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This exceptional antique Victorian sterling silver and enamel cigarette case has a rectangular form with rounded corners. Victorian silver and fine enamel cigarette cases are very highly prized and have been incredibly collectable over the past hundred years, and can achieve incredible prices. This fabulous Victorian case has a subtly curved form proffering a comfortable fit in the majority of pockets.The anterior cover of this Victorian case is embellished with an impressive painted enamel panel depicting a British soldier holding a rifle and standing on a rocky hillside, with a blooded bandage around his head and a helmet to his feet.
The enamel decoration is accented with the quote
A Gentleman in Kharki
with the engraved word copyright to the lower edge.
The posterior surface and rounded sides of this cigarette case are plain.
This silver Victorian cigarette case is fitted with a push fit catch, which when released reveals two hinged compartments.This impressive case retains the original gilded interior and two retaining straps.
It was crafted by the Birmingham silversmiths Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd.
This notable illustration is a representation of Richard Caton Woodville's A Gentleman in Kharki. This design accompanied the song/poem The Absent-Minded Beggar by Rudyard Kipling, was used in a press release to raise funds for the British soldier in the Boer War.
Made by Cornelius Saunders & Francis Shepherd
Hallmarked 1899 made in Birmingham, England. 83mm long, 99.5 grams
This stunning piece would make a fantastic display piece on a desk or office. Phacops is a genus of trilobites in the order Phacopida, family Phacopidae, that lived in Europe, northwestern Africa, North and South America and China from the Early until the very end of the Devonian, with a broader time range described from the Late Ordovician. Trilobites meaning "three lobes") are a group of extinct marine arachnomorph arthropods that form the class Trilobita. Trilobites form one of the earliest-known groups of arthropods. The first appearance of trilobites in the fossil record defines the base of the Atdabanian stage of the Early Cambrian period (521 million years ago), and they flourished throughout the lower Paleozoic era before beginning a drawn-out decline to extinction when, during the Devonian, all trilobite orders except the Proetids died out. Trilobites disappeared in the mass extinction at the end of the Permian about 252 million years ago. The trilobites were among the most successful of all early animals, existing in oceans for over 300 million years.
By the time trilobites first appeared in the fossil record, they were already highly diversified and geographically dispersed. Because trilobites had wide diversity and an easily fossilized exoskeleton, they left an extensive fossil record, with some 50,000 known species spanning Paleozoic time. The study of these fossils has facilitated important contributions to biostratigraphy, paleontology, evolutionary biology, and plate tectonics. Trilobites are often placed within the arthropod subphylum Schizoramia within the superclass Arachnomorpha (equivalent to the Arachnata), although several alternative taxonomies are found in the literature.
Trilobites had many lifestyles; some moved over the sea bed as predators, scavengers, or filter feeders, and some swam, feeding on plankton. Most lifestyles expected of modern marine arthropods are seen in trilobites, with the possible exception of parasitism (where scientific debate continues). Some trilobites (particularly the family Olenidae) are even thought to have evolved a symbiotic relationship with sulfur-eating bacteria from which they derived food
Bronze hilt with Napoleonic eagle shell guard with pedestal top pommel and Imperial purple velvet grip. The Napoleonic Wars (1803?1815) were a series of major conflicts pitting the French Empire and its allies, led by Napoleon I, against a fluctuating array of European powers formed into various coalitions, financed and usually led by the United Kingdom. The wars stemmed from the unresolved disputes associated with the French Revolution and its resultant conflict. The wars are often categorised into five conflicts, each termed after the coalition that fought Napoleon; the Third Coalition (1805), the Fourth (1806?07), Fifth (1809), Sixth (1813), and the Seventh and final (1815). Historians have explored how the Napoleonic wars became total wars. Most historians argue that the escalation in size and scope came from two sources. First was the ideological clash between revolutionary/egalitarian and conservative/hierarchical belief systems. Second was the emerging nationalism in France, Germany, Spain, and elsewhere that made these "people's wars" instead of contests between monarchs. According to Bell, David A. The First Total War: Bell has argued that even more important than ideology and nationalism were the intellectual transformations in the culture of war that came about through the Enlightenment. One factor, he says, is that war was no longer a routine event but a transforming experience for societies?a total experience. Secondly the military emerged in its own right as a separate sphere of society distinct from the ordinary civilian world. The French Revolution made every civilian a part of the war machine, either as a soldier through universal conscription, or as a vital cog in the home front machinery supporting and supplying the army. Out of that, says Bell, came "militarism," the belief that the military role was morally superior to the civilian role in times of great national crisis. The fighting army represented the essence of the nation's soul. As Napoleon proclaimed, "It is the soldier who founds a Republic and it is the soldier who maintains it.
