Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale

Our beautiful pieces from history are not always just for looking at, some can still be enjoyed and worn for every one to see.

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many other pieces, have been just been offered upon the site within the past week.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix  read more

Code: 24055

Very Fine 1889 Pattern Regimental Officer's Sword WW1 Imperial Prussian Eagle Guard With Crest of Kaiser Willhelm IInd. Surrendered on the 4th of May 1945. A Few Hours Before The Official Instrument Of Surrender Was Signed at 18.30 Hours

Surrendered by a veteran staff officer of Generalmajor Hans Kienast, but most regrettably there was no written record kept of the name of the colonel that surrendered it. This surrender was a precursor to the final unconditional surrender of all German forces (V-E Day) on May 8, 1945.

Overall the sword is in excellent condition, with its original multi wire bound sharkskin grip fully original and intact. Bronze guard, with the personal monogram of the Kaiser upon the grip, and guard depicting the Imperial Prussian Eagle, pieced and in relief. Double fullered blade and it’s original all steel combat scabbard. The blade bears the Kaiser Wilhelmi W Crown proof inspection mark.

1889 Pattern Prussian Officers sword with cast Eagle guard, multi wire bound sharkskin grip, excellent condition double fullered blade and black lacquered steel combat scabbard. Kaiser Willhelm Crest to grip.
Many of these swords were also used in the 3rd Reich by veteran officers serving in WW2 after their service in WW1, as was this great example.

Numerous Vintage photographs of WW2 German Officers show them wearing this pattern of sword, including one in the gallery of Generalleutnant Hans von Donat with his identical sword.

This sword was taken at the official event of the German high command requesting surrender terms to Montgomery at 2nd army HQ on May 3rd, all of the participants were disarmed, unfortunately it is not known from whom this sword was taken.

See our original official photograph from this special and monumentally important historical event, taken on the 3rd of May 1945. It is of Field Marshal Montgomery, Admiral von Friedeburg, General Kinzel and Rear Admiral Wagner plus aides .The unconditional surrender was not ‘officially signed until a few days later as Stalin insisted his generals must be present. Overall this sword is in excellent condition.
Field Marshal Montgomery greeted for the surrender the German delegation (Admiral von Friedeburg, General Kinzel and Rear Admiral Wagner).
The images were taken by the British Army Film and Photographic Unit.

Field Marshal Montgomery signed the terms of the surrender watched by Rear Admiral Wagner and Admiral von Friedeburg.
On 4 May 1945, at 18:30 British Double Summer Time, at Lüneburg Heath, south of Hamburg, Field Marshal Sir Bernard Law Montgomery accepted the unconditional surrender of the German forces in the Netherlands, northwest Germany including all islands, in Denmark and all naval ships in those areas. The surrender preceded the end of World War II in Europe and was signed in a carpeted tent at Montgomery's headquarters on the Timeloberg hill at Wendisch Evern. Lüneburg had been captured by the British forces on 18 April 1945 with Montgomery establishing his headquarters at a villa in the village of Häcklingen. A German delegation arrived at his tactical headquarters on the Timeloberg hill by car on 3 May, having been sent by Großadmiral Karl Dönitz who had been nominated President and Supreme Commander of the German armed forces by Adolf Hitler in his last will and testament on 29 April. Dönitz was aware of the allied occupation zones intended for Germany from a plan that had fallen into German hands. He therefore hoped that protracted partial and local surrender negotiations might buy time for troops and refugees in the east to seek refuge from the Red Army, whilst holding open a pocket to provide sanctuary on the west bank of the River Elbe.

Dönitz did not think it appropriate to negotiate personally with a field marshal as he had become the head of state following the death of Adolf Hitler. He therefore sent the delegation headed by the new Commander-in-Chief of the German navy Admiral Hans-Georg von Friedeburg. Montgomery refused an initial offer to surrender Army Group Vistula which was being cut off to the east by the Red Army and demanded the unconditional surrender of all forces on his northern and western flanks. The Germans stated that they did not have the authority to accept Montgomery's terms. However they agreed to return to their headquarters to obtain permission from Dönitz.

