Antique Arms & Militaria

A Fabulous Quality Crimean War Cavalry Officer's Pistol of Carbine Bore, Damascus Barrel with Paget Style Captive Ramrod. Near Identical to the Pistol of Colonel John Yorke, 1st Royal Regt of Dragoons,.

Part of superb Crimean War period collectables we have just acquired. Beautifully scroll engraved lock and mounts, in superb condition for age, with Damascus twist barrel with hook breech and barrel slide, 'Paget' captive ramrod, juglans regia walnut stock with micro chequering and silver escutcheon. Sliding safety to lock. Dolphin percussion hammer. Excellent tight and crisp action.
Photo in the gallery of a near identical pistol, also of carbine bore, showing all the same features as this pistol, such as sliding safety, hook breech Damascus barrel retained with barrel slides, fine walnut stock with micro chequring and paget swivel ramrod. The pistol of Colonel John Yorke, 1st Royal Regt of Dragoons, wounded at Balaklava, supporting the Light Brigade in the Valley of Death. The pistol in the household Cavalry Museum.

This cavalry officer's pistol is absolutely typical of the type carried by some officer's that took part in the charge, and may very well have been used by one.

The Charge of the Light Brigade {Aka, Into the Valley of Death} was a world famous military action undertaken by British light cavalry against Russian forces during the Battle of Balaclava in the Crimean War, resulting in many casualties to the cavalry. On 25 October 1854, the Light Brigade, led by Lord Cardigan, mounted a frontal assault against a Russian artillery battery which was well prepared with excellent fields of defensive fire. The charge was the result of a misunderstood order from the commander in chief, Lord Raglan, who had intended the Light Brigade to attack a different objective for which light cavalry was better suited, to prevent the Russians from removing captured guns from overrun Turkish positions. The Light Brigade made its charge under withering direct fire and reached its target, scattered some of the gunners but was forced to retreat immediately.

The events were the subject of Alfred, Lord Tennyson's narrative poem "The Charge of the Light Brigade" (1854), published six weeks after the event. Its lines emphasise the valour of the cavalry in carrying out their orders regardless of the risk. Responsibility for the miscommunication has remained controversial, as the order was vague and Captain Louis Nolan, who delivered the written orders with some verbal interpretation, was killed in the first minute of the assault.

Out of interest, around 30 years ago we owned the very foul weather sabretache of Captain Nolan that he used, and carried, that very order to charge the Russian guns into the Valley of Death. The sabretache, was the one upon which he fell, when he perished when fatally wounded within sixty seconds of the commencement of charge. It came to us through the family ownership and had previously been on display in two museums until the mid 20th century.

The charge;

The Light Brigade set off down the valley with Cardigan in front, leading the charge on his horse Ronald. Almost at once, Nolan rushed across the front, passing in front of Cardigan. It may be that he realised that the charge was aimed at the wrong target and was attempting to stop or turn the brigade, but he was killed by an artillery shell and the cavalry continued on its course. Captain Godfrey Morgan was close by:

The first shell burst in the air about 100 yards in front of us. The next one dropped in front of Nolan's horse and exploded on touching the ground. He uttered a wild yell as his horse turned round, and, with his arms extended, the reins dropped on the animal's neck, he trotted towards us, but in a few yards dropped dead off his horse. I do not imagine that anybody except those in the front line of the 17th Lancers saw what had happened.

We went on. When we got about two or three hundred yards the battery of the Russian Horse Artillery opened fire. I do not recollect hearing a word from anybody as we gradually broke from a trot to a canter, though the noise of the striking of men and horses by grape and round shot was deafening, while the dust and gravel struck up by the round shot that fell short was almost blinding, and irritated my horse so that I could scarcely hold him at all. But as we came nearer I could see plainly enough, especially when I was about a hundred yards from the guns. I appeared to be riding straight on to the muzzle of one of the guns, and I distinctly saw the gunner apply his fuse. I shut my eyes then, for I thought that settled the question as far as I was concerned. But the shot just missed me and struck the man on my right full in the chest.

