Japanese

A Beautiful Antique Suit of Original Edo Period Samurai Gosuku Armour

Edo period 1598-1863. Completely untouched for the past 200 years. With shinari kabuto acorn shaped helmet of built up lacquer over iron construction. With fully laced shikoro neck armour lames. Open hanbo face guard, with laced nodowa throat armour. Dark brown lacquer thin plates with full lacing to the do in maru-do type form breast plate without hinge, single side opening. Chain mail over silk kote arm armour with plate tekko hand armour. Fully laced and plate sode shoulder armour Fully laced four panels of haidate waist armour Fully laced kasazuri thigh armour, without lower suneate. The armour is trimmed in printed and decorated doe skin and all the connection fittings are in traditional carved horn. This armour is absolutely beautiful. It's condition is very good indeed apart from some areas of lacquer wear to the helmet but this we can attend to, some silk perishing on part of the thigh armour top section, and some colour fading to one hand armour lacquer. Japanese armour is thought to have evolved from the armour used in ancient China and Korea. Cuirasses and helmets were manufactured in Japan as early as the 4th century.Tanko, worn by foot soldiers and keiko, worn by horsemen were both pre-samurai types of early Japanese cuirass constructed from iron plates connected together by leather thongs.

During the Heian period 794 to 1185 the Japanese cuirass evolved into the more familiar style of armour worn by the samurai known as the dou or do. Japanese armour makers started to use leather (nerigawa) and lacquer was used to weather proof the armor parts. By the end of the Heian period the Japanese cuirass had arrived at the shape recognized as being distinctly samurai. Leather and or iron scales were used to construct samurai armours, with leather and eventually silk lace used to connect the individual scales (kozane) which these cuirasses were now being made from.

In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours).Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.

The era of warfare called the Sengoku period ended around 1600, Japan was united and entered the peaceful Edo period, samurai continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for battles. During the Edo period light weight, portable and secret hidden armours became popular as there was still a need for personal protection. Civil strife, duels, assassinations, peasant revolts required the use of armours such as the kusari katabira (chain armour jacket) and armoured sleeves as well as other types of armour which could be worn under ordinary clothing.Edo period samurai were in charge of internal security and would wear various types of kusari gusoku (chain armour) and shin and arm protection as well as forehead protectors (hachi-gane).

Armour continued to be worn and used in Japan until the end of the samurai era (Meiji period) in the 1860s, with the last use of samurai armour happening in 1877 during the Satsuma Rebellion. This is one of the most attractive ones we have had since we supplied two full antique gosuko, with eight museum grade katana and tachi, to a world famous artist  read more

Code: 22649

A Good Antique Edo Period Round Signed Tetsu Wakazashi Tsuba Embossed Seashells

A delightful iron round tsuba takebori patterned with various shells over a water pattern background, with ana openings for kozuka and kogai. The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament 61 mm  read more

Code: 22455

An Edo O Sukashi Wakazashi or Tanto Tsuba In Iron

Circa 1650. The Tsuba, or Japanese sword guard, is a refined utilitarian object. It is essentially a sheath for the blade to fit through, protecting the hand of the warrior. The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament.  read more

Code: 20739

A Stunning Pair Of Tsuba, Original Early Daisho Sukashi Rokakku Clan Mon Iron Maru Gata Tsuba

Pre-Edo or early Edo period, circa 1600's. Polished finish bevelled towards the edge. Matching daito [long sword] and shoto [short sword] tsubas, very finely pierced with the Rokakku samurai clan's crest, the "kamon" . Founded by Sasaki Yasutsuna of Omi Province in the 13th century, the name Rokkaku was taken from their residence within Kyoto; however, many members of this family continued to be called Sasaki. Over the course of the Muromachi period, members of the clan held the high post of Constable (shugo) of various provinces.
During the Onin War (1467?77), which marked the beginning of the Sengoku period, the clan's Kannonji Castle came under assault. As a consequence of defeat in the field, the clan entered a period of decline.
Like other hard-pressed daimyos, the Rokakku tried to enhance their military position by giving closer attention to improved civil administration within their domain. For instance, in 1549, the Rokkaku eliminated a paper merchant's guild in Mino under penalty of confiscation. Then they declared a free market in its place.

