Antique Arms & Militaria
Original Solid Gold Mounted Viking Elfshott Amulet. Used As Protection Against Wið Færstice & Gif Hors Ofscoten Sie, Created By Invisible Elf Arrows or Witchcraft. "There Every Herd, By Sad Experience, Knows How, Winged With Fate, Their Elf-Shot Arrow..
An absolute stunning and beautiful, original & historical piece of small mystical solid gold jewellery, a protective amulet of an ancient Viking around 1200 years old. A Viking glass bead talisman fashioned into a arrow form encased in pure gold with a ring mount. The same type of amulet as such as the popular amulet of Thor’s Hammer. This is certainly one of the best examples we have had in over 50 years.
Elves were thought to shoot darts or arrows where such pains had no obvious external cause. Elfshott associated with "elf arrows", Neolithic flint arrowheads or glass beads used as amulets.
Elfshot or elf-shot is a medical condition described in Anglo-Saxon medical texts (notably Wið færstice) believed to be caused by elves shooting invisible elf-arrows at a person or animal (most often cattle), causing sudden shooting pains localized to a particular area of the body. Modern diagnoses might include rheumatism, arthritis, muscle stitches or cramps.
The term "elf-shott" is variously understood and used across different contexts. It has been interpreted as referring not only to disease caused by elves using projectiles but also to witchcraft involving projectiles without elves or fairies. Additionally, it can denote prehistoric arrowheads believed to be used by fairies or witches to cause harm or serve as protective amulets. Consequently, scholarship on elf-shot has been marked by significant confusion, with different sources applying divergent definitions and missing connections between them.
Origins and background
Before the causes of certain diseases or ailments were scientifically evidenced, they were often attributed to supernatural phenomena, and in such cases often seen as the malevolent actions of supernatural beings. It has been argued that attributing certain aches and pains to the arrows or "flying venom" of elfkind was a practice common throughout Anglo-Saxon and Scandinavian Europe.
The Old English spell Gif hors ofscoten sie, "if a horse is elf-shot," meaning some kind of internal injury, may be an allusion to the magical elf-shot. However, the term aelfsogoða, which describes the internal pain from jaundice or a disorder of bile, is perhaps a more suitable fit. Along with elves, there also exist historical claims of witches firing elf-arrows. Per the testimony of Scottish accused witch Isobel Gowdie, these elf-arrows were given to witches by the Devil, who asked them to be fired (by flicking with the thumb, rather than shot with a bow) in his name.
The noun elf-shot is first attested in a Scots poem, "Rowlis Cursing," from around 1500, where "elf schot" is listed among a range of curses to be inflicted on some chicken thieves. The term may not always have denoted an actual projectile: shot could mean "a sharp pain". But in early modern Scotland, elf-schot and other terms like elf-arrowhead are sometimes used of neolithic arrow-heads, apparently thought to have been made by elves. In a few witchcraft trials, people attested that these arrow-heads were used in healing rituals, and occasionally alleged that witches (and perhaps elves) used them to injure people and cattle.34 A 1749–50 ode by William Collins includes the lines:35
There every herd, by sad experience, knows
How, winged with fate, their elf-shot arrows fly,
When the sick ewe her summer food forgoes,
Or, stretched on earth, the heart-smit heifers lie
In later medieval prayers, Elves appear as a threatening, even demonic, force. For example, some prayers invoke God's help against nocturnal attacks by Alpe. Correspondingly, in the early modern period, elves are described in north Germany doing the evil bidding of witches; Martin Luther believed his mother to have been afflicted in this way. As in Old Norse, however, there are few characters identified as elves. It seems likely that in the German-speaking world, elves were to a significant extent conflated with dwarves (Middle High German: getwerc). Thus, some dwarves that appear in German heroic poetry have been seen as relating to elves. In particular, nineteenth-century scholars tended to think that the dwarf Alberich, whose name etymologically means "elf-powerful," was influenced by early traditions of elves.
Ref;
Hall, Alaric ‘Getting Shot of Elves: Healing, Witchcraft and Fairies in the Scottish Witchcraft Trials’, Folklore 116 (2005b), 19-36
McGowan, Joseph ‘Elves, Elf-shot, and Epilepsy: OE ælfādl, ælfsiden, ælfsogeþa, bræccoþu, and bræcsēoc’, Studia Neophilologica 81 (2009), 116-120
3/4 of an inch long
Elfshot amulets or pendants, popular in Viking and Anglo-Saxon societies, typically contain a small, often oval-shaped, stone or glass bead, sometimes fashioned into an arrowhead shape, set within a precious metal (often gold) frame. Ours is fine pure gold. These pendants were believed to offer protection against invisible elves who were thought to shoot invisible arrows causing internal pain and illness.
The core element of the pendant or amulet is usually a small, smooth stone or glass bead. These were sometimes shaped like arrowheads or other simple shapes.
The stone/bead is encased in a metal setting, often gold, which also includes a loop for suspension from a chain or cord. The pendants or amulets were not just decorative; they were talismans believed to ward off the harmful effects of "elfshot," a folk belief about illness caused by unseen elf arrows. read more
A Remarkably Beautiful & Elegant Proto Celtic Bronze Age Bracelet Circa 2600 Years Old. That Continued Use Into Era Of The Great Iceni Celtic Queen Boudica. And, The Bracelet That Inspired Gustav Klimt One Of The Greatest Art Nouveau Artists In The World
This is an original Celtic 2600 year old bronze serpentine ringed cuff bracelet, 'object vertu' that was directly copied by one of the greatest Art Nouveau artists in the world, Austrian, Gustav Klimt leader of his Art Nouveau Jugendstil Vienna Secession Movement. Gustav Klimt's painting "Dame Mit Fächer" (Lady with a Fan) sold at Sotheby's in London, in 2023 for $108.4 million. See photo in the gallery of the {circa 1895} Jugendstil Vienna Secession bracelet, an obvious direct copy.
