Antique Arms & Militaria
Exceptional Early 19th Century Navaja Folding Knife From Albacete. Of the Spanish Guerrilleros Who Faught Napoleon During His Invasion Of Spain In The Peninsular War. As Used In The Dos de Mayo Uprising, Madrid, Spain,1808. Against Napoleon's Occupation
An absolutely stunning quality, original Spanish Napoleonic antique collectors item, and in great condition. With traditional elongated blade and decoratively stripe inlaid with polished black horn, swept curved grip with fine line decorated. The catch (Carraja) to be found on the authentic period pieces, features a distinctive ratchet or multiple-catch mechanism. Early 19th century. The locking spring is as good as it was when it was first made, with superbly crisp ratchets, and once locked the spring has to be manually, and strongly, lifted to release the blade for folding.
In Napoleonic Spain the carrying of the Navaja was punishable by Garotting and a pen and ink drawing by Francisco Goya is of an execution of a man, with his Navaja tied around his neck. Despite official disapproval, the navaja de muelles became popular throughout Spain as a fighting and general utility knife, and was the primary personal arm of the Spanish guerrilleros who opposed Napoleon during his invasion and subsequent occupation of Spain in the Peninsular War of 1808–1814.
Guerrilla warfare in the Peninsular War
Armed civilian actions were carried out by non-regular troops against Napoleon's French Imperial Army in Spain and Portugal during the Peninsular War. These armed men were a constant source of drain and harassment to the French army, as described by a Prussian officer fighting for the French: "Wherever we arrived, they disappeared, whenever we left, they arrived — they were everywhere and nowhere, they had no tangible centre which could be attacked."
The Peninsular War was significant in that it was the first to see a large-scale use of guerrilla warfare in European history and, partly as a result of the guerrillas, Napoleon's troops were not only defeated in the Peninsular War, but tied down on the Iberian Peninsula, unable to conduct military operations elsewhere on the European Continent. The strain the guerrillas caused on the French troops led Napoleon to dub the conflict the "Spanish Ulcer."
In the war, the Spanish Guerrillas were notorious for their torture and murder of captured French troops, demoralizing them. While folklore would often elevate the status of local heroes, many of the leading guerrilleros were actually regular army officers commanding irregular "troops".
Navajas crossed the hands and drew the blood of soldiers and sailors, rogues and ruffians, and diplomats and aristocrats both in and out of Spain's borders.
The use of the navaja fostered a mystique, not only from Seville's back streets, but also from the seedy waterfronts of Barcelona, and the cosmopolitan promenades of Madrid. Regardless of their original intent, the navaja represented the ultimate means for resolving disagreements, misunderstandings, and problems that arose in dockside bars, darkened alleys, and an untold number of places not found in any guidebook; places where there is little reliance on legal recourses; places where you either catch a glimpse of steel and live - or miss it, and never know why you died.
Defence with the navaja had been reduced to a science, which has its regular school of instruction. The teachers gave lessons with wooden knives, and the most noted among them have their private strokes, which are kept secret for cases of emergency. The arts of the most accomplished swordsman are worthless, when opposed to those of an expert with the navaja. With his cloak or jacket wrapped about his left arm, his formidable weapon glittering in his right hand, and his lithe body poised for a spring, he is an interesting study for the spectator, as well as for his antagonist. The thumb is pressed tightly along the back of the blade, that every advantage may be taken of the flexibility of the wrist, in a struggle where the space of an inch is often a matter of life and death. The postures and guards are changed with bewildering rapidity, and, should the right hand be disabled, the cloak and knife are shifted in the twinkling of an eye, and the duel proceeds, until one or both the combatants are killed.
Albacete pocket and folding knives have been famous for centuries for their quality and large size. Their origins date back to the Muslim era, with the first written references appearing in the 16th century. To this day, they remain highly prized by experts and collectors.
Detail view in the gallery of a war memorial statue in Jaén, Spain, depicting a dead irregular combatant held by his companion brandishing a navaja from Albacete.
Also, the painting of Juan Malasaña avenging his daughter Manuela Malasaña on the streets of Madrid in 1808, during the Dos de Mayo uprising. Painted by Eugenio Álvarez Dumont
The Dos de Mayo or Second of May Uprising took place in Madrid, Spain, on 2–3 May 1808. The rebellion, mainly by civilians, with some isolated military action by junior officers, was against the occupation of the city by French troops, and was violently repressed by the French Imperial forces, with hundreds of public executions. These actions led to the Spanish people revolting against French occupation and outbreak of the Peninsular War, and ended the Franco-Spanish alliance in the Napoleonic Wars.
16 inches long overall, opened, blade 7.25 inches. read more
795.00 GBP
A Good & Nice Condition 1821 Pattern Light Cavalry Sabre. Designed For Service For The Dragoons, Hussars and Lancer's
Overall in bright and clean order, in very nice condition. With a good, steel later combat scabbard, with a superb snug fit, and a small mid section dent.
The pattern of British cavalry sword used from the Crimean War up to around the Battle of Omdurman period.
The Victorian-era British cavalry, spanning from 1837–1901, comprised distinct roles for hussars and dragoons, though these differences became increasingly ceremonial over time.
Hussars acted as light cavalry for reconnaissance, wearing highly decorative busbies and uniforms, while Dragoons (and Dragoon Guards) were heavier, riding larger horses for shock charges, wearing helmets.