The Rokakku were defeated by Oda Nobunaga in 1568 on his march to Kyoto and in 1570 they were absolutely defeated by Shibata Katsuie. During the Edo period, Rokkaku Yoshisuke's descendants were considered a koke clan. Historically, or in a more general context, the term koke may refer to a family of old lineage and distinction. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other. A samurai's daisho were his swords, as worn together, as stated in the Tokugawa edicts. In a samurai family the swords were so revered that they were passed down from generation to generation, from father to son. If the hilt or scabbard wore out or broke, new ones would be fashioned for the all-important blade. The hilt, the tsuba (hand guard), and the scabbard themselves were often great art objects, with fittings sometimes of gold or silver. Often, too, they ?told? a story from Japanese myths. Magnificent specimens of Japanese swords can be seen today in the Tokugawa Art Museum?s collection in Nagoya, Japan.
In creating the sword, a sword craftsman, such as, say, the legendary Masamune, had to surmount a virtual technological impossibility. The blade had to be forged so that it would hold a very sharp edge and yet not break in the ferocity of a duel. To achieve these twin objectives, the sword maker was faced with a considerable metallurgical challenge. Steel that is hard enough to take a sharp edge is brittle. Conversely, steel that will not break is considered soft steel and will not take a keen edge. Japanese sword artisans solved that dilemma in an ingenious way. Four metal bars ? a soft iron bar to guard against the blade breaking, two hard iron bars to prevent bending and a steel bar to take a sharp cutting edge ? were all heated at a high temperature, then hammered together into a long, rectangular bar that would become the sword blade. When the swordsmith worked the blade to shape it, the steel took the beginnings of an edge, while the softer metal ensured the blade would not break. This intricate forging process was followed by numerous complex processes culminating in specialist polishing to reveal the blades hamon and to thus create the blade's sharp edge. Inazo Nitobe stated: ?The swordsmith was not a mere artisan but an inspired artist and his workshop a sanctuary. Daily, he commenced his craft with prayer and purification, or, as the phrase was, ?he committed his soul and spirit into the forging and tempering of the steel.?
Celebrated sword masters in the golden age of the samurai, roughly from the 13th to the 17th centuries, were indeed revered to the status they richly deserved. Daito tsuba 78mm, shoto tsuba 72mm. Apertures for the sword's tangs [nakago ana] 29mm x 8mm and 24mm x 8mm respectively [they can be adjusted as required]  read more

Code: 23030

A Stunning Japanese 0-Tanto Signed Echizen Kuni ju nin Kanenori Circa 1615

A very large Japanese samurai dagger around 400 years old possibly Keicho era. Beautifully mounted in its all original Edo period fittings of very fine quality. The takebori tsuba is decorated with a most finely executed dragon with pure gold highlights, and bears a large cursive signature by its maker. The fushigashira are iron inlaid with pure silver wire decoration of tendrils and flowers. The menuki are absolutely delightful of pure gold decorated twin pairs of cockerals in differing poses. The wide and long blade is most imposing, with a very unusual carved hi groove configuration. The original Edo urushi ishime lacquer saya has a fine kozuka utility knife fitted in its pocket that has a gold spiny lobster in takebori on very finely defined nanako ground see below for the detail on the nanako work, the rear of the kozuka handle is raindrop engraved with gold overlay

This beautiful large samurai dagger was made in and around the time of the famous clan conflict at Osaka Castle. In 1614, the Toyotomi clan rebuilt Osaka Castle. At the same time, the head of the clan sponsored the rebuilding of Hoko-ji in Kyoto. These temple renovations included the casting of a great bronze bell, with inscriptions that read "May the state be peaceful and prosperous" (kokka anko), and "May noble lord and servants be rich and cheerful" (kunshin horaku). The shogunate interpreted "kokka anko" as shattering Ieyasu's the Shogun name to curse him, and also interpreted "kunshin horaku" to mean "Toyotomi's force will rise again," which meant treachery against the new Tokugawa shogunate. Tensions began to grow between the Tokugawa and the Toyotomi clans, and only increased when Toyotomi began to gather a force of ronin mercenary samurai who had lost their lord and enemies of the shogunate in Osaka. Ieyasu, despite having passed the title of Shogun to his son in 1605, nevertheless maintained significant influence.

Despite Katagiri Katsumoto's attempts to mediate the situation, Ieyasu found the ideal pretext to take a belligerent attitude against Yodo-dono and Hideyori. The situation worsened for September of that year, when the news reached Edo that in Osaka they were grouping a large quantity of ronin-you are missing without a lord-at the invitation of Hideyori.

Katsumoto proposed to Yodo-dono be sent to Edo as a hostage with the desire to avoid hostilities, to which she flatly refused. Suspect of trying to betray the Toyotomi clan, Yodo-dono finally banished Katsumoto and several other servants accused of treason from Osaka castle, and go to the service of the Tokugawa clan, consequently any possibility of reaching an agreement with the shogunate was dissolved.

