Antique Arms & Militaria

Archaic Chinese Warrior's Bronze Sword, Around 2500 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword, however both the grip rings are now lacking, as is the pommel. Used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

From our wonderful collection of ancient Chinese weaponry we recently acquired, another stunning ancient sword around 2500 years old or more. From the Zhou dynasty, and the area of the King's of Wu, in Chu. as this sword bears old damage it is priced accordingly, yet it is still an ancient piece of great beauty and interest.

Swords of this type are called “two-ring” swords because of the prominent rings formerly located on the hilt. This is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top once had a round, likely dished pommel

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.
As with all our items, every piece is accompanied by a certificate of authenticity  read more

Code: 24876

A Fantastic Looking Knight's Mounted Weapon, Medieval 15th Century Form 'Scorpion Tail' Chained Mace, or Battle Whip Head

A superb knight's 'scorpion tail' or 'battle whip' iron mounted knight's chained mace with screw pin to imbed into a wooden haft, composed of a carinated and facetted head with trapezoidal suspension loop, chain with figure-of-eight links with coiled wire collars, screw with tapering twisted shank and suspension loop with a facetted collar. This chained battle mace had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon as well as his sword, but as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.
According to the Cronica ecclesiae Pragensis Benesii Krabice de Weitmile, when told by his aides that the battle against the English at Crécy was lost and he better should flee to save his own life, John the Blind replied: "Absit, ut rex Boemie fugeret, sed illuc me ducite, ubi maior strepitus certaminis vigeret, Dominus sit nobiscum, nil timeamus, tantum filium meum diligenter custodite. --Far be it that the King of Bohemia should run away. Instead, take me to the place where the noise of the battle is the loudest. The Lord will be with us. Nothing to fear. Just take good care of my son-.

It is difficult to block with a shield or parry with a weapon such as this on a chain because it can curve over and round impediments and still strike the target.

It has a faceted orb mace head connected by a chain, and bar for holding in the hand or affixing to a wooden haft. . Modern works variously refer to this particular weapon as a "mace-and-chain" or "chain mace," and sometimes erroneously label them as simply a "mace" or morning star, terms which technically apply only to rigid weapons. Some historians refer to this weapon as a kettenmorgenstern ("chain morning star") to distinguish it from the rigid weapon. Despite being depicted in medieval manuscripts they were very likely most rare bespoke weapons in their day, and infrequently encountered, as rigid maces, iron or bronze weighted heads, affixed to a wooden hafts, were far simpler to make and thus much less expensive to create.
After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French

Sir Walter Scott describes the flail in the hands of an unhinged Crusader in his 19th-century novel The Talisman:

“I am Theodorick of Engaddi,” he said,—“I am the walker of the desert—I am friend of the cross, and flail of all infidels, heretics and devil-worshippers.” … So saying, he pulled from under his shaggy garment a sort of flail or jointed club, bound with iron, which he brandished round his head with singular dexterity.

“Thou seest thy saint,” said the Saracen, laughing, for the first time, at the unmitigated astonishment with which Sir Kenneth looked on the wild gestures and heard the wayward muttering of Theodorick, who, after swinging his flail in every direction, apparently quite reckless whether it encountered the head of either of his companions, finally showed his own strength and the soundness of the weapon, by striking into fragments a large stone which lay near him.

“This is a madman,” said Sir Kenneth.

The gallery contains photos of original medieval paintings of chained maces used in knightly combat, and another of a Renaissance tapestry of another chained mace, and an original 17th century engraving. Another final variety the Iberian flail or mangual. This can be seen below at the feet of the figure on the frontispiece of the Handbook of the True Skill of Arms in Thirty-Eight Assertions by Miguel Perez de Mendoza y Quixada, published in 1675. This weapon was a specialized armament meant primarily to oppose rapiers and perhaps two handed swords like montante in combat, the figure standing amongst an armoury of weapons including a zweihander great sword, a maine gauche, numerous swept hilt and cup hilt rapiers, and at his feet, a multi chained mace battle-whip or mangual. Picture 10 in the gallery is another a capture taken from a Renaissance painting

Very good, surface russetted condition, 22 inches long approx., and with great heft.  read more

Code: 24107

A Wonderful 16th Century Renaissance Era Italian 'Fusetto' Gunner's Dagger Used on Land By Venetian Artillery Chief Cannoneers, or At Sea by The Venetian and Papal States Navy Cannoneers

A supremely effective stiletto from the Italian Renaissance, for defending the guns and cannoneers during close combat, and measuring the bore of cannon to ensure the right size cannon ball was used, measuring powder charges, and lastly, for ‘spiking the guns’ during the imminent threat of capture.

