NEW YEAR GIFT VOUCHER CAN BE A GREAT IDEA, AND ARE PROVING VERY POPULAR INDEED, AND HAVE DONE SINCE THE 1980'S. THEY ARE BESPOKE FOR ANY AMOUNT {AND WITHOUT EXPIRY DATE}

A Gift Voucher is often the ideal solution to leave the decision of the item to choose to the person you wish to gift. They can select any form of item whatsoever, such as samurai arms and armour, militaryantiques and militaria or books. They are available from us for all values, from only £15 upwards, and as required, and are entirely bespoke to the recipient. All are unique and customised for each and every occasion. We have priced this example in the gallery at £50, and the image shows our £200.00 voucher, but you can specify any alternative amount at all in the 'comment' section in the Webstore Order page, or call us direct.  read more

Code: 19501

Original Viking 9th Century Battle Axe Head, Worn & Used by Vikings from the Viking Lands of Grand Prince Oleg and Vladimir the Great Period,

From a fabulous small collection of original, Viking, 9th century early Christian artefacts. Only two items, including this one remains for sale, the other sold within 10 minutes of upload to the site.

A Viking realm founded by the Viking, Oleg, ruler of Novgorod Kievanrus from c. 879, who seized Smolensk and Kiev 882, which became his capital. Viking Prince Oleg can be seen depicted, and as a central character, in the well regarded and incredibly popular worldwide drama series ‘Viking’, in series 6 shown by the History channel.
Extending his rule, Oleg united local Slavic and Finnish tribes, defeated the Khazars, and, in 911, arranged trade agreements with Constantinople. His empire peaked in the 10th and 11th centuries under Vladimir I and Yaroslav, becoming eastern Europe’s chief political and cultural centre. At Yaroslav’s death in 1054, his sons divided the empire into warring factions. The 13th-century Mongol conquest decisively ended its power. Although Oleg was pagan it was the time that Christianity took hold in Viking realms. In the Viking Age most of Europe had converted to Christianity, but the Vikings were very satisfied with their own gods and held on to them. ... By the end of the Viking period, around 1050, most Vikings were Christians. They were baptised, went to church and were buried in a Christian manner. he Viking Age was a period of considerable religious change in Scandinavia. Part of the popular image of the Vikings is that they were all pagans, with a hatred of the Christian Church, but this view is very misleading. It is true that almost the entire population of Scandinavia was pagan at the beginning of the Viking Age, but the Vikings had many gods, and it was no problem for them to accept the Christian god alongside their own. Most scholars today believe that Viking attacks on Christian churches had nothing to do with religion, but more to do with the fact that monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

...monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

The Vikings came into contact with Christianity through their raids, and when they settled in lands with a Christian population, they adopted Christianity quite quickly. This was true in Normandy, Ireland, and throughout the British Isles. Although contemporary accounts say little about this, we can see it in the archaeological evidence. Pagans buried their dead with grave goods, but Christians normally didn't, and this makes it relatively easy to spot the change in religion.

As well as conversion abroad, the Viking Age also saw a gradual conversion in Scandinavia itself, as Anglo-Saxon and German missionaries arrived to convert the pagans. By the mid-11th century, Christianity was well established in Denmark and most of Norway. Although there was a temporary conversion in Sweden in the early 11th century, it wasn't until the mid-12th century that Christianity became established there. As part of the process of conversion the Christians took over traditional pagan sites. A good example of this can be seen at Gamle Uppsala in Sweden, where the remains of an early church stand alongside a series of huge pagan burial mounds. for those that follow the superb History Channel's series, Vikings, he is the main protagonist of series 6. Kievan Rus was largely pagan until the late 10th century, when Vladimir the Great took power and introduced Christianity. The conversion actually resulted from a deal between Vladimir and the Byzantine Emperor. Vladimir agreed to convert to Christianity and send the emperor 6,000 soldiers to defend his throne; in exchange, Vladimir would marry the emperor’s sister.The transition to Christianity in Denmark took place gradually and without major conflict. The Vikings regarded the new belief as supplementing the Nordic gods – it was not simply a choice between the old and the new religion. The Vikings’ belief in many gods meant that it was possible for the new Christian god, White Christ, to be worshipped alongside gods like Thor and Odin.