The German officers returned the next day at 18:00 with an additional delegate, (Colonel Fritz Poleck) representing the Oberkommando der Wehrmacht, (the German armed forces high command). Von Friedeburg was ushered into Montgomery's command caravan for confirmation that they were ready to sign. For the surrender ceremony Montgomery sat at the head of a table with an army blanket draped over it and two BBC microphones in front of him; he called on each delegate in turn to sign the instrument of surrender document at 18.30. The surrender ceremony was filmed by the British Pathé News and recorded for broadcast on radio by the BBC with a commentary by the Australian war correspondent Chester Wilmot. The intimate detail of document translation and conversation interpretation was supervised by one of Montgomery's senior intelligence officers Colonel James Oliver Ewart.

We acquired it from the same family that had another German sword, surrendered at the save surrender signing, four years ago.

Photo shown in the gallery, that we once had, taken at time of the surrender of this sword, with Field Marshal Montgomery in May 1945  read more

Code: 26139

A Beautiful and Original Antique Mandingo Chieftain's Slave and Gold Trader Sword With Tattoo'd Leather Scabbard

In superb condition for age, certainly showing signs of use but wonderfully cared for. Tradition antique African tribal weaponry are incredibly sought after today, especially as unique pieces of interior decoration to display their beauty and historical appeal

Photos to add today.

A chieftain's weapon of Mandingo slave and gold traders. The Manding (Mandingo) are West African people. Their traditional sword for the slave traders comprises a sabre like blade, guardless leather grip and scabbard with exquisite leather work.

This example is a long sized example, of a high ranking Mandingo, of very nice quality and finely tattooed. inches long curved blade, leather grip and leather scabbard with leaf shaped widening tip, entirely tooled tattooed and decorated. Of special interest is the finely bound and decorated leather work. These weapons are well known for their leather-work and the tattooing applied to the leather of the scabbards. The iron work skills are typical of the region and period. Many blades are taken from European weapons such as sabres and cutlasses.

While the Baule are a distinct tribal group to the west, it is important to observe that Malinke is a variant term applied to the Mandingo (also Manding, Mandin, Mande).
In general, these remain primarily considered Mandingo weapons, and from regions in Mali. These were of course invariably mounted with European sabre blades. Mandingo Tribe (also known as the Mandinka, Mande, or the Malinke Tribes) were the traders of the African West Coast, trading primarily in gold and slaves from other African tribes. The blades comes out a little from the chape. Small areas of leather separation on the scabbard binding. Picture in the gallery of an 1850's engraving of a Mandingo Chief and his sword bearer.  read more

Code: 17967

Beautiful Signed, Takeda Clan Mon Katana, With a Stunning Notare Midare Hamon. Traditionally Samurai Mounted Katana in Fine Polish, By Seki Yoshimitsu. Edo Period Shakudo Tsuba. Samegawa Saya With Flecked Lacquer. An Incredible Bargain For A Collector

A very good 1930’s Japanese sword, signed by {Noshu} Seki ju Yoshimitsu, likely a sword of Takeda Sōkaku, the 20th century Takeda clan leader, and renown martial artist, until his death in 1943. The blade in superb polish showing a very fine notare midare hamon with great activity, and, in superb condition, the habaki {blade collar} is it's deluxe, traditional, hand made example, gold coated, from the 1930's. In just a very few years this will be not only what it is currently today, an original Japanese sword, but, also, an antique samurai sword

This katana is really beautiful, and extraordinarily inexpensive, thus we will be very surprised if it remains available for very long.

Photos to be added today the 3rd March.

This sword is mounted, in the traditional samurai katana manner, with antique and vintage fittings. The Edo period shakudo tsuba is a particularly nice example. A simple style but sophisticated in its simplicity. Its traditional lacquer saya is also most attractive, with its giant rayskin top section decor, and the saya showing very fine workmanship.

The tsuka-ito {hilt binding} is in stunning black, with chrysanthemum menuki, over traditional samegawa, and the fuchi kashira are beautiful antique silver, with shakudo clan mon, the Takeda-bishi 武田菱, of the Takeda clan.