Used in artillery combat in Papal armies such as were commanded by Cesare Borgia, who was an Italian cardinal and condottiero, an illegitimate son of Pope Alexander VI and member of the Spanish-Aragonese House of Borgia. His fight for power was a major inspiration for The Prince by Niccolò Machiavelli see his portrait in the gallery. The Prince, one of Machiavelli's greatest works, as Machiavelli admired Borgia's undimmed ruthlessness, but mainly, because Borgia, for Machiavelli, exhibited a unity and coherence of purpose and intents that was good for the polity. {see Casare’s portrait in the gallery}

Used during the same time as the great and legendary masters, Leonardo Da Vinci and Michelangelo were creating their masterpieces for the great families of Renaissance Italy, such as the Borgias or for Pope Sixtus IVth’s Vatican Palace Sistine Chapel.

While the greatest artists the world has ever seen, we’re creating their glorious works in Rome, Florence or Venice, the cannoneers were mastering their guns in the great battles against enemy Italian States, or foreign invaders, such as the Ottoman army and navy of the Grand Turk.

A superb and most rare museum piece, only normally to be seen today in the world great armoury collections, such as in the Doge’s Palace Armoury in Venice, or the Royal Armoury of Turin,

This stunning beauty of this piece is the elegance and simplicity of its form, and, it is in fantastic condition for its age, which is around, an amazing, 500 years. A wonderful example of an original ‘fusetto’, the chief gunner's dagger, carried by an Italian chief cannoneer during the Renaissance period.

The exact type as used at the Battle of Pavia, by the artillery, and the Battle of Lepanto by the Papal States and the Venetian Navy. The blade is of rare rounded section, as, more commonly, they were square section. For the specific use of the Chief Cannoner of artillery, for several important purposes, including, the clearing the vent touch hole from burnt powder build up, and, as it has an engraved blade with a number scale cuts, in order to measure across the bore of a cannon at the muzzle, in order to gauge the calibre of the cannon, thus to ensure the right size ball was used, and also, for the correct measure of powder, plus, if all hope of defence of the gun is lost, for 'spiking' a cannon's vent touchhole if the cannon are overrun by the enemy. Finally, and often just as importantly, for use in close combat by the chief cannoneer, for, if the guns are over run the chief gunner or cannoneer needs a vitally important weapon for personal defence.

The side notches in the blade were cut showing graduation of muzzle widths and called the Scala di Cattaneo. The rare round form blade, being long and graduated, in addition to enhancing the elegance of the blade, has a function of mechanical compliance, for, as mentioned before, if during a battle the cannon were about to be taken by the enemy, the bombers and of course the other troops beat the retreat. At this point the 'fuse' the bottom tip of the 'fusetto' blade was used to render the cannon ineffective, the blade's tip was stuck with force into a cannon’s vent (the small upper touch hole opening, into which the touch powder flowed into to the breech ) and then with a violent blow the ‘fuse’ or tip of the blade was snapped off into the hole. This rendered the cannon unusable, at least for the time of retreat. Italian early artillery, particularly field artillery, became an indispensable part of any first-rate army during the Italian Wars.

The naval Battle of Lepanto, is shown in the gallery, painted by unknown artist, in the late 16th century. Another painting In the gallery is of the siege of Constantinople painted by The great master Tintoretto.
A new chapter for Venice and the Venetian navy opened in 1453, with the Fall of Constantinople and the beginning in earnest of the Ottoman–Venetian wars, a centuries long confrontation with the Ottoman Empire.