A very good original antique sword of a Masai herdsman. 19th century, with double edged flared blade, cord under leather bound handle in a stained hardened red leather scabbard. A Fine Antique Maasai Warrior 'Lion Hunters' Seme Sword. Traditionally, lion hunting with hand weapons (ie not missile weapons) was an integral part of Maasai custom. In a lion hunt the seme would be a weapon of last resort. In war the Masai were relatively well organised and fielded war-bands of shield-bearing spearmen who often fought in fairly close-order, shoulder to shoulder. Again the seme would be a side-arm to be used if the spear was lost. Two photos in the gallery of vintage Maasai, including a Kokuyu Maasai. The in days long past fearless lion hunter of the Masai killed their first Lion to become a recognised Moran [warrior] of the tribe [providing they survived to claim the title of course]. The Maasai territory reached its largest size in the mid-19th century, and covered almost all of the Great Rift Valley and adjacent lands from Mount Marsabit in the north to Dodoma in the south. At this time the Maasai, as well as the larger Nilotic group they were part of, raised cattle as far east as the Tanga coast in Tanganyika (now mainland Tanzania). Raiders used spears and shields, but were most feared for throwing clubs (orinka) which could be accurately thrown from up to 70 paces (appx. 100 metres). In 1852, there was a report of a concentration of 800 Maasai warriors on the move in what is now Kenya. In 1857, after having depopulated the "Wakuafi wilderness" in what is now southeastern Kenya, Maasai warriors threatened Mombasa on the Kenyan coast. The Maasai people stood against slavery and lived alongside most wild animals with an aversion to eating game and birds. Maasai land now has East Africa's finest game areas. Maasai society never condoned traffic of human beings, and outsiders looking for people to enslave avoided the Maasai 22.5 inches long o/a
A fine 1590 close helmet, probably Italian, with funery face visor. Fine original brass rose head rivets. The front visor was adapted when the knight perished and this helm would have been mounted above his tomb with his achievements and sword. Such as two other helmets King Henry Vth (d. 1422), buried in Westminster Abbey. Set up over the dead king?s monument until the 20th century was his funerary helmet, a finely decorated jousting helm, now kept in the abbey museum.
Edward the Black Prince or Edward of Woodstock (15 June 1330 ? 8 June 1376), eldest son of Edward III, King of England. Dating from 1376 his funerary visored helmet is to be found above his funerary monument in Canterbury Cathedral. This helmet is a stunning piece with amazing provenance, was owned by one of the greatest yet notorious men in world publishing history. William Randolph Hearst ( April 29, 1863 ? August 14, 1951) was an American newspaper Mogul, a publisher who built the nation?s largest newspaper chain and whose methods profoundly influenced American journalism. His collecting took his agents around the Europe to acquire the finest treasures available, for his project of building the largest and finest private estate in the world, Hearst Castle in San Simeon. In much of this he succeeded. Hearst entered the publishing business in 1887 after taking control of The San Francisco Examiner from his father. Moving to New York City, he acquired The New York Journal and engaged in a bitter circulation war with Joseph Pulitzer's New York World that led to the creation of yellow journalism?sensationalized stories of dubious veracity. Acquiring more newspapers, Hearst created a chain that numbered nearly 30 papers in major American cities at its peak. He later expanded to magazines, creating the largest newspaper and magazine business in the world.
He was twice elected as a Democrat to the U.S. House of Representatives, and ran unsuccessfully for Mayor of New York City in 1905 and 1909, for Governor of New York in 1906, and for Lieutenant Governor of New York in 1910. Nonetheless, through his newspapers and magazines, he exercised enormous political influence, and was famously blamed for pushing public opinion with his yellow journalism type of reporting leading the United States into a war with Spain in 1898.
His life story was the main inspiration for the development of the lead character in Orson Welles's film Citizen Kane. His mansion, Hearst Castle, on a hill overlooking the Pacific Ocean near San Simeon, California, halfway between Los Angeles and San Francisco, was donated by the Hearst Corporation to the state of California in 1957, and is now a State Historical Monument and a National Historic Landmark, open for public tours. Hearst formally named the estate La Cuesta Encantada (?The Enchanted Slope?), but he usually just called it ?the ranch.? This helmet was acquired by Hearst for his mansion, Hearst Castle, but when his empire began to crumble much of his collection was sold at Gimbels In New York in 1941, which is where the Higgins Armory acquired this helmet. Orson Welles film, Citizen Kane, is thought by many to be one of the greatest masterpieces of film ever made, and it's portrayal of Charles Foster Kane was so mirroring WR Hearst that there was no doubt in any mind what it was meant to represent. So much so, Hearst dedicated some considerable time and effort during the next 10 years in order to destroy Orson Welles' career, and prevent him fulfilling his obvious potential as one of the greatest directors of all time. In much of this, once more, Hearst succeeded. Items from Hearst's collection rarely surface, as owners tend to keep hold of them for obvious reasons of historical posterity and provenance, and to be able to offer such a piece from that collection is a great privilege, and a rare opportunity for it's next fortunate owner. The saddle, helmet, sword and shield of King Henry V, which once formed part of his funeral 'achievements', are displayed in Westminster Abbey Museum, located in the abbey's eleventh century vaulted undercroft of St Peter. They were carried at his funeral in 1422 and later suspended on the wooden beam above the Henry V chantry for centuries, but in 1972 they were restored and placed in the abbey museum. We show in the gallery an illustration from Traicti? de la Forme et Devis D'ung Tournoy, that was written circa 1460 by King Ren? of Anjou, King of Jerusalem and Sicily. The tournament book shows how a helmet such as this one would have been dressed for the tournament and it describes a style of tournament which Ren? says he has adapted from the ancient customs of France and other countries.