From the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic speaking populations.
By the 6th century BC, it had expanded to include wide territories, falling into two zones, east and west, between them covering much of western and central Europe down to the Alps, and extending into northern Italy. Parts of Britain and Iberia are included in the ultimate expansion of the Celtic culture. Where the snake serpentine designs of jewellery and adornments continued into Ancient Britannia, and the realm in Norfolk of the greatest and most famous Iceni Queen, Boudica, scourge and destroyer of the 70,000 to 80,000 Britannia based 9th Legion of Rome and their pro Roman supporters, in 61 A.D. In the Roman towns of Camulodunum, Verulamium, and Londinium.
This bracelet was the direct inspiration, but actually it is clearly an identical copy, for Gustav Klimt's
Art Nouveau Jugendstil Vienna Secession, brass cuff bracelet
See the gallery the stunning Gustav Klimt Jugendstil Vienna Secession brass cuff bracelet, circa 1895, currently offered by exclusive jewellery and object vertu dealers DFS in New York
Sale price $5,500.00.
The history of the evolution of the Celts from their Austrian origins
In German historiography, these seats of power are called fürstensitz. These were large, fortified hill forts situated on easily defendable locations. There were at least 16 such seats of power, while there were probably more just waiting to be discovered. The most important ones were at Hochdorf, Wurzburg, Heuneburg, Hohenasberg, Breisach, Mont Lassois, Vix, and Camp de Chassey, amongst others. These fortified settlements were protected by a complex system of ditches and earthen ramparts.
Most modern scholars and historians associate the culture with the Celts. It is commonly understood that this intriguing culture was the foundation from which emerged the wondrous Celtic world that we all know so well. In many aspects, this was is clearly the earliest, Proto-Celtic stage in Bronze and Iron age Europe.
2,25 inches across, 1 inch high.
Photo 10 in the gallery is a same period Celtic Diadem in the Metropolitan Museum in the USA. One can clearly see the distinct design in this piece reflected in the bracelet. Possibly both forms of these adornments were worn together and simultaneously by the Celtic hi-born {tribal leaders, princes princesses and the like} A diadem is a type of crown, specifically an ornamental headband, often jeweled, worn by monarchs and others to signify royalty or high status. It can also refer to a jeweled ornament in the shape of a half crown worn by women. In a broader sense, "diadem" can be used to describe any emblem of regal power or dignity.
For reference see; Stead, I. M. (1997). Celtic Art. Harvard University Press
https://www.metmuseum.org/ read more
995.00 GBP
A Most Fabulous, Large, Ancient Bronze Coiled Serpent Armilla or Armlet Arm Ring, From The 2nd Millenium B.C., From the Eras of the Pharoahs Ahmenhotep To Tutankhamun
One of two we acquired from an ancient antiquity collection, not quite a pair but very similar from the same period and country of origin, and we are offering them separately, but they were in fact often worn with one on each arm and may indeed came from the same tomb etc. 200 years or so ago. See catalogue item number 24880
Over 3,300 to 3500 Years Old, 18th dynasty ancient Egyptian period, that includes Pharoah Ahmenhotep, Queen Nefertari, the most venerated Queen in Egyptian history, Pharoah Thutmose III, who became known as the greatest military pharaoh ever, and the most famous Pharoah in history, Tutankhamun.
A bronze serpent armilla arm ring that could be worn at the top of the arm or on the forearm, as it was adjustable in its day, expanding to the size required.
Worn by ancient Egyptian men or women of status, and we show pictures of original tomb art depicting figures of Egyptian dieties such as Osiris, almost all wearing armillae, but in their case likely made of gold, but the bronze type such as this would be polished bright and appear as gold as well.
Arm decoration and ornamentation was a very important sign of status and position in Ancient Egyptian society, and as it did in all the empires that followed over the next two thousand years. An intricate gold armlet from the artifacts of Nubian Queen Amanishakheto is displayed in the State Museum of Egyptian Art, in Munich, Germany. The armlet features a gold winged goddess. Another beautiful gold armlet is exhibited in Cairo Museum bearing the name of the pharaoh, Ahmose I, founder of the 18th Dynasty. The ancient Greeks and Romans also wore armlets, which were usually made from bronze or gold, and some of which were in the shape of serpents, winding plants, or embellished with images of gods and goddesses. Large, heavy armlets had hoops on the backs that attached to garments to help support their weight.
The Ancient Egyptian Dynasty XVIII was founded by Pharoah Ahmose I, the brother or son of Kamose, the last ruler of the 17th Dynasty. Ahmose finished the campaign to expel the Hyksos rulers. His reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose's consort, Queen Ahmose-Nefertari was "arguably the most venerated woman in Egyptian history, and the grandmother of the 18th Dynasty." She was deified after she died. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful.
Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign, the borders of Egypt's empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates and in the south up to Kurgus beyond the fourth cataract of the Nile. Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut, who was the daughter of Thutmose I. After her husband's death and a period of regency for her minor stepson (who would later become pharaoh as Thutmose III) Hatshepsut became pharaoh in her own right and ruled for over twenty years.
