Japanese

An Ancient Koto Period Samurai Sword, Almost 600 Years old, From The Sengoku Jidai. A Handachi Mounted Katana, With Beautiful Deep Red Ishime Urushi Lacquer Saya, & Hammered Silver Onlaid Mounts

From the Muramachi and Sengoku period. The blade was made almost 600 years ago, in or around 1450, and it is fully mounted in a fine suite of Edo period, all matching handachi koshirae sword mounts, fitted upon the saya and tsuka, with a very scarce highly decorative hand finish, of hammered silver over copper, to represent reflections of moonlight in silvery puddles of water. A most impressive, beautiful and statuesque sword. The blade shows a most stunning and active hamon. The tsuka has its traditional Edo period battle wrap, over black samegawa {giant ray-skin}, of yellow silk-cotton ito, with two takebori iron dragon menuki.

One picture in the gallery is an antique Meiji period photograph of a seated daimyo clan lord, holding his very same, identically coloured and mounted han dachi katana.

Han-dachi mounted samurai swords originally appeared during the Muromachi period when there was a transition taking place from tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been.

The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China. The era is beautifully depicted in Akira Kurowsawa’s films called Jidaigeki. The Sengoku Period (1467-1568 CE) was a lawless century-long era characterized by rising political instability, turmoil, and warlordism in Japan. During this period, field armies and soldiers rapidly rose in number, reaching tens of thousands of warriors. Many castles in Japan were built during the Sengoku Period as regional leaders and aristocrats alike competed for power and strong regional influence to win the favours of the higher-class Japanese at the time. Kurosawa’s film depiction of Macbeth, Throne of Blood, is set in this era of Japan’s feudal period. Original title 蜘蛛巣城, Kumonosu-jō, lit. 'The Castle of Spider's Web'

This then led to the creation of a more complex system within the military, the armoured infantry known as the ashigaru. Initiated by the collapse of the country’s feudal system during the 1467 Onin War, rival warlords or daimyō, continued to struggle to gain control of Japan until its reunification under Japan’s three “Great Unifiers” –– Nagoya Nobunaga, Hideyoshi, and Ieyasu Tokugawa –– thus, bringing the war-stricken era to an end in the siege of Osaka
The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu, to stop the spear, expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality.

The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master.

We could have the tsuka rebound in suitable Japanese silk tsuka ito if required. Although, we would recommend it is left just as is, as it is a most fine ancient samurai sword and its slightly and lightly discoloured cotton-silk binding is part of its amazing character and representing its great age

40.5 inches long overall, blade 24.25 inches long  read more

Code: 23673

A Most Beautiful Original Edo Period Shinto Samurai Wakizashi by Echizen ju Kozuke no Kami Fujiwara Kanesada, A Sword Maker Deemed Saijō Ō Wazamono (Supreme Grade), Ō Wazamono (Excellent), Yoki (Ryō) Wazamono (Very Good)

Signed over both sides of the nakago, Echizen ju Kozuke no Kami Fujiwara Kanesada 1680.

If you only had a single Japanese samurai short sword in your collection you would have to go a very long way to find a better example than this beauty. Bearing in mind it's beautifully signed, of stunning quality, in amazing condition, and, its almost 350 years old.

A good and rated sword smith. A swordsmith, Kozuke no Kami Fujiwara Kanesada is listed as one of just 65 Swordmakers that produced a swords of three of the high grades of quality blades, ōwazamono, ryōwazamono, or wazamono. Excellent, very good and good. Wazamono is a classification of Japanese swords and swordsmiths used in Japan to identify historic blades of exceptional quality. According to the first edition of Kaiho Kenjaku (懐宝剣尺) published in 1797, There are 163 Wazamono swords in total, grouped into four categories based on their quality. Twelve swords are classified as Saijō Ō Wazamono (Supreme Grade), twenty-one swords are classified as Ō Wazamono (Excellent), fifty swords are classified as Yoki (Ryō) Wazamono (Very Good), and eighty swords are classified as Wazamono (Good).