This last movement of Yodo-dono, who acted as the guardian of Hideyori, led to the beginning of the siege of Osaka. The siege of Osaka ( Osaka no Eki, or, more commonly, Osaka no Jin) was a series of battles undertaken by the Tokugawa shogunate against the Toyotomi clan, towards the end of the Keicho era, and ending in that clan's destruction. Divided into two stages (winter campaign and summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. The end of the conflict is sometimes called the Genna Armistice ( Genna Enbu), because the era name was changed from Keicho to Genna immediately following the siege.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself. The articles of sword ornamentation made by the Goto artists were practically all on shakudo grounds with nanako finish; after the emergence of the machibori artisans in the mid-Edo period and the popularity of the newly inspired kozuka, shakudo grounds with nanako finish "became the rage". Nanako finish is probably an evolution and refinement of a very old style finish (which it vaguely resembles); "millet finish", 'awa ishime', which is found on some old armorer tsuba. However, awa ishime consisted of small, round dimples punched into the surface of the ground; on the other hand, nanako is formed by striking the ground with a cup-shaped punch to raise, and project upward from the surface, small semi-hemispheric nipples. Since we find nanako finish on old yamagane grounds, it was in use as early as the Kamakura period. It is note-worthy that a nanako finish on a shakudo ground has been used since the time of the first Goto 1440 - 151 in the mitokoromono, "set of three", for use on formal or ceremonial occasions. Later, shakudo nanako became the regular finish for use by the metal artisans. (deleted repeated sentences) In applying nanako, meticulous and scrupulous care must be used in positioning and striking the "cupping tool" in order to achieve fine, regular, carefully and closely spaced, identical results, row after row. Careless, imprecise and even coarse workmanship can be detected in the nanako of some older works and on "ready made" products, but work of later years, executed with infinite and scrupulous care, are beautiful beyond belief. However, even the finest of execution of nanako finish applied to brass (shinchu) or shibuichi fails to carry the distinct air of refinement and elegance of similar work on shakudo. The very elegance of nanako workmanship reflects not only the extraordinary skills of the Japanese in the execution of minute, detailed work, but also their tremendous patience and artistic inspiration. It is said that blindness of nanako workers at thirty years of age was usual because of the microscopic and meticulous work so carefully and patiently executed. On many old tsuba, pre-dating the period of the Goto, one encounters nanako laid in horizontal or vertical rows; on subsequent work nanako was applied along curved lines conforming to the shape of the tsuba.

22.5 inches long overall, 14 inches long blade tsuba to tip.  read more

Code: 22736

The Lanes Armoury & The Hawkins Family Established For Over 100 Years

In fact the family has been trading in Brighton for likely 200 years, but the first 100 Years was in the local fish and shellfish trade, becoming shopkeepers in antiques in the town in the last 100 years. Apparently the family moved from our seafaring roots in Plymouth, around 200 years ago, where we had been trading since the 1500’s, and during reign of The Tudors, Admiral Sir Francis Drake had been an adopted apprentice from the age of 15 of the Hawkins family in Plymouth..

The current partners, Mark and David have between them almost 95 years combined service to the company, serving the public and trade in ‘The Lanes’ of Brighton. In fact, we believe, out of approximately 2000 shops, and goodness knows how many businesses in the city, we are now the oldest, remaining, established family traders within the whole of Brighton and Hove.

BRIGHTON and Hove has been named the second-best area for independent shopping in the United Kingdom, only just pipped at the post by Cambridge. If you are going to be beaten by a town at least it was Cambridge [apologies to Oxford, but you ought to be used to it by now]

Taken from the Brighton and Hove.gov website; ‘The Lanes’ is listed first of the four main shopping areas; ‘ The Lanes - historic maze of alleyways with a mix of antiques, jewellery and fashion’
But sadly, we are the only antique and bookshop now still remaining in ‘The Lanes’  read more

Code: 24378

The Lanes Armoury, Europe’s Leading Original Samurai Sword Specialists

The Leading Original Samurai Sword Specialists of Europe, in fact we know of no other specialists outside of Japan, and likely within it, that stock anywhere near the quantity of our selection

After over 50 years personal experience by Mark, since 1971 we are probably Europe’s leading samurai sword specialists, with hundreds of swords to view and buy online 24/7, or in our store on a personal visit, 6 days a week. In fact we know of no better and varied original samurai sword selection for sale under one roof outside of Japan, or probably, even within it. Hundreds of original pieces up to 800 years old. Whether we are selling to our clients representing museums around the globe, the world’s leading collectors, or simply a first time buyer, we offer our advice and guidance in order to assist and guide the next custodian of a fine Japanese sword, to make the very best choice for them.