Thutmose III, who became known as the greatest military pharaoh ever, also had a lengthy reign after becoming pharaoh. He had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, whose reign is seen as a high point in this dynasty.
Amenhotep III's reign was a period of unprecedented prosperity, artistic splendour, and international power, as attested by over 250 statues (more than any other pharaoh) and 200 large stone scarabs discovered from Syria to Nubia, Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III's consort was the Great Royal Wife Tiye, for whom he built an artificial lake, as described on eleven scarabs.
Akhenaten, the Amarna Period, and Tutankhamun
Akhenaten and his family adoring the Aten. Second from the left is Meritaten, daughter of Akhenaten.
Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV. There is much debate about this proposed co-regency, with different experts considering that there was a lengthy co-regency, a short one, or none at all.
In the fifth year of his reign, Amenhotep IV changed his name to Akhenaten and moved his capital to Amarna, which he named Akhetaten. During the reign of Akhenaten, the Aten became, first, the most prominent deity, and eventually came to be considered the only god. Whether this amounted to true monotheism continues to be the subject of debate within the academic community. Some state that Akhenaten created a monotheism, while others point out that he merely suppressed a dominant solar cult by the assertion of another, while he never completely abandoned several other traditional deities.
Later Egyptians considered this "Amarna Period" an unfortunate aberration. After his death, Akhenaten was succeeded by two short-lived pharaohs, Smenkhkare and Neferneferuaten, of which little is known. In 1334 Akhenaten's son, Tutankhaten, ascended to the throne: shortly after, he restored Egyptian polytheist cult and subsequently changed his name in Tutankhamun, in honour to the Egyptian god Amun. His infant daughters, represent the final genetically related generation of the Eighteenth Dynasty
Ancient Egyptian art shows both men and women wearing pairs of armlets.
The 10th Duke of Hamilton had a strong interest in Ancient Egyptian mummies, and was so impressed with the work of mummy expert Thomas Pettigrew that he arranged for Pettigrew to mummify him after his death. He died on 18 August 1852 at age 84 at 12 Portman Square, London, England and was buried on 4 September 1852 at Hamilton Palace, Hamilton, Scotland. In accordance with his wishes, Hamilton's body was mummified after his death and placed in a sarcophagus of the Ptolemaic period that he had originally acquired in Paris in 1836 ostensibly for the British Museum. We have been acquiring similar such items from Duke's descendants from the family's 'Grand Tour' collection for the past 30 years or more. read more
1195.00 GBP
A Most Fabulous, Large, Ancient Bronze Coiled Serpent Armilla or Armlet Arm Ring, From The 2nd Millenium B.C., From the Eras of the Pharoahs Ahmenhotep To Tutankhamun
One of two we acquired from an ancient antiquity collection, not quite a pair but very similar from the same period and country of origin, and we are offering them separately, but they were in fact often worn with one on each arm and may indeed came from the same tomb etc. 200 years or so ago. This example has a small pattern of indents at both ends, to appear like serpent's heads.
Over 3,300 to 3500 Years Old, 18th dynasty ancient Egyptian period, that includes Pharoah Ahmenhotep, Queen Nefertari, the most venerated Queen in Egyptian history, Pharoah Thutmose III, who became known as the greatest military pharaoh ever, and the most famous Pharoah in history, Tutankhamun.
A bronze serpent armilla arm ring that could be worn at the top of the arm or on the forearm, as it was adjustable in its day, expanding to the size required.
Worn by ancient Egyptian men or women of status, and we show pictures of original tomb art depicting figures of Egyptian dieties such as Osiris, almost all wearing armillae, but in their case likely made of gold, but the bronze type such as this would be polished bright and appear as gold as well.
Arm decoration and ornamentation was a very important sign of status and position in Ancient Egyptian society, and as it did in all the empires that followed over the next two thousand years. An intricate gold armlet from the artifacts of Nubian Queen Amanishakheto is displayed in the State Museum of Egyptian Art, in Munich, Germany. The armlet features a gold winged goddess. Another beautiful gold armlet is exhibited in Cairo Museum bearing the name of the pharaoh, Ahmose I, founder of the 18th Dynasty. The ancient Greeks and Romans also wore armlets, which were usually made from bronze or gold, and some of which were in the shape of serpents, winding plants, or embellished with images of gods and goddesses. Large, heavy armlets had hoops on the backs that attached to garments to help support their weight.
The Ancient Egyptian Dynasty XVIII was founded by Pharoah Ahmose I, the brother or son of Kamose, the last ruler of the 17th Dynasty. Ahmose finished the campaign to expel the Hyksos rulers. His reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose's consort, Queen Ahmose-Nefertari was "arguably the most venerated woman in Egyptian history, and the grandmother of the 18th Dynasty." She was deified after she died. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful.
Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign, the borders of Egypt's empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates and in the south up to Kurgus beyond the fourth cataract of the Nile. Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut, who was the daughter of Thutmose I. After her husband's death and a period of regency for her minor stepson (who would later become pharaoh as Thutmose III) Hatshepsut became pharaoh in her own right and ruled for over twenty years.
Thutmose III, who became known as the greatest military pharaoh ever, also had a lengthy reign after becoming pharaoh. He had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, whose reign is seen as a high point in this dynasty.