The Takeda clan, a prestigious branch of the Minamoto clan (Seiwa Genji), used a clan mon (kamon) known as the Takeda-bishi (武田菱, Takeda Diamond), featuring four diamond shapes arranged in a larger diamond pattern. Based in Kai Province, this aristocratic samurai clan was one of the most powerful during the Sengoku period, led most famously by Takeda Shingen.
The emblem consists of four diamonds (菱, hishi) grouped to form a larger diamond or square.
Variations: While the core "four diamonds" (四つ割菱, Yotsubaribishi) remained consistent, the spacing between the diamonds sometimes varied, with the Takeda-bishi traditionally referring to a design with narrow gaps between the diamonds.
Symbolism: The crest is said to be derived from the armored "Tatenashi" suit worn by Minamoto no Yoshimitsu, the ancestor of the Takeda, or designed to represent the character "Ta" (田) in Takeda.
4 Elements (Furinkazan): Takeda Shingen famously used a battle standard representing the four elements—Wind, Forest, Fire, and Mountain—derived from Sun Tzu's The Art of War, which is often associated with the Takeda clan's spirit.
The Takeda were descendants of Emperor Seiwa (850–880) and a branch of the Minamoto clan, with Minamoto no Yoshikiyo (1075–1149) being the first to use the name Takeda.

The Takeda clan, particularly under Takeda Shingen, were known for their elite cavalry, and this four-diamond crest was widely recognized across Japan.

In the 1930s, the Takeda clan, a famous branch of the Minamoto clan (specifically the Seiwa Genji line), maintained its legacy and was represented by the martial artist Takeda Sōkaku (1859–1943), who was actively teaching Daitō-ryū Aiki-jūjutsu to elite members of Japanese society, including police and military officers. The clan mon upon the tsuka of this sword may indicate this once belonged to Takeda Sōkaku or his son Tokumune. Both clan leaders of the Takeda, and masters of the martial arts.
Tokimune Takeda (武田 時宗 Takeda Tokimune, 1916–1993), became the head-master of the art following Sokaku's death in 1943. Tokimune taught what he called "Daitō-ryū Aikibudō" (大東流合気武道), an art that included the sword techniques of the Ono-ha Ittō-ryū along with the traditional techniques of Daitō-ryū Aiki-jūjutsu.
Ono-ha Ittō-ryū (小野派一刀流) is a prestigious 16th-century Japanese kenjutsu (swordsmanship) school founded by Ono Jiroemon Tadaaki, based on the teachings of Itō Ittōsai. As the "one sword" school, it emphasizes defeating opponents with a single, precise cut, significantly influencing modern Kendo and traditional martial arts.

The nakago is clearly signed with Emperor Hirohito's period stamp {he the last divine emperor} and coloured rich red with some old preservative around 80 years ago. It could certainly be removed, but it has done a good job so far, and it assists in seeing the signature.

For those that have interest in original Japanese swords, this is a perfect way to have a superbly made original hand made sword that it mounted in original Japanese fittings of the early samurai form of katana.
** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned top-tier sword masters or customized commissions.
These blades, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us.

The world of antique and vintage sword collecting is a fascinating journey into the past, offering a unique lens through which to view history and culture. More than mere weapons, these artifacts serve as tangible connections to the societies and ancient times where they originated. Each blade tells a story, not just of the battles it may have seen but of the craftsmanship, artistic trends, and technological advancement of its time.

The swords mountings can be equally telling. Engravings and decorative elements may enhance the sword’s beauty and hint at its historical context. The materials used for them can reveal the sword’s age

Collecting antique swords, arms and armour is not merely an acquisition of objects; it’s an engagement with the historical and cultural significance that these pieces embody. As collectors, we become custodians of history, preserving these heritage symbols for future generations to study and appreciate.

We are now, likely the oldest, and still thriving, arms armour and militaria stores in the UK, Europe and probably the rest of the world too. We know of no other store of our kind that is still operating under the control its fourth successive generation of family traders

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris, in order to study and discuss our extensive collection, and he used the same words that are repeated in his book below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords  read more

Code: 26016

A Truly Exceptional & Rare Original 16th Century Italian Renaissance Sfondagiaco Eared Dagger, Named From The Protruding Twin ‘Ears’ of the Pommel Shaped As Stunning Masked Horned Goats.

An original and rare dagger used by Princes, Dukes and Kings, capable of perforating chainmail and sliding between metal armour plates.
An exceptionally rare and important so called 'Ear Pommel Dagger', from 16th century Venice, Italy. With a traditional form brass hilt, of twin plates double rivetted through the blade tang, finely engraved, with a pair of ear pommels, in the form of two simply stunning full relief masks of horned goats, backed with clam shell decoration. Double edged graduating blade.