But that of course is just one part of the story of The Lanes Armoury, and the Hawkins brothers

Both of the partners of the company have spent literally all of their lives surrounded by objects of history, trained, almost since birth in the arts, antiques and militaria. Supervised and mentored, first by their grandfathers, then their father, who left the RAF sometime after the war, to become one of the leading antique exporters and dealers in the entire world. Selling, around the globe, through our network of numerous shops, warehouses, and antique export companies, in today’s equivalent, hundreds of millions of pounds of our antiques and works of art.

Both Mark and David were incredibly fortunate to be mentored by some of the world’s leading experts within their fields of antiques and militaria. For example, just to mention two of Mark’s diverse mentors, one was Edward ‘Ted’ Dale, who was one of Britains most highly respected and leading experts on antiques, he was chief auctioneer and managing director in the 1960’s and 70’s of Bonham’s Auctioneers of London, now one of the worlds highest ranked auction companies, and at the other end of the spectrum, there was Bill ‘Yorkie’ Cole, the company’s ‘keeper of horse’, who revelled in the title of the company’s ‘head stable boy’, right up until his 90’s, in fact he refused to retire, he simply ‘faded away’. He controlled our stables and dozens of horse drawn vehicles up to the 1970’s. He was a true Brighton character, whose experiences in the antique trade went way back to WW1, and, amongst other skills, he taught young Mark, as a teenager in the 1960’s, to drive a horse drawn pantechnicon with ‘Dolly’, Britain’s last surviving English dray horse that was trained for night driving in the ‘blackout’ during the blitz. See a photo of the pantechnicon and 'Dolly' in the gallery

Mark has been a director and partner in the family businesses since 1971, specialising in elements of the family business that varied from the acquisition and export of vintage cars, mostly Rolls Royces Bentleys, Aston Martins and Lagondas, to America, to the complete restoration and furnishing of a historical Sussex Georgian country Manor House for his late mother from the ground up, but long before that he was handling and buying swords and flintlocks since he was just seven years old, obviously in a very limited way though, naturally.

David jnr, Mark’s younger brother, also started collecting militaria when he was seven, in fact he became the youngest firearms dealer licence holder in the country, and it was he that convinced Mark that militaria and rare books was the future for our world within the antique trade, and as you will by now guess, history, antiques and militaria is simply in their blood.

Thus over 35 years ago they decided to sell their export business and concentrate where their true hearts lie, in the world of military history and its artefacts, from antiquity to the 20th century. From fine and rare books and first editions, to antiquities and the greatest samurai swords to be found. One photo in the gallery was one of the rarest books we have ever had, some years ago, a Great Gatsby Ist edition [they can now command up to $360,000]

One photo in the gallery of Mark, 2 years ago with his then new lockdown companion, ‘Cody’, named after Buffalo Bill [naturally]. Cody is now somewhat bigger!  read more

Code: 24364

An Edo Period Nanban Katana Tsuba of Dragon Chasing the Pearl of Wisdom

Nanban often regarded as meaning Southern Barbarian, are very much of the Chinese influence. The Chinese influence on this group of tsuba was of more import than the Western one, however, and resulted not merely in the utilisation of fresh images by the existing schools, but also in the introduction of a
completely fresh style of metalworking.
The term 'namban' was also used by the Japanese to describe an iron of foreign origin.
Neither can the Namban group be considered to represent 'native Japanese art'.
The required presence in the group, by definition, of 'foreign influence', together with the possibility of their being 'foreign made', was probably responsible for their great popularity at the time.

Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down.

83mm  read more

Code: 24336

Huge Private Collection of 53 Original Ancient and Antique Samurai Swords, A Red Lacquer Gosuko Armour, and Ozutsu Hand Cannon, Has Now Arrived

We have been awaiting this exceptional huge new collection for around two years now, acquired by us before lock-down, but sadly held up. It has now arrived. See the photo in the gallery of it partially unpacked this Monday morning
Thirty tanto and twenty three katana, from periods stretching from the early 1400’s to the mid Edo era. The red lacquer gosuko [suit of armour], is what is known as a ‘sleeper’, literally untouched for likely 200 years, with all the natural wear, ageing and patina you would expect from armour left in store for the last 150 years.
it has a 32 plate, russet finish iron hachi kabuto, with multi laced black lacquer shikoro [neck defences], and a wonderful red lacquer ressai [fearsome] menpo, face armour [very similar indeed to Li Naomasa’s own ressai menpo] matching the fully red lacquer multi plate do [cuirass]. Chain and plate Kate [arm armour] with , oda-gote kote, gourd-shaped plates, and thigh [haidate] defences with shino-suneate shin defences and original bear fur trimmed sode shoulder defences.