Amenhotep III's reign was a period of unprecedented prosperity, artistic splendour, and international power, as attested by over 250 statues (more than any other pharaoh) and 200 large stone scarabs discovered from Syria to Nubia, Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III's consort was the Great Royal Wife Tiye, for whom he built an artificial lake, as described on eleven scarabs.
Akhenaten, the Amarna Period, and Tutankhamun
Akhenaten and his family adoring the Aten. Second from the left is Meritaten, daughter of Akhenaten.
Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV. There is much debate about this proposed co-regency, with different experts considering that there was a lengthy co-regency, a short one, or none at all.
In the fifth year of his reign, Amenhotep IV changed his name to Akhenaten and moved his capital to Amarna, which he named Akhetaten. During the reign of Akhenaten, the Aten became, first, the most prominent deity, and eventually came to be considered the only god. Whether this amounted to true monotheism continues to be the subject of debate within the academic community. Some state that Akhenaten created a monotheism, while others point out that he merely suppressed a dominant solar cult by the assertion of another, while he never completely abandoned several other traditional deities.
Later Egyptians considered this "Amarna Period" an unfortunate aberration. After his death, Akhenaten was succeeded by two short-lived pharaohs, Smenkhkare and Neferneferuaten, of which little is known. In 1334 Akhenaten's son, Tutankhaten, ascended to the throne: shortly after, he restored Egyptian polytheist cult and subsequently changed his name in Tutankhamun, in honour to the Egyptian god Amun. His infant daughters, represent the final genetically related generation of the Eighteenth Dynasty
Ancient Egyptian art shows both men and women wearing pairs of armlets.
The 10th Duke of Hamilton had a strong interest in Ancient Egyptian mummies, and was so impressed with the work of mummy expert Thomas Pettigrew that he arranged for Pettigrew to mummify him after his death. He died on 18 August 1852 at age 84 at 12 Portman Square, London, England and was buried on 4 September 1852 at Hamilton Palace, Hamilton, Scotland. In accordance with his wishes, Hamilton's body was mummified after his death and placed in a sarcophagus of the Ptolemaic period that he had originally acquired in Paris in 1836 ostensibly for the British Museum. We have been acquiring similar such items from Duke's descendants from the family's 'Grand Tour' collection for the past 30 years or more.
82mm across at its widest point. read more
1185.00 GBP
3rd Century Roman Axe-Adze 'Dolabra' Roman Empire to Byzantine Period For The Construction of Military Forts & Bridges, To The Making of Seige Weapons, Such as Catapulta and Ballista In Times Of Combat Used From the 3rd to 14th Century. A Tool & Weapon
In complete condition, without repair and restoration, The form used by Rome for over a 1000 years. Just arrived after two weeks of hand conservation in our workshop.
Ancient Roman utility axe used from the construction of military forts and bridges, to the making of seige weapons in time of combat, and it doubled as an incredibly effective combat weapon. Almost identical to another iron dolabra recovered recently from the Harzhorn event, from the time of Emperor Maximinus Thrax 235 to 236 ad .{see photo in the gallery.}
The Roman Battle of Harzhorn ;
The battle between Roman legionaries and auxiliary troops and Germanic tribes around 235 AD on the western edge of the Harz Mountain.
The axe was a fundamental weapon of the Roman to Byzantine soldiers - both on foot and on horseback. Aside from combat, one of the main utility tools of the Roman army was the axe. The adze axe was useful in splitting wood and a fundamental tool needed to do everything from constructing military forts, to building large siege weapons such as catapulta and ballista. In times of war, these axes doubled as highly effective weapons, able to defeat armour, breaking bones and crushing skulls with a single blow. This specific adze axe 'dolabra' was found on an ancient battlefield with a large number of other iron weapons, over a century ago, indicating its final use was in combat. It has now been professionally cleaned and conserved by us recently..
This item was used by the Imperial Roman army and its type by the Byzantine Roman armies defending the Empire's northern border along the Danube River in the present day East Balkans. This region was the northern-most boundary of the Roman Empire for most of its duration and evolution into Byzantium right up until 1336 AD when the area fell under Ottoman rule. In the Balkans, Roman camps and fortresses along the Danube were constantly being challenged by opposing tribes and armies. The river served as a natural barrier against attacks from the north. Collected from a region that was once occupied by the Byzantine Roman military as they fought against the challengers of the Christian Roman Empire, they were utilized by Roman soldiers in one of the many violent and frequent battles that took place in defense of Byzantium.
The dolabra is a versatile axe, of two main types, used by the people of Italy since ancient times. The more curved and longer dolabra could serve as a pickaxe, used by miners and excavators, a priest's implement for ritual religious slaughtering of animals and as an entrenching tool (mattock) and further used in Roman infantry tactics. The shorter less curved regular dolabra (like this one) was used for both construction and combat In the 1st century CE, at the Siege of Augustodunum Haeduorum, where famously, armoured Gallic gladiators were defeated by legionaries wielding such dolabrae. See depictions carved into Trajans column in the gallery for their use in combat.
The Siege of Augustodunum Haeduorum (modern Autun, France) took place between 269 and 270 AD, during the reign of the Gallic Emperor Victorinus. The city, which had declared allegiance to Claudius Gothicus, was besieged by Victorinus' troops for seven months before being captured and plundered.
Early Roman Dolabra.