Faced with a constant threat to its maritime possessions, Venice had little choice but to maintain a standing fleet of dozens of galleys on a war footing in peacetime, bolstered in times of actual war by over a hundred galleys held in reserve. To oversee the efficient supply and administration of such a force required an extensive organisational effort, leading to the creation of the office of the Magistrato alla milizia da mar "commissioner of naval forces" responsible for the construction and maintenance of ships and cannon, provision of hardtack and other ship's stores, weapons and gunpowder, recruitment of crews and the management of finances.

With the maturation of firearms technology, the previous Greek fire projectors were replaced with cannon positioned in the bow as chasers. This era saw the development of further ship types. During his invasion of Italy, Charles VIII employed the first truly mobile siege train: culverins and bombards mounted on wheeled carriages, which could be deployed against an enemy stronghold immediately after arrival. The French siege arsenal brought with it multiple technological innovations. Charles' army pulled cannons with horses rather than the oxen typically used at the time. Additionally, French cannons, created methods used to cast bronze church bells, and achieved a lightness and mobility previously unheard of. Perhaps the most important improvement the French made to cannons, however, was the creation of the iron cannonball. Before the Italian Wars, artillery fired stone balls that often shattered on impact. The invention of the water mill allowed furnaces to generate enough heat to melt iron to be smelted into cannonballs. With this technology, Charles’ army could level, in a matter of hours, Italian castles that had formerly resisted sieges for months and years.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

Overall 14 3/4 inches long, blade length 10 inches  read more

Code: 22445

A 18th to Mid 19th Century Steel, Indo Persian, Double Crescent Blade Headed War Axe and Spike, Known as a Tabarzin

Of a type carried into battle by Indo-Persian/Mughal warriors. With engraved bird and floral decoration to the axe heads. Iron shaft.

The double head war axe with spike would have been a very effective battlefield weapon and had excellent balance.

The term tabar is used for axes originating from the Ottoman Empire, Persia, Armenia, India and surrounding countries and cultures. As a loanword taken through Iranian Scythian, the word tabar is also used in most Slavic languages as the word for axe.

The tabarzin (saddle axe) (Persian: تبرزین‎; sometimes translated "saddle-hatchet") is the traditional battle axe of Persia. It bears one or two crescent-shaped blades. The long form of the tabar was about seven feet long, while a shorter version was about three feet long or less. What makes the Persian axe unique is the very thin handle, which is very light and always metallic. The tabarzin was sometimes carried as a symbolic weapon by wandering dervishes (Muslim ascetic worshippers). The word tabar for axe was directly borrowed into Armenian as tapar (Armenian: տապար) from Middle Persian tabar, as well as into Proto-Slavonic as "topor" (*toporъ), the latter word known to be taken through Scythian, and is still the common Slavic word for axe.

A delightful example of a ceremonial axe in war axe form  read more

Code: 25036

One Million Viewers!! Google Just Informed Us 1,000,000 People Searched To Find Our Location on Google Maps Since We Updated Our Company Entry Recently.

Google recently let us know our updated Google entry just past the amazing 1,000,000 { one million } searches in order to find out our location to visit us here in Brighton, England.

Twenty Five Years Ago, After 80 Years Trading in Brighton, We Were Honoured by Being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001
Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.

It was a great honour for Mark and David, especially considering at the beginning of the new millennium, in the year 2000, there was over 7,000 established antique and collectors shops in the UK, according to the official Guide to the Antique Shops of Britain, 1999-2000, and we were nominated, and voted into in the top four in Britain.

We were also very kindly described and listed as one of the most highly recommended visitors attractions in the whole of Europe and the UK by nothing less than the 'New York Times ' within their travel guide "New York Times, 36 Hours, 125 Weekends in Europe  read more

Code: 25531

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale And New Fantastic Original Treasures From The Past Are Added, Every, Single, Day, Since 1921

Our beautiful pieces from history are not always just for looking at, some {such as the B3 Pilots Jacket} can still be enjoyed, and even worn, for every one to see.