In this way both religious beliefs could exist alongside each other. One religion did not exclude the other. This is shown by the find of a mould, which the smith could use to make both Thor’s hammers and Christian crosses. It was a time of great change and perhaps the Vikings sought security in both religious creeds – just to be on the safe side.a smith’s mould from Trend in Jutland, which has spaces for two crosses and one hammer. The smith could use it to produce exactly which amulets his customers wanted. In addition, a medieval font from Gettrup, in Jutland, displays both crosses and Thor’s hammers. Several Thor’s hammers, which feature cross ornamentation, have also been found. The Viking belief in the Norse gods was thus reinterpreted and drawn into Christianity.The Jelling Stone displays what is probably the earliest image of Christ from Scandinavia. But there are also clear pre-Christian elements on the stone. Tendrils or interlacing branches, surround Christ, just as Odin could also be depicted surrounded by tendrils or branches.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24578

Original Viking Cross Pendant, Worn in the Viking Lands of Grand Prince Oleg and Vladimir the Great Period, A Christian Cross Pendant in Bronze

Part of a small Viking artefacts collection, the first cross sold within a day or so. A one piece cast bronze cross with chain ring neck mount, thus still eminently wearable today. From a fabulous small collection of original, Viking, 9th century early Christian artefacts. Only two items, including this one remains for sale, the other sold within 10 minutes of upload to the site.
A Viking realm founded by the Viking, Oleg, ruler of Novgorod Kievanrus from c. 879, who seized Smolensk and Kiev 882, which became his capital. Viking Prince Oleg can be seen depicted, and as a central character, in the well regarded and incredibly popular worldwide drama series ‘Viking’, in series 6 shown by the History channel.
Extending his rule, Oleg united local Slavic and Finnish tribes, defeated the Khazars, and, in 911, arranged trade agreements with Constantinople. His empire peaked in the 10th and 11th centuries under Vladimir I and Yaroslav, becoming eastern Europe’s chief political and cultural centre. At Yaroslav’s death in 1054, his sons divided the empire into warring factions. The 13th-century Mongol conquest decisively ended its power. Although Oleg was pagan it was the time that Christianity took hold in Viking realms. In the Viking Age most of Europe had converted to Christianity, but the Vikings were very satisfied with their own gods and held on to them. ... By the end of the Viking period, around 1050, most Vikings were Christians. They were baptised, went to church and were buried in a Christian manner. he Viking Age was a period of considerable religious change in Scandinavia. Part of the popular image of the Vikings is that they were all pagans, with a hatred of the Christian Church, but this view is very misleading. It is true that almost the entire population of Scandinavia was pagan at the beginning of the Viking Age, but the Vikings had many gods, and it was no problem for them to accept the Christian god alongside their own. Most scholars today believe that Viking attacks on Christian churches had nothing to do with religion, but more to do with the fact that monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

...monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

The Vikings came into contact with Christianity through their raids, and when they settled in lands with a Christian population, they adopted Christianity quite quickly. This was true in Normandy, Ireland, and throughout the British Isles. Although contemporary accounts say little about this, we can see it in the archaeological evidence. Pagans buried their dead with grave goods, but Christians normally didn't, and this makes it relatively easy to spot the change in religion.

As well as conversion abroad, the Viking Age also saw a gradual conversion in Scandinavia itself, as Anglo-Saxon and German missionaries arrived to convert the pagans. By the mid-11th century, Christianity was well established in Denmark and most of Norway. Although there was a temporary conversion in Sweden in the early 11th century, it wasn't until the mid-12th century that Christianity became established there. As part of the process of conversion the Christians took over traditional pagan sites. A good example of this can be seen at Gamle Uppsala in Sweden, where the remains of an early church stand alongside a series of huge pagan burial mounds. for those that follow the superb History Channel's series, Vikings, he is the main protagonist of series 6. Kievan Rus was largely pagan until the late 10th century, when Vladimir the Great took power and introduced Christianity. The conversion actually resulted from a deal between Vladimir and the Byzantine Emperor. Vladimir agreed to convert to Christianity and send the emperor 6,000 soldiers to defend his throne; in exchange, Vladimir would marry the emperor’s sister.The transition to Christianity in Denmark took place gradually and without major conflict. The Vikings regarded the new belief as supplementing the Nordic gods – it was not simply a choice between the old and the new religion. The Vikings’ belief in many gods meant that it was possible for the new Christian god, White Christ, to be worshipped alongside gods like Thor and Odin.

