Japanese

A Very Rare WW2 Japanese Shell Case From a Type 11 37mm Infantry Anti Tank Gun

Souvenir of an British officer gifted to him by an Australian officer, who served in the Pacific War in WW2. All Japanese munitions from WW2 are incredibly rare to see in the UK as so few returning soldiers bothered to collect them and bring them home, plus all WW2 arms of all kinds were destroyed in Japan from 1945. For them it was a determined effort to wipe out all mention and thought of WW2 and to eradicate any reminder of the shame. All marked items of that period were banned, and in fact a rule that is still enforced in Japan today. The shell schematics are; Calibre Diameter: 37mm
Case Length: 132mm
Rim: R
Round Index: Shell Type 95 AP
Projectile Index: Type 95 AP
Projectile Weight: 0,67000 kg
Filler Weight: 0,03500 kg
Usage: Type 11 37mm Infantry Gun, Type 94 37mm Anti-Tank Gun & Type 94 37mm Tank Gun

Armour piercing/high Explosive round for Type 11 Infantry Gun, early Type 94 AT & Tank Guns. Inert and safe not suitable for export.  read more

Code: 24280

Diverse Collections of Magical Pieces Both Ancient and Antique, Arriving Every Week

Such as the rarest pistols, armour and swords from the 19th century and the previous several millennia. Ancient artefacts and weaponry from the medieval period and before, from the Viking age, the 700 year long Samurai era, and from Ancient Rome, Carthage, Egypt, Greece, & Persia.  read more

Code: 24276

An Edo Period, 1603 -1867 Tanto Tsuba, Tetsu With Silver Inlaid Rim

A charming tsuba with traces of silver inlays around the entire rim. Probably made around 1680.
Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.

A tanto would most often be worn by Samurai, and it was very uncommon to come across a non samurai with a tanto. It was not only men who carried these daggers, women would on occasions carry a small tanto called a kaiken in their obi which would be used for self-defence. In feudal Japan a tanto would occasionally be worn by Samurai in place of the wakizashi in a combination called the daisho, which roughly translates as big-little, in reference to the big Samurai Sword (Katana) and the small dagger (tanto). Before the rise of the katana it was more common for a Samurai to carry a tachi and tanto combination as opposed to a katana and wakizashi.
46mm

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Code: 24234

A Fine, Mid Edo Signed, Samurai Sword Tsuba Umatada Tadatsugu With Hozon Papers

Signed by Tadatsugu whose family name was Umetada, Umetada Tadatsuga 1675 - 1725. Complete with Hozon papers and translation. Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They could be simple, plain, sukashi [pierced] or highly elaborately decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 23507

We Are Thrilled To Congratulate Our Dear Friend Steve Ellis’ Release of His 10 CD Career Defining Boxed Set

After a friendship going back 30 years we heartily congratulate the iconic music legend, Steve Ellis, for his career spanning 6 decades, and launch of his 10 CD boxed set, and further thrilled to know his world classic single, Everlasting Love, by his group Love Affair, featured as the musical centrepiece of the incredible Academy Award winning film Belfast by Sir Kenneth Branagh. His forthcoming 10 CD boxed set will be the culmination of the career of one of England’s most iconic soul singers and a music legend.  read more

Code: 24215

A Simply Fabulous Samurai's Loyalty, Ritual-Exchange, Wine Bowl, A Sakazuki of Hiramaki-e Pure Gold Lacquer