The Lanes Armoury is incredibly fortunate that we occupy a position within the worldwide collectors market that we can, and do, every day, locate and pass on great and fantastic historical pieces, of great beauty and quality for just a small percentage of the cost that other antique stores, at the top of their area of interest, have to make available. In almost all the other top level areas of the sphere of collecting antiques, their offerings must often be in the hundreds of thousands, and even millions of pounds range. Colleagues in the profession we have personally known, that are similar leaders in their field, such as Renaissance bronzes and sculptures, and they can be up to 20 millions, fine art paintings, that can be millions or tens of millions, the finest French furniture that will be hundreds of thousands and even millions as well. In fact, we know of no other sphere of antique collecting, where the best available can be found so inexpensively, by comparison, to all other forms of antiques and art. Please view over the next 130 plus pages, detailing thousands of pieces of world class historical interest, and every single piece has brought, and will continue to bring, great joy for their owners, the new custodians of great artefacts of history.

Recently acquired and added to our web store and also due to be added; A 1st Edition 1st Printing of The Great Gatsby, Publisher, Charles Scribners Sons, New York, Publication Date
1925 with the two important word uncorrected, ‘chatter’ and ‘Northern’. Etc.
Some superb French Napoleonic weaponry from the Grande Armee. A sword of the commander of the Grenadier Guards in the Crimean War, A fabulous quality and very good Napoleonic Wars Brown Bess, an incredible pair of Zulu War knopkerrie clubs, one a fabulous rare chiefs war club, the other a telegraph wire bound impi warriors war club, NOW BOTH SOLD, and one of the best and beautiful regimental pattern Napoleonic Wars swords, for one of the great Scottish regiments that saw incredible action in the Peninsular war and Waterloo. Also, a stunning Martini Henry 450-577 rifle {with both optional bayonet patterns} NOW SOLD one of the first 1400 ever made. And, one of the rarest Royal Marines pattern swords, 1796, we have ever seen. Trafalgar battle damaged. NOW SOLD
We also have two amazing Japanese swords both Museum pieces, by high ranked smiths, Dewa Daijo Fujiwara Kunimichi circa 1615, and Hamabe Toshizane, 1814. Plus, another super Brown Bess, (that now just sold ), but, another has arrived just the other day. Also a remarkable WW1 German snipers bullet proof armour shield. Some jolly nice Imperial and Third Reich German swords. And a super very rare Victorian tchapka lance cap of the 17th Lancers, of The Charge of the Light Brigade fame. Plus, lots, lots more!

“When can their glory fade?
O the wild charge they made!”

These words were made famous by Alfred Lord Tennyson in his poem, ‘The Charge of the Light Brigade’, and refer to that fateful day on 25th October 1854 when around six hundred men led by Lord Cardigan rode into the unknown.

The charge against Russian forces was part of the Battle of Balaclava, a conflict making up a much larger series of events known as the Crimean War. The order for the cavalry charge proved catastrophic for the British cavalrymen: a disastrous mistake riddled with misinformation and miscommunication. The calamitous charge was to be remembered for both its bravery and tragedy.

Recently we also have some superb, British, Victorian swords from the Crimean War, for a new young officer serving in The Zulu War, and one beauty, regimentally marked to the 1st Battalion The Welsh Regiment, for an officer that served in combat Mahdist War (1888): The 1st Battalion was dispatched to Egypt in 1886, playing a key role in the Mahdist War at the Battle of Gemaizah (Suakin) in December 1888, where they were highly praised for their efficiency by their commander, Col.Kitchener.

Colonel Herbert Kitchener, {later to become known as the great Field Marshal Lord Kitchener} who wrote in his dispatches:

‘The half-Battalion of The Welsh Regiment are seasoned soldiers and whatever I asked of them to do they did well. They’re marksmen at Gemaizah Fort and the remainder of the half-Battalion on the left fired section volleys driving the Dervishes from their right position and inflicting severe punishment upon them when in the open. Significantly the Battalion did not lose a man”

Later, the 1st Battalion was dispatched to South Africa in November 1899 for the Second Boer War: it was engaged in Battle of Paardeberg in February 1900, where they suffered heavy losses, and again at the Battle of Driefontein in March 1900

Also, cannon balls from the English Civil War seige. One ball was recovered {in living memory} almost five feet beneath the surface mud. And an incredibly very rare and historical.