This rating is based on a book compiled by Yamada Asaemon V (山田浅右衛門吉睦), an official sword cutting ability examiner and executioner of the Tokugawa shogunate, and is an authoritative index of cutting ability of Japanese swords. The list of ratings concerning swordsmithing differs between Kaiho Kenjaku (懐宝剣尺) published in 1797 and the reprinted edition published in 1805, and the major revised edition of Kokon Kajibiko (古今鍛冶備考) published in 1830. Add up the number of sword smiths in each edition: Saijo Ō Wazamono 15, Ō Wazamono 21, Yoki Wazamono 58, Wazamono 93, and 3 grades mixed 65. The list of swordsmiths described below is the swordsmiths described in the first edition of Kaiho Kenjaku. The blade of shinogi-zukuri form, slightly undulating suguba of nioi with pronounced nie, indistinct tight mokumehada, the ubu nakago with kiri yasurime and one mekugi-ana, signed Echizen no ju Kozuke no kami Fujiwara Kanesada; koshira-e: the saya (scabbard) of roiro lacquer; ovoid iron stuba , shakudo fuchigashira with geese and reeds in gilt metal relief. The blade is in very good polish, the lacquer on the saya also very good and the original. Superb condition tsukaito silk hilt wrap .
Blade 48.5cm (19 1/8in) from tsuba to tip .  read more

Code: 23481

An Absolutely Superb,& Signed, Samurai’s Large Sunobi-Tanto or Wakazashi Late Koto to Early Shinto Period. Mutsu no Kami Daido School

The blade, around 400 years old, is very wide and powerful, and has horimono carved to both sides, of ancient Buddhist ken swords, one with a varjira a Buddhist god's lightning creator and the swirling grain in the hada looks absolutely stunning, but it has to be viewed in the right light, with a typical narrow suguha hamon. Beautiful shakudo and pure gold Mino Goto school fuchigashira of takebori water dragon on a nanako ground, with an iron ground matching water dragon tsuba.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself.

A pair of pure gold and shakudo flowering menuki under the tsukaito, and are of wonderful quality, and a stunning shakudo decorated kozuka utility knife with the Nabeshima clan mon of the Daki Myoga ginger plant, and the blade is also fully signed, is set within the saya pocket. The original Edo saya is fabulously decorated with kairagi polished giant rayskin. "Kairagi" means "Ume Blossom Skin".
When you polish the skin, Ume Blossom patterns will appear. Kairagi-same is very rare. The saya is polished samegawa. Polished giant ray skin, samegawa, was, at the time of the Samurai, some one of the most expensive and highly prized forms of decoration to be used on sword scabbards Saya. It was the same material as is used on sword hilts under the binding, but the large and small protruding nodules were hand polished, for hundreds of hours, to create a highly polished flat surface, that was then hand dyed and thus created a decorated scabbard with immense natural beauty, and huge expense for the time. The name Daido is most interesting, his early name is Kanemichi, and he changed to “O”Kanemichi when he received the “O” or “Dai” kanji from the Emperor Ogimachi. Later he called himself “Daido” and then received the title of “Mutsu No Kami” in Tensho 2. It is also believed that he was the personal swordsmith to Oda Nobunaga and the fact that he moved to Kyoto at the same time Nobunaga established his residence in Kyoto seems to support this idea. There are Juyo-Token by him, as well as joint effort works with Horikawa Kunihiro. The Horimono are double edged Buddhist ken straight sword, and a Bonji of 'Fudo' warrior deitie. Fudō-myōō (不動明王) is the full Japanese name for Acala-vidyaraja, or Fudō (o-Fudō-sama etc.) for short. It is the literal translation of the Sanskrit term "immovable wisdom king". The sword engraved on this sword is as a kongō-ken (金剛杵 "vajra sword"), which is descriptive of the fact that the pommel of the sword is in the shape of the talon-like kongō-sho (金剛杵 "vajra") of one type or another. It may also be referred to as "three-pronged vajra sword. The blade 17.5 inches long tsuba to tip, overall 25.5 inches long in saya  read more

Code: 24449

A Big, Beautiful, and Impressive Katana Bearing A Very Desirable Name & Signature of the ‘Gassan School’