In another minute I was on the gun and the leading Russian's grey horse, shot, I suppose, with a pistol by somebody on my right, fell across my horse, dragging it over with him and pinning me in between the gun and himself. A Russian gunner on foot at once covered me with his carbine. He was just within reach of my sword, and I struck him across his neck. The blow did not do much harm, but it disconcerted his aim. At the same time a mounted gunner struck my horse on the forehead with his sabre. Spurring "Sir Briggs," he half jumped, half blundered, over the fallen horses, and then for a short time bolted with me. I only remember finding myself alone among the Russians trying to get out as best I could. This, by some chance, I did, in spite of the attempts of the Russians to cut me down.

The Light Brigade faced withering fire from three sides which devastated their force on the ride, yet they were able to engage the Russian forces at the end of the valley and force them back from the redoubt. Nonetheless, they had suffered heavy casualties and were soon forced to retire. The surviving Russian artillerymen returned to their guns and opened fire with grapeshot and canister shot, indiscriminately at the mêlée of friend and foe before them  read more

Code: 24948

A Fabulous, Extraordinarily Beautiful and Exquisite Quality Pure Koftgari Gold Inlaid Gentleman’s Walking Stick ‘Dandy Cane’ Inlaid With Incredibly Skillful Craftmanship

One of the most beautiful and finest quality examples we have ever seen. A steel handle inlaid with amazing two colour Koftgari goldwork of simply stunning quality. Koftgari is the Indian form of damascening which closely resembles the damascening found in Persia and Syria.

The inlay process begins after the piece is moulded and fully formed. The intended design is engraved into the base metal and fine gold or silver wire is then hammered into the grooves.

The base metal is always a hard metal, either steel, iron or bronze, and the inlay a soft metal, either gold or silver. This combination prevents the base from deforming when the wire inlay is hammered into the surface and results in the inlaid areas being well defined and of sharp appearance.

Swords, shield and armour were often decorated in koftgari work and domestic items such as boxes and betel containers, were also made. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maître (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honoré de Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comédie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates æsthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking …. Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism.  read more

Code: 23513

A Superb 1200b.c. Bronze Age Long Dagger From the So-Called Greek 'Heroic Era' Of The Seige of Troy, and The Trojan War, Historically Famed with the Legendary Achilles and Hector

Around 3200 years old
A bronze flanged dagger with integrally preserved bifurcated hilt, triangular blade, the open handle intended to accept organic grip plates of wood or horn bifurcated pommel. Approx 12" long. Fine condition
This is a most handsome ancient bronze long bladed dagger, with a tapering hilt and crescent pommel form, from one of the most fascinating eras in ancient world history, the era of the so called Trojan Wars. The recessed grip panels within the hilt would likely be for slabs of ivory or horn. The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and believed that Troy was located in modern day Turkey near the Dardanelles. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy.

This dagger comes from that that great historical period, from the time of the birth of known recorded history, and the formation of great empires, the cradle of civilization, known as The Mycenaean Age, of 1600 BC to 1100 BC. Known as the Bronze Age, it started even centuries before the time of Herodotus, who was known throughout the world as the father of history. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. The Mycenae site is located in the Peloponnese of Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process. In the greatest collections of the bronze age there are swords and daggers exactly as this beautiful example. In the Metropolitan Museum of Art is the bronze sword of King Adad-nirari I, a unique example from the palace of one of the early kings of the period (14th-13th century BC) during which Assyria first began to play a prominent part in Mesopotamian history. Swords daggers and weapons from this era were made within the Persian bronze industry, which was also influenced by Mesopotamia. Luristan, near the western border of Persia, it is the source of many bronzes, such as this piece, that have been dated from 1500 to 500 BC and include chariot or harness fittings, rein rings, elaborate horse bits, and various decorative rings, as well as weapons, personal ornaments, different types of cult objects, and a number of household vessels.