General Gnaeus Domitius Corbulo famously once said, "you defeat the enemy with a pickaxe"
We show in the gallery a recently excavated near pair to our dolabra found in the famous Harzhorn Event. Not only is it a near identical pair to ours, it was in the identical condition state as ours before both were conserved. See the photo of theirs and ours side by side in the gallery before and after conservation. Note the state of corruption of our iron dolabra {before connservation} is absolutely identical to the state of iron corruption of the Battle of Harzhorn recovered dolabra, before conservation, that had remained buried for around 1800 years, just as was ours.
The term Harzhorn event refers to several connected battles that took place between several thousand Roman legionaries and their auxiliary troops and an unknown number of Germanic tribes around the year 235/236 on the western edge of the Harz Mountains on the Harzhorn hill and represent a comparatively late example of the military presence of the Romans in Germania .
The archaeological sites are located near the Kalefeld district of Wiershausen on the northern edge of the Northeim district of Lower Saxony and initially covered an area of 2.0 × 0.5 kilometers (as of April 2009). At the end of 2010, another extensive site was discovered approximately three kilometers away. Both sites are considered by the scientists commissioned to investigate them to be spectacular discoveries of extraordinary scientific importance: Along with the Kalkriese region, they are the best-preserved ancient battlefield in Europe. This offers a unique opportunity to examine the archaeological remains of a Roman army engaged in combat.
To date, around 1,700 artifacts from the fighting have been found (as of summer 2013). Along with the Roman camp at Hedemünden , the Bentumersiel site , the Roman marching camp at Wilkenburg, and the Kalkriese region, the sites around the Harzhorn are one of the largest sites of Roman militaria in northern Germany. This find is also significant because of its context in the historical events at the beginning of the so-called Imperial Crisis of the 3rd century . Previously, historical research had considered such wide-ranging military operations by the Romans to be impossible at this time and in this area. According to current evidence, it is almost certain that the battle belongs in the context of the Germanic Wars of Emperor Maximinus Thrax in 235 and 236.
Dolabrae are mentioned several times in ancient literature, are depicted on the reliefs of Trajan's Column and appear in the finds of imperial military camps, but also in battlefield finds such as in Kalkriese.
11 inches long 2.1 pounds in weight. read more
950.00 GBP
Most Rare & Desirable, Roman Legionary's Status Ring, An Original Ancient Roman Bronze Ring Engraved With A Roman Legion’s Eagle Around 1900 to 2000 Years Old From The Era From Emperor Augustus to Emperor Commodus
A fabulous Ancient Roman bronze Legionary's ring, in excellent condition for its great age, and very possibly a centurion as it was a symbol of status and high rank within a cohort of a Roman legion, from the era of the earliest and most famous emperors. The circular bezel is intaglio engraved with a stylized Legionary Eagle. In superb, original, natural age patina of a rich dark bronze colour. The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence. Unusually, it is a comfortably wearable sized ring {which is somewhat rare due to original ancient Roman rings and armilla being usually smaller sized} In copper bronze with stunning, natural age patination.. By far the greatest percentage of rings from the Roman era were engraved in the stylised form. The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, and legionaries. Some gladiators always aspired to but rarely achieved the ring likely due to their short life span within their violent craft. However, some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.
Made for and used by an Imperial German Legionary during the era of the following Emperors;
Augustus (27 BC–14 AD
Tiberius (14–37 AD}
Caligula (37–41 AD
Claudius (41–54 AD
Nero (54–68 AD
Galba (68–69 AD
Otho (January–April 69 AD
Aulus Vitellius (July–December 69 AD
Vespasian (69–79 AD
Titus (79–81 AD
Domitian (81–96 AD
Nerva (96–98 AD
Trajan (98–117 AD
Hadrian (117–138 AD
Antoninus Pius (138–161 AD
Marcus Aurelius (161–180 AD
Lucius Verus (161–169 AD
Commodus (177–192 AD
The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence.
During a battle, the standard was carried by the aquilifer, or "eagle-bearer."
The standard was the mode of communication for generals and troops. A horn blast would instruct the soldiers to look to the emblem, then the aquilifer would wave, raise, or lower it to direct the troops on their next move.
The bearer was also tasked with guarding the standard. In terms of rank, aquilifers fell just underneath centurions. Within the legion, they received higher pay and better rations than the typical soldier.
The standard served as a symbol to place the legion as a collective above the individual. Losing a standard was emotionally devastating because of its intense symbolism. When one was lost in battle, the surviving legionaries were left in shame for failing their fallen brothers in arms. The group promptly disbanded and members devoted themselves to reacquiring the lost icon.
Standards often included an image of the reigning emperor or his name beneath the eagle, adding to the importance of the symbol. In many instances, the eagle on the standard was perched above an orb, signifying Rome's dominion over the entire world.
Subdivisions of legions each carried a smaller standard that identified their group number or name. These were used to quickly assemble the components of the legion when mobilizing for battle.
Some of the most famous standards in Roman history were the ones lost at the Battle of Teutoburg Forest in 9 AD. During a long campaign to conquer Germania, the tribes lured three legions into the forest and launched a guerilla warfare campaign, slaughtering the Roman soldiers.
In 16 AD, General Germanicus led his Roman troops into Germania to seize the lost standards, crossing borders established by Augustus.
Eagles played a central role in Roman life and culture, right from the society's inception.
The aquila, or eagle, is one the most enduring symbols of Roman civilization.
While different animals and mythological creatures served as meaningful signifiers throughout the Republic and Imperial eras, the eagle continuously symbolized power and authority.
In the city's founding myth, the brothers Romulus and Remus agreed to settle their dispute over where to build their kingdom by letting the gods decide. Remus spotted six eagles and Romulus later spotted twelve of the birds.