By the late 19th century, both functions heavily merged.
Hussars (Light Cavalry)
Light cavalry, designed for reconnaissance, speed, and pursuing a broken enemy.
Uniforms: they wore iconic, elaborate blue jackets with yellow/white braiding (braided pelisse over the shoulder), tight trousers, and the tall fur cap known as a "busby," usually with a white-over-red plume.
Equipment: Armed with 1821 pattern curved swords (sabres) for cutting, and sometimes combined carbines. Due to tight trousers, they carried a "sabretache," a decorative leather pouch hanging from the belt used for carrying messages.
The hussar regiments included the
3rd,
4th,
7th,
8th,
10th,
11th,
and 15th Hussars, many of which were converted from light dragoon regiments. read more
The Lanes Armoury, World Renown As Britain’s Best Antique Museum-Shop and Gallery, Is Closed, As Usual, This Bank Holiday Monday 31st August. We Re-open Tuesday Ist Sept As Normal
Last Saturday, we had pass through our doors somewhere between 2,600 to 3,200 visitors, and, as usual, just about every one most kindly expressed we were probably the most interesting and incredible shop they had ever seen. And so many continually remarked we are not really a regular shop, we are far more like a museum and gallery, that happens to be a shop as well!. As literally, every single thing we show and offer for sale, is an incredible piece of history, and many pieces they have never before even seen, let alone offered for sale, anywhere else in the country.
One very polite young man said to us earlier, one afternoon;
“ where else in the world can you buy an arrowhead, fired by Alexander the Great’s army, for £65, sitting next to a gold fob chain, in the shape of a Zeppelin, given by the former captain and survivor, of doomed Luftschiffer airship, The Hindenburg, to a colleague in the RAF.”
Several decades ago back in the 1970s Mark used to have conversations on a fairly regular basis with President Ronald Reagan when he was still governor of California.
In one conversation President Reagan remarked “it’s a shame the whole world doesn’t know you exist. I know you’re really famous in the antique world, but most people in America will simply have not have heard of you, which is a great shame. I hope one day this will change.”
Well it did change, thanks to Tim Berners-Lee and the Internet, and various articles, from such as the New York Times, declaring we were the one of the most interesting places to visit in the whole of Europe, we have now expanded our presence, to literally, the entire world, with visitors every day from every possible continent and country you can imagine.
Once Mr. Reagan was elected president he mentioned in one call that he was going to visit Her Late Majesty at Windsor Castle, and he hoped very much to be able to visit again.
Sadly, after a visit from the Secret Service to Brighton, they decided that any visit to the town would be impossible due to the narrowness of the streets, and the size of the cortège that President Reagan had to be accompanied by, including up to three of the bespoke armoured limousines the president used, nicknamed by the Secret Service, ‘the beast’. In the 1970s and 80s these vehicles were simply huge , and they would never be able to negotiate the lanes of Brighton, or most of the streets of Brighton to be fair, in any way whatsoever.
However, we were graced and honoured to a passing visit by Her Majesty and Prince Philip, in March 2007, but of most of her entourage were in Range Rovers!
However, although closed Monday, we will re-open for our thousands of personal visitors and customers, this Tuesday as usual, but we are always contactable by email, or on 07721 010085 during our closing hours this Bank Holiday..
All website activity carries on 24-7 as usual .
Why not choose an ancient or antique original collectable for your loved one, or even you! Every day we try our utmost to supply all our customers with that something really special and unique, and as usual we believe have some simply amazing offerings, thousands of them from all over the world, from ancient to vintage, and every one a little part of history.
All our items supplied with our unique lifetime guarantee of authenticity, detailing its full history as known. The Lanes Armoury is proud to be known, as declared by many of our thousands of daily visitors, as their most favourite shop in all Great Britain!
Enjoy The Lanes Armoury Website, it Has Been Over 105 Years in the Making.
Probably the only shop in Europe where you can view, and buy, original collectables from over 300,000 years of human history, from almost every major civilisation
"Gloria Antika" { translated, from the Latin, ‘Glory of the Ancient’} our old family motto, and it has been for generations, are words we live buy every, single, day. read more
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A Superb Piece of Unique History. Admiral Lord Nelson's Hair Woven Into a Piece of Memorium Jewellery, A 'Momento Mori' Lyre Brooch of Extraordinary Quality. For Encouraging Those That Possess Them To Live More Fully In The Present.
Acquired from an Admiral Lord Nelson family of collectors, together with a small miniature portrait of the Admiral, the miniature of the full sized one painted by Lemuel Francis Abbott in 1797 for Lady Nelson.
Said to be, by the descendants of the Hamilton family from whence they came to us, made from a small lock of hair {given to them by Lady Hamilton, over 200 years ago, by Nelson's mistress}, that, some years after his tragic death, was intricately woven into a rigid weblike structure, and formed around very finely crafted gilt metal, into a mourning brooch of lyre form, to wear as a wedding gift, and it has been in the family ever since. The hair colour has subsequently darkened somewhat, from its original lighter colour, due to being lacquered to aid rigidity, handled and worn, possibly for decades. It originally had a small ivory slip engraved with its distinguished origin, and that it was given by Lady Hamilton to her relatives by marriage. Lady Hamilton, Nelson's infamous mistress, was married to Sir William Hamilton, who was the 4th son of Lord Archibald Hamilton, who was the 7th son of the 3rd Duke of Hamilton. We have been acquiring fascinating artefacts and antiquities from descendants of the 10th Duke of Hamilton these past 30 years or more.