Also, see our latest incredible 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Sri Lanka.

Occasionally, as we are Great Britain’s leading gallery of our kind, we have had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.

We have just also just added to the web store; a German colonels sword surrendered at the formal surrender of the German armed forces in May 1945 to Field Marshal Lord Montgomery, and a beautiful and magnificent samurai swords from the 1600's Tokugawa Shogunate period, one of the most fabulous samurai swords you might ever see. Plus, an Ancient Greek short sword or long dagger From The Greco-Persian Wars era, From the time of the Spartans at Thermopylae, to Alexander the Great's conquest of Persia & Egypt {now sold}

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many, many other Museum pieces, have been just been offered upon the site within the past couple of weeks.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix

And Tom pops in again to pick up a few trinkets the other day, and Liz and Richard pop down to visit us in October 1970  read more

Code: 24055

A Most Rare, Original, 1st Century Ancient Roman-Parthian Wars Period Legionary's or Centurion's Dagger with Cross Guard. From The Time of Julius Caeser and Augustus Caeser. Circa 2000 Years Old

An iron double-edged dagger, triangular blade tapering to the sharp tip, quillons and hilt made of iron as well, fastening nail to the hilt, which once would have had organic material grips.

The Roman–Parthian Wars (54 BC – 217 AD) were a series of conflicts between the Parthian Empire and the Roman Republic and Roman Empire. It was the first series of conflicts in what would be 682 years of Roman–Persian Wars.

Battles between the Parthian Empire and the Roman Republic began in 54 BC. This first incursion against Parthia was repulsed, notably at the Battle of Carrhae (53 BC). The Battle of Carrhae (Latin pronunciation: ˈkarrae̯) was fought in 53 BC between the Roman Republic and the Parthian Empire near the ancient town of Carrhae (present-day Harran, Turkey). An invading force of seven legions of Roman heavy infantry under Marcus Licinius Crassus was lured into the desert and decisively defeated by a mixed cavalry army of heavy cataphracts and light horse archers led by the Parthian general Surena. On such flat terrain, the Legion proved to have no viable tactics against the highly-mobile Parthian horsemen, and the slow and vulnerable Roman formations were surrounded, exhausted by constant attacks, and eventually crushed. Crassus was killed along with the majority of his army. It is commonly seen as one of the earliest and most important battles between the Roman and Parthian Empires and one of the most crushing defeats in Roman history. According to the poet Ovid in Book 6 of his poem Fasti, the battle occurred on the 9th day of June.

Crassus, a member of the First Triumvirate and the wealthiest man in Rome, had been enticed by the prospect of military glory and riches and decided to invade Parthia without the official consent of the Senate. Rejecting an offer from the Armenian King Artavasdes II to allow Crassus to invade Parthia via Armenia, Crassus marched his army directly through the deserts of Mesopotamia. His forces clashed with Surena's troops near Carrhae. Surena's cavalry killed or captured most of the Roman soldiers. Crassus himself was killed when truce negotiations turned violent.

His death ended the First Triumvirate. The following four-year period of peace between the remaining two members of the Triumvirate, Julius Caesar and Pompey, argues against the view that Crassus had been a peacekeeper within the group and supports the views of most Roman historians that friction between Crassus and Pompey had always been a greater cause of tension than that between Caesar and Pompey.
During the Roman Liberators' civil war of the 1st Century BC, the Parthians actively supported Brutus and Cassius, invading Syria, and gaining territories in the Levant. However, the conclusion of the second Roman civil war brought a revival of Roman strength in Western Asia.

In 113 AD, the Roman Emperor Trajan made eastern conquests and the defeat of Parthia a strategic priority, and successfully overran the Parthian capital, Ctesiphon, installing Parthamaspates of Parthia as a client ruler. However he was later repulsed from the region by rebellions. Hadrian, Trajan's successor, reversed his predecessor's policy, intending to re-establish the Euphrates as the limit of Roman control. However, in the 2nd century, war over Armenia broke out again in 161, when Vologases IV defeated the Romans there. A Roman counter-attack under Statius Priscus defeated the Parthians in Armenia and installed a favored candidate on the Armenian throne, and an invasion of Mesopotamia culminated in the sack of Ctesiphon in 165.