In this way both religious beliefs could exist alongside each other. One religion did not exclude the other. This is shown by the find of a mould, which the smith could use to make both Thor’s hammers and Christian crosses. It was a time of great change and perhaps the Vikings sought security in both religious creeds – just to be on the safe side.a smith’s mould from Trend in Jutland, which has spaces for two crosses and one hammer. The smith could use it to produce exactly which amulets his customers wanted. In addition, a medieval font from Gettrup, in Jutland, displays both crosses and Thor’s hammers. Several Thor’s hammers, which feature cross ornamentation, have also been found. The Viking belief in the Norse gods was thus reinterpreted and drawn into Christianity.The Jelling Stone displays what is probably the earliest image of Christ from Scandinavia. But there are also clear pre-Christian elements on the stone. Tendrils or interlacing branches, surround Christ, just as Odin could also be depicted surrounded by tendrils or branches. 42mm x 28mm

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24035

A Long Bronze Age Tanged Spear From the Pre-History Era Of Achilles and Hector & The Legendary Tojan War

Another stunning spear from our ancient weapon collection acquired. Circa 1400 B.C. around 3,500 years old, with a fabulous natural aged patination and in a very sound and excellent condition for age indeed. This is a most handsome and beautiful ancient bronze tanged spear, Blade is double edged, with a flat central rib, and long tang. From one of the most fascinating eras in ancient world pre-history, the era of the so called Trojan Wars.
The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and it is reasonably believed today that Troy was located in modern day Turkey near the Dardanelles, and the Granicus river where Alexander engaged in his first battle against the Persians around 1000 years later in 334bc.

In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy.

This spear comes from that that great historical period, from the time of the birth of known recorded history, and the formation of great empires, the cradle of civilization, known as The Mycenaean Age, of 1600 BC to 1100 BC. Known as the Bronze Age, it started even centuries before the time of Herodotus, who was known throught the world as the father of history. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. The Mycenae site is located in the Peloponnese of Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process. In the greatest collections of the bronze age there are swords exactly. In the Metropolitan Museum of Art is the bronze sword of King Adad-nirari I, a unique example from the palace of one of the early kings of the period (14th-13th century BC) during which Assyria first began to play a prominent part in Mesopotamian history. Swords daggers and weapons from this era were made within the Persian bronze industry, which was also influenced by Mesopotamia. Luristan, near the western border of Persia, was the source of many bronzes, such as this piece, that have been dated from around 1500 BC and later, and include chariot or harness fittings, rein rings, elaborate horse bits, and various decorative rings, as well as regular weapons, personal ornaments, different types of cult objects, and a number of household vessels. It was a great trading centre for bronze age weaponry, and all manner of bronze trade goods, that were shipped and sold due to their popularity throughout the entire region from Persia to the Mediterranean and possibly beyond.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading 13.75 inches long. As with all our items it comes complete with our certificate of authenticity.  read more

Code: 22001

A Rare Pair of 14th- 15th Century Medeavil Bronze Winged Polygonal 'Raven's Head' Mace Heads Likely Twin Headed Flail Mace, Mongol Invasion Period to Vlad 'The Impaler' Dracul’s Knight’s Order of The Dragon Period

Cast bronze and each mace head had four ravens heads that can be viewed from both above and upside down, below, creating eight ravens per mace. The remaining surfaces are decorated in the circular ‘all seeing eye’, or ‘evil eye’ pattern, that has been used since the time of the ancient Greeks as a feature to ward off evil spirits. When used by the Knight hussars they were called a kisten, and the double headed flail mace were adopted by the hussar knights from those used by Mongols, Turks and Tartars in their invasions into Eastern Europe in the 14th century.