A Sakazuki cup, a footed Circular Wine Cup of pure gold lacquer signed Hira Yoyusai decorated with the symbols of the highest ranking samurai, an Imperial court cap, a pole arm and General's war fan. Sakazuki is a ritual of exchanging sake cups as a means of pledging loyalty. The word itself refers to ceremonial cups used on special occasions like weddings, tea ceremonies, etc. There are currently two known versions of the sakazuki ritual. Worthy of any museum grade collection of the finest Japanese Ob'ject D'art. Edo period (19th century), signed Yoyusai (1772-1845). A footed, circular cup of pure gold lacquer in gold hiramaki-e on fundame ground. Decorated with an Imperial court cap, a war fan, a pole arm and a tied sack. Likely commissioned for a notable of the highest rank, such as a daimyo lord or member of the Japanese nobility. In the period Kwansei, 1789 to 1801 C.E., Koma Kwansai
Inouye Hakusai, and Hara Yoyusai were the most famous
artists, the first of whom was foremost in the delicacy of
his work, but was comparatively unknown. Nakayama Komin was a distinguished lacquerer who worked in Edo and learnt the art from Hara Yoyusai (1772-1845). Yoyusai and other 19th-century lacquer artists including Koma Kansai and Zeshin, Nakayama Komin turned to famous early masterpieces of Japanese lacquer for inspiration. A superbly executed piece of finest artwork, showing remarkable skill for the minutest detail. Hiramaki-e, in Japanese lacquerwork, gold decoration in low, or flat, relief, a basic form of maki-e. The pattern is first outlined on a sheet of paper with brush and ink. It is then traced on the reverse side of the paper with a mixture of heated wet lacquer and (usually red) pigment. The artist transfers the pattern directly to the desired surface by rubbing with the fingertips, a process called okime. In the next step (jigaki), the pattern that has been transferred is painted over with lacquer usually a reddish colour. A dusting tube is used to sprinkle gold powder on the painted design while the lacquer is still wet. When the lacquer is dry, superfluous gold powder is dusted off, and a layer of clear lacquer is applied over the gold-covered design. When dry, it is polished with powdered charcoal. A second layer of lacquer is added, allowed to dry, and given a fingertip polish with a mixture of linseed oil and finely powdered mudstone.

The hiramaki-e technique, which dates from the latter part of the Heian period (794-1185), was preceded by togidashi maki-e, a technique in which not only the design but the whole surface is covered with clear lacquer after the sprinkling of metal powder; the lacquer is then polished down to reveal the design. During the Kamakura (1192-1333) and Muromachi (1338-1573) periods, hiramaki-e tended to be overshadowed by takamaki-e (gold or silver decoration in bold relief). It came fully into its own only in comparatively modern times. During the Azuchi-Momoyama period (1574-1600), hiramaki-e artists often left the sprinkled gold powder unpolished in a technique called maki-hanashi (left as sprinkled). A very beautiful piece by the master or an homage to Yoyusai bearing his name. 5" diameter across 1.33 inches high  read more

Code: 22989

A Delightful Edo Period 1600 Japanese Noh Mask, Possibly Amazakuro Akujo

From the ancient Japanese tradition of mask drama that can trace its origins to the Bugaku Imperial Court dancing of the 9th century. Noh is the classical theatre of Japan which was codified in the 14th century under the father and son actors Kan'ami and Zeami under the patronage of the Shogun (supreme military leader) Ashikaga Yoshimitsu. The performances utilise masks and elaborate costume. This is a substantial though small size mask, robustly carved from a thick piece of hinoki, with the carving confidently executed. The original colour of the mask appears to be of a predominantly a pinkish skin colour over a very thin layer of gofun, with details of the lips painted in red. The whites of the deep-set eyes are with details. The high domed forehead and the raised eyebrows together with the delicately carved wrinkles add to the overall image of a benevolent deity. It is significant that the mask is called Omote, which means the front surface facing the audience. But there is a reverse side, too, called Ura, behind which the actor conceals himself. Unlike the smooth finished outer surface of a Noh mask, the Ura is a roughly finished indented shell with just two tiny holes, more rudimentary than what we might call eyes. By including himself in this primitive space, the Noh actor transforms himself into a person of another world and attempts to draw the audience after him, by radiating a sense of the existence and non existence of an inhabitant of that other world. This mask is of symbolic size, not a wearing type. The Ayakashi mask expresses god or ghost possessed of mysterious powers. It is also used for a vindictive warrior. Okina (Old man masks) This type of mask originated from sarugaku, the predecessor of noh, in the latter part of the Heian period. This is the oldest type of noh mask. 6 inches x 4.25 inches.  read more

Code: 20901

Probably The Largest Selection Of Original Samurai Arms For Sale in The World

"Over the past 51 years I have personally supervised our company's determination to try provide the most interesting, educational, yet none too intimidating, gallery of original Japanese Samurai artefacts for sale in the collecting world. We were told it is now probably the largest selection of original samurai sword weaponry of its kind in the world. Principally concentrating on a crucial combination of age, beauty, quality and history. Thanks to an extensive contact base [built up over the past 100 years or more] that stretches across the whole world, including collectors, curators, academics and consultants, we have been very fortunate, in that this effort has rewarded us with the ability to offer, what we believe to be, the most comprehensive selection of original ancient and antique samurai swords available for sale in one gallery or online.