A sword, found in the palace of Mallia and dated to the Middle Minoan period (2000-1600 BC), is an example of the extraordinary skill of the Cretan metalworker in casting bronze. The hilt of the sword is of gold-plated ivory and crystal. A dagger blade found in the Lasithi plain, dating about 1800 BC (Metropolitan Museum of Art), is the earliest known predecessor of ornamented dagger blades from Mycenae. It is engraved with two spirited scenes: a fight between two bulls and a man spearing a boar. Somewhat later (c. 1400 BC) are a series of splendid blades from mainland Greece, which must be attributed to Cretan craftsmen, with ornament in relief, incised, or inlaid with varicoloured metals, gold, silver, and niello. The most elaborate inlays--pictures of men hunting lions and of cats hunting birds--are on daggers from the shaft graves of Mycenae, Nilotic scenes showing Egyptian influence. The bronze was oxidized to a blackish-brown tint; the gold inlays were hammered in and polished and the details then engraved on them. The gold was in two colours, a deeper red being obtained by an admixture of copper; and there was a sparing use of neillo. The copper and gold most likely came from the early mine centres, in and around Mesopotamia, and the copper ingots exported to the Cretans for their master weapon makers. This dagger sword is in very nice condition with typical ancient patina encrustations . 36 cm long. Picture in the gallery of Achilles and Penthesella on the Plain of Troy, with Athena, Aphrodite and Eros. See a similar dagger in Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.286-287, with the gold pommel still preserved; see also parallels in Calmeyer, P., 'Datierbare bronzen aus Luristan und Kirmanshah' in Untersuchungen sur Assyriologie und vorderasiatischen Archaeologie, Berlin, 1969.

These flanged type of daggers with bifurcated hilts find parallels in ancient Persia, and are usually dated to the 11th century BC (Calmeyer, 1969, p.61, figs.60-61). Related examples from Hasanlu have a more pronounced splayed pommel and a square guard.
Formerly of the Abelita family collection, 1980-2015.  read more

Code: 24103

A Very Fine British ‘Brown Bess’ India Pattern Infantry Musket, Of The Napoleonic Wars Period, Circa 1810. For Over One Hundred Years The British ‘Brown Bess’ Was The Most Famed and Feared Musket In The World. No Army In The World Failed To Respect Them

Facing a volley of several hundred or even thousands of them, fired in the enemies direction, repeated every few seconds, must have been a terrifying experience, never to be forgotten should they, by sheer luck, survive their awesome power. A demonstration of fire power that it could only be compared to, was British Artillery cannon fire.

In superb condition for age. The lock bears the ordnance ‘crown 2’ inspection stamp of Richard Duce {Crown Inspector from 1797 to 1818} universally seen on the muskets given over to the British ordnance for issue for line regiments in the Napoleonic Wars.
One of the India Pattern muskets likely turned over by the East India Co. army to the Board of Ordnance during the Napoleonic wars, due to the urgent need for arms to counter Napoleon's massive armament reserve. The musket was the standard weapon issued to the British soldier throughout the 18th and early-19th centuries. It would be the India Pattern musket that would play a central and pivotal role in the wars against Revolutionary and Napoleonic France.

By the end of the American Revolutionary War in 1783, the British Army was armed with the Pattern 1777 Long Land and Pattern 1779(S) Short Land musket. The ‘short land’ was a musket made to the strict quality guidelines of the Board of Ordnance, and was characterised by its 42 in barrel. After the war the expectation was for a period of peace, a time when the need for Ordnance materials would be low, so the standing contracts for the Pattern 1777 and the Pattern 1779(S) musket were cancelled. Parliament was not prepared to fund equipment it deemed unnecessary, so financial retrenchment was the order of the day. Parliament is consistent in it repeated inclination to repeat over and over again its failure to grasp the realities of the most painful of lessons from history. Never being prepared for war makes it near inevitable, and being constantly prepared for war, ironically, makes it far less likely. The fundamental tenet of invasion and conquest, like bullying in the school playground is the same; the little unarmed guy gets crushed, the big, well protected guy, respected.