What has been described the most valuable dagger in the world was another, most similar 'Ear Form Pommel Dagger', from the same era of the 15th century.
It was from the Nasrid dynasty in Spain and it sold in Sotheby's Auction house nine years ago for an incredible $6 million dollars. However that example was decorated with Islamic decoration in gold. Ear Daggers are considered the most important contribution to the Nasrid panoply of arms and armour. Ear Daggers probably originated from North Africa, although ancient Asiatic versions existed from 1200 bc. They were used in Spain during the 15th and 16th centuries, and also introduced to Italy and Christian Europe in the 15th century. Daggers of this type were once extremely fashionable among great and powerful nobles, princes and kings, and there exists a portrait of the young King Edward VI of England, now in the Royal Collection at Windsor Castle, clutching an Ear Dagger at his waist. Deriving its name from the striking design of the hilt pommel, the Ear Dagger (dague oreilles in French and alla Levantina in Italian) comprises two flattened, embossed or conical discs which resemble ears, issuing from either side of the grip a.
Only a handful of comparable examples of the Nasrid daggers exist, and mainly in museum collections.
Original 15th century ear daggers are only generally to be found in the finest national museums such as the Louvre, the British Royal Collection, the Metropolitan Museum, Fifteenth-century Italy was unlike any other place in Europe. It was divided into independent city-states, each with a different form of government. Florence, where the Italian Renaissance began, was an independent republic. It was also a banking and commercial capital and, after London and Constantinople, the third-largest city in Europe. Wealthy Florentines flaunted their money and power by becoming patrons, or supporters, of artists and intellectuals. In this way, the city became the cultural centre of Europe, and of the Renaissance. Italian Wars, (1494-1559) series of violent wars for control of Italy. Fought largely by France and Spain but involving much of Europe, they resulted in the Spanish Habsburgs dominating Italy and shifted power from Italy to north-western Europe.
The wars began with the invasion of Italy by the French king Charles VIII in 1494. He took Naples, but an alliance between Maximilian I, Spain, and the pope drove him out of Italy. In 1499 Louis XII invaded Italy and took Milan, Genoa, and Naples, but he was driven out of Naples in 1503 by Spain under Ferdinand V. Pope Julius II organized the League of Cambrai (1508) to attack Venice, then organized the Holy League (1511) to drive Louis out of Milan. In 1515 Francis I was victorious at the Battle of Marignano, and in 1516 a peace was concluded by which France held onto Milan and Spain kept Naples. Fighting began in 1521 between Emperor Charles V and Francis I. Francis was captured and forced to sign the Treaty of Madrid (1526), by which he renounced all claims in Italy, but, once freed, he repudiated the treaty and formed a new alliance with Henry VIII of England, Pope Clement VII, Venice, and Florence. Charles sacked Rome in 1527 and forced the pope to come to terms, and Francis gave up all claims to Italy in the Treaty of Cambrai (1529). By the Peace of Cateau-Cambr?sis (1559), the wars finally ended. 16 inches long overall, blade 11 inches.  read more

Code: 22159

Roman Key Ring, A Bronze Amulet-Ring Key. 1st to 3rd Century A.D.Around 1900 to 1800 Years Old. Worn From The Period of Emperors Trajan, Hadrian, Marcus Aurelius, Lucius Verus, & Commodus

Ancient Roman bronze key ring, an intriguing piece of functional jewellery.

For lack of pockets in their togas, the ancient Romans often wore keys to important boxes, etc on their fingers. The most intriguing items of Roman security hardware seem to be keys and lock bolts. Keys were used mainly for doors, chests, boxes, caskets, cupboards and padlocks. Less often they were used for ceremonial or decorative purposes, such as matron keys, jewelry items and votive offerings.

It is alleged that some ring keys were worn by women as symbols of household authority, as "keeper of the keys". This is probably true, but such are difficult to identify as having served that purpose. The wooden Egyptian pin tumbler locks were over two thousand years old by this time. Roman engineers modernized them and other lock constructions by replacing the wooden parts with corresponding parts made of metal.