Very long blade measuring a huge 31 inches from Tsuba to Tip. Signed Osaka-ju Gassan Unryûshi Minamoto Sadakazu. With wave design fuchi kashira highlighted with gilt, gilded menuki of gourds. Original Edo lacquer saya. A very nice Koto sukashi tsuba, probably a Choshu school tsuba, with a russetted surface.
It is a very beautiful sword, that is bearing the name of one of the great 19th century sword smith school's, ‘Gassan’, yet we price it for it's own merits and beauty alone, as if it was not actually signed personally, but, it has most intriguing possibilities. A few swords, also bearing his signature name, have appeared in the past fifteen years and sold in the best London auction rooms, but similarly without any guarantee at all as to the authenticity of the smith's personal signature, yet they have still sold for very respectable five figure sums. Thus this is a superbly executed sword, and therefore very possibly a Gassan school homage to a piece bearing his personal name.
It has a stunning hamon that looks tremendously vibrant and impressive, with yakideshi. It has a few small pitting marks at the upper end of the blade, but nothing at all to effect it's use in any way.
This beautiful katana has lain externally untouched as a sleeper for nigh on 100 years or more.
Gassan Sadakazu was born in 1836 in Sugoshi Village in Omi Province. He was the son of Tsukamoto Shichirobei. When he was a young boy, he was adopted into the family of the famous sword maker Gassan Sadayoshi who's only living heir died prematurely.
Gassan Sadayoshi was the founder of the Osaka ‘Gassan school’ of sword making. He studied under Suishinshi Masahide until Masahide's death in 1825. At that time he moved to Osaka and started the revived ‘Gassan school’ of sword making which had died out in the early Edo period.

Sadakazu started studying the art of sword making at about age 11. He made his first sword at age 14 and by age 20 was recognized as a top quality swordsmith and horimono carver.
In the early 1860's when his teacher passed the age of 60, he assumed the role of Daisaku and made swords in his father's name. About this time he produced a number of swords in the Bizen or Yamato style in addition to the main Ayasugi tradition. His blade structure featured a modest curvature and a pronounced large boshi with only a slightly rounded edge (fukura-kareru), which were also characteristic of Sadayoshi's work.
Work stopped for Sadakazu from 1876 when the wearing of swords was abolished until around 1887 when Japan went to war with China and the demand for swords resumed.
He died in 1918 after a long and very distinguished career as one of the premier sword makers of the 19th and 20th centuries.

With reference to part of an article {above} by Fred Weissberg on the ‘Gassan School’.  read more

Code: 23309

A Beautiful Antique Edo Period 1598-1868 Tanto Signed Satsuma ju Yoshisane

In all original Edo period mounts fittings and saya, stunning ishime stone finish lacquer to the saya in pristine condition. Kozuka [utility knife] also signed with maker's signature. Pair of menuki of gold embellished flower sprays, iron silver inlaid kashira, gilt and nanko fuchi. Blade in full traditional stone polish showing a delightful notare hamon. A tanto would most often be worn by Samurai, and it was very uncommon to come across a non samurai with a tanto. It was not only men who carried these daggers, women would on occasions carry a small tanto called a kaiken in their obi which would be used for self-defence. In feudal Japan a tanto would occasionally be worn by Samurai in place of the wakizashi in a combination called the daisho, which roughly translates as big-little, in reference to the big Samurai Sword (Katana) and the small dagger (tanto). Before the rise of the katana it was more common for a Samurai to carry a tachi and tanto combination as opposed to a katana and wakizashi  read more

Code: 23506

A Stunning Ancient Koto Period Katana Circa 1400, Muromachi Era., Around 600 Years Old & Used From The The Warring States Period Sengoku jidai, From 1467 to 1567

Originally tachi or uchigatana mounted this fabulous and ancient sword was remounted likely 400 years ago as a katana. Signed tsuba decorated with a figure on a water buffalo and small pure gold inlaid dots. Gilt decorated fushi kashira, the fushi with depicting jungle fauna and the kashira with a takebori tiger. Gold silk bound tsuka over bronze shishi on black samegawa. Set off with a dark red stone finish lacquer saya. The blade has an incredibly beautiful and complex hamon pattern, with just a couple of thin, natural openings due to it's great age. The uchigatana was the predecessor to the katana as the battle-blade of feudal Japan's bushi (warrior class), and as it evolved into the later design, the two were often differentiated from each other only by how they were worn and by the fittings for the blades.
It was during the Mongol invasions that it was shown there were some weaknesses in the tachi sword which led to the development of the Katana.

The Warring States period (Sengoku jidai) lasted for the century from 1467 to 1567 although the wars and confusion of the age were not finally ended until the creation of the Tokugawa shogunate in 1603. The name is drawn from a similar period of civil war in China. It saw the breakdown of central authority, and an extended period of wars between hundreds of local, independent strongmen. The end saw the emergence of new methods of authority which were finally able to achieve a moderate degree of political centralization (there still remained 250 local rulers, the daimyo) and, to everyone’s relief and satisfaction, relative peace.