The world changed in 1793, a mere 10 years after the loss of the American colonies. Britain found itself once again at war, this time with Revolutionary France. An army now reduced in size to an authorized strength of only 44,432 men had to be expanded rapidly, along with the local militia and volunteer forces. The call for muskets was huge. Indeed, in 1793 the total stock of muskets in armouries around Britain, including the central arsenal at the Tower of London, was around 60,000. The stocks held in French arsenals amounted to over 700,000.

Something needed to be done. At first the Board of Ordnance tried to ramp up production of the Short Land Pattern muskets by engaging new contractors. Yet despite producing over 31,000 muskets in 1793 the numbers were still woefully inadequate for the expanding forces.

The Board of Ordnance had to fill the gap. They did this by ordering 10,000 muskets from the Birmingham gun trade and 10,000 from their usual emergency suppliers in Liege, Belgium. However this was still not enough, especially as the private contractors in both Birmingham and London were hard at work fulfilling orders for the private trade and for the East India Company, one of the biggest private purchasers of military arms. To begin to solve this lack of supply the Master General of the Ordnance, the Duke of Richmond, suggested to the government that they persuade the East India Company to sell their stocks of muskets to the government and also to agree not to place any further orders until the Ordnance's requirements were met.

The duke wrote to the Home Secretary, Henry Dundas, on the matter. As Chairman of the Board of Control of the East India Company Dundas had earlier been instrumental in securing parliamentary approval for the renewal of the East India Company's monopoly. The duke stated that he was: 'aware how unpleasant it must be to take such a step, and to deliver out to our troops these East India Company muskets, but ... the least important must give way to the most; and you will be best able to judge whether the East India Company can admit of a delay in respect of theses arms. And altho' they might not be quite so perfect as ours, they undoubtedly must be serviceable ones, and such as the new Raised Corps must put up with on the current Emergency.'

This suggestion was met with agreement, and the idea of introducing the East India Company's arms into British Army service was conceived. By the end of 1794 the East India Company had delivered 29,920 muskets into government stores, all that they could spare. Indeed transactions for East India Company muskets would continue throughout the duration of the Revolutionary and Napoleonic wars. By 1815, the East India Company had sold the Board of Ordnance at least 142,970 small arms.

The musket that the East India Company supplied was one originally designed by General Lawrence for East India Company service, altered and simplified by Lieutenant Colonel Edward Windus in 1771. The musket in Company service became known as the 'Windus' pattern. In 1795, the Board of Ordnance began to order 'India Pattern' muskets on its own account and by 1797 it officially adopted the musket as the Model 1793 and began to place substantial orders for it with the Birmingham gun trade.

The Model 1793 India Pattern musket was standardized by the Board of Ordnance in 1797, taking account of its comparable cheapness, simplicity of design and ease of manufacture. By the end of 1797, the Birmingham gun trade was able to deliver some 72,000 muskets to the government proof house at Bagot Street. The success of this model was self evident, along with its slightly modified successor the Model 1809 India Pattern. They produced at an average price of 18 shillings and 5 pence (roughly £3,000 in today's money).

The Brown Bess musket was the standard weapon of the British infantry for more than a century. Soldiers on both sides of the War of 1812 employed it in battle, staring down its barrel at opponents across distances of less than a hundred yards.

Flintlock musket
The Brown Bess musket was the standard weapon of the British for more than a century.
British foot soldiers marched into battle with this musket—nicknamed “Brown Bess”—for more than 100 years. British redcoats used the Brown Bess to fight the War of Independence in the colonies, and many of their opponents in the Americans’ Continental army used it as well. British soldiers fighting in the Napoleonic wars carried it into battle, and it was the principal firearm used by the infantrymen who fought the War of 1812.

The Brown Bess had several distinctive features. It was a large-calibre weapon: the bullet it fired was a lead ball up to three-quarters of an inch in diameter, three times the diameter of a modern .22-caliber rifle round. The inside of its barrel was smooth: unlike more accurate “rifled” muskets used by the famous rifle regiments, the Brown Bess had a smooth bore with no grooves to make its fire more accurate. Soldiers loaded the musket through the muzzle, which meant that each bullet had to be forced down a longer than three foot barrel before firing. Even trained soldiers could only launch two or three shots per minute.