That ivory slip was with it until just a very few years ago, when it was discarded by the dear ladies that last recently owned it, and from whence it came, to us. It was purposely removed due to HRH Prince William disapproving of ivory artefacts. This we consider a great shame, as it was very old, an antique of around 210 years vintage, and simply nothing was gained by its sad removal and loss.
Of course there is absolutely no possibility for us to definitively state it was indeed Nelson's hair, as a provable fact, as any DNA test would likely damage its integrity, but its most highly likely potential, due to its origin, is most intriguing. However, we have acquired pieces from the family for 30 years or so, and heve never had a single reason to doubt any provenence past on to us previously, so, in our opinion it is absolutely correct to have been made from Nelson's hair as a momento mori.
The miniature that came with it {and is not for sale} bears a hand written label glued at its back, still present, to note it was it's full sized original was in the National Portrait Gallery that {opened in 1856}. The original is by Lemuel Francis Abbott
an oil on canvas, was painted in 1797
This is one of the many portraits Abbott painted of Nelson and it is perhaps the most widely recognised of the whole Nelson iconography. It depicts him in rear-admiral's uniform wearing the Star and Ribbon of the Bath and the Naval Gold Medal, awarded for his victory at the Battle of St Vincent (1797). The original portrait was painted for Captain Locker of the Greenwich Hospital. This full sized version, commissioned for Lady Nelson, was also taken from life. Although Nelson only sat to him twice, Abbott subsequently copied the picture over forty times. The copies gradually declined in quality as the artist became mentally ill but this was no bar to their popularity. Many were purchased by Nelson's naval colleagues, his family and friends.
In July 1798, Nelson's wife wrote to him: 'My dearest Husband - I am now writing opposite to your portrait, the likeness is great. I am well-satisfied with Abbott… it is my companion, my sincere friend in your absence…
Nelson's pigtail (or queue), was cut off after his death at the Battle of Trafalgar 21 October 1805. It is sandy-coloured hair, bound with black ribbon, which is tied in a bow. Surgeon William Beatty records in his "Narrative of the Death of Lord Nelson" that Nelson asked that Lady Hamilton should have his hair. The pigtail was cut off after his death and Hardy delivered it to Emma Hamilton after the Victory's arrival in England. Small locks of hair were given to relations and close friends, and some pieces were mounted in special mourning rings and momento mori lockets. What remains of Nelson’s queue is now part of the National Maritime Museum Collection.
Memento mori is a Latin phrase that means "remember you must die". It refers to the concept of a memento mori object or artistic genre that reminds people of their mortality and the impermanence of life, encouraging them to live more fully in the present. Common symbols used to represent this concept include skulls, hourglasses, extinguished candles, and decaying flowers or fruit.
Classical Antiquity: The idea of remembering death's inevitability has roots in ancient Greek and Roman philosophy, with figures like Socrates discussing philosophy as a preparation for death.
Christianity and the Medieval Period: Memento mori became a significant concept in Christian art and funerary practices, serving as a reminder to prepare for the afterlife.
Artists use memento mori symbols to convey the theme of mortality and the transient nature of earthly pleasures. Some common symbols include:
Skulls and Skeletons: Direct representations of death.
Hourglasses and Clocks: Symbols of passing time.
Flowers and Fruit: Representing beauty and life that quickly decay and fade.
Candles: An extinguished or guttering candle signifies the fading of life.
The practice of memento mori is not just about confronting death but about appreciating life. The realization of one's mortality can inspire greater gratitude for the present moment and encourage a more focused, meaningful life. It helps people to prioritize what truly matters and not take loved ones or experiences for granted. read more
A Magnificent 95th Rifles, 1803 British Light Infantry Officer's Sabre of the Napoleonic Wars, The Peninsular War Campaign, The War of the Hundred Days Culminating in Quatre Bras, and Waterloo. with Engraved 'Britannia' Blade. Bespoke Made by Osborne
Used in the Peninsular War, Waterloo & The War of 1812 by a British Officer of a light infantry such as the famous 95th Rifles, or the flank light company of a Guards regiment. Such as that fought at Hougemont in The Battle of Waterloo. and the 95th Rifles that held "The Sandpit" near La Haie Sainte, Waterloo
A singularly beautiful sword, with near mint mercurial gilt hilt, that was designed for battle but was stunningly serviceable for full dress.
It has a carved slotted hilt with the 95th Rifles bugle, the pierced cypher of King George IIIrd, as the inner design within the knuckle bow, and adorned with a wonderfully detailed lion's head pommel, with fine triple wire binding around the spiral sharkskin grip.
This is the pattern of British Light Infantry and Rifles Officer's sword carried by gentlemen officers who relished the idea of combat, but found the standard 1796 Infantry pattern sword too light for extreme combat.
The light infantry regiments were made up of officers exactly of that mettle. The purpose of the rifles light infantry regiments was to work as skirmishers. The riflemen and officers were trained to work in open order and be able to think for themselves. They were to operate in pairs and make best use of natural cover from which to harass the enemy with accurately aimed shots as opposed to releasing a mass volley, which was the orthodoxy of the day.