We have exported, over the past 100 years, likely tens of thousands of our original samurai weapons, helmets and armour to the four corners of the globe, with clients on all continents. Our swords grace the homes of collectors from literally all walks of life, from Presidents to Postmen, and we have traded with museums of all the major nations. We have always loved and been fascinated by the history of the Samurai, and their iconic weaponry, and we have long admired and envied their past near limitless skill at creating the unparalleled beauty and quality of samurai swords. Universally acknowledged to be likely the very best swords the world has ever seen.

Our Japanese weaponry vary tremendously in age, in fact up to, and sometimes over, an incredible 800 years old, and they are frequently some of the finest examples of specialist workmanship ever achieved by mankind.
We have tried to include, within the holistic description of most items, a brief generic history lesson [for those that have interest, and may wish to know] that will describe the eras, areas and circumstances that these items were used in ancient Japan. We have tried our utmost to be informative, holistic and interesting without being too academically technical, in order to keep the details vibrant, fascinating and comprehensible, thus not too complex. We are always delighted to impart any knowledge that we have at our disposal to any curious new collectors when asked. In fact some of the most learned scholars in the world that we have met, and known, some studying the art of nihonto almost all of their adult lives, often admitted to us they were only scratching the surface of the knowledge to be learnt in this extraordinary field, so there is much to constantly uncover about the stories of the samurai and their legendary weaponry covering around 1000 years of Japanese history.

Please enjoy, with our compliments, our Japanese Gallery. It has been decades in the creation, and we intend it to remain as interesting and informative as possible, and, hopefully, for another century to come".. Mark Hawkins [Partner] The Lanes Armoury  read more

Code: 22187

Superb Edo Period 17th Cent. Samurai Armour Gosuko, Part Suit of Armour

17th century body armour {kabuto helmet sold seperately} comprising full a cuirass {do}, of front and back plates, constructed of iron plates over lacquered and fully laced, and linked with chain mail .Plus, steel chain mail and armour plate arm defences, inner lined with blue green material. Shown with a suitable helmet {now sold} for display purposes only. The kabuto we show in photos 4 and 5, would compliment it beautifully, and for sale separately {code number 24030}.

During the Heian period (794-1185), the Japanese cuirass evolved into the more familiar style of armour worn by the samurai known as the dou or do. Japanese armour makers started to use leather (nerigawa) and lacquer was used to weather proof the armor parts. By the end of the Heian period the Japanese cuirass had arrived at the shape recognized as being distinctly samurai. Leather and or iron scales were used to construct samurai armours, with leather and eventually silk lace used to connect the individual scales (kozane) which these cuirasses were now being made from.

In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries-old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms. Please note the helmet is not with the armour. The silk lacing on the breast and back plate is 400 years old and very frayed throughout.  read more

Code: 20178

An Antque Edo Period Men-Netsuke of a Noh Mask for Sagemono

Likely an inro netsuke. men-netsuke or "mask netsuke" - These were imitations of full-size noh masks and share characteristics in common with both katabori and manju/kagamibuta. Face of a Jo an old man with moustach and glass eyes. From the ancient Japanese tradition of mask drama that can trace its origins to the Bugaku Imperial Court dancing of the 9th century. Noh is the classical theatre of Japan which was codified in the 14th century under the father and son actors Kan'ami and Zeami under the patronage of the Shogun (supreme military leader) Ashikaga Yoshimitsu. The performances utilise masks and elaborate costume. Netsuke, like the inro and ojime, evolved over time from being strictly utilitarian into objects of great artistic merit and an expression of extraordinary craftsmanship. Such objects have a long history reflecting the important aspects of Japanese folklore and life. Netsuke production was most popular during the Edo period in Japan, around 1615-1868. Today, the art lives on, and some modern works can command high prices in the UK, Europe, the USA, Japan and elsewhere.

Okimono, small and purely decorative sculptures, were often made by the same artists who produced netsuke.
Probably 18th century. 2.25 x 1.75 inches. Its condition is not good, and quite worn, but it is thus priced accordingly, however, it is a very scarce example so still most collectable.  read more

Code: 20899