Because the weapon was slow to load and relatively inaccurate (experienced soldiers generally estimated its range between 50 and 100 yards), armies developed tactics that helped compensate for its shortcomings. The limitations of smoothbore muskets like the Brown Bess forced units employ “linear tactics,” in which a hundreds of soldiers stood in neat lines, shoulder-to-shoulder and out in the open. While such tactics appear decidedly unstealthy to twenty-first century eyes, they proved essential on the battlefields of all the conflicts which Britain was involved.
There, stealth was a low priority. Packing the men into blocs allowed officers to coordinate their troops’ fire into synchronized volleys. Firing a hundred guns in the same direction at once helped ensure that at least some, often most of the inaccurate musket balls found their targets. And grouping the men into neat lines out in the open helped commanders ensure that few of their troops gave in to the natural instinct to flee.

Of course, packing troops into blocks and fighting in the open required tremendous discipline from the individual soldiers. Infantrymen had to stand exposed to enemy fire as they loaded and fired their own muskets. And in some situations, soldiers learned the grisly dangers of fighting in lines—as at the Battle of New Orleans in the 1812 war, where American artillery attacked the exposed British formations with devastating effect.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought.

Overall in super condition, signs of combat use as to be expected, with some small carved military marking to the butt stock  read more

Code: 25208

A Superb, Wonderful, & Highly Amusing, Antique Edwardian, Carved Automata Bulldog's Head Gadget Cane. That Is Not Only A 'Glove Holder' Handled Walking Stick, But A Superbly Secretly Concealed Sword-Stick

Superbly carved wooden bulldog's head, that has a finger trigger operated opening & closing jaw, that is spring tensioned, and upon release of the trigger it can grip a pair of gentleman's gloves. The head is superbly hand carved wood with glass eyes, carved horn ears. Inside the bulldog's mouth, the jaw is painted red and each individual tooth painted white.

The wooden haft is beautiful dark red, with black striping decoration, to simulate rosewood, and the stick contains a secret, a superbly hidden, long, quatrefoil {four sided} long sword blade. Hallmarked London silver ferrule dated 1906,
Gadget or system canes by inventive spirits are perhaps the most fascinating and most collected canes. These quirky creations feature hidden devices such as a fan, an umbrella, a bottle and drinking glass, a perfume bottle or a sword.
Sometimes also scalpels and syringes in canes for
doctors. Also, musical instruments, fishing rods, telescopes, sewing kits and corkscrews can be
hidden in the head of a cane. More than 1500 patents were applied for during the 18th and 19th
centuries. The two essential properties of the gadget cane are something hidden and a combination
of several tools or functions. In addition to the official term gadget cane, there are also the more
romantic expressions such as canes with inner life or canes with soul.
Findings from the tomb of Tutankhamun, as well as medieval bishopric staffs, prove that specially
shaped or ornate sceptres have served as symbols of power since time immemorial. But it was Louis XIII who brought the cane to importance as a royal accessory. The king, as his portraits depict, supposedly always held one in his hands. He also gave them – along with valuable snuffboxes – as gifts of honour. Accordingly, gentlemen who wanted to be fashionable never went without this accessory from that time on. At the time, these were sort of ornate rods without a curved handle that were held in the hand or carried under the arm.

The 19th century and the beginning of the 20th century became the age of the cane. The tremendous popularity then created the desire to be seen with a cane. And so a wealth of unique
pieces with practical and strange handles and a mysterious inner life were created. The painter
Henri de Toulouse-Lautrec, for example, owned a cane containing a bottle that held a pint of absinthe.
In the mid-18th century Saxony's prime minister, Heinrich Graf von Brühl, possessed 300 sticks to go with 300 suits, together with just as many snuffboxes which he weared in turn. King Friedrich II, too, had a huge collection of luxurious walking sticks and snuffboxes. After the Seven-Years War one particular type of sticks with a handle formed like a rope, which was King Friedrich’s constant companion, became so popular, that it was dubbed the "Fritz crutch".