The riflemen of the 95th were dressed in distinctive dark green uniforms, as opposed to the bright red coats of the British Line Infantry regiments. However the Light Infantry Companies of the Guards Regiments wore red. This tradition of green uniforms lives on today in the regiment’s modern equivalent, 'The Rifles'.
This sabre has a few hand to hand combat cuts in its edge likely from Quatre Bras or Waterloo, and as it still remains sharp. These impacts are highly respected as indicative of the sword's combat pedigree against Napoleons forces.
The standard British infantry and light infantry regiments fought in all campaigns during the Napoleonic Wars, seeing sea-service at the Battle of Copenhagen, engaging in most major battles during the Peninsular War in Spain, forming the rearguard for the British armies retreat to Corunna, serving as an expeditionary force to America in the War of 1812, With the return of Napoleon from exile, all of the companies in England crossed the channel and landed in Belgium in May 1815, joining with those already present, so that the entire regiment, bar the five companies still in America, became part of Wellington's Anglo-Dutch army. The first battalion went on to fight at the Battle of Quatre Bras on 16 June 1815, while all three battalions would fight at the Battle of Waterloo on 18 June 1815
During the battle of Waterloo the 95th Rifles held "The Sandpit" near La Haie Sainte, near the centre of the fighting. From this covered position they could target the French columns marching to both sides & the attackers on the chateau.
In 'Burke at Waterloo', by Tom Williams, Burke’s sergeant, William Brown, is fighting alongside the riflemen, and the account accords well with real accounts of the battle for the farm.
"At last the drummers started to beat amongst the ranks of blue-uniformed warriors and the columns began to bear down on La Haye Sainte. They advanced at a quick step with loud cries of ‘Vive l’Empereur!’ From the heights behind William came a murderous artillery fire that struck down dozens of the advancing soldiers, but they came on regardless.
Now they had reached the beginning of the slope. As they approached La Haye Sainte, skirmishers broke out from the head of each of the columns. Finally, the 95th had something to shoot at. The sound of their rifles was almost lost in the din of artillery as French and British guns duelled across the battlefield.
The farm ahead of them was now the scene of desperate fighting. The French had the place surrounded on three sides, pouring fire into the farmyard. A French brigade moved towards the north of the farm to complete its encirclement. As they did so, they came within range of the sandpit and the Rifles opened up on them. William fired, reloaded and fired again. There was no careful wrapping of the balls now. He rammed home his ammunition as fast as he could. With the enemy so close, it was speed, not accuracy, that was needed. There were so many that it seemed almost impossible not to hit them. The French dropped by the score, but as fast as the men of the 95th killed them, more blue-coated figures moved to replace the dead. Outnumbered as they were, it could only be a matter of time before the Rifles were overrun.
Then, to William’s amazement, the brigade swung away, as if unwilling to face the men in the sandpit. If they were trying to escape the Green Jackets, though, this manoeuvre went horribly wrong, for their change in direction took them straight towards the company that were hidden in the hedge. Once again, their ranks were decimated by British rifle fire.
For a moment, William thought that their three companies of Rifles might achieve the impossible and beat back the French brigade, but, even as the French hesitated, an outburst of firing and cheers drew everyone’s attention to the east. There, through the chaos of smoke, he could see men in the dark blue of the Belgian infantry breaking back towards the main Allied lines while the lighter blue of the French pursued them.
Their captain saw it too, cursed, briefly but fluently, and then turned to his sergeant. ‘The Belgians have broken. We’re too exposed. We have to withdraw.’
William already had his rifle at his shoulder, so he pulled the trigger and took down one more Frenchman. Then, with the rest of the men of the 95th, he started heading back to their own lines.
and holding their positions against tremendous odds at the Battle of Waterloo."
The 1803 Sabre has frequently described as one of the most beautiful swords ever carried, and it was used, in combat, in some of the greatest and most formidable battles ever fought by the British Army during the Napoleonic Wars in Europe the Peninsular Campaign and Waterloo. This is a very attractive sword indeed and highly desirable, especially for devotees of the earliest era of the British Rifle Regiments, such as the 95th and the 60th. As a footnote, in Bernard Cornwall's books of 'Sharpe of the 95th', this is the Sabre Major Sharpe would and should have carried if he hadn't used the heavy cavalry pattern troopers sword, given to him in the story in the first Bernard Cornwall novel.
Overall this battle cum dress sword is in very good order and quite stunning. Near mint mercurial gilt hilt, and fine sharkskin and original triple wire binding to the grip,the scabbard leather is good with two effective contemporary field service leather repairs and very good scabbard mounts, with twin hanging rings, and a top fitting frog mount. The blade is finely engraved, with gilt within the engraving, of Britannia with her Union Flag shield, the Kings Royal Cypher, scrolls, maker mark of Osborne, and in combat service condition, with all its deluxe engraving, mostly clear, but with numerous areas of old russetting and pitting. read more
1895.00 GBP
Rare & Highly Desirable Prussian M1860-98 Fusilier Sword-Bayonet, Originally Made For the Dreyse Needle Fire Rifle, Used in the Franco Prussian War Service. Then Upgraded By The Prussian Ordnance For A Mauser Gew98 Guard Reserve Fusiliers Regiment For WW1
This rare recognised service pattern issued bayonet is an absolute corker! After a detailed appraisal we have determined it would be near impossible to find a better example, anywhere, including museum collections, of this highly rare bayonet. Especially so as it is stamped and marked with so many details of its past service history in both iconic Imperial Prussian German wars.