The clumsy Egyptian pin tumbler locks were transformed into elegant Roman pin tumbler locks of steel, fitted with an ingenious Roman invention, steel springs. The locks were often tiny masterpieces in terms of both precision and design. All Roman door locks can only be opened from one side. There were illustrations in Le case e monumenti di Pompeii, four volumes by Fausto and Felice Niccolini, printed in Naples in 1854–96. Another author, Albert Neuburger, used the same images in his book on ancient technology, Die Technik des Altertums, printed in Leipzig in 1921. The cities of Pompeii and Herculaneum were buried in ash when the nearby volcano Mount Vesuvius erupted in 79 AD, and were eventually forgotten.
Likely worn over the first knuckle before the second, knuckle position, or around the neck as an amulet

Illustrations in Technik des Altertums. Reconstruction of a Roman pin tumbler door lock of metal, inside and outside, and an example of a key. Deutsches Museum, Munich. The first reconstruction of this lock was made by Louis Jacobi (1836–1910) for the Saalburg Museum north of Frankfurt.

For example; With regards to some expert conservation methods of bronze objects {and some other materials} The dirt from the surface of the object could be removed manually using a scalpel under magnification. Care would be taken not to dislodge the powdery, corroding surface. Where the surface was in particualrly bad condition the dirt will be left in situ and small areas might be locally consolidated using 2.5% HMG Paraloid B72 (methyl ethyl methacrlylate) in 50:50 Acetone (propan-1-one/dimethyl ketone) and Industrial methylated spirits (ethanol,methanol).  read more

Code: 25466

Superb, 1908 Pattern, Historical, British Cavalry Trooper's Sword by Mole & Wilkinson Sword Co. Issue of 1909. British Front Line Cavalry Issue, & 1918 Australian Light Horse Issue, Original 1918 Australian Light Horse Service Issue Buff Hide Sword Knot

Just returned from the workshop after 40 hours of expert hand polishing and conservation in order to return it, as close as possible, to its original issue bright polish finish. It revealed after all that expert effort it has just natural age wear and surface patination, and with no damage signs at all. It is now transformed back into its excellent condition for its age. We pride ourselves for the use of our expert conservation and restoration artisans, that are some of the very best available in the country, some expertly trained for over 40 years. Many types of conservation skills are now sadly lost, but some are still maintained, with no expense spared attitude in order to preserve historical artefacts for generations to come.

With many original ordnance inspection stamps still present, an the earliest is {'09} 1909, with several others, {'14} 1914, {'17} 1917, {'24} 1924, {'36}1936. It still has its original WW1 Australian issue buff hide sword knot still attached, by Hepburn, Gale & Ross Ltd. The knot also shows over 100 years of completely natural aging and darkening, yet still retains its great condition. The Australian service pattern issue knot differed somewhat from the standard British service issue leather knot.

Early British army regimental markings on the inner bowl, for the British front line regiments to which it was issued in 1909, and thus used at the outbreak of the war and through to the end of 1917, but its early war regimental markings were later struck out for its later war re-issue to the Australian Light Horse in 1918. No Australian Light Horse issue swords ever bore any Australian issue markings {certainly none that been found so far}. Likely as they were issued straight to the regiments direct at the front line in Turkey, and never went to the Australian ordnance until after the war.

One of the earliest issued examples of the 1908 trooper's sword, issued and used by British front rank cavalry, lancers and hussars from 1914, right through 1914,15,16,17, until it was re-issued and sent to Australian forces in 1918, as a WW1 Australian service, Australian Light Horse 1908 trooper's sword.
All the Australian issued swords came in 1918 to units in the Middle East and came from most British and Canadian cavalry units who were eventually dismounted in the trenches and had no further need for swords. The Australian regiment mostly used the 1908's in 1918 for routing entrenched Turkish forces positions. Before the availability of the swords the cavalry famously used their 1907 pattern hook quillon bayonets.