The eagle was considered majestic and transcendent, to the point that live birds were often caged on emperors' funeral pyres. Once they broke free and flew skyward, the Romans considered it a manifestation of the deceased emperor's transition to godhood.
Ancient Romans esteemed the eagle and adopted it as a symbol of victory. Pliny the Elder wrote extensively on eagles, noting that they possessed excellent eyesight and were skilled parents.
Symbolically, he claimed eagles were the only creature immune to lightning strikes, underscoring their divinity. Up to modernity, eagles are depicted with lightning bolts clutched in their talons.
The earliest standard used by the Roman army was a bundle of straw affixed to a tall staff. Over time, the Romans began using emblems of eagles, wolves, minotaurs, horses, and boars.
Following a crushing defeat in 105 BC at the Battle of Arausio during the Cimbrian War, the Romans completed a self-assessment. The consul Gaius Marius led a reorganization of the military structure. Marius' reforms transformed the Roman legions from a loose militia into a professional fighting force.
As part of the restructure, he declared the eagle as the military's standard and retired the other four creatures mentioned above. Putting the emphasis on the eagle was meant to place its central qualities, bravery and power, at the forefront of the army's identity.
From the mid-Republican era onwards, the legion's standard was a bronze or silver Aquila with spread wings.
Outside diameter: 28mm, ring size UK S 1/2 read more
A Stunning, Original, Ancient Roman-Egyptian Ist Cent BC Ancient Bronze 'Twin Headed' Cobra 'Ureas Ring' of the Sacred Serpent Goddess Wadjet, Late Egyptian Ptolomeic Period & the Roman Pharoahs Era. Worn In The Time of Anthony And Cleopatra
Circa 2020 to 2100 years old. From our amazing new collection of original, important, Imperial Roman, Egyptian, Viking, Medieval and Napoleonic War artefacts we just acquired
Romano-Egyptian coiled and engraved bronze twin serpent head ring, decorated and engraved heads and scales. An ureaus ring, from the time of Cleopatra, Julius Caeser and Mark Anthony.
The Uraeus is the name given to the symbol of a rearing cobra, used in ancient Egypt to denote royalty and divine authority. it has a special significance in Roman culture royalty and art, and especially with Cleopatra the last Egyptian Pharoah to wear the Nemes serpent crown, and who famously, allegedly comitted suicide utilizing the bite of the asp serpent.
The pharaohs, dynastic kings and queens of Egypt, wore the Uraeus symbol as a head ornament as part of their crown. As far back as the Old Kingdom (3rd millennium BCE) wearing the Uraeus serpent communicated the pharaoh's legitimacy in ruling the lands of Lower Egypt.
In hieroglyphics, the Uraeus was often used to refer to a priestess or a goddess such as Isis. One myth about the origin of the Uraeus symbol claims that Isis created the first Uraeus, forming it from dust and spit. Isis used the snake in order to win the throne of Egypt for Osiris, her husband.
Egyptian Snake Goddess
The Uraeus is the symbol of the Egyptian snake goddess Wadjet. One of the oldest deities in the Egyptian pantheon, Wadjet was worshiped as the patroness of the Nile Delta and the protector of Lower Egypt. The center of Wadjet's cult was Per-Wadjet. The snake symbol worn by the pharaohs was seen to symbolize Wadjet's protection of the pharaoh and her approval of his claim of sovereignty. Some goddesses were also depicted wearing the Uraeus upon their heads, suggesting that the Egyptians believed these goddesses embodied aspects of Wadjet or fell under her protection.
When the Upper and Lower Kingdoms of Egypt unified, an image of Nekhbet, the vulture goddess and patron of Upper Egypt joined the image of Wadjet as the Uraeus on the pharaoh's crown. The two goddesses were known as the Nebty, the two ladies, and were seen as joint protectors of the newly-unified kingdom. When the sun god Ra rose to prominence during the Middle Kingdom and the pharaohs began to be seen as manifestations of Ra, the Uraeus was believed to protect them by spitting fire from the sun onto their enemies.
The Roman pharaohs, rarely referred to as ancient Egypt's Thirty-fourth Dynasty, were the Roman emperors in their capacity as rulers of Egypt, especially in Egyptology. After Egypt was incorporated into the Roman Empire in 30 BC, the people and especially the priesthood of the country continued to recognise the Roman emperors as pharaohs, according them traditional pharaonic titularies and depicting them with traditional pharaonic garb, engaging in traditional pharaonic activities, in artwork and at temples throughout Egypt.
Cleopatra VII had affairs with Roman dictator Julius Caesar and Roman general Mark Antony, but it was not until after her 30 BC suicide (after Mark Antony's defeat against Octavian, who became Emperor Augustus) that Egypt became a province of the Roman Republic. Subsequent Roman emperors were accorded the title of pharaoh, although exclusively while in Egypt. As such, not all Roman emperors were recognized as pharaohs. Although Octavian made a point of not taking the Pharaonic crown when he conquered Egypt, which would have been difficult to justify to the wider empire considering the vast amount of propaganda which he had spread about the "exotic" behavior of Cleopatra and Antony, the native population of Egypt regarded him as the pharaoh succeeding Cleopatra and Caesarion. Depictions of Octavian, now called Augustus, in traditional pharaonic garbs (wearing different crowns and the traditional kilt) and sacrificing goods to various Egyptian gods were made as early as around 15 BC and they are present in the Temple of Dendur, built by Gaius Petronius, the Roman governor of Egypt. Even earlier than that, Augustus had been accorded royal titles in the Egyptian version of a 29 BC stele made by Cornelius Gallus, despite royal titles not being present in the Latin or Greek-language versions of the same text.