In fabulous condition, regimentally marked and German inspection proofed throughout its service life, from 1860 up to 1918. a rare beauty made even rarer still due to its condition. The blade ricasso is first issue date stamped, {61} for 1861 with Prussian inspection stamp. The regimental stamping on the scabbard throat mount is for a WW1 Guards Fusilier regiment, with regiment numbering 3, and sword-bayonet number 146, and above them, the deleted previous 1860’s stampings for its service in the Guard Fusiliers Regt. 2? {now difficult to decipher} in the Franco Prussian War from 1869. The hilt pommel is WW1 inspection stamped. The brass scabbard throat opening is further marked with Franco Prussian War inspection stamps
The Prussian M1860-98 designation refers to the extended service use life of the Model 1860 Fusilier Sword Bayonet, which was originally issued for the Dreyse needle-fire rifle, and later updated through successive rifle eras up to 1898 and World War I.
Initial Adoption and authorized on August 4, 1860, the M1860 sword bayonet was custom-built for the new Dreyse Zündnadel-Füsiliergewehr (Model 1860 Fusilier Needle-Fire Rifle).
During the Franco-Prussian War (1870–1871), the Guards Fusilier Regiment (Garde-Füsilier-Regiment) served as an elite light infantry unit within the Prussian Guards Corps, participating in major campaigns including the battles of Gravelotte and Sedan, as well as the Siege of Paris.
At the Battle of Gravelotte (August 18, 1870): Fusiliers fought fiercely in one of the bloodiest engagements of the war, helping secure a strategic victory against the French.
At the Battle of Sedan (September 1, 1870): They Participated in the encirclement and decisive defeat of the French Imperial Army.
In the Siege of Paris (1870–1871): They Maintained operational lines and containment during the prolonged investment of the French capital.
Their service In WW1
The Guards Fusilier Regiment (Garde-Füsilier-Regiment) and reserve, were an elite infantry unit of the Prussian Army's Guard Corps (Gardekorps), garrisoned in Berlin.
During World War I, it fought as a premier frontline formation on both the Western and Eastern Fronts, suffering heavy casualties as part of the German Imperial elite forces.
1914 (Western & Eastern Fronts): They Fought in the initial invasion of France and Belgium (including the Battle of the Marne), then shifted east to counter Russian offensives (including operations in Poland and East Prussia).
1915–1917: Engaged in intense trench warfare and major defensive/offensive battles on the Western Front, including the Somme and operations in Flanders.
1918: Participated in the German Spring Offensive (Kaiserschlacht) before facing the final Allied Hundred Days Offensive.
It originally featured a distinctive cast-brass hilt with a T-shaped slot, a leaf-spring locking button, a steel crossguard with an "S"-shaped quillon, and a 21mm muzzle ring.
It uses a powerful and robust, roughly 500mm "quill-back" or pipe-backed blade designed to double as both a sidearm and a heavy cutting tool for light elite infantry.
Conversions and the Model 1898 Transition
Mauser 1871 Adaptations: Following the introduction of the single-shot Mauser Model 1871 rifle, surplus M1860 fusilier blades and modified variants were reissued, often resized or repurposed for foot artillery units (Artillerie-Seitengewehr) by altering muzzle ring dimensions.
The 1898 upgrades as the German military transitioned to the bolt-action Gewehr 98 (Model 1898) rifle, older high-quality blades like the M1860 and M1871 were recycled.
By 1913 (culminating in configurations like the 71/98 and related patterns), armourers mated these trusted, long fusilier blades onto modern {at the time} 98-style handles and pommels.
These hybrids allowed artillery, and reserve troops (Landwehr/Landsturm) to maintain effective sidearms well into the First World War.
The blade is near mint, the scabbard also near mint, the hilt is excellent, with the ventilation oiling holes, at the bottom of each wooden grip side, now no longer round but slightly misshapen with light cracking {but still perfectly sound} due to age and service use. read more
625.00 GBP
An Excellent, Victorian, Zulu War Service Royal Artillery Officers Combat Weight Sword Commissioned From Jones & Company, 6 Regent Street London of 1875 For A RA Officer That Served in The Zulu War Commanding A Gatling Gun Unit In 1879
The officer of this sword apparently served under Major Owen, of the Royal Artillery Gatling Battery.
Good traditional three bar hilt with wire bound sharkskin grip, and a nicely bright combat weight blade, deluxe etched throughout, with Royal VR crest and Honi Soit Qui Mal y Pense, Royal Artillery crest of the canon with motto, Ubique. Plus the Royal Artillery badge of the winged lightning flashes between 'Royal' and 'Artillery'. In superb condition for age. Steel combat weight scabbard.
The British forces of the Royal Artillery used Gatling guns during the Anglo-Zulu War of 1879. Though relatively few in number, these early hand-cranked rapid-fire machine guns were deployed in key engagements like the Battle of Gingindlovu and the decisive Battle of Ulundi.