In later Japanese feudal history, during the Sengoku and Edo periods, certain high-ranking warriors daimyo of what became the ruling class would wear their swords tachi mounted This sword would very likely have been used in the Onin War (1467-1477) which led to serious political fragmentation and obliteration of domains: a great struggle for land and power ensued among bushi chieftains and lasted until the mid-sixteenth century. Peasants rose against their landlords and samurai against their overlords, as central control virtually disappeared. An early Japanese print in the gallery shows a samurai receiving his reward of a fine tachi such as this one from his shugo daimyo lord.

The shugo daimyo were the first group of men to hold the title "daimyo". They arose from among the shugo during the Muromachi period. The shugo daimyo held not only military and police powers, but also economic power within a province. They accumulated these powers throughout the first decades of the Muromachi period.
The Onin War was a major uprising in which shugo daimyo fought each other. During this and other wars of the time, kuni ikki, or provincial uprisings, took place as locally powerful warriors sought independence from the shugo daimyo. The deputies of the shugo daimyo, living in the provinces, seized the opportunity to strengthen their position. At the end of the fifteenth century, those shugo daimyo who succeeded remained in power. Those who had failed to exert control over their deputies fell from power and were replaced by a new class, the "sengoku daimyo", who arose from the ranks of the shugodai'K and Ji-samurai.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading
28 inch blade length from tsuba to tip, 39 inches full length complete katana in saya, 9.65 inch Tsuka  read more

Code: 19532

A Very Attractive Pair of Boxed Edo Period Kogatana and Kogai, Samurai Sword Accessory Fittings Matsushiro Sinano school

In sinchu and silver a beautiful design of tosugu sword mountings from the Edo Matsushiro Sinano school. The kogatana blade is signed with lengthy cursive script, it could also be a story or poem but it is worn and difficult to read. A boxed pair of original Edo period, kogatana utility knife and samurai's kogai hair dressing piece. A Kogatana (小刀), or "small sword" in English is a small knife designed to be fitted within its Kozuka (handle). The Kogatana is a small utility knife that fits into a pocket if it has the option on the Saya.

A Kozuka (小柄), or "small handle" in English is a small Tsuka hilt designed to be fitted with the Kogatana blade It usually features various designs inspired by famous historical events or popular Katana-related designs.

The Kogai (笄) is a spike for hair arranging also used for various utility tasks, that fits into a pocket on the saya (similarly to the Kogatana).

The Kogatana and Kogai are the reasons why there are small holes on either or both sides of the Tsuba, so they can be pulled while the Katana is in its Saya. The kogakatana blade is often easily removable from the kozuka handle for ease of cleaning and replacement  read more

Code: 23943

A Koto Period O-Sukashi Katana Tsuba

Circa 1550. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20314

A Captivating Shinto Era Wakizashi, Circa 1650, Signed Fuyuhiro. A Wonderful and Elegant Edo Period Sword of Exceptional Sophistication.

A stunning antique shinto wakazashi samurai sword, its blade, fittings and saya have been completely untouched since its arrival in England around 150 years ago. The blade has just been cleaned and conserved and looks fabulous

All original Edo period signed fittings in patinated copper of of superb quality, with a fabulously crafted takebori flying fish on the kashira and an exceptional complimentary fuchi that is signed, and the black tsukaito is wrapped over stunning shakudo and gold menuki, one being a samurai in armour, beneath that is samegawa of extremely rare large inlaid nodules of giant ray skin some over a third of an inch across.
The tsuba is most elegant and understated with intermediate four-line delicate Amidayasuri filemarks or carving representing the halo emanating from Amida Buddha. The blade is bright with a superb midare hamon but best seen in a correct light, in its beautiful black stippled urushi lacquer saya, with a gold sayajiri end cap, and a small, applied, takebori bean form sinchu lower section mount, the saya is complete with a super, signed blade kozuka utility knife, in matching copper, decorated with a takebori figure of Fukurokuju.
In Japan, Fukurokuju is one of the Seven Lucky Gods in Japanese mythology. It has been theorized that he is a Japanese assimilation of the Chinese Three Star Gods (Fu Lu Shou) embodied in one deity. Most related in appearance to the Chinese star god Shou, he is the God of wisdom and longevity. According to some, before attaining divinity, he was a Chinese hermit of the Song Dynasty and a reincarnation of the Taoist Deity, Xuantian Shangdi. It is said that during his human incarnation, he was a sennin; a immortal who could exist without eating food.