Approx I inch across
Last pictures in the gallery of Roman bust of a Roman emperor wearing the Egyptian Nemes serpent crown, and another Egyptian tomb figure wearing the Nemes crown in carved wood and gold.
As with all our items it comes complete with our certificate of authenticity read more
A Impressive Ancient Roman Dolabra Pick-Axe. General Gnaeus Domitius Corbulo Once Famously Said Of This Form Of Dolabra, "You Defeat The Enemy With a Pickaxe". Thus It Was Used For Combat & The Destruction of Fortifications. Used From The 1st Century
Gnaeus Domitius Corbulo (Peltuinum c. AD 7 – 67) was a popular Roman general, brother-in-law of the emperor Caligula and father-in-law of Domitian. The emperor Nero, highly fearful of Corbulo's reputation, ordered him to commit suicide, which the general carried out faithfully, exclaiming "Axios", meaning "I am worthy", and fell on his own sword.
Corbulo's early career is unknown but he was suffect consul in AD 39 during the reign of Caligula, his brother-in-law through Caligula's marriage to Corbulo's half-sister Milonia Caesonia.
After Caligula's assassination, Corbulo's career came to a halt until, in AD 47, the new Emperor Claudius made him commander of the armies in Germania Inferior, with a base camp in Colonia (Cologne).
The new assignment was a difficult one and Corbulo had to deal with major rebellions by the Germanic Cherusci and Chauci tribes. During his stay in Germania, the general ordered the construction of a canal between the rivers Rhine and Meuse. Parts of this engineering work, known as Fossa Corbulonis or Corbulo's Canal, have been found at archaeological digs. It ran largely parallel to the modern-day Vliet canal, which connects the modern towns of Leiden (ancient Matilo) and Voorburg (Forum Hadriani). Upon reaching lower Germania, Corbulo employed both the army and naval squadrons of the fleet patrolling the Rhine and the North Sea, eventually expelling the Chauci away from the Roman Provinces and instituting a rigorous training program in order to ensure maximum effectiveness of his legions. He supposedly executed two legionaries after they were found to have laid aside their swords when labouring in the construction of fortifications on a marching camp. Corbulo is famously, purported to have said, "You defeat the enemy with a pickaxe."
The Siege of Augustodunum Haeduorum
Legionaries used dolabrae to defeat armoured crupellarii gladiators.
An instance occurred in 21 AD during the Florus and Sacrovir revolt, where enemy rebels used heavily armored gladiators called crupellarii as their front ranks. The Romans could not pierce the armour of the crupellarii with their swords, so they retrieved their pickaxes and mattocks to batter the rebel gladiators into submission.
In complete condition, without repair and restoration, The form used by Rome for over a 1000 years.
This ancient Imperial Roman utility pick axe (dolabra) was used from the construction of military forts and bridges, to the destruction of enemy fortifications, and it further doubled as an incredibly effective weapon against armoured enemies of Rome, yet just as effective for the tearing down of walled defences. Another iron, axe-adze dolabra was recovered recently from the Harzhorn event, from the time of Emperor Maximinus Thrax 235 to 236 ad .{see photo in the gallery.}
The Roman Battle of Harzhorn ;
The battle between Roman legionaries and auxiliary troops and Germanic tribes around 235 AD on the western edge of the Harz Mountain.
The axe was a fundamental weapon of the Roman to Byzantine soldiers - both on foot and on horseback. Aside from combat, one of the main utility tools of the Roman army was the axe. The pick axe was useful in splitting wood and a fundamental tool needed to do everything from constructing military forts, to building large siege weapons such as catapulta and ballista. In times of war, these axes doubled as highly effective weapons, able to defeat armour, breaking bones and crushing skulls with a single blow and destroying enemy fortifications. This specific long adze axe 'dolabra' was found on an ancient battlefield with a large number of other iron weapons, over a century ago, indicating its final use was in combat. Professionally cleaned and conserved.
This item was used by the Imperial Roman army, and similar versions still used by later Byzantine Roman armies defending the Empire's northern border along the Danube River in the present day East Balkans. This region was the northern-most boundary of the Roman Empire for most of its duration and evolution into Byzantium right up until 1336 AD when the area fell under Ottoman rule. In the Balkans, Roman camps and fortresses along the Danube were constantly being challenged by opposing tribes and armies. The river served as a natural barrier against attacks from the north. Collected from a region that was once occupied by the Byzantine Roman military as they fought against the challengers of the Christian Roman Empire, they were utilized by Roman soldiers in one of the many violent and frequent battles that took place in defense of Byzantium.
The dolabra is a versatile utility axe {either axe -adze, or pick axe} used by the people of Italy since ancient times. This dolabra could serve as a pickaxe, used by miners and excavators, a priest's implement for ritual religious slaughtering of animals, as an entrenching tool (mattock) and also used in Roman infantry combat tactics. In the 1st century CE, at the Siege of Augustodunum Haeduorum, armoured Gallic gladiators were defeated by legionaries wielding dolabrae. The Siege of Augustodunum Haeduorum (modern Autun, France) took place between 269 and 270 AD, during the reign of the Gallic Emperor Victorinus. The city, which had declared allegiance to Claudius Gothicus, was besieged by Victorinus' troops for seven months before being captured and plundered.