The red lacquer gosuko was was the symbol of the Li clan, known as the Red Devil’s, of Li Naomasa . Amongst Tokugawa’s most trusted and talented generals was a warrior called Ii Naomasa. Naomasa was a ferocious warrior, feared and respected equally by friend and foe alike. He was the living embodiment of the samurai ideal. Naomasa and his men would become infamous for wearing blood red armour in battle, earning themselves the nickname ‘The Red Devils,’ and a reputation just as terrifying. The Battle of Sekigahara would be Naomasa’s greatest triumph, as he charged ahead of the main Tokugawa advance to claim first blood against the enemy forces. This bravery and heroism, so characteristic of the samurai, would ultimately be his undoing. In the closing stages of the battle, while personally leading an attack, Ii Naomasa was shot and grievously wounded. He would never fully recover and eventually died in 1602 at the age of 41.

We show in the photo gallery, picture number 2, of Li Naomasa’s ressai menpo, in the Royal Armoury Collection. It is incredibly similar to our ressai menpo with the gosuko.

Plus a magnificent, huge, 10 monme O-zutzu teppo matchlock hand cannon, inlaid with gold and silver dragon and twin large clan mon.

Many of the swords need some element of professional light cleaning and varying levels of conservation, as many have been in storage, some untouched for these past 150 years, some untouched since 1945, these are WW2 officer mounted swords but all with ancestral blades. We are undertaking it over the coming months.

We will though be adding many to the site as soon as possible ‘as is’ in case any collector wishes a sword in uncleared condition.

Within this new collection we have signed swords, mumei swords, ancient pieces from the 1400s and also late Edo period swords, including a simply magnificent Edo period cloisonné enamel tachi, and the decoration of its design on the saya, is the like of which we have not seen before. This fabulous sword’s cloisonné work and design is incredibly rare, in that the saya decor is simulating traditional tachi Itomaki silk binding, with decorated lacing on the scabbard for the top third, in the same manner as actual Ito maki tachi silk binding, and quite incredible. This form of tachi came into being in the Nambokochu era when armour was used far more frequently and lacing on the saya prevented chafing of the top section of the saya through rubbing against the samurai’s armour. Another rare beauty of a sword is a signed Shinto katana with a incredibly rare carved crow-tengu horimono, and a gold inlaid attribution. A tanto with a form of koshirae [mounting] we have never seen before, not even in a museum, with a two piece interlocking split tsuba with long spring lock release catch that travels externally down the tsuka. Plus, dozens more and all unique.  read more

Code: 24303

An Edo Period Samurai Horseman Ryo-Shinogi Yari Polearm

With original pole and iron foot mount ishizuki. Very nicely polished four sided double edged head. The mochi-yari, or "held spear", is a rather generic term for the shorter Japanese spear. It was especially useful to mounted Samurai. In mounted use, the spear was generally held with the right hand and the spear was pointed across the saddle to the soldiers left front corner. The warrior's saddle was often specially designed with a hinged spear rest (yari-hasami) to help steady and control the spear's motion. The mochi-yari could also easily be used on foot and is known to have been used in castle defense. The martial art of wielding the yari is called sojutsu. A yari on it's pole can range in length from one metre to upwards of six metres (3.3 to 20 feet). The longer hafted versions were called omi no yari while shorter ones were known as mochi yari or tae yari. The longest hafted versions were carried by foot troops (ashigaru), while samurai usually carried a shorter hafted yari. Yari are believed to have been derived from Chinese spears, and while they were present in early Japan's history they did not become popular until the thirteenth century.The original warfare of the bushi was not a thing for "commoners"; it was a ritualized combat usually between two warriors who may challenge each other via horseback archery and sword duels. However, the attempted Mongol invasions of Japan in 1274 and 1281 changed Japanese weaponry and warfare. The Mongol-employed Chinese and Korean footmen wielded long pikes, fought in tight formation, and moved in large units to stave off cavalry. Polearms (including naginata and yari) were of much greater military use than swords, due to their much greater range, their lesser weight per unit length (though overall a polearm would be fairly hefty), and their great piercing ability. Swords in a full battle situation were therefore relegated to emergency sidearm status from the Heian through the Muromachi periods. The pole has has the top lacquer section relacquered in the past 50 years or so.  read more

Code: 20518