The eyes design creates a zoomorphic design of several back to back ravens heads. We have read of the notorious 'Raven's Head' maces for many years, and more often they appear today in fantasy role play games, but this may be the very first, original, 14th century examples we have ever had the privelege to see and own.

Together, the wolf and raven embody the Mongol or Turkic warrior as he saw himself: a ferocious, predatory being who hunts his enemies, raiding is inherently a predatory action, after all. In addition, the connection of these animals to warfare in the Mongol mindset is also reinforced since both the wolf and raven appear in the aftermath of battle to feed on the dead.

Vlad Dracul of Transylvania inspired the tales of the vampire of legend, named "Dracula". That evolution of Dracul, recalls only the character from the 1897 novel by Bram Stoker, dramatically and memorably realised by Bella Lugosi, in the eponymous 1931 Hollywood horror film, and then followed by all too numerous actors since, including one of the very best, Gary Oldman. However, behind the popular myth lies the genuine historic ruler Vlad III Dracula "the Impaler" (1431-76), Prince of Wallachia in what is now Romania, a vassal of the Hungarian kings. Voivode is the medieval Romanian term for a regional commander, which position Vlad held intermittently in addition to his princedom (1448, 1456-62 and 1476), and the name "Dracula" is a diminutive derived from the Imperial Order of the Dragon, the order of knights to which Vlad and his father, Vlad II (1390-1447) commanded. He ruled his military kingdom of Wallachia southern Romania with a heavy and blood-soaked fist. To not only the Turks but also to many of his own countrymen he was Vlad The Impaler, Vlad Die Tepes (pronounced Tee-pish). Determined not to be overtaken by the intrigue of an intriguing political underhandedness, in a world in which princes fell daily to smiling, hypocritical "allies," paranoia among the aristocracy was, and probably needed to be, utmost in a sovereign's disposition. Dracula built a defence around him that dared not open kindness nor trust to anyone. During his tenure, he killed by the droves, impaling on a forest of spikes around his castle thousands of subjects who he saw as either traitors, would-be traitors or enemies to the security of Romania and the Roman Catholic Church. Sometimes, he slew merely to show other possible insurgents and criminals just what their fate would be if they became troublesome.

A flail mace avails the user extra reach used on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.

Controlling the flail is much more difficult than rigid weapons. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.
King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights, both friends and companions, to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace heads are approximately the size of a walnut.


Detail from Battle of Orsha painting, 1520–1534 photo 6 in the gallery. With Lithuanian hussar in yellow tunic with 'kisten' the flail mace in his belt.

Another variety of multi headed flail mace is the Iberian flail or mangual. See picture 7 in the gallery. This can be seen below at the feet of the figure on the frontispiece of the Handbook of the True Skill of Arms in Thirty-Eight Assertions by Miguel Perez de Mendoza y Quixada, published in 1675. This weapon was a specialized armament meant primarily to oppose rapiers and perhaps two handed swords like montante in combat, the figure standing amongst an armoury of weapons including a zweihander great sword, a maine gauche, numerous swept hilt and cup hilt rapiers, and at his feet, a multi chained mace battle-whip or mangual. Picture in the gallery is another a capture taken from a Renaissance painting  read more

Code: 24822

A Superb Ancient Chinese Warring States Period 480-222bc Gold & Bronze Chariot Crossbow Mount in Gold with Tiger Head Finial

Being bronze overlaid with gold, with a stunning tiger head finial, this is not the crossbow fitting of a mere officer, but likely of a young Chinese prince, or certainly a very high ranking noble in the chariot ranks of an army.

The history of the chariot and the development of the crossbow in ancient China are interrelated. The chariot is considered the world’s first war machine. As early as the Warring States period, the Chinese attempted to mount the crossbow on the chariot like a machine gun on a modern scout car. Excavation of ancient Chinese chariots has confirmed the descriptions of them in the earliest historical texts.