Describing the Roman Dolabra.
Gnaeus Domitius Corbulo said, "you defeat the enemy with a pickaxe"
The term Harzhorn event refers to several connected battles that took place between several thousand Roman legionaries and their auxiliary troops and an unknown number of Germanic tribes around the year 235/236 on the western edge of the Harz Mountains on the Harzhorn hill and represent a comparatively late example of the military presence of the Romans in Germania .
The archaeological sites are located near the Kalefeld district of Wiershausen on the northern edge of the Northeim district of Lower Saxony and initially covered an area of 2.0 × 0.5 kilometers (as of April 2009). At the end of 2010, another extensive site was discovered approximately three kilometers away. Both sites are considered by the scientists commissioned to investigate them to be spectacular discoveries of extraordinary scientific importance: Along with the Kalkriese region, they are the best-preserved ancient battlefield in Europe. This offers a unique opportunity to examine the archaeological remains of a Roman army engaged in combat.
To date, around 1,700 artifacts from the fighting have been found (as of summer 2013). Along with the Roman camp at Hedemünden , the Bentumersiel site , the Roman marching camp at Wilkenburg, and the Kalkriese region, the sites around the Harzhorn are one of the largest sites of Roman militaria in northern Germany. This find is also significant because of its context in the historical events at the beginning of the so-called Imperial Crisis of the 3rd century . Previously, historical research had considered such wide-ranging military operations by the Romans to be impossible at this time and in this area. According to current evidence, it is almost certain that the battle belongs in the context of the Germanic Wars of Emperor Maximinus Thrax in 235 and 236.
Dolabrae are mentioned several times in ancient literature, are depicted on the reliefs of Trajan's Column and appear in the finds of imperial military camps, but also in battlefield finds such as in Kalkriese.
Picture 8 in the gallery is of our other Dolabra, identical to one found in a recent excavation at the Imperial Roman Harzhorn battle sites of 265AD, before conservation and after, compared to ours. Picture 10 is this long Dolabra before and after conservation. Note the state of corruption of both dolabra is absolutely identical to the state of iron corruption of the Battle of Harzhorn recovered dolabra, that had remained buried for around 1800 years, just as was ours.
11 inches long measured straight, 14 inches along its curvature. 2 pounds in weight read more
995.00 GBP
A Rare 1696 Austrian States Hungarian Holy Roman Emperor Leopold Ist Silver 1/4 Thaler
Leopold I 1657-1705 1/4 thaler 1696
Description: Ag 1/4 thaler 1696
Obverse: Laureate bust of Leopold I right, all in
rhombus.
Reverse: Crowned double-headed eagle holding
sword and scepter, coat of arms on chest, in rhombus. KB Hogsmouth 1/4 Silver Thaler. Leopold I Hungary mounted in a silver collar brooch. Leopold I (full name: Leopold Ignaz Joseph Balthasar Felician; Hungarian: I. Lipót; 9 June 1640 – 5 May 1705) was Holy Roman Emperor, King of Hungary, Croatia, and Bohemia. The second son of Ferdinand III, Holy Roman Emperor, by his first wife, Maria Anna of Spain, Leopold became heir apparent in 1654 by the death of his elder brother Ferdinand IV. Elected in 1658, Leopold ruled the Holy Roman Empire until his death in 1705, becoming the longest-ruling Habsburg emperor (46 years and 9 months).
Leopold's reign is known for conflicts with the Ottoman Empire in the Great Turkish War (1683-1699) and rivalry with Louis XIV, a contemporary and first cousin, in the west. After more than a decade of warfare, Leopold emerged victorious in the east thanks to the military talents of Prince Eugene of Savoy. By the Treaty of Karlowitz, Leopold recovered almost all of the Kingdom of Hungary, which had fallen under Turkish power in the years after the 1526 Battle of Mohács.
Leopold fought three wars against France: the Franco-Dutch War, the Nine Years' War, and the War of the Spanish Succession. In this last, Leopold sought to give his younger son Charles the entire Spanish inheritance, disregarding the will of the late Charles II. Leopold started a war that soon engulfed much of Europe. The early years of the war went fairly well for Austria, with victories at Schellenberg and Blenheim, but the war would drag on until 1714, nine years after Leopold's death, which barely had an effect on the warring nations. When peace returned with the Treaty of Rastatt, Austria could not be said to have emerged as triumphant as it had from the war against the Turks read more
A Vintage Carved Aboriginal Culture Wunda Parrying Shield With a Chip Carving Design of Kangaroo and Emu.
Very nice quality & stands as a piece of art as well as an Aboriginal implement.
It is a good size (22" long x 4" at the widest) & handcarved from a heavy solid grain timber, possibly West Australian Mulga It is in very nice condition
Best of all is the quality of the decoration, it has one kangaroo and two emu on the back (handle side) & a wonderful scene with three kangaroos & two emu on the front. Even the background has been carved with a fine textured look which must have taken some time, no doubt the artist really had talent & took pride in the quality of their work.
Australian Aboriginal shield come in many different forms depending on the tribe that made them and their function. Aboriginal shields come in 2 main types, Broad shields, and Parrying shields. Parrying shields parry blows from a club whereas broad shields block spears. Shields for parrying are thick strong and narrow whereas broad shields are wide but thin. Aboriginal shields were made from different materials in different areas, they were made from buttress root, mulga wood and bark.
This shield was probably also used as a ceremonial dance shield.
19th to 20th century. read more
825.00 GBP