Even the Royal Collection does not have an example. The Captain of the Guard was the commanding position of the British military security force for the King. The position rank goes back centuries. This Captain's partisan is almost 300 years old, bearing the fretted monogram of the early King George. The position of Captain of the Guard is not or no longer associated with the rank of Captain. The Guard is commonly associated with bodyguard duty for royalty or head of state. Even the Royal Collection and the Tower do not have a surviving example to match this one.
A partisan (also partizan) is a type of polearm that was used in Europe in the Middle Ages. It consisted of a spearhead mounted on a long shaft, usually wooden, with protrusions on the sides which aided in parrying sword thrusts.The Kings of England always had bodyguards surrounding them. The Anglo-Saxon kings had their house guards, and the Danish kings their housecarls. By the 13th century, the Anglo-Norman Kings had three groups specifically ordered to protect them: the royal household sergeants-at-arms; the king's foot archers (also known as the Yeomen of the Crown); and the esquires of the royal household. The actual number of archers varied over the course of the 14th-15th centuries. In 1318, a Household Ordinance (the King's Proclamation containing the yearly budget for his royal household) specified that the number of archers should be 24. Edward III had between 16-22 yeomen, Richard II recruited an additional 300 archers from Cheshire, Edward IV had 24 yeomen, and Richard III had 138 yeomen. On 22 August 1485, near the small village of Stoke Golding, Henry Tudor met King Richard III in battle for the Crown of England. The War of the Roses had persisted intermittently for more than 30 years between the rival claimants of the House of York (symbolised by a white rose) and the House of Lancaster (symbolised by a red rose). In 1483, Richard, of the House of York, had deposed his young nephew, 12-year-old Edward V. Henry Tudor, of the House of Lancaster, was the favoured candidate to replace Richard.
Three armies met that day on Bosworth Field: Richard, with his supporters, Duke of Norfolk and the Earl of Northumberland; Henry, with his troops under command of the veteran John de Vere, Earl of Oxford; and the troops of Thomas, Lord Stanley. Stanley was a powerful lord in northwest England. But he was stepfather of Henry Tudor, and Richard was holding his son hostage. Stanley's forces remained uncommitted as the battle raged. As Oxford advanced, the troops appeared to leave Henry, his bodyguards, and some French mercenaries isolated, or so it appeared to Richard. Sensing an opportunity, Richard charged toward Henry. Seeing this, Stanley made his decision, and charged to reinforce Henry. Henry's bodyguards fought bravely to hold off Richard's bodyguards until the arrival of Stanley's troops. During the melee, Richard's horse became mired in the marsh, and he was killed. Henry had won.