In 195, another Roman invasion of Mesopotamia began under the Emperor Septimius Severus, who occupied Seleucia and Babylon, however he was unable to take Hatra.
15 3/8 in. Fine condition.

According to Pliny the elder the best steel was made by the Seres and then by the Parthians.  read more

Code: 24260

Antique Victorian Regimental Other Ranks Helmet {Chapka } Of the 17th Lancers, Motto ‘Or Glory’ Of The 'Charge Of The Light Brigade' Fame. One of the Most Famous & Historical Cavalry Regiments in the World.

Victorian 17th Lancers Helmet {a chapka lance cap} One of the great British cavalry regiments that took part in the Charge of the Light Brigade in the Crimean War.

“When can their glory fade?
O the wild charge they made!”

These words were made famous by Alfred Lord Tennyson in his poem, ‘The Charge of the Light Brigade’, and refer to that fateful day on 25th October 1854 when around six hundred men led by Lord Cardigan rode into the unknown.

The charge against Russian forces was part of the Battle of Balaclava, a conflict making up a much larger series of events known as the Crimean War. The order for the cavalry charge proved catastrophic for the British cavalrymen: a disastrous mistake riddled with misinformation and miscommunication. The calamitous charge was to be remembered for both its bravery and tragedy.

The 17th Lancers (Duke of Cambridge's Own) was a cavalry regiment of the British Army, raised in 1759 and notable for its participation in the Charge of the Light Brigade during the Crimean War. The regiment was amalgamated with the 21st Lancers to form the 17th/21st Lancers in 1922.


In December 1857 the regiment arrived in India to reinforce the effort to suppress the Indian rebellion against British rule. By the time the regiment was prepared for service, the rebellion was effectively over, although it did take part in the pursuit of Tatya Tope, the rebel leader. During the course of the pursuit, Lieutenant Evelyn Wood earned the Victoria Cross for gallantry. The regiment returned to England in 1865. The regiment became the 17th Regiment of Lancers in August 1861. When, in 1876, it gained Prince George, Duke of Cambridge as its colonel-in-chief, the regiment adopted the title of the 17th (The Duke of Cambridge's Own) Lancers.


The regiment was sent to Natal Colony for service in the Anglo-Zulu War and fought at the Battle of Ulundi under Sir Drury Curzon Drury-Lowe in July 1879. The regiment was deployed inside a large British infantry square during the attack by the Zulu Army, which had surrounded the British. When the attack appeared to be wavering, the regiment was ordered to advance: their charge routed the warriors with heavy loss and proved to be decisive. The regiment returned to India the same year, remaining there until about 1890 when they returned to England.


Second Boer War
In February 1900 a contingent from the regiment, comprising Lieutenant-Colonel E. F. Herbert and 500 troops, was deployed to South Africa for service in the Second Boer War, and arrived to Cape Town on the SS Victorian early the next month. The contingent missed the large pitched battles, but still saw action during the war. In 1900, Sergeant Brian Lawrence won the regiment's fifth and final Victoria Cross at Essenbosch Farm. The contingent's most significant action was at the Battle of Elands River (Modderfontein) in September 1901. C Squadron was attacked by a unit of Boers under the command of Jan Smuts; the Lancers mistakenly assumed the unit was friendly because of their attire. The Boers immediately opened fire, attacking from both the front and the rear. The Lancers suffered further casualties at a closed gate that slowed them down. Only Captain Sandeman, the squadron commander, and Lieutenant Lord Vivian survived. The regiment suffered 29 killed and 41 wounded before surrendering, while Boer losses were just one killed and six wounded.


They stayed in South Africa throughout the war, which ended June 1902 with the Peace of Vereeniging. Four months later, 540 officers and men left Cape Town on the SS German in late September 1902, and arrived at Southampton in late October, when they were posted to Edinburgh.