A Gatling gun saw early operational land use during the campaign at the Battle of Inyezane in January 1879.
Gatling guns were placed at the corners of defensive infantry squares and wagon laagers.
Issued to support British columns as rapid-fire supplements to standard artillery (such as 7-pounder and 9-pounder guns) and Martini-Henry rifles.
However they were prone to jam with the black powder cartridges of the era and cumbersome to move rapidly across rough Zululand terrain, meaning standard rifles and field cannons still carried the brunt of the combat weight.
Army Gatlings were on carriages similar to those of field guns, and were manned by a Royal Artillery battery under Major J.F. Owen, in the Zulu War. Naval Gatlings were on smaller carriages, but accounts of the war do not mention the calibre of these guns.
Gatlings for British service were destined to take the Boxer cartridge of 1866. These were not suitable, and early trials invariably led to the guns jamming as the empty case stuck in the chamber, and the extractor tore through the rim. Changes were made, but ammunition problems remained.
The nature of the war in Zululand meant that Gatlings were used against massed Zulu charges at close ranges, and they were very effective. Their part in the Battle of Ulundi illustrates this fact.
Combined with heavy 9-pounder field artillery and rapid Martini-Henry rifle fire, the Gatling guns helped break massed Zulu charges by sweeping open ground.
Heavy guns certainly played an important part in the Zulu War, but, as in many colonial wars, their use was one-sided. The Zulus had no artillery, and they made no use of the two guns they captured at Isandlwana.
All the main British columns had their guns, and they played a prominent part in the battles and sieges of the war. Some of the guns were obsolete by British Army standards. Nevertheless, the artillery used in the Zulu War tells an interesting story of the changes then under way from breech to muzzle loading, in the use of rockets, and of rapid fire weapons as illustrated by the Gatling gun used by the officer that owned this sword.
In 1879, the Royal Artillery was divided into horse, field and garrison batteries. Batteries were organised in brigades, and it was possible to identify the type of battery by its letter or number designation, or both.
For example, horse artillery had lettered batteries and brigades. Field artillery batteries were lettered whereas their brigades were numbered. Garrison batteries and brigades were both numbered.
N/5 Battery (or N Battery 5th Brigade) was therefore a field battery. 11/7 Battery (or 11th Battery 7th Brigade) was a garrison battery.
The Royal Artillery manned guns in Zululand but the Naval Brigades were also prominent in this respect.
Apart from the guns, all batteries carried rockets - one 9 pr trough per section of two guns. The Naval rockets were 24 pr tubes. Finally, there were the Gatlings - once again, Army and Naval versions. Isandlwana - 22nd January, 1879
Section N/5 Battery Two 7 prs, Rocket Battery Three rocket troughs
N/5 Battery (less one section) accompanied Lord Chelmsford on his abortive reconnaissance in force, and took no part in the battle. The Rocket Battery, with its equipment carried on mules, then accompanied Col Durnford's force when it also moved out of camp; but the battery was unable to keep up with the remainder.
When firing was heard to their left, the Rocket Battery and its escort turned in that direction, but they were almost immediately engulfed by the Zulus. There was only time to get off one rocket before the enemy was upon them.
Maj Stuart Smith, the Captain (or second in command) of N/5 Battery, returned from Lord Chelmsford's force before the Zulus attacked, and took command of the artillery left behind. This only amounted to one section of two guns-and fifty men left in camp.
The Zulus advanced very rapidly when they attacked. The guns opened fire, but it was soon necessary to change to case shot, which is not normally used at ranges greater than 300 m. The two guns were quite incapable of stopping the Zulu masses. After a round or two, the order was given to retire. Maj Stuart Smith was wounded, and there were other casualties as well. There was no time for the men to take their seats on the guns and limbers when the guns moved off, and they had to run alongside the guns.
The intention was to take up another position at the camp, but the Zulus were there first. The guns went straight through the camp, losing more men on the way. Eventually, they became stuck in a ravine, and the drivers, who now alone remained, were pulled off their horses and killed. There was no time to spike* the guns.
{*To spike a gun, a spike (like a nail) was hammered into the vent, thus preventing the firing of the gun.}
N/5 Battery had lost Maj Stuart Smith, 61 NCOs and men, two guns, 24 horses, 30 mules and 534 rounds of ammunition. The Rocket Battery lost Maj Russell, six men and all its equipment. Kambula - 29th March, 1879
11/7 Battery (less one section),Four 7 prs, Rocket Section, Two rocket troughs, Section 7 prs Two 7 prs. Lt Nicolson's 7 pr section was in the redoubt, while the four guns of 11/7 were in action outside. Nicolson was mortally wounded early in the action.
With a muzzle loading gun, it was necessary for one of the men to 'serve the breech' by placing his thumb on the vent during the sponging out after each round was fired. This prevented a draught which could cause the smouldering fragments of the previous cartridge to burst into flame. The Zulu attack at Kambula was so fierce and the guns, as they poured forth shrapnel and case, became so hot that water had to be poured over them to allow the breeches to be served.
After his capture, Cetewayo said that it was only with the greatest difficulty that his men could be forced to face the guns. One round of case killed ten headmen of his own regiment, in addition to wounding others.