For the ancient Chinese philosopher, the chariot was the supreme symbol of success. It’s light weight and speed remained the wonder of ancient China. The effective commander was compared to the crossbow. Sun Tsu, in The Art of War, argued that the momentum of one really skilled in war is irresistible, because his overwhelming attack is precisely determined. His ability to strike exactly when required resembles a drawn crossbow, for he is quick as the release of the trigger.

The most significant advantage of the crossbow over the composite bow was the longer range. To be a cross bowman was an important military position in the Han period. However, it was not unusual for captive crossbowmen to be executed upon capture by the opposing army, such was the dread of the weapon and its power.

This exceptional example contains the decorative elements of a status symbol as well as the strength to be used as a deadly tool of war. The sensuous curves of the gilded handle taper into stylized dragon finials that were used to hold the taut bowstring in place. In our opinion, the style, craftsmanship and subject matter of this of gilded bronze crossbow handle indicate a Warring States dynastic date.

Fittings of this type have been excavated in pairs in association with chariots, and their function has long been a research topic of scholars. A pair of silver-inlaid bronze crossbow fittings were discovered from a Warring States tomb in Luoyang, Henan province, published in Luoyang Museum, 'The Chariot Pit Found at Chung-chou-lu', Kaogu , no . 3, 1974, p. 174, fig. 1. According to the archeological report, this pair of fittings were unearthed in front of the wooden shaft of a crossbow, near the left side of a chariot. Based on this finding, the report theorized that they were fitted to the front of a crossbow shaft to support the bow, and the upcurved terminals were meant to be the aiming mechanism. See a reconstruction drawing illustrated in Luoyang Museum, ibid., p. 177, fig. 7.

Other scholars have developed a different theory and propose that these fittings in fact functioned as crossbow supports on a chariot. Both fittings were attached horizontally to the front left panel of a chariot, adjacent to the occupants. The crossbow was placed facing down, with its bow resting on the curved shafts and its handle positioned obliquely upward, ready at hand for a quick draw.

The present fitting is notable for its bird-head terminal, which appears to be rare among extant examples. Related examples include: a silver-inlaid crossbow fitting, also with a bird-head terminal, in the Avery Brundage Collection, published in René-Yvon Lefebvre d'Argencé, Ancient Chinese Bronzes in the Avery Brundage Collection , Berkeley, 1966, pl. XLIX, fig. B. Compare also a pair of gold and silver-inlaid crossbow fittings, with a serpent-head terminal, included in the exhibition Chinese Art of the Warring States Period. Change and Continuity, 480-222 BC , Freer Gallery of Art, Washington, DC, 1982, cat. no. 26; another pair published in Chinese Gold und Silver. Die Sammling Pierre Uldry, Rietberg Museum, Zürich, 1994, cat. no. 28a; a single fitting from the Ernest Erickson Foundation,  read more

Code: 24837

A Most Beautiful & Exemplary Work of Art. A Very Fine Large Long Barrel Boxlock Flintlock Brass Cannon Barrel Blunderbuss Pistol Circa 1730 by Renown Maker John Freeman of London

Superb silver fittings and elaborate scroll inlays stunningly depicting trumpets, drums, spears and cannon to the butt, and the silver wire appears to be 100% intact. With brass cannon barrel and lock, and safety mechanism by sliding the trigger guard forward once the pistol is cocked. Known as a Queen Anne flintlock this is a stunning example in wonderful condition, by one of the best makers of the day. Demon face butt mask in silver. 13 inches long overall.

Without doubt, especially considering the most rare design of silver inlay this is one of the finest examples in the best condition, we have ever seen.

The ‘Queen Anne’ style pistol is distinctive in that it does not have a ramrod. The barrel of the pistol unscrews and allows it to be loaded from the rear and near the touch hole at the breech of the barrel. These pistols are made in either Dog Lock or Flintlock styles.

The Queen Anne pistols were very popular and were made in a variety of calibers, usually about 38 to 50 bore. Boot pistols, Holster pistols, pocket pistols and Sea Service pistols were all made in Queen Anne style. This type is known as a Queen Anne pistol because it was during her reign that it became popular (although it was actually introduced in the reign of King William III).

The fine examples were made with silver fittings and or inlays, but the finest, with brass barrels and frames as well as silver mountings and inlays

As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 24860