Painting in the gallery of the 17th Lancers in the Charge of the Light Brigade in this case the lancers wear the 'foul weather' covered helmet version. And another painting of the 17th Lancers in India, this time the cap is covered in the dessert cover, and the third painting of the 17th Lancers in the Zulu War wearing the regulation pith helmet

The condition is good for age with average wear to the leather skull and old staining to the yellow striped band, above the helmet plate, helmet plate refitted for battle honour additions.  read more

Code: 26188

An Original, French, Napoleonic Year 13 Modele, & Dated 1809 French Cuirassier Flintlock Line Cavalry Pistol, Manufacture Imperial St Etienne. Manufactured For Napoleon's Grande Armee

One of the flintlocks from a fabulous & large original collection of finest Imperial French swords and pistols we recently acquired this one from the Grande Armee period. Each part of this flintlock pistol bears the poincon stamps plus the date of 1811 on the stock, and 1811 repeated on the barrel. The gun lock shows it was made at the St Etienne Manufacture Imperiale.

A fantastic quality and condition original regulation pattern pistol, Manufacture Imperial St Etienne year 13 pattern, dated 1811. In Revolutionary France the dates were changed to year 1 from 1792. A prime piece for collectors of original Napoleanic scarce original weaponry, from the elite armoured cavalry of Napoleon.

Excellent condition overall with a crisp spring action.Napoleonic St Etienne inspector’s stamps throughout of Hardy, Jean-Baptiste, and Gouilloud

A true museum grade original souvenir from the Napoleonic Wars

This flintlock pistol was made at the French Imperial Arsenal at St Etienne in 1811, during the time of Napoleon's Grande Armee during the Peninsular Campaign, before the Grande Armee's invasion of Russia, and three years before Napoleon's defeat in 1814 and exile to Elba, and later, after his return in 1815. Thus this pistol was made, and issued to the cuirassiers, that then years later transferred their loyalty to the King, then back once more back to their old emperor, Napoleon, upon his return from exile in Elba.

It was used by the cuirassiers in the 100 Days War, culminating in Napoleon's final defeat at Quatre Bras and Waterloo by the Duke of Wellington, and this pistol being taken as war booty.

Used as a regimental issue sidearm, by and the very best French Napoleonic frontline cavalry, the carabineers, cuirassiers, chasseurs, dragoons and lancers, serving in Napoleon Bonaparte's army during the Napoleonic Wars. This is the pattern called the AN 13 {year 13} which represents the 13th year of French Ist Republic of 1792. The French Republican Calendar or French Revolutionary Calendar was a calendar proposed during the French Revolution, and used by the French government for about 12 years from late 1793. This is the pattern of pistol that would have first seen service in the Elite Imperial Guard, cavalry and dragoons, plus the Cuirassiers of Napoleon's great heavy cavalry regiments. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers pistols now in England very likely came from that field of conflict, after the battle, as trophies of war. This pistol may well have been taken from a vanquished Cuirassier pistol that was drawn for combat on the field of battle. One can imagine this pistol lying freely, or, maybe, even still clasped in his cold desperate hand, or even under his fallen steed, at the field of conflict at Waterloo. Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly super Napoleonic pistol. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. Made in the period that Napoleon was Emperor and ruling most of Europe, it was used through the Napoleonic period from 1813, later in the the Royal restoration period, when Napoleon was imprisoned at Elba, and then during the War of the 100 days, culminating at Waterloo .
All Napoleon's heavy Cavalry Regiments fought at Waterloo, there were no reserve regiments, and all the Cuirassiers, without exception fought with their extraordinary resolve, bravery and determination. The Hundred Days started after Napoleon, separated from his wife and son, who had come under Austrian control, was cut off from the allowance guaranteed to him by the Treaty of Fontainebleau, and aware of rumours he was about to be banished to a remote island in the Atlantic Ocean, Napoleon escaped from Elba on 26 February 1815. He landed at Golfe-Juan on the French mainland, two days later. The French 5th Regiment was sent to intercept him and made contact just south of Grenoble on 7 March 1815. Napoleon approached the regiment alone, dismounted his horse and, when he was within gunshot range, shouted, "Here I am. Kill your
Emperor, if you wish." The soldiers responded with, "Vive L'Empereur!" and marched with Napoleon to Paris; Louis XVIII fled. On 13 March, the powers at the Congress of Vienna declared Napoleon an outlaw and four days later Great Britain, the Netherlands, Russia, Austria and Prussia bound themselves to put 150,000 men into the field to end his rule. Napoleon arrived in Paris on 20 March and governed for a period now called the Hundred Days. By the start of
June the armed forces available to him had reached 200,000 and he decided to go on the offensive to attempt to drive a wedge between the oncoming British and Prussian armies. The French Army of the North crossed the frontier into the United Kingdom of the Netherlands, in modern-day Belgium. Napoleon's forces fought the allies, led by Wellington and Gebhard Leberecht von Blücher, at the Battle of Waterloo on 18 June 1815. Wellington's army withstood repeated attacks by the French and drove them from the field while the Prussians arrived in force and broke through Napoleon's right flank. The French army left the battlefield in disorder, which allowed Coalition forces to enter France and restore Louis XVIII to the French throne. Off the port of Rochefort, Charente-Maritime, after consideration of an escape to the United States, Napoleon formally demanded political asylum from the British Captain Frederick Maitland on HMS Bellerophon on 15 July 1815. The pistol is in very nice condition overall.