Ulundi - 4th July, 1879
N/5 Battery Two 7 prs,
N/6 Battery, Six 9 prs,
Half O/6 Battery. Ammunition Column,
11/7 Battery (less one section), Four 7 prs
This was the artillery of the 2nd Division and the Flying Column, less four guns of N/5 Battery, and two of the Gatlings.
One section of two 7 prs was at Fort Marshall, and the other section was at Fort Evelyn. The Gatlings were left at Fort Newdigate.
For the battle, the guns were placed on all sides of the British square, in order to meet the Zulu attack, from whatever direction it might come. They were in action just outside the infantry line, or in gaps left for them. When the Zulus attacked, the cavalry moved clear, and fire was opened at a range of over 2000m.
Although the action was short, and ammunition expenditure was low, some guns used all their case and had to fall back on reversed shrapnel, which had a similar effect. Later, Zulu dead were counted in groups at less than 30m from N/6 Battery's guns.
The Gatlings achieved considerable success, although they jammed several times. The London Standard reported: 'When all was over and we counted the dead, there lay, within a radius of five hundred yards, 473 Zulus. They lay in groups, in some places, of fourteen to thirty dead, mowed down by the fire of the Gatlings, which tells upon them more than the fire of rifles.'
The battle was over in half an hour. The mounted troops were sent out in pursuit and, when there were signs of a rally, a section of N/6 soon dispersed the gathering.
Overall hilt and scabbard with service grey finish, with superb bright blade. Scabbard bottom section with edge defensive spear cuts, and small denting
A photograph in the gallery is of a Zulu War Gatling battery and one officer bearing his same three bar RA sword held in his left hand. read more
1195.00 GBP
A Very Rare Antiquity of Ancient Roman Empire. The 1st Roman Legion, Late 1st century AD, Rectangular Building Block With Stamped Text 'LEG I ITAL' for 1st Legion 'Italica';
A notable and substantial piece formerly from the renown Scammell Collection of ancient artifacts. Its original mortar is still attached to the reverse. LEG I ITAL was the first legion raised by Emperor Nero in September 66 AD. In 181 AD, Marcus Valerius Maximianus, an important Roman general, was the general of the 1st Legion Italica, and he was a confident of Emperor Marcus Aurelias, during the period of the Marcomannic Wars. It is said he inspired the composite fictional general Maximus Decimus Meridius, the main character and Roman General in Gladiator played by Russell Crowe, and it was the Marcomannic wars that are depicted in the earliest scenes in Gladiator in which the fictional Marcus Valerius Maximis was a commanding general. Marcus Valerius Maximianus was placed in charge of detachments of the praetorian fleets of Misenum and Ravenna and also of African and Moorish cavalry used for scouting duties in Pannonia. While on active service with the cavalry Maximianus killed a Germanic chieftain named as "Valao, chief of the Naristi" with his own hand and was publicly praised by the Emperor, who granted him the chieftain's "horse, decorations and weapons". He was appointed prefect of the lance-bearing cavalry and was in charge of the cavalry. The Ist Legion was still based on the Danube in the 5th century. We show a Roman marble bust of Emperor Marcus Aurelius who was played by Richard Harris in Gladiator. The main fighting unit of the Roman army was the legion. During the first three centuries of the empire the army contained between 25 and 34 legions. Each legion was made up of about 5000 men recruited from the citizens. Although the soldiers of the legion were Roman citizens, they were drawn from all walks of life and legions often consisted of natives from conquered countries.
The legion contained within its ranks troops trained and equipped to perform many duties in wartime and peace. Although the vast majority of soldiers served as heavy infantry, other legionaries fought as cavalry, archers or light infantry. Other troops operated artillery such as the ballista, onagar and scorpio The troops were however not solely prepared for combat. Legionaries regularly served as engineers constructing fortifications, roads and bridges. As the legion counted among its complement a vast number of men with special skills, it was in many ways self-supporting. A large part of its military equipment could be produced by craftsmen drawn from the ranks. Soldiers trained as surveyors, engineers and architects ensured that the legion needed little outside help for its building requirements. As far as a Legion travelled it built buildings, bridges, even sewer systems. And their efforts were stamped upon some of their building bricks to show which legion had constructed them. There are some parts of London that still bear bricks stamped by their engineers of the Roman Legions. Bricks, blocks and tiles stamped P.P.BR.LON or some variant of this has been found associated with the traces of the old Roman palace off Cannon St. Whatever the meaning of the first P, it is clear that the P.BR.LON or PR.BR., as it sometimes appears, is an abbreviation for PROVINCIAE BRITANNIAE LONDINII. At the site of a Roman bath house in Jerusalem, three of the bricks recovered bore the same style of rectangular stamped impression of the Roman Legio X Fretensis – stamped thus LE X FR. Legio X Fretensis ("Tenth legion of the Strait") was a legion of the Imperial Roman army. It was founded by the young Gaius Octavius (later to become Augustus Caesar) in 41/40 BC to fight during the period of civil war that started the dissolution of the Roman Republic. X Fretensis is then recorded to have existed at least until the 410s. This Roman block is from the private collection of Antony John Scammell (1937-2019); acquired on the UK art market from 1960. Antony John Scammell (1937-2019) was born, and lived his entire life, in the city of Bristol, England. Already from an early age he was enthralled by history and the heroes that it created. While serving overseas with the British Army, Antony began collecting coins and banknotes and this led to collecting a variety of different items throughout his life. From the early 1960s onward, Antony invested in acquiring ancient artefacts. Antony's vast collections started with Egyptian antiquities, but soon branched into Greek and Roman civilisations. The Roman civilisation fascinated him most and, when family commitments allowed, archaeological digs were coordinated in the west of England. These digs uncovered numerous artefacts, many of which were donated to local museums. In retirement, the collecting continued apace, branching into UK coins, British Empire banknotes and fossils. It weighs 4.6 kg, and is 19 x 19cm (7 1/2 x 7 1/2"). read more
1450.00 GBP
Archaic Zhou Dynasty Bronze Halberd or ‘Ge’ Circa 5th Century BC the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu
From a collection of ancient Chinese weapons we recently acquired including three 'Ge'. This is the very type of original ancient ceremonial halbard, defined by the ancient Chinese as a dagger axe 'Ge' and exactly the type as used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
In excavated condition, cast in one piece, slightly curved terminal blade of flattened-diamond section, pierced along a basal flange with three slots, and a hole with fabulous areas of crystallized malachite, blue/green patina.