Also at the end of the 19th century the "gadget cane" with additional functions was discovered. Sometimes elegant, sometimes plain, but curious and unrecognisable from the exterior, and the most varied objects and gadgets were concealed in the handle or shaft - out of expediency, or just for fun, or because the owner of the stick wanted to hide something from the general public, such as a hidden sword blade. In fact this one is especially ingenious in that it has two diversely separate functions, the main, the carved bulldog's head glove holder would amuse and thoroughly entertain, but its second secret would never even be guessed at, for gadget canes never usually have another hidden side, that would turn it from a fabulous curiosity into a defender of life in times of severe threat. One could easily imagine Dr Watson's ejaculation, " My Lord Holmes, that cane is simply ingenious! "

There was no limit to the genius of the inventors. There have been canes assigned to a certain profession: like one to the locksmiths to the doctor or one to the horse trader. With this can the height of a horse could have been measured. This explains the existence and meaning of the word “Stockmaß”.
Catherine Dike described 1600 different systems and functionings of canes in her book “Cane Curiosa”. She presents a great variety which reaches from useful canes to witty ones. On the same time have been automatic sticks invented. The handle were formed as a human or an animal head made of ivory or wood. When you press a knob they turn her eyes or her ears and they open their mouth.


The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War.

An original antique collectors item for display purposes only.

36 inches long overall, blade 26.25 inches.  read more

Code: 25259

Intriguing New Additions For This Coming Week. Original Viking Antiquities, Japanese Samurai Tsubas, WW2 Tommy Helmets, Plus So Much More!

Due to our unique, generations long presence, visitors, in their hundreds of thousands from all around the globe travel to Brighton every year, through every season, and visit our gallery whether to buy, sell or simply view.
Consequently this means that every day, descendants of old war veterans from past wars may bring their treasures and heirlooms to sell, or even just to enquire about their potential story if they are unknown to them. If we can help we are delighted to assist, and we never, ever charge. It is entirely free and offered with the greatest of pleasure, in fact it happens often over 50 times a day, week in week out.  read more

Code: 25855

A Most Scarce, And Highly Attractive In It’s Simplicity 17th Century Tanjore Battle Axe From The Era of Moghul Emperor Aurangzebe

From the era of Emperor Aurangzebe, from Lahore, in the Punjab. Iron combat axe head of iconic backswept form with elongated rectangular socket mount, on likely a later haft. Sobriquet Aurangzeb (Persian: "Ornament of the Throne") or by his regnal title Alamgir (Persian: "Conqueror of the World"), was the sixth, and widely considered the last effective Mughal emperor. His reign lasted for 49 years from 1658 until his death in 1707.

Aurangzeb was a notable expansionist and during his reign, the Mughal Empire reached its greatest extent, ruling over nearly all of the Indian subcontinent. During his lifetime, victories in the south expanded the Mughal Empire to 4 million square kilometres, and he ruled over a population estimated to be over 158 million subjects, with an annual yearly revenue of more than ten times that of his contemporary King Louis XIV of France, around 39 million pounds (almost 3 billion rupees) in 1690. Under his reign, India surpassed China to become the world's largest economy, nearly a quarter of world GDP in 1700.

Aurangzeb is considered one of India's most controversial kings. Some historians argue that his policies abandoned his predecessors' legacy of pluralism and religious tolerance, citing his destruction of Hindu temples and execution of a Sikh guru, while other historians question this, arguing that his destruction of temples has been exaggerated and were politically motivated, and noting that he built more temples than he destroyed, also destroyed Islamic mosques, paid for the maintenance of temples, employed significantly more Hindus in his imperial bureaucracy than his predecessors did, and opposed bigotry against Hindus and Shia Muslims.