Henry rewarded his bodyguards by formally establishing the Yeomen of the Guard of (the body of) our Lord the King. This royal act recognised their bravery and loyalty in doing their duty, and designated them as the first members of a bodyguard to protect the King (or Queen) of England forever. In their first official act on 1 October 1485, fifty members of the Yeoman of the Guard, led by John de Vere, 13th Earl of Oxford, formally escorted Henry Tudor to his coronation ceremony. This appearance of the Guard at Henry VII's coronation was first documented by Francis Bacon in 1622. The coronation appears to have been hastily arranged, using the regulations for Richard III's coronation as a draft. The Guard is not mentioned in the regulations. The partizan has a 17 inch head, 82 inches overall
A high ranking and very superior quality example of these beautiful swords from the South Seas Islanders. A sword with very beautiful tortoishell covered scabbard, and a long finely made blade with a flat side and a chamfered edged side, and carved native wood hilt of a stylised head of a bird god. Headhunting among the Ilongots of Northern Luzon, Philippines, was not an unchanging ancient custom, but a cultural practice that has shifted dramatically over the course of the past century. Headhunting stopped, resumed, and stopped again; its victims at various periods were fellow Ilongots, Japanese soldiers, and lowland Christian Filipinos; it took place as surprise attack, planned vendetta, or distant raid against strangers. Sometimes called a visayan sword. overall 28.5 inches long in the scabbard the blade is 21.25 inches long, 2 inches across at the widest, and the scabbard is almost 3 inches across. Hilt 6.75 inches long
Superbly patinated root ball with geometrically carved handle. The ula was the most personal weapon of the Fijian warrior and was inserted into a man's fibre girdle sometimes in pairs like pistols. The throwing of the ula was achieved with great skill, precision and speed. It was often carried in conjunction with a heavier full length club or spear which served to finish an opponent after initially being disabled by a blow from the ula. Was made by a specialist from a variety of uprooted bushes or shrubs. Across 1,000 kilometres (620 miles) from east to west, Fiji has been a nation of many languages. Fiji's history was one of settlement but also of mobility. Over the centuries, a unique Fijian culture developed. Constant warfare and cannibalism between warring tribes were quite rampant and very much part of everyday life. During the 19th century, Ratu Udre Udre is said to have consumed 872 people and to have made a pile of stones to record his achievement."Ceremonial occasions saw freshly killed corpses piled up for eating. 'Eat me!' was a proper ritual greeting from a commoner to a chief. The posts that supported the chief's house or the priest's temple would have sacrificed bodies buried underneath them, with the rationale that the spirit of the ritually sacrificed person would invoke the gods to help support the structure, and "men were sacrificed whenever posts had to be renewed" . Also, when a new boat, or drua, was launched, if it was not hauled over men as rollers, crushing them to death, "it would not be expected to float long" . Fijians today regard those times as "na gauna ni tevoro" (time of the devil). The ferocity of the cannibal lifestyle deterred European sailors from going near Fijian waters, giving Fiji the name Cannibal Isles; as a result, Fiji remained unknown to the rest of the world. The handle has a natural age split at the base.
(4,000-2,500BC) In the Neolithic period (later stone age) people started to settle down and start farming. At places such as Springfield Lyons, these early settlements have been identified. It was also at this time when stone tools, which up until this point had been purely functional, started to take on a more symbolic meaning. Polished stone axes and other tools that were never used have been found across the county, showing changes in social hierarchy and possibly even the development of religion. The Neolithic also known as the "New Stone Age", the final division of the Stone Age, began about 12,000 years ago when the first development of farming appeared in the Epipalaeolithic Near East, and later in other parts of the world. The division lasted until the transitional period of the Chalcolithic from about 6,500 years ago (4500 BC), marked by the development of metallurgy, leading up to the Bronze Age and Iron Age. In Northern Europe, the Neolithic lasted until about 1700 BC, while in China it extended until 1200 BC. Other parts of the world (the New World) remained in the Neolithic stage of development until European contact.
The Neolithic comprises a progression of behavioral and cultural characteristics and changes, including the use of wild and domestic crops and of domesticated animals.
The term Neolithic derives from the Greek neos and lithos "New Stone Age". The term was coined by Sir John Lubbock in 1865 as a refinement of the three-age system 3.75 inches long As with all our items it comes complete with our certificate of authenticity.
Set in pressed leather paper covered wooden frame that once closed with a catch mount. The applied gilt of his sword hilt, epaulettes, belt buckle, and buttons are still vividly bright. The ambrotype photographs are quite dark but can be seen very nicely with a little applied light. Civil War officers in full uniform and holding the sabre are particularly rare and highly desirable. The ambrotype (from Ancient Greek: immortal impression) or amphitype, also known as a collodion positive in the UK, is a positive photograph on glass made by a variant of the wet plate collodion process. Like a print on paper, it is viewed by reflected light. Like the daguerreotype, which it replaced, and like the prints produced by a Polaroid camera, each is a unique original that could only be duplicated by using a camera to copy it. The American Civil War was one of the first wars that had photographs taken of the combatants. Taken in professional studios, and mostly using the Ambrotype or Tintype system. They are incredibly evocative of the era and very rare to see in Europe today. In the US, ambrotypes first came into use in the early 1850s. In 1854, James Ambrose Cutting of Boston took out several patents relating to the process. He may be responsible for coining the term "ambrotype".
Ambrotypes were much less expensive to produce than daguerreotypes, the medium that predominated when they were introduced, and did not have the bright mirror-like metallic surface that could make daguerreotypes troublesome to view and which some people disliked. An ambrotype, however, appeared dull and drab when compared with the brilliance of a well-made and properly viewed daguerreotype.
By the late 1850s, the ambrotype was overtaking the daguerreotype in popularity. By the mid-1860s, the ambrotype itself was being replaced by the tintype, a similar image on a sturdy black-lacquered thin iron sheet, as well as by photographic albumen paper prints made from glass plate collodion negatives. Approx. 2.5 x 3 inches in frame.
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