French Cuirassier discharging his pistol on a British square at the Battle of Waterloo.  read more

Code: 26197

A Wonderful, Original, Napoleonic Wars, British Hussars and Light Dragoon Officer's Sword Circa 1805. In The Traditional Mameluke Style Adopted from the Mamelukes of the Battle of the Nile Campaign. The Favoured Sword Style of Napoleon and Wellington

In these British made versions of the Mameluke sword were in fact so popular for use by officers of both the British and French in the Napoleonic wars that it was formally adopted as the British generals and field marshals pattern of service sword in 1831,

In overall superb condition, ivory and steel hilted Hussars sword, with steel mounted leather scabbard, from the Napoleonic Wars.

British Hussars in the Napoleonic Wars, converted from light dragoons around 1803–1807, they acted as elite light cavalry for scouting, screening, and shock charges.

Renowned for their stylish uniforms (pelisse, busby) and reckless bravery, regiments like the 7th, 10th, and 15th served with distinction in the Peninsula War and at Waterloo, often at the forefront

The 15th Hussars (King's): Achieved fame at Sahagún (1808) under Sir John Moore, defeating two French cavalry regiments. They played a significant role at Vitoria (1813) and in the final Waterloo charge (1815).

7th Hussars (Queen's Own): Distinguished themselves at Orthez (1814) and conducted a notable rearguard action at Genappe before fighting at Waterloo.

10th Hussars (Prince of Wales's Own): Played a major role in the 1808–09 retreat to Corunna and was prominent in the 1813–14 battles of Morales and Vitoria.

18th Hussars: Heavily involved in the 1813 Vitoria campaign, where they were known for cutting off King Joseph’s retreat.

We show a Portrait of Major Hodge of the 7th Light Dragoons with his same mameluke sword. Before 1815, during the Napoleonic Wars and the Battle of Waterloo, the Mameluke-hilted sword was a fashionable, often personal, choice for British light cavalry officers (such as Hussars) and high-ranking staff officers, rather than a standard 1796 light dragoon officer's sword.

The style was adopted following campaigns in Egypt and India, influenced by Napoleon's Mameluke units and it was the personal preference of edged weapon of the Duke of Wellington.
Pictures in the gallery of paintings of the Duke of Wellington, with his favoured mameluke sword. And another, held upon his shoulder by Charles Vane, 3rd Marquess of Londonderry, a British Hussar general, with his Mameluke sword of Turkish manufacture ( painted in 1812)

All the steel mounts are very good, the hilt ivory is also good with a small north south crack at the pommel area. The leather is good and with a thumb print size bruise to the surface around 2/3rd the way down the scabbard. No scabbard seam stitching present at the reverse side.

Ivory Declaration Submission

IAntique ivory, 'worked' declaration submitted, but we can only sell this sword within the UK, it is not allowed for export. Ivory, however old cannot be imported into the USA.  read more

Code: 26196