It was at the end of his reign that the downfall of the Mughal Empire began. Rebellions and wars eventually led to the exhaustion of the imperial Mughal treasury and army. He was a strong-handed authoritarian ruler, and following his death the expansionary period of the Mughal Empire came to an end. Nevertheless, the contiguous territory of the Mughal Empire still remained intact more or less until the reign of Muhammad Shah.  read more

Code: 20915

An Imposing & Elegant ‘Morituri’ Walking Cane Combination ‘Bartitsu’ Club Stick, Cast Bronze Skull With & Sophisticated Ebony Stick & Carved Bone Ferrul. Once A Most Essential Accessory For the Gentleman About Town.

Likely 20th century, post Victorian.. A gentleman’s walking out club cane of the most distinct esoteric style of a weighted cast skull set upon an elegant, earlier, Victorian ebony cane with a carved bone ferrule.
Skull mounted canes for gentlemen have been most popular in all forms since the 18th century, and one of the most famed was the cane made for, and used by, Charles Darwin.

Darwin called his skull stick his ‘morituri’, a type of ‘memento mori’. These objects remind their owners of the short time people live on earth. Charles Darwin (1809-82) is famous for his theory of evolution outlined in The Origin of Species, first published in 1859. Darwin’s walking stick was collected by Henry Wellcome as a relic of someone Wellcome considered a ‘great man.’ Darwin's carved whalebone Morituri cane is shown in the gallery on a black ground.

Walking canes have been in use for centuries and have come to represent both elegance and practicality. A sophisticated walking cane in particular, is more than just a tool to aid in walking it is a statement of style, sophistication, and grace. The concept of a gentleman’s elegant walking cane, its history, and its contemporary significance, is intriguing, and furthermore, a night walking gentleman once trained in the art of the ‘fighting stick’, most elegantly detailed in the Sherlock Holmes novels by famed Victorian and Edwardian Sir Arthur Conan Doyle, could a most effective adversary, with his defensive accessory, ready to counter the prowling Victorian ne’er do well or assassin on the streets of London after dark {just like London is now, apparently, but long before dark}

A brief history of walking canes
Walking canes have been in use since ancient times, with evidence of their use found in several civilizations around the world. The Egyptians, Greeks, and Romans all used walking sticks for both functional and ceremonial purposes. In medieval times, walking canes were an accessory of the wealthy and powerful, often adorned with precious metals and jewels.

By the 17th century, walking canes had become an essential part of men's fashion. They were not only used as a symbol of wealth and status but also as a practical tool to aid in walking. During the 18th century, walking canes became even more ornate, with intricate designs and carvings, and the addition of handles made from exotic materials such as ivory and tortoiseshell.

In the 19th century, walking canes became more utilitarian in nature, with the introduction of collapsible canes and adjustable handles. They continued to be popular among the wealthy, with some canes serving as a form of self-defense, in the lawless cities, fitted with sword or dagger blades. And a substantial cane often made a most effective 'club' stick, although never designed as such of course, but necessity has always been the mother of invention.

Bartitsu is an eclectic martial art and self-defence method originally developed in England in 1898–1902, combining elements of boxing, jujitsu, cane-fighting, and French kickboxing (savate). In 1903, it was immortalised (as "baritsu") by Sir Arthur Conan Doyle, author of the Sherlock Holmes mystery stories.

The stick fighting component was based on the two fundamental tactics of either feinting/striking pre-emptively or "baiting" the opponent's strike via a position of invitation. Fighting from the style's characteristic high- and double-handed guard positions - assumed so as to make it more difficult for an opponent to "snipe" the weapon-wielding hand - stick strikes and thrusts targeted the opponent's face and head, throat, elbows, hands and wrists, solar plexus, knees and shins. The Bartitsu stick fighter would often incorporate close combat techniques such as trips, throws and takedowns, representing a fusion of the Vigny stick system with jujutsu, which was unique to Bartitsu as a system.

A most beautiful yet intriguing collectors item.

90cm long  read more

Code: 24855

A Superb 60 Million Year Old Otodus Shark's Tooth Fossil. The Ancestor of the Megaladon The Giant Great White Type Shark

This would make a fabulous and incredibly unusual and original gift for a loved one.