We also show in the gallery a schematic of how this 'Ge' halbard would have been mounted 2500 odd years ago on its long haft, and used by a charioteer warrior, there is also one depicted being carried in a painting that we show in the gallery being used in a chariot charge in the Zhou dynasty.
This is a superb original ancient piece from one of the great eras of Chinese history, it is unsigned but near identical to another that was signed and inscribed with details that have now been fully translated, deciphered and a few years ago shown at Sothebys New York estimated to a sale value of $300,000. Its research details are fully listed below, and it is photographed within our gallery for the viewers comparison. Naturally, our un-inscribed, but still, very rare original version, from the same era and place, is a much more affordable fraction of this price
The signed and named Sotheby's of New York example that we show in the gallery, was formerly made for its original warrior owner, Qu Shutuo of Chu, it is from the same period and in similar condition as ours. We reference it's description below, and it is photographed within the gallery, it is finely cast with the elongated yuan divided by a raised ridge in the middle of each side and extending downward to form the hu, inscribed to one side with eight characters reading Chu Qu Shutuo, Qu X zhisun, all bordered by sharply finished edges, the end pierced with three vertically arranged chuan (apertures), the nei with a further rectangular chuan and decorated with hook motifs, inscribed to one side with seven characters reading Chuwang zhi yuanyou, wang zhong, and the other side with five characters reading yu fou zhi X sheng, the surface patinated to a dark silver tone with light malachite encrustation
An Exhibition of Ancient Chinese Ritual Bronzes. Loaned by C.T. Loo & Co., The Detroit Institute of Arts, Detroit, 1940, pl. XXXIII.
New Orleans Museum of Art, New Orleans, March - June 1948.
This inscribed bronze halberd blade, although typical in form, is uniquely important as its inscription serves as a critical primary source that reveals the name of its original owner: Qu Shutuo of Chu. The only known close counterpart to this blade is a damaged bronze halberd blade, missing the yuan, and inscribed on the hu with seven characters, which can be generally translated to ‘for the auspicious use of Qu Shutuo of Chu’. That halberd is now in the collection of the Hunan Provincial Museum, Hunan, and published in Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng Compendium of inscriptions and images of bronzes from Shang and Zhou dynasties, vol. 32, Shanghai, 2012, no. 17048
The remaining thirteen inscriptions can be translated as: 'Qu Shutuo of Chu, Qu X's grandson, yuanyou of the King of Chu'. Based on the inscription, the owner of this blade can be identified as such.
See for reference; The Junkunc Collection: Arts of Ancient China / Sotheby's New York
Lot 111
We also show in the gallery a photo of another similar halberd from a museum exhibition, of a Chinese ancient king bodyguard’s halberd gilt pole mounts for his personal charioteer
This is one of a stunning collection of original archaic bronze age weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. Approx 8.5 inches across.
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1895.00 GBP
A Most Rare & Beautiful British Percussion Half Stock Light Rifle By Isaac Riviere. A Very Finely Regarded London, Bespoke, Hand Made Rifle Maker Holding Patent for His Unique Percussion Action Designs
The Riviere gun making family were Huguenots that fled France and settled in London, this rifle likely by Isaac Riviere. A very lovely rifle in a very fine state of condition. It clearly shows this to be an excellent example of British hand made finest gunmaking, at its very best, in the 19th century.
Approx 12mm rifled 10 bore. The barrel shows a nice contrasting plum and darker brown Damascus pattern its full-length. There is a simple silver bladed front sight and folding rear twin site, with the maker name ''Riviere Rifle Gun Maker London'' on the top flat ahead of the breech. The breech shows some nice mottled smoky colour with a platinum blowout plug on the bolster, and hook breech. barrel affixed to the stock with a barrel key. There is nice quality scroll engraving on the tang which shows nicely.
The English walnut stock is highly figured and rates very fine with excellent original varnish and overall light dings and handling marks from the years. It features a checkered pistol grip area. with its original ramrod with screw cap covering the worm screw for extracting missfires.
The stock bears its two original sling swivels.
Fine steel mounts and fittings.
Overall in superb condition for age, with a fine hairline in the stock behind the lock. read more
1450.00 GBP