In its earliest service, it would have seen service with, for example, such as the 6th Dragoon Guards. In August 1914, the 6th D.G, deployed to France as part of the British Expeditionary Force. It served throughout the First World War (1914-18) on the Western Front, fighting in many engagements in both a mounted and infantry role. These included Mons (1914), the Marne (1914), the first two battles of Ypres (1914 and 1915), the Somme (1916), Arras (1917), Cambrai (1917) and Amiens (1918). 6 DG remained as mounted cavalry throughout the war, but there were occasions, notably during March/April 1918, when they did duty in the trenches or helped stem an attack. For these occasions they were dismounted temporarily. An original sword as can be seen used to incredible effect in the magnificent epic, by Steven Spielberg, 'Warhorse'. An antique original issue trooper's sword with full ordnance markings, used in the frontline British cavalry regiments during WW1. A current Cavalry pattern still used today by all forms of the current British Cavalry. Considered to be the best designed cavalry sword ever made. In exceptionally good condition, a superb collector's item from the finest cavalry in the world. Steel bowl with inner part still with original darkening present. Its steel scabbard is superb, as is its traditional service issue hardened rubber grip with crosshatching. Early in WW1, cavalry skirmishes occurred on several fronts, and horse-mounted troops were widely used for reconnaissance. Britain's cavalry were trained to fight both on foot and mounted, but most other European cavalry still relied on the shock tactic of mounted charges. There were isolated instances of successful shock combat on the Western Front, where cavalry divisions also provided important mobile fire-power. Beginning in 1917, cavalry was deployed alongside tanks and aircraft, notably at the Battle of Cambrai, where cavalry was expected to exploit breakthroughs in the lines that the slower tanks could not. At Cambrai, troops from Great Britain, Canada, India and Germany participated in mounted actions. Cavalry was still deployed late in the war, with Allied cavalry troops harassing retreating German forces in 1918 during the Hundred Days Offensive, when horses and tanks continued to be used in the same battles. In comparison to their limited usefulness on the Western Front, "cavalry was literally indispensable" on the Eastern front and, in the Middle East, & Turkey.  read more

Code: 25527

A Superb, Original, WW1 British Brodie 'Tommy' Combat Helmet. Veteran Painted With WW1 Cartoon & Theatre Character 'Old Bill'

Unlike the closure of most wars, every WW1 Tommy veteran was allowed to take home his helmet. A very few then decorated the surface with comedic scenes or regimental devices etc.

Old Bill is a fictional character created in 1914–15 by cartoonist Bruce Bairnsfather. It became a worldwide sensation. Old Bill was depicted as an elderly, pipe-smoking British "tommy" with a walrus moustache. The character achieved a great deal of popularity during World War I where it was considered a major morale booster for the British troops. Old Bill and his younger troopmate little Alphie were private infantrymen in the British Expeditionary Force.

Many claims have been put forth as being the model for "Old Bill" but the most likely appears to be Thomas Henry Rafferty, a lance corporal from Birmingham in Bairnsfather's regiment, the Royal Warwickshires, who was killed in the same action that invalided Bairnsfather in April 1915. Rafferty was featured in the Weekly Dispatch in 1917, referred to as "Old Bill," along with a photograph taken by Bairnsfather.

Bill & Alphie's, the Royal Military College of Canada on-campus cadet pub in Kingston, Ontario is named after Bruce Bairnsfather's Great War cartoon characters. Yeo Hall at the Royal Military College of Canada features sculptures of Bill and Alphie.

After the huge success of his first theatrical sketch Bairnsfatherland or the Johnson 'Ole (written in collaboration with Basil Macdonald Hastings) in the London Hippodrome revue Flying Colours in September 1916 , and with a second sketch due to open in See-Saw at the Comedy Theatre in Spring of 1917, the suggestion was made that Bruce Bairnsfather should write a full length play based around his popular character Old Bill,

The idea was taken up by Bairnsfather and, in collaboration with Capt. Arthur Eliot, he wrote a comedy-drama titled The Better 'Ole. It was made up of two acts and eight scenes (described in the programme as "Two explosions, Seven Splinters and a Short Gas Attack"): at a "Gaff" behind the lines, outside the Cafe des Oiseaux near the front, in billets behind the line, on the way back "in," in the trenches, at Headquarters, on the Leave Train and back at Old Bill's home in England.