The Otodus of 60 million years ago was up to 40 foot long and the Megalodon of 20 million years ago was up to 60 foot long.

A stunning large Otodus shark's tooth fossil in super condition. One of a small collection we have just been delighted to acquire. It would make a stunning desk ornament, as an impressive collector's item and conversation piece. Otodus is an extinct genus of shark which lived from the Paleocene to the Miocene epoch.
Otodus likely preyed upon large bony fish, other sharks, and from the Eocene until the genus' extinct during the Miocene, marine mammals. It was among the top predators of its time.The fossils of Otodus indicate that it was a very large macro-predatory shark. The vertebral centrum of this shark are over 12.7 cm (5 inch) wide. Scientists suggest that this shark at least reached 9.1 metres (30 ft) in total length, with a maximum length of 12.2 metres (40 ft) The Paleocene Epoch is bracketed by two major events in Earth's history. It started with the mass extinction event at the end of the Cretaceous, known as the Cretaceous–Paleogene (K–Pg) boundary. This was a time marked by the demise of non-avian dinosaurs, giant marine reptiles and much other fauna and flora. The die-off of the dinosaurs left unfilled ecological niches worldwide. The Paleocene ended with the Paleocene–Eocene Thermal Maximum, a geologically brief (0.2 million year) interval characterised by extreme changes in climate and carbon cycling. The otodus was likely the ancestor of the Giant White Megaladon shark of 40 million years later. The tooth shown here was sold on day 1 but we have two others near identical, also the same size, the price is also the same. It is possible they may have been from the remains of the same shark.

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 24516

A Small & Beautiful Neolithic 7000 to 10000 Year Old Small Polished Stone Age Symbolic Flint Hand Axe 5000 to 8000 bc

In the Neolithic period (later stone age) people started to settle down and start farming. At places such as Springfield Lyons, in Chelmsford, Essex, these early settlements have been identified. It was also at this time when stone tools, which up until this point had been purely functional, started to take on a more symbolic meaning.

A beautiful piece of ancient craftsmanship, with the hand polishing of flint being incredibly labour intensive, even for the smallest of examples.

Besides being tools, axes could also have important ritual and social functions. Polished stone axes and other tools that were never used have been found across the county, showing changes in social hierarchy and possibly even the development of religion.

In the Neolithic period people began to use flint axes that had been polished. The polishing of flint marks such a significant technological advance that archaeologists use this to draw the boundary between the Mesolithic and the Neolithic periods.

Although small polished axes are readily believed to be symbolic for ceremonies some speculate they could also be the first human concept of jewellery, the evolution of two dimensional art of cave paintings, into three dimensional art, being artefacts of rare and fine materials to be given or traded.

The population grew, and this led to competition for space, power and leadership. The farmer could mark his position in battle, as well as with peaceful exchanges of gifts with neighbours and friends. Gifts could be ornate axes of flint or amber beads. Many of these riches were sacrificed to the powers above in lakes. In the early Neolithic period people were also sometimes executed and thrown in lakes. Conflicts among the farmers may have triggered off violence and killings. Human sacrifices were also made. Both young and old people ended their days in this way.

The Neolithic also known as the "New Stone Age", the final division of the Stone Age, began about 12,000 years ago when the first development of farming appeared in the Epipalaeolithic Near East, and later in other parts of the world. The division lasted until the transitional period of the Chalcolithic from about 6,500 years ago (4500 BC), marked by the development of metallurgy, leading up to the Bronze Age and Iron Age. In Northern Europe, the Neolithic lasted until about 1700 BC, while in China it extended until 1200 BC. Other parts of the world (the New World) remained in the Neolithic stage of development until European contact.

The Neolithic comprises a progression of behavioral and cultural characteristics and changes, including the use of wild and domestic crops and of domesticated animals.

The term Neolithic derives from the Greek neos and lithos "New Stone Age". The term was coined by Sir John Lubbock in 1865 as a refinement of the three-age system.

Photo of Skara Brae, Orkney, Neolithic home, thought to be 5,000 years old

38 mm long  read more

Code: 24912