Fukurokuju probably originated from an old Chinese tale about a mythical Chinese Taoist hermit sage renowned for performing miracles in the Northern Song period (960–1127). In China, this hermit (also known as Jurōjin) was thought to embody the celestial powers of the south polar star. Fukurokuju was not always included in the earliest representations of the Seven in Japan. He was instead replaced by Kichijōten (goddess of fortune, beauty, and merit). He is now, however, an established member of the Seven Lucky Gods,

The original Edo period urushi lacquer on the saya is in simply excellent condition and shows most elegant simplicity, it reveals within that simplicity the finest craftsmanship and beauty worthy of a master of the art of urushi decor. Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce decorated samurai sword saya and also ceremonial and decorative objects for their homes and palaces.


Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.  read more

Code: 24338

An Amazing Samurai Sword Katana. Signed, Hizen kuni Dewa no kami Yukihiro Circa 1670 Made For the Nabeshima Clan

A fabulous, signed, samurai katana of the Nabeshima clan lords.
All original Edo fittings to compliment the blade. A sword made circa 1670, with fine iron Higo school mounts with pure gold inlaid Imperial chrysanthemum mon to the fushi and kashira. Round iron Edo tsuba. Original Edo period urushi lacquer saya.

Yukihiro was a swordsmith of Hizen province, and as we believe this sword was made by him around 1670, he was making his swords for the Nebeshima at this time, so we believe it is very likely this was created intially for one of that family clan.
He was the Second son of Hashimoto Yoshinobu.
Yukihiro acquired the title of Dewa Daijo in 1648 and was ranked up to Dewa (No) Kami in 1663.
He travelled to Nagasaki to learn under Hisatsugu and Tanenaga who were highly informed about western steels brought to Japan by the Dutch. Yukihiro also studied Bizen-den style under the swordsmith that belonged to the Ishido School and sometimes added the character Ichi to his signature. Later he became a retained swordsmith of the Nabeshima family and lived in Nagase town. He passed away in 1683, aged 66. The clan controlled Saga Domain from the late Sengoku period through the Edo period.

The Nabeshima clan was a cadet branch of the Shoni clan and was descended from the Fujiwara clan. In the late 12th century, Fujiwara no Sukeyori, a descendant of Fujiwara no Hidesato in the 9th generation, received the title of Dazai Shoni (equivalent to that of vice-governor of the military government of Kyushu) from Shogun Minamoto no Yoritomo, and the title became the family name.

The clan played an important role in the region as early as the Muromachi period, when it helped suppress opposition to the Ashikaga shogunate's control of Kyushu. It did not take the name Nabeshima, however, until the late 15th century, when Shoni Shigenao established himself at Nabeshima in Hizen province (today part of Saga City, Saga prefecture). Later, in the Sengoku period (1467-1603), the Nabeshima were one of a number of clans which clashed over the island. The Nabeshima sided with the Ryuzoji clan against the Otomo clan, though this ultimately ended in failure and the death of Ryuzoji Takanobu at the 1584 battle of Okita Nawate. Several years later, however, the Nabeshima recovered power and prominence by aiding Toyotomi Hideyoshi in his 1587 invasion of Kyushu; Nabeshima Naoshige was granted the region of Saga as his fief, as a reward for his efforts. Naoshige also contributed to Hideyoshi's invasions of Korea in the 1590s.

The clan initially aided Ishida Mitsunari against Tokugawa Ieyasu in the Sekigahara Campaign in 1600. However, they switched sides to support the Tokugawa, who were ultimately victorious, before the campaign had ended, battling and occupying the forces of Tachibana Muneshige, who was thus prevented from contributing directly to the battle of Sekigahara. Though regarded as tozama daimyo ("outside" lords), and assigned particularly heavy corvee duties, the Nabeshima were allowed to keep their territory in Saga, and in fact had their kokudaka increased. The clan's forces served the new Tokugawa shogunate loyally in the years which followed; they remained in Kyushu during the 1615 Osaka Campaign as a check against a possible rebellion or uprising by the Shimazu clan, and aided in the suppression of the Shimabara Rebellion of 1637. In recognition of their service, members of the clan were granted the prestigious family honorific name of Matsudaira in 1648, Matsudaira being the original Tokugawa family name, the ruling Shogun of Japan for almost 300 years. 29.75 inch blade from tsuba to tip. Overall 39 inches long in saya. No p/x or layaway available on discounted items.  read more

Code: 19598