First produced by Charles B Cochran at the Oxford Theatre, London on 4 August 1917, The Better 'Ole was an instant hit. Within a few months Cochran had sent out several touring companies, which took the play to all corners of the UK over the next 2 years. It was also produced around the world - from New York to Sydney, and Bombay to Tokyo - by several theatrical companies, and met with huge success wherever it was played.  read more

Code: 25537

A Solid Hallmarked Sterling Silver Horse, By Carrington and Company Of Regent Street, London, In 1961. Silversmiths To Queen Victoria, Prince Albert, Edward VII and George V, Czar Nicholas I & II,Queen Alexandra of Russia.

A beautifully crafted horse, standing erect and proud, finely cast with a finely hand engraved coat

Made in two parts, with the horse free standing upon its rectangular base {hallmarked}. The horse is hallmarked upon its hoof.

The firm of Carrington was named after its founder John Bodman Carrington who established his manufacturing business at 130 Regent Street.

He was listed as a silversmith, goldsmith and jeweller working from the London premises of the Birmingham silversmiths G.R. Collis & Co. The business was re-styled Carrington & Co in 1880 and the firm specialised in extra strong silver plate for use in restaurants, hotels and ships.

By the early 1890s Carrington were advertising themselves as jewellers, diamond merchants, dealers in precious stones and manufacturing silversmiths. At this time the partners were John Carrington, William Carrington Smith and George Bruford. They were awarded the Royal Warrant by Queen Victoria and would go on to gain the warrants of Prince Albert, Edward VII and George V, as well as Nicholas I and II and Queen Alexandra of Russia. In 1893 they created the beautiful Dorset bow brooch for Queen Mary and in 1911 they set the famous Cullinan diamonds numbers III and IV into a brooch/ pendant for her, a jewel now owned by the Queen who affectionately refers to them as ‘Granny’s chips’.

John Carrington became Prime Warden of the Goldsmiths’ Company in 1903 and retired from his business in 1906 leaving W.C. Smith to continue as sole remaining partner. Carrington co-authored a book ‘The Plate of the Worshipful Company of Goldsmiths’ which was published shortly before his death in 1926. The firm was converted into a limited liability company in 1922 and was eventually bought out by the firm Collingwood.  read more

Code: 25509

A Superb Crimean War and US Civil War Period Crystal Masonic Gaming Tumbler

A good size crystal gaming tumbler, engraved with numerous Masonic symbols, including the square and compass, with three gaming dice sealed within the glass hollow base.
Circa 1850's.
After 4 years of war, the weary and almost defeated Confederate Army was retreating and leaving the Confederate capital of Richmond to its own fate. As the army retreated, fires broke out in all sections of the city. Hoodlums, deserters, and criminals, with no law and order, began to pillage the city.

Just as the city seemed to be doomed, a Union cavalry unit swung up Franklin Street. The bearded colonel looked warily at the riff raff around him who were about to fire a building which bore a sign "Masonic Hall." Taking command of the moment, he halted his troopers and ordered that an adjutant "have all Masons wheel out of column." Almost half of his force moved out. From this group he ordered a suitable guard to protect the Masonic Temple. The column reformed and resumed its ride. Later General Godfrey Weitzel, a Mason, gave the order, after a request by the Lodge, to continue the guard. The building saved is said to have been the oldest purely Masonic building in America with records dating back to 1787, and the historic building itself was built in 1785 by Richmond Lodge 10. The Grand Lodge assembled here after its formation in Williamsburg until its move in 1869.

In the battle for Galveston, Texas a young Union naval officer who was a Mason was killed on board one of the Union vessels.

An armistice was sought and given for his burial at sea and his father, a Confederate officer, attended the funeral on board.

It was an April morning three days after General Robert E. Lee had surrendered to General U.S. Grant. The Southern troops, led by General John B. Gordon, a Mason, were marching in columns towards the Northern troops who were standing in formation waiting for the Southerners to stack arms and fold their flags. Suddenly a shifting of arms is heard. Gordon looked up with alarm. There was nothing to fear. General Joshua Chamberlain had ordered his troops to assume the position of "honor answering honor." Immediately, the Confederate troops snapped to attention and returned the honor. It was the first act to heal the wounds of a nation that had spent four years and 618,000 lives in civil war. That command of "honor answering honor" was ordered by a Mason.

Major General Joshua Chamberlain was a member of United Lodge 8, Brunswick, Maine. After the war, he became Governor of Maine from 1866-1871 and President of Bowdoin College from 1871-83.  